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Paramount  made 
some  big  promises 
when  it  announced 
the  "Famous  41," 
but  when  '  'Blood  and 
Sand"  came  along  it 
was  even  bigger  than 
you  had  imagined. 
It  broke  records 
everywhere. 


Ct  paramount  Qidure 

Rpdolph  yalentino 
Blood  and  Sand 


A  Fred  Niblc 
production. 
From  the  nov< 
by  Vicente  Blai 
Ibanez     and     t 
play    by    To 
Gushing. 
Scenario  by  Ju 
Mathis. 


And  right  on  top  o1 
that  came  ''Man 
slaughter' '  —  anothei 
smashing  hit,  ac 
claimed  as  DeMille'j 
masterpiece.  Lots  o 
people  thought  thai 
those  two  picture? 
could  never  be  equal 
led  the  best  apple? 
at  the  top  of  th( 
barrel.     But— 

(see  next  page) 

Ct  Q>aramountQ>idure 

Cecil  B.  DeMille's 
'M^iriciaughter' 

th  THOMAS  MEIGHANTLeatrice  Joy, 
Lois  Wilson 


Adapted  from  ' 

Alice  Duer 

Miller's    book    by 

Jeanie 

Macpherson. 


ZVt 


Scanned  from  the  collection  of 
David  Pierce 


Coordinated  by  the 

Media  History  Digital  Library 

www.mediahistoryproject.org 


Digitized  by  the  Internet  Archive 

in  2011  with  funding  from 

IVIedia  History  Digital  Library 


http://www.archive.org/details/filmyearb1922192223newy 


''The  Old  Home- 
stead," as  big  if  not 
bigger,  came  along 
immediately  and 
stormed  the  country. 
Everybody  knewthen 
that  no  matter  how 
big  Paramount's 
promises  were,  the 
fulfilment  would  be 
bigger. 


a  Cparamount  Cpicture 

Theodore  Roberts 
The  Old  Homestead 


A  James  Cruze 

production. 
Adapted  from 
Denman    Thomp- 
son's play  by 
Perley  Poore 
Sheehan  and 
Frank  Woods. 


And  the  high  hopes 
that  these  three  had 
encouraged  were 
more  than  justified 
by  "To  Have  and  To 
Hold,''  with  Betty 
Compson  and  Bert 
Lytell.  The  great 
organization  behind 
Paramount  is  your 
guarantee  that  this 
dependable  supply 
will  continue. 

(see  next  page) 


By 

Mary  Johnston. 

Scenario  by 
Ouida  Berg  ere. 


(2  C/>aramount  Cpicture 

George  Fitimamices 
To  Have  and  To  Hold ' 


with  Betty  Compson  and  Bert  Lytell 


''Clarence/'  another 
masterpiece,  proved 
the  laughing  hit  of 
the  year.  And  all  the 
other  Paramount  Pic- 
tures not  listed  here, 
proved  worthy  of  the 
trade  mark.  The  ex- 
hibitors who  showed 
the  ''Famous  41'^ 
hadn't  a  worry  in  the 
world. 


Ct  C/>araniountQ>idure 

^lliam  deMille's 
'Clarence" 


With 

Wallace    Reid, 

Agnes   Ayres   and 

May    McAvoy. 

By    Booth 

Tarkington. 

Screen  play  by 

Clara    Beranger. 


A 
George 

Fitz- 
Maurice 

production 

By  Willard  Mack 


Kick  In,;'  like  the 
five  just  listed,  is  a 
picture  which  in  any 
other  season  would 
have  been  the  out- 
standing hit.  But  this, 
thanks  to  Paramount, 
was  a  season  of  record- 
breakers.  And  Para- 
mount has  bigger 
plans  for  the  future. 
More  big  promises— 
that  will  be  kept! 

(X  Q>aramounl  Q>icture 

Kick  In 
Betty  Compjon,  BertLytell 

May  McAvoy 


Scenario  by 
Ouida  Bergere. 


FAMOUS  PLAYERS-IASKY  CORPORATION 

. —  ADOLPH    ZUKOP.    P^.fid.At  < 


FILM  YEAR  BOOK 

1922-1923 


■« 


Replete  with  statistical  data  and  other  information 
of  interest  to  all  identified  with  the  production, 
distribution  or  exhibition  of  motion  pictures,  in- 
cluding a  complete  record  of  all  feature  produc- 
tions of  the  year,  recorded  separately  as  well,  under 
lists  of  productions,  directors,  stars  and  camera- 
men.     This   information   should   prove   invaluable. 


//  ts  suggested  that  the  Year  Book 
be  retained  for  reference  purposes 


WID'S  FILMS  AND  FILM   FOLKS,  INC. 

JOSEPH   DANNENBERG President  and   Editor 

JOHN    W.    ALICOATE Secretary  and  Business  Manager 

71  WEST  FORTY-FOURTH  STREET NEW  YORK,  N.  Y. 

6411    HOLLYWOOD    BOULEVARD HOLLYWOOD,    CAL. 


WILLIAMSON  UNDERSEA  PICTURES 

"Most  Fascinating  Attraction 
Ever  Brought  to  the  Screen" 

Under  the  title  of 

"Submarine  Photography — A  New  Art" 

The  Scientific  American  gave  its  front  page  and 

leading  article  on  this  original  accomplishment  by 

J.  E.  Williamson 

Then  followed: 

The  Williamson  Submarine  Expedition 

Twenty  Thousand  Leagues  Under  the  Sea 

The  Submarine  Eye 

The  White  Heather 

Girl  of  the  Sea 

Wet  Gold 


Wonders 

of  the 

Sea 


"As  thrilling  as  the  most 

sensational  melodrama." 

N.  Y.  Eve.  Mail 


Coming:    "UNDERTOW" 

Story  by  E.  Lloyd  Sheldon 


Index 


Admission  Tax  Figures 352 

Al  Lichtman  Exchanges 155 

Allied  Amusement  Industries.  .  .336 
Allied  Film  Laboratories  Mem- 
bership     334 

Afifiliated    Picture    Interests    of 

Los  Angeles 300 

American  Society  of  Cinemato- 

graphers 161 

A.  M.  P.  A 343 

Assistant   Directors  Asso 399 

Authors  League  of  America.  .  .  .161 

Better  Films  Movement 399 

British  Film  Industry  Gross.  .  .  .409 

Casting  Agents   37 

Cameramen   and   their   Produc- 
tions    Ill 

Capitol  (New  York)  Record.  ..  .331 
Censor  Board  Standards — 

District  of  Columbia  (Police). 338 

Kansas 338 

Chicago  (Police)    338 

Maryland    339 

Ohio   339 

Pennsylvania    339 

New  York 340 

Texas   (Dallas)    340 

Virginia    340 

Ontario  (Canada)   340 

Quebec 341 

Australia    341 

London    342 

French  and  Italian  Standards. 342 

Philippines    343 

Holland    343 

New  Zealand   343 

Chautaqua   Circuits    429 

Coming  Year  and   Expressions 

on  the  Outlook 374 

Chains  of  Theaters 278 

Color  Photography  Progress  in 

1922 171 

Contents  of  1920  Year  Book 301 

Contents  of  1921  Year  Book 302 

Clubs  Listed  by  States 394 

Directors  and  their  Productions.  97 
Department  of  Agriculture  Re- 
leases     225 

Distribution  Percentage  Table..  173 
Distributors  Exchange  Addresses. 187 
Distributors   of   Non-Theatrical 

Pictures   307 

Directors  of  Serials 428 


Editors  and  Title  Writers 161 

Early  Days  in  Australia 171 

Exhibitors     Accessory     Buying 

Guide    251 

Federal  Trade  Commission  Work.372 
Financial   Statements — 

Famous  Players-Lasky   335 

Fox  Film 336 

Loew's,  Inc 337 

Pathe  Exchange,  Inc 338 

Foreign — 

Germany 417 

Czecho-Slovakia   419 

Austria 420 

Turkey 420 

Jugo-Slavia 420 

English  Producers    411 

English   Importers    411 

English   Renters    411 

Reports  of  Bureau  of  Foreign 
and  Domestic  Commerce.  .  .421 
European  Picture  Theaters. 427 
Canadian  Import  Tax  Rul- 
ing    427 

French    Export    and    Import 

Figures  427 

Secretary  of  Commerce  Hoo- 
ver's   Report    on     Foreign 

Business    427 

Foreign  Exchange  Addresses  of 
Important   Distributing   Co. 's. 407 

Foreign  Buyers 407 

Foreign  Market   403 

40  Best  Pictures  of  Year 350 

First  Run  Houses 268 

Film  Editors 161 

F.  I.  L.  M.  Clubs 175 

Federation  of  Art 175 

Freight  Rates  for  Film  Shippers.304 
Film  Deliveries,  New  York  City. 387 

Famous   Players  Theaters 305 

"The  Future,"  by  Will  H.  Hays.     1 

Golf  Tournaments    396 

Hoy  Statement   267 

Headlines  of  the  Year 309 

Independent   Prod.   Releases.  ...  153 

Ind.  Prod,  and  Dis.  Asso 155 

Important  Legal  Decisions — 

Nathan   Burkan    365 

Arthur  Butler  Graham 368 

House,  Grossman  &  Vorhaus.368 

Louis  Innerarity   368 

Elek  John  Ludvig 369 

William  M.  Seabury 369 


Important  Legal  Holidays 334 

Independent      Exchanges      and 

Productions  Handled   207 

Incorporations  of  the  Year 295 

Key  Cities  with  Important  Near- 
by Towns   177 

Loew's  Allied  Incorporations.  .  .373 

Laboratories    165 

Los  Angeles  Affiliated    Picture 

Interests   300 

List    of    Clubs,    Societies    and 

Unions   394 

Lyceum    Bureaus    397 

Motion  Picture  Publications.  . .  .353 

M.  P.  T.  O.  A.  Officers 267 

Motion  Picture  News'  12  Most 

Important  Men   267 

Music  Publishers,  Tax  Free  and 

Otherwise    243 

M.  P.  D.  A 398 

Motion  Picture  Actors  Asso 399 

National  Park  Service 354 

Newspaper  Syndicates 344 

New  York  City  Film  Deliveries. 387 
Non-Theatrical  Picture  Distrib- 
utors   307 

Officers  of  the  M.  P.  T.  O.  A..  .  .267 
Operating  Costs,  10  Years'  Com- 
parison     245 

Pennsylvania      Non  -  Theatrical 

Regulations   343 

Percentage  Tax  to  Admissions.. 334 
Productions  of  Year  (together 
with  name  of  releasing  com- 
pany, release  date,  names  of 
star,  director  and  date  of  re- 
view)       41 

Picture  Making  in  South  Africa.    31 
Projection  Rooms,  New  York.  .  .159 
Play  Brokers,  New  York.  ...  159  161 
Productions  of  the  Year   (com- 
pany releases) 91  303 

Periodical  Literature  Regarding 

Industry 35^5-383 

Moving  and  Talking  Pictures. 356 

Actors  and  Actresses 356 

Moving  Picture  Industry..    ..356 

Church   Work    357 

Education    357 

Not   in   America 357 

Plays    357 

Photography 357 

Sets    357 

Pictures  and  Morals 357 

Acting    357 


Under  Sea  Photography 357 

Censorship    383 

Personnel  of  Important  Produc- 
ing and  Distributing  Organ- 
izations     384 

Production  Cost  Sheet 167 

Producers  of  Short  Reels 169 

Productions  Distributed  by  In- 
dependent Exchanges  .  .  .  .207-387 

Productions  of  the  Year 95-303 

"Romantic    History    of   Motion 

Pictures"   9 

Releases  of  Independent  Pro- 
ducers     153 

Releases  of  Department  of  Ag- 
riculture     225 

Rental  Tax  Figures 352 

Report  of  Cinema  Club,  Cleve- 
land   383 

Resume  of  Hays'  Organziation 

Work    331 

Scenario    Editors    37 

Stars  and  their  Productions 105 

Scenario  Writers'  Productions.  .  119 

Serial   Outlook    333 

Studio  Props,  Furniture,  Cos- 
tumes, etc.,  Hollywood 157 

Studio  Props,  Furniture,  Cos- 
tumes, etc..  New  York 159 

Some  Men  You  Know  (Photo- 
graphs)     359 

Statistics  of  the  Industry 331 

Supply  Dealers    237 

Studios,  West  Coast 163 

Studios,  East   163 

Serial  Directors    428 

Short  Subject  Releases 196 

Societies  Listed  by  States 394 

Seating    Capacities,    Broadway 

Theaters    401 

Statistical  Table   405 

Tarifif  Rates   352 

Ten  Best  Box  Office  Titles 428 

Ten  Best  Pictures  of  1922 345 

10  Best  Plavs 350 

10  "Best   Sellers" 350 

Titles  and  List  of  Over  4,000 
Features  Released  from  Sept. 

1919,  to  Jan.   1923 125 

Terry  Ramsaye's  "The  Roman- 
tic History  of  Motion  Pic- 
tures"       9 

Theater  Chains   278 

T.  O.  C.  C.  (N.  Y.)  Membership. 247 

Western  M.  P.  Advertisers 344 

What  of  Censorship? 379 


Index  to  Advertisers 


A 

Abbey    Pictures    Corp 212 

Adolfi,     John 94 

Allied    Authors 4 

Alt,     Alexander 248 

Alynlu     Studio 236 

Apfel,     Oscar 126 

Apollo   Trading   Corp 214 

Archainbaud,     Geo 188 

Associated    First    National.  .  .    10 
Atlantic   Features,    Inc 192 

B 

Ballin,    Hugo    Prods 154 

Barnes    Printing    Co 226 

Barnes,    Roy   T 50 

Beaumont,     Harry 154 

Bedford,    Barbara 106 

Beery,     Noah 162 

Bennett,    Enid 16 

Bennett,    Whitman    Studios..    62 

Bingham,    E.    A 118 

Blythe,     Betty 160 

Boyle,    Jack 39 

Browne,    L.    A 124 

Browning,     Tod 40 

Buchheister,    Oscar    C 244 

Burr,     C.    C 210-211 

c 

Caldwell,    Fred     320 

Campbell,     Webster 166 

Carewe,    Edwin 6 

Carey,     Harry 14 

Chaney,    Lon 160 

Chaplin-Classics     198 

Christie    Comedies 194 

Claremont     Laboratories 112 

Circle     Press 77 

Cobb,    Agnes    Egan 216 

Cody,     Lew 72 

Collier,    Buster     232 

Coogan,    Jackie    Prods 310 

Craig,     C 170 

Creske-Everett,    Inc 351 

Cronjager,     Henry 182 

Crosland,    Alan 48 

Cummings,     Irving 74 

D 

Day,     Shannon 284 

Dent,    James 75 

Depew,     Joseph 164 

Distinctive    Prods.,    Inc 2 

E 

Earle,     Ferdinand 32 

Educational    Films 195 

Edwards,    J.    Gordon 20 

Emerson,    John 116 

Evans,    Madge 64 

Export  &   Import  Film  Co... 402 

F 

Far    East    Film    Corp 408 

Fazenda,    Louise 162 

Fischbeck     Harry   A 184 

Folsey,    George  Jr 180 

Fort,   Garrett  E 118 

Fox,     Wallace 178 

Frazer,   Robert  W 174 

G 

Garson,     Harry 128 

Garsson,    Murray  W 152 

Gasnier     Prods 42 

Glennon,    Bert 182 

Goldwyn    Pictures 8 

Goulding,   Edmund.  .  Inside  Back 

Graf    Prods 100 

Graphic    Photo   Engraving...    77 

Green,   Alfred  E 54 

Griffith,     Corinne 176 

GriiTfith,    D.   W 12 

Griffith,    E.    H 60 


H 

Hass,    Robert    M 39 

Hammerstein,    Elaine 70 

Hampton,    Hope    Prods 44 

Harris    Advertising    Co 312 

Hartigan,    P.    C 174 

Hayward,     LiUie 320 

Heerman,     Victor 68 

Heibart,     Holmes 52 

llerz    Film    Corp 404 

Holubar,   Allen   Prods 28 

housman    Comedies 202 

Howells,    D.   P 406 

Hull,   A.   S 180 

Hutchison,    Chas 192 

I 

Independent  Pictures  Corp..  .208 
Inspiration  Pictures  Corp....  92 
Inter-Globe    Export    Co 406 

J 

Jawitz     Pictures 308 

Jones,    Johnnie 186 

K 

Kane,    Gail 58 

Kenyon,     Robert 296 

King,    Henry 38 

Klein,    Edward   L 410 

Knoles,    Harley 98 

L 

La    Plante,    Laura 172 

Lascelle,     Ward 242 

Lee,     Rowland 190 

Lichtman,  Al  Corp 150 

Lloyd's    Film    Storage 358 

Logan,     Jacqueline 166 

Loos,    Anita 166 

Lorch,    Iheo 286 

Lund,    O.   A.    C 82 

Lynch,     John 122 

Lytell,    Bert 73 

Mc 

McKee,     Raymond 172 

M 

Mackaill,    Dorothy 170 

Mason,    Lesley 124 

Melford,   George  H 34 

Messmore,    Herbert    L.    Co...    78 

Milar,    Adolph 176 

Miller,   J.   Clarkson.  .  .    120 

MiUigan,    Carl 116 

Montagne,     Edward 69 

Mortimer,     Edmund 190 

MuUin,    Eugene 102 

N 

Neilan,    Marshall   Prods 24 

Niblo,    Fred 16 

Nigh,    Wm 30 

Noble,    John   W 242 

o 

Overbaugh,    Roy    F 39 

P 

Paramount    Pictures 

Inside    Front    Cover  &  A.  &  B. 

Parsons,    Agnes 126 

Pause     BiU 288 

Photoplay     Magazine 79 

Powers       Fourth      Engraving 

Co.  .  76 

Principal    Pictures 310 

Prizma,     Inc 56 

Producers  Securities  Back  Cover 


R 

Ray,    Chas.    Prods 26 

Reed,     Luther 122 

Renown     Pictures 212 

Rex   Film   Laboratories 282 

Roberts,     Edith 168 

Robertson,    John    S.    Prods...    22 

Rogell,    Albert 178 

Roscoe,     Albert 106 

Rothacker    Fihn   Mfg.   Co 110 

Rowland,     Helen 164 

Rubin,     1 250 

s 

Scott,   John    D 184 

Second       National       Pictures 

Corp 206 

Security    Trust 244 

Seiter    Wm.    A 236 

Selden,    Edgar 64 

Selznick  Pictures  Corp.   64A-64B 

Selznick,    Myron 65-  65 

Shearer,     Norma 296 

Shipman,     Ernest 151 

Silvera,    G.    R 80 

Sloman,    Edward 81 

Smith,   Jess 158 

Standard   Film  Laboratories.   108 
Stanley  Company  of  America 

238 

Stanton,     Richard 78 

Staulcup       Cinema       Service, 

Inc 156 

Stewart,    George 286 

Stone,    Lewis    S 284 

Storey   Pictures,    Inc 202 

Strauss,   Wm.   H 168 

Superior    Slide    Service  77 

T 

Tec-Art    Studios,    Inc lA-lB 

Technical    Book    Co 314 

Terriss,    Tom 46 

Tilford    Cinema 158 

Truart    Pictures    Corp.,    Inc.  .104 

Tuers,    W.    H 186 

TuUy,    Richard  Walton 234 

u 

Unsell,    Eve 246 

United    Studios 246 

V 

Venturini,    E.    D 188 

Vignola,     Robert 18 

Vogel,    Wm.    M 404 

Volck,  Adulbert  George 67 

w 

Walton,    Chas 155 

Warde,     Reginald 408 

Warner,    Brothers 96 

Washburn,     Bryant 71 

Weshner-Davidson   Agency... 250 

Whittaker.    Chas.    E 114 

Williamson,  J.  E Opp.  Index 

Winkler,    M.   J 200 

Worsley,    Wallace 36 

Y 

Young,   Jas 234 

Young,    Tammany 308 

Young,  Waldemar 120 

z 

Zeidler,    Crimen   J 248 

Zeidman,  B.  F 318-319 

Zucker,    Frank 186 


The    Outlook 

By  Joe  Dannenberg  ("Danny"),  publisher  and  editor  of  THE  FILM  DAILY 


G 


REAT  in  importance  is  the  outlook  for 
1923.  Troublesome,  perhaps,  as  well. 
For  the  problems  confronting  all  phases  of 
the  industry  are  many,  and  the  agitation, 
on  the  eve  of  the  year,  is  replete  with  pos- 
sibilities. 

Not  the  least  of  importance  is  the  possi- 
bility of  the  development  of  a  huge  pro- 
ducing and  distributing  machine  on  the  part 
of  organized  exhibitors.  Officials  of  the 
Motion  Picture  Theater  Owners  of  America 
are  heading  a  movement  which,  during  the 
year,  may  assume  real  proportions.  If  the 
movement  develops,  as  many  believe  it  will, 
it  will  assuredly  urge  material  activity  on  the  part  of  the  present  large 
distributing  organizations.  This  activity  may  result  in  several  definite  moves, 
intended  to  offset  the  exhibitor-producing-distribution  development.  It  may 
find  a  resumption  of  activity  on  the  part  of  Famous  Players  in  securing  more 
houses  for  its  product;  it  may  find  the  Loew-Metro  group  active  in  developing 
further  houses  for  the  Loew  chain ;  it  may  find  Associated  First  National  suf- 
ficiently antagonistic  to  further  develop  the  sub-franchise  idea,  and  in  addi- 
tion, movements  on  the  part  of  the  individual  distributing  companies — to  say 
nothing  of  what  may  happen  among  producers — in  an  effort  to  sustain  their 
existing  organizations. 

Should  the  exhibitor  movement  fully  develop  it  is  a  question  at  this 
moment,  whether  it  could  assume  very  definite  form  much  before  the  Spring 
or  perhaps  the  Fall  season  of  1924.  Many  cities  have  to  be  canvassed  during 
the  Spring;  and  assuming  the  capital  of  $5,000,000  is  subscribed,  or  a  suffi- 
cient amount  to  warrant  going  ahead  actively,  it  will  take  time  to  secure 
productions,  to  build  the  necessary  distribution  machine  and  prepare  the 
many  cogs  in  the  big  wheel  before  it  can  turn.  It  is  simple  to  discuss  the 
idea  of  a  production-distribution  machine  of  this  size;  it  is  another  matter 
to  perfect  it  to  the  point  of  operating  with  a  reasonable  degree  of  perfection. 
There  is  probably  no  other  matter  of  such  proportion  facing  1923.  There 
are  many  thoroughly  experienced  men  in  the  producing  and  distributing  end 
of  the  business  who  look  with  trepidation  at  the  exhibitor  movement.  They 
fear  the  consequences,  and  do  not  hesitate  to  say  so.  Among  other  possible 
developments  they  fear  the  possibiHty  of  a  national  booking  organization  on 
the  part  of  certain  distributors,  several  of  whom  were  interested  a  few  years 
ago  in  the  proposed  national  booking  plan  developed  by  Jules  E.  Mastbaum 
of  the  Stanley  Company  of  America.  They  do  not  hesitate  to  say  that  unless 
such  an  organization  was  operated  to  the  utmost  degree  of  ethical  efficiency 
that  it  would  result  in  grave  difficulties;  but  they  point  to  the  unlikelihood 
of  such  a  possibility,  and  immediately  present  the  thought  of  difficulty  devel- 
oping in  the  exhibitor  organization  from  this  very  viewpoint.  It  is  unfor- 
tunate that  the  ethical  side  of  the  industry  has  not  been  developed  to  a 
stronger  point ;  unfortunate  for  all  parties  concerned. 

HARMONY 
There  is  nothing  at  the  moment  indicative  of  a  better  relationship  exist- 
ing between  the  exhibitor  branch  of  the  trade  and  the  distribution  and  pro- 
duction end.     All  efforts  to  secure  a  better  relationship  between  the  Hays 
organization  of  producers  and  distributors,  and  the  organized  exhibitor  body, 


have  failed.  The  possibiHty  of  Roscoe  Arbuckle  returning  to  the  screen 
furnished  an  opportunity  for  the  officials  and  leaders  of  the  M.  P.  T.  O.  of  A. 
to  vent  their  feelings  towards  the  Hays  organization  in  no  uncertain  terms, 
and  the  inability  of  these  organizations  to  secure  a  standard  form  of  contract, 
also  demonstrated  the  existence  of  the  wide  gap  which  exists.  No  one  with 
sane  reasoning  can  figure  why  there  should  not  be  a  better  understanding 
between  these  pivotal  branches  of  the  industry.  Indications,  however,  point 
to  the  continuance,  if  not  a  widening,  of  the  existing  breach.  Unfortunate 
as  this  is,  no  one  seems  able  to  develop  that  degree  of  understanding  which 
might  change  the  situation.  The  politics  of  the  exhibitor  organization  are 
largely  responsible  for  this.  But,  in  behalf  of  the  exhibitor  body,  there  is 
hardly  a  doubt  but  that  they  have  grievances  which  should  be  satisfied.  But 
the  lack  of  confidence  existing  hardly  warrants  the  belief  that  there  will  be  a 
better  understanding  in  1923  than  heretofore. 

PRODUCTION 

Production  plans  for  the  year  are  interesting.  Probably  nothing  is  of 
greater  importance  than  the  proposed  working  arrangement  between  Warner 
Brothers  and  David  Belasco.  If  this  works  out  as  planned,  and  the  master 
of  the  stage  actively  becomes  interested  in  the  screen  production  of  his  plays, 
a  great  step  will  have  been  made  in  bringing  to  the  screen  that  artistry  and 
charm  which  have  always  identified  the  Belasco  successes  on  the  stage.  The 
ambitious  program  of  the  Warners  is  not  a  secondary  phase  of  the  outlook. 
Among  the  other  "independent"  producers  whose  plans  are  of  importance 
are  those  of  the  Al  Lichtman  Corp.,  which  secured  an  unusual  start  with  the 
release  of  "Rich  Men's  Wives." 

The  older  companies  present  an  interesting  program.  Famous  Players 
will  bank  heavily  on  "The  Covered  Wagon"  as  one  of  their  outstanding  pro- 
ductions. At  the  moment  there  is  no  indication  that  the  breach  between  Val- 
entino and  Famous  will  be  straightened  out.  Valentino  quickly  became  a 
tremendous  box  office  asset  following  his  appearance  in  "The  Sheik."  Asso- 
ciated First  National  will  continue  to  bank  on  the  Talmadge  sisters  as  their 
outstanding  bet.  Chaplin  goes  to  United  Artists  during  1923.  Goldwyn, 
practically  reorganized,  will  depend  largely  on  "The  Christian"  and  possibly 
"Ben  Hur"  in  addition  to  the  Marshall  Neilan  productions  for  the  coming 
year.  The  United  Artists,  with  Fairbanks,  Pickford  and  Chaplin  on  the  pro- 
gram, in  addition  to  the  Griffith  output,  and  with  the  Allied  Artists  co-related, 
promises  to  prove  an  important  factor  again.  There  has  been  considerable 
criticism  of  the  policy  inaugurated  by  Fairbanks  and  Pickford,  of  only  having 
one  or  two  pictures  a  year,  big  though  they  may  be,  and  costly.  Exhibitors 
contend  that  they  would  be  far  more  helpful  to  the  industry  as  a  whole  if  they 
appeared  oftener.  As  an  instance  to  prove  their  contention  they  cite  the 
rapid  growth  of  Harold  Lloyd,  who  stepped  out  vigorously  during  1922  and 
established  a  prominence  as  a  comedian  which  promises  to  give  Chaplin  much 
difficulty  to  maintain  his  standing  as  the  premier  comedian  of  the  screen. 
Lloyd  developed  into  a  comedian  of  feature  length  pictures  and  the  first  few 
of  his  productions  quickly  gave  him  a  forward  place.  Much  will  be  expected 
of  him  during  1923.     In  his  behalf  Pathe  promises  much. 

Probably  no  other  organization  in  the  business  developed  such  headway 
during  1922  as  Metro.  Only  the  tremendous  success  of  "The  Four  Horse- 
men" prevented  this  organization  from  disintegrating.  The  success  of  the 
Ibanez  production  not  only  gave  Rex  Ingram  a  foremost  position  as  a  pro- 
ducer-director, but  incidentally  set  Metro  along  the  path  of  "big"  pictures. 
In  this  they  proved  remarkably  successful.  All  the  Ingram  pictures  proved 
very  successful  at  the  box  office,  the  Mae  Murray  productions  proved  an  unus- 
ual success — and  an  unexpected  one — and  what  with  these  and  their  "specials" 
Metro  forged  forward  and  became  recognized  as  one  of  the  companies  from 


which  much  is  to  be  expected  during-  this  year.  The  Selznick  organization 
expects  "Rupert  of  Hentzau"  to  set  them  well  up  during-  the  year  as  an  im- 
portant production  organization. 

Practically  every  executive  of  importance  has  expressed  the  belief  that 
"only  big  pictures  pay."  To  this  end  producers  generally  directed  their  en- 
deavors. There  were,  however,  during  the  past  year  a  number  of  successes 
which  prove  the  desirability  of  good  pictures  at  a  price  to  the  exhibitor  where- 
by he  could  establish  a  profit  and  yet  at  the  same  time  satisfy  his  clientele. 

Universal  Film,  with  "The  Storm,"  demonstrated  this  most  satisfacto- 
rily. This  same  organization  has  in  contemplation  for  1923  several  produc- 
tions which  thev  think  will  meet  with  the  same  result,  notably  Booth  Tark- 
ington's  "The  Flirt,"  made  by  Hobart  Henley.  In  addition  there  is  a  strong 
possibility  of  Universal's  big  production  of  "The  Hunchback  of  Notre  Dame" 
being  released  during  the  coming  year.  For  some  time  past  Lon  Chaney  has 
keenly  desired  to  make  this. 

While  the  "big"  specials  of  Fox  Film  failed  in  a  way  to  prove  the  box 
office  sensation  comparable  with  those  of  1921.  there  is  no  indication  that 
Fox  will  step  aside  from  the  big  special  program  for  the  coming  year. 

The  Film  Booking  Offices  of  America — the  reorganized  Robertson-Cole 
Corporation — has  some  ambitious  plans  including  "The  Third  Alarm,"  a 
fireman's  picture  somewhat  on  the  order  of  "In  the  Name  of  the  Law,"  a 
policeman's  picture,  and  it  is  understood  that  they  are  going  into  the  rail- 
roads, the  life  of  a  postman  and  other  such  human  subjects  as  part  of  their 
program.  This  type  of  picture  invariably  meets  with  success  because  of  its 
common  appeal. 

Vitagraph  plans  more  important  productions.  The  likelihood  of  Samuel 
Goldwyn's  return  to  the  industry  as  a  producer  is  imminent  at  this  writing. 
The  development  of  Jackie  Coogan  is  also  fraught  with  interest.  The  success 
of  "Oliver  Twist"  was  unusual  and  established  him  definitely  as  a  star. 

PRICES 

A  long  sustained  and  continuous  wail  was  heard  throughout  the  year 
and  promises  to  continue  relative  to  rentals  on  important  and  so-called  big 
pictures.  Many  exhibitors  feel  that  the  prices  asked  are  ruinous,  but  despite 
this  they  seem  to  continue  to  pay  these  prices.  Naturally,  thev  continue  to 
go  up.  On  the  other  hand,  producers  maintain  that  while  prices  are  high 
they  are  still  below  the  level  of  what  they  should  be  to  secure  from  these 
large  productions  the  natural  profit  which  the  investment  should  produce. 
As  an  instance  of  this  a  prominent  producer  cited  that  it  would  take  Fair- 
banks at  least  eighteen  months  or  two  vears  to  secure  the  return  of  the  actual 
investment  of  "Robin  Hood"  before  "he  made  a  nickle."  This  despite  that 
"Robin  Hood"  is  being  sold  at  unusuallv  high  prices  by  United  Artists. 

FOREIGN   PICTURES 

With  the  closing  of  the  German  branch  of  Famous  Players  late  in  the 
vear  much  of  the  talk  in  opposition  to  foreign  pictures  faded  away.  Little 
is  feared  today  of  what  threatened  to  be  "the  foreign  invasion."  It  is  inter- 
esting to  note,  however,  that  the  development  of  British  production  reached 
a  point  unusually  worth  while  and  interesting  pictures  reached  this 
country  from  England,  notablv  "A  Bill  of  Divorcement."  scheduled  for  spring 
release  by  Associated  Exhibitors.  Information  at  hand  as  to  the  plans  of 
several  important  English  companies  are  indicative  of  large  productions  made 
with  stars  well-k-nown  in  America  to  arrive  during  the  spring  and  summer. 
Among  these  are  the  Tom  Terriss  specials  from  Ideal  Films  and  the  Gaumont 
Companv  of  London.  Stoll's  picture.  "The  Prodigal  Son,"  a  well-known 
Hall  Caine  story,  is  anticipated  with  interest  and  there  are  others  in  the 
making.  At  this  writing  England,  rather  than  Germany,  seems  to  be  the 
only  possible  rival  of  American  production. 


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TECr^RT 

*  STUBIOS  * 

INC. 

Original     Settings 

tha-t     Are     truti/  ' 

2)  is  ti  net  ire  ^  6A  aracteristic 

nPhe  desire  to  make  eachlEC-J^RT 
setltng  a    masterpiece,  has  so 
influenced  our  complete  staff,  that 
the  spirit  of  our  efforts  is  reflected 
in  all  our  work. 

You  put  to  work  lioth  creative 
abilily  and  pride  in  craftman^hip 
when  you  request  the  co-operation 
of  such  a,  staff. 

Our  facihttea  are  so  orgam:ed. 
that  every  contract  imtnaterial  of 
size  or  kind.,  receives  service  that 
is  trttl^  personal  and   individual. 

318  East  48th  Street 

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ORGANIZED 

and 
MAINTAINED 

and 

DEDICATED 
to  the 

PRINCIPLE 

of 
DISTINCTIVE  PICTURES 


Distinctive  Picture  Corporation 

366  Madison  Avenue 
New    York    City 


What  John  Milton  did  in  the  fight  for 
freedom  of  the  press;  what  Benjamin 
Franklin  did;  what  was  done  by  Horace 
Greeley,  Charles  A.  Dana,  Joseph  Pu- 
litzer, Colonel  Nelson,  General  Harrison 
Gray  Otis,  and  by  Henry  Watterson,  and 
what  is  being  done  by  Cyrus  Curtis  and 
by  other  heroic  figures  in  the  long  pull 
for  finer  and  better  service,  and  for  con- 
stitutional protection  of  freedom  of  the 
press  from  the  aggressions  of  political 
control — all  those  things  must  be  done  in 
the  motion  picture  industry  here  and  now. 

Pioneers  Are  Still  in  Business 

Nothing  can  be  taken  from  the  past. 
The  men  who  first  took  up  this  new  thing 
are  still  alive.  The  pioneers  of  our  in- 
dustry are  the  men  who  are  still  in  the 
business.  We  are  at  this  moment  in  the 
very  midst  of  achieving  a  new  set  of  high 
standards  in  our  relations  to  each  other 
and  to  the  public  and  in  our  responsibili- 
ties to  the  world.  The  difficulties  are  be- 
ing worked  out,  and  so  great  an  agency 
for  good  will  the  motion  picture  soon  be- 
come, if  sincere  efforts  count  and  sincere 
cooperation  is  given  by  thinking  Ameri- 
cans— that  before  long  criticism  will  die 
away  and  the  present  critics  will  be 
sounding  the  praise  of  this  new  art,  based 
always  on  its  demonstrated  integrity, 
qualit}'  and  usefulness. 

One  way  to  help  make  good  pictures 
is  easy,  and  that  is  to  support  the  good 
pictures.  If  one  were  to  start  a  vegeta- 
rian hotel,  and  day  by  day  the  guests  were 
to  storm  into  the  dining  room  demanding 
roast  beef  cooked  rare,  this  hotel  keeper, 
though  the  most  enthusiastic  of  vegeta- 
rians, would  experience  substantial  diffi- 
culty in  putting  over  a  bill  of  fare  con- 
sisting of  asparagus. 

I  an:  not  suggesting  an  alibi  for  the 
motion  picture  business,  for  the  motion 
picture  business  is  coming  through  on  the 
highway  which  leads  to  better  pictures. 
I  am  only  emphasizing  that  this  is  not  a 
one  man  job,  nor  the  job  of  one  group; 
it  is  the  multitude's  job  and  in  doing  it 
there  is  work  for  all. 

Censorship 

I  refer  for  a  moment  to  the  question 
of  censorship,  which  is  an  incident  in  the 
matter.  The  American  public,  of  course, 
is  the  real  censor  for  the  motion  picture 
just  as  it  is  for  the  press  and  the  pulpit. 
The  people  of  this  country  are  against 
censorship  fundamentally,  against  censor- 
ship of  press,  against  censorship  of  pul- 
pit, and  against  censorship  of  pictures. 
But  just  as  certainly,  my  friends,  is  this 
country  against  wrong  doing,  and  the  de- 
mand for  censorship  will  fail  when  the 
reason  for  the  demand  is  removed.  As 
we  move  toward  the  consummation  of 
the  objects  of  our  Association  just  in  like 
degree  will  recede  all  demands  for  cen- 
sorship. 


An  interesting  thing  happened  in  Mas- 
sachusetts at  the  last  election.  In  1921 
a  bill  was  passed  by  the  Massachusetts 
legislature  providing  for  the  censorship 
of  motion  pictures.  Under  the  provisions 
of  a  Massachusetts  statute  so  providing, 
a  petition  was  filed  by  the  necessary  num- 
ber for  a  referendum,  so  at  this  election 
the  people  of  the  Bay  State  had  a  direct 
vote  as  to  whether  or  not  there  should 
be  a  political  censorship  of  this  method 
of  expression. 

When  the  Act  w^as  originally  passed 
there  was  a  very  generous  support  of 
the  measure,  and  resolutions  were  actually 
passed  by  some  400  civic  and  religious 
organizations  favoring  the  enactment  of 
a  law,  and  other  great  influences  seemed 
to  favor  it.  This  summer,  however,  a 
citizens'  committee  was  formed  of  some 
300  splendid  Massachusetts  men  and 
women,  who  made  it  their  own  fight. 
The  Press  of  Massachusetts  took  it  up 
and  were  practically  a  unit  in  declaring 
for  the  defeat  of  the  measure.  They  too, 
made  it  their  fight,  with  a  full  appreciation 
of  the  fact  that  it  is  not  so  much  the 
length  of  the  step  as  the  direction  of  the 
step  that  is  important  in  anything.  It 
is  a  well  known  fact  that  the  vote  on 
any  referendum  question  or  const. tutional 
amendment  is  usually  but  a  small  part 
of  the  total  vote  cast  for  the  political 
offices. 

Remarkable  Result 

With  this  in  mind,  the  result  of  this 
Massachusetts  election  was  most  remark- 
able. The  total  vote  against  censorship 
was  545,919,  the  total  vote  for  censorship 
207,476;  a  majority  against  censorship  of 
338,443.  The  largest  number  of  votes 
cast  for  any  candidate  for  any  office  on 
anj'  ticket  was  that  cast  for  the  success- 
ful candidate  for  Governor,  468,277,  which 
was  77,000  less  than  the  "No"  vote  on 
censorship.  I  rather  think  this  is  an 
unprecedented  performance.  It  certainly 
shows  the  deep  interest  the  people  have 
in  pictures. 

This  result  is  a  splendid  response  to 
the  appeal  of  the  press  and  the  citizens 
of  Massachusetts  against  this  undue 
political  aggression,  but  just  as  certainly 
is  it  a  challenge  to  the  motion  picture 
industry  to  work  out  successfully  its  own 
program  for  its  own  betterment,  and  that 
responsibility  is  accepted  by  the  industry 
and  -will  be  discharged. 

I  am  against  political  censorship,  of 
course,  because  political  censorship  will 
not  do  what  is  hoped  for  it  in  the  last 
analysis.  Now  and  then  some  one  might 
ask:  "If  the  motion  picture  producers 
really  mean  to  make  better  pictures,  why 
do  they  object  to  political  censorship?" 
The  chief  answer  to  this  question  was 
w^ritten  when  human  nature  was  formed; 
at  least  that  part  of  human  nature  which 
is    doing    business    under    the    stars    and 


FRANK  E.  WOODS 

THOMPSON  BUCHANAN 

ELMER  HARRIS 

Announce  their  association 
for  the  production  of  motion 
pictures  under  the  title 

ALLIED  AUTHORS 


stripes,   and   that  answer  consists   chiefly 
of  one  word — Liberty. 

The  motion  picture  business  objects  to 
political  censorship  for  one  great  reason, 
because  the  motion  picture  business  is  an 
American.  Political  censorship  drove  the 
Pilgrims  to  Plymouth  Rock;  political 
censorship  faced  the  Minute  Men  at  Con- 
cord; political  censorship  caused  the  Bos- 
ton Tea  Party;  in  this  new  effort  to  con- 
trol politically  this  great  method  of  ex- 
pression Massachusetts  took  a  character- 
istically splendid  American  position. 

There  is  one  place  and  one  place  only 
where  any  evils  in  motion  pictures  can 
be  eliminated  and  the  good  and  great 
advantages  retained,  and  that  is  at  the 
point  where  and  the  time  when  the  pic- 
tures are  made,  by  the  men  who  make 
them. 

Raising  the  Standards 

With  the  raising  of  the  moral  and  ar- 
tistic standard  comes  with  greater  ease 
the  development  of  the  educational  value 
of  the  motion  picture.  It  must  be  and 
is  the  earnest  purpose  of  the  industry  to 
strive  with  renewed  effort  continually  to 
make  presentations  historically  correct 
and  to  give  authentic  portrayals  of  cus- 
toms, costumes,  and  habits. 

In  addition  to  the  general  educational 
value  of  entertainment  pictures  we  are 
concerned,  of  course,  with  two  additional 
phases;  first,  the  pedagogic  pictures,  and 
then  the  picture  which  is  semi-educational 
and  semi-entertaining.  I  am  very  sure 
that  soon  there  will  be  series  of  motion 
pictures  adopted  by  boards  of  education 
just  as  new  series  of  text  books  are 
adopted.  They  must  be,  of  course,  scien- 
tifically, psychologically  and  pedagogically 
sound. 

It  has  been  my  hope  that  we  might 
immediately  make  some  progress  in  this 
direction  and  we  have  been  working  to 
that  end.  At  the  annual  convention  of 
the  National  Education  Association  this 
summer  in  Boston,  I  suggested  on  behalf 
of  our  Association  to  some  3,000  teachers 
who  were  there  representing  a  member- 
ship in  their  organization  alone  of  more 
than  115,000,  that  we  jointly  study  the 
demand  for  pedagogic  pictures,  and  that 
we  turn  over  to  them  all  of  our  facilities 
to  aid  in  the  experimentation.  I  sug- 
gested that  a  committee  be  appointed  by 
their  association  made  up  of  the  very 
best  educators  in  the  country,  and  that 
they  meet  with  the  great  producers  and 
together  study  the  whole  problem  of  the 
use  of  the  motion  picture  as  a  direct 
pedagogic  instrument  and  together  find 
the  means  of  making  classroom  pictures 
which  would  be  scientifically,  psychologi- 
cally and  pedagogically  sound,  thereby 
being  able  to  take  care  of  the  demand 
which  now  obtains,  but  also  of  the  great 
demand  which  is  imminent  and  which 
will   certainly   come   and   which  must   be 


met,  and  met  by  the  producers  with  a 
supply  that  measures  up  to  the  ideas  of 
the  educators  of  the  country.  This  offer 
was  accepted  by  that  convention,  a  com- 
mittee was  ordered  appointed,  a  com- 
mittee has  been  appointed,  consisting  in 
addition  to  Dr.  Wm.  B-  Owen,  President 
of  the  National  Education  Association,  of 
the  following:  Dr.  Charles  H.  Judd, 
University  of  Chicago,  Chairman;  Col. 
Leonard  P.  Ayres,  Cleveland  Trust 
Company,  Cleveland,  Ohio;  Elizabeth 
Breckinridge,  Principal,  Louisville  Normal 
School,  Louisville,  Kentucky;  Ernest  L. 
Crandall,  (Director  of  Visual  Education, 
N.  Y.  Board  of  Education),  New  York 
City;  Susan  M.  Dorsay,  Superintendent 
of  Schools,  Los  Angeles,  California; 
Elizabeth  Hall,  Assistant  Superintendent 
of  Schools,  Minneapolis,  Minnesota;  Pay- 
son  Smith,  Commissioner  of  Education, 
Massachusetts. 

Affiliated  with  this  committee  will  be 
the  Commissioner  of  Education,  Dr.  J.  J. 
Tigert  and  Dr.  J.  D.  Creeden,  President 
of  Georgetown  University.  The  pre- 
liminary meetings  have  already  been  held 
with  the  Commissioner  of  Education  and 
Dr.  Owen,  surveys  are  now  being  made 
and  preliminary  organization  perfected, 
and  a  joint  mv^eting  will  be  held  soon. 

Non-Theatrical  Field  His  Hobby 

The  non-theatrical  demand  and  supply 
is  one  of  the  big  questions.  Personally, 
it  is  a  hobby  with  me,  and  from  the  time 
this  work  was  first  brought  to  my  atten- 
tion until  now  I  have  urged  constantly, 
both  in  public  and  in  private,  that  there 
will  be  films  in  churches  and  schools 
everywhere.  I  believe  this,  and  very 
much,  indeed,  has  been  done  in  the  last 
six  months  toward  developing  a  demand 
in  this  field.  As  I  said  in  a  speech  at 
Boston  before  the  National  Education 
Association: 

"The^  problem  which  faces  all  of  us  is 
to  provide  some  plan  of  cooperation  which 
will  provide  film  material  for  instructional 
use  in  schools  and  colleges,  and  suitable 
films  for  churches  and  welfare  organiza- 
tions— some  plan  which  will  secure  the 
active  cooperation  of  theater  owners  and 
public  leaders,  and  which  will  safeguard 
against  harmful  competition  between  non- 
theatrical  and  theatrical  groups.  These 
matters,  which  are  merely  incident  to 
the  youth  and  tremendous  expansion  of 
the  business,  can  be  worked  out  satis- 
factorily without  question." 

The  problem  of  semi-religious  and 
semi-educational  films  is  not  so  extensive 
as  that  of  pedagogic  films,  but  is  much 
more  difficult.  Every  one  is  for  pedagogic 
films  in  the  classroom  and,  of  coyrse, 
there  is  no  objection  to  purely  religious 
films  in  the  churches.  The  matter,  there- 
fore, of  pedagogic  films  and  purely  re- 
ligious films  presents  no  problem  save 
only  the  problem  of  providing  an  organ- 


First    National  Attractions 
1922-1923 

Edwin  Carewe  has  produced  more 
commercially  successfuljpictures  than  any 
other  director. 

"Give  the  public  what  they  want"  is 
his  slogan. 

"Let  them  call  me  commercial  if  they 
will,"  says  Carewe,  "boxoffice  value  is 
what  counts." 


ized  demand  and  an  organized  supply. 
However,  in  developing  the  industry  as 
regards  an  organized  demand  and  an 
organized  supply  of  semi-religious  and 
semi-educational  films  there  are  definite 
economical  duties  and  limitations  that 
have  to  be  recognized;  there  are  also 
certain  ethical  and  moral  duties  and 
limitations,  and  while  w^e  are  continually 
encouraging  the  development  of  those 
phases  of  the  industry  and  finding  ways 
for  the  supply  of  the  proper  demand  in 
that  regard,  we  always  predicate  this 
interest  and  activity  on  the  assumption 
that  in  such  plans  as  are  developed  it 
will  always  be  recognized  that  the  theater 
owner  has  certain  real  rights  in  the 
premises,  which  rights  would  naturally  be 
recognized  first  of  all  by  those  who  are 
interested  in  seeing  religious  films. 

The  fact  is,  of  course,  that  the  theater 
owner  pays  a  national  and  state  tax  on 
his  theater,  a  license  fee,  an  extra  insur- 
ance premium  and  other  special  levies  in 
order  to  run  his  business  and  provide  for 
the  essential  amusement  of  the  people, 
and  it  would  be  obviously  unfair  to  him 
to  create  a  competition  to  draw  the  same 
audience,  with  or  without  charge,  to  see 
the  same  attraction  into  places  which 
have  no  such  burdens.  Such  a  thing 
would  neither  be  morally  nor  economically 
sound. 

Churches  Need  Pictures 

While  this  is  true  it  is  just  as  certain 
that  there  is  an  actual  and  potential  need 
for  pictures  in  churches,  of  the  type  which 
are  thoroughly  proper  from  every  stand- 
point and  which  will  do  great  good,  and 
which  need  must  be  met.  All  the  demand 
there  is  and  the  demand  of  tomorrow, 
which  in  my  opinion  is  inestimable,  can 
and  will  be  taken  care  of  in  a  way  that 
will  not  be  an  injustice  to  the  theater 
owner  in  any  way  whatever. 

Another  effort  which  we  are  making 
is  the  development  of  the  full  usefulness 
of  the  motion  picture  as  an  instrument 
of  international  amity.  Do  not  forget 
that  just  as  there  is  developed  between 
individuals  a  better  relationship  based  on 
a  better  understanding,  so  is  it  between 
nations. 

Members  of  our  association  have 
taken — I  say  have  taken — definite  steps 
to  make  certain  that  every  film  that  goes 
from  this  country  abroad,  wherever  it 
shall  be  sent,  shall  correctly  portray  to 
the  world,  the  purposes,  the  ideals,  the 
accornplishments,  the  opportunities,  and 
the  life  of  America.  We  are  going  to 
sell  America  to  the  world  with  American 
motion  pictures.  I  do  not  have  to  sug- 
gest to  you  the  value  of  this  in  improv- 
ing our  international  relationships.  The 
possibilities  are  as  great  as  all  the  to- 
morrows. Immediate  understandings 
with  many  of  the  foreign  countries  have 
to  be   worked   out   to  protect   us   against 


the  exploitation  abroad  of  stolen  films, 
and  in  all  these  matters  our  own  State 
Department    is    cooperating    splendidly. 

Work  of  Committee  on  Public  Relations 

I  would  not  fail  to  refer  to  the  work 
of  the  Committee  on  Public  Relations, 
which  consists  of  the  heads  of  80 
nationally  organized  associations  for  bet- 
ter things,  such  as  Boy  Scouts,  Girl 
Scouts,  Y.  M.  C.  A.,  Camp  Fire  Girls, 
Parent-Teachers  Association,  etc.,  etc. 
Chambers  of  Commerce,  American  Fed- 
eration of  Labor,  etc.,  etc.  This  is  a 
most  interesting  and,  I  am  sure,  profit- 
able arrangement.  Following  a  meeting 
last  summer  of  the  heads  of  these  associa- 
tions with  me  at  which  a  committee  of 
three  was  elected  to  aid  in  the  selection 
of  an  executive  committee  of  twenty, 
such  committee  of  twenty  has  been 
formed  with  their  own  executive  secre- 
tary, who  is  in  our  office  as  the  point  of 
contact.  This  executive  committee  of 
twenty,  meeting  frequently,  are  actually 
pre-viewing  pictures  and  are  making  sug- 
gestions to  our  producers,  bringing  to  the 
industry  an  inestimable  value  of  brain 
and  heart  that  could  not  be  hired  at  any 
price,  telling  the  producers  what  in  their 
opinion  are  the  needs,  as  well  as  the 
wants,  of  the  members  of  the  great 
organization  which  they  represent,  and 
they  represent  a  total  membership  of 
over  12,000,000 — constructively  suggesting 
betterments  in  the  pictures  and  giving 
sympathetic  encouragement  and  advice  to 
the  producers  that  reaches  right  back  to 
the  studio  with  a  measurable  influence  on 
the  productions  as  they  shall  come  out. 
And  then  as  the  good^  pictures  are  pro- 
duced these  representatives  send  tlic  word 
to  their  organizations  which  will  _  bring 
the  support  to  which  such  better  pictures 
are  entitled.  Think  of  the  value  of  this 
influence  which  is  constantly  exerted, 
quietly  and  constructively,  and  how 
effective  must  be  the  association  which 
these  men  and  women  are  establishing 
with  the  control  of  the  production  in  this 
country. 

Working  With  Exhibitors 

Our  organization  of  producers  and  dis- 
tributors has  had  many  conferences  with 
exhibitors,  bringing  a  closer  cooperation 
and  confidence  and  has  had  splendid  help 
from  them,  without  which  our  whole 
eflfort  would  fail.  Just  as  other  phases 
of  the  industry,  in  the  rapidity  of  its 
development,  have  not  been  worked  out 
in  the  fullest  way,  so  has  it  been  necessary 
to  give  attention  to  a  better  relationship 
with  the  exhibitor,  who  is  the  buyer  of 
the  product  which  the  manufacturer,  the 
producer,  makes — a  practical  improve- 
ment, but  definitely  necessary  to  bring 
the  maximum  functioning  of  the  industry's 
whole  eflfort,  because  without  the  co- 
operation of  all  branches  the  largest  suc- 
cess is  not  possible. 


It  has  taken  over  $20,000,000  in 
at  the  box  office. 


It  is  the  greatest  motion  picture 
property  of  all  time! 

It  is  every  great  picture  rolled 
into  one! 


Wait  till  you  hear  Avho  will  direct 
it! 


Goldwyn  is  producing  it! 


In  addition  to  these  efforts  for  new 
usefulness,  we  should  not  be  unmindful 
of  such  things  as  have  been  accomplished 
in  connection  with  better  amusement 
pictures.  At  the  end  of  the  six  months 
period  since  the  organization  of  the  As- 
sociation, it  has  been  of  some  interest  to 
the  members  themselves  to  review  what 
has  been  attempted  and  to  invite  the 
attention  of  the  public  to  the  accounting. 
It  was  an  earnest  action  indeed  last  May 
when  the  producers  sent  orders  to  the 
studios  as  to  the  pictures  to  be  made  this 
summer  and  to  be  made  in  the  future, 
directing  that  above  all  things  else  the 
purposes  of  the  Association  be  foremost. 
It  means  very  much  for  the  general  good 
when  these  men  who  had  the  vision,  the 
industry,  the  nerve,  if  you  will,  to  have 
made  this  thing  what  it  is  in  twenty  years, 
now  make  it  their  chief  business  to  estab- 
lish and  maintain  the  highest  moral  and 
artistic  standards. 

Beginning  a  new  drive  this  year  for  the 
best  possible  pictures,  measuring  up 
toward  what  the  standard  should  be  and 
which  many  pictures  already  had  achieved, 
earnestly  asking  the  public's  cooperation 
and  hoping,  of  course,  from  every  possible 
standpoint,  selfish  and  unselfish,  to  move 
in  the  right  direction,  they  have  brought 
out,  and  are  bringing  out,  a  series  of  pic- 
tures which  we  are  hoping  will  attract 
the  public's  attention,  as  the  evidence 
both  of  their  good  faith  and  their  ability 
to  accomplish,  and  as  an  augury  for  still 


better  things  to  which  their  every  effort 
shall  be  directed.  The  maintaining  of 
the  highest  standard  is  quite  as  essential 
as  its  attainment  and  there  can  be  and 
will  be  no  slipping  backward,  nor  loss  of 
any  improvement  that  may  be  accom- 
plished. These  pictures  are  being  re- 
ceived in  appreciation,  and  the  public  will 
not  be  unmindful  either  of  the  impossi- 
bility of  pleasing  every  one  with  every 
picture  or  the  necessity  of  different  types 
of  pictures  for  the  various  types  of  taste 
and  interest. 

What  Pictures  Can  Do 

I  have  come  to  visualize  this  great  new 
thing  as  my  attachment  to  it  becomes 
deeper — I  have  come  to  know  it  as  a 
great,  unbelievably  great,  three  fold  in- 
strument for  good.  It  can  do  three  great 
things  and  it  will  do  these  three  things 
as  no  other  instrument  that  I  know  of 
can  do  them. 

In  the  first  place  it  can  and  will  fill 
a  necessity — the  necessity  for  entertain- 
ment. 

In  the  second  place,  it  can  and  will 
instruct — which  is  indeed  a  most  precious 
power. 

In  the  third  place,  and  I  am  sure  that 
my  enthusiasm  does  not  warp  my  judg- 
ment, it  will  do  more  than  any  other 
existing  agency  to  unite  the  peoples  of  the 
world — to  bring  understanding  between 
men  and  women,  and  between  nation  and 
nation,  than  which  no  greater  thing  can 
be  done. 


"The  Romantic  History  of  Motion  Pictures" 

(Through  the  courtesy  of  Terry  Ramsaye,  the  author,  and  the  publishers  of  "Photo- 
play Magazine.'    pre  presented  excerpts  from  this  remarkable  and  unusual  document.) 

In  April,  1922,  when  the  first  article  appeared,  it  was  anticipated  that  it  might  run 
through  six  or  seven  issues.  The  December  issue  found  the  material  far  from  exhausted, 
however,  bringinp:  the  history  only  to  the  period  of  about  1902. 

It  is  suggested,  therefore,  that  this  material  be  re- 
tained in  conjunction  with  the  excerpts  of  the  remainder 
of  the  "History"  to  be  published  by  Photoplay  during 
1923,  which  will  be  found  in  the  next  volume  of  The 
Film  Year  Book. 

Our  beginning  is  the  year  of  1888,  and  the  place  is 
the  experimental  laboratories  of  Thomas  A.  Edison. 

Two  years  before,  in  1886,  Edward  Muybridge, 
one  of  many  investigators  who  had  attained  some  prom- 
ising success  with  his  experimental  work  in  recording 
motion,  had  called  upon  Edison.  Muybridge  had  made 
some  pictures  of  a  running  horse,  taken  with  a  row  of 
cameras,  in  California.  He  had  arrived  at  an  instru- 
ment for  showing  these  pictures,  producing  in  a  highly 
limited  way  a  sort  of  an  illusion  of  motion.  He  called 
it  the  "Zoopraxoscope."  He  showed  these  pictures  to 
Edison. 
T'-CTD-D  Nothing  seems  to  have  developed  out  of  that  meet- 

TERRY     RAMSAYE  jng  in  West  Orange  at  the  time.     Muybridge  went  back 

Author    of    "The    Romantic         to  his  laboratory  at  the  University  of  Pennsylvania  and 
History  of  Motion  Pictures"         went  on  with  his  experiments. 


FIRST 
NATIONAL 
PICTURES 


"^ 


First  National  First 

Keep  your  eye  on  First  Na- 
tional pictures  for  1923.  We 
have  a  line-up  of  Box  Office 
attractions  that  can't  be  beat. 
22  for  the  first  6  months  and 
more  Big  Ones  to  come. 


10 


Edison  was   not  yet  ready   to   take  up 
any  new  problems.     At  this  time  he  was 
r      very  busy  with  work  on  the  phonograph. 
I  *     *     * 

In  1888  a  period  of  something  like  re- 
laxation in  Edison's  busy  career  arrived. 
He  had  done  great  things.  The  phono- 
graph was  a  definite  commercial  success, 
even  though  not  entirely  perfected.  Also 
earnings  were  coming  in  from  his  electric 
light  and  power  enterprises  at  a  consider- 
able rate.     There  was  time  to  play. 

*  *     * 

After  some  preliminary  consideration 
Edison  called  to  him  a  capable  young 
Englishman,  who  had  been  on  his  staff 
of  workers  and  researchers  for  several 
years,  W.  K.  L.  Dickson,  a  name  to  recur 
often  and  significantly  in  the  first  ten 
years  of  the  motion  picture. 

M\'sterious  Room  Five  at  the  Edison  lab- 
oratories at  West  Orange,  Edison's  favor- 
ite spot,  was  selected  as  the  workshop  for 
the  picture  experiments.  Room  Five  was 
under  lock  and  watch  day  and  night. 
There  was  a  little  wicket  in  the  door  where 
materials  could  be  passed  in  or  word 
given  out.  Only  Dickson  and  Edison 
came  and  went  at  first.  Then  presently 
one  or  two  other  workers  were  called 
at  times  to  do  their  little  bit  and  go.  No 
one  ventured  there  unless  he  were  called. 

*  *     * 

By  early  autumn  in  1888,  the  work  had 
gone  far  enough  to  lead  Edison  to  seek 
what  protection  there  might  be  in  the 
patent  office  by  the  filing  of  a  caveat. 
A  caveat  was  a  process,  now  no  longer 
in  use,  by  which  an  inventor,  having  con- 
ceived an  idea,  could  establish  certain 
rights  of  priority  and  protection  pending 
the  working  out  of  the  project. 

*  *     * 

Other  experimenters  were  busy.  Wal- 
lace Gould  Levison,  in  Brooklyn,  was 
working  with  glass  photographic  plates 
on  a  wheel.  Dr.  E.  J.  Marey,  in  Paris, 
was  making  progress  with  a  glass  disc 
in  a  "photographic  gun."  Louis  Aime 
Augustin  Le  Prince,  in  Leeds,  England, 
was  striving  with  a  many-lensed  camera 
and  strips  of  sensitized  paper.  In  Ger- 
many, Anschutz,  an  optical  worker,  was 
experimenting  in  the  same  direction. 

*  *     * 

Edison,  who  kept  himself  rather  well 
informed,  recognized  at  once  the  short- 
comings of  these  materials.  He  was  to 
go  an  independent  way. 

But  the  impress  of  the  phonograph  idea 
was  deep,  and  it  is  with  no  surprise  that, 
now  after  years  we  are  permitted  to  sur- 
vey the  secrets  of  Room  Five,  we  find 
Edison's  first  motion  picture  efforts  con- 
cerned with  trying  to  make  pictures  on 
what  was  practically  a  talking  machine 
cylinder. 


The  cylinder  machine  would  make  pic- 
tures, but  they  were  exceedingly  poor 
pictures. 

The  first  acting  for  the  motion  pictures 
took  place  before  that  absurd  little  phono- 
graph that  was  trying  to  be  a  camera. 

The  First  Actor 
And  the  first  actor  was  Fred  Ott,  a 
mechanic  and  member  of  the  staff,  chosen 
because  he  was  the  jester  of  the  works. 
There  were  two  Otts  on  the  staff,  John 
F.  and  Fred.  And  since  Fred  was  the 
first  of  all  motion  picture  actors,  it  is 
perhaps  an  obligation  to  history  to  set 
down  how  he  happened  ther' . 

«      4>      * 

Mr.  Ott,  first  of  all  screen  stars,  has 
officially  told  his  own  story  of  how  be 
behaved  before  the  camera  on  those  his- 
toric occasions.  The  authenticity  of  this 
is  guaranteed,  under  the  oath  of  Ott, 
sworn  as  a  witness  in  the  case  of  Thomas 
A.  Edison  vs.  The  American  Mutoscope 
and  Biograph  Company,  in  equity  No. 
8289,  before  the  day  of  pictures  press 
agents. 

"I  had  a  white  cloth  wound  around  me 
and  then  a  little  belt  to  tie  it  in  around 
the  waist  so  as  not  to  make  it  too  baggy — 
look  like  a  balloon — and  then  tied  around 
the  head;  and  then  I  made  a  monkey  of 
myself." 

So  the  motion  picture^  waa  born  in 
slapstick  comedy,  staged  in  that  solemn 
laboratory. 

*     *     * 

At  last  the  cylinder  motion  picture  was 
abandoned.  There  must  be  a  bigger  pic- 
ture, which  meant  other  methods.  Edi- 
son decided. 

Then  mysterious  Room  Five  started  to 
labor  with  attempts  at  some  surt  of  film. 
A  crude  and  flimsy  tape  of  collodion,  stuff 
like  the  liquid  courtplaster  that  one  puts 
on  a  cut  finger,  was  made.  It  was  rough 
and  fragile,  highly  imperfect,  but  good 
enough  to  prove  the  correctness  of  the 
principle  to  the  alert  Edison. 

There  were  many  more  notes  for  the 
laboratory  records. 

At  about  this  time  George  Eastman, 
who  conducted  a  business  of  manufactur- 
ing cameras  and  photomaterials,  was 
putting  out  kodaks  with  paper  films  in 
them.  Because  of  intricacies  of  the  pro- 
cess the  cameras  had  to  be  sent  into  the 
plant  at  Rochester  to  have  the  films  de- 
veloped and  the  camera  loaded  again. 
Eastman  knew  that  there  would  never 
be  a  big  amateur  business  on  that  basis. 
He  had  to  have  something  better  than 
those  complicated  paper  films.  Out  of 
his  quest  came  Eastman's  celluloid  film, 
the  kodak  material  of  today.  Edison,  now 
keeping  in  touch  with  things  photographic, 
dispatched  Dickson  to  Rochester  for  a 
sample. 

Edison  examined  the  film  in  Room 
Five. 


11 


The  only  absolutely 
new  thing  in  pictures 
this  year 


''One  Exciting  Nighf ' 


D.  W.  GRIFFITH,  Inc. 
A.  L.   GREY,    Gen.    Mgr. 


12 


"That'  is — we've  got  it — now  work  like 
hell." 

And  so  it  was  that  film  came  into  the 
motion  picture  industry.  This  was  early 
in  1889,  perhaps  a  year  after  Edison's 
beginning  on  the  problem. 

With  that  material  in  hand,  Edison 
knew  that  the  solution  of  the  picture 
puzzle  was  but  a  matter  of  details.  There 
were  tremendous  difi[iculties_  ahead,  but 
now  the  basic  quest  for  material  had 
ended.  *     *     * 

Among  those  early  day  itinerant  phono- 
graph entertainers  was  Lyman  Howe  of 
Wilkesbarre,  Pa.  On  a  circuit  through  the 
smaller  towns  of  his  territory  Howe  gave 
phonograph  entertainments  in  connection 
with  Ladies'  Aid  Societies  and  church 
boards,  dividing  the  profits  with  the 
churches.  He  was  pioneering  for  a  mo- 
tion picture  business  of  renown,  but  he 
little  suspected  it  then. 

At  about  the  same  time  over  in  Paris 
an  enterprising  Frenchman  heard  about 
the  wonderful  Edison  phonograph  that 
had  come  to  London.  He  was  busy,  but 
he  had  a  young  friend,  one  Charles  Pathe, 
who  had  little  to  do.  He  pressed  a  bundle 
of  francs  in  Pathe's  hand  and  told  him 
to  go  to  London  and  get  one  of  those 
talking   machines. 

*  *     * 

But  more  important  still  to  Pathe,  he 
established  a  contact  with  the  genius  of 
Edison  and  the  greater  thing  to  come. 

*  *     * 

Meanwhile  Edison  came  to  the  opinion 
that  after  all  secrecy  could  hardly  protect 
his  invention  much  longer,  and  so  August 
24,  1891,  he  made  application  for  a  United 
States  patent. 

How  $150   Not   Spent   Cost  Millions 

At  this  time  it  was  suggested  to  Edi- 
son, as  a  matter  of  routine,  at  least,  that 
perhaps  application  should  also  be  made 
for  foreign  patents,  including  France  and 
England. 

"How  much  will  that  cost?"  Edison 
asked  casually. 

"Oh,  about  $150." 

Edison  waived  the  suggestion  aside. 

"It  isn't  worth  it." 

But  if  Edison,  on  that  day  in  August 
of  1891,  had  said  "Yes,"  he  would  have 
put  himself  in  a  position  to  get  many, 
many  millions  of  dollars  in  the  foreign 
field.  Also  he  might  have  withheld  from 
a  number  of  European  opportunists  a 
temptation  to  what  may  have  been  a 
lawful  but  an  unmoral  piracy. 

*  *     * 

The  application  for  the  patent  for  the 
kinetoscope  was  filed,  the  article  goes  on 
to  say. 

In  December  of  1892,  the  photographic 
work  in  connection  with  this  young  kineto- 
scope demanded  a  building  for  itself — 
the  first  motion  picture  studio  in  the 
world. 


So  work  was  started  on  a  curious  struc- 
ture, the  like  of  which  had  never  been 
seen  before.  It  was  a  little  house  of 
light  timbers  and  black  light-proof  tar 
paper,  built  on  a  turn  table.  The  speed 
of  photographic  materials  and  camera 
lenses  was  much  lower  then  than  now  and 
the  snapshots  for  the  kinetoscope  had  to 
be  made  in  full  light.  There  were  thirty 
to  forty  pictures  a  second  then.  There- 
fore, the  building  was  pivoted  so  that  the 
tiny  stage  could  always  be  turned  to  catch 
the  sun,  regardless  of  the  hour  of  day. 
This  little  studio  has  survived  in  history 
as  "The  Black  Maria." 

The  "Black  Maria,"  then  known  offi- 
cially as  the  "revolving  photographic 
building,"  on  the  Edison  account  books, 
was  completed  February  1,  1893,  at  a  total 
cost  of  $637.67.  The  making  of  motion 
pictures  for  ultimate  public  presentation 
was  begun  in  that  building.  All  picture 
making  before  that  had  been  but  the 
simplest  of  laboratory  work  for  the  test- 
ing of  the  machines. 

Early  in  1893,  the  kinetoscope  was 
shown  to  a  scientific  gathering  at  the 
Brooklyn  Institute,  and  not  long  thereafter 
it  was  presented  to  the  public  for  the 
first  time  as  an  exhibit  at  the  Columbian 
Exposition,  greatest  of  the  world's  fairs, 
held  at  Chicago.  With  this  exhibition, 
trivial  as  it  seemed  then,  the  greater 
events  of  the  history  of  the  motion  pic- 
ture  had   their  beginning. 

There  were  a  number  of  devices  at  the 
World's  Fair  that  indicated  how  close 
the  motion  picture  was  then  crowding  its 
way  forward  into  a  part  in  the  world's 
affairs.  Among  them  was  Muybridge's 
"Zoopraxoscope"  and  a  machine  rather 
closely  related  to  it,  called  the  "Tachy- 
scope." 

(Ramsaye  tells  of  how  J.  Hunter  Armat, 
his  brother,  Tom,  Grey  Latham,  all  names 
of  importance  in  the  early  days  of  the 
development,  after  seeing  the  machine  at 
the  World's  Fair,  became  interested  in 
the  idea.) 

By  this  time  the  Edison  machine  was 
rather  automatically  forcing  its  own 
career.  A  firm  of  promoters  and  ex- 
ploiters. Raff  and  Gammon,  headed  by 
Norman  C.  Raff,  became  the  Edison 
agents  for  the  kinetoscope  with  a  plan 
for  putting  it  before  the  public  through 
the  sale  of  the  territorial  or  state  rights 
on  the  exhibition  of  the  machine.  The 
year  1894  had  arrived. 

Through  the  instrumentality  of  Raff 
and  Gammon,  the  kinetoscope  slot  rna- 
chines  were  to  cover  the  world  with 
arcade  peep  shows  and  swiftly  open  the 
way  for  the  coming  of  the  real  motion 
picture— the  picture  projected  on  a  screen. 

By  April  1,  1894,  twenty-five  kineto- 
scopes  had  been  manufactured  at  a  total 
cost  of  $1,227.48,  and  on  April  6,  ten  of 
them  were  shipped  across  the  Hudson  to 
Holland    Brothers,   at    1155    Broadway,  in 


13 


Releasing  Through  F.  B.  O.  A. 


14 


New  York  City,  the  first  customers  of 
Raff  and  Gammon.  A  week  later  the  filnis 
for  the  machines  went  forward.  By  this 
time  Edison  had  invested  a  total  of 
$24,118.04  in  the  motion  picture  business. 
In  the  next  few  years  millions  were  to 
come  back  to  him,  and  others  who 
capitalized  the  opportunities  opened  by  his 
efforts  were  to  gather  a  great  many  mil- 
lions more. 

Ramsaye  tells  of  how  Grey  Latham  and 
Enoch  J.  Rector  used  the  kinetoscope  to 
take  1,000  feet  of  film  showing  a  fight 
arranged  between  Mike  Leonard  and  Kid 
Gushing.  The  film  was  shown  in  a 
"peep    show"    plan    in    New    York    and 

coined  money. 

*     *     * 

S'O  it  came  that  one  day  in  that  fall 
of  '94  Otway  Latham  prevailed  on  his 
father  to  come  to  the  little  shov/  down 
at  83  Nassau  Street. 

"You  see,  if  we  could  project  that  on 
a  screen,  like  the  slides  in  a  stereopticon, 
there'd  be  a  fortune  in  it."  The  young 
man  was  anxious  to  enlist  his  father's 
scientific  aid.  Empiricism  could  go  no 
farther  in  this  v/ork. 

"You  can  project  anything  on  a  screen 
that  you  can  see  with  the  naked  eye  and 
that  can  be  photographed."  Woodville 
Latham  was  very  positive  in  his  answer. 
He  was  also  correct. 

The  vision  of  the  motion  picture  theater 
was  then  before  them. 

They  set  to  work  to  attain  it. 

The  making  of  the  motion  picture, 
which  entertains  twenty  million  people  a 
day  in  the  United  States  alone,  had 
begun. 

(At  this  point  Ramsaye  saj^s  Edison  did 
not  build  a  projection  machine  because 
he   did   not  think  it  worth  while.) 

With  the  completion  of  the  kineto- 
scope, Edison  paused.  The  next  step, 
the  step  to  the  screen,  so  little  to  take 
and  so  great  in  its  result,  was  left  to 
others.  It  was  as  though  Edison  had 
exposed  the  ore  of  a  gold  mine  and  left 
it  for  any  one  who  came  along  to  dig. 


*     *     * 


Among  others  early  to  acquiie  kineto- 
scopes  along  with  the  Lathams,  were  the 
two  Greek  speculators,  who  had  seen  the 
machine  at  the  World's  Fair.  They 
hastened  away  to  London  with  it  and 
sought  the  services  of  Robert  W.  Paul,  a 
mechanic  famed  for  his  skill.  Paul  had 
his  workshop  at  the  top  of  a  three  story 
brick  tJiructure,  at  44  Haddon  Garden,  in 
the  midst  of  a  busy  district  of  minor 
manufacturers.  There  they  took  the 
kinetoscope  and  asked  Paul  to  make  them 
many  duplicates  of  it.     They  saw  money. 

Being  a  person  of  principle  and  caution 
Paul  made  inquiries,  and  found  that  the 
Edison  machine  and  its  wonder  of  living 
pictures  had  not  been  patented  in  the 
United  Kingdom.  This  obviously  left 
him  legally  free  to  execute  the  orders  of 


his  clients.  So  the  duplicate  kinetoscopes 
were  made.  The  enterprising  Greeks  wcit 
out  to  startle  Europe  with  their  pictures. 
Meanwhile  Mr.  Paul  poceeded  to  make 
many  more  of  these  machines  on  his  own 
account  and  disposed  of  them  to  a  swiftly 
growing  trade 

Ramsaye  tells  of  how  Louis  Lumire, 
of  Paris,  was  working  to  wed  the  kineto- 
scope to  the  magic  lantern;  of  Charles 
Francis  Jenkins,  a  government  stenog- 
rapher "was  tinkering  with  photographic 
experiments  and  developing  a  growing 
interest  in  the  kinetoscope,"  and  how 
later  Jenkins  met  Tom  Armat  and  they 
went  into  partnership.  H.-  tells  of  how 
Dickson  experimented  at  Coluinhia  Uni- 
versity in  1894  working  on  an  improved 
camera  and  failed.  Dickson  later  became 
interested  with  the  Latham'L'  in  their 
screen  experiments  and  later  there  de- 
veloped the  row  between  Latham  and 
Edison.  Meanwhile  the  Latham's  staged 
another  fight,  between  Battling  Barnett 
and  Young  Griffo.    Says  Ramsaye. 

First  Picture  Run  On  Broadway 

May  20,  1895,  the  Griffo-Barnett  fight 
went  on  exhibition  to  the  public  at  153 
Broadway.  It  ran  its  flickering  way  in 
about  four  minutes. 

So  the  motion  picture  opened  for  the 
first  of  all  first  runs  on  Broadway.  How 
far  was  that  little  four  minute  picture  on 
the  magic  lantern  sheet  in  a  storeroom 
from  today's  motion  picture  mag- 
nificences of  upper  Broadway,  with  its 
multi-million   dollar   screen   theaters! 

Simultaneously  with  that  opening  on 
lower  Broadway  the  Lambda  company 
started  its  commercial  career  by  offering 
for  sale  state  rights  on  the  use  of  their 
projection  machine.  The  Lathams  started 
to  build  a  number  of  machines  and  to 
make  pictures  to  be  shown  on  the  new 
born   screen. 

The  beginning  had  been  made.  This 
was  the  founding  of  the  motion  picture 
industry.  Potential  millions  of  profits 
were  waiting. 

At  this  point,  Ramsay  presents  a  very 
interesting  "box"  captioned  "Historical 
Firsts,"  reading  as  follows: 


The  first  motion  picture  romance,  in 
which  handsome  Grey  Latham  of 
Broadway  found  Rose  O'Neill,  a  Mis- 
souri beauty,  and  brought  her  to  New 
York  to  be  his  bride. 

The  first  motion  picture  exhibitor 
and  states  rights  buyer,  LeRoy  La- 
tham, a  nephew  of  Woodville  Latham, 
inventor  of  the  eidoloscope,  who  gave 
the  first  "store  show"  entertainment 
exclusively  of  films,  in  Norfolk,  Vir- 
ginia, in  1895. 

The  first  appearance  in  the  amuse- 
ment world  of  the  late  Bert  Williams 
as  a  minstrel  in  the  employ  of  William 
Selig's  wagon  show  in  California. 


IS 


LOUIS  B.   MAYER 

Presents 


A   SRKIF.S  OF 


FRED  NIBLO 

PRODUCTIONS 


To  be  released  by 

METRO 


FRED   NIHLO 


ENID  BENNETT 

who  plays 

Maid  Marian 


tn 
Douglas  Fairbanks 

"ROBIN  HOOD" 


V 

^gi 

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it  jP^,i 

^ 

?'.   \  .  i  ^^»  V 

^vjSBl  ^^ 

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L^ 

fe^l^H 

t* 

^ 

16 


The  first  motion  picture  presentation 
based  on  a  popular  song,  "The  Side- 
walks of  New  York,"  pictured  by  the 
Lathams  in  New  York. 

The  first  motion  picture  advertising 
man,  Henry  Southall,  a  colored  boy, 
who  urged  a  handbill  campaign  on  Le- 
Roy  Latham. 

The  first  vaudeville  act  in  a  picture 
show,  when  Jack  McConaughey,  a  cir- 
cus clown,  padded  the  Latham  show 
at  Newport  News,  Va.,  with  poses  of 
"ebony  statuary." 

The  first  Selig  zoo,  consisting  of  one 
Belgian  hare,  used  by  Colonel  Selig  in 
the  famous  rabbit-out-of-the-hat  piece 
of  parlor  magic. 


How  William  N.  Selig,  a  travelling 
showman  and  also  a  magician,  got  into 
the  business  is  related,  and  also  tells  how 
George  K.  Spoor,  then  running  a  one 
night  stand  show  in  Waukegan,  became 
interested  in  Edward  Amet's  inventions. 
Spoor  financed  Amet  "on  a  basic  invest- 
ment of  $65."  That  was  in  1895.  Ram- 
say says  that  Spoor's  fortune  in  1922  was 
"something  betw-een  seven  and  ten  mil- 
lion."    Incidentally,  the  meeting  between 


Amet  and  Spoor  led  to  the  development 
"of  the  one  time  powerful  Essanay  con- 
cern in  Chicago." 

First  States  Right  Sale 

In  this  chapter  Ramsay  draws  atten- 
tion to  the  fact  that  the  purchase  of  the 
Virginian  territory  by  LeRoy  Latham^ 
for  the  rights  to  use  the  eidoloscope,  frorn 
Woodville  Latham  for  $3,000,  constituted 
the  first  states  right  sale  in  the  film  busi- 
ness. This  show  opened  in  Norfolk  in 
June,  1895,  and  Henry  Southall,  colored,, 
through  distributing  the  hand  bills  in- 
forming the  public  of  the  show,  thus,  ac- 
cording to  Ramsay,  "became  the  motion 
picture's  first  advertising  man."  South- 
all's  salary  was  50  cents  a  day,  and  his, 
duties  included  besides  the  distributing  of 
the  hand  bills,  usher,  janitor,  door-man,, 
electrician,  part  of  the  orchestra,  and  in- 
cidentally a  valet  to  LeRoy  Latham. 


From  April  to  August  in  1895,  inven- 
tions of  picture  projection  machines  came 
fast.  Priority  became  a  matter  of  weeks 
and  days,  and  when  in  later  years  rival 
claimants  came  to  do  battle  in  the  courts. 


Some  "Bison"  Old  timers 


1,  Charles  K.  French;  2,  Charley  Avery;  3,  Frank  Montgomery;  4,  Evelyn  Graham;  5, 
Maxwell  Smith;  6,  Tex  Cooper;  7,  Jewell  Darrell  (deceased);  8,  T.  K.  Peters;  9,  Major 
McGuire;  10,  Red  Wing;  11,  J.  Barney  Sherry;  12,  William  Gibbons;  13,  Marguerite  Fa- 
var  (deceased) ;  14,  Jess  McGaugh;  15,  Young  Deer;  16,  Fred  Balshofer;  17,  Milt  Brown. 
Published  by  courtesy  of  T.  K.  Peters,  formerly  of  The  Austin   (Texas)    Film  Library. 

17 


and  in  controversies  in  the  press  it  nar- 
rowed down  almost  to  a  matter  of  hours. 
Hence  it  has  been  with  the  utmost  diffi- 
culty and  the  most  tedious  attention  to 
contemporary  records  of  corroboration 
that  the  facts  of  this  history  have  been 
established.  As  pointing  to  the  condition 
of  motion  picture  annals  and  their  color- 
ing by  the  ardent  partisanship  of  con- 
testants for  glory,  it  may  be  remarked 
that  most  of  the  records  of  past  years 
are  strewn  with  conscious  and  unconscious 
falsehood.  An  example  of  vivid  signifi- 
cance is  afforded  among  the  archives  of 
picture  patent  litigation  in  a  drawing 
sworn  to  have  been  made  in  1890,  on  a 
piece  of  paper  manufactured  in  1894,  as 
shown  by  the  watermark. 
*     *     * 

Looking  into  an  old  Edison  catalogue 
one  hnds  among  the  picture  players  of 
1895  some  famous  names.  There  was 
Dolorita,  "the  passion  dancer,"  they  called 
her,  and  Annie  Oakley,  the  celebrated  trap 
shooter,  whose  skill  and  grace  with  the 
shotgun  thrilled  a  decade  and  a  half  of 
audiences  at  the  Wild  West  shows.  Pro- 
fessor Batty  with  his  famous  trained 
bears.  Layman,  "the  man  of  a  thousand 
faces,"  and  the  Englehart  Sisters,  broad- 
sword performers.  All  of  them  appeared 
in  little  pictures  of  from  thirty-five  to 
fifty  feet  in  length — less  than  one  two- 
hundredth  part  as  long  as  the  typical  mo- 
tion   picture    feature    drama    of    1922. 

None  of  these  pictures  will  ever  be  seen 
again.  The  negatives  were  utterly  worn 
out  in  the  making  of  kinetoscope  prints. 

The  First  Close-up — A  Sneeze 

At  this  point  Ramsaye  points  out  that 
the  sneeze  of  Fred  Ott  in  the  kinetoscope 
was  the  first  close-up  ever  shown  in  pic- 
tures, and  that  in  addition  the  first 
scenario  was  "born"  in  this  action.  He 
also  records  of  how  Bert  Acres,  working 
in  the  Paul  plant  in  London  succeeded 
in  making  a  projector  that  worked.  Says 
Ramsaye: 

His  pictures,  like  Edison's  early  films, 
were  taken  at  the  rate  of  forty  exposures 
a  second.  His  subjects  included  boxers, 
a  naval  review  at  Kiel,  racing  at  Epsom 
Downs  serpentine  dancing  and  pictures 
of  waves  on  the  coast — the  sort  of  things 
that  were  to  be  staple  standards  of  the 
motion  picture  screen  for  a  whole  ten 
3'ears   or  more. 

The  Paul  workshop  in  the  fall  of  1895 
brought  in  a  name  that  still  survives  in 
the  motion  picture  industry  —  Cecil 
Hepworth,  who  invented  a  new  type 
of  electric  arc  lamp,  one  that  could 
be  operated  by  a  handfeed  instead  of  the 
automatic  feed  of  older  types.  This  en- 
abled the  operator  of  an  arc  used  for 
projection  to  continually  trim  his  light 
and  keep  the  glowing  crater  of  the  arc 
properly  centered  behind  the  slides  in  the 
projection  lantern. 


Over  in  France,  Louis  Lumiere,  or 
rather  the  brothers  A  and  L.  Lumiere, 
developed  yet  another  motion  picture  pro- 
jection device  and  at  such  an  early  date 
that  they  are  probably  the  closest  in 
point  of  dates  to  ihe  work  of  the  Lathams 
■n  New  York.  Henry  V.  Hopwood  s  work 
entitled  "Living  Pictures,"  written  not 
long  after,  says  ttiat  ilie  Lumieres  hied 
application  for  patents  in  France  Febru- 
rary  13,  1895  and  in  England  April  8,  of 
the  same  year. 

These  dates,  it  will  be  recalled,  are 
close  upon  those  of  the  laboratory  suc- 
cesses of  the  Lathams.  The  filing  of 
applications  for  patents  and  the  physical 
matter  of  reduction  to  practice  are  dif- 
ferent matters,  however.  Louis  Ducos  du 
Hauron  applied  for  letters  patent  on  the 
wlioleidea  of  the  motion  picture  back  in 
the  60's,  but  he  never  became  a  real  part 
of  motion  picture  history  because  he 
never  did  anything  more  than  think 
about  It. 

*  *     * 

The  Lumiere  device  was  named  by 
them  the  "cinematographe."  The  name 
is  w'orthy  of  note  because  it  survives  in 
motion  picture  parlance  as  cinema  or  kine- 
ma  all  over  the  world,  while  the  device 
Itself  disappeared  twenty  years  ago  and 
the  name  of  Lumiere  is  as  unknown  to  the 
film  industry  today  as  Latham. 

For  the  sake  of  completing  the  record 
note  IS  to  be  made  also  of  th  fact  that 
one  Muller,  a  German  inventor,  applied 
for  a  patent  on  a  projection  machine  in 
Germany,  in  August  of  1895.  But  there 
IS  no  evidence  that  his  machine  developed 
into  anything  affecting  the  course  of 
the  art. 

To  dispose  of  a  frequent  source  of  cavil- 
ing letters  whenever  any  discussion  of 
film  history  is  published,  it  is  now  pointed 
cut  that  the  work  of  Friese  Greene,  an 
English  experimenter  often  cited  as  "the 
father  of  motion  pictures"  did  not  in  fact 
figure  in  the  development  and  application 
of  the  principles  that  make  the  motion 
picture.  He  did  have  a  notion  of  making 
pictures  in  sequence. 

*  *     * 

At  this  point  Ramsaye  introduces 
Henry  Norton  Marvin  of  the  Martin  & 
Casler  Company,  of  Canastota,  N.  Y., 
"a  concern  devoted  to  scientific  work  and 
experimental  machinery."  Marvin  bought 
from  a  toy  vendor  one  of  the  little  batches 
of  views  joined  together— the  old  zoetrope 
idea,  and  suggested  to  Casler  to  make 
a  machine  to  flip  the  views  faster,  thus 
making  a  simpler  machine  than  the  kineto- 
scope. They  worked  out  the  invention. 
This  machine,  says  Ramsaye,  gave  the 
same  effect  as  the  kinetoscope  machine 
at  vastly  less  cost  and  without  all  the 
intricate  mechanism  of  the  Edison  device. 
This  machine  was  the  first  model  of  the 
"Mutoscope,"  a  peep  show  machine  that 
made  history. 


19 


J.  GORDON  EDWARDS 

Director 
Fox  Film  Corporation 

"Cleopatra"        "Salome"        "Nsro" 
"The  Queen  of  Sheba"    "The  Shepherd  King" 

IN  PREPARATION  ANOTHER  BIG  SPECTACLE 


20 


Marvin  and  Casler  assumed  that  they 
would  be  able  to  get  the  pictures  for  their 
machines  from  the  Edison  establishment. 
By  chance  in  this  period  Marvin  met  his 
old  friend  Dickson,  tnen  still  with  Edison. 
When  he  broached  the  subject  of  pictures 
from  the  kinetoscope  for  the  newly  inven- 
ted mutoscope  Dickson  shook  his  head. 
He  knew  Edison  and  he  knew  Gilmore, 
Edison's  general  manager.  Inquiry  at  the 
Edison  offices  swiftly  contirmed  Dickson's 
opinion.  No  kinetoscope  pictures  could 
be  had  for  any  such  purpose. 

This  put  the  inventors,  Marvin  and  Cas- 
ler, immediately  against  the  necessity  of 
making  their  own  motion  pictures. 

Right  then  and  there  was  the  motion 
picture's  big  moment.  Out  of  that 
moment  came  the  force  that  through  a 
long  dramatic  series  of  sequences  brought 
to  the  motion  picture  and  its  world  all  the 
glory,  that  was   liiograph. 

*  *     * 

Marvin  and  Casler  went  into  their 
laboratory  at  Canastota  and  set  about 
building  a  camera  that  could  supply  pic- 
tures lo  their  mutoscope  device.  It  was 
decided  that  since  the  little  Edison  films 
could  not  be  had  they  would  build  a 
camera  to  take  a  larger  and  more  satis- 
factory picture. 

They  determined  on  a  film  picture  two 
and  three  quarters  of  an  inch  wide  and 
two  inches  high,  giving  an  area  of  ap- 
proximately eight  times  that  of  the  pic- 
tures on  the   Edison   film. 

This  was  in  the  autum  of  1894.  The 
camera  they  built  remarkably  enough  was 
widely  different  from  the  Edison  machine 
in  every  detail,  save  that  it  used  Eastman 
filnj  as  a  photographic  medium. 

*  *     * 

In  April,  1895,  Marvin  and  Casler's 
machine  was  ready.  They  took  it  out 
of  doors  into  the  sunshine  and  staged  a 
boxing  bout  for  the  camera.  They  ground 
off  the  pictures.  That  night  they  de- 
veloped their  negative  and  found  it  satis- 
factory. They  had  recorded  a  motion 
picture  by  a  new  method.  The  future  of 
the    mutoscope    seemed    assured. 

Other  machines  had  to  be  invented  as 
parts  of  the  process,  among  them  develop- 
ing devices  and  a  printing  machine  to 
make  the  pictures  on  from  the  film  nega- 
tive  on   mutoscope    cards. 

The  further  problems  of  the  mutoscope 
business  appeared  to  be  therefore,  mainly 
photographic.  Marvin  looked  about  for 
a  man  who  could  contribute  photographic 
experience  to  the  work. 

And  now  again  comes  William  Kennedy 
Laurie  Dickson. 

(Ramsaye  tells  of  how  E.  B.  Koopman, 
a  promoter,  then  interested  in  the  Magic 
Introduction  Company,  was  brought  in 
and  the  famous  K.  M.  C.  D  Syndicate 
was  formed  on  Sept.  22,   1895.) 

The  night  of  April  23,  1896;  the  Edison 
Vitascope — Armat  design — went  into  ser- 


vice for  its  lirst  public  showing  at  Koster 
&  Bials'  Music  Hall,  at  34th  Street  and 
Broadway,  winch  is  now  a  part  of  the 
site  of  the  May  Department  Store.  It 
was  a  milestone  in  screen  history  that 
night.  All  the  theatrical  world  of  New 
York  was  in  that  audience.  They  wanted 
to   know   about   this    newcomer. 

In  the  projection  booth  up  on  the  bal- 
cony were  four  men,  also  names  to  re- 
member long  in  motion  picture  history. 
Thomas  Armat  was  in  charge  of  the  show- 
ing. James  H.  White,  who  was  destined 
to  figure  in  picture  production  for  years, 
Charles  Webster,  who  took  the  Vitascope 
into  Europe,  and  Percy  L.  Waters,  a 
motion  picture  executive  of  note  in  the 
affairs  of  many  concerns  from  the  General 
Film  Company  to  Triangle,  were  at  the 
projection  machines.  They  were  all  Raff 
&  Gammon  peep  show  experts  drafted  for 
this  screen  showing.  They  were  mere 
operators  then,  nowadays  known  as  pro- 
jectionists. 

The  pictures  shown  were  old  kineto- 
scope subjects  made  for  the  peep  show 
machines.  The  film  was  dull  and  merely 
translucent  with  a  ground  glass  finish  on 
the  blank  side.  With  the  most  power- 
ful arcs  the  pictures  were  dim  and  obscure 
as  compared  with  the  projection  of  today. 
They  were  wondertui  enough  then.  Anna- 
belle  danced  on  the  screen.  There  were 
pictures  of  the  English  Derby,  the  waves 
at  Atlantic  City  and  a  flash  of  a  boxing 
bout.  The  subjects  were  about  fifty  feet 
in   length,   each. 

The  late  Charles  Frohman  was  in  the 
audience  at  the  Koster  &  Bials'  showing 
that  first  night.  He  was  interviewed  at 
length  by  the  New  York  Times  the  fol- 
lowing day.  In  the  course  of  his  talk 
Mr.  Frohman  with  rare  vision  forecast  a 
great   future   for   the   motion  picture. 

"The  time  will  come,"  he  said,  "when 
all  scenery  on  the  stage  will  be  eliminated. 
The  actors  will  perform  in  front  of  a 
living  scene  thrown  on  the  stage  by  means 
of  these  motion  pictures." 

Mr.  Frohman  was  correct,  except  that 
he  did  not  foresee  that  the  actors  would 
be  projected  right  along  with  the  scenery. 

And  today— Charles  Frohman,  Inc.,  the 
theatrical  concern  standing  as  a  memorial 
to  his  genius,  is  in  effect  the  property  of 
Adolph  Zukor,  the  proprietor  of  a  little 
Chicago  fur  shop  then,  in  1896,  the  domi- 
nant motion  picture  figure  of  the  world 
in  1922. 

The  First  "Location" — Mexico 

The  first  effort  of  a  picture  company 
to  seek  "location"  came  in  1895,  when 
Otway  Latham  went  to  Mexico  to  "get" 
a  bull  fight  and  a  religious  festival.  Ram- 
saye then  records  the  downfall  of  the 
Latham's  and  the  entry  of  "Pop"  Rock, 
who  bought  the  Vitascope  rights  from 
Rock  &  Gammon  for  Louisiana.  There 
he  met   "Pop"   Lubin,  who  was  peddling 


21 


John  S.   Robertson 

John  S.  Robertson  Productions 

"DR.  JEKYLL  AND  MR.  HYDE" 

"SENTIMENTAL  TOMMY" 

"FOOTLIGHTS" 

MARY  PIGKFORD   in 

"TESS  OF  THE  STORM  COUNTRY" 

1923 

Productions  for  Inspiration  Pictures,  Inc. 

Beginning  with 

Richard  Barthelmess  in 

"THE  BRIGHT  SHAWL" 
By  Joseph  Hergesheimer 


22 


smoked  glasses  at  the  Mardi  Gras.  He 
also  presents  Jimmy  Blackton,  then  a 
cartoonist,  for  whom  Edison  had  a  great 
fondness,  and  Albert  E.  Smith  and 
Ronald  A.  Reader,  who  "were  disciples 
of  the  Great  Herrmann"  the  magician. 
He  also  tells  how  the  first  censorship 
came  when  the  Chicago  press  banned 
May  Irwin's  kiss.  He  points  out  that 
on  June  29,  1896,  the  Eden  Musee  and 
Keith's  Union  Square  presented  the  same 
program  of  motion  pictures,  for  the  first 
time  in  history;  and  how  T.  L.  Tally,  a 
cow  puncher,  seeing  a  Vitascope  show, 
got  into  the  business  in  Los  Angeles. 
Says   Ramsaye: 

Mr.  Tally  found  that  his  patrons  down 
in  Spring  Street  were  wary,  about  going 
into  a  darkened  room  to  see  pictures  on 
the  screen.  To  meet  this  condition  he 
fitted  up  a  partition  with  holes  in  it,  fac- 
ing the  projection  room  screen,  so  that 
patrons  might  peer  in  at  the  screen  while 
standing  in  the  comfortable  security  of 
the  well  lighted  phonograph  parlor.  A 
real  sport  could  put  the  phonograph  tubes 
to  his  ears  and  look  at  the  pictures  at 
the  same  time.  Three  peep  holes  were 
at  chair  level  for  seated  spectators,  and 
four  somewhat  higher  for  standees — stand- 
ing room  only  after  three  admissions,  total 
capacity  seven.  The  price  per  peep  holes 
was  fifteen  cents. 

The  Tally  showing  was  typical  of  the 

motion    picture    business    of   the    west    in 

that  period. 

*     *     * 

He  also  presents  Charles  Urban,  who 
in  1896,  was  a  book  agent,  and  later  in 
the  phonograph  business,  and  who,  with 
Walter  Isaacs  arranged  to  make  in  his 
New  York  shop  a  number  of  the  new 
hand-driven  projectors,  to  be  known  as 
the  Urban  Bioscope. 

Back  in  Detroit  Mr.  Urban  cut  loose 
from  the  Michigan  Electric  Company  and 
turned  to  selling  the  Bioscope.  This  ma- 
chine was  in  all  probability  the  first  of 
its  type,  which  soon  became  widely  dis- 
tributed. The  Bioscopes  went  as  fast  as 
they  could  be  delivered.  This  machine 
offered  the  possibility  of  taking  the  new 
motion  pictures  out  into  the  small  towns 
and  lumber  camps.  Dozens  of  "lecturers" 
went  out  equipped  with  Bioscopes  and 
a  stock  of  Edison  films,  which  Urban 
continued  to  handle. 

It  is  a  testimoni^  to  the  workmanship 
of  Mr.  Isaacs  thalSone  of  the  first  Bio- 
scopes is  still  in  service  in  the  private 
editing  room  of  the  Urban  establishment 
in  New  York,  at  the  Masonic  Temple, 
a  skyscraper  that  rises  but  a  fev/  doors 
away  from  the  site  where  Edison  films 
first  went  on  the  screen  back  in  1896. 
The  little  Bioscope  has  been  across  the 
Atlantic  twice  in  its  twenty-six  years,  and 
has  twenty-three  years  of  foreign  service 
to    its    credit,      It    has    outlived    a    half- 


dozen  film  corporations  and  with  a  drop 
of  oil  now  and  again  it  is  good  for  another 
quarter  of  a  century. 

*  *     * 

Later  Urban  joined  Maguire  &  Marcus, 
agents  for  Edison  films,  and  went  abroad 
for  them.  He  also  introduces  E.  S.  Por- 
ter, who,  after  three  years  in  the  Navy. 
got  a  job  from  Raff  &  Gammon,  as  a  pro- 
jectionist. Of  how  later  Porter  and 
Harry  Daniels  bought  the  rights  of  the 
Projectoscope  for  the  West  Indies  and 
made  a  big  hit  with  the  pictures  down 
that  way.  He  also  introduces  Col.  Wil- 
liam Selig,  who  then  working  at  43  Peck 
Court,  Chicago,  saying: 

The  early  Selig  pictures  were  made 
about  the  streets  of  Chicago  and  in  back 
yards  when  it  was  desirable  to  escape 
the   curious   passersby. 

In  this  same  '96,  George  Kleine,  under 
the  name  of  the  Kleine  Optical  Company, 
in  Chicago,  started  the  sale  of  projection 
machines  and  films.  He  sold  the  Armat 
projector  under  the  name  of  the  Magnis- 
cope,    and    the    new     Edison    Projecting 

Kinetoscope. 

*  *     * 

The  Edison  machine,  involving  me- 
chanical devices  similar  to  those  in  patent 
claims  of  Armat,  resulted  in  a  long  line 
of  litigations.  Armat  started  to  fight. 
He  was  still  fighting  in  1908  when  the 
famous  Motion  Picture  Patents  Company 
was  formed,  ending  the  controversy,  with- 
out a  final  adjudication  ever  coming  from 
the  courts.  Legally  the  issue  between 
Edison  and  Armat  will  never  be  settled. 
But  they  are  friends  today,  and  most 
recently  Mr.  Edison  has  commented  on 
the  Armat  Vitascope  as  the  "first  practical 
projecting  machine." 

*  *     * 

E.  B.  Koopman,  the  financier  of  the 
K.  M.  C.  D.  Syndicate,  which  fathered 
the  Biograph,  sold  stock  interests  in  the 
concern  to  many  important  people  in  the 
financial  world.  One  of  the  early  stock 
holders  was  Abner  McKinley,  a  brother 
of  the  candidate  for  the  presidency. 

And  to  the  American  Mutoscope  & 
Biograph  Company  at  this  time  goes  the 
credit  for  first  photographing  for  the  mo- 
tion pictures  a  world  famous  actor. 
Joseph  Jefferson  at  his  estate  at  Buzzard's 
Bay.  posed  for  the  camera  in  "Rip  Van 
Winkle."  The  pictures  were  presented 
both  on  the  screen  and  in  the  Mutoscope 
in  many  brief  parts,  each  separately  titled, 
as,  for  example,  "Rip's  Dream,"  "Rip's 
Awakening."  A  total  of  some  eight  or 
nine  such  snatches  of  drama  were  made 
with  the  distinguished  Mr.  Jefiferson 
performing. 

It  is  important  to  remember  that  the 
Biograph  was  using  the  picture  of  the 
same  large  size  as  the  Mutoscope  nega- 
tives, more  than  two  inches  wide  and  pro- 


23 


24 


portionately  high.  This  consumed  eight 
times  as  much  film  in  the  recording  of 
any  given  action  as  the  smaller  Edison 
standard  films.  This  was  a  fact  of  vast 
importance  and  effect  in  future  develop- 
ments. 

The  Biograph  projector,  being  operated 
on  a  friction  drive  roller  principle,  like 
the  camera,  required  the  constant  atten- 
tion of  a  highly  skilled  operator.  The 
company  decided  on  a  policy  of  supplying 
Biograph  service  only.  No  machines, 
either  cameras  or  projectors  were  sold. 
The  great  widefilm  with  its  large  photo- 
graphic area  gave  an  excellent  quality  of 
picture,  probably  much  better  than  the 
Edison  film  product  of  the  day,  but  the 
Biograph  machines  were  far  from  fool 
proof.  Any  attempt  at  wide  distribution 
would  have  been  unwise.  It  would  also 
have  invited  infringements. 

In  this  period  William  Bitzer,  later 
famous  as  "Billy  Bitzer,  Griffith's 
cameraman"  entered  the  service  of  Bio- 
graph and  became  expert  with  the  com- 
plicated machines. 

Financing  Porter's  First  Projector 

Ramsaye  recounts  how  Porter,  re- 
turning from  the  West  Indies,  gave  the 
first  show  of  advertising  films  on  Broad- 
way, and  was  arrested  for  interfering 
with  traffic.  The  billboard  screen  faced 
34th  St.  and  Broadway.  Later,  records 
Ramsaye,  William  L.  Beadnell,  advertis- 
ing man  for  the  Eden  Musee,  financed 
the  building  of  the  first  Porter  projector, 
"the  ancestor  of  the  modern  Simplex 
projector."  He  also  records  of  how  a 
travelling  magician,  "The  Great  Victor," 
became  interested  in  pictures  and  opened 
Newark's  first  motion  picture  theater.  It 
was  the  late  summer  of  1897. 

Victor  canie  across  a  merchant  who 
had  under  lease  a  store  in  Market  Street, 
which  he  was  delayed  in  opening  while 
waiting  for  stock.  There  the  picture 
show  opened  with  an  Edison  Projecting 
Kinetoscope  and  a  miscellany  of  films, 
including  "The  Empire  S^ate  Express" 
and  "The  Baths  of  Milano."  The  the- 
ater boasted  two  hundred  seats,  and 
showed  at  an  admission  of  twenty-five 
cents.  But  it  proved  necessary  to 
strengthen  the  attraction  by  booking 
Bowman's  Military  Band.  There  was 
the  embryo  of  the  great  orchestra  idea 
of  picture  presentation  of  today. 

Some  weeks  later  the  show  closed  and 
became  the  first  of  the  now  nation-wide 
chain   of   Hilton   clothing  stores. 
*     *     * 

The  account  of  the  making  of  the 
"Passion  Play,"  by  Richard  G.  Holloman 
of  the  Eden  Musee  is  recorded,  and  the 
fight  with  Klaw  &  Erlanger,  who  also 
had  a  like  film.  Later  Col.  Henry  T. 
Hadley,  "a  spectacular  evangelist  of  the 
day,"  used  the  film  through  the  country. 
His  was  undoubtedly  the  first  use  of  the 


motion  pictures  for  propaganda,  says 
Ramsaye. 

He  records  that  Hadley's  son  is  "Hopp" 
Hadley,  well  known  in  New  York  picture 
circles. 

At  this  point  Ramsaye  tells  of  Smith 
and  Blackton  starting  together  and  mak- 
ing pictures  after   Smith  built  a  camera. 

*  *     * 

Thereupon  they  repaired  to  the  roof 
of  the  Morse  building  in  Nassau  Street, 
where  they  had  a  tiny  office,  and  pro- 
ceeded to  start  operations  on  a  subject 
to  add  to  their  program.  They  decided 
to  call  it  "The  Burglar  on  the  Roof." 
Mr.  James  Stuart  Blackton  took  the  role 
of  the  burglar,  the  title  role,  if  you 
please,  in  the  very  first  production  of  an 
institution  that  has  won  immortality  in 
picture  annals.  Mr.  Smith  as  the  me- 
chanical expert,  operated  the  camera. 
Ronald  A.  Reader,  their  prestidigitator 
friend,  and  Mrs.  Olaf  Olsen,  wife  of  the 
Morse  building  janitor,  completed  the 
cast.  The  picture  was  made  in  bits  at 
lunch  hours  when  the  members  of  the 
cast  had  time  from  their  work  to  appear 
at  the  "studio."  It  was  completed  in 
sixty-five  feet  and  ultimately  played  all 
the  "big  time"  in  the  United  States.  It 
was  an  episode,  rather  than  a  story,  but 
it     had     the     microscopic     germ     of     the 

modern  thriller. 

*  *     * 

How  Urban,  in  London,  developed  the 
Warwick  Trading  Company  and  made 
a  fortune  is  told. 

*  *     * 

In  France  in  the  year  of  '97  George 
Melies,  a  new  figure  and  factor  in  film 
production,  began  a  rapid  rise  with  a 
novelty  idea  of  introducing  to  the  screen 
tricks  of  magic.  Melies  had  been  a  stu- 
dent understudy  of  the  celebrated  Robert 
Houdin.  His  pictures  found  ready  sale. 
Charles  Urban  was  among  his  best  cus- 
tomers. In  the  United  States  Melie's 
subject  also  attained  an  early  popularity. 

American  picture  men  were  puzzled 
not  a  little  at  the  mysterious  results  on 
the  screen.  The  pictures  caught  on  and 
to  meet  the  demand  in  the  most  profit- 
able way,  it  must  be  admitted,  the 
Americans  copied  or  duplicated  the 
Melies  subjects  with  a  gracious  freedom. 
The  method  was  simple.  An  original 
subject  printed  by  Melies  was_  put 
through  the  printing  machine  with  a 
piece  of  negative  stock.  Thereby  a  nega- 
tive was  produced  from  which  any  num- 
ber of  "dupe"  prints  might  be  made. 
This  practice  grew  general  and  common- 
place in  the  industry  and  in  the  course 
of  two  years  came  to  be  one  of  its 
greatest  curses.  Trademark  and  copyright 
ultimately  came  to  check  the  abuses  of 
the  "dupers."  In  the  beginning  the  mo- 
tion picture  with  no  precedents  behind  it 
had  almost  none  of  the  rights  of  property- 


25 


CHARLES  RAY'S  ANSWER 


Charles  Ray  in  "The  Girl  I  Loved" 


TO  THE  DEMAND 
FOR  BIGGER  AND 
BETTER  PICTURES 


"A  TAILOR-MADE  MAN" 

9  Reels 

"THE   GIRL  I   LOVED" 

9  Reels 

"THE  COURTSHIP  OF 
MILES  STANDISH" 

Now  in  production  —  A  mag- 
nificent historical  drama  based 
upon  the  thrilling  experiences  of 
the  Pillgrim  Fathers,  and  the 
beautiful  love  story  of  John 
Alden    and     Priscilla     Mullins. 


Charles  Ray  is  now  limiting  his  output  to  two  productions  a  year 

and  giving  them  all  the  scope  and  quality  of  superspecials 

that  ability,  time  and  money  combine  to  assure. 

PRODUCED  BY 
CHARLES  RAY  PRODUCTIONS,  Inc..  Los  Angeles,  CaL 


26 


How  Lyman  Howe  developed  his 
business,  and  how  Marvin  &  Casler  took 
the  first  prize  fight  pictures  ui  der  hghts, 
is  told  graphically,  and  how  the  Spanish 
American  war  offered  bait  to  the  picture 
makers  is  also  interestingly  recorded, 
especially  the  Edward  H.  Amet  picture 
of  the  sinking  of  Cervera's  fleet  at  San- 
tiago. 

Picturizing  the   First   News   Event 

On  March  17,  1899.  the  Windsor  Hotel 
in  New  York  burned  and  forty-five  per- 
sons lost  their  lives.  Blackton  and  Smith 
covered  the  fire  with  their  camera,  getting 
short  bits  of  film  showing  the  burning 
ruins.  Probably  for  the  first  time  the 
motion  picture  camera  pictured  news  in 
the  process  of  happening. 

How  Rock  and  Smith  and  Blackton 
got  together  is  shown,  and  how  "Broncho 
Billy"  Anderson  was  hired  at  $2  a  day 
to  make  a  noise  like  a  locomotive  is  de- 
tailed by  Al  Harstn  (now  an  exhibitor 
in    Brooklyn). 

The  First  Back  Lighting 

Ramsaye  tells  of  how  Porter,  while 
photographing  the  Columbia-Shamrock 
boat  race  "shot"  against  the  sun.  Says 
the  author: 

Back  at  West  Orange  the  films  were 
rushed  through  the  laboratory  and  that 
night  prints  of  the  day's  race  went  on  the 
screen  on  Broadway.  The  Porter  yacht- 
ing pictures  were  a  revelation  of  photo- 
graphic beauty.  He  had  not  known  that 
photography  against  the  sun  was  impos- 
sible and  had  thereby  discovered  "back- 
lighting." 

The  pictures  were  filled  with  wondrous 
reflections,  the  gossamer  shadow  traceries 
of  the  sails  and  the  jewelled  highlights 
of  the  rippling  water.  It  was  a  new  photo- 
graphic realism.  Some  of  the  news  photo- 
graphers saw  the  films  that  night.  Porter 
got  along  better  on  the  referee's  boat  the 
next  day.  He  had  acquired  a  sudden  pro- 
fessional standing.  And  the  news  camera 
men  for  the  papers  and  magazines  were 
tentativeh^  trying  a  few  shots  against  the 
sun.  The  child  motion  picture  wns  teach- 
ing its  ancestor,  the  still  camera,  how  to 
make  pictures.  The  process  has  con- 
tinued ever  since. 

*  *     * 

All  of  the  many  legal  battles  that  start- 
ed about  this  time  are  recorded.  Also  of 
how  Wallace  McCutcheon,  Sr.,  was  em- 
ployed by  Biograph  as  really  the  first 
"director"  for  pictures  in  America. 

*  *     * 

How  the  motion  picture  reached  Alaska 
during  1899  is  then  told.  Tom  Crahan 
came  to  Edison  in  behalf  of  the  North- 
west Transportation  Company,  with  a 
line  of  boats  between  Puget  Sound  and 
Alaska.  He  wanted  motion  pictures  of 
the  country  made  for  general  promotional 
purposes.     Most   especially   they   were   to 


be  shown  at  the  Paris  Exposition  in  1900. 
And  he  wanted  a  wide  film. 

Robert  Bonine  is  recorded  as  the 
camerman  of  the  expedition.  Ramsaye 
then  tells  of  how  Harry  and  Herbert 
Miles,  Cincinatti  photograpliers,  reached 
Nome.  They  made  many  pictures  which 
were  sent  to  the  Biograph,  New  York, 
for  distribution.  Rex  Beach  is  recorded 
as  being  in  Nome  at  that  time,  as  well 
as  Jack  London,  and  Jesse  Lasky.  who 
had  grown  impatient  of  the  languors  of 
Hawaii  and  the  distinction  of  being  the 
only  white  man  in  the  Royal  Hawaiian 
band  at  Honolulu. 

In  Alaska,  Lasky  was  one  of  the  many 
who  found  gold  but  not  enough.  Leav- 
ing the  diggings  he  went  to  Dutch  Har- 
bor and,  with  a  rented  row-boat,  ferried 
passengers  from  ships  at  anchor.  Then 
with  a  hundred  dollar  push  cart  he  went 
into  the  baggage  business  at  twenty  dol- 
lars a  load.  Presently  between  freight- 
ing and  panning  gold  he  found  he  had 
enough  to  book  passage  home.  Ten  years 
of  experimenting  with  the  destiny  had  to 
pass  before  Lasky  was  to  join  the  industry 
of  the  "life  motion  pictures"  that  Miles 
Brothers  were  introducing  in  Nome. 

Back  in  New  York  important  develop- 
ments were  coming.  The  motion  picture 
WIS  on  the  verge  of  a  rebirth,  and  a 
greater  function  than  as  the  black  tent 
novelty  of  the  provinces  and  the  chaser 
of  the  vaudeville  show. 

The  synthetic  process  of  making  news 
pictures  as  begun  by  Blackton  and  Smith 
in  their  destruction  of  Cervera's  fleet  and 
by  Amet  with  the  same  subject  and  his 
"Execution  of  Six  Boxers"  was  growing 
bolder.  The  Edison  company  went 
naively  out  to  reproduce  the  Boer-British 
war,  which  was  occupying  a  large  and 
sympathetic  attention  in  the  United  States. 
James  H.  White,  of  the  kinetoscope  de- 
partment, was  the  general  in  charge  of 
military  operations.  The  w^ar  was  con- 
ducted with  several  handsome  stovepipe 
cannons  mounted  on  carriage  wheels  and 
a  pair  of  armies  of  Bowery  drifters  ar- 
rayed in  costumes  from  the  Eaves 
establishment. 

In  very  similar  fashion  Vitagraph  con- 
ducted a  war  of  its  own  across  the  veldt 
of  Long  Island.  In  this  year  of  1900  Vita- 
graph  blossomed  out  from  a  verbal 
partnership  into  a  corporation  capitalized 
at  $6,000,  still  owned,  however,  entirely 
by  Blackton,  Smith  and  Rock.  The  con- 
cern -  signalized  this  step  by  moving  its 
oflices,  always  a  popular  pastime  with 
motion  picture  concerns.  Established  in 
the  Morton  building  at  116  Nassau  Street, 
they  erected  a  stage  on  the  roof  and  en- 
tered more  seriously  into  fabricated  pro- 
duction. 

Picture  making  on  the  Morton  building 
roof  was  considerably  complicated  by  the 
clouds  of  exhaust  steam  from  the  engine 
room  in  the  basement.    In  a  shifting  wind 


27 


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HURRICANE'S  GAL" 

(RELEASED) 

THE  WHITE  FRONTIER " 


(FILMING) 


Distributed  by 

Produced  at  United  Studios      Associated  First  National 
M.  C.  Levee,  President  Pictures,  Inc. 


28 


the  stage  was  often  entirely  obscured. 
Caught  in  a  gust  of  steam,  the  director 
would  cry,  "Hold."  Whereat  the  cast  on 
stage  would  freeze  motionless  in  the  pos- 
ture of  the  moment,  often  tragically 
ridiculous.  When  the  steam  passed  the 
camera  started  again.  The  studio  pictures 
of  this  period  were  largely  comedies  of 
a  violently  extravagant  type. 

*  *     * 

How  Marvin  tried  to  consolidate  Bio- 
graph  and  Edison  is  told,  but  a  bank 
failure  broke  the  idea.  How  Percy  Waters 
secured  a  big  contract  with  Tammany 
Hall  for  the  campaign  of  1901  is  interest- 
ingly told.  Waters  wanted  the  Republi- 
cans to  use  pictures  in  their  campaign, 
but  could  not  see  the  important  people 
necessarv. 

♦  ♦     ♦ 

With  the  campaign  over  Waters  had 
on  hand  the  biggest  single  stock  of  mo- 
tion picture  projection  machines  in  the 
world.      The    Kinetograph    Company   had 


them  as  a  profit  of  the  campaign  since 
the  contract  had  paid  for  them.  For  the 
first  time  the  standard  price  of  $125  for 
an  Edison  projector  was  cut. 

Waters  offered  his  second  hand  ma- 
chines for  about  $85  each.  They  sold 
rapidly  and  spreading  over  the  country 
became  an  important  agency  in  the  spread 
of  the  motion  picture.  A  new  attitude 
toward  the  motion  picture  was  develop- 
ing, too,  out  of  the  experiences  of  the 
vaudeville  theater  managers  in  1900  when 
the  actors,  under  the  leadership  of  George 
Fuller  Golden,  organized  the  White  Rats 
and  struck  against  the  newly  formed 
managerial  combine.  The  motion  picture 
saved  the  day  for  a  considerable  number 
of  theaters  would  not  have  been  able  to 
open  otherwise.  The  theatrical  world  was 
'beginning     to     see     possibilities     in     the 

pictures. 

*     *     * 

And  here,  unfortunately,  the  "History" 
ends  for  1922. 


Another  Group  of  "Oldtimers" 


The  Pathe  West  Coast  Company  of  1910.  Top  line,  reading  from  right  to  left,  Messrs. 
Howland,  Davis,  Winneman,  Jack  Hoxie,  Snow,  House,  Willis.  Next  line  (reading 
down),  Keith,  Ridgeway,  Biggie,  Hay,  Joseph  DeGrasse,  Peters.  Third  line  (the  ladies), 
Misses  Austin,  Bessie  Eyton,  Virginia  Chester,  and  Red  Wing.  Bottom  line,  Charles 
K.  French,  Young  Deer.  Photograph  through  the  courtesy  of  Charles  K.  French. 

29 


WILLIAM   NIGH 

Director  and  Author  of 

''Notoriety'' 

''  Why  Girls  Leave  Home'' 

''School  Days" 


30 


Picture  Making  in  South  Africa 

By  Leander  DeCordova 

The  first  time  I  went  to  hunt  for  a  location  in  Africa  where  I  was  making  pic- 
tures for  the  African  Films  Productions,  Ltd.,  I  was  greeted  by  a  sight  few  men  in 
our  line  of  endeavor  get  a  chance  to  see.  We  were  walking  along  a  narrow  ledge  of 
a  mountain,  and  down  its  sheer  sides  was  a  clear  drop  of  several  hundred  feet  into  the 
Umgeni  River,  when  we  were  stopped  dead  in  our  tracks  by  an  unearthly  throaty  yell. 
It  echoed  and  re-echoed  through  the  hills. 

Our  Zulu  guide  smiled  a  superior  smile  and  pointed  to  about  two  hundred  yards 
away,  and  there  we  saw  a  gorilla  the  size  of  any  ordinary  man  walking  away.  He  was 
tl'.e  head  of  the  scouts  of  the  gorilla  army.  All  of  the  monkey  family  have  scouts  who 
are  always  watching  and  standing  guard  over  their  colony,  and  "tip"  the  family  when 
the  road  is  clear  to  go  ahead  and  make  their  hauls,  for  you  must  know  that  the  monkey 
family  at  large  love  corn.  So  when  the  farmer  wages  war  on  them  as  he  always  does, 
he  must  match  his  wits  along  with  Mr.  Scout.  This  is  an  interesting  fact:  all  monkeys 
can  only  count  up  to  two,  so  when  the  farmer  goes  on  a  hunting  expedition,  he  is 
accompanied  by  three  others,  and  they  hide  behind  a  rock.  Then,  after  a  wait  of  about 
an  hour,  two  of  the  party  retire  and  Mr.  Scout  reports  that  they  are  all  gone.  Of 
course,  when  they  come  down  to  feed  on  the  sweet  "mealies,"  they  are  shot.  Those 
that  escape  then  tear  to  pieces  the  scout  for  giving  the  wrong  information.  We  saw 
a  lot  of  that  sort  of  thing  in  Africa,  but  let  me  tell  you  of  many  of  the  difficulties  we 
encountered. 

I  took  my  camera  man  and  assistant  from  America,  and  got  my  juvenile  and 
leading  woman  in  England,  and  the  rest  of  the  cast,  I  engaged  in  Africa.  I  was  fortunate 
in  securing  there  the  services  of  one  of  the  best  "heavy"  men  I  have  ever  known,  a 
Mr.  M.  A.  Wetherell,  an  actor  of  distinction  in  London,  who  was  in  Africa  at  the  time. 
The  rest  of  the  company  we  will  pass  gently  over;  I  drew  from  all  sources,  and  even 
V.  ent  to  the  old  men's  home  in  Jo-burg  (Johannesburg),  in  order  to  get  the  necessary 
tj'pes,  as  the  so  called  actors  could  not  put  on  beards  or  mustaches,  and  these  were 
necessary  as  they  had  to  play  Boers.  But  my  old  men  were  O.  K.  I  had  to  speak  a 
little  Dutch  as  that  is  all  they  understood.  When  they  got  on  the  set,  they  sat  stififly 
as  though  they  were  in  a  portrait  studio,  but  through  liberal  portions  of  whiskey  and 
smokes  of  all  kinds,  and  by  getting  chummy  with  them,  I  soon  explained  what  I  wanted, 
and  they  gave  me  the  atmosphere  that   I   required. 


On  Their  Way  to  Location. 
31 


Photo  by 
Edward  Curtis 


"The 

Rubaiyat 
of 

OMAR 
KHAYYAM" 


"Ferdinand  Earle  has  set  a  new  standard  of  production  to  live  up  to." 

Rex  Ingram. 


"Fifty  years  ahead  of  the  time." 


Marshall  Neilan. 


"The  best  thing  I  have  ever  seen  in  pictures." 

Anthony  Anderson,  Art  Critic  of  L.  A.  Times. 

"Up  to  date  the  greatest  achievement  of  the  cinema."  Frank  Keenan. 

"I  never  expected  to  see  anything  like  this  on  the  screen.     America  should 
be  very  proud."  Theda  Bara. 

"Without  doubt  the  most  magnificent  and  artistic  picture  ever  made  by 
anyone  anywhere."  Dannenberg  in  The  Film  Daily. 


In  production 

"The    Easiest  Way" 
Goethe's   "Faust" 

Assisted  by  Paul  Detlefsen 


32 


Out  on  the  "Veldt"— Note  the  Blacks 

Every  morning  we  were  up  at  4:30,  dressed  by  5.00  and  on  location.  In  most 
of  the  places,  we  went  into  the  kitchen  and  had  our  tea  around  the  stove.  Then  we 
started  our  day's  work  by  getting  to  location.  In  several  of  the  places  we  had  to  walk 
or  ride  horse-back,  as  there  were  no  autos  or  roads.  One  place  that  I  have  in  mind 
was  a  spot  called  Waterval  Boorn.  It  is  just  a  railroad  center  with  a  so-called  hotel, 
and  we  worked  nine  and  a  half  miles  away,  and  you  had  to  foot  it.  ^  And  such  walkingl— 
over  mountains  and  fording  rivers  over  waist  high.  This  spot  is  the  starting  of  the 
low  veldt  where  the  big  game  abounds.  So  we  packed  fire-arms  of  all  kinds.  In  our 
party  were  twelve  whites,  twenty  Zulu  hogs,  ten  horses  and  fourteen  head  of  bullocks. 
Everyone  in  the  party  was  on  the  alert  for  the  momba  snake,  the  most  deadly  in 
Africa,  which  hangs  from  the  trees  (they  take  the  same  color  as  the  tree),  and  strikes 
at  his  prey  while  hanging.  Thirty  seconds  from  the  time  the  momba  strikes,  is  the 
finish  of  this  sphere  of  consciousness  for  the  individual.  The  nearest  any  of  us  came 
to  it  was  when  a  dog  sitting  ten  feet  away  from  one  of  our  party  was  killed. 

We  worked  on  this  location  for  ten  days,  and  it  took  us  three  hours  every  morn- 
ing and  three  hours  every  evening  to  make  the  journey,  as  the  going  besides  being 
rough,  was  at  times  dangerous,  and  with  the  horses  and  bullocks  we  had  to  be  very 
careful;  and  the  three  ladies  in  our  party  required  a  great  deal  of  attention.  While  at 
this  place,  we  were  treated  in  the  most  gracious  manner  possible  by  everyone,  and  at 
a  S.  A.  O.  P.  (South  African  Police  Post)  located  here,  we  were  given  treatment  and 
attention  worthy  of  royalty.  Nothing  was  any  trouble,  and  Sergeant  Venter,  Commander 
of  the  Post,_  presented  me  with  an  assagai  which  I  treasure.  He  accompanied  me  on 
all  of  my  trips  to  hunt  locations  in  this  section,  and  many  times  I've  followed  him  on 
horseback  through  elephant  grass  so  high  that  no  man  three  feet  away  can  see  another, 
even  though  he  be  on  horse-back.  To  give  an  idea  of  the  country  we  were  going  through, 
the  horses  had  to  step  down  and  over  rocks  nearly  two  feet  high  in  most  places,  and 
the  ledge  we  were  on  was  but  a  foot  and  a  half  away  from  the  brink  of  the  mountain, 
so  that  a  mis-step  meant  someone  collecting  my  insurance.  On  all  of  these  occasions, 
we  drove  with  our  left  hands,  and  in  our  right,  we  carried  a  "45"  colt  ready  for  instant 
use.  Many  fine  specimens  of  spring  buck  were  shot  on  these  little  jaunts,  but  lions 
and  cheetaho  were  seen;  also  a  few  leopards.     At  a  farm  in  the  Cape  Province  of  some 

33 


George  Melford 

Producer  of 
"The  Sheik," 
''Behold  My  Wife" 
and  ''Burning  Sands' 


George  Melford,  Director 
Member  M.P.D.A. 


George  Melford  Productions 

Robert  Louis  Stevenson's 
"Ebb  Tide" 

Joseph  Hergesheimer's 
"Java  Head" 


In  Preparation 

"You  Can't  Fool  Your  Wife" 

With  Jacqueline  Logan  and 
Nita  Naldi 


34 


25,000  acres,  at  a  place  called  Swellendam,  which  farm  was  owned  by  a  Mr.  Barry,  we' 
were  working  one  morning,  when  we  heard  one  of  the  cattle  yell,  and  there  was  a 
leopard  (they  call  them  tigers  in  Africa),  at  the  flank  of  the  poor  beast.  Mr.  Barry, 
who  was  with  us,  grabbed  his  rifle,  and  with  a  beautiful  shot  brought  him  down.  He 
measured  four  feet,  four  inches  from  tail  to  head. 

In  Zululand  in  Natal,  one  meets  with  a  courtesy  from  the  native,  foreign  to  our 
so  called  civilization.  From  the  moment  he  meets  you  his  right  hand  comes  to  a  Roman 
salute,  and  his  "Cosa-Baba"  (Big  White  Father)  to  "Sacabona"  (Good  Day,  Sir),  is  a 
greeting  of  welcome  of  friendliness.  Many  times  I've  been  entertained  by  the  Chief 
of  the  Village,  and  such  entertainment  consists  of  meeting  all  of  his  kin  in  a  large  hut, 
and  everyone  sits  around  on  the  floor  with  their  feet  converging  to  the  center  where  I 
would  be  showered  with  questions  about  America  and  the  black  race  of  our  country. 
They  spoke  in  Zulu,  and  I.  by  this  time,  was  able  to  keep  my  end  of  the  conversation 
going,  as  I  had  mastered  most  of  the  language,  at  least  enough  to  get  along  with. 
When  it  came  time  to  serve  refreshments,  one  of  the  Chief's  wives  (he  usually  has  six 
or  seven),  came  in  to  the  center  of  the  hut,  and  boiled  sweet  potatoes  were  placed  on  a 
grass  mat,  and  placed  at  your  feet  but  a  few  inches  away  from  the  toes  of  a  big  Zulu. 
Not  to  eat  would  be  the  signal  for  a  possible  fight,  as  in  Zulu  etiquette  that  is  considered 
very  bad  form.  So  you  eat  cold  boiled  sweet  potatoes  and  like  it,  and  if  the  smell  of 
the  natives  bothers  you,  don't  forget  that  the  odor  from  our  bodies  is  just  as  objectionable 
to  them  as  their's  is  to  us. 

On  one  occasion,  I  used  over  three  thousand  in  our  scenes,  and  one  of  my 
assistants  got  ill  from  their  odor,  but  as  there  was  a  world  of  work  to  do,  he  forgot  it 
and  went  to  it  with  a  will. 

In  the  big  fight  scene,  I  used  buglers  to  let  them  know  when  to  stop,  but  after 
they  started  to  fight,  nothing  would  stop  them,  and  they  got  out  of  hand,  and  a  real 
and  bloody  fight  lasted  for  over  an  hour.  Several  of  them  got  cut  up  pretty  badly,  and 
many  more  smashed  each  others  heads,  but  thank  God,  no  one  got  killed. 

All  scenes  requiring  the  use  of  large  -numbers  of  natives  must  be  made  near 
Johannesburg,  as  it  is  impossible  to  get  natives  in  quantities  anywhere  else.  That  state- 
ment, of  course,  does  not  apply  to  Central  Africa,  where  different  conditions  prevail.  At 
a  place  called  Potiegersrut,  which  is  in  the  lion  country,  I  worked  at  a  native  village  at 
Basotus.  I  was  treated  here  the  same  as  I  had  been  treated  at  other  places  with  a 
profound  respect,  and  great  attention  paid  to  my  comfort,  I  asked  for  a  drink  of  water, 
and  was  ushered  into  one  of  the  chief's  huts,  and  in  this  native  village  of  hundreds  of 
souls,  none  of  whom  spoke  a  word  of  English  but  the  chief,  I  came  upon  something 
which  startled  me  into  the  realization  of  the  understanding  that  time  alone  stands  between 
us  and  entire  civilization.  On  the  wall  of  this  hut,  nothing  was  to  be  seen  but  a  bit 
of  paper,  and  I  walked  across  to  see  what  was  on  it,  and  was  astounded  to  find  it  was 
a  bit  of  Rudyard   Kipling's.     Out  there,  in  Africa,  miles  away  from  any  white  people, 


The  "Studio' 

35 


WALLACE  WORSLEY 

Now  Producing 

The  Hunchback  of  Notre  Dame 

With  Lon  Chaney 


Assistant    Director 
JAMES  DOUGAN 


36 


stood  a  philosophy  marking  time  to  the  day  when  it  would  be  understood  by  these  dark 
skinned  natives. 

We  partook  of  a  very  palatable  dinner  of  mealy  meal  (crushed  corn),  ground 
between  two  stones.  Here  the  native  women  would  not  pose  for  the  camera  until 
ordered  to  do  so  by  their  chief,  and  when  we  departed  every  man,  woman,  and  child 
in  the  village  saw  us  off.  No  more  moral  people  exist  than  these  Zulus.  The  women 
are  beautiful  specimens,  and  in  their  native  Kealls,  wear  the  "moochie"  which  is  but 
a  kind  of  skin  girdle  around  the  waist.  In  that  state,  they  live  lives  of  purity,  and 
seldom,  if  ever,  are  untrue  to  their  husbands.  But  once  get  them  in  European  dress, 
and  in  the  towns,  and  the  morals  are  all  shot  to  pieces. 

It's  a  great  country,  Africa,  and  a  great  people  who  are  hospitable  and  courteous; 
people  who  are  never  bothered  to  go  to  any  trouble  for  you.  The  only  place,  that  I 
encountered  opposition  to  Americans  and  our  methods,  was  by  a  few  employees  at 
the  Studio.  These  few  misguided  individuals  did  all  in  their  power  to  make  life 
unpleasant  for  us  and  to  roast  our  country  and  our  pictures  and  us,  but  one  swallow  does 
not  make  a  dinner  any  more  than  does  three  or  four  individuals  make  a  country. 

SCENARIO  EDITORS 


Key:  C,  slapstick  comedies;  S,  material  for  our 
particular  type  of  special  production ;  P,  polite 
comedies ;  D,  straight  film  dramatic  material,  either 
tragic  or  comic. 

American  Film  Co.,  Inc.  6227-6235  Broadway, 
Chicago,  111.;  E.  Wigginton,  Scenario  Editor.   S 

Art-O-Graf  Film  Co.,  307  Guardian  Building, 
Denver,  Col. ;  David  W.  Townsend,  Scenario 
Editor.  D  for  Violet  Mersereau  and  Edmund 
Cobb.       S  Western. 

Artclass  Pictixres  Corp.,  1476  Broadway,  New 
York ;   Scenario  Editor.   C  D 

Astra  Film  Corp.,  Glendale,  California;  A.  F. 
Dobson,    Ecenario    Editor ;    C    for   Jimmie   Adams. 

Atlas  Film  Corp.,  Newton  Highlands,  Mass. ; 
Ida   Harrison,    Scenario    Editor.    D 

Leah  Baird  Prod.,  Thomas  H.  Ince  Studios, 
Culver  City  ,  Calif. ;  Louis  Weadock,  Scenario 
Editor.  S 

Bear  State  Film  Co.,  331  Citizens  National  Bank 
Bldg.,  Los  Angeles,  Calif. ;  C.  S.  Harrison, 
Scenario  Editor.  D 

Blazed  Trail  Prod.  Inc.,  19  Elm  St.,  Gloversville, 
N.  Y. ;  L.  Case  Russell,  Scenario  Editor;  D 
(tragis)  for  John  LoweU  and  Evangeline  Russell. 

The  Bray  Prod.,  Inc.,  130  West  46th  St.,  New 
York    City.     Marguerite   Gove,   Production   Editor. 

C.  L.  Chester  Prod.,  Inc.,  1438  Gower  St., 
Hollywood;   Mr.  A.  K.  Weinberg. 

Charles  Ray  Prod.,  Inc.,  1425  Fleming  Street, 
Los  Angeles. 

Hector  Cloverio  Prod.,  Lents,  Portland,  Ore. ; 
Lois  Bain,  Scenario  Editor;  P  for  All-Star  cast — 
1    reel   domestic    comedies. 

Cosmopolitan  Prod.,  127th  St.  and  2nd  Ave., 
New  York ;  Verne  Hardin  Porter,  Scenario  Editor ; 
D   (All  Star  Cast)    S 

Douglas  Fairbanks  Pictures  Corp.,  Hollywood; 
Lotta   Woods,    Scenario   Editor.   S 

Educator's  Cinematograph  Co.,  70  Fifth  Aye., 
New  York ;  Alfred  H.  Saiuiders,  Scenario  Editor 
S    (Strictly    Pedagogical). 

Fox  Fibn  Corp.,  West  55th  St.,  New  York, 
Hamilton  Thompson,  Scenario  Editor ;  D  for 
William  Russell,  Eileen  Percy,  Shirley  Mason, 
Buck   Jones,    Tom    Mix. 

Fmous  Piayers-Lasky,  485  Fifth  Avenue,  New 
York ;   Julian   Johnson,    Editor. 

First  National,  6  West  48th  St.,  New  York. 

Goldwyn  Pictures  Corp.,  469  Fifth  Ave.,  New 
York,    Eugene    Mullin,    Scenario    Editor.    D    S 

Graphic  Film  Corp.,  729  Seventh  Avenue,  New 
York;    Ivan    Abramson :    Room    711. 

D.  W.  Griffith,  Inc.,  Mamaroneck,  New  York, 
Scenario  Editor.   S 

W.  W.  Hodkinson  Corp.,  469  Fifth  Avenue,  New 
York;  Coolidge  Streeter,  Production  Editor;  D 
(Feature    Plays)    S 

Thomas  H.  Ince  Studios.  Culver  City.  Calif.; 
P.   for   Douglas   MacLean  ;   D  for  Louise  Glaum;    S 

Louis  B.  Mayer  Prod.,  Inc.,  6  West  48th  St., 
New  York  City  ;  Madge  Tyrone,  Scenario  Editor. 
(Stories  wanted  for  John  M.  Stahl  Productions  and 
Fred    Niblo    Productions.) 

Metro  Pictures  Corp.,  1476  Broadway,  New 
York ;   Jasper   Ewing  Brady,   Scenario  Editor.    S   D 


Pantheon  Pictures  Corp.,  149  Broadway,  New 
York    City ;    Charles    Miller,    Scenario    Editor.    S 

Pathe  Exchange,  Inc.,  35  West  4Sth  St.,  New 
York;  Gilson  Willets,  Scenario  Editor;  D  (Serials) 

Post  Pictures  Corp.,  527  Fifth  Avenue,  New 
York;  Clyde  E.  Elliott,  Scenario  Editor;  D  (One 
Reel    few,    Characters    mostly    Exterior    Settings). 

Renco  Film  Co.,  724  So.  Spring  St.,  Los  An- 
geles; H.  J.   Reynolds,  Scenario  Editor. 

F.  B.  O.  of  America,  723  Seventh  Ave.,  New 
York;   Nat  Rothstein,  Editor. 

Romayne  Superfilm  Co.,  Culver  City;  Golden 
Maxwell,  Scenario  Editor;  D  S  (Western  subjects; 
touches   of   humorous   situations). 


n 


CASTING  AGENTS 

(New  York  City) 
Bardine  &  Anderson,  723  7th  Ave. 
Betts   &   Fowler,    1482    B'way,   Bryant   5664. 
Brown,   Chamberlain,  Inc.,   160  W.  45th  St.,  Bry- 
ant 9130. 
Clarke,  George,   145  W.  45th  St.,  Bryant  9894. 
Hart,  Max,   1540  B'way,  Bryant  7403. 
Jacobs,  Jennie,   114  W.  44th  St.,  Bryant  2062. 
Kelly,  Jack,   160  W.  45th  St.,  Bryant  9186. 
Livingston,  John  J.,   1440  B'way,   Bryant  6243. 
New    York    Theatrcial    Exchange,      1493      B'way, 

Bryant   7360. 
Packard  Theatrical  Exchange,  B'way  and  39th  St., 

Bryant  5604. 
Sanger  and  Crosby,  9  W.  48th  St. 
Small,  Edward,  1493  B'way,  Bryant  2389. 
Smith,  Jess,   114  W.  44th  St.,  Bryant  3782. 
Walton,  Chas.,   101   W.  4Sth  St.,  Bryant  5741. 
Webster,    Minnie    E.,    317    Strand    Theat.     Bldg., 

Bryant   1899. 
Weiss,  Ben,   123  W.  46th  St.,  Bryant  1878. 
Wentworth,  Harry,  1493  B'way,  Bryant  8476. 
Winter,   Wales,    1476   B'way,   Bryant   1833. 
Wolfe.  Georgia.  137  W.  48th  St.,  Bryant  5632. 

(Hollywood) 
Actors'  Equity  Ass'n,  6412  Hollywood  Blvd.,  Holly 

3821. 
American  Society  of  Cinematographers,  6372  Blvd., 

Holly  4404. 
Artists'  Booking  Exchange,  6015  Hollywood  Blvd., 

Holly   7950. 
Classic  Film  Actors'  Agency,  Grosse  Bldg.,  697-31. 
Condon,   Mable,   Security   Bldg.,   Hollywood,  Holly 

5870. 
Farnum,   Walter   C,   Grant   Bldg.,   635-20. 
Garwood    &    Hungate,    6548J^     Hollywood    Blvd., 

577-194. 
IngKs,    Miss,    6324   Hollywood    Blvd.,    Holly   700. 
Japanese  Photo  Players,  6238  Santa  Monica  Blvd., 

Holly   5954. 
Marsh  &  Walton,  1324  So.  Figuerora  St.,  655-27. 
Screen    Players"    Union,    223    West   2nd    St.,    Main 

3825. 
Screen   Talent,    312   West  2nd    St.,   607-55. 
Service  Bureau,   1036  So.  Hill  St.,  821-071. 
Studio  Employees  Local  No.  33,  404  Bryson  Bldg., 

Pico   283S. 
Technical     Placement     Bureau,     Mechanical     Help, 

1036   So.  Hill   St.,  821-071. 


INSPIRATION 

Has  Selected  to  Make 
Their  Most  Pretentious 
Production 


Henry  King 

Noted  as  the  producer  of 

"Twenty-three  and  One  Half 

Hours  Leave," 
"Tol'able  David,"    "Sonny," 

Fury      and    other   master  successes. 

i^He  will  produce  in  Rome,   Naples,  Algiers,  Tunis 
andjjother  locations  an   Elaborate    Creation. 

Stai^ring 

LILLIAN    GISH 

in  an  artistic  presentation  of  F.  Marion  Crawford's  Famous  Story 

"THE  WHITE  SISTER" 

With  a  notable  cast  of  supporting  players. 


C4 


38 


PICTURES,  Inc. 


Charles  H.  Duell,  Jr.,  President 


JOSEPH  C.  BOYLE 

Assistant  Director-, 
who  has    been    with 
Famous  Players-Lasky, 
Constance    Talmadge, 


TNTENT  upon  secur- 

A  ing  the  best  of  united 
effort  in  their  greatest  pro- 
duction Inspiration,  Inc., 
has  surrounded  Mr.  King  ^"^  '''^^'  companies 
with  a  notable  array  of 
production  talent  repre- 
senting the  foremost  in 
their  respective  fields.  JHHLX 

ROBERT   M.    HAAS,     Art    Director, 
formerly   with    Famous    Players-Lasky; 

*'Dr.  JekyllandMr.  Hyde," 

"Footlights,"   ''The  Gilded  Lily," 

"Forever" ^and  7S  others. 

Robert  M.jHaas 


ROY     F.     OVERBAUGH,     who 

photographed  *'FootUghts,"  with 
Elsie  Ferguson;  "Dr.  Jekyll  and 
Mr.  Hyde,"  with  John  Barrymore; 
"Sentimental  Tommy' ' ;  "The  Bond 
Boy"  and  "Fury,"  with  Richard 
Barthelmess. 


Roy  F.   Overbaugh 


39 


TOD  BROWNING'S 

IMONEYMAKERS 


^'WHITE^TIGER"  "NO  WOMAN  KNOWS" 

''UNDERiTWO^FLAGS"    ''OUTSIDE  THE  LAW" 

* 'VIRGIN  OF  STAMBOUL" 


Proven  Successes  universal  -  jewei  r 


eleases 


40 


The  Year's  Productions 


Alphabetically  arranged  list  of  features  released  from  October  1,  1921,  to 
January  1,  1923.  Followed  by  lists  of  productions  as  released  by  various 
companies ;  productions  of  individual  directors ;  productions  of  individual  stars 
and  cameramen. 

Key:  FP-L,  Famous  Players-Lasky ;  FP-L-R:  Famous  Players-Realart ; 
Gwyn,  Goldwyn ;  Selzk,  Selznick  Enterprises,  includes  Selznick  Pictures, 
Select  Pictures;  Univ,  Universal;  Hdksn,  Hodkinson ;  Vita,  Vitagraph;  S.  R, 
State  Rights;  Untd  Art,  United  Artists;  Al  Prod,  Allied  Producers  and  Dis- 
tributors; 1st  Nat,  First  National;  Assoc  Exhib,  Associated  Exhibitors;  Asso. 
Ex.P:  Associated  Exhibitors-P.;  FBO,  Film  Booking  Office;  FBO-G:  Film 
Booking  Offices-Gunning;  Amer.  Rel,  American  Releasing  Corp.  (Note: 
For  further  and  complete  information  on  Release  Dates  received  after  com- 
pilation of  this  list,  see  Company  Releases.) 


Title 

Releasing 
Company 

Release 
Date 

Star 

Director 

Review 

Able   Minded   Lady,   The.... 

...Pacific-SR 

Henry  B.   Walthall 

No  credit 

Above    All    Law 

(Reviewed  as  Mysteries  of 

...FPL 
India) 

10-2-22 

No  star 

Joe  May 

7-30-22 

According   to    Hoyle 

.  ..Western-SR 

David  Butler 

W.   S.   VanDyke 

10-21 

No  star 

-  W.  Worsley 

10-30-21 

Across  the  Border 

.  ..Aywon-SR 

Big  Boy  WUliams 

C.  R.  Seeling 

1-29-22 

...FP-L 

6-4-22 

Wallace  Reid 

P.  E.  Rosen 

4-30-22 

Across  the  Dead  Line 

. . .  Univ 

1-9-22 

Frank   Mayo 

Jack    Conway 

1-8-22 

...Asso  Ex-P 

No  star 

John  Holloway 

. . .  Hdksn 

9-24-22 

Colleen    Moore 

Ward  Lascelle 

Afraid  to  Fight 

. . .  Univ 

7-24-22 

Frank  Mayo 

W.    Worthington 

7-23-22 

After    Six    Days 

.  ..Artclass-SR 

11-1-22 

No  star 

A.  P.  Gariazzo 

After   the    Show 

...FP-L 

10-30-21 

No  star 

Wm.   DeMiUe 

10-9-21 

Against  the   Law    

. . .  Epco-SR 

No    star 

Not  credited 

Alias   Phil  Kennedy 

...FB-OG 

4-22 

Wm.  Patton 

Wm.   Bertram 

. . .  1st  Nat 

7-22 

Charles  Ray 

Chas.  &  Al  Ray 

Alf s    Button    

...1st  Nat 

11-21 

No  star 

C.  M.  Hepworth 

3-19-22 

...1st  Nat 

11-21 

No  star 

D.    Buchowetski 

12-11-21 

AU  the  World's  a  Stage 

. . .  Principal 

Dorothy    Phillips 

Colin    Campbell 

All's  Fair  in  Love 

. .  .Gwyn 

9-21 

No  star 

E.  M.  Hopper 

10-30-21 

Altar  Stairs,  The  

. . .  Univ 

12-4-22 

Frank    Mayo 

Lambert   Hillyer 

12-3-22 

Always  the  Woman 

. .  .Gwyn 

7-22 

Betty   Compson 

Arthur    Rosson 

7-16-22 

Amazing   Lovers,   The 

...Jans-SR 

No    star 

Not  credited 

American   Toreador    

,  ..Anchor-SR 

No    star 

Walter  De  Couroy- 

.  ..Merit-SR 

Franklyn  Famtmi 

Francis    Ford 

7-30-22 

Angel  of  Crooked  Street 

...Vita 

4-23-22 

Alice   Calhoun 

David    Devar 

5-28-22 

Anna  Ascends   

...FP-L 

11-20-22 

Alice    Brady 

Victor    Fleming 

11-19-22 

Anne   of   Little   Smoky 

...Asso  Ex-P 

11-20-21 

No  star 

E.   Connors 

l-lS-22 

Any  Night   

. .  •Am'lgtd-SR 

1-22 

No  star 

G.  M.  Anderson 

Another  Man's  Boots   

. . .  Aywon-SR 

Francis   Ford 

Wm.  J.  Craft 

10-29-22 

41 


GA5NIER 

PRODUCTIONS 


Presented  by  B.  P.  Schulberg 
for  Preferred  Pictures 

Rich  Men's  Wives 

Thorns  and  Orange  Blossoms 

The  Hero 


Other  Productions 

Kismet 

Good  Women 

Silent  Years 

The  Call  of  Home 


42 


Title 


Company 
Releasing 


Date 
Rekase 


Star 


Director 


Review 
Date 


Another    Man's    Shofs.  .  . 

I'lllV 

11-6-22 

Herbert    Rawlinson  - 

Jack    Conway 

11-5-22 

Any  Wife                  

1-1-22 

Pearl   White 

Herbert     Brenon 

Arabian    Love    

Fox 

4-9-22 

John   Gilbert 

Jerome    Storm 

4-2-22 

Are  Children  to   Blame?. 

Certified-SR 

\o    star 

Paul    Price 

Ashamed  of  Parents 

Warner-SR 

10-5-21 

No  star 

H.    G.    Plimpton 

12-18-21 

Ashes     

East  Coast-SR 

No  star 

G.  M.  Anderson 

Amer    Rel 

11-22 

Seena     Owen 

Not    credited 

At  the  Sign  of  the  Jack 

O'Lan- 
Hdksn 

1-22 

No  star 

L.    Ingraham 

1-22-22 

At  the  Stage  Door 

FBO 

12-18-21 

No  star 

W.  C.  Cabanne 

12-18-21 

Bachelor  Daddy,   The. . . 

FPL 

5-28-22 

Thomas   Meighan 

Alfred  Green 

S-7-22 

Back    Pay    

FPL 

1-8-22 

No  star 

Frank    Borzage 

2-19-22 

Back  to    Yellow  Jacket. 

Arrow-SR 

3-14-22 

Roy    Stewart 

Ben  Wilson 

Bar    Nothin'    

10-2-21 

Charles   Jones 

Edw'd  Sedgwick 

10-16-21 

Barb-Wire   

, Arrow-SR 

6-22 

Jack  Hoxie 

Frank  Grandon 

, 1st  Nat 

1-22 

Charles  Ray 

Wm.   C.   Cabanne 

10-9-21 

Barricade,   The    

FBO 

10-2-21 

No  star 

Charles    Ray 

Barriers  of  Folly 

Russell-SR 

George   Larkin 

Theo.   Rockwell 

Bear   Cat    The    

4-3-22 

Hoot  Gibson 

Edw'd    Sedgwick 

4-2-22 

Beautiful  Liar,  The 

1st  Nat 

12-21 

Katherine   MacDonald 

Wallace    Worsley 

Beauty   Shop,  The 

FPL 

5-14-22 

No  star 

Edward   Dillon 

5-14-22 

Beauty's   Worth    

FPL 

3-26-22 

Marion    Davies 

Robert  Vignola 

4-9-22 

Belle  of  Alaska 

3-S-22 

Jane   Novak 

FBO                       2 

-26-22 

Be   My  Wife. 


,Gwyn 


12-21      (See   1921   Year  Book)      Not  credited 


Beautiful  and   Damned,  The VVarner-SR 


10-1-22     Marie     Prevost 


Bells  of  San  Juan Fox 

Better  Man  Wins,  The Sandford-SR 


10-15-22     Charles    Jones 


Sidney     Franklin       

Scott  Dunlap  10-15-22 


Pete    Morrison 


Marcel    Perez         10-22-22 


Beware   of   the   Law Jawitz-SR 


No    star 


W.  A.  S.  Douglas 


Better   Man,   The. 


.  Aywon-SR 


Snowy  Baker 


Wilfred  Lucas       11-13-21 


Beyond  the  Crossroads Pioneer 


Ora  Crew 


Lloyd   B.   Carlton 


Beyond    the    Rainbow Chester    Bennett      7-16-22  No  star 


Wm.    C.   Cabanne  2-26-22 


Beyond  the   Rocks FPL 


S-7-22     Gloria    Swanson 


Sam   Wood 


S-14-22 


Bigamist,   The   FBO 


4-2-22     Ivy   Duke 


Guy   Newall 


4-2-22 


Bill  of  Divorcement,  A Asso.   Ex. 


BiUy   Jim    FBO 


12-22     Constance    Binney 


Denison   Clift  10-15-22 


1-29-22      Fred   Stone 


Big  Stakes 


,  East    Coast-SR    No    star 


Frank   Borzage       2-12-22 


Not  credited 


Black    Bag,    The Univ 


6-5-22     Herbert  Rawlinson 


Stuart  Paton 


6-4-22 


Blanchette 


.Photo  Prod-SR     No  star 


Felix   Barre 


11-6-21 


Blaze  Away    DiLorenzo-SR       Big    Boy    Williams 


W.   H.    Curran        4-16-22 


Blazing   Arrows 


Apollo-SR 


Lester    Cuneo 


Not  credited 


Blind    Circumstances    C'k-Cornelius-SR  7-1-22     Geo.    Chesebro 


Milburn    Morante 


Blind   Hearts    1st    Nat 


10-21      Hobart    Bosworth 


Roland  V.   Lee     10-16-21 


Blond  Vampire,   The FBOG 


4-22     Descia    Mooers 


Wray   Physioc 


Blood  and  Sand   FPL 


9-11-22     Rodolph    Valentino 


Fred    Niblo  8-13-22 


43 


HOPE  HAMPTON 


STARRING  IN 


FIRST  NATIONAL   iPICTUKES 


44 


Title 

Company 
Releasing 

Date 
Release 

Star 

Director 

Review 
Date 

Bluebeard,  Jr.    

.Amer  Rel 

3-26-22 

No  star 

Scott  Dunlap 

Blue  Mountain  Mj^tery 

.FBO-G 

5-22 

Bernice    Ware 

Raym'd    Langford 

Bonnie   Briar   Bush,  The 

.FP-L 

11-20-21 

No  star 

Donald    Crisp 

12-4-21 

Bobbed  Hair   

.FP-L-R 

3-12-22 

Wanda    Hawley 

Thos.  N.  Hefifron 

3-26-22 

Bond  Boy,  The    

.1st    Nat 

10-9-22 

Richard    Barthelmess 

Henry    King 

10-15-22 

Bonded  Woman,  The   

.FPL 

8-21-22 

Betty    Compson 

Philip    E.    Rosen 

8-13-22 

.FPL 

2-12-22 

Lionel    Barrymore 

Tom   Terriss 

2-12-22 

.  Russell-SR 

No    star 

Edw.     Sedgwick 

Bootlegger's  Daughter,  The 

.Asso.   Ex.-P 

No    star 

V.    Schertzinger 

.FBO-G 

4-22 

No  star 

Roy   Sheldon 

4-12-22 

.  FP-L 

7-30-22 

Agnes    Ayres 

Paul    Powell 

7-30-22 

.Bert  Hall-SR 

No  star 

Lieut.   Bert  Hall 

Boss   of   Camp   4 

.Fox 

11-25-22 

Charles    Jones 

W.  S.  Van  Dyck 

11-19-22 

.FP-L 

4-16-22 

Ayres — Holt 

Wm.   DeMille 

3-19-22 

.FBO 

3-5-22 

Doris  May 

Wm.    A.    Seiter 

3-5-22 

..Lee-Bradfd-SR        1-22 

Josephine    Earle 

Not   credited 

Brawn  of  the  North 

.1st   Nat 

11-22 

No    star 

L'rence  Trimble 

11-19-22 

Breaking    Home  Ties    

.Asso.  Ex. 

11-12-22 

No    star 

Frank  M.  Seltzer 
Geo.    K.    Rolands 

11-26-22 

Bride's   Confession,   The 

.  Graphic 

12-21 

Rita  Jolivet-Leah  Baird 

Ivan  Abramson 

Bride's    Play     The       

.FP-L 

1-22-22 

Marion    Davies 

Geo.   Terwilliger 

l-lS-22 

.Vita 

10-16-21 

Earle   Williams 

Robt.  Ensminger 

10-23-21 

Broad    Daylight    

.  Univ 

10-30-22 

No    star 

Irv.    Cummings 

10-29-22 

Broadway  Madonna,  The 

.FBO 

10-29-22 

Dorothy   Revier 

Harry   Revier 

11-29-22 

Broadway   Rose,   A    

.  Metro 

9-25-22 

Mae    Murray 

Robt.  T.   Leonard 

I  9-24-22 

Broadway    Peacock,    A 

.  Fox 

2-19-22 

Pearl    White 

Chas.   Brabin 

2-12-22 

Broken    Shadows    

.2nd  Nat-SR 

8-22 

Isabel  Elsom 

No  credit 

Broken    Silence,    The 

.  .  Arrow-SR 

5-1-22 

Zena  Keefe 

Dell  Henderson 

7-30-22 

Brothers  Under  the  Skin 

.  Gwyn 

11-19-22 

No    star 

E.   M.  Hopper 

11-19-22 

Bucking  the   Line 

.  Fox 

11-6-21 

Maurice   Flynn 

Carl    Harbaugh 

11-6-21 

Bulldog  Drummond   

.  Hdksn 

12-3-22 

No    star 

Oscar    Apfel 

11-26-22 

Burning    Sands    

..FP-L 

JO-16-22 

No   star 

Geo.    Melford 

9-10-22 

Butterfly    Range    

,  .  Wm.     Steiner- 

SR    10-22 

Neal   Hart 

Neal    Hart 

Call   of  the   Wild 

..Pacific-SR 

2-22 

Frankie    Lee 

Not   credited 

Call  of   Home    The 

..FBO 

2-5-22 

No  star 

Louis  J.    Gasniei 

•   1-22-22 

Call  of  the  North    The 

..FP-L 

11-27-21 

Jack  Holt 

Jos.  Henabery 

12-4-21 

Calvert's   Valley    

.  .Fox 

10-9-22 

John    Gilbert 

Jack    Dillon 

10-8-22 

Cameron  of  the  Royal  Mounted  Hdksn 

12-25-21 

No  star 

Henry  Macrae 

1-15-22 

Cardigan   .  .,...^... .......... 

..Amer  Rel 

2-19-22 

No  star 

John  W.  Noble 

2-26-22 

..FP-L-R 

10-21 

Constance    Binney 

C.  M.  Franklin 

10-16-21 

9-18-22 

Franjc    Mayo 

Lambert  Hillyer 

9-17-22 

..1st   Nat 

2-2 

Teddie    Gerard 

Jos.  J.  Franz 

2-26-22 

Certain  Rich  Man,  A Hdksn 


9-18-21      No  star 


BenJ.  Hampton       10-9-21 


Channing  of  the  Northwest,  .t-..  Sefeif^-' ^—"-    "^^O^K     Eugene  O'Brien 


Ralph  Tnce 


45 


TOM   TERRISS 

Director  of  over  .   i      J 

Forty  i  Successes  ,,^ 

Now  Directing 

TERRISS    PRODUCTIONS 

In  England  and  the  Continent 


46 


Title 

Company 
Releasing 

Date 
Release 

Star 

Director 

Review 
Dato 

Chain    Lightning    

.Arrow-SR 

4-25-22 

Ann    Little 

Ben    Wilson 

3-19-22 

Challenge,    The    

.  Amer.     Rel. 

8-28-22 

Dolores    Cassinelli 

Tom    Tcrriss 

Chasing   the  Moon 

.Fox 

2-26-22 

Tom    Mix 

Edw'd    Sedgwick 

2-5-22 

Cheated    Hearts     

■  Univ 

12-19-21 

Herbert    Rawlinson 

Hobart    Henley 

12-4-21 

Chivalrous  Charley  

.Selzk 

12-10-21 

Eugene    O'Brien 

Robt.   Ellis 

Cinderella  of  the   HiUs 

.  Fox 

10-23-21 

Barbara    Bedford 

H.  M.   Mitchell 

10-30-21 

Clarence    

.FP-L 

11-20-22 

No    star 

Wm.   DeMille 

10-22-22 

Colleen  of  the   Pines 

.FBO 

7-9-22 

Jane  Novak 

Chester    Bennett 

7-9-22 

Clay    Dollars    

.  Selzk 

10-20-21 

Eugene   O'Brien 

G.    Archainbaud 

10-23-21 

.  Lee-Bradf  d-SR       2-22 

No  star 

Not  credited 

Come  On  Over 

.  Gwyn 

3-22 

Colleen   Moore 

Alfred  Green 

3-19-22 

.  Selzk 

12-20-21 

No  star 

Burton  George 

12-25-21 

Conflict     

..Univ 

11-7-21 

Prsicilla    Dean 

Stuart  Paton 

10-30-21 

Confidence    

.Univ 

9-25-22 

Herbert   Rawlinson 

Harry    Pollard 

9-24-22 

Country  Flapper,  The 

.Prod.Sec.-SR 

7-30-22 

Dorothy    Gish 

F.   R.  Jones 

9-13-22 

Cowboy  and  the  Lady,  The . . .  . 

.FP-L 

10-23-22 

No    star 

Chas.  Maigne 

11-12-22 

.FP-L 

4-9-22 

Ethel    Clayton 

Paul   Powell 

3-26-22 

Cradle   Buster,   The 

.  Amer  Rel 

3-19-22 

No  star 

Frank  Tuttle 

5-28-22 

Crimson  Challenge,   The 

•  FP-L 

4-23-22 

Dorothy   Dalton 

Paul    Powell 

4-23-22 

Craven,    The    

.  H.    Bolhnan 

Hans   Mierendorff 

Hans   Mierendorff    

.  Pioneer 

No  star 

Geo.    Everett 

Cross  Roads  of  New  York,  The 

:.lst  Nat 

5-22 

No  star 

F.   R.   Jones 

5-28-22 

.Asso  Photo-SR    

No  star 

Cliff  Smith 

Crow's    Nest    

.Aywon-SR 

Jack    Hoxie 

Paul  Hurst 

Crusader,    The    

.  Fox 

9-10-22 

Wm.    Russell 

Howard    Mitchell 

Cub    Reporter,    The 

.  Goldstone-SR 

Richard  Tahnadge 

Jack  Dillon 

9-24-22 

.ApoUo-SR 

No    star 

Harry    O.    Hoyt 

9-3-22 

.R  H  Klumb-SR      6-22 

No  star 

Not  credited 

.FP-L 

12-25-22 

Agnes   Ayres 

Paul    Powell 

Dangerous  Adventure,  A 

.  Warner- SR 

11-1-22 

Grace    Darmond 

S.L.&J.Warner 

.1st   Nat 

No    star 

John   M.    StaU 

Dangerous  Curve  Ahead 

.Gwyn 

10-21 

Chadwick-Dix 

E.  Mason  Hopper  10-9-21 

Dangerous   Game,  A 

.Univ 

12-25-22 

Gladys    Walton 

King    Baggot 

Daring   Danger    

.Amer  Rel 

3-5-22 

No  star 

Cliff  Smith 

Dangerous  Little  Demon,  The. 

•  Univ 

3-27-22 

Marie  Prevost 

Clarence  Badger 

3-12-22 

.Com-wealth-SR 

3-22 

Violet   Hopson 

Walter   West 

David  and  Jonathan   

.2nd  Nat 

S-1-22 

Madge  Titheradge 

Dion  Titheradge 

Dawn  of    Revenge 

.Aywon-SR 

Richard   Travers 

Bernard    Sievel 

Dawn  of  the  East,   The 

•  FP-L-R 

10-21 

Alice  Brady 

E.   H.  Griffith 

109-21 

.Fox 

11-13-21 

Wra.  Russell 

Arthur  Rosson 

12-11-21 

Desert's   Crucible    

.Arrow-SR 

Jack  Hoxie 

Roy  Clements 



Deserted  at  the  Altar 

Goldstone-SR 

No   star 

Wm    K.  Howard 
A.   Keeley 

10-1-22 

Destiny    Artclass-SR 


11-1-22    No    star 


Not    credited 


47 


Alan  Ct^sland 


Gxfmopolitari 


Vicente    Blasco    lban««» 


48 


Title 


Releasing 
Company 


Release 
Date 


Star 


Director 


Review 
Date 


Destiny's    Isle    Amer  Rel 


4-30-22      No  star 


Wm.    P.    S.    Earle   7-9-22 


Determination Lee-Bradf'd-SR        1-23 

Deuce   of   Spades,   The 1st  Nat 


No  star 


Jos.    Levering  3-12-22 


5-22      Charles  Ray 


Charles  Ray  5-14-22 


Devil   Within,    The Fox 


11-20-21      Dustin    Farnum 


Bernard  Burning  11-20-21 


Devil's   Partner,   The Iroquois-SR  8-1-22    No    star 


C.    S.    Fleming 


Devil's    Pawn,    The FP-L 


4-16-22      Pola  Negri 


Paul  L.   Stein         6-18-22 


Diamond    Carlisle    Crk-C'nelius-SR    6-1-22     Geo.    Chesebro 

Dictator,    The    FP-L 


Milburn    Morante 


8-1-22     Wallace   Reid 


James     Cruze  7-9-22 


Divorce  Coupons Vita 


9-10-22     Corinne    Griffith 


W.    Campbell  7-2-22 


Do  and  Dare  Fox 


10-1-22    Tom    Mix 


Edw.    Sedgwick        9-24-22 


Doll's    House,    A Unt  Art 


Domestic    Relations    1st  Nat 


2-12-22     Nazimova 


Charles  Bryant       2-19-22 


6-22     Katherine   MacDonald        Chet   Withey  6-11-22 


Don't  Blame  Your  ChUdren FBO 


4-22      Malvina    Longfellow  Geo.    Ridgwell 


Don't  Doubt   Your  Wife 

. . .  Asso   Exhib 

3-12-22 

Leah    Baird 

James  W.  Home 

5-28-22 

Don't  Get   Personal 

. .  .Univ 

1-16-22 

Marie    Prevost 

Clarence    Badger 

1-8-22 

Don't    Shoot    

. .  .Univ 

8-21-22 

Herbert   Rawlinson 

Jack    Conway 

8-20-22 

Don't   Tell    Everything 

...FP-L 

12-11-21 

S  wanson-  Dexter-Reid 

Sam  Wood 

12-18-21 

Don't   Write   Letters 

. . .  Metro 

5-15-22 

Gareth  Hughes 

Geo.  D.  Baker 

4-30-22 

Door  That  Has  No   Key.  . . . 

. . .  Alliance-SR 

Evelyn    Brent 

Frank    Crane 

Double    Stakes    

. . .  Pacific-SR 

2-22 

Gladys  Brockwell 

Not   credited 

Doubling  for  Romeo 

. . .  Gwyn 

1-22 

Will   Rogers 

Clarence  Badger 

10-30-21 

Down  to  the  Sea  in   Ships . . 

. . .  Elmer  Clifton 

No    star 

Elmer   Clifton 

Dr.  Jim  

. . .  Univ 

11-28-21 

Frank  Mayo 

W.  Worthington 

11-20-21 

Driven    

. . .  Depend.    Sales 

No    star 

Chas.  Brabin 

11-26-22 

Duke  of  Chimney  Butte 

...R-C 

12-4-21 

(See   1921    Year   Book) 

Dusk  to   Dawn    

. . .  Asso.  Ex. 

8-27-22 

Florence  Vidor 

King    Vidor 

9-3-22 

Dust  Flower,   The    

. . .  Gwyn 

7-22 

Helene    Chadwick 

Rowland    V.    Lee 

7-9-22 

East  is  West   

...1st    Nat 

10-22 

Constance    Talmadge 

Sidney     Franklin 

9-3-22 

Ebb   Tide    

...FP-L 

12-4-22 

No    star 

Geo.    Melford 

11-26-22 

...FBO 

12-25-21 

Doris  May 

Wm.  A.  Seiter 

12-25-21 

Edge  of  Youth,  The 

. . .  Gaumont-SR 

Josephine  Earle 

No    credit 

10-9-21 

Elope  If  You  Must 

. . .  Fox 

4-2-22 

Eileen   Percy 

C.    R.    Wallace 

3-19-22 

Enchantment    

...FP-L 

11-27-21 

Marion    Davies 

Robt.   G.  Vignola 

I   11-6-21 

Enter    Madame    

. . .  Metro 

11-13-22 

Clara   K.   Young 

Wallace  Worsley 

11-5-22 

Eternal  Flame,  The 

...1st   Nat 

8-22 

Norma   Talmadge 

Frank  Lloyd 

9-24-22 

. . .  Selzk 

5-5-22 

Elaine    Hammerstein 

Geo.  Archainbauc 

1  6-18-22 

Exit  the  Vamp 

...FP-L 

12-4-21 

Ethel    Clayton 

Frank  Urson 

2-5-22 

Extra,    Extra     

.  . . Fox 

3-5-22 

Walker-Murphy 

Wm.  K.  Howard 

2-19-22 

Eyes  of  the  Mummy,  The... 

...FP-L        . 

6-25-22 

Pola  Negri 

No    credit 

Face   Between    

Metro 

4-17-22 

Bert  Lytell 

Bayard   Veiller 

S-28-22 

Face  in  the  Fog,  The 

...FP-L 

10-9-22 

No   star 

Alan   Crosland 

lO-lS-22 

Face   to    Face    

Asso.   Ex.-P 

9-17-22 

No    star 

Not   credited 

10-1-22 

Fair  Lady 

Unt  Art 

2-26-22 

No  star 

Kenneth  Webb 

3-26-22 

Faithless    Sex,    The 

Signet- SR 

No  star 

Henry  J.   Napier 

49 


Roy 
Barnes 


"SCRATCH  MY  BACK" 

(GOLDWYN) 

"SO  LONG  LETTY" 

(ROBERTSON-COLE) 

"SEE  MY  LAWYER" 

(ROBERTSON-COLE) 

"A  KISS  IN  TIME" 

(PARAMOUNT) 

"HER  FACE  VALUE'' 

(PARAMOUNT) 

"TOO  MUCH  WIFE" 

(PARAMOUNT) 

"EXIT  THE  VAMP" 

(PARAMOUNT) 

"DONT  GET  PERSONAL" 

(UNIVERSAL) 

"IS  MATRIMONY  A  FAILURE" 

(PARAMOUNT) 

"THE  OLD  HOMESTEAD" 

(PARAMOUNT) 

"ADAM  AND  EVA" 

(COSMOPOLITAN) 

Now  Making  "THE  GO  GETTER" 

For  Cosmopolitan  By  Peter  B.  Kyne 


LAMBS  CLUB 
NEW  YORK 


1803  ARGYLE  AVE. 
HOLLYWOOD,  CALIF. 


50 


Title 


Releasing 
Company 


Release 
Date 


Star 


Director 


Review 
Date 


,  ....Pacific-SR 

Joe   Moore 
Eileen  Sedgwick 

Wm.   J.    Craft 

3-12-22 

4-30-22 

i\'o  star 

Saml.   R.    Bradley 

6-11-22 

11-21-21 

Miss    DuPont 

Paul   Scardon 

Famous   Mrs.   Fair    

Metro 

11-22 

4-10-22 

Mae  Murray 

R.    Z.    Leonard 

4-23-22 

Fast   Mail    

....  Fox 

8-20-22 

No    star 

Bernard     Duming 

7-9-22 

Fatal    30     The                     .    . . 

....  Pacific-SR 

No  star 

Not   credited 

Asso  Ex-P 

11-13-21 

Tom  Wise 

John    B.    O'Brien 

No  star 

Not    credited 

Hdksn 

12-11-21 

No  star 

Irvin    V.    Willat 

1-8-22 

Fighting   Guide,   The 

....  Vita 

10-15-22 

Duncan-Johnson 

Wm.    Duncan   & 
Don     Clark 

Metro 

No  star 

Jos.  J.  Franz 

10-30-21 

Fox 

5-14-22 

Tom  Mix 

Arthur   Rosson 

4-30-22 

FP-L 

4-9-22 

Alma   Reubens 

Tom    Terriss 

S-28-22 

FBO-G 

3-25-22 

Edw.  Hearn-Ruth  Renick  Arthur  Rosson 

12-26-21 

Hoot   Gibson 

Reeves  Eason 

12-25-21 

FP-L-R 

12-21 

Constance    Binney 

M.    Campbell 

12-25-21 

FBO 

4-30-22 

Mildred   Harris 

Glenn   Lyons 

4-23-22 

FBO 

1-8-22 

Sessue  Hayakawa 

Norman  Dawn 

1-15-22 

Five    Dollar    Baby.    The 

....  Metro 

Viola   Dana 

Harry    Beaumont 

6-4-22 

Lon   Chaney 

Irv.     Cummings 

8-27-22 

Flesh    and     Spirit 

....  Lee-B'dfd-SR 

6-22 

Belle  Bennett 

Jos.  Levering 

Vita 

12-4-21 

Henry    B.    Walthall 

David   Smith 

1-22-22 

FBO 

10-16-21 

Doris    May 

Wm.  A.  Seiter 

10-9-21 

Foolish    Monte    Carlo 

....FBO-G 

5-22 

Mary    Clare 

Wm.    Humphry 

....  Univ 

1-1-22 

Eric  Von  Stroheim 

E.   Von   Stroheim 

1-15-22 

1st  Nat 

5-22 

No  star 

Marshall  Neilan 

8-13-22 

....  Amer.    Rel. 

10-5-22 

No    star 

Ray    Smallwood 

8-20-22 

FP-L 

3-19-22 

Dalton-Harris-Nagle 

Cecil  B.  DeMille 

12-11-21 

Fox 

9-10-22 

No    star 

Emmet  J.   Flynn 

7-23-22 

....  Lee-Bradford-S 

;R      7-22 

Terry  Twins 

Not   credited 

11-13-22 

(See   1921    Year   Book) 

FP-L 

10-2-21 

Elsie  Ferguson 

J.    S.    Robertson 

10-9-21 

Fox 

6-18-22 

Tom  Mix 

Lynn  Reynolds 

6-25-22 

....  Pacific-SR 

2-22 

No  star 

F.  G.  Hartman 

„ 

FP-L 

3-5-22 

Ferguson-Reid 

Geo.  Fitzmaurice 

10-23-21 

r  orcver    

....  Metro 

10-2-22 

No    star 

W.   S.   Van   Dyke 

7-23-22 

11-20-22 

No    star 

James  W.  Home 

10-22-22 

Zerner-SR 

No  star 

John  S.  Lawrence 

FP-L 

7-2-22 

Ethel    Clayton 

Paul    Powell 

Forsaking   AU    Others 

.  .  .  .Univ 

12-11-22 

No    star 

Emil    Chautard 

9-21 

Betty   Compson 

Arthur     Rosson 

12-4-21 

Vita 

10-22-22 

Earle    Williams 

Robt.     Ensminger 

51 


^^^^,^9^^^|^^^^^H 

IP^^^^^I 

S^B^^^H 

Hi 

^H 

^B 

^^^gfe?^'<^^^'^^-^^T^^^^^^^^^^^^^^ 

H^l 

^^^^^^^^^^^^^^^^^^Bc -,'      ^ :  ^^^^^^^^^1 

HOLMES   HERBERT 

'THE  CONSPIRATORS,"  R.  William  Neill  Production 
(Now  in  Production  in  Italy) 

"A  WOMAN'S  WOMAN,"  with  Mary  Alden 
"A  STAGE  ROMANCE,"  with  William  Farnum 
"DIVORCE  COUPONS,"  with  Corinne  Griffith 


Title 


Releasing 
Company 


Release 
Date 


Star 


Director 


Review 
Date 


For  Your  Daughter's   Sake... 

..J  W  Film-SR 

1-2-21 

Grace    Darling 

Burton  King 

Fountain  of  Youth,  The 

.  .Graphic-SR 

1-22 

No  star 

No  credit 

Four    Hearts    

..W.  P.  Ex.-SR 

Dick  Halton 

Leonard  Wheeler 

Fourteenth    Lover    

. .  Metro 

1-9-22 

Viola  Dana 

Harry  Beaumont 

11-27-21 

Fox,    The    

10-31-21 

Harry    Carey 

Robt.  Thornby 

11-20-21 

Free  Air   

,  ..Hdlc<!n 

6-22 

No  star 

E.    H.   Griffith 

4-2-22 

French  Heels   

.  .Hdksn 

1-8-22 

Irene    Castle 

E.  L.  Hollywood 

1-29-22 

Frivolous  Wives    

•  «Fidelity-SR 

No   star 

Joe   Maxwell 

From  the  Ground  Up 

Gwvn 

12-21 

Tom  Moore 

E.  M.  Hopper 

10-16-21 

•        yn 

Game  Chicken,  A 

.  .FPL 

2-26-22 

Bebe   Daniels 

Chester  Fratiklin 

Gas,   Oil  &  Water 

..1st  Nat 

3-2 

Charles    Ray 

Charles    Ray 

3-26-22 

Galloping    Kid,    The 

9-11-22 

Hoot   Gibson 

Nat    Ross 

9-10-22 

Garrison's   Finish    

..U.  Art-Al.  Prod   

Jack    Pickford 

Arthur  Rosson 

Gay    and    Devilish 

..FBO 

5-14-22 

Doris   May 

Wm.  A.    Seiter 

5-21-22 

Get-Rich-Quick    Wallingford.  , 

..FPL 

12-4-21 

No  star 

Frank    Borzage 

12-11-21 

Ghost  Breaker,  The 

..FP  L 

10-16-22 

Wallace  Reid 

Alfred    Green 

9-17-22 

Ghost  City   

..A   P   Plays-SR 

Helen   Holmes 

Wm.  Bertram 

2-26-22 

Girl    from    Porcupine 

..Arrow-SR 

11-5-21 

Gladys  Leslie 

Del    Henderson 

12-4-21 

Girl  from  Rocky  Point,  The.  . 

..Pacific-SR 

2-22 

No  star 

Fred    G.    Becker 

3-5-22 

Girl  in   His   Room,   The 

..Vita 

6-4-22 

Alice   Calhoun 

Edward    Jose 

Girl  in  the  Taxi 

.  .  1st  Nat 

4-21 

Mr.  and   Mrs.   DeHaven 

Lloyd     Ingraham 

5-28-22 

Gi'l's    Desire,    A 

.  .  Vita 

9-10-22 

Alice     Calhoun 

David    Devar 

9-17-22 

Girl   Who    Ran   Wild,   The 

.  .  Univ 

10-9-22 

Gladys    Walton 

Rupert    Julian 

10-1-22 

Give  Me  My  Son 

.  .G.    Hamilton-SR 

Pauline    Brunius 

John     Brunius 

2-19-22 

Glass    House    

.  .  Metro 

3-6-21 

Viola    Dana 

Harry  Beaumont 

2-19-22 

Gleam  O'  Dawn 

.  .  Fox 

1-8-22 

John    Gilbert 

Jack  Dillon 

1-1-22 

Glorious    Adventure,    The 

.  .U   Art-Al    Prod 

Lady    Diana    Manners 

J.    S.    Blackton 

4-30-22 

Glorious    Fool,    The 

.  .  Gwyn 

1-22 

Helene    Chadwick 

E.    M.    Hopper 

3-26-22 

Glory  of   Clementina,   The .... 

..FBO 

5-28-22 

Pauline    Frederick 

Emile    Chautard 

6-4-22 

God's   Country  and  the  Law.  . 

..Arrow-SR 

No    star 

Sydney    Olcott 

7-9-22 

Gold   Grabbers    

. .  W  M  Smith-SR 

No    star 

Francis    Ford 

Golden  Dreams   

. .  Gwyn 

6-22 

No  star 

R.    B.    Hampton 

6-11-22 

Golden    Gallows,    The 

.  .  Univ 

2-27-22 

Miss   DuPont 

Paul   Scardon 

2-12-22 

Golden    Gift,    The 

.  .  Metro 

2-6-22 

Alice    Lake 

Maxwell    Karger 

12-4-21 

Good   Men  ard  True 

..FBO 

11-12-22 

Harry    Carey 

\  a)    Paul 

11-12-22 

Good    Provider,    The 

.  .FPL 

4-30-22 

Davidson   &  Gordon 

Frank     Borzage 

4-16-22 

Go    Straight    

.  .  Univ 

10-17-21 

Frank   Mayo 

Wm.  Worthington 

1  10-9-21 

Grandma's   Boy    

.  .Asso.     Ex. 

9-3-22 

Harold    Lloyd 

Fred    Newmeyer 

9-10-22 

Grand    Larceny    

.  .  Gwyn 

1-22 

Elliot    Dexter 

Wallace    Worsley 

3  5-22 

Great  Alone,   The 

.  .  Amer    Rel 

5-21-22 

Monroe   Salisbury 

Jacques    Jaccard 

6-18-22 

.  .  FPL 

10-9-21 

No   star 

Geo.  Melford 

10-2-21 

Great    Night,    The 

.  .Fox 

12-3-22 

Wm.    Russell 

Greater  Duty,  The 

..EC    Prod-SR 

2-22 

G.   M.  Anderson 

G.    M.   Anderson 

Greatest   Truth     The 

.    FPL 

7-9-22 

Mia    May 

Joe  May 

53 


Alfred  E.  Green 

DIRECTOR 

Famous  Players-Lasky 
1922 

For  Goldwyn: 

"Come  On  Over" 

For  Famous  Players-Lasky: 

"The  Bachelor  Daddy" 

with  Thomas  Meighan 

"Our  Leading  Citizen" 

with  Thomas  Meighan 

"The  Man  Who  Saw  Tomorrow" 

with  Thomas  Meighan 

"Back  Home  and  Broke" 

with  Thomas  Meighan 


54 


Title 


Releasing 
Company 


Release 
Date 


Star 


Director 


Review 
Date 


Gray   Dawn,   The 

.  Hdksn 

2-5-22 

No  star 

B.    B.    Hampton 

4-30-22 

Green   Temptation,    The 

.FPL 

4-2-22 

Betty    Compson 

Wm.   D.   Taylor 

4-2-22 

Grim    Comedian,    The 

.  Gwyn 

11-21 

No  star 

Frank    Lloyd 

1-29-22 

Guilty    Conscience,    A 

.Vita 

11-27-21 

Antonio    Moreno 

David  Smith 

Gun    Shy     

•  SR 

Franklyn    Farnum 

Not    credited 

Gutter    Snipe,   The 

.  Univ 

1-23-22 

Gladys  Walton 

D.    Fitzgerald 

1-1-22 

Gypsy    Passion    

.Vita 

3-5-22 

Madame  Rejane 

Louis  Mercanton 

10-30-21 

Hail   the   W.oman 

.1st    Nat 

6-22 

No    star 

J.   G.   Wray 

1-8-22 

Half    Breed.    The 

.1st  Nat 

11-21 

Wheeler   Oakman 

Chas.  Taylor 

625-22 

Handle  With  Care 

.Asso  Exhib 

1-22-22 

No   star 

Philip    E.    Rosen 

Hands    of    Nara,    The 

.  Metro 

9-18-22 

Clara   K.   Young 

Harry    Garson 

8-13-22 

Hamlet                   

.Asta  Film-SK       

Asta   Nielsen 

Sven   Gade 

11-13-21 

Hardest    Way,    The 

.  JoanSR 

12-21 

Fannie  Ward 

L.    Kistenmacher 



Hate     

.  Metro 

5-29-22 

Alice  Lake 

Ma.xwell     Karger 

5-7-22 

Hate  Trail    

.Clk    C'nelius 

•SR    8-1-22 

Geo.    Chesebro 

Milburn  Morante 

Headin'    North     

.  Arrow-SR 

Pete   Morrison 

C.    E.    Bartlett 

9-24-22 

Headin'    West    

.Univ 

2-13-22 

Hoot    Gibson 

Wm.   Craft 

1-29-22 

Head    Over    Heels 

.  Gwyn 

4-22 

Mabel    Normand 

Bern  &  Schertzinger    .... 

Headless    Horseman     

.Hdksn 

11-5-22 

Will    Rogers 

Edw,    Venturini 

10-22-22 

Heart   of   a    Texan,    The 

.  Steiner-SR 

6-22 

Neal  Hart 

Paul  Hurst 

Heart    Specialist,    The 

.FPL-R 

3-19-22 

Mary  Miles  Minter 

Frank  Urson 

4-22-22 

Heart's    Haven    

.  Hdksn 

10-1-22 

No    star 

B.    B.    Hampton 

8-13-22 

Hell's  Border 

.  WestF-SR 

Wm.   Fairbanks 

Not    credited 

Her  Face  Value 

•  FP-L-R 

11-21 

Wanda  Hawley 

Thos.   Hcffron 

11-6-21 

Her    Gilded    Cage 

.FPL 

9-4-22 

Gloria    Swanson 

Sam  Wood 

8-20-22 

Her    Half    Brother 

.Certified-SR 

No    star 

Not    credited 

Her    Husband's    Trade-Mark.. 

.FPL 

3-12-22 

Gloria   Swanson 

Sam  Wood 

2-26-22 

Her    Mad    Bargain 

.1st    Nat 

12-21 

Anita    Stewart 

Edwin    Carewe 

Her    Majesty    

.Asso.   Ex.-P 

7-23-22 

Mollie     King 

Geo.   Irving 

Her   Night   of   Nights 

.  Univ 

6-26-22 

Marie  Prevost 

Hobart    Henley 

6-25-22 

.  FP-L 

2-19-22 

Ethel    Clayton 

Jos.    Henabery 

2-6-22 

Her    Social    Value 

.1st  Nat 

10-24-21 

Katharine   MacDonald 

Jerome  Storm 

2-19-22 

Her    Story    

.2nd  Nat 

6-1-22 

Madge   Titheradge 

Dion    Titheradge 

Hero.    The    

.  Lichtman 

12-22 

No    star 

L.  J.   Gasnier 

Heroes  and  Husbands 

.  1st  Nat 

8-22 

Katherine   MacDonald 

Chet   Withey 

Heroes  of  the   Street 

.  Warner- SR 

12-1-22 

Wesley    Barry 

Wm.  Beaudine 

Hidden   Woman    

.  Amer  Rel 

4-2-22 

No   star 

Allan   Dwan 

High    Heels    

.Univ 

10-24-21 

Gladys  Walton 

Lee    Kohlmar 

10-16-21 

High    Road,    The 

■  H.    BoIIman- 

SR    

No    star 

Carlyle    Ellis 



Hills  of   Missing  Men 

■  Asso  Exhib 

2-26-22 

J.    P.   McGowan 

J.    P.    McGowan 

His   Back   Against  the  Wall.  . . 

.  Gwyn 

Raymond   Hatton 

Rowland  V  .Lee 

5-21-22 

His    Nibs    

.  Excep-SR 

1-22 

Chas.    (Chic)    Sale 

Not  credited 

His    Wife's    Husband 

.Amer  Rel 

5-14-22 

Betty   Blythe 

Kenneth   Webb 

S-14-22 

Holdane  of  the  Secret  Service. 

.  Houdini-SR 

Houdini 

Burton    King 

55 


A  Novelty  Yesterday 
A  Necessity  Today 


Four  years  ago  there  was  in  existence  only  one  print 
of  one  single  reel  subject  photographed  in  color. 
Today  Prizma  Color  Subjects  are  well  and  favorably 
known,  and  regularly  shown,  in  all  first  class  theatres. 
Prizma  Color  is  now  a  necessity  in  every  well-balanced 
program. 

PRIZMA  MASTER  PICTURES 

About  100  short  subjects  are  available  covering  all  types  of 
picture!  Artistic,  entertaining  and  carefully  produced  to  do 
their  share  in  building  box-office  programs. 

MUSIC   FILMS 

These  exquisite  little  dances,  photographed  in  Prizma  Color, 
in  synchronization  v^^ith  the  music,  are  distinctly  different 
from  anjrthing  else  in  the  industry.  They  provide  a  complete 
act  of  unquestioned  merit.    Produced  for  Music  Films,  Inc. 

"HEIDI  OF  THE   ALPS" 

The  first  two  reel  drama  ever  made  in  color  photography. 
From  Spyri's  well  known  story,  familiar  to  every  school  child. 
Starring  Madge  Evans.  Directed  by  F.  A.  Thomson.  Dis- 
tributed by  Federated  Exchanges. 

"BALI  THE  UNKNOWN" 

This  extraordinary  five  reel  travel  feature  story,  produced 
by  Harold  H.  Horton,  is  the  only  picture  in  existence  of  the 
South  Sea  Islands  in  color.  It  has  won  splendid  box  office 
results  at  The  Capitol,  New  York;  Granada,  San  Francisco; 
California,  Los  Angeles ;  The  Allen,  Cleveland,  etc. 

"THE   GLORIOUS   ADVENTURE" 

The  first  six  reel  drama  ever  made  entirely  in 
color  photography.  Produced  for  J.  Stuart  Black- 
ton,  starring  Lady  Diana  Manners  and  an  all  star 
cast.  Distributed  by  Allied  Producers  &  Distrib- 
utors Corporation. 

For  direction  as  to  the  distributor  of  Prizma 
Color  products  in  your  territory,  write  or  wire — 

PRIZMA,  INCORPORATED 

110  West  40th  St.        Telephone  Bryant  8787 
New  York,  N.  Y. 


56 


Title 

Company 
Releasing 

Date 
Release 

Star 

Director 

Review 
Date 

Hole  in  the  WaU,  A 

. .  Metro 

12-12-21 

Alice  Lake 

Maxwell  Karger 

11-27-21 

Homespun  Vamp,  A 

..FPL 

2-12-22 

May    McAvoy 

Frank   O'Connor 

Honor    First     

■Fox 

8-27-22 

ohn    Gilbert 

Jerome  Storm 

Hound    of   the    Baskervilles. . . 

..FBO 

10-1-22 

No    star 

Maurice    Elvey 

9-17-22 

How   Women    Love 

B.B.Prod.-SR 

Betty    Blythe 

Kenneth    Webb 

8-27-22 

House    of    Solomon 

•  Amer.    Rel. 

10-22 

Wni.   H.   Strauss 

L.   C.  Windom 

Human   Hearts    

. .  Univ 

10-2-22 

House  Peters 

King    Baggot 

7-16-22 

Hunch,     The     

. .  Metro 

11-28-21 

Gareth   Hughes 

Geo.   D.    Baker 

10-9-21 

Hungry    Hearts     

•  Gwyn 

11-22 

No    star 

E.    M.    Hopper 

12-3-22 

Hurricane's    Gal    

. .  1st  Nat 

7-22 

Dorothy   Phillips 

Allen    Holubar 

7-30-22 

Hush    Money    

..FP-L-R 

11-21 

Alice  Brady 

Chas.  Maigne 

11-27-21 

I   Am  the  Law 

..Affiliated-SR 

6-22 

No    star 

Edwin    Carewe 

5-7-22 

3-20-22 

Gareth   Hughes 

Geo.  D.  Baker 

2-19-22 

I    Defy    

..Arista-SR 

2-22 

Not  credited 

Idle    Class,    The 

..1st  Nat 

10-3-21 

Charles   Chaplin 

Charles    Chaplin 

10-2-21 

Idle    Rich,    The 

.  .  Metro 

12-26-21 

Bert    Lytell 

Maxwell   Karger 

11-6-21 

Impossible  Boy    The     

.  .  Pacific-SR 

No   star 

Not    credited 

Impulse    

..Arrow-SR 

7-15-22 

Neva    Gerber 

Not    credited 

In    Self    Defense 

. .  Hamilton-SR 

Jenny    Hazelquist 

Mauritz    Stiller 

4-30-22 

Infidel,    The    

.  .  1st  Nat 

4-22 

Katherine   MacDonald 

James  Young 

4-23-22 

Innocent    Cheat,    The 

.  .  Arrow-SR 

1-5-22 

Roy    Stewart 

Ben  Wilson 

6  25-22 

Insinuation    

.  .  Rus    Clark-SR 

No  star 

Not    credited 



Intrigue 

.  .  Levinson-SR 

Pola   Negri 

Not    credited 

Invisible    Fear    

.  .  1st  Nat 

10-21 

Anita   Stewart 

Edwin     Carewe 

4-2-22 

Iron    to     Gold 

.  .  Fox 

3-12-22 

Dustin   Farnum 

Bernard    Burning 

;   3-12-22 

Iron   Trail,    The 

.  .  Unt  Art 

10-30-21 

No    star 

R.   Wm.   Neill 

11-6-21 

Island    Wives    

.  .  Vita 

3-12-22 

Corinne    Griffith 

W.    Campbell 

3-26-22 

Is    Matrimony    a    Failure?.... 

.  .FP-L 

4-30-22 

No    star 

James  Cruze 

4-23-22 

Isle   of   Zorda,    The 

.  .  Pathe 

3-26-22 

No   star 

Henri  Fescourt 

3-12-22 

If    I    Were    Queen 

..FBO 

10-15-22 

Ethel    Clayton 

Wesley   Ruggles 

10-22-22 

If   You  Believe  It,   It's  So... 

.  .FPL 

8-14-22 

Thos.   Meighan 

Harry    Perry 

7-16-22 

Impossible   Mrs.    Bellew,   The. 

.  .FPL 

11-27-22 

Gloria    Swanson 

Sam  Wood 

10-29-22 

In  the  Name  of  the  Law 

..FBO 

8-20-22 

Johnny    Walker 

Emory    Johnson 

7-16-22 

In    the    Night 

.    Prod.Sec-SR 

8-15-22 

No  star 

F.    Richardson 

Isle  of   Doubt,   The 

.  .Asso.    Ex-P 

9-10-22 

Wyndham  Standing 

Hamilton     Smith 

9-17-22 

Jackie     

. .  Fox 

11-27-21 

Shirley    Mason 

Jack   Ford 

11-27-21 

Jan  of  the  Big  Snows 

. .  Amer  Rel 

3-12-22 

No   star 

Chas.    M.    Seay 

7-9-22 

Jane   Eyre    

.  .Hdksn 

10-21 

Mabel   Ballin 

Hugo  Ballin 

10-16-21 

Jilt,   The    

..Univ 

11-27-22 

No   star 

Irv.    Cummings 

11-26-22 

John  Forest  Finds  Himself. .  • 

. .  Hepworth 

No  star 

Henry  Edwards 

12-11-21 

John    Smith    

. .  Selzk 

6-10-22 

Eugene   O'Brien 

Victor   Heerman 

Jolt,    The    

..Fox 

11-20-21 

Murphy- Walker 

Geo.  E.  Marshall 



Julius    Caesar    

. .  Geo    Kleine-SR    

No   star 

Alberto  Guazzoni 

2-12-22 

June   Madness    

.  .Metro 

10-13-22 

Viola   Dana 

Harry    Beaumont 

10-1-22 

57 


GAIL  KANE 

Inspiration    Pictures 

"The  White  Sister 


58 


Releasing  Release 

Title  Company  Date 

12-1 

8-2 

1  12- 

9- 
1 

;r 

5-2; 

4- 
nchfield 

9-2 

11-1 

10-3 

10-: 

3-1 

1-1 

ct-SR  . . , 

12-2 

11-2; 

11-1 

2- 

2-1: 
11-21 

1 

6-1 

1-! 

12-2; 

1-22 

9-2 

1-1; 

11-1 

i-SR      5-: 

8-1 

10-li 

4-2; 
10-: 

11 

1: 
1: 
9-'. 

59 


Star 


Director 


Review 
Date 


Just  Around  the  Comer 

...FP-L 

12-11-21 

No    star 

Frances     Marion 

1-8-22 

Just    Tony    

..  .Fox 

8-20-22 

Tom    Mix 

L.    F.    Reynolds 

8-20-22 

Kentucky  Derby,  The 

. .  .Univ-Jewel 

12-4-22 

Reginald    Denny 

King    Baggot 

10-22-22 

Kick-Back.    The    

...FRO 

9-3-22 

Harry    Carey 

Val  Paul 

7-30-22 

Kindred  of  the  Dust 

.  .  .  1st  Nat 

10-22 

Miriam    Cooper 

R.  A.  Walsh 

9-3-22 

King   Fisher's   Roost 

.  .  .  Pinnacle-SR 

Neal    Hart 

Louis   Chaudet 

Kissed    

.  .  .Univ 

5-22-22 

Marie    Prevost 

Kiiiq     Baggott 

S-21-22 

Kisses    

.  ..Metro 

4-3-22 

Alice   Lake 

Maxvve'.'    Karger 

Knight  of  the  West 

. . .  COD    Blanchfi 

eld 

No  star 

Robt.    McKenzie 

SR 

10-30-21 

Ladder    Jinx,    The 

...Vita 

9-24-22 

No    star 

Jess    Robbins 

10-15-22 

Ladies    Must    Live 

...FPL 

11-13-21 

Betty   Compson 

Geo.  L.  Tucker 

12-4-21 

Ladyfingers     

• . .  Metro 

10-31-21 

Bert    Lytell 

Bayard  Veiller 

10-9-21 

. . .Fox 

10-2-21 

William    Russell 

Geo.    Marshall 

Lady    Godiva 

. . .  Asso   Ex 

3-12-22 

No   star 

Hubert  Moest 

S-14-22 

Lane  That  had  no  Turning. . 

.  ..FPL 

l-lS-22 

Agnes   Ayres 

Victor   Fleming 

1-15-22 

Last    Chance,    The 

.  .  .  Canyon   Pict-SR 

Franklyn    Farnum 

Webster    Cullison 

Last   Payment,   The 

.  ..FPL 

12-25-21 

Poll    Negri 

Geo.    Jacoby 

1-22-22 

Last   Trail,    The 

. . . Fox 

11-27-21 

No    star 

Emmett  J.   Flynn 

Lavender  Bath  Lady 

.  .  .Univ 

11-13-22 

Gladys    Walton 

King  Baggot 

11-12-22 

Law  and  the  Woman,  The. . 

. . .  FP-L 

2-5-22 

Betty    Compson 

Penrhyn  Stanlaws 

i  1-22-22 

Leech,   The    

.  .  .  Pioneer 

No    star 

Herbert    Hancock 

Life's    Greatest    Question.  . . . 

.  ..CBC-SR 

2-12-22 

Roy    Stewart 

Harry    Revier 

9-10-22 

Light  in  the   Clearing,  The.. 

. . .  Hdksn 

11-20-21 

No    star 

T.  Hayes  Hunter  11-27-21 

Light  in  the  Dark,  The 

.  .  .  1st  Nat 

9-22 

Hope  Hampton 

Clarence     Brown 

9-3-22 

Lights    of    New    York 

.  . . Fox 

12-12 

No    star 

Chas.    Brabin 

Lights  of  the  Desert 

. .  .  Fox 

6-11-22 

Shirley    Mason 

Harry  Beaumont 

6-18-22 

Little   Eva   Ascends 

.  .  .  Metro 

1-8-22 

Gareth    Hughes 

Geo.  D.  Baker 

11-20-21 

Little    Minister,    The ■ 

...FPL 

12-25-21 

Betty     Compson 

Penrhyn    Stanlaws    1-1-22 

Little  Minister,  The 

...Vita 

1-22-22 

Alice    Calhoun 

David    Smith 

12-25-21 

Little   Miss   Hawkshaw 

. . . Fox 

9-25-22 

Eileen   Percy 

Carl  Harbaugh 

10-9-21 

Little   Miss   Smiles 

, . . Fox 

1-15-22 

Shirley  Mason 

Jack    Ford 

1-22-22 

Little    Wildcat     

..Vita 

11-12-22 

Alice    Calhoun 

David    Devar 

9-10-22 

Living    Lies < 

.  ..C'k-Cornl's-SR 

5-1-22 

Edmund   Lowe 

Emile    Chautard 

Loaded    Door,    The 

.  .  .Univ 

8-14-22 

Hoot    Gibson 

Harry    Pollard 

8-20-22 

Lone    Hand     The 

..Univ 

10-16-22 

Hoot    Gibson 

Reaves    Eason 

10-15-22 

Lonely   Trail,    The 

, . .  Prime-SR 

Fred    K.    Beauvais 

Not    credited 

1-15-22 

4-23-22 

Edgar  Jones 

Not    credited 

Long    Chance,    The 

.  .  -Univ 

10-2-22 

No    star 

Jack    Conway 

10-1-22 

Lorna    Doone    

. .  .1st   Nat 

10-22 

No   star 

Maurice  Tourneur 

Lost  in  a  Big  City 

, .  .Arrow-SR 

John    Lowell 

Geo.     Irving 

Lotus  Eater,  The 

...1st   Nat 

11-21 

John   Barrymore 

Marshall    Neilan 

12-4-21 

Love  Charm,  The 

.  ..FP-L-R 

12-21 

Wanda  Hawley 

Thos.    Heflfron 

12-18-21 

Love  Gambler,   The 

, . . Fox 

9-5-22 

John    Gilbert 

Joseph  Franz 

ll-S-22 

E.  H.   GRIFFITH 

Directing 

Cosmopolitan 

Productions 


60 


Title 

Love    in   the    Dark 

Love  Is  an  Awful  Thing... 
Love    Never    Dies 

Love  Slave,  The 

Love's    Boomerang 

Love's  Masquerade 

Loves  of  Pharaoh 

Love's  Redemption 

Lowland    Cinderella    

Lure    of    Gold,    The 

Lure  of  the  Jade,   The 

Lying  Truth 

Madness  of  Love,  The 

Maker   of   Men,   A 

Making  the   Grade 

Man  and  the  Moment,  The. 
Man   From  Beyond,  The. . . 


Releasing 
Company 


Release 
Date 


Star 


Director 


Review 
Date 


.Metro 


12-11-22    Viola  Dana 


Harry    Beaumont    11-19-22 


.  Selzk 


8-30-22    Owen   Moore 


Victor    Heerman      9-10-22 


1st  Nat 


11-21 


Lloyd  Hughes, 
Madge   Bellamy 


King    Vidor  11-20-21 


•  Russell  Clark-SR Lucy    Doraine 


Not   credited 


.FP-L 


2-19-22     No   star 


,  Selzk 


3-20-22      Conway   Tearle 


.FPL 


-28-22      No    star 


,1st  Nat 


12-21     Norma   Talmadge 


J.    S.    Robertson  2-5-22 

W.   P.   S.   Earle  4-16-22 

Ernest   Lubitsch  2-26-22 

Albert   Parker  1 -15-22 


.2nd  Nat 


11-1-22    Joan   Morgan 


•  Steiner-SR 


5-3-3    Neal    Hart 


Not   credited 


Neal    Hart 


.FBO 


.  Amer  Rel 


11-27-21     Pauline    Frederick  Colin   Campbell       11-6-21 

Marion    Fairfax      4-30-22 


3-26-22      No   star 


,FBO-G 


4-22     Jean    Scott 


Wray   Physioc 


Plymouth    F 


No  star 


W.   Brotherhood  11-13-21 


Butler  Prod-SR David  Butler 


Fred  J.   Butler         1-8-22 


.Asso.    Ex-P 


ll-S-22    No  star 


Not    credited 


.Houdini  Pic-SR  9-15-22     Houdini 


Burton  King  4-16-22 


Man   From   Downing   St.,   The. 

.Vita 

4-2-22 

Earle  Williams 

Edward   Jose 

4-16-22 

.W  Pic  Ex-SR 

Irving  Cummings 

4-23-22 

.FPL 

5-21-21 

No   star 

Geo.    Fitzmaurice 

5-7  22 

Man  From  Lost   River,  The... 

.  Gwyn 

11-21 

No  star 

Frank  Lloyd 

1-22-22 

Man  of  Stone   The 

.Selzk 

11-10-21 

Conway   Tearle 

G.    Archainbaud 

11-27-21 

Man  She  Brought  Back,  The.  . . 

.Asso.    Ex-P 

9-24-22 

No  star 

Chas.    Miller 

10-8-22 

Man  Under   Cover,   The 

.  Univ 

4-10-22 

Herbert    Rawlinson 

Tod    Browning 

4-9-22 

Man   Who    Married   His    Own. 
Wife   

.Univ 

5-1-22 

Frank    Mayo 

Stuart  Paton 

4-30-22 

.FP-L 

9-25-22 

Thos.    Meighan 

Cecil    B.    DeMille 

9-24-22 

Man's   Law  and    God's 

.Amer  Rel 

4-16-22 

No   star 

Finis  Fox 

Man  to   Man 

.Univ 

3-20-22 

Harry    Carey 

Stuart    Paton 

2-5-22 

Man    Unconquerable,    The 

.FP-L 

7-2-22 

Jack   Holt 

Jos.    Henabery 

7-23-22 

Man  Wanted    

.Clk- Cornelius 

9-15-22 

Arthur    Housman 

Jack    Dillon 

Man  with  Two  Mothers 

.  Gwyn 

2-22 

No   star 

Paul    Bern 

6-4-22 

Man    Who    Paid 

.Prod   Sec-SR 

3-1-21 

Wilfred  Lytell 

Oscar  Apfel 

2-19-22 

Man    Who    Played    God 

.Unt.  Art 

10-1-22 

Geo.   Arliss 

Harmon    Weight 

10-8-22 

Man  Who  Saw  Tomorrow.  . .  . 

.FP-L 

11-6-22 

Thos.    Meighan 

A.  E.   Greene 

11-5-22 

Married    Chance,    The 

.Amer.    Rel 

11-5-22 

No  star 

Hampton  DelRuth 

Married   Flapper,   The 

.Univ 

7-31-22 

Marie   Prevost 

Stuart   Paton 

7-30-22 

Married    People    

.Hdksn 

9-17-22 

Mabel    Ballin 

Hugo    Ballin 

7-23-22 

Marry  the  Poor  Girl 

.  Asso  Ex 

12-11-21 

Mr.  &  Mrs.  DeHaven 

Lloyd    Ingraham 

Masquerader,  The 

.1st  Nat 

8-22 

Guy   Bates   Post 

James    Young 

8-20-22 

Master  of  Beasts,   The 

.  Ay  won-SR 

No    star 

Not    credited 

Matrimonial  Web,   The 

.Vit 

10-2-21 

Alice    Calhoun, 

Edward  Jose 

Me    and    My    Gal 

.Amer.    Rel. 

5-28-22 

No   star 

Geo.     Parson 

Men   of  Zanzibar,    The 

•  Fox 

S-2-22 

Wni.   Russell 

Rowland   V.   Lee 

5-21-22 

61 


WHITMAN  mm\  STUDIOS 

537  RIVERDALE  AVENUE 
YONKERS,  N.  Y. 

Telephones:    Yonkers  207— Kingsbridge  3270-1 
W.  O.  HURST,  Manager 


The  most  efficiently  operated  single  unit 
picture  producing  plant  in  the  world 

Exterior  Space     -     -     -     -    Four  Acres 
Stage  Space 65  x  110  Feet 


COMPLETE  ELECTRICAL  EQUIP- 
MENT   INCLUDING    SUNLIGHT 
ARCS.     DIRECT  CURRENT 


Our   Storehouse  Covers  a  City  Block 


Set  Material  from  Eighty  Elaborate 
Productions  Available 


62 


Title 


Releasing 
Company 


Release 
Date 


Star 


Director 


Review 
Date 


.  .FP-L-R 

2-26-22 

Constance   Binney 

Maurice  Campbel 

.  .  .  Univ 

11-14-21 

Herbert    Rawlinson 

Jack  Conway 

11-6-21 

.  .  1st    Nat 

12-4-22 

No   star 

M.    Neilan    and 
Frank    Urson 

12-3-22 

Miss   Lulu  Bett            

. . .  FPL 

1-1-22 

No    star 

Wm.  DeMille 

12-25-21 

Miss  Paul   Revere 

. .  .  Russel  Clark-SR 

No    star 

Not    credited 

Missing    Husbands 

. . .  Metro 

No   star 

Jacques    Feyder 

5-21-22 

. .  .FPL 

1-22-22; 

Alice  Brady 

Jos.    Henabery 

9-24-22 

Mistress    of   the   World 

.  ..FPL 

3-22 

Mia   May 

Joe  May 

3-12-22 

Mixed     Faces     

. .  .Fox 

10-22-22 

Wm.    Russell 

Rowland   V.   Lee 

10-1-22 

Mme.    Sans    Gene 

.  ..Prod.Sec-SR 

8-25-22 

Ellen    Richter 

Edwin    Wolfe 

Mohican's    Daughter,    The.  .  . 

.  ..Amer.     Rel 

5-7-22 

No   star 

S.E.V.Taylor 

10-1-22 

Money   to    Burn 

. .  .  Fox 

4-2-22 

Wm.    Russell 

Rowland  V.  Lee 

4-16-22 

Molly    O 

.  .  .  1st  Nat 

10-21 

Mabel  Normand 

F.   Richard  Jones 

12-4-21 

Monte    Cristo     

. . . Fox 

9-3-22 

No  star 

Emmet  J.   Flynn 

3-19-22 

Moonshine  Valley 

..Fox 

8-27-22 

Wm.    Farnum 

Herbert    Brenon 

3-20-22 

.  .  FP-L-R 

11-21 

May  McAvoy 

Wm.    D.    Taylor 

Moran  of  the   Lady   Letty.  .  . 

. . .  FP-L 

2-12-22 

Dorothy    Dalton 

Geo.   Melford 

2-12-22 

More    to    Be    Pitied 

.  ..CBC-SR 

9-22 

No   star 

E.    J.    LeSaint 

9-24-22 

Mortal    Clay     

. .  .Hamilton-SR 

No   star 

Victor    Seastrom 

. . .  Arrow-SR 

1-14-21 

Roy  Stewart 

Roy    Clements 

Mr.  Barnes  of  N.  Y 

. . .  Gwyn 

5-22 

Tom  Moore 

V.    Schertzinger 

Mr.   Bingle 

...Prod   Sec-SR 

8-20-22 

Maclyn  Arbuckle 

Leopold   Wharton 

Mr.    Pim    Passes    By 

...2nd  Nat-SR 

6-33 

No    star 

Not  credited 

Mr.   Potter  of  Texas 

...Prod   Sec-SR 

6-15-22 

Maclyn  Arbuckle 

Leopold   Wharton 

Mrs.    Dane's   Confession 

...FBO-G 

6-22 

Lucy   Doraine 

Michael   Kertez 

My   Dad    

...FBO 

7-23-22 

Johnny   Walker 

Cliff    Smith 

7-9-22 

My  Lady  Friends 

...1st  Nat 

10-31-21 

Mr.  &  Mrs.  C.  DeHaven 

Lloyd  Ingraham 

My  Boy 

. . .  1st  Nat 

1-22 

Jackie    Coogan 

Victor  Heerman 
Albert   Austin 

& 

1-1-22 

My   Friend   the    Devil 

. .  .Fox 

11-19-22 

No  star 

Harry    Millarde 

My  Old  Kentucky  Home.... 

. . .  Amer  Rel 

4-9-22 

No  star 

R.    C.    Smallvvood 

5-7-22 

My  Wild  Irish  Rose 

...Vita 

S-14-22 

No  star 

David    Smith 

6-18-22 

Mysterious    Rider,    The 

. . .  Hdksn 

12-21 

No  star 

B.  B.  Hampton 

10-23-21 

Nancy  from   Nowhere 

.  ..FPL 

1-22-22 

Bebe   Daniels 

C.    M.    Franklin 

2-5-22 

Nanook  of  the   North 

. . .  Pathe 

6-11-22 

No  star 

Robt.  J.   Flaherty 

6-18-22 

Nero     

. . . Fox 

9-11-22 

No  star 

J.    G.    Edwards 

5-28-22 

New   Disciple 

. .  .  Fed  F  Co 

4-22 

No  star 

Ollie  Sellers 

12-25-21 

New    Teacher,    The 

. .  Fox 

8-20-22 

Shirley    Mason 

Jos.    Franz 

8-13-22 

Night   Riders,    The 

.  ..2n(l   Xat-SR 

7-1-22 

Albert   Ray 

Alex.    B.    Butler 

4-30-22 

Nice    Pesple     

. .   FP-L 

9-4-22 

No   star 

Wm.   DeMille 

8-20-22 

Night   Life  in   Hollywood.... 

.  •  .Arrow-SR 

No   star 

Not    credited 

Nine  Points  of  the  Law 

..FBO 

Helen    Gibson 

Not    credited 

Nine   Seconds  from  Heaven.  . 

.  . .  Rialto-SR 

Franklin     Seites 

7-2-22 

,  Nobody's  Fool 

...Univ 

10-3-21 

Marie    Prevost 

King   Baggot 

10-23-21 

63 


64 


Le\/i3  J.  3 el z nick 

presents 
A  Visualization  of 

Sir  Anthony  Hopes 

Romanbic  novel  and  sequel 
to  "The  Prisoner  of  Zenda 


UPERT  or 

Hentzau 


iS^upert  of  ^mt}m 


Produced  by 


MYRON  SELZNICK 


65 


66 


VICTOR  HEERMAN 

Director  of 

*'3Rupert  of  f^entjau" 

Author  and  Director  of 

"MY  BOY"    (Jackie  Coogan) 

"LOVE  IS  AN  AWFUL  THING"  (Owen  Moore) 

"THE  CHICKEN  IN  THE  CASE"  (Owen  Moore) 

"THE   POOR  SIMP"   (Owen  Moore) 

"JOHN    SMITH"    (Eugene    O'Brien) 

"MODERN  MATRIMONY"  (Owen  Moore) 

68 


Edward  J.  Montagne 

Scenario  Editor,  Sehnick  Pictures 

Recent  releases 

Under  Oath Evidence 

ONE    WEEK    OF    LOVE 
THE     COMMON    LAW 

AND 

Ctupert  of  #rnt^au 


69 


70 


asfAWlENHEIM   in 

Rupert  al^llienfzau 


fS--7'> 


71 


!#«» 


Bert  Lytell 

a«  RUDOLPHa.«d  CAS^ENDyiL 


73 


JAMES  DENT 

General  Studio  Manager 


SELZNICK  PICTURES 
CORPORATION 


Herbert  L.  Messmore  Co.,  Inc. 

81-85  Sixth  St.,  Long  Island  City,  N.  Y. 

Originators  of  Papier  Mache  Exploitation  Novelties 
for  Motion  Picture  Distribution 

Executing  Papier  Mache  Exploitation  Novelties  for 

Selznick's  Master  Production 

"RUPERT  OF  HENTZAU" 

Preparing  Novelties  on  Warner  Bros.  Coming 
"SCREEN  CLASSICS" 

Builders  of  Warner  Bros. 

FAMOUS  TRANS-CONTINENTAL  FLOAT, 

New  York  to  Los  Angeles 


75 


TAejJ  ci'eeiiK/iiT 


luperi  of . 

is  properly  expressed 

ihrough  ihe  Graphic 

\^ri  ofCoIorandBIacIcand 


Joy-^ne 

Powers  Fourth 
En^ravin^  Co. 

208  WEST  SQ-^r  STREET 

TELEPHONE  CIRCLE  I300 

Z)(2yandNigM  Service 


iRSFoCRTHENGR 


76 


Photo  Engraving — 

OF  THE  QUALITY  REQUIRED  FOR 

''Rupert  of  Hentzau'' 

by 
GRAPHIC  PHOTO-ENGRAVING  CO.,  INC. 

250  WEST  54th  STREET                       NEW  YORK  CITY 

FOR  ART  IN 
MOTION  PICTURES 
SEE 

''Rupert  of 
Hentzau'' 

FOR  ART  IN 

STIDKS 

SEE 

SUPERIOR  SLIDE  SERVICE 

34-36  West  46th  St. ,  New  York  City 
Bryant  8875 

PRIS  IISG 

FOR 

''Rupert  of 
Hentzau'' 

AND    OTHER     HIGH 
CLASS  PHOTOPLAYS 

CIRCLE  PRESS 

238  West  53rd  St.,  New  York  City 

77 


RICHARD  STANTON 

Director  and  Producer 

Completing  Plans  for  elaborate  productions  to  be  made  during    1923 

78 


The  Gold 
Medal 

"Humoresque" 

won     the     first 

^.  ^^2|jg|BHHMiB2S^!«^ 

of     Honor, 
awarded    by 
Photoplay   Ma- 
gazine annually 
to  the  best  pic- 

gold   medal    in 
1920  and  "Tol'- 
able    David" 
was  judged  the 
best  picture  of 

ture  of  the  year. 

1921. 

Tj^  VERY  exhibitor  should  read  "The 
^-^  Shadow  Stage,"  the  critical  de- 

partment   of    Photoplay    Magazine. 

In    it    current    pictures    are    judged 

strictly  from   the   viewpoint   of   the 

audience.     It  has  justly  been  called 

"The  National  Guide  to  Motion  Pic- 

tures" and  is  read  every  month  by 

over   2,000,000   motion   picture   pat- 

rons.    It  is  the   largest   amusement 

audience  in  the  world. 

PHOTOPLAY  MAGAZINE 

• 

fames  R.  Quirk — Editor  and  Publisher 

- 

79 


HAND  COLORING 

of  MOTION  PICTURES 

Read  what  the  ''Film  Daily"  says  about 
my  hand  coloring  on  the  picture 

"THE  LIGHT  IN  THE  DARK" 

"Incidentally  the  introduction  of  this  feature  allows 
the  use  of  about  a  reel  of  colored  photography,  show- 
ing Tennyson's  famous  interpretation  of  The  Holy  Grail, 
and  this  is,  by  odds,  the  finest  color  work  ever  shown  in 
this  country.  It  undeniably  lifts  the  value  of  the  production 
materially.  If  the  picture  contained  nothing  else  of  value — 
and  in  fact  it  does — the  reel  mentioned  would  easily  make 
it  attractive  to  lots  of  people.  Too  much  praise  cannot  be 
given  this.  The  reel  is  a  charming  addition  to  the  picture, 
and  makes  it  unusually  worth  while. — " 


"FOOLISH  WIVES" 

and  others 

G.  R.  SILVERA 

590  West  178th  Street  New  York  City 

Wadsworth  9366 


80 


EDWARD  SLOMAN 

Producer  and  Director 

Edward  Sloman  Productions 

614  So.  Oxford  Boulevard 
Los  Angeles 

New  York  Address 

c/o  Dependable  Sales  Corp. 

1493  Broadway 


81 


OSCAR   LUND 

Producer— Director 
"LOVE'S  OLD  SWEET  SONG " 


Coming 

"THE  FALCON" 

"GLORIA'S  ROMANCE" 


Formerly  with  Universal,  Pathe,  William  Fox,  Metro 
and  other  large  producing  companies 

His  famous  box-office  successes  include  "The  Dollar 
Mark,"  "The  Marked  Woman,"  "When  Broadway 
Was  a  Trail,"  "M'Liss,"  "Just  Jim,"  "Dorian's  Di- 
vorce," "Peg  of  the  Pirates"  and  many  other  extraor- 
dinary pictures. 


82 


•r.  1       •  -r.  1  Review 

Releasing  Release  _.      ^  riatp 

Tide  Company  Date  Star  Director Uate 


No    Defense Vita  12-18-21      Duncan- Johnson  Wm.  Duncan  1-29-22 

No  Trespassing Hdksn  6- 1 1  -22     Irene  Castle      E.  F.  Hollywood     4-23-22 

North  of  the  Rio  Grande FP-L  5-14-22     Holt-Daniels  R.    S.    Sturgeon      5-21-22 

Notoriety    Web&North-SR    No   star  Wm.    Nigh 10-^-22 

Oathbound Fox                         8-13-22  Dustin    Farnum                    Bernard    Durning    7-30-22 

Offenders,    The Russell  Clark-SR Margery  Wilson  Not   credited  


Oh,    Mabel  Behave Aywon-SR  1-22     No    star  Not    credited 


Old    Homestead,    The FP-L  10-9-22  No   star                                  James  Cruze 10-^-^^ 

Old  Oaken  Bucket,  The FBO-G  10-21  No  star                                  May  Tully ^0-23-21 

Oliver   Twrist    1st   Nat  11-11-22  Jackie   Coogan                      Frank  Lloyd 11^5^2 

Omar    the    Tentmaker 1st    Nat                  Guy    Bates    Post  James    Young           12-3-22 

Once  Upon  a  Time H  Bollman-SR     Ruth   Bryan   Owen  Ruth  Bryan  Owen  1-1-22 

One  Clear   Call 1st  Nat  6-22  Henry  Walthall  John  M.  Stahl         6-25-22 

One-Eighth    Apache     Arrow-SR  6-22  Roy    Stewart                          Ben   Wilson                


One  Exciting  Night UntArt  No   star  D.    W.    Griffith      10-29-22 

One   Glorious   Day FP-L  2-5-22      No  star  James    Cruze 2-5-22 

One  Moment's  Temptation 2nd   Nat  9-1-22     Marjorie   Villis  A.    H.    Rooke  


One  Night  in  Paris Asso.    Ex-P  10-8-22    No  star  Not    credited 


One  Week   of   Love Selzk  11-22    Hammerstein-Tearle  G.    Archainbaud      11-12-22 

One  Wonderful  Night Univ  12-18-22     Herbert    Rawliiison  Stuart   Paton  


On  the  High  Seas FP-L  11-6-22    No   star  Irvin    Willat  10-8-22 

Ordeal,    The FP-L  S-21-22     Agnes  Ayres  Paul    Powell 6^4^2 

Orderly,    The Pathe  10-21-21      No    star  No    credit  


Orphan    Sally    Lee-B'dford-SR         9-22    No   star  Edw.    Hemmer 


Orphans  of  the  Storm Untd  Art  4-30-22     L.  &  D.  Gish  P.    W.    Griffith        1-8-22 

Other   Side,   The Amer.   Rel.  11-22    No   star  Not    credited  


Other   Women's  Clothes Hdksn  5-10-22  Mabel  Ballin  Hugo  Ballin             3-19-22 

Our  Leading  Citizen FP-L  6-18-22  Thomas   Meighan  Alfred  Green            6-18-22 

Our   Mutual  Friend FBO-G  12-26-22     No    star                                  No    credit ^2-4-21 

Outcast,     The     FP-L  12-11-22  Elsie    Ferguson                      Chet    Withey              


Out  of  the  Silent  North Univ                        6-19-22      Frank   Mayo  W.    Worthington    6-11-22 

Over    the    Border FP-L                        6-4-22      Betty     Compson  Penrhyn  Stanlaws  6-11-22 

Tom   Moore  

Paid    Back    Univ                        8-28-22    All    Star  IrY.     Cummings       8-27-22 

Pals    of   the    West Clk- Cornelius- SR     10-22    No   star  Not    credited  


Pardon   My   French Gwyn  11-21      Vivian   Martin  Sidney    Olcott  1-1-^2 

Pardon   My   Nerve Fox  3-5-22      Charles   Jones  Reeves  Eason  2-26-22 

Parisian  Scandal,  A Univ  12-5-21      Marie  Prevost  George  Cox  11-27-21 


Parted     Curtains Warner-SR  10-5-21      Henry    Walthall  No    credit 

Partners   of  the   Sunset Bert  Lubin-SR     Robt.  H.  Townley 

Pasteboard    Crown,    A Asso  Ex-P  4-16-22      No  star  Travers   Vale 


Pawn    Ticket    210 Fox  12-24-22     Shirley    Mason  Bernard   Durning 

Pawned    Selzk  11-13-22     No   star  Irvin    V.    Willat 


Pay  Day 1st   Nat  3  22      Charles   Chaplin  Charles     Chaplin       4-9-22 

83 


Title 


Keleasinff 
Company 


Release 
Date 


Star 


Director 


Review 
Date 


.  ..Arrow-SR 

Laurette    Taylor 

Lewis  King 

10-29-22 

P'a'-or-k    Alley 

.  .  .  Metro 

1-23-22 

Mae  Murray 

R.   E.    Leonard 

11-13-21 

■^-'T   O'    Mv   Heart 

.  ..Metro 

12-18-22 

Wm.    Fairbanks 

King  Vidor 

.  .  1st  Nat 

2-22 

Wesley   Barry 

Marsliall   Neilan 
Frank   O'Connor 

& 

2-26-22 

.  ..Fox 

in-.^0-21 

(See    1921    Year    Book) 

,  ..1st    Nat 

Charles    Chanlin 

Cbas.    Chaplin 

11-19  27 

4-2.V22 

No  star 

Louis  Cbaudet 

Pi"V    '^oH<?         

,  ..FPL 

10-2-22 

No   star 

Penrhyn    Stanlaws 

i  io-i-2r 

12-9-21 

Oladvs    Walton 

D.    Fitzgerald 

12-1S  21 

''^lav+hinor*^   of  an   Fmo'^ror.  .  .  . 

.  .Levin son -SR 

No   star 

Arthur  Rippert 

Pola    Negri 

Not    credited 

PoUv  of  the   Follies 

..1st  Nat 

1-22 

Constance  Talmadge 

John   Emerson 

3-5-2? 

Ponr   Relation.    A 

.  .  Gwyn 

12-21 

Will    Rogers 

Clarence  Badger 

4-9-22 

..FBO 

11-20-21 

No  star 

Louis  Mercanton 

11-6  21 

Povertv  of  Riches,  The 

. .  Owyn 

11-21 

No   star 

Reginald   Barker 

11-27-21 

Powpr   Within,    The 

, .  .  Pathe 

12-18-21 

Wm.  Tooker 

Lem    F.    Kennedv    

Power     of     Love 

.  ..Perfect-SR 

No   star 

Nat    Deverich 

Prpiitdice                      

.  .  Arista-SR 

1-22 

7ena   Keefe 

Not    credited 

P-;-^    of    Youth 

..Arrow-SR 

6-22 

Neva  Gerber 

Ben    Wilson 

PrH^    f>f    Pa'cmar,    The 

..FPL 

11-27-22 

No  star 

Alex.   Kardo 

Q-on  '»'' 

Prinrp   and   the   Pauper.    The.  . 

.  .Atner.    Rel 

lO-lS-22 

No  star 

Frank    Borzage 

11    9fi   TJ 

Prinre  There  Was,   A 

,  ..FP  L 

l-lS-22 

Thomas    Meitrban 

Tom  Forman 

11-20-21 

Primitive  Lover,  The , 

...1st  Nat 

S-22 

Constance    Talmadge 

Sidney    Franklin 

5-21-22 

Prisoner    of   Zenda 

.  .  .  Metro 

All  star 

Rex  Ingram 

4-30-22 

Prodigal   Judge,    The 

...Vita 

2-9-22 

No  star 

Edward  .lose 

2-5-22 

Proofs    of    Innocence 

.  . .  Amer.    Rel. 

8-21-22 

Louise    Du   Pre 

Roy    Mitchell 

Prophet's   Paradise.    The 

.  .  .  Selzk 

2-28-22 

Eugene    O'Brien 

Alan    Cros'and 

Putting    It    Over        

.  .  .Goldstone-SR 

Richard    Talmadc^e 

Grover     Tones 

Oueen  of  the  Moulin  Rouge. . . 

.  .  Amer   Rel 

lO-S-22 

No   star 

R.  C.  .Smallwood 

8-20-2? 

Oueen  O'  the  Turf 

...FBO 

4-16-22 

No  star 

John    K.    Wells 

5-14-21 

Queen   of   Sheba,   The 

. .  .Fox 

12-11-21 

(See    1921    Year    Book) 

Queenie   

. . . Fox 

10-9-21 

Shirley  Mason 

H.    M.    Mitchell 

10-2-21 

Question   of   Honor,   A 

, .  .1st  Nat 

2-22 

Anita  Stewart 

Edwin    Carewe 

3-12-22 

Quincy    Adams    Sawyer 

.  .  .Metro 

12-4-22 

No   star 

Clarence     Badger 

12-3-2? 

Ragged    Heiress,    The 

..Fox 

3-19-22 

Shirley    Mason 

Harry  Beaumont 

3-12-22 

Rags    to    Riches 

..Warner-SR 

9-15-22 

Wesley    Barry 

Wallace  Worsley 

10-1-22 

Raiders,    The 

.  .  Canyon-SR 

Franklyn   Farnum 

Nate  Watt 

Painbow,    The 

..Vita 

11-20-21 

Alice    Calhoun 

Edward   Jose 

Pang°    Patrol,    The 

..RussellSR 

No   star 

Harry    Moody 

9-10-22 

Rangeland     

. .  Steiner-SR 

2-22 

Neal    Hart 

Neal  Hart 

Real  Adventure    The 

.  .  Asso  Exhib 

5-28-22 

Florence  Vidor 

King  Vidor 

7-2  22 

Received    Payment 

..Vita 

1-28-22 

Corinne    Griffith 

Chas.    Maigne 

1-15-22 

Reckless  Chances  

. .  Asso  Ex-P 

1-15-22 

.T.   P.   McGowan 

J.   P.   McGowan 

1-22-22 

84 


Title 


Releasing 
Company 


Release 
Date 


Star 


Director 


Review 
Date 


Reckless    Youth 

Selzk 

3-30-22 

Elaine    Hammerstein 

Ralpli    Ince 

4-16-22 

10-10-21 

Hoot    Gibson 

Reeves  Eason 

10-2-21 

. ...  1st  Nat 

2-22 

No  star 

Victor    Fleming 

11-13-21 

Red    Peacock     The 

FPL 

2-26-22 

Pola     Negri 

Paul    Stein 

4-9-22 

Referee      The                

Selzk 

5-10-22 

Conway  Tearle 

Ralph  Ince 

FPL 

1-1-22 

Wallace   Reid 

Howard    Higgen 

1-1-22 

Remembrance    

.  .  ..Gwyn 

10-8-22 

No   star 

Rupert    Hughes 

9-17-22 

Selzk 

4-5-22 

Owen   Moore 

Henry    Lehrman 

4-16-22 

Vita 

5-28-22 

Earle  Williams 

Robt.    Ensminger 

Rialto-SR 

Camillo   Innocent 

6-18-22 

9-22 

No  star 

Louis   Gasnier 

8-27-22 

Riding   With    Death        .    . . . 

11-13-21 

Charles   Jones 

Jacques   Jaccard 

11-13-21 

Ridin'    Wild      

W  P  Ex-SR 



Robt.  Thornby 

4-23-22 

Ridin*    Wild                  

.  . .  .Univ 

11-20-22 

Hoot    Gibson 

Nat   Ross 

11-19-22 

2-20-22 

Bert   Lytell 

Bayard  Veiller 

12-11-21 

Right    Way     The 

Prod  Sec-SR 

10-1-22 

No   star 

Sidney  Olcott 

11-13-21 

12-21 

No  star 

Not   credited 

Rip    Van    Winkle 

Hdksn 

9-21-21 

Thomas  Jefferson 

Warde    Lascelle 

10-16-21 

Road  to  Arcady,   The 

....J  W-SR 

12-21 

Virginia  Lee 

Burton  King 

Robin    Hood    

Unt    Art 

10-30-22 

Douglas   Fairbanks 

Allan    Dwan 

11-5-22 

12-25-21 

Wm.    Russell 

Jack    Dillon 

12-25-21 

....  1st  Nat 

1-22 

No  star 

Jerome   Storm 

3-26-22 

7-22 

Anita   Stewart 

Fred  Niblo 

R.  S.  V.  P 

1st  Nat 

12-21 

Charles    Ray 

Charles    Ray 

12-18-21 

Rough  Diamond,   The 

....  Fox 

10-30-21 

Tom  Mix 

Edw.    Sedgwick 

10-30-21 

Fox 

6-4-22 

Charles   Jones 

Reeves    Eason 

6-4-22 

Big    Boy    Williams 

C.  R.  Seeling 

Ruling    Passion,    The 

Untd   Art 

2-19-22 

George   Arliss 

Harmon   Weight 

1-29-22 

Ruse  of  the  Rattler,  The 

. .  .  .  Asso   Ex-P 

12-4-21 

J.    P.   McGowan 

J.  P.  McGowan 

Sailor-Made    Man,    A 

.  . .  .Asso  Exhib 

12-25-21 

Harold    Lloyd 

Fred  Newmeyer 

11-27-21 

Saturday     Night 

....FPL 

2-5-22 

No  star 

Cecil  B.  DeMille 

1-29-22 

Saved    by    Radio 

....Russell-SR 

No   star 

Wm.    Craft 

9-3-22 

School     Days 

....  VVarner-SR 

12-25-22 

Wesley    Barry 

Wm.   Nigh 

12-4-21 

Scrapper,    The 

.  .  .  .Univ 

2-6-22 

Herbert    Rawlinson 

Hobart   Henley 

1-22-22 

Sea    Lion.    The 

1st   Nat 

12-21 

Hobart    Bosworth 

Rowland   V.    Lee 

1-8-22 

Second    Hand    Rose 

....  Univ 

5-22-22 

Gladys    Walton 

Lloyd  Ingraham 

5-7-22 

Secret  of  the  Hills 

....Vita 

9-S-21 

Antonio   Moreno 

Chester    Bennett 

Secrets     of     Paris 

Master-SR 

No   star 

Kenneth  Webb 

10-29-22 

Seeing's     Believing 

....  Metro 

5-1-22 

Viola     Dana 

Harry   Beaumont 

Self-Made   Man,    A 

....  Fo.x 

6-25-22 

Wm.    Russell 

Rowland    V.    Lee 

7-2-22 

Serving   Two   Masters 

Lee-B'ford-SR 

1-22 

Josephine    Earle 

Not  credited 

Seventh    Day,    The 

....  1st   Nat 

2-22 

Richard    Barthelniess 

Henry    King 

3-19-22 

Shackles    of    Gold 

....  Fox 

5-7-22 

Wm.    Farnum 

Herbert    Brenon 

5-14-22 

Shadows     

.  .  .  .Lichtman 

11-22 

No   star 

Tom    Forman 

11-5-22 

85 


Title 


Releasing 
Company 


Relf  ase 
Date 


Star 


Director 


Review 
Date 


.  .  .  Russell- SR 

Russell    Simpson 

J.   P.  McCarthy 

10-16-21 

Shadows  of  the  Sea 

.  .  .  Selzk 

1-10-22 

Conway    Tearle 

Alan    Crosland 

1-1-22 

Shadows  of  the   West 

.  .  .Nat    Exch-SR 

No  star 

Paul  Hurst 

10-16-21 

(See    1921    Year    Book) 

.  .  .  F  W   Kurtz 

No  star 

Lepu   Pick 

11-20-21 

Shattered     Dreams 

.  .  .  Univ 

1-2-22 

Miss  duPont 

Paul   Scardon 

12-11-21 

.  .  .  Am   Kel 

2-22 

No  star 

Edward    Sloman 

3-5-22 

Sheik     The              

.  .  .  FF-L 

11-20-21 

Ayres- Valentino 

Geo.    Melford 

11-13-21 

Sheik's    Wife,    The 

.  .  .  Vita 

3-9-22 

No    star 

Henry     Roussell 

3-12-22 

Sherlock    Brown 

.  .  .  Metro 

6-26-22 

Bert   Lytell 

Bayard    Veiller 

6-4-22 

Sherlock     Holmes 

.  .  .  Gwyn 

John    Barrymore 

Albert  Parker 

5-14-22 

Shirley   of   the    Circus 

.  .  .Fox 

11-12-21 

Shirley    Mason 

R.   V.   Lee 

11-12-21 

Should   a   Wife   Work 

...J  W-SR 

12-21 

Edith    Stockton 

H.    G.    Plimpton 

2-5-22 

Shylock   of  Wall   St 

.  .  .Burton    King 

No   star 

Burton    King 

Sign  of  the  Rose,  The 

...  Am  Rel 

George    Beban 

Harry   Garson 

3-12-22 

4-30-22 

No  star 

F.    P.    Donovan 

12-11-21 

Silent   Call,    The 

...  1st  Nat 

11-21 

No  star 

L'rence   Trimble 

11-20-21 

Silent    Shelby 

.  .  .  Aywon-SR 

Frank    Borzage 

Frank    Borzage 

Silent    Vow,    The 

...Vita 

4-16-22 

Duncan-Johnson 

Wm.    Duncan 

4-9-22 

. .  .FBO 

12-11-21 

No  star 

Louis  J.   Gasnier 

11-27-21 

Silver    Wings 

...  1-  ox 

8-27-22 

Mary    Carr 

Jack   Ford    & 
Edwin   Carewe 

5-21-21 

Sin  of  Martha  Queed,  The.  . . 

.  .  .  Asso  Exhib 

11-6-21 

No  star 

Allan    Dwan 

Singed   Wings    

...FPL 

12-18-22 

No  star 

Penrhyn    Stanlaws    12-3-22 

Single    Track 

...Vita 

11-13-22 

Corinne    Griffith 

Webster  Campbell  12-4-21 

Sir  Arne's  Treasure 

.  .  .  Hamilton-SR 

No  star 

Mauritz  Stiller 

12-11-21 

Siren    Call     The     

.  ..FPL 

9-18-22 

Dorothy    Dalton 

Irvin  Willat 

917-22 

.  .  .  Am  Rel 

4-2-22 

No  star 

Albert    Capellani 

4-9-22 

Skin    Deep 

...  Its    Nat 

9-2S-22 

No  star 

Lambert  Hillyer 

10-8-22 

Sky    High 

. . . Fox 

1-22-22 

Tom    Mix 

L.    F.    Reynolds 

12-18-21 

Sleep  Walker,  The 

...FPL 

4-9-22 

Constance    Binney 

E.    J.    LeSaint 

4-16-22 

..  .Hdksn 

10-25-22 

Irene    Castle 

Alan   Crosland 

6-25-22 

Slippey     Magee 

...  1st   Nat 

9-22 

Coleen    Moore 
Wheeler    Oakman 

Wesley    Ruggles 

Franklyn    Farnum 

Jos.    Franz 

Smilin'    Through 

...  1st   Nat 

3-22 

Norma    Talmadge 

S.    A.     Franklin 

3-5-22 

Smiles    Are   Trumps 

. . . Fox 

2-5-22 

Maurice  Flynn 

Geo.    E.    Marshall     2-5-22 

...  1st  Nat 

6-22 

Charles    Ray 

Charles   Ray   & 
Al    Ray 

Snitching    Hour,    The 

.  .  .pik-Cornelius 

8-11-22 

Arthur    Housman 

Alan    Crosland 

Snowshoe  Trail   

...FBO 

9-17-22 

Jane    Novak 

Chester    Bennett 

9-17-22 

Son  of  Wallingford,  The.  .  .  . 

.  .  ,  Vita 

10-30-21 

No  star 

G.   R.    Chester 

10-16-21 

Song  of   Life,   The 

...  1st   Nat 

1-22 

No  star 

John   M.   Stahl 

2-19-22 

Sonny 

...  1st    Nat 

5-22 

Richard     Barthelmess 

Henry  King 

6-4-22 

Son  of  the  Wolf 

..  .FBO 

6-11-22 

No   star 

Norman  Dawn 

6-18-22 

So  This   Is  Arizona 

..  .W  Smith-SR 

Franklyn     Farnum 

Francis  Ford 

4-23-22 

86 


Title 

Releasing 
Company 

Release 
Date 

Star 

Director 

Review 
Date 

Soul   and    Body 

.Peacock-SR 

No  star 

Frank    Beal 

Soul  of  a   Woman,   The 

.Asso  Photo-SR 

Jane    Novak 

Not  credited 

Soul   of   Man 

.Prod   Sec-SR 

11-1-21 

Maurine    Powers 

Not  credited 

South    of    Northern    Lights.... 

.Steiner-SR 

11-22 

Neal   Hart 

Neal  Hart 

.FPL 

7-16-22 

Mary    Miles    M inter 

Frank   Urson 

6-25-22 

Spanish  Jade,   The 

.FPL 

4-30-22 

No  star 

J.   S.  Robertson 

7-16-22 

Speed    Girl,    The 

.FPL-R 

10-21 

Bebe    Daniels 

M'rice    Campbell 

11-20-21 

Splendid    Lie     The   

.Arrow-SR 

2-22 

Grace    Davidson 

Charles    Horan 

Squire     Phin 

•  Prod  Sec-SR 

10-6-21 

Macklyn    Arbuckle 

Lee   Wharton    & 
R.  H.  Townley 

.  Fox 

3-5-22 

Wm.    Farnum 

Herbert    Brenon 

2-12-22 

Star    Reporter    

.Arrow-SR 

Billy    Rhodes 

Duke    Worne 

Stardust     ; 

.1st  Nat 

11-21 

Hope   Hampton 

Hobart    Henley 

2-12-22 

Stay  Home 

.  Metro 

3-20-22 

Gareth    Hughes 

Geo.   D.    Baker 

Step    On    It 

.  Univ 

5-29-22 

Hoot    Gibson 

Jack   Conway 

5-14-22 

Storm,     The 

.  Univ 

House    Peters 

Reginald    Barker 

6-25-22 

Storm   Girl     The        

.  Anchor-SR 

Peggy   O'Day 

Francis   Ford 

Stranger   Than    Fiction 

.  1st  Nat 

6-21 

Katherine    Mac  Donald 

J.  A.   Barry 

12-11-21 

Strange  Idols 

.  Fox 

5-21-22 

Dustin    Farnum 

Bernard    Durning 

6-4  22 

Strength  of  the   Pines 

.  Fox 

2-5-22 

William    Russell 

Edgar    Lewis 

3-5-22 

Stroke    of    Midnight,    The 

.  Metro 

No    star 

Victor     Seastrom 

6-4  22 

Stronger    Passion,    The 

•  Lee-B'dford-SR 

10-22 

Marie    Doro 

Herbert   Brenon 

Super    Sex,    The 

.Amer.    Rel. 

11-22 

No  star 

Lambert    Hillyer 

12-3  22 

.Lee-B'dford-SR 

9-22 

No  star 

Allan  Dwan 

Sure    Fire 

.  Univ 

11-7-21 

Hoot    Gibson 

Jack  Ford 

10-30  21 

Sure-Fire    Flint    

.Mastodon 

Johnnie    Hines 

Del   Henderson 

10-29  22 

Suspicious    Wives 

.SR 

Molly   King 

John   M.   Stahl 

Swamp,     The 

.FBO 

10-30-21 

Sessue    Hayakawa 

Colin    Campbell 

10-30-21 

Table    Top    Ranch 

.Steiner-SR 

9-22 

Neal    Hart 

Paul  Hurst 

11-12-22 

Tailor-Made   Man    

.Unt    Art 

10-15-22 

Chas.    Ray 

Jos.    De   Grasse 

10-22-22 

Taking     Chances 

.  Goldstone-SR 

Richard    Talmadge 

Grover  Jones 

Tangled    Trail 

.  W    Steiner-SR 

12-21 

Neal    Hart 

Chas.    E.    Bartlett    

Ten   Nights   in  a   Bar   Room... 

.Arrow-SR 

No    star 

Oscar    Apfel 

1-8-22 

Tess  of  the  Storm  Country.  . . 

.Unt   Art 

11-13-22 

Mary    Pickford 

J.   S.   Robertson 

11-19-22 

Thelma     

.FBO 

11-26-22 

Jane    Novak 

Chester   Bennett 

11-26  22 

Theodora   

.  Gwyn 

1-22 

No    star 

Arturo  Ambrosio 

10  23-21 

They    Like    'Em    Rough 

.  Metro 

6-12-22 

Viola    Dana 

Harry   Beaumont 

5-28-22 

They're    Off 

.  Aywon-SR 

Corliss    Palmer 

Not    credited 

1  hirly    Days     

.FPL 

1-8-23 

Wallace   Reid 

James    Cruze 

Thistle    and    the    Rose,    The... 

.  Brewster-SR 

No    star 

Francis  Ford 

5-21-22 

Thorobred    

..Clk-Cornel's-SR 

Helen    Gibson 

Geo.    Halligan 

Thorns   and    Orange    Blossoms 

..Lichtman 

11-22 

No   star 

Louis   Gasnier 

11-26-22 

Thou    Shalt    Not    Love 

•  Graphic-SR 

2-22 

Vivian    Le    Picard 

Not    credited 

Three    Buckaroos,    The 

•  .Amer  Rel 

4-16-22 

No    star 

Fred     Balshofer 

7-23-22 

87 


Title 


Releasing 
Company 


Release 
Date 


Star 


Director' 


Review 
Date 


1  hree  Live  Ghosts - 

FPL 

1-29-21 

No   star 

Geo.     Fitzmaurice 

»     1-8-22 

Ihree    Must-Get-Theres    ... 

. .  .  .U  Art-Al  Prod 

10-27-22 

Max   Linder 

Max   Linder 

9-10-22 

Three  Word   Brand 

.  ...FPL 

10-16-21 

Wm.    S.   Hart 

Lambert   Hillyer 

16-2-21 

Through  a   Glass  Window... 

,  ...FP-L 

4-2-22 

May   McAvoy 

Maurice  Campbell 

Through   the    Storm 

Asso.    Ex-P 

8-13-22 

No  star 

H.    G.    Plimpton 

8-27-22 

Through   Three    Reigns 

. .  ..Hepworth 

No  star 

C.   M.   Hepworth 

Thunderclap     

Fox 

10-2-21 

(See   1921    Year   Book) 

Thundering   Hoofs    

. .  ..Aywon-SR 

9-22 

Peggy    O'Day 

Francis  Ford 

10-15-22 

Tillie     

...  FP-L-R 

2-22 

Mary    Miles    Minter 

Frank    Urson 

2-12-22 

Till  We   Meet  Again 

.  .  .Asso.    Ex 

10-15-22 

Mae    Marsh 

W.   C.   Cabanne 

10-29-22 

Timothy's    Quest    

...  Amer.  Rel. 

9-17-22 

No  star 

Sidney   Olcott 

9-24-22 

To    Have  and   To   Hold 

...FPL 

10-30-22 

No   star 

G.    Fitzmaurice 

11-12-22 

Tol'able  David 

. .  .1st  Nat 

11-21 

Richard    Barthelmess 

Henry   King 

11-20-21 

Toll  of  the  Sea 

.  ..Metro 

1-23-22 

No  star 

Chester    Franklin 

12-3-22 

Tom    Mix    in    Arabia 

. .  .Fox 

ll-S-22 

Tom   Mix 

Lynn    Reynolds 

11-5-22 

Too  Much  Business 

...Vita 

4-9-22 

No   star 

Jesse  Robbins 

4-9-22 

•  •  .Asso    Photo-SP 

I    

Mary    Anderson 

Not    credited 

2-12-22 

Too   Much  Wife 

.  ..FP-L-R 

1-8-22 

Wanda  Hawley 

Thos.  N.  Heffron 

Top  of  New  York,  The 

...FP-L-R 

8-21-21 

May    McAvoy 

Wm.    D.    Taylor 

6-25-22 

Top    O'    the    Morning 

.  .  .Univ 

9-4-22 

Gladys    Walton 

Edvv.     Laemmle 

9-3-22 

Town  That  Forgot  God 

. .  .Fox 

No  star 

Harry    Millarde 

. .  .Univ 

3-6-21 

Frank  Mayo 

Wm.  Worthington 

I  2-19-22 

Tracks    

. . .  Asso   Ex-P 

5-7-22 

No    star 

Jos.    J.    Franz 

6-11-22 

Trailin'     

. . . Fox 

12-11-21 

Tom  Mix 

L.    F.    Reynolds 

12-4-21 

Trail    of    the   Axe 

...Amer.     Rel. 

8-21-22 

Dustin   Farnum 

Ernest    C.    Warde 

10-1-22 

Trail  of  Hate,  The 

. .    DiLorenzo-SR 

Big    Boy    Williams 

W.   H.   Curran 

5-21-22 

Trail  of  the   Law 

...Prod  Sec-SR 

12-12-21 

Wilfred     Lytell 

Oscar    Apfel 

Trail's    End,    The 

.  ..W.M.Smith-SR 

9-1-22 

No  star 

Geo.    Holt 

Trap,     The 

.  .  .  Univ 

5-22-22 

Lon    Chaney 

Robt.     Thoniby 

5-7-22 

Travelin'    On 

.  .  .FPL 

3-5-22 

Wm.    S.   Hart 

Lambert   Hillyer 

3-19-22 

Trifling    Women    

.  .  .Metro 

11-6-22 

No  star 

Rex    Ingram 

10-8-22 

Trimmed    

.  .  .  Univ 

7-3-22 

Hoot   Gibson 

Harry     Pollard 

7-2-22 

Trooper     O'Neil 

. .  .  Fox 

7-16-22 

Charles  Jones 

C.    R.   Wallace  & 
Scott    Dunlap 

7-16-22 

'1  ropical    Love 

...Asso  Ex-P 

10-23-21 

Ruth    Clifford 

Ralph   Ince 

Trouble    

8-22 

Jackie    Coogan 

Albert  Austin 

5-28-22 

Trouper,    The     

. .  .Univ 

7-17-22 

Gladys   Walton 

H.    B.   Harris 

7-23-22 

Truthful  Liar,  The ". 

...FP-L 

4-23-22 

Wanda   Hawley 

Thomas   Heffron 

4-23-22 

Turn   to   the   Right 

2-21-22 

All   star 

Rex  Ingram 

1-29-22 

Iwo-Fisted    Jefferson     

.  ..Arrow-SR 

Jack    Ho-xie 

Roy   Clements 

Two   Minutes  to  Go 

.  .  .  1st    Nat 

10-17-21 

Charles    Ray 

Charles  Ray 

10-30-21 

Two    Kinds   of   Women 

.  .  .FBO 

1-22-22 

Pauline   Frederick 

Colin     Campbell 

2-5-22 

Unconquered,    The    

.  .  .Aywon-SR 

Maciste 

-Not    credited 

11-5-22 

Under    Oath     

.  .  .  Selzk 

8-5-22 

Elaine     Hamnierstein 

G.   Archainbaud 

Title 


Releasing 
Company 


Release 
Date 


Under    Two    Flags Univ-Jewel 


11  6  22     Priscilla    Dean 


Up   and  At  'Em FBO 


8-6-22     Doris    May 


Unconquered    Woman Lee   Bradford 


S-22      Ruby   DeRemer 


Under   the    Lash FPL 


1218-21      Gloria    Swanson 


Understudy.   The FBO 


6-25-22     Doris    May 


Unfoldment.  The Asso  Exhib 


1-22      No    star 


Unknown,  The Goldstone-SR 


Richard  Talmadge 


Up  and  Going Fox 


4-2-22     Tom  Mix 


Up  in  the  Air  About   Mary Asso.    Exhib  6-25-22     Louise    Lorrame 

Village     Blacksmith,    The Fox  No   star 


Voices    of    the    City Gwyn 


Lon   Chaney 


Veiled  Woman,  The Hdksn 


9-3-22     No    star 


Vendetta     Howell-SR 


Pola   Negri 


Vermillion    Pencil,    The FBO 


3-19-22      Sessue     Hayakawa 


Very   Truly   Yours Fox 


4-30-22      Shirley    Mason 


Virginia   Courtship.   A FP-L-R 


12-21      May    McAvoy 


Virgin's    Sacrifice,    A Vita 

Wall    Flower,    The Gwyn 


5-21-22      Corinne    Griffith 


5-22      No    star 


Watch    Him    Step Goldstone-SR 


Richard    Talmadge 


Watch    Your    Step G 


2-22      No    star 


Watching   Eyes Arrow 


11-12-21      No   star 


Way  of  a  Maid.  The Selzk 


11-20-21      Elaine   Hanimerstein 


Way  of  a  Man,  The Lee-Bdford-SR  5-22      Josephine    Earle 


Welcome     Children Nat  Exch-SR 


No    star 


Welcome  to  Our   City Prod-Sec-SR  2-1-22      Macklyn    Arbuckle 


West   of  the  Pecos Steiner-SR 


8-22     Neal   Hart 


Pete   Morrison 


West   vs.    East Sandford-SR 

Western  Demon.  A Western    F-SR      No    star 


Western    Firebrands Aywon-SR 


Big    Boy   Williams 


Western  Speed Fox 


4-23-22      Charles    Jones 


Whatever    She   Wants Fox 


12-11-21      Eileen    Percy 


What    Do    Men  Want FBO-G 


11-13-21      Claire    Windsor 


Sam  Wood  10  23-21 

Wm.   A.    Seiter  7-2-22 


Lynn     Reynolds       3-26-22 
Wm.  Watson 


Jack  Ford 


11-12-22 


Wallace  Worsley     8-20-22 
Lloyd  Ingraham     6-11-22 


Geo.  Jacoby 


12-25-21 


Norman  Dawn         3-19-22 


Harry    Beaumont    5-28-22 
Frank    O'Connor     1-29-22 


Webster  Campbell    

Rupert    Hughes         7'2-22 
Jack    Nelson  5-7-22 


Wm.    Beaudine        5-21-22 


Not  credited  

Wm.  P.  S.  Earle  11-13-21 


Not    credited 

H.  C.  Mathews       10-9-21 


Robt.    Townley 


Neal   Hart 


Not    credited 


R.   E.   McKenzie 


Chas.  R.   Seeling   11-13-21 


Wm.   Wallace  & 

Scott    Dunlap  5-7-22 


C.  R.  Wallace       12-11-21 


Lois  Weber 


11-20-21 


What   No    Man   Knows Equity-SR 


What    Fools    Men    Are Amer.    Rel. 


1-15-22     Clara   Kimball  Young        Harry    Garson      12-25-21 

12-3-22 


No  star 


G.    Terwilliger 


What's   Wrong   With   Women.  ..  Equity-SR 


9-15-22     No   star 


R.    Wm.    Neill         8-13-22 


When  Danger  Smiles. 


Vita   10-3-22     Wm.    Duncan 


Wm.    Duncan 


When    Husbands    Deceive Asso.    Ex. 


8-20-22     Leah   Baird 


Wallace  Worsley     8-27-22 


When    Knighthood   Was    in 

Flower    FPL 


Marion   Davies 


Robt.  Vignola 


9-17-22 


When  Knights  Were   Bold Hamilton-SR 


Mary   Anderson 


When    Love    Is    Young Arista-SR 


2-22      Zena    Keefe 


John   Brunius 
Not  credited 


When   Romance  Rides Gwyn 


4-22     No    star 


Eliot    Howe 

Jean    Hersholt 

C.  O.  Rush  4-16-22 


When  the  Desert  Calls Amer.    Rel. 


11-16-22     Violet    Heming 


Roy    Smallwood    11-19-22 


89 


Title 


Releasing 
Company 


Release 
Date 


Star 


Director 


Review 
Date 


When  the  Devil  Drives 

.  Asso   Exhit 

6-4-22 

Leah    Baird 

Paul  Scardon 

Where   is    My  Wandering   Boy. 
Tonight'           

.  Equity-SR 

2-15-22 

Cullen    Landis 

J.    P.    Hogan    & 
Mildred    Webb 

2-5-22 

While    Justice    Waits 

.  Fox 

11-27-22 

Dustin    Farnum 

Bernard  Durning 

11-26-22 

While    Satan    Sleeps 

.  FPL 

9-18-22 

Jack    Holt 

Jos.     Henabery 

7-2-22 

Whispering     Shadows 

.  Peacock-SR 

No    star 

Emil   Chautard 

Whispering   Women 

.  Clk  Cornelius- 

SR  4-1-22 

Clara    Heller    & 
Everett    Moran 

James    Keane 

White   Hands    

.FBO-G 

1-9-22 

Hobart    Bosworth 

Lambert    Hillyer 

White   Hell 

.Bartlett-SR 

No    star 

Bernard    Feikel 

White   Masks,   The 

.  W  M   Smith-SR 

No    star 

Geo.  Holt 

White  Oak,   The 

.  FPL 

10-16-21 

Wm.   S.   Hart 

Lambert   Hillyer 

11-6-21 

White   Shoulders    

.1st    Nat 

10--22 

Katherine    MacDonald 

Tom    Forman 

11-26-22 

Who    Are    My    Parents? 

(Reviewed    as   A    Little    Child 

.Fox                        11-26-22 
Shall   Lead   Them) 

No   star 

J.    S.    Dawley 

9-10-22 

Why  Announce  Your  Marriage? 

.  Selzk 

1-20-22 

Elaine     Hamnierstein 

Alan   Crosland 

1-22-22 

Why    Do    Men    Marry 

.Unity-SR 

Edy    Carclea 

Genina 

9-17-22 

Why  Men  Forget 

.  FBO 

2-5-22 

No    star 

Denison   Clift 

1-29-21 

Wide    Open   Town,    A 

.  Selzk 

2-10-22 

Conway  Tearle 

Ralph   Ince 

2-26  22 

Wife  Against  Wife 

.  1st  Nat 

No    star 

Whitman   Bennett 

Wife    Trap,    The 

.  FPL 

5-7-21 

Mia    May 

Robert    Wullner 

Wild   Honey 

.  LTniv 

3-6-22 

Priscilla    Dean 

Wesley     Ruggles 

3-5-22 

Wildcat   Jordan    

■  Goldstone-SR 

Richard    Talmadge 

Al    Santell 

10-29-22 

Wildness  of   Youth 

.  Graphic-SR 

9-22 

No   star 

Ivan     Abramson 

8-27-22 

Winning  With  Wits 

.  Fox 

1-8-22 

Barbara    Bedford 

H.   M.    Mitchell 

1-15-22 

Wise    Kid,    The 

.  Univ 

3-3-22 

Gladys    Walton 

Tod    Browning 

2-26-22 

Without    Compromise     

.  Fox 

10-23-22 

Wm.    Farnum 

Emmett  J.   Flynn 

11-12-22 

Without  Fear 

.  Fox 

4-16-22 

Pearl    White 

Kenneth    Webb 

4-23-22 

Wolf    Law    

.  Univ 

10-23-22 

Frank    Mayo 

Stuart    Paton 

10-22-22 

Wolf    Pack.    The 

.S  R 

Joe   Moore 

W.  J.   Craft 

Wolf's    Fangs,    The 

.  Prod    Sec-SR 

5-15-22 

Wilfred    Lytell 

Oscar   Apfel 

Woman   Breed,   The 

.FBO 

6-22 

Pauline     Frederick 

Not  credited 

Woman    Conquers,    The 

.  1st   Nat 

12-22 

Katherine    MacDonald 

Tom  Forman 

Woman    He    Loved 

•  Amer.    Rel. 

10-22 

No   star 

Edvv.    Sloman 

9-10-22 

Woman  He  Married,  The 

.  1st    Nat 

5-22 

."^nita    Stev.'art 

Fred   Niblo 

4-16  22 

Woman   of    No    Importance.  .  .  . 

.  Selzk 

6-20-22 

No    star 

Denison   Clift 

6-11-22 

Woman    Who    Believed 

.  Artclass-SR 

11-1-22 

Walter     Miller    and 
Dorothy    Bernard 

John  Harvey 

Woman   Who    Came   Back 

.Asso.     Ex. 

7-16-22 

No   star 

Denison    Clift 

8-13  22 

Woman   Who   Fooled    Herself.  . 

.Asso.    Ex. 

10  29-22 

May    Allison 

Chas.    Logue 

11-12-22 

Woman  Who   Walked  Alone... 

.FP  L 

6-11-22 

Dorothy    Dalton 

Geo.   Melford 

611-22 

Woman.  Wake  Up 

.  Asso    Exhib 

3-5-22 

Florence    Vidor 

Marcus  Harrison 

Woman's    Place 

.  1st   Nat 

10-3-21 

Constance    Talmadge 

\"ictor    Fleming 

10  23-21 

Woman's   Side,    The 

.  1st    Nat 

2-22 

Katherine  MacDonald 

J.   A.    Barry 

4-9-22 

Woman's  Woman 

.  R   Cark-SK 

No    star 

Not  credited 

90 


Title 


Releasing 
Company 


Release 
Date 


Star 


Director 


Review 
Date 


Woman's    Woman,    A 

.  .  .  .  Un  Art- AI  Prod 

9-24-22 

Mary    Alden 

Chas.    Giblyn 

10-8-22 

Women    Men    Marry 

. .  .  .Genius-SR 

No   star 

Edw.    Dillon 

10-29-22 

Wonderful  Thing,  The 

1st    Nat 

11-7-21 

Norma     Talmadge 

Herbert  Brenon 

11-13-21 

Wonderful   Wife.    A 

.  .  .  .  Univ 

4-24-22 

Miss    DuPont 

Paul   Scardon 

4-23-22 

No  star 

J.   E.   Williamson 

10-29-22 

Worldly    Madonna,    The.  .  .  . 

Equity-SR 

4-1S-22 

Clara    Kimball    Young 

Harry   Garson 

7-16-22 

World's    Champion,    The 

....FPL 

3-12-22 

Wallace    Reid 

Phillip    E.    Rosen 

3  5-22 

Yankee    Doodle,    Jr 

.  .  .  .  Burnside-SR 

No    star 

Jack    Pratt 

3-19-22 

Yellow    Men    and    Gold 

....  Gwyn 

S-22 

Chadwick-Dix 

Irvin    Willat 

6-11-22 

Yellow    Stain,    The 

....  Fox 

5-21-22 

John    Gilbert 

Jack    Dillon 

5-14-22 

Yosemite  Trail,  The 

.  .  .  .Fox 

9-24-22 

Dustin     Farnum 

Bernard  Durning 

9-17-22 

You  Never  Know 

V'ita 

12-10-22 

Earle    Williams 

Robt.    Ensminger 

Young  Diana,  The 

..  ..FPL 

8-7-22 

Marion   Davies 

Albert   Capellani 
Robert  Vignola 

& 

7-30-22 

Young   Rajah,   The 

..  ..FP-L 

11-13-22 

Rodolph    Valentino 

Philip    Rosen 

11-12-22 

Your    Best    Friend 

....  Warner-SR 

4-21-22 

V'era   Gordon 

Wm.  Nigh 

3-26-22 

Youth   Must  Have  Love.... 

Fox 

10-1-22 

Shirley    Mason 

Jos.     Franz 

9-10-22 

Youth    to     Youth 

.  .  ..Metro 

10-15-22 

Billie   Dove 

Emile    Chautard 

10  29-22 

Productions  of  the  Year 


ALLIED     PRODUCERS     &     DISTRIBUTORS 
CORP.  Re'ease 

Title  Date 

Garrison's    Finish 
Three   Must-Get-there's,    The. 
Glorious  Adventure,  The. 
Woman's    Woman,   A. 

AMERICAN    RELEASING    CORP. 

At  the  Crossroads 

Belle  of  Alaska 3 

Bluebeard,    Jr.     3- 

Cardigan     2 

Challenge,    The    8 

Cradle   Buster,   The    3 

Danger    Point,    The    11- 

Daring  Danger    3 

Destiny's     Isle     4 

False  Fronts    4 

Fools   of    Fortune    10 

Great   Alone,    The    5 

Hidden   Woman    4 

His  Wife's  Husband    5 

House  of  Solomon   

Jan   of  the   Big   Snows    3 

Lying   Truth    3 

Man's   Law  and   God's    4 

Marriage    Chance,    The    11 

Me  and   My   Gal    5 

Mohican's    Daughter,    The    5 

My  Old  Kentucky  Home   4 

Other    Side,    The    

Pillagers,    The     4 

Prince  and   the   Pauper,   The 10 

Proofs  of  Innocence   8 

Queen  of  the  Moulin   Rouge   6 

Shattered   Idols. 

Sign   of  the  Rose,   The 

Sisters     4 

Super  Sex,  The   

Three   Buckaroos    4 

Timothy's   Quest    9 

Trail   of  the   Axe,   The    

What    Fools    Men    Are    10 

When    the    Desert    Calls    11 

Woman   He    Loved,   The    


5-22 
26-22 
19-22 
28-22 
19-22 

3-22 

5-22 
30-22 
30-22 

5-22 
21-22 

2-22 
14-22 


12-22 

26-22 

16-22 

5-22 

28-22 

7-22 

9-22 


23-22 
15-22 
21-22 

4-22 


2-22 


-16-22 
-17-22 
-21-22 
29-22 
-16-22 


ASSOCIATED    EXHIBITORS 

(P — Playgoers)  Re'ease 

Title  Date 

Anne    of    Little    Smoky— P     11-20-21 

Bill    of    Divorcement,    A 12-22 

Bootlegger's  Daughter,  The — P 

Breaking  Home  Ties    11-12-22 

Don't    Doubt    Vour    Wife    3-12-22 

Dusk  to  Dawn   8-27-22 

Face    to    Face— P 9-17-22 

Father     Tom— P     ...11-13-21 

Grandma's   Boy    9-  3-22 

Handle  With   Care 1-22-22 

Her   Majesty— P    7-23-22 

Hills   of    Missing   Men— P    2-26-22 

Isle  of  Doubt,   The— P 9-10-22 

Lady    Godiva     3-19-22 

Lonesome    Corners     4-23-22 

Man  and  the  Moment,  The — P 11-  S-22 

Man   She  Brought  Back,  The— P 9-24-22 

Marry  the  Poor  Girl   12-21 

One  Night  in  Paris— P 10-  8-22 

Reckless    Chances — P    1-15-22 

Pasteboard    Crown,   A— P    4-16-22 

Real    Adventure,    The 5-28-22 

Ruse    of    the    Rattler— P     12-4-21 

Sailor-Made    Man,    A     12-25-21 

Silas    Marner     4-30-22 

Sin    of    Martha    Queed,    The     11-6-21 

Through   the   Storm— P 8-13-22 

Till  We  Meet  Again 10-15-22 

Tracks— P    5-   7-22 

Tropical    Love— P    10-23-21 

Cnfoldment,   The    1-   1-22 

Co  in   the  Air  About   Mary    6-25-22 

When    the    Devil    Drives    6-   4-22 

When    Husbands    Deceive 8-20-22 

Woman     Wake     Up     3-   5-22 

Woman   Who   Fooled   Herself,   The 10-29-22 

Woman  Who   Came  Back,  The 7-16-22 

ASSOCIATED  FIRST  NATIONAL  PICTURES 

Alf's    Button    11-21 

.Alias   Tulius   Caesar    7-22 

All  foi-  a  Woman    11-21 

Barnstormer,    The    1-22 


91 


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92 


Release 
Title  Date 

Beautiful  Liar,  The 12-21 

Blind  Hearts  10-21 


Bondboy,    The    10 

Brawn  of  the  North 11 

Cave  Girl,  The    12 

Cross  Roads  of  New  York    5 

Dangerous  Age,  The 

Deuce  of  Spades,  The 5 

Domestic    Relations     6 

East  is  West 10 

Eternal  Flame,   The    8 

Fools   First    5 

Gas,  Oil  and  Water 3 

Girl   in    the  Taxi,    The    4 

Hail  the  Woman    11 

Half   Breed,   The    6 

Her  Mad  Bargain    12 

Her  Social  Value  10 

Heroes   and   Husbands    8 

Hurricane's    Gal     7 

Idle    Class,   The    10 

Infidel,  The   4 

Invisible  Fear,  The 10 

Kindred  of  the  Dust   10 

Light  in  the  Dark,  The   9 

Lorna    Doone    10 

Lotus  Eater,  The  '.  n 

Love  Never  Dies   11 

Love's    Redemption    12 

Masquerader,  The .  8 

Minnie    12 

Molly  O 10 

My    Lady    Friends    '.  10 

My  Boy    1 

Oliver  Twist   11 

Omar  the  Tentmaker lo 

One  Clear  Call   [[  6 

Pay   Day    3 

Penrod    2 

Pilgrim,  The 19 

Polly  of  the  Follies    !  "  ' 

Primitive    Lover,    The    

Question  of  Honor,  A    

Red   Hot   Romance    

Rosary,   The    

Rose  O'  the  Sea  

R.  s.  V.  p ■.;;■.'.; 

Sea  Lion,  The   " 

Seventh  Day,  The   

Silent  Call,  The   '..'....  11 

Skin    Deep     9 

Slippey  McGee ]  g 

Smilin'  Through 9 

Smudge     6 

Song  of  Life,  The .  .  .  .  1 

Sonny    •. 5 

Stardust     1  ] 

Stranger  Than  Fiction    6 

White    Shoulders    10 

Wife  Against  Wife    10 

Woman    Conquers,   The    12 

Women  He  Married,  The    5 

Woman's    Place    10 

Woman's    Side,   The    2 

Wonderful  Thing,  The   11 


FAMOUS  PLAYERS-LASKY   CORP. 


Above  All   Law    (Mysferif-s   of    Inda) 
Across  the   Continent 

After   the   Show    

Anna   Ascends    

Bachelor  Daddy,   The 
Back   Home  and   Broke 

Back    Pay    

Beauty  Shop,  The   . .  . 

Beauty's  Worth    

Beyond  the  Rocks   . .  . 

Blood  and  Sand  

Bonded    Woman,    The 
Bonnie  Briar   Bush,   The 
Bobbed   Hair   (Realart) 
Bought  and  Paid  For 
Boomerang   Bill    .... 

Borderland     

Bride's  Play,  The    . . 

Burning  Sands   

Call  of  the  North,  The 

Case  of  Becky,  The  (Realart) 

Clarence  


14 
26 
7 
11 
21 
20 
12 
16 
12 
30 
22 
16 
27 
10 
11-20 


Release 
Title  Date 

Cowboy  and  the  Lady,  The    10-23-22 

Cradle,   The   4-  9-22 

Crimson    Challenge,    The     4-23-22 

Daughter  of  Luxury   12-25-22 

Dawn  of  the  East   (Realart)    10-21 

Devil's   Pawn,  The    4-16-22 

Dictator,    The    8-   1-22 

Don't  Tell   Everything    12-11-21 

Ebb  Tide    12-   4-22 

Enchantment   11-27-21 

Enemies  of  Women   12-1 1-22 

Exit  the  Vamp   12-  4-21 

Eyes  of  the  Mummv,  The   6-25-22 

Face  in  the  Fog,  The 10-   9-22 

Find  the  Woman    4-  9-22 

First  Love   (Realart)    12-21 

Fool's    Paradise    9-19-21 

Footlights     10-   2-21 

Forever     3-   5-22 

For  the  Defense   7-  2-22 

Game   Chicken,  A    2-26-2.? 

Get  Rich  Quick  Wallingford   12-  4-21 

Ghost   Breaker,   The    10-16-22 

Good  Provider,  The   4-30-22 

Great  Impersonation,  The   10-  9-21 

Greatest  Truth,  The   7-  9-22 

Green  Temptation,  The   4-  2-22 

Heart   Specialist,  The   (Realart)    319-22 

Her  Face  Value   (Realart)    11-21 

Her  Gilded  Cage   9-   4-22 

Her  Husband's  Trademark    3-12-22 

Her  Own  Money  2-19-22 

Homespun  Vamp,  A   (Realart)    2-12-22 

Hush   Money    (Realart)    11-21 

If  You   Believe   It,   It's   So 8-14-22 

Trnwossible    Mrs.    Bellew,    TIt-    1127?2 

Is  Matrimony  a  Failure 4-30-22 

Just  Around  the   Corner   12-11-21 

Ladies  Must  Live   11-13-21 

Lane  That  Had  No  Turning,  The  1-  5-22 

Last  Payment,  The   12-25-21 

Law  and  the  Woman,  The   2-  5-22 

Little  Minister,  The   12-25-21 

Love  Charm,  The  (Realart)    12-21 

Love's    Boomerang 2-19-22 

Loves   of   Pharaoh 8-28-22 

Man  From  Home,  The    5-21-22 

Man    Unconquerable,    The    7-  2-22 

Manslaughter 925-22 

Man  Who   Saw  Tomorrow,   The    11-   6-22 

Midnight    (Realart)    2-26-22 

Miss   Lulu  Bett    1-   1-22 

Missing   Millions    1-22-23 

Mistress  of  the  World    3  12-22 

Morals   (Realart)    11-21 

Moran  of  the  Lady  Letty   2-12-22 

Nancy  From  Nowhere   1-22-22 

Nice    People    9-  4-22 

North  of  the  Rio  Grande 5-14-22 

Old  Homestead,  The 10-   9-22 

One  Glorious  Day   2-   5-22 

On  the  High  Seas   1 1  -   6  22 

Ordeal,    The    5-21-22 

Our    Leading   Citizen    6-18-22 

Outcast,    The    12-11-22 

Over  the  Border 6-   4-22 

Pink   Gods    10-  2-22 

Pride  of  Palomar,  The   11-27-22 

Prince  There  Was,  A   1-15-22 

Red  Peacock,  The   2-26-22 

Rent  Free    1   -1-22 

Saturday    Night    2-   5-22 

Sheik,    The    11-20-21 

Singed    Wings     12-18-22 

Siren    Call,   The    9-18-22 

Sleepwalker,  The   4-  9-22 

Spanish  Jade,  The   4-30-22 

Speed  Girl,  The  (Realart)    10-21 

South  of  Suva    7-16-22 

Thirty   Days    1-  8-23 

Three   Live   Ghosts    1-29-22 

Three  Word  Brand  10-16-21 

Through  a  Glass  Window    4-  2-22 

Tillie    (Realart)     1-29-22 

Travelin'  On    3  -5-22 

To  Have  and  To  Hold   10-30-22 

Top  of  New  York,   The   (Realart)    8-21-22 

Too   Much  Wife   (Realart)    1-  8-22 

Truthful  Liar,  The   (Realart)    4-23-22 


93 


JOHN  G.  ADOLFI,  Director 

Current   Release 

BETTY   BLYTHE  in 
"DARLING  OF  THE  RICH" 

Coming   Release 

All-Star  Cast  in 
"THE  LITTLE  RED  SCHOOL  HOUSE" 


94 


Release 
Title  Date 

Under  the  Lash    12-18-21 

Valley  of  Silent  Men   9-11-22 

Virginia   Courtship,  A    (Realart)    12-21 

When  Knighthood  Was  in  Flower 

While    Satan    Sleeps    9-18-22 

White    Oak    10-16-21 

Wife    Trap,    The    5-   7-21 

Woman  Who  Walked  Alone,  The   6-11-22 

World's  Champion,  The   3-12-22 

Young   Diana,   The    8-   7-22 

Young   Rajah,   The    11-13-22 

FILM     BOOKING     OFFICE     OF     AMERICA 
(R-C    Pictures) 

At  the  Stage  Door   12-11-21 

Barricade,    The     10-  2-21 

Beyond   the   Rainbow    2-19-22 

Bigamist,    The    4-  2-22 

Billy   Jim    1  -29-22 

Boy   Crazy    3.   5.22 

Broadway    Madonna,    The    10-29-22 

Call   of  Home,  The   2-   S-22 

Colleen  of  the  Pines    7-  9-22 

Duke  of  Chimney  Butte 12-  4-21 

Eden  and  Return    12-25-21 

First    Woman    4-30-21 

Five  Days  to  Live 1-  8-22 

Foolish  Age,  The 10-16-21 

Gay  and  Devilish    5-14-22 

Glory    of    Clementina,    The S-28-22 

Good   Men  and   True    11-12-22 

Hound  of  the   Baskervilles,   The 10-   1-22 

If  I  Were  Queen   lO-lS-22 

Tn  the  Name  of  the  Law   8-20-22 

Kick    Back,    The    9-   3-22 

Lure    of  Jade,    The 11-27-21 

My  Dad    7-23-22 

Nine  Points  of  the  Law 

Possession     11-20-21 

Queen   O'  the  Turf    4-16-22 

Silent    Years    12-11-21 

Son  of  the  Wolf 6-11-21 

Snowshoe  Trail    9-17-22 

Swamp,   The    10-30-21 

Thelma    11-26-22 

Two   Kinds  of  Women    1-22-22 

Understudy,   The    6-25-22 

Up   and   at   'Em    8-  6-22 

Vermillion    Pencil,    The    3-19-22 

Why    Men   Forget    2-   5-22 

Woman  Breed,  The 6-22 

W'Vl    Ciinniner,    Inc. 

Alias  Phil   Kennedy    4-22 

Blond  Vampire,  The 4-22 

Blue  Mountain  Mystery 5-22 

Bootleggers,   The    4-22 

Don't   r?lame  Your  Children    4-22 

Fire   Bride,   The    3-22 

Fool'sh   Monte  Carlo   5-22 

Madness  of  Love,  The   4-22 

Mrs.   Dane's   Confession    6-22 

Old  Oaken   Bucket,  The   10-21 

Our  Mutual  Friend    12-21 

What   Do   Men  Want    11-21 

White    Hands    1-22 

FOX     FILM     CORP. 

Special    Scries 

Fast     Mail,    The     8-20-22 

A    Fool    There    Was     9-10-22 

Footfalls      11-13-21 

Last    Trail,    The     11-27-21 

Lights,  of    New    York 12-12-22 

Monte    Cristo    9-   3-22 

My    Friend    the    Devil     11-19-22 

Nero    9-17-22 

Queen     of     Sheba     12-11-21 

Perjury      10-30-21 

Shame     10-16-21 

Silver    Wings     8-27-22 

Thunderclap     10-   2-21 

Town  That  Forgot  God 

Village  Blacksmith,  The 

Who  Are  My   Parents    11  -26-22 

(A  Little  Child  Shall  Lead  Them) 

Pearl   White    Series 

Any    Wife     1-    1-22 

Broadway    Peacock,    The    2-19-22 

Without    Fear     4-16-22 


Release 
Title  Date 

Tom   Mix  Series 

Chasing   the    Moon    2-26-22 

Do  and  Dare   10-  1-22 

Fighting   Streak    5-14-22 

For    Big    Stakes     6-18-22 

Just   Tony    8-20-22 

Romance    Land     10-   1-22 

Rough    Diamond,    The    10-30-21 

Sky    High    1-22-22 

Tom    Mix    in    Arabia 11-   5-22 

Trailin'      12-11-21 

Up   and   Going    4-  2-22 

William   Farnum  Series 

Moonshine    Valley    8-27-22 

Shackles    of    Gold    5-   7-22 

Stage    Romance    3-   5-22 

Without   Compromise    10-23-22 

Charles    Jones    Series 

Bar    Nothin'    10-  2-21 

Bells  of  San  Juan   10-15-22 

Boss  of  Camp  4 11-26-22 

Pardon    My    Nerve    3-5-22 

Riding   With    Death    11-13-21 

Rough    Shod    6-  4-22 

Trooper     O'Neil     7-16-22 

West   of   Chicago    9-   3-22 

Western    Speed     4-23-22 

John   Gilbert   Series 

Arabian     Love     4-  9-22 

Calvert's  Valley  10-  9-22 

Gleam     O'     Dawn      1-  8-22 

Honor     First     8-27-22 

Love   Gambler,   The 9-  S-22 

St.    Elmo    10-  8-22 

Yellow    Stain,    The    5-21-22 

William  Russell  Series 

The     Crusader     9-10-22 

Desert    Blossoms    11-13-21 

Lady    from    Longacre     10-  2-21 

Great   Night,   The 12-  3-22 

Men  of   Zanzibar,   The    5-  2-22 

Mixed    Faces     10-22-22 

Money   to    Burn    4-  2-22 

Roof  Tree,   The    12-25-21 

Self-Made    Man,    A     6-25-22 

Strength    of    the    Pines     2-   5-22 

Shirley    Mason    Series 

Jackie     11-27-21 

Lights   of   the    Desert    6-11-22 

Little    Miss    Smiles    1-15-22 

New    Teacher.    The    8-20-22 

Pawn  Ticket  210   12-24-22 

Queenie     10-   9-21 

Ragged   Heiress,    The    3-19-22 

Shirley    of   the    Circus    11-12-22 

Very    Truly    Yours     4-30-22 

Youth   Must   Have   Love    10-   1-22 

Dustin  Farnum  Series 

Devil    Within.    The    11-20-21 

Iron    to     Gold     3-12-22 

Oathbound     8-13-22 

Strange    Idols     5-28-22 

While  Justice   Waits    11-27-22 

Yosemite  Trail,   The    9-24-22 

20th   Century   Series 

Bucking  the  Line 11-   6-21 

Cinderella    of    the    Hills     10-23-21 

Elope   If   You   Must    4-  2-22 

Extra !     Extra !     3-   5-22 

Jolt,     The     11-20-21 

Little    Miss    Hawkshaw    9-25-21 

Whatever   She  Wants    12-11-21 

Winning     with     Wits     1-8-22 

Smiles   Are   Trump    2-   5-22 

GOLDWYN    PICTURES    CORP. 

Ace    of    Hearts,    The    10-21 

All's    Fair   in    Love    9-21 

Always    the    Woman     7-22 

Be    Mv    Wife    12-21 

Brothers   Under   the   Skin 11-22 

Come     On     Over     3-22 

Dangerous     Curve     Ahead      10-21 

Doubling     for     Romeo      1-22 

Dust   Flower,    The    7-22 

For    Those    We     Love     9-21 

From    the    Ground    Up     12-21 

(Continued  on  page  303) 


95 


THE  SATURDAY  EVENIMG   POST 


Nov<mbr  ink,   IMt 


WARNER  DROTMERS 


96 


Directors  and  Their  Productions 

Herewith  will  he  found  a  complete  list  of  the  productions  from  Nov.  1,  1921,  to  Jan, 
1,  1923,  classified  and  alphabetically  arranged  according  to  the  name  of  the  director. 


Ivan  Abramson 
Bride's    Confession 
VVildness   of   Youth 
G.  M.  Anderson 

Any    Night 

Ashes 

Greater    Duty 
Oscar  Apfel 

Ten   Nights   in   a   Bar   Room 

Trail  of  the   Law 

Man    Who    Paid 

The    Wolf's    Fangs 
Bulldog    Drummond 
George   Archainbaud 

Evidence 

Clay    Dollars 

The  Man  of  Stone 
One   Week  of  Love 

Under   Oath 
Arturo  Ambrosio 

Theodora 
Albert  Austin 

My    Boy 

Trouble 
Frank    Bcal 

Soul  and   Body 
Clarence  Badger 

A   Poor   Relation 

Doubling   for    Romeo 

Don't  Get  Personal 

The  Da:nfi:erous  Little  Demon 

Quincy   Adams    Sawyer 
Kmg  Baggot 

Human   Hearts 

Kissed 

Nobody's    Fool 

Lavender   Bath   Lady 

A  Dangerous  Game 

Kentucky  Derby 
George  D.  Baker 

Don't   Write    Letters 

I    Can    Explain 

The   Hunch 

Little  Eva  Ascends 

Stay  Home 
Hugo  Ballin 

Other  Women's  Clothes 

Jane   Eyre 

Married    People 
Fred  Balshofer 

Three    Buckaroos 
Reginald   Barker 

Poverty    of    Riches 

The   Storm 
Felix  Barre 

Blanchette 
J.  A.  Barry 

Stranger    Than    Fiction 

The   Woman's    Side 
Charles  E.  Bartlett 

Tangled    Trails 

Headin'  North 
William  Beaudine 

Watch  "S^our  Step 

Heroes   of   the    Street 
Harry  Beaumont 

Lights   of   the    Desert 

The    Ragged    Heiress 

Very  Trulv   Yours 

Seeing's    Believing 

They  Like  'Em   Rough 

Glass    Houses 

Fourteenth    Lover 

The  Five  Dollar  Baby 

Love  in  the  Dark 

June  Madness 
Frederick  G.  Becker 

Girl  From  Rocky  Point 
Chester  Bennett 

Belle  of  Alaska 

Secret  of  the   Hills 


Snowshoe    Trail 
Colleen  of  the  Pines 
Thelma 
Whitman  Bennett 

Wife   Against   Wife 
Paul  Bern 

Head    Over    Heels 
Man  With  Two  Mothers 
William  Bertram 
Alias   Phil  Kennedy 
Ghost   City 
Stuart  Blackton 

The  Glorious  Adventure 
Frank  Borzage 

Get-Rich-Quick  Wallingford 
Back   Pay 
Silent    Shelby 
Billy  Jim 

The  Good  Provider 
Valley   of   Silent   Men 
The  Pride  of  Palomar 
Samuel  R.  Bradley 

False    Fronts 
Charles   Brabin 

A  Broadway  Peacock 
Driven 

Lights   of  New  York 
Herbert  Brenon 
A    Stage    Romance 
Any    Wife 

The  Wonderful  Thing 
Shackles  of  Gold 
Moonshine    Valley 
The  Stronger  Passion 
William  Brotherhood 
A    Maker   of  Men 
Clarence  Brown 

The    Light    in    the    Dark 
Tod  Browning 
The   Wise   Kid 
Man  LTnder   Cover 
Under   Two   Flags 
John  Brunius 

Give    Me    My    Son 
When  Knights  Were  Bold 
Charles   Bryant 

_A    Doll's    House 

Dimitri  Buckowetski 

All  for  a  Woman 

Alexander   B     Butler 

The  Night   Rider 
Fred  J.  Butler 

Making    the    Grade 
Wm.  Christy  Cabanne 
Beyond    the   Rainbow 
The    Barricade 
At  the  Stage  Door 
Till  We  Meet  Again 
Colin    Campbell 
The   Swamp 
The  Lure  of  Jade 
Two  Kinds  of  Women 
All   the  World's  a   Stage 
Maurice   Campbell 

Through  a  Glass  Window 
The    Speed    Girl 
Midnight 
First    Love 
Webster   Campbell 
A    Virgin's    Sacrifice 
Island    Wives 
Single    Track 
Divorce   Coupons 
Albert  Capellani 
Sisters 

The    Young    Diana 
Edwin  Carewe 

A    Question    of  Honor 
Invisible    Fear 
Her   Mad    Bargain 
I  am   the  Law 
Silver   Wings 

97 


Lloyd  B.   Carlton 

Beyond  the  Crossroads 
Charles  Chaplin 

Pay    Day 

The   Idle  Class 

The  Pilgrim 
Emil   Chautard 

Living    Lies 

Whispering  Shadows 

The  Glory  of  Clementina 

Youth  to  Youth 

Forsaking  All   Others 
LfOuis  Chaudet 

The    Pillagers 

King   Fisher's   Roost 
Mr.  &  Mrs.  Geo.  Randolph 
Chester 

The  Son  of  Wallingford 
Denison  Clift 

Why    Men    Forget 

Woman  of  No  Importance 

Woman  Who  Came   Back 

A  Bill  of  Divorcement 
Ehner  Clifton 

Down  to  the  Sea  in  Ships 
Edward  Connors 

Anne  of  Little  Smoky 
Jack   Conway 

Step    On   It 

A  Parisian  Scandal 

The    Millionaire 

Across  the  Dead  Line 

Another   Man's  Shoes 

Don't   Shoot 

The  Long  Chance 
Don  Clark 

The   Fighting   Guide 
Roy  Clements 

Desert's   Crucible 

Two-Fisted  Jefferson 
William  J.  Craft 

False    Brands 

Headin'   West 

The  Wolf  Pack 

Another  Man's  Boots 

Saved  by   Radio 
Donald  Crisp 

The  Bonnie  Briar  Bush 
Alan  Crosland 

Slim     Shoulders 

Why  Announce  Your  Marriage 

The   Prophet's  Paradise 

Shadows  of  the  Sea 

The  Snitching  Hour 

The  Face  in  the  Fog 
Frank  Crane 

Door  That  has  no  Key 
James  Cruze 

One    Glorious   Day  _ 

Is  Matrimony  a  Failure 

The  Dictator 

The    Old    Homestead 

Thirty    Days 
Webster    Cullison 

The  Last  Chance 
Irving   Cummings 

Man  From  Hell's  River 

The   Jilt 

Broad    Daylight 

Paid     Back 

Flesh    and    Blood 
W.  Hughes   Curren 

Trail  of  Hate 

Blaze  Away 
J.  Searle  Dawley 

Who  Are  My  Parents 
Walter  De  Couroy 

American  Toreador 
Jos.   De   Grasse 

Tailor-Made  Man 
Hampton  Del  Ruth 

The   Marriage   Chance 


HARLEY    KNOLES 


Harley  Knoles  Productions 


"Carnival" 


"The  Bohemian  Girl" 


98 


Noiman   Dawn 

Five   Days   to   Live 
The   Vermillion    Pencil 
The    Son    of   the   Wolf 
Cecil  B.   De  Mille 
Saturday    Night 
Fool's  Paradise 
Manslaughter 
WiUiam  De  Mille 

Bought  and  Paid  For 
After    the    Show 
Miss  Lulu   Bett 
Nice    People 
Clarence 
David  Devar 
Angel  of  Crooked  Street 
Little    Wildcat 
A    Girl's    Desire 
Nat  Deverich 

Power   of   Love 
Edward  Dillon 
The   Beauty    Shop 
Women    Men    Marry 
Jack  Dillon 

The    Cub    Reporter 
The  Roof  Tree 
Gleam  O'Dawn 
The  Yellow  Stain 
Man  Wanted 
Calvert's    Valley 
W.  A.  S.  Douglas 

Beware  of  the  Law 
Frank  P.  Donovan 

Silas   Marner 
William  Duncan 
No    Defense 
The  Silent  Vow 
When    Danger    Smiles 
The   Fighting  Guide 
Scott  Dunlap 
Bluebeard,   Jr. 
Western    Speed 
Trooper   O'Neil 
Bells   of    San   Juan 
West  of   Chicago 
Bernard  Durning 
Iron   to  Gold 
The  Devil  Within 
Strange   Idols 
While  Justice  Waits 
The    Yosemite    Trail 
Oathbound 
The   Fast   Mail 
Allan  Dwan 

The  Sin  of  Martha  Queed 
Superstition 
Robin    Hood 
Reaves  Eason 
Red  Courage 
The  Fire  Eater 
Rough    Shod 
Pardon  My   Nerve 
The    Lone    Hand 
Carlyle   Ellis 

The   High    Road 
Maurice   Elvey 

Hound  of  the  Baskervilles 
WiUiam  P.  S.  Earle 
Love's    Masquerade 
Destiny's   Isle 
The  Way  of  a  Maid 
Henry   Edwards 

John  Forest  Finds  Himself 
J.  Gordon  Edwards 

Nero 
Robert  Ellis 

Chivalrous    Charley 
John  Emerson 

Polly  of  the  Follies 
Robert  Ensminger 
Bring   Him    In 
Restless  Souls 
Fortune's  Mask 
You  Nevtr  Know 
George  Everett 

Crimson    Cross 
Marion   Fairfax 
Lying    Truth 
Bernard  Feikel 
White  Hell 


Henri  Fescourt 

The  Isle  of  Zorda 
Jacques   Feyder 

Missing  Husbands 
Dallas  Fitzgerald 
The  Gutter  Snipe 
Playing  With  Fire 
George  Fitzmaurice 
Man  from  Home 
Three  Live  Ghosts 
Forever 

To  Have  and  To  Hold 
Caryl   S.    Fleming 
Valley  of  ^ost  Souls 
The   Devil's   Partner 
Robert  J.  Flaherty 

Nanook  of  the  North 
Victor  Fleming 
Woman's   Place 
Red   Hot   Romance 
Lane  That  Had  No  Turning 
Anna  Ascends 
Emmett  J.  Flynn 
The  Last  Trail 
A  Fool  There  Was 
Without    Compromise 
Monte  Cristo 
Francis  Ford 
They're    Off 
So  This  is  Arizona 
Angel  Citizen 
The  Storm  Girl 
Thundering    Hoofs 
Gold  Grabbers 
Jack   Ford 

Little    Miss    Smiles 
Jackie 
Sure    Fire 
Silver    Wings 
The  Village  Blacksmith 
Tom   Forman 

A    Prince    There   Was 
The    Woman    Conquers 
If  You  Believe  It,  It's  So 
White    Shoulders 
Shadows 
Finis  Fox 

Man's   Law  and  Gods 
Sidney   Franklin 

The    Primitive    Lover 
Smilin'    Through 
The  Beautiful  and  Damned 
East   is    West 
Chester   M.   Franklin 
The   Case  of    Becky 
Nancy    from    Nowhere 
A   Game   Chicken 
Toll  of  the  Sea 
Joseph   J.    Franz 
Tracks 

The    Cave   Girl 
Fightin'    Mad 
The    Love    Gambler 
Smilin'    Jim 

Youth    Must    Have    Love 
The    New    Teacher 
Sven  Gade 

Hamlet 
Harry    Garson 

What    No    Man    Knows 
The   Sign  of  the   Rose 
The   Hands  of  Nara 
Louis   J.    Gasnier 
The    Call   of   Home 
Silent    Years 

Thorns   and   Orange    Blossoms 
Rich   Men's  Wives 
The    Hero 
Gf  rina 

Why   Do   Men   Marry 
Charles    Giblyn 

A  Woman's  Woman 
Burton  George 

Conceit 
Frank   Grandon 

Barb  Wire 
Alfred   Greene 
Come   On    Over  _ 
Our    Leading    Citizen 
The    Bachelor   Daddy 

99 


The    Ghost    Breaker 

Man   Who   Saw  Tomorrow 

D.  W.  Griffith 
Orphans  of   the  Storm 
One  Exciting  Night 

E.  H.  Griffith 
Dawn  of  the  East 
Free  Air 

Alberto    Guzaaoni 

Julius  Caesar 
Geo.  Halligan 

Thorobred 
Herbert   Hancock 

The    Leech 
Harry  B.   Harris 

The    Trouper 
Lieut.  Bert  Hall 

Border    Scouts 
Benj.  B.  Hampton 

Heart's    Haven 

A  Certain  Rich  Man 

The   Gray  Dawn 

Mysterious  Rider 

Golden  Dreams 
Carl  Harbaugh 

Little   Miss   Hawkshaw 

Bucking  the  Line 
Marcus  Harrison 

Woman,  Wake  Up 
Neal  Hart 

Rangeland 

West  of  the   Pecos 

South   of    Northern    Lights 

Butterfly   Range 

The  Lure  of  Gold 
John  Harvey 

Woman    Who    Believed 

F.  G.  Hartman  ; 
The  Forest   King                          '• 

Victor  Heerman 

John    Smith 

My   Boy  '. 

Love  is  an  Awful  Thing 
Thomas  Heffroji 

Bobbed    Hair 

The   Love   Charm 

The    Truthful    Liar 

Her  Face  Value 

Too  Much  Wife 
Edward  Hemmer 

Orphan   Sally 
Joseph  Henabery 

The   Call   of   the  North 

While  Satan  Sleeps 

Her    Own    Money 

Missing    Millions 

The    Man    Unconquerable 
Dell  Henderson 

The  Broken  Silence 

Sure-Fire    Flint 

Girl   From    Porcupine 
Hobart  Henley  , 

Her   Night  of  Nights 

The   Scrapper 

Cheated    Hearts 

Stardust 
Cecil  M.   Hepworth 

Alf's    Button 
Howard    Higgen 

Rent    Free 
Lambert  Hillyer 

'J'ravelin'    On 

Skin    Deep 

White  Oak 

Three    Word    Brand 

White  Hir.ds 
Caught  BluflFing 

The    Super-Sex 
The  Altar  Stairs 
J.  P.  Hogan 

Where  Is  My  Wandering  Boy 
Tonight 
John  Hollywood 
French    Heels 
No  Trespassing 
George  Holt 

The  White  Masks 
The   Trail's    End 
Allen  Holubar 
Hurrican's   Gal 


MAX 
GRAF 

SUPERVISING  DIRECTOR 

Graf  Productions,  Inc. 


Productions  for 
Year  1922 


HOBART  BOSWORTH 

IN 

"THE  SEA  LION"  and  "BLIND  HEARTS" 

Through  First  National 

HOBART  BOSWORTH 

IN 

"WHITE    HANDS" 

Through  Film  Booking  Offices 

MILTON  SILLS 

IN 

"THE    FORGOTTEN    LAW" 

Through  Metro 


NOW   IN  PREPARATION 

For  Metro 

"THE   FOG" 
By  William  Dudley  Pelley 


100 


E.  Mason  Hooper 

From  the  Ground  Up 
Alls   Fair  in   Love 
Glorious  Fool 
Dangerous   Curve  Ahead 

Hungry   Hearts 

Brothers   Under   the   Skin 
Charles  Horan 

The    Splendid    Lie 
James  W.  Home 

Don't  Doubt  Your  Wife 

The   Forgotten   Law 
William  K.  Howard 

Extra,   Extra 

Deserted   at   the   Altar 
Harry  O.  Hoyt 

Curse   of   Drink 
Rupert  Hughes 

The    Wall    Flower 

Remembrance 
William    Humphry 

Foolish   Monte   Carlo 
T.  Hayes  Hunter 

The  Light  in  the  Clearing 
Paul  Hurst 

Shadows  of  the  West 

Crow's   Nest 

Heart  of  a   Texan 

Table   Top    Ranch 
Ralph  Ince 

The    Referee 

A  Wide  Open  Town 

Channing   of   the   Northwest 

Reckless  Youth 

Tropical  Love 
Lloyd  Ingraham 

My   Lady    Friends 

Girl  in  the  Taxi 

Marry  the  Poor  Girl 

Second  Hand  Rose 

At     the     Sign     of     the     Jack 
O'Lantern 

The  Veiled  Woman 

The    Danger    Point 
Rex  Ingram 

Turn   to   the   Right 

Prisoner    of    Zenda 

Trifling    Women 
Camillo  Innocent! 

Retribution 
George  Irving 

Her    Majesty 

Lost  in  a   Big   City 
Jacques  Jaccard 

The  Great  Alone 

Riding  With   Death 
George  Jacoby 

The    Last    Payment 

Vendetta 
Emory  Johnson 

In  tl-e  Name  of  the  Law 
F.  Richard  Jones 

Molly    O 

Cross  Roads  of  New  York 

Tlu-  Country  Flapper 
Grover  Jones 

The_  Unknown 

Taking    Chances 

Putting   it   Over 
Rupert  Julian 

Girl  Who   Ran   Wild 
Edward  Jose 

The   Prodigal  Judge 

The    Rainbow 

The   Matrimonial   Web 

The   Girl  in  His  House 

The    Man    From    Downing   St. 
Alexander  Kardo 

Prince  and  the  Pauper 
A.  Kelly 

Deserted    at   the   Altar 
Maxwell    Karger 

The   Golden   Gift 

A  Hole  in  the  Wall 

Hate 

Kisses 

The   Idle   Rich 
James  Keane 

Wh'spering    Women 
Lem  F.  Kennedy 

The  Power  Within 


George   Kern 

The  Unfoldment 
Michael  Kertez 

Mrs.   Dane's   Confession 
Burton  King 

The    Man    From    Beyond 
For    Your    Daughter's    Sake 
The   Road  to  Arcady 
Holdane  of  the   Secret   Service 
Shylock    of    Wall    St. 
For  Your  Daughter's  Sake 
Henry  King 
Sonny 

Tol'able  David 
The   Seventh   Day 
The    Bond    Boy 
L.  Kistenmacher 

The   Hardest  Way 
Lee  Kohlmar 
High  Heels 
Lewis   King 

Peaceful  Peters 
Edward  Laemmle 

Top   O'   the   Morning 
Warde  Lascelle 
Rip  Van  Winkle 
Affinities 
John  S.  Lawrence 

For  His  Sake 
Rowland  V.  Lee 
A  Self-Made  Man 
Money    to    Burn 
The  Men  of  Zanzibar 
His   Back  Against  the   Wall 
Blind  Hearts 
The  Sea  Lion 
Shirley   of  the   Circus 
Mixed   Faces 
The   Dust   Flower 
Henry   Lehrman 

Reported    Missing 
Robert  Z.  Leonard 
Fascination 
Peacock  Alley 
Broadway   Rose 
Edward    J.    LeSaint 
The  Sleep  Walker 
More   to   be  Pitied 
Max    Linder 

Three  ]\Iust  Get  Theres 
Edgar  Lewis 

Strength    of   the    Pines 
Joseph  Levering 
Determination 
Flesh  and  Spirit 
Frank  Lloyd 

The  Man  From  Lost  River 
The    Grim    Comedian 
The  Eternal  Flame 
Oliver  Twist 
Chas.  A.   Logue 

Woman   Who   Fooled   Herself 
Raymond   Longford 

Blue  Mountain  Mystery 
Ernst  Lubitsch 

Loves  of  Pharaoh 
Wilfred    Lucas 

The   Better   Man 
Glenn  Lyons 

The    First    Woman 
Henry  Macrae 

Cameron  of  the  Royal 
Mounted 
Frances  Marion 

Just  Around  the   Corner 
Charles  Maigne 

Received    Payment 
Hush    Money 
Cowboy  and  the   Lady 
Joe  Maxwell 

Frivolous    Wive? 
George  E.   Marshall 
The  Jolt 

Lady  from   Longacre 
Smiles   are   Trumps 
Howard    M.    Mitchell 
Queenie 

Winning   With   Wits 
Cinderella    of    the    Hills 
Harry  C.  Mathews 
Welcome    Children 

101 


Joe  May 

Mistress  of  the  World 

The    Greatest   Truth 

Above    all    Law 
John  P.  McCarthy 

Shadows   of   Conscience 
J.  P.  McGowan 

Hills  of  Missing  Men 

Reckless    Chances 

Ruse   of   the   Rattler 
Robert  McKenzie 

Knight  of  the  West 
A   Western   Demon 
George  Melford 

Great    Impersonation 

The  Sheik 

Woman  Who  Walked  Alone 

Moran  of  the  Lady  Letty 

Burning    Sands 

Ebb  Tide 
Harry  Millarde 

Town  That   Forgot   God 

My   Friend   the   Devil 
Charles   Miller 

Man   She   Brought   Back 
Hans    MierandorEf 

The   Craven 
Howard  Mitchell 

The  Crusader 
Roy   Mitchell 

Proofs  of  Innocence 
Harry   Moody 

The    Range    Patrol 
Louis    Mercanton 

Possession 

Gypsy  Passion 
Hubert  Moest 

Lady  Godiva 
Milburn  Moranti 

Diamond   Carlisle 

Blind    Circumstances 

Hate  Trail 
Henry  J.  Napier 

The    Faithless    Sex 
Marshall   Neilan 

Fools    First 

Penrod 

The  Lotus  Eater 

Minnie 
R.  Wm.  Neil! 

The   Iron    Trail 

What's    Wrong    With    the 
Women 
Jack   Nelson 

Watch    Him    Step 
Guy  Newall 

The    Bigamist 
Fred   Newmeyer 

A  Sailor-Made  Man 

Grandma's    Boy 
Fred  Niblo 

The  Woman  He  Married 

Rose  O'The  Sea 

Blood   and   Sand 

Famous    Mrs.    Fair 
William  Nigh 

Soul  of  Man 

Your    Best    Friend 

School   Days 

Notor!etv 
John  W.  Noble 

Cardigan 
John  B.  OBrien 

Father   Tom 
Frank    O'Connor 

Penrod 

A    Virginia    Courtship 

A  Hom.espun  Vamp 
Sidney  Olcott 

The   Right   Way 

Pardon  My  French 

God's   Country  and   the  Law 

Timothy's   Quest 
Ruth  Bryan  Owen 

Once  Upon  a  Time 
George   Parson 

Me    and    My    Gal 
Albert  Parker 

Love's  Redem'ption 

Sherlock    Holmes 


Eugene   Mull  in 

Editor,  Goldwyn  Pictures 

A    Decade    of    Achievement    as 

Pioneer    Author,    Director, 

Editor    and    Executive. 


1911  First  scenario  writer  to  adapt  such  recognized  classics  as 
"Vanity  Fair,"  "Lady  of  the  Lake,"  "Pickwick  Papers," 
"Ivanhoe,"  "Paradise  Lost,"  "David  Copperfield"— filmed 
by  Vitagraph. 

1912  Wrote  the  first  original  three-reel  picture,  "The  Money 
Kings,"  forecasting  the  great  war. 

51912     Toured  the  world  as  special  staff  writer  for  Vitagraph. 
|l913     Adapted  the  first  eight-reel  picture,  Hall  Caine's  "The 
Christian." 

1914  Adapted  and  wrote  twenty  subjects  for  special  Vitagraph 
release. 

1915  Wrote  and  directed  own  subjects  known  as  Broadway 
Star  Features. 

1916  Adapted  "Within  the  Law"  and  "Behold  the  Woman." 

5 1917     Editor  of  Vitagraph.     Supervision  of   100  pictures,  in- 
|1918     eluding  famous  O.  Henry  series. 

1919  Editor  of  Universal  City,  California. 
Managing  Eastern  Editor,  Goldwyn  Productions. 

1920  Adapted  "Mark  of  Zorro"  (Douglas  Fairbanks). 
Adapted  and  Directed  "Road  to  London"  (made  in  Eng- 
land). 

1921  In  association  with  Sir  Gilbert  Parker  adapted  "The  Lane 
That  Had  No  Turning"  (Agnes  Ayres). 

1922  Eastern  editor  for  Goldwyn. 


102 


Stuart  Paton 

The   Black   Bag 

Man    Who    Married    His 
Own   Wife 

Conflict 

Man   to  Man 

One    Wonderful    Nigl-.t 

Wolf   Law 

The    Married    Flapper 
Van   Paul 

The    Kick-Back 

Good    Man   and   True 
Marcel  Perez 

Unconquered   Woman 

Better    Man    Wins 
Wray  Phjrsioc 

The   Blond   Vampire 

The  Madness  of  Love 
Lepu  Pick 

Shattered 
Horace  G.  Plimpton 

Ashamed    of    Parents 

Should  a  Wife  Work 

Through  the   Storm 
Harry  Pollard 

Trmimed 

Confidence 

The  Loaded   Door 
Paul  Powell 

The   Crimson    Challenge 

The  Cradle 

For   the    Defense 

The   Ordeal 

Borderland 

Daughter    of    Luxury 
Paul   Price 

Are    Children    to    Blame 
Jack  Pratt 

Yankee    Doodle,    Jr. 
Charles  Ray 

Gas,    Oil   or  Water 

The  Deuce  of  Spades 

Alias  Julius   Caesar 

R.    S.    V.    P. 

The    Barnstormer 

Two  Minutes  to  Go 

Smudge 
Harry  Revier 

Life's   Greatest   Question 

Broadway    Madonna 
Lynn  Reynolds 

Up   and   Going 

Trailin' 

Sky   High 

For   Big   Stakes 

Just   Tony 

Tom    Mix   in   Arabia 
Frankland    Richardson 

In     the     Night 
Arthur    Rippert 

Playthings  of  an  Emperor 
George  RidgeweU 

Don't    Blame   Your    Children 
Jesse  Robbins 

Too  Much  Business 

Ladder    Jinx 
John  S.   Robertson 

Spanish    Jade 

Love's    Boomerang 

Footlights 

Tess    of   the    Storm    Country 
Theodore  Rockwell 

Barriers  of  Folly 
Geo.   K.   Rolands 

Breaking:  Home  Ties 
Arthur   H.    Rooke 

One    Moment's    Happiness 
Philip    Rosen 

The  Young  Raiah 

The    Bonded    Woman 
Nat   Ro^s 

The  Galloping  Kid 

Ridin'    Wild 
Philip  E.   Rosen 

Handle  With  Care 

Across   the   Continent 

The  World's  Champion 
Arthur   Rosson 

The  Fire  Bride 

Desert    Blossoms 

Fighting    Streak 


Always  the  Woman 

For  Those  We  Love 

Garrison's    Finish 
Henry  Roussell 

The  Sheik's  Wife 
Wesley  Ruggles 

Slippey    McGee 

Wild  Honey 

If    I    Were    Queen 
Al    ?ant  11 

Wildcat    Jordan 
Paul  Scardon 

False    Kisses 

The    Golden    Gallows 

Shattered    Dreams 

A    Wonderful    Wife 

When  the   Devil   Drives 
Victor  Schertzinger 

Mr.   Barnes  of  New  York 

Head   Over   Heels 

Bootlegger's     Daughter 
Victor   Seastrom 

The  Stroke  of  Midnight 

Mortal    Clay 
Charles  M.  Seay 

Jan   of  the   Big   Snows 
Edward  Sedgrwick 

The   Rough   Diamond 

Chasing  the   Moon 

Bar    Nothin' 

The  Bear  Cat 

Do  and  Dare 

Boomerang    Justice 
Charles  R.  Seeling 

Western    Firebrands 

Across   the   Border 

Rounding   Up    the    Law 
William  A.  Seiter 

Boy  Crazy 

The  Foolish  Age 

The    Understudy 

Gay   and    Devilish 

Eden  and  Return 

Up   and    At   'Em 
Bernard    Seivel 

Dawn  of  Revenge 
Frank   N.   Seltzer 

Breaking   Home    Ties 
Franklin  Seites 

Nine  Seconds  to  Heaven 
Ollie  Sellers 

New    Disciple 
Roy  Sheldon 

Bootleggers 
Edward   Sloman 

Shattered  Idols 

Woman    He    Loved 
Ray  C.  Smallwood 

Queen  of  the  Moulin  Ronge 

My  Old  Kentucky  Home 

When   the   Desert    Calls 

Fools  of  Fortune 
Cliff  Smith 

Crossing  Trails 

Daring  Danger 

My   Dad 
Hamilton   Smith 

Isle   of   Doubt 
David  Smith 

My  Wild  Irish  Rose 

Flower   of  the  North 

A    Gviiltv    Conscience 

The   Little   Minister 
John   M.   Stahl 

The  Song  of  Life 

One    Clear    Call 

Suspicious    Wives 

Dangerous  Age 
Penrhyn    Stanlaws 

Over  the   Border 

The  Law  and  the  Woman 

The   Little    Minister 

Pink    Gods 

Singed   Wings 
Paul  Stein 

The  Red   Peacock 

The  Devil's  Pawn 
Mauritz  Stiller 

Sir   Arne's    Treasure 

In    Self    Defense 

103 


Jerome  Storm 

The    Rosary 

Her    Social    Value 

Arabian   Love 

Honor    F'Vst 
RoUin  Sturgeon 

North  of  the  Rio  Grande 
S.    E.    V.    Tayifr 

"^Ve    Mohican's    Da'-fhter 
Charles  Taylor 

The    Half    Breed 
William  D.  Taylor 

Morals 

The  Top  of  New  York 

The    Green    Temptation 
Tom  Terriss 

Find    the   Woman 

Boomerang   Bill 

The   Challenge 
George  Terwilliger 

The  Bride's  Play 

What   Fools   Men   Are 
Robert  T.  Thornby 

Ridin'   Wild 

The  Fox 

The   Trap 

Lorna    Doone 
Dion  Titheradge 

David   and  Jonathen 

Her  Story 
Robert  H.  Townley 

Partners  of  the  Sunset 

Welcome  to  our   City 

Squire    Phinn 
Laurence  Trimble 

The  Silent  Call 

Brawn    of   the    North 
George  Loane  Tucker 

Ladies  Must  Live 
Frank  Tuttle 

The   Cradle  Buster 
May  Tully 

Our    Mutual    Friend 

The  Old  Oaken  Bucket 
Frank  Urson 

Exit    the    Vamp 

Tillie 

South  of  Suva 

The  Heart  Specialist 

Minnie 
Travers  Vale 

A   Pasteboard    Crown 
W.  S.  Van  Dyke 

According  to  Hoyle 

Boss   of   Camp   4 

Forget   Me   Not 
Edward   Venturini 

Headless     Horseman 
Bayard  Veiller 

The  Face  Between 

Ladyfingers 

Sherlock  Brown 

The  Right  That  Failed 
King  Vidor 

The   Real   Adventure 

Love  Never  Dies 

Peg  O'  My  Heart 

Dusk   to   Dawn 
Robert  Vignola 

Beauty's  Worth 

Enchantment 

The  Young  Diana 

When      Knighthood      Was      m 
Flower 
Erich  Von  Stroheim 

Foolish  Wives 
C.  R.  Wallace 

Whatever  She  Wants 

Elope  If  You  Must 

Trooper    O'Neil 

Western   Speed 

West   of   Chicago 
Ernest   C.   Warde 

Trail  of  the  Axe 
S.   L.   &   Jack   Warner 

Dangerous   Adventure 
R.  A.  Walsh 

Kindred  of  the  Dust 
Nate  Watt 

The   Raiders 


Truart  Film  Corporation,,  Inc. 

What  It  Is 

The  Truart  Film  Corporation  is  an  organization  which  is  con- 
stantly studying  every  angle  of  the  ever  changing  conditions  of 
the  Film  Industry.  Its  highly  specialized  services  are  at  the  dis- 
posal of  Producer,  Distributor,  Owner  and  Exchangeman. 

What  It  Offers  To  The  Producer 

Expert  advice  in  the  selection  of  story,  director  and  cast,  and  its 
preparation  for  screen  use.  It  will  prepare  thoroughly  reliable 
cost  estimates  covering  the  production  of  pictures,  and  will  give 
its  advice  and  assistance  during  the  period  of  production.  It  will 
assume  full  charge  of  the  exploitation  and  sales  of  the  finished 
merchandise  in  both  the  Domestic  and  Foreign  Market. 

Collection  Department 

Through  its  Contract  and  Collection  Departments  Truart  renders 
to  many  owners  whose  pictures  are  being  handled  by  large  releas- 
ing companies  and  by  independent  exchanges,  valuable  services  in 
securing  equitable  exhibition  contracts,  in  checking  of  contracts 
and  in  collecting  remittances  of  monies  due.  Through  its  Account- 
ing Department  it  will,  upon  request,  conduct  examinations  of 
distributors'  books  whenever  conditions  warrant  this  procedure. 

Special  Service  To  Exchanges 

The  Truart  Staff  is  constantly  reviewing  new  productions  offered 
on  the  states  right  market,  and  is  in  a  position  to  report  to  its 
clients  its  expert  opinions  as  to  the  box  office  and  sales  value  of 
this  merchandise.  It  will  also  act  as  purchasing  representative 
upon  request. 

States  Right  Department 

The  States  Right  Department  of  the  Truart  has  available  at  all 

times  a  wide  selection  of  new  Independent  productions,  which  can 

be  purchased  at  moderate  prices  and  upon  advantageous  terms. 

Conferences  can  be  arranged  with  our 

staff  for  the  consideration  of  any  of 

the   above   questions,   at   short   notice. 

All  matters  submitted,  and  correspondence  held  strictly  confidential 

Filn^  Editorial  and  Legal  Departments  at  Your  Service 


TRUART  FILM  CORPORATION,  INC. 

M.  H.  HOFFMAN,  General  Advisory  Director 

1540  Broadway,  New  York  City 

Phones  Bryant  6848  -  9544 

We  buy  or  distribute  meritorious  product. 

104 


William  Watson 

Up  in  tlie  Air  About  Mary 
Lois  Weber 

What  Do  Men  Want 
Harmon  Weight 

The  Ruling  Passion 

Man    Wlio    Played   God 
John   K.   Wells 

Queen   O'   the  Turf 
Walter  West 

Daughter    of    Eve 
Kenneth    Webb 

Fair    Lady 

Without   Fear 

His  Wife's  Husband 

How    Women    Love 

Secrets   of    Paris 
Mildred  Webb 

Where     Is     My     Wandering 
Boy    Tonight? 
Leonard  Wheeler 

Four   Hearts 
Leopold  Wharton 

Mr.  Potter  of  Texas 

Mr.    Bingle 


Chet  Withey 

Domestic   Relations 

Heroes  and   Husbands 

Outcast 
Edwin  Wolfe 

Mme.   Sans  Gene 
Duke    Worne 

Star    Reporter 
Irvin  Willat 

Fifty  Candles 

Yellow   Men  and   Gold 

The    Siren    Call 

On    the    High    Seas 

Pawned 
J.    E.   Williamson 

Wonders  of  the  Sea 
Ben  Wilson 

Back  to  the  Yellow  Jacket 

The    Innocent    Cheat 

One- Eighth     Apache 

A   Motion  to  Adjourn 

Chain    Lightning 

Price  of  Youth 
Sam  Wood 

Beyond   the  Rocks 


Her   Husband's  Trademark 

Under  the  Lash 

Don't   Tell   Everything 
Wallace  Worsley 

Ace   of   Hearts 

The  Beautiful  Liar 

Grand   Larceny 

Rags    to    Riches 

When    Husl)ands    L'eceive 

\'oices    of    the    City 

Enter    Madame 
William  Worthington 

Afraid  to  Fight 

Dr.  Jim 

Go   Straight 

Out   of   the   Silent    North 

Tracked   to    Earth 
John  Griffith  Wray 

Hail  the  Woman 
Robert   WuUner 

The    Wife    Trap 
James  Young 

The   Masquerader 

The  Infidel 

Omar    the    Tentmaker 


Stars  and  Their  Productions 


Mary  Alden 

Man  With  Two   Mothers 

A    Woman's    Woman 
May  Allison 

Woman   Who   Fooled   Herself 
G.   M.   Anderson 

Greater    Duty 
Mary   Anderson 

Too   Much    Married 

When     Knights     Were     Bold 
Maclyn  Arbuckle 

Welcome  to  Our  City 

Mr.    Potter    of    Texas 

Squire    Phinn 

Mr.    Bingle 
George  Arliss 

The  Ruling  Passion 

Man    Who    Played    God 
Agnes    Ayres 

The   Sheik 

The   Ordeal 

The    Lane    That    Had    No 
Turning 

Bought  and  Paid   For 

Borderland 

Daughter    of    Luxury 
Snowy  Baker 

The   Better   Man 
Leah  Baird 

Don't    Doubt   Your   Wife 

When  the  Devil  Drives 

The    Bride's    Confession 

When    Husbands   Deceive 
Mabel   Ballin 

Other    Women's    Clothes 

Jane   Eyre 

ilarried     People 
Wesley  Barry 

School   Days 

Penrod 

Heroes    of    the    Street 

Rags    to    Riches 
John   Barrymore 

Sherlock    Holmes 

The    Lotus    Eater 
Lionel    Barrymore 

Boomerang    Bill 
Richard    Barthelmess 

The    Seventh    Day 

Tol'able    David 

Sonny 

The    Bond    Boy 
Fred   K.   Beauvais 

The    Lonely   Trail 
Barbara  Bedford 

Winning   With   Wits 

Cinderella  of  the  Hills 


George  Beban 

The   Sign  of  the  Rose 
Belle  Bennett 

Flesh   and   Spirit 
Madge   Bellamy 

Love   Never   Dies 
Constance  Binney 

The   Case  of   Becky 

First    Love 

Midnight 

The   Sleep  Walker 

A   Bill   of   Divorcement 
Betty   Blythe 

His   Wife's   Husband 

How   Women   Love 
Hobart  Bosworth 

Blind    Hearts 

White  Hands 

The   Sea  Lion 
Alice  Brady 

The  Dawn  of  tlie  East 

Hush   Money 

Anna   Ascends 

Missing;    Millions 
Evelyn  Brent 

Door  That  Has   No  Key 
Gladys  Brockwell 

Double   Stakes 
Pauline   Brunius 

Give  Me  My  Son 
David   Butler 

According   to    Hoyle 

Making    the    Grade 
Alice  Calhoun 

Angel  of   Crooked   Street 

Girl   in   His   Room 

Little   Minister 

Matrimonial    Web 

The    Rainbow 

A   Girl's   Desire 

Little   Wildcat 
Mary   Carr 

Silver    Wings 
Ora    Carew 

Beyond    the    Crossroads 
Harry  Carey 

The   Fox 

Man  to   Man 

Good   Men  and  True 

The    Kick -Back 
Dolores   Cassinelli 

The   Challenge 
Irene   Castle 

French   Heels 

No    Trespassing 

Slim   Shoulders 
Helene  Chadwick 

Yellow   Men  and  Gold 

105 


Dangerous    Curve    Ahead 

Glorious    Fool 

The   Dust   Flower 
Lon   Chaney 

The   Trap 

Voices  of  the   City 

Flesh  and  Blood 
Charles   Chaplin 

The  Idle   Class 

Pay  Day 

The    Pilgrim 
Mary   Claire 

Foolish    Monte    Carlo 
George  Chesebro 

Diamond    Carlisle 

Blind    Circumstances 

The  Hate  Trail 
Ethel   Clajrton 

The  Cradle 

Exit  the  Vamp 

For  the  Defense 

Her  Own   Money 

If   I   Were   Queen 
Ruth  Clifford 

Tropical  Love 
Betty   Compson 

Always   the   Woman 

For  Those  We   Love 

The    Green    Temptation 

Ladies   Must   Live 

The  Law  and  the  Woman 

The    Little    Minister 

Over   the   Border 

The    Bonded    Woman 
Jackie    Coogan 

My    Boy 

Trouble 

Oliver    Twist 
Lester   Cuneo 

Blazing   Arrows 
Miriam    Cooper 

Kindred    of    the    Dust 
Dorothy   Dalton 

The    Crimson    Challenge 

Fools    Paradise 

Moran  of  the  Lady  Letty 

Woman  Who  Walked  Alone 
Viola    Dana 

Five    Dollar    Baby 

Fourteenth    Lover 

Glass   Houses 

Seeing's    Believing 

They   Like   'Em    Rough 

June   Madness 

Love  in  the  Dark 

The   Siren   Call 
Edy  Darclea 

Why   Do   Men   Marry 


ALBERT 
ROSCOE 

with 

Famous 

Players-Lasky 

"BURNING 
SANDS" 

"THE  MAN 
WHO  SAW 
TOMORROW" 

"JAVA 
HEAD" 


BARBARA 
BEDFORD 

"ALIAS  JULIUS 
CAESAR" 

With  Charles  Ray 

"OTHER  MEN'S 
SHOES" 

Universal  All-Star  Special 

"ROMANCE 
LAND" 

With  Tom  Mix 

"THE  POWER 
OF  LOVE" 

First  Stereoscopic  Picture 


106 


Bebe    Daniels 

A    Game    Chicken 
Nancy    From    Nowhere 
The    Speed    Girl 
North  of  the  Rio  Grande 
Grace   Darling 

For  Your  Daughter's  Sake 

For    Your    Daughter's    Sake 
Grace   Darmond 

A    Dangerous   Adventure 
Dore    Davidson 

The  Good  Provider 
Grace   Davidson 

The  Splendid  Lie 
Marion   Davies 

Beauty's  Worth 

The  Bride's  Play 

Enchantment 

The  Young  Diana 

When      Knighthood      Was     in 
Flower 
Priscilla    Dean 

Conflict 

Wild   Honey 

Under  Two   Flags 
Ruby  De  Remer 

Unconquered  Woman 
Mr.    &    Mrs.    Carter   DeHaven 

Marry  the  Poor  Girl 

Girl  in  the  Taxi 

My    Lady   Friends 
Elliott   Dexter 

Grand    Larceny 
Reginald  Denny 

Kentucky   Derby 
Marie    Doro 

The  Stronger  Passion 
Billie  Dove 

Youth  to  Youth 
Richard   Dix 

Yellow    Men   and    Gold 

Glorious   Fool 

Dangerous   Curve  Ahead 
Lucy    Doraine 

The  Love  Slave 
Ivy   Duke 

The    Bigamist 
Wm.    Duncan 

No    Defense 

Silent   Vow 

When  Danger  Smiles 

Fighting    Guide 
Louise   Du   Pre 

Proofs  of  Innooeae* 
Miss    DuPont 

False    Kisses 

The  Golden   Gallows 

Shattered    Dreams 

A  Wonderful  Wife 
Josephine   Earle 

Serving  Two    Master! 

Tl-.e  Edge  of  Youth 

The  Way  of  a  Man 

Branded 
Isobel  Elsom 

Broken   Shadows 
Douglas  Fairbanks 

Robin  Hood 
William  Fairbanks 

Hell's   Border 

Peaceful    Peters 
Dustin   Farnum 

Strange  Idols 

Iron  to  Gold 

The   Devil  Within 

The  Yosemite  Trail 

While    Justice     Waits 

The  Trail  of  the  Axe 

Oathbound 
Franklyn   Farnum 

The   Raiders 

The  Last  Chance 

So   This   Is  Arizona 

Angel   Citizen 

Gun  Shy 

Smilin'   Jim 
William  Farnum 

A   Stage   Romance 

Shackles  of   Gold 

Without    Compromise 

Moonshine   Valley 


Elsie    Ferguson 
Footlights 

Outcast 
Francis  Ford 

Another   Man's   Boots 
Helen    Gibson 

Thorobred 

Nine    Points   of   the    Law 

Forever 
Maurice  Flynn 

Smiles    Are    Trumps 

Bucking  the   Line 
Pauline   Frederick 

The    Glory   of    Clementina 

The  Lure  of  Jade 

Two    Kinds   of   Women 

The  Woman  Breed 
Teddy  Gerard 

The   Cave   Girl 
Neva  Gerber 

Impulse 

Price   of   Youth 
Hoot    Gibson 

The   Bear   Cat 

The   Fire  Eater 

Headin'    West 

Step   On   It 

Sure   Fire 

Trimmed 

Ridin'   Wild 

Galloping  Kid 

The    Loaded    Door 

The  Lone  Hand 
John   Gilbert 

The  Yellow   Stain 

Gleam    O'Dawn 

Arabian   Love 

Calvert's  Valley 

Honor  First 

The   Love   Gambler 
Dorothy  Gish 

The   Country  Flapper 
Lillian  and   Dorothy   Gish 

Orphans   of   the    Storm 
Vera  Gordon 

The  Good  Provider 

Your   Best   Friend 
Corinne    Griffith 

Island  Wives 

Received    Payment 

A  Virgin's  Sacrifice 

Single  Track 

Divorce    Coupons 
Elaine    Hammerstein 

Evidence 

Reckless  Youth 

Way  of  a  Maid 

Why   Announce   Your    Mar- 
riage ? 

Under   Oath 

One  Week  of  Love 
Hope  Hampton 

The  Light  in   the   Dark 

Stardust 
Mildred    Harris 

Fool's   Paradise 

The    First    Woman 
Neal  Hart 

King  Fisher's  Roost 

Rangeland 

Tangled  Trails 

The  Lure  of  Gold 

The  Heart  of  a  Texan 

Butterfly    Range 

South  of  Northern  Lights 

Table  Top    Ranch 

West   of   the   Pecos 
Violet  Heming 

When   the   Desert   Calls 
Johnnie  Hines 

Sure- Fire    Flint 
WiUiam   S.   Hart 

Three    Word    Brand 

Travelin'   On 

White  Oak 
Dick    Hatton 

Four   Hearts 
Raymond   Hatton 

His    Back   Against  the  Wall 
Wanda    Hawley 

Bobbed    Hair 

107 


Her    Face    Value 
The   Love   Charm 
The    Truthful    Liar 
Too   Much  Wife 
Sessue    Hayakawa 
Five    Days   to    Live 
The    Swamp 
The    \ermillion    Pencil 
Jenny    Hazelquist 
In  Self  Defense 
Clara    Helbr 

Whispering    Women 
Helen   Holmes 

Ghost    City 
Jack  Holt 

The    Call    of   the   North 

North  of   the   Rio   Grande 

Bought   and   Paid   For 

While    Satan    Sleeps 

The   Man  Unconquerable 
Violet  Hopson 

Daughter  of  Eve 
Houdini 

Man  From   Beyond 

Holdane  of  the   Secret  Service 
Arthur  Housman 

The  Snitching  Hour 

Man    Wanted 
Jack    Hoxie 

Barb  Wire 

Two-Fisted    Jefferson 

Desert's  Crucible 

Crow's  Nest 
Gareth    Hughes 

Don't    Write    Letters 

I   Can   Explain 

The  Hunch 

Little  Eva  Ascends 

Stay   Home 
Lloyd  Hughes 

Love    Never    Dies 
Peggy    Hyland 

Mr.   Pim    Passes   By 
Emil    Jannings 

All   for   a    Woman 
Thomas   Jefferson 

Rip   Van  Winkle 
Edith  Johnson 

.Silent   Vow 

No    Defense 

Fighting  Guide 
Rita   Jolivet 

The    Brides'    Confession 
Charles    Jones 

Western   Speed 

Trooper    O'Neil 

Rough    Shod 

Riding  With  Death 

Pardon    My    Nerve 

Bar    Nothin' 

West    of    Chicago 

Boss  of  Camp  4 

Bells  of   San  Juan 
Edgar    Jones 

Lonesome    Corners 
Zeena  Keefe 

The    Broken    Silence 

Prejudice 

When    Love    is    Young 
Molly    King 

Suspicious    Wives 

Her    Majesty 
George  Larkin 

Barriers   of   Folly 
Vivian  Le  Picard 

Thou  Shalt  Not  Love 
Max    Linder 

The   Three  Must-Get-There's 
Alice   Lake 

The   Golden   Gift 

A   Hole  in  the  WaU 

Hate 

Kisses 
Cullen  Landis 

Where  is  My  Wandering  Boy 
Tonight 

Watch    Your    Step 
Frankie   Lee 

Call    From   the  Wild 
Virgina    Lee 

The   Road   to   Arcady 


ARE   YOU   AMONG   THEM? 

HE  fact  that  the  foremost  producers  of  the 
West  rely  upon  THE  STANDARD  FILM 
LABORATORIES  for  service  from  the 
camera  to  the  screen  is  your  best  guarantee  of  satis- 
faction here.  These  producers  get  what  they  want, 
when  they  want  it,  with  no  excuses,  no  delay.  They 
realize  the  efficiency  of  our  big  organization  permits 
personal  service  with  quantity  production  in  every 
instance.  They  have  learned  that  Standard  Prints 
look  better,  wear  longer,  and  save  the  distributor 
money. 


i/ohn  M.NickoIaus 


jSthifcfcrrcf I^iln^  IrahoraioM&s 

J  T  .     ivi^  /    / S.M.Tompkins 

SQivard €ind RomainQ  Streets 
Hollywood  Calt/ornta 


Phones 
Hoiluivood 


63/Scuid  0943 


jSfaifcfarcf  "Pritft^ 


108 


Gladys    Leslie 

Girl   from    Porcupine 
Ann    Little 

Chain    Lightning 
Harold  Lloyd 

Sailor    Made    Man 

Grandma's    Boy 

Lost    in   a    Big    City 
Louise   Lorraine 

LTp    in    the   Air   About   Mary 
Edmund   Lowe 

Living    Lies 
John   Lowell 

Ten  Nights  in  a  Bar  Room 
Bert    Lytell 

Face   Between 

The  Idle  Rich 

Ladyfingers 

The    Right    That    Failed 

Sherlock    Brown 
Wilfred  Lytell 

The   Trail    of   the    Law 

The   Man   Who   Paid 

The   Wolf's   Fangs 
Katherine   MacDonald 

Domestic    Relations 

The    Beautiful   Liar 

Her    Social   Value 

Heroes  and   Husbands 

The   Infidel 

Stranger    Than    Fiction 

The    Woman    Conquers 

The   Woman's    Side 

White   Shoulders 
Maciste 

The  Unconquered 
Mae   Marsh 

Till   We   Meet  Again 
Lady    Diana    Manners 

The    Glorious    Adventure 
Vivian    Martin 

Pardon   My    French 
Shirley  Mason 

Very    Truly    Yours 

The   Ragged   Heiress 

Queenie 

Little    Miss    Smiles 

Lights    of   the    Desert 

Jackie 

The   New   Teacher 

Youth  ]\Iust   Have  Love 

Pawn    Ticket    210 

Shirley   of   the    Circus 
Doris   May 

Boy    Crazy 

Eden    and    Return 

The    Foolish    Age 

Gay    and    Devilish 

The  Understudy 

Up    and   At   'Em 
Mia    May 

Mistress   of   the  World 

The  Wife  Trap 

The  Greatest  Truth 
Frank   Mayo 

Afraid    to    Fight 

Across  the  Dead-Line 

Dr.  Jim 

Go    Straight 

Man    Who    Married    His    Own 
Wife 

Out  of  the  Silent  North 

Tracked   to   Earth 

Wolf   Law 

The  Altar  Stairs 

Caught    Bluffing 
Thomas    Meighan 

The    Bache'or    Daddy 

Our  .Leading    Citizen 

A  Prince  There  Was 

Back    Home   and    Broke 

If   You    Believe   It.    It's    So 

Man    Who    Saw    Tomorrow 

Manslaughter 
Hans    Mierandorff 

The    Craven 
May    McAvoy 

A    Homespun    \'amp 

Morals 

Through  a  Glass  Window 


Top    of   New    York 

A    Virgina    Courtship 
J.   P.  McGowan 

Hills  of   Missing  Men 

Reckless    Chances 

The   Ruse  of   the   Rattler 
Patsy    Ruth    Miller 

Watch    Your     Step 
Mary    Miles    Minter 

The  Heart   Specialist 

South  of  Suva 

Tillie 
Tom    Mix 

Up    and    Going 

Trailin' 

Sky   High 

The   Rough    Diamond 

For    Big    Stakes 

Fighting    Streak 

Chasing    the    Moon 

Do   and    Dare 

Just   Tony 

Tom  Mix  in  Arabia 
Colleen   Moore 

Come  On   Over 

Slippey    McGee 

Affinities 
Joe   Moore 

False    Brands 

The   Wolf    Pack 
Owen    Moore 

Reported    Missing 

Love  is  An  Awful  Thing 
Joan    Morgan 

Lowland  Cinderella 
Tom   Moore 

Over   the    Border 

From    the    Ground   Up 

Mr.    Barnes  of   New  York 
Everett    Moran 

Whispering    Women 
Antonio    Moreno 

A    Guilty    Conscience 

Secret   of   the   Hills 
Pete   Morrison 

West  vs.  East 

The    Better    Man    Wins 

Headin'     North 
Ed'-a    Murphy 

Extra    Extra 

The   Jolt 
Mae    Murray 

Fascination 

Peacock    Alley 

Broadway   Rose 
Conrad    Nagle 

Fool's    Paradise 
Nazimova 

A    Doll's   House 
Pola    Negri 

Vendetta 

Intrigue  ! 

The    Polish    Dancer 

The   Devil's    Pawn 

The   Eyes   of   the    iMummy 

The    Last    Payment 

The    Red    Peacock 
Asta   Nielsen 

Hamlet 
Mabel   Normand 

Head    Over    Heels 

Molly   O 
Jane    Novak 

The    Soul   of   a   Woman 

Belle  of  Alaska 

Colleen   of  the  Pines 

The   Snowshoe  Trail 

Thelma 
Peggy  O'Day 

Thundering   Hoofs 

The    Storm    Girl 
Seena    Owen 

At    the    Cross    Roads 
Wheeler    Oakman 

Slippey    McGee 

The    Half    Breed 
Eugene   O'Brien 

Clay    Dollars 

Chivalrous    Charley 

Channing    of    the    Northwest 


John    Smith 

The    Prophet's    Paradise 
Ruth    Bryan    Owen 

Once   Upon   a   Time 
Corliss    Palmer 

The  Thistle  and   the  Rose 
Eileen   Percy 

Whatever   She   Wants 

Little   Miss  Hawkshaw 

Elope    if    You    Must 
House    Peters 

Human    Hearts 

The    Storm 
Dorothy   Phillips 

Hurricane  s    Gal 

All   the   World's  a   Stage 
Jack    Pickford 

Garrison's    Finish 
Mary  Pickford 

Tess   of   the    Storm    Country 
Guy  Bates  Post 

The    Masquerader 

Omar    the    Tentmaker 
Maurine  Powers 

Soul    of   Man 
Marie    Prevost 

Don't    Get    Personal 

Dangerous    Little    Demon 

Her   Night   of   Nights 

Kissed 

Nobody's    Fool 

A    Parisian    Scandal 

Married   Flapper 

The   Beautiful  and  Damned 
Albert    Ray 

The    Night   Riders 
Charles    Ray 

Gas    Oil    or    Water 

The  Deuce  of  Spades 

Alias    Julius    Caesar 

The    Barnstormer 

R.    S.    V.    P. 

Two    Minutes   to   Go 

Smudge 

Tailor-Made    Man 
Herbert   Rawlinson 

The    Black    Bag 

Cheated    Hearts 

Man    Under    Cover 

The    Millionaire 

The    Scrapper 

Another   Man's   Shoes 

Confidence 

Don't    Shoot 

One  Wonderful  Night 
Wallace   Reid 

Across    the     Continent 

Rent    Free 

Forever 

The   World's    Champion 

Don't    Tell    Everything 

The   Ghost   Breaker 

The    Dictator 

Thirty    Days 
Dorthy   Revier 

A    Broadway    Madonna 
Billie   Rhodes 

The    Star    Reporter 
Ellen   Richter 

Mme.   Sans  Gene 
Madame   Rejane 

Gypsy    Passion 
Alma    Reubens 

Find    the    Woman 
Will    Rogers 

A    Poor    Relation 

Doubling    for    Romeo 

The    Headless    Horseman 
William    Russell 

The   Strength  of  the  Pines 

A    Self-Made    Man 

The    Roof   Tree 

Money   to   Burn 

The    Men    of    Zanzibar 

Lady   from   Longacre 

Desert    Blossoms 

The   Great  Night 

Mixed    Faces 

The    Crusader 


109 


[Rothacker-Aller  Laboratories,  Inc. 
^  a    Hollywood.  California 


Rothacker  Prints  actually  cost  less  in  the 

long  run  than  ordinary  prints. 

You  save  and  are  safe  when  you^^use  Roth- 
acker Prints  because: 

Rothacker  Prints  represent  all  that  is 

good  in  the  negative,   and  are  made  not  only  to  /ook 
better  but  to  nxjear  longer — 

Proper  color  values  in  tints,  tones  and 

combination  tint-tones  are  used  judiciously  but  generously — 

Every  Rothacker  Print  is   made   on 

best  quality  stock  by  artistic  experts,    under  ideal  con- 
ditions and  skillful  supervision,  honestly  directed — 

Continuity  S\\Q(t\.?,  furnished  free  on  each 

subject     provi  les    economical  and    efficient    replacement 
service — 

Every  Rothacker  Print  h  waxed;  and, 

no  extra  charge  to  Producer,  Distributor  or  Exhibitor — 

All    this,    and    more,  ptus    the   screen- 

securitv    and    business-comfort    whicn    goes    with    our 
known  ability,  reliability  and  responsibility. 


Founded   1910 
by  Watterson  R.  Rothacker 


110 


Wyndham  Standing 

Isle  of  Doubt 
Myrtle  Steadman 

Famous  Mrs.  Fair 
Wm.    H.    Strauss 

House  of   Solomon 
Chas    (Chick)    Sale 

His    Nibs 
Monroe     Salisbury 

The    Great    Alone 
Eileen   Sedgwick 

False   Brands 
Russell   Simpson 

Shadows    of    Conscience 
Otis    Skinner 

Mister    Antonio 
Anita    Stewart 

Her  Mad   Bargain 

The   Invisible    Fear 

A    Question     of    Honor 

The   Woman    He   Married 

Rose    O'    the    Sea 
Roy    Stewart 

Back   to   the   Yellow  Jacket 

The    Innocent    Cheat 

Life's    Greatest    Question 

A    Motion   to   Adjourn 

One   Eighth   Apache 
Edith    Stockton 

Should    a    Wife    Work 
Fred    Stone 

Billy  Jim 
Gloria    Swanson 

Beyond    the   Rocks 

Don't     Tell     Everything 

Her   Husband's   Trademark 

Under  the  Lash 

Impossible    Mrs.    Bellew 

Her  Gilded  Cage 
Constance    Talmadge 

Polly    of   the    Follies 

Woman's    Place 

The    Primitive    Lover 

East    is    West 
Norma   Talmadge 

The    Eternal    Flame 


Love's    Redemption 

Smilin'  Through 

The  Wonderful  Thing 
Richard    Talmadge 

The   Unknown 

Watch    Him    Step 

Taking    Chances 

The    Cub    Reporter 

Wildcat    Jordan 

Putting   It   Over 
Laurette   Taylor 

Peg   O'   My   Heart 
Conway    Tearle 

The   Man   of   Stone 

Love's    Masquerade 

The    Referee 

Shadows  of  the  Sea 

A    Wide    Open    Town 

One  Week  of  Love 
Terry   Twins 

Foolish   Twins 
Richa:  d   Travers 

Dawn    of   Revenge 
Madge    Titheradge 

David    and    Jonathan 

Her    Story 
William    Tooker 

The   Power   Within 
Rodolph    Valentino 

The    Sheik 

Blood    and    Sand 

The  Young  Rajah 
Florence   Vidor 

The    Real   Adventure 

Woman    Wake    Up 

Dusk    to    Dawn 
Marjorie  Villis 

One  Moment's  Temptation 
Erich    Von    Stroheim 

Foolish    Wives 
Johnny   Walker 

Extra    Extra 

The   Jolt 

My   Dad 

In  the  Name  of  the  Law 


Gladys  Walton 
A  Dangerous  Game 
Girl   Who   Ran   Wild 
Lavender   Bath  Lady 
The   Trouper 
Top  O'  The  Morning 
Bernice  Ware 

Blue    Mountain    Mystery 
Henry    B.    WalthaU 

The  Able  Minded  Lady 

Parted     Curtains 

Flower  of   the   North 

One   Clear   Call 

The   Gutter    Snipe 

High    Heels 

Playing   With   Fire 

Second   Hand   Rose 

The  Wise   Kid 
Fannie   Ward 

The    Hardest   Way 
Pearl  White 

Without   Fear 

A    Broadway    Peacock 

Any    Wife 
Big    Boy    Williams 

Western    Firebrands 

Trail   of    Hate 

Across   the   Border 

Blaze   Away 

Rounding    Up    the    Law 
Earle   Williams 

Bring   Him   In 

Man  from  Downing  Street 

Restless    Souls 

Fortune's   Mask 

You    Never    Know 
Margery  Wilson 

The    Offenders 
Claire   Windsor 

What  Do  Men  Want 
Tom  Wise 

Father    Tom 
Clara    Kimball   Young 

What  No  Man  Knows 

Enter    Madame 

The   Hands   of   Nar» 


Work  of  Cameramen 


David  Abel 

Where  Is  My  Wandering  Boy 

Tonight 
Rip   Wan   Winkle 
A    Self-Made    Man 
Money    to    Burn 
The  Men  of  Zanzibar 
Little    Miss    Smiles 
The    Primitive    Lover 
The    Crusader 
Mixed    Faces 
William   S.   Adams 

Destiny's   Isle 
Paul  Allen 

Orphans  of  the  Storm 
Lucien   Andriot 
Trooper   O'Neil 
The    Last    Trail 
Rough  Shod 
The    Ragged    Heiress 
Monte    Cristo 
A   Fool   There   Was 
West  of  Chicago 
Philip  Armond 

Beyond    the     Rainbow 
The   Barricade 
Till    We    Meet    Again 
John  Arnold 

Lights  of  the  Desert 

Very    Truly    Yours 

Seeing's    Believing 
They  Like  'Em  Rough 

Glass  Houses 

The    Fourteenth    Lover 

The    Five    Dollar    Baby 
June   Madness 
Love  in  the  Dark 


W.    Arthur 

Her  Majesty 
Joe  August 
Arabian  Love 
Travelin'   On 
White  Oak 
Three    Word    Brand 
Honor    First 
The  Love  Gambler 
Jacob  Badaracco 
Rangeland 
Love's   Masquerade 
Shadows  of  the  Sea 
West   of  the   Pecos 
South    of    Northern    Lights 
Butterfly    Range 
The  Lure  of  Gold 
The  Heart  of  a  Texan 
Table   Top    Ranch 
Bert   Baldridge 
Daughter    of    Luxury 
J.  A.  BaU 

Toll  of  the  Sea 
Ben   Bail 

The  Ruse  of  the  Rattler 

The    Dangerous   Little   Demon 

Kissed 

Hills  of  Missing  Men 
Friend  Baker 

The  Gray  Dawn 

Heart's    Haven 
George  Barnes 

The    Real    Adventure 

Woman   Wake   Up 

Peg  O'  My  Heart 

Dusk  to  Dawn 

111 


Wilham    Beckly 

Yankee   Doodle,  Jr. 
Rudolph    Bergquist 

Don't    Write    Letters 

I    Can   Explain 

The    Hunch 

Little    Eva    Ascends 

Stay   Home 

Quincy  Adams   Sawyer 
Billy   Bitzer 

Sure-Fire   Flint 
George    Benoit 

The  Masquerader 
Jacques    Bizuel 

A   Pasteboard   Crown 

Whispering    Shadows 

A  Woman's  Woman 
William  Black 

Tropical  Love 
Walter  Blakely 

Don't  Blame  Your  ChOdren 
John   Boyle 

The  Golden  Gift 
Warner  Brandes 

The  Wife  Trap 
Otto  Brautigam 

Whatever    She  Wants 

Elope   If  You  Must 

Little    Miss    Hawkshaw 
George    Brewster 

Mr.    Barnes   of   New   York 
Norbert  Brodin 
Grand    Larceny 
Man    From    Lost    River 

The    Grim    Comedian 

Remembrance 


Xjood  work  commands  attenUoi 


It 


l.jTERNA-riO"*'- 


F,j.„  Service 

HEAHST 


Co..  INC 
PRESIDENT 


@„.opolitauMuctions 


October  13^1^^2 


Uy  dear  Ur.  Blpley.  ^ueBiiSB.-     nf.eHt 

In  ruantiUee.      ^^^  ^tate.   that     ^^„  ^een  ^It*.        ^^^, 

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Cosmopoli^^  highest  typo»        ^  am  a   -ba^^"-^   ,ame 

^^^  ^'/Vt  m  ™e  Kl^^tfive   sons.     "Ijf  ,J   t?,e  sort 
turnea  o^t  "%avor  the  native  regard  to  j^^. 


Claremont  Laboratories 

430  Claremont  Parkway  NewYorkCity 

WALTER  E.CREENE,       President 


]i%2 


Lyman    Broening 

Kindred    of    the    Dust 
Joseph    Brotherton 
The  Infidel 
Domestic    Relations 
Heroes  and  Husbands 
Her    Social    Value 
The   Beautiful   Liar 
The   Woman    Conquers 
Stranger   Than   Fiction 
Woman's   Side 

White   Shoulders 
John   Brown 

Ashamed    of    Parents 
School    Days 

Channing    of   the    Northwest 

Reckless    Youth 

Evidence 
Karl  Brown 

One   Glorious  Day 

Is    Matrimony   a   Failure 

The    Dictator 

The    Old    Homestead 

Thirty   Days 
Fred  Chaston 

Country    Flapper 
Bert    Cann 

Second   Hand  Rose 

Boy    Crazy 

Eden  and   Return 
Charles    G.    Clark 

The   Half    Breed 
Dan  Clark 

For    Big    Stakes 

Fighting     Streak 

Tom   Mix  in  Arabia 

Do    and    Dare 

Just   Tony 
Dal  Clawson 

What    Do    Men    Want 

Woman    He   Married 

Rose    O'    The    Sea 

The   Marriage   Chance 
J.  C.  Cook 

The    Range    Patrol 
William  E.  Collins 

Bobbed   Hair 

The    Truthful    Liar 

Too  Much  Wife 

The  Love   Charm 

Her   Face   Value 
William   Cooper 

Unconquered   Woman 
Curt   Courant 

Hamlet 
William   Crespinel 

The   Glorious   Adventure 
WiUiam    CroUy 

Determination 
Henry  Cronjager 

Just  Around   the   Corner 

The    Seventh   Day 

Tol'able    David 
Jules  Cronjager 

Reported    Missing 

John    Smith 

Chivalrous    Charley 

Shadows    of    the    Sea 

The    Prophet's    Paradise 

Clay     Dollars 

Man  of  Stone 

Evidence 

Reckless    Youth 

One    Week    of    Love 

Love   is  An   Awful  Thing 
Richard   Cronjager 

Sonny 
William    Daniels 

Foolish   Wives 

The  Long  Chance 
Allen    Davey 

Tillie 

South   of   Suva 

The    Heart    Specialist 
Charles    Davis 

The  Prodigal  Judge 

Single    Track 
Faxon  M.   Dean 

North  of  the  Rio  Grande 

The   Call   of   the  North 


While   Satan    Sleeps 

Her   Own    Money 

Cowboy    and    the    Lady 

The    Man    LTnconquerable 
Robert   De  Grasse 

Good   Men  and  True 
Clyde   De  Vinna 

Yellow    Men   and   Gold 
J.    Diamond 

Your   Best  Friend 

Other    Women's    Clothes 

Jane  Eyre 

Notoriety 

Married    People 
Charles    Downs 

The   Broken   Silence 

Girl    From    Porcupine 
Charles  Dreyer 

The   Silent    Call 
Allen    Dovey 

Girl    Who    Ran    Wild 
C.   B.   Dryer 

Brawn    of    the    North 
Joseph  Dubray 

The   Understudy 

The    Call    of    Home 

Silent    Years 

The  Vermillion   Pencil 

Love    Never   Dies 

Winning    With    Wits 

If    I    Were    Queen 

Vp    and    at    'Em 
Max   Dupont 

Heroes    of    the    Street 

Three   Must    Get   Theres 
Ed  Dupar 

Heroes  of  the  Street 
Paul    Eagler 

Border    Scouts 
Arthur    Edeson 

The  Worldly   Madonna 

Robin  Hood 
William  Edmond 

When    Romance    Rides 

Golden    Dreams 
Earl  Ellis 

High     Heels 

The   Trouper 
Edward    Estabrook 

Another  Man's  Boots 
Leslie  Eveleigh 

One   Moment's   Temptation 
Max    Fabian 

His    Rack    Against   the   Wall 

The   Dust  Flower 
Harry  Fairall 

Power  of   Love 
WiUiam    Fildew 

The   Fox 

A    Parisian    Scandal 

The    Wise    Kid 

Broad   Daylight 

Paid    Back 

Under  Two   Flags 
Harry  A.   Firhbeck 

The     Ruling     Passion 

The   Man   from   Beyond 

Curse    of    Drink 

Man    Who    Played    God 
Ross    Fisher 

Girl    in    the   Taxi 

Veiled  Woman 

In    the    Name   of    the    Law 

The    Danger    Point 
George   Folsey 

A   Game  Chicken 

The   Case   of   Becky 

Nancy    from    Nowhere 

Slim     Shoulders 

What's  Wrong  With  the 
Women 
Lawrence    Fowler 

Through    the    Storm 
Harry  Fowler 

The  Unknown 

Taking    Chances 

Cub   Reporter 

Wildcat    Jordan 
George  Freisinger 

Free  Air 

113 


Ei:gene    French 

Jan    of   the    Big    Snows 

Timothy's    Quest 
A.   Fried 

Woman  Who  Fooled  Herself 
Jack  Fuqua 

Peaceful   Peters 
Glen   Gano 

The  Silent  Call 
Antonio    Gaudio 

Shattered    Idols 

The    Eternal    Flame 

Woman    He    Loved 

East   is    West 
Merritt    Gerstad 

Under    Oath 
Chas.  Gibson 

Sure-Fire     Flint 
Harry    Gerstad 

Back   to   the  Yellow  Jacket 

The    Innocent    Cheat 

Chain   Lightning 

Fightin'    Mad 
Edward    Gheller 

The   Unfoldment 
Alfred   Gilks 

Don"t    Tell    Everything 

Under    the    Lash 

Her   Husband's   Trademark 

Beyond   the  Rocks 

Impossible  Mrs.   Bellew 

Her    Gilded    Cage 
Charles  Gilson 

Jan  of  the  Big  Snows 
Bert    Glennon 

Woman    Who    Walked    Alone 

Nobody's    Fool 

Ebb   Tide 

Burning    Sands 
Alfred    Gondolfi 

ilan    Who    Paid 
Frank   B.    Good 

Bar  Nothin' 

Smiles   Are   Trumps 

The  Great  Alone 

Riding   With   Death 
'      Bucking  the  Line 

The   New   Teacher 
King  Gray 

More  to  be  Pitied 
Pliny   Goodfriend 

Gay    and     Devilish 
Axel  Graatkjer 

Hamlet 
Ernest    Haller 

The  Iron  Trail 

For    Your    Daughter's    Sake 

The   Road   to   Arcady 

Wife     Against    Wife 

Outcast 
O.  G.  Hill 

Thundering    Hoofs 
Alfred  Hansen 

Loves  of  Pharaoh 
Bryan    Haskell 

Hurricane's    Gal 
Ralph    Hawkins 

The   Forest    King 
W.    L.    Heywood 

The   Foolish   Age 
Sydney    Hicox 

School    Days 
Percy    Hilburn 

Poverty   of   Riches 

The   Storm 

Man  With  Two  Mothers. 
John    E.    Holbrook 

Squire    Phinn 

Partners    of    the    Sunset 

Woman  Who  Believed 
J.   Roy  Hunt 

Love's    Redemption 

Sherlock    Holmes 

Polly   of  the   Follies 

Woman's    Place 

The    Wonderful    Thing 
Philip   Hum 

Handle   With    Care 
J.  C.  Hutchinson 

The   Half    Breed 


The   Year's   Work 
"Enemies  of  Women" 

(International) 
(In  Collaboration  with  John  Lynch) 

"The  Bondboy" 

(Starring  Richard  Barthelmess) 

"The  White  Sister" 

(Starring  Lillian  Gish) 

"Backbone" 

(Distinctive  Pictures) 

"Hazel  Kirke" 

(Starring  Constance  Binney) 

"The  Helmet  of  Navarre" 

(International) 


Charles  E.  Whittaker 


Scenario  Writer  for 

John  Barrymore 

Richard  Barthelmess 

Constance  Binney 

Pauline  Frederick 

Lillian  Gish 

55  West  44th  Street 

Alia  Nazimova 

New  York  City 

Mary  Pickford 

114 


Roy  Irish 

The    New    Disciple 
Harold  Janes 

Conflict 
Fred  Jackman 

Cross    Roads    of    N.    Y. 

Molly   O 
Dev  Jennings 

The    Lure    of   Jade 

Two   Kinds   of   Women 

The    Glory    of    Clementina 

Bells  of  San  Juan 

Without   Compromise 
Michael  Joyce 

My    Old    Kentucky    Home 

Queen    of    the    Moulin    Rouge 

Fools  of  Fortune 

When    the    Desert    Calls 
Alvin  Ketchell 

The  Leach 
J.   Julius 

Sir    Arne's    Treasure 
Charles    Kaufman 

The   Bear   Cat 

Step    On   It 
David   Kesson 

Penrod 

Fools    First 

The  Lotus  Eater 

Minnie 
Ben  Kline 

The    Rough    Diamond 

Chasing   the   Moon 

Up    and    Going 

Trailin' 

Sky   High 

Lady   from   Longacre 

Wolf    Law 
Alvin    Knechtel 

The    First    Woman 
Robert   Kurrle 

Silver    Wings 

A   Question  of  Honor 

I    Am   the   Law 

Her  Mad   Bargain 

The  Invisible  Fear 
Leland  Landcaster 

Go   Straight 

Dr.    Jim 

Tracked  to  Earth 

Across    the    Dead-Line 
John    La    Mond 

The    Old    Oaken    Bucket 
George    Lane 

A    Broadway    Peacock 

Driven 
Lester  Lang 

Mohican's  Daughter 
Sam    Landers 

The  Sign  of  the  Rose 

What    No    Man    Knows 
George    Larson 

Rip    Van   Winkle 
Alfred    Latham 

The   Fire   Eater 

Headin'   West 
Joseph    Levering 

Flesh  and  Spirit 
Ollie  Leach 

My  Old  Kentucky  Home 
Marcel    Le    Picard 

A  Poor  Relation 

Doubling  for    Romeo 

Bride's    Confession 

Wildness  of  Youth 
Al  Ligouri 

Boomerang   Bill 

Timothy's    Quest 
Edward  Linden 

The    Rosary 
Walter  Linden 

A  Sailor-Made  Man 
Grandma's    Boy 
Chester  Lyons 
Sisters 

Get    Rich-Quick    Wallingford 

Back    Pay 

The  God  Provider 
Bootlegger's    Daughter 
Valley  of  Silent  Men 

Pride  of  Palomar 


Edgar  Lyons 

A    Western    Demon 

So    This    Is    Arizona 

The    White    Masks 

Gold    Grabbers 

Smilin'  Jim 

Angel    Citizen 
Claude  L.  MacDonnell 

Bonnie    Briar    Bush 
Tom    Malloy 

Without    Fear 

Any  Wife 

A    Stage    Romance 

Shackles   of   Gold 

Moonshine    Valley 
Oliver    T.    Marsh 

Fascination 

Peacock  Alley 

Red    Hot    Romance 

Woman's   Place 

Broadway  Rose 

Mohican's    Daughter 
Rudolph  Mariner 

What  Fools  Men  Are 
William  Marshall 

The  Great  Impersonation 

The    Sheik 

Moran  of  the  Lady  Letty 

Our    Leading    Citizen 

Th,e    Bachelor    Daddy 

The  Ghost  Breaker 

The  Jilt 
H.    Kinley    Martin 

The   Sleepwalker 

First    Love 

Midnight 

The   Speed    Girl 
Robert    Martin 

My    Boy 

Trouble 
Arthur    Martinelli 

Face   Between 

Ladyfingers 

Sherlock    Brown 

Right    That    Failed 

The    Idle    Rich 

Youth   to   Youth 
Joe    Mayer 

False    Brands 
H.    C.    McClung 

Desert   Blossoms 
Wm.  McCann 

Hurricane's   Gal 
Barney    McGiU 

My    Lady    Friends 
Jack    MacKenzie 

The  Jolt 

Bring  Him  In 

Belle   of  Alaska 

Secret   of   the   Hills 

Snowshoe  Trail 

Colleen   of  the  Fines 

Thelma 
Glenn    McWilliams 

My    Boy 

Trouble 

Oliver   Twist 

Deserted  at  the  Altar 
John  Meigle 

Deserted  at  the  Altar 
John  Mescall 

From  the  Ground  Up 

All's   Fair   in   Love 

The   Glorious   Fool 

Dangerous    Curve  Ahead 

The  Wall  Flower 

Watch    Your    Step 

Brothers  Under  the  Skin 
Nelson  McEdwards 

Without  Compromise 
Geo.  Meehan 

Tailor  Made  Man 
Arthur   C.   Miller 

Forever 

To  Have  and  to  Hold 
Virgil   Miller 

The   Scrapper 

The   Black   Bag 

The    Man    Under    Cover 

Cheated    Hearts 

lis 


Three    Live    Ghosts 

Sure    Fire 

The  Trap 

Red    Courage 

Ridin'  Wild 

The   Lone  Hand 

Don't   Shoot 
Victor  Milner 

Shadows    of    Conscience 

Her    Night    of    Nights 

The    Cave    Girl 

Human    Hearts 

Kentucky  Derby 

Lavender  Bath  Lady 
Ernest  Miller 

Boss  of  Camp  4 

Saved   by    Radio 
Hal  Mohr 

Watch    Him    Step 

The  Unfoldment 

Saved   by   Radio 
Carlo    Montuori 

Retribution 
Milton   Moore 

The    Gutter    Snipe 

Playing    With    Fire 

Don't    Get    Personal 

The  Loaded  Door 
Ira   H.   Morgan 

Beauty's   Worth 

Enchantment 

Find   the  Woman 

The   Bride's   Play 

When  Knighthood  Was  ia 
Flower 

Face  in  the  Fog 
K.    H.    Moses 

Don't   Blame  Your  Children 
Robert   Newhard 

Hungry   Hearts 

Trail  of  the  Axe 
William  Nobles 

Barb    Wire 

Crow's  Nest 
Steve  Norton 

Ghost    City 

Too   Much   Married 
Wilham   O'Connell 

Come   On    Over 

The  Hands  of  Nara 

Enter    Madame 
Edward  Oswald 

Confidence 
Alfred   Ortlieb 

Stardust 

The    Light    in    the    Dark 
Roy   Overbaugh 

Spanish    Jade 

Love's   Boomerang 

Footlights 

The  Man  From  Home 

The   Bond   Boy 

Women    Men    Marry 
Freeman    H.    Owens 

A  Maker  of  Men 
Ernest    Palmer 

One  Clear  Call 

The    Song    of    Life 

Always    the    Woman 

Red   Hot   Romance 
Edward   Paul 

Fair  Lady 

House    of    Solomon 

How  Women  Love 

Secrets  of  Paris 
A.    G.   Penrod 

Silas   Marner 

Down   to   the   Sea   in   Ships 
Harry  Perry 

Shadows 

If  You  Believe  it.  It's  So 
Borderland 

The    Crimson    Challenge 

The   Ordeal 

A   Prince  There  Was 
Paul   Perry 

Over  the  Border 

The  Little   Minister 

Singed   Wings 

Pink   Gods 


Carl  G.  MiUigan 

of   Service    for  Authors,  Inc. 
Oilers  for  Screen  Use  Selected 
Material  by  the 
World's     Foremost     Authors. 

Honest  Service 
Reasonable  Prices 
Exclusive  Representation 

33  West  42nd  St.,  N.Y.City 

Longacre  2453 


JOHN 
EMERSON 

and 

ANITA 
LOOS 


For  Constance  Talmadge:  "A  Temperamental  Wife,"  "The  Virtuous  Vamp,"  "The  Love  Ex- 
pert," "In  Search  of  a  Sinner,"  "The  Perfect  Woman,"  "Dangerous  Business,"  "Wom- 
an's  Place,"   and   "Polly   of  the   Follies." 

For  Paramount-Artcraft :     "Come  On  In"  and  "Oh,  You  Women." 

For  Norma  Talmadge:     "The  Social  Secretary." 

For  Douglas  Fairbanks:  "Reaching  for  the  Moon,"  "The  Americano,"  "Down  to  Earth,"  "His 
Picture  in  the  Papers,"   "Wild  and  Woolly,"    "In  Again — Out  Again." 

Address:    130  West  44th  Street,  New  York 


116 


G.  O.  Post 

Shirley   of  the    Circus 
Gus    Peterson 

Mysterious    Rider 

The  Gray   Dawn 

Heart's    Haven 

When   Romance  Rides 
Harry  Plimpton 

Nero 
Sol  Polito 

Trimmed 

The    Roof   Tree 
Len    Powers 

Knight   of  the   West 
Dudley    Reed 

Once  Upon  a  Time 
Irving    Reese 

Too    ^Nluch    Business 

Ladder  Jinx 
Arthur    Reeves 

Afraid    to    Fight 

Out  of  the   Silent   North 

Man   Who    Married    His    Own 
Wife 

Ashes 

The   Galloping  Kid 
Ben  Reynolds 

False  Kisses 

The    Golden    Gallows 

Shattered  Dreams 

A   Wonderful   Wife 

Foolish  Wives 

Another  Man's  Shoes 
George  Rizard 

Gas,     Oil    or    Water 

The  Deuce  of  Spades 

Alias    Julius     Caesar 

R.    S.    V.    P. 

Two  Minutes  to  Go 

Smudge 

The    barnstormer 

Tailor-Made    Man 
George    Robinson 

A    (.luilty    Conscience 

Restless   Souls 

No   Defense 

The   Silent   Vow 

When    Danger   Smiles 

The  Fighting  Guide 
Jackson    Rose 

The   Married   Flapper 

Dangerous   Age 

Paid  Back 
Charles    Rosher 

Smilin'    Through 

Tess  of  the  Storm  Coimtry 
W.    Arthur    Ross 

The    Fire    Bride 

Received     Payment 

A     Virgin's     Sacrifice 

Island    Wives 
Hall  Rosson 

The    Cradle 

For   the   Defense 

A    Virginia     Courtship 

A   Homespun  \"amp 

Through    a    Glass    Window 

Garrison's   Finish 
Irving  Rubenstein 

Holdane  of  the  Secret   Service 
Joseph    Ruttenberg 

S.lver  Wings 

Who  Are  My    Parents 

I  own  That  Forgot  God 

My  Friend  the  Devil 
Hendrik    Sartor 

Orphans    of   the    Storm 

One   Exciting   Night 
Homer   Scott 

Cross  Roads  of  N.  Y. 
Joe    Schelderfer 

The   Prodigal   Judge 

Divorce  Coupons 
George  Schneiderman 

Western    Speed 

Queen  ie 

Jackie 

Pardon    My    Nerve 

The  Village   Blacksmith 

Youth  Must  Have  Love 

Fast   Mail 


C.  E.  Schoenbaum 

Exit    the    Vamp 

Across    the    Continent 

The    World's     Champion 

Rent    Free 

The    Siren    Call 

On  the  High  Seas 
Abe    Scholtz 

The   Light   in    the    Clearing 
Allen   Seigler 

A   Hole  in  the  Wall 

Hate 

Kisses 
John  F.   Seitz 

Prisoner    of    Zenda 

Turn   to    the    Right 

Trifling   Women 
Joe  Scholz 

Affinities 
Joe   Settle 

Ten    Nights    in    a    Bar    Room 
Henry   Sharp 

Hail  the  Woman 

Lorna   Doone 
Don    Short 

Ace  of  Hearts 

Strength  of  the   Pines 

Gleam    O'Dawn 

The  Yellow   Stain 

Iron     to     Gold 

The    Devil    Within 

Strange   Idols 

Calvert's  Valley 

While  Justice  Waits 

The  Yosemite  Trail 

Oathbound 

Fast  Mail 
Hal  Sintzenich 

The   Challenge 
Ernest    Smith 

The    Girl    in    His    Room 

Man    From    Downing    Street 

You   Never   Know 
Stephen    Smith,    Jr. 

My    Wild    Irish    Rose 

Flower   of   the    North 

The   Little   Minister 

Angel    of    Crooked    Street 

The    Son    of    WalKngford 

Little  Wildcat 

A    Girl's    Desire 

Fortune's   Mask 
Theodore  Sparkuhl 

Loves    of    Pharaoh 
Jack  Sprecht 

West  of  the  Pecos 

The  Heart  of  a  Texan 
Wm.   Steiner,  Jr. 

Table   Top    Ranch 

South  of  Northern   Lights 

Butterfly    Range 
Harry    Stradling 

His   Wife's    Husband 

Fair   Lady 

How  Women   Love 

Secrets    of    Paris 
Karl    Struss 

The   Law    and    the    Woman 

Saturday    Night 

Fools    Paradise 

Fools    First 

The   Hero 

Rich  Men's  Wives 

Thorns  and  Orange  Blossoms 

Minnie 
Niel   Sullivan 

Sure-Fire   Flint 
Robert    A.    Stuart 

French  Heels 

No    Trespassing 
Charles    Stumar 

When    the    Devil    Drives 

Skin    Deep 

Don't    Doubt   Your    Wife 

Trail    of    Hate 

Caught   Bluffing 

Forsaking   All   Others 

When  Husbands  Deceive 

Top    O'   the   ^lorning 

117 


John    Stumar 

Pardon   My  French 

Cardigan 

Anne  of  Little  Smoky 

Blaze  Away 

Forgotten  Law 

Super  Sex 
F.  H.  Sturges 

Mysterious    Rider 
Lucien   Tainguy 

Girl    from    Porcupine 

God's  Country  and  the  Law 
J.   O.   Taylor 

Blind    Hearts 

The   Sea   Lion 
John   Thompson 

Girl    from    Rocky    Point 

Crossing    Trails 

My   Dad 
Robert  Thornby 

The    Kick-Back 
■William    Thornley 

Man    to    Man 

Cameron   of  the  Roval   Mount- 
ed 

Good  Men  and  True 
Harry  Thorpe 

Wild    Honev 
Arthur   L.   Todd 

According  to  Hoyle 

Forget  Me  Not 
William  Tuers 

Beyond     the    Rainbow 

The    Barricade 

Till  We  Meet  Again 
Anthony    G.    Trigili 

Bootleggers 
Ned  Van   Buren 

Cardigan 

Headless    Horseman 
Charles    Van    Enger 

A    Doll's    House 

Kindred  of  the  Dust 

Famous  Mrs.  Fair 
James    C.    Van    Trees 

Morals 

Top    of    New    "^ork 

Green  Temptation 

Young   Rajah 

The    Bonded   Woman 
E.    J.    Vallejo 

The    Millionaire 

Three  ^Nlust  Get  Theres 
Arpad  Viragh 

All   for  a   Woman 
M.    Vlad.mer 

Possession 
William   Wagner 

The   Referee 

A    Wide    Open    Town 

The   Way    of   a    Maid 

Why     Announce     Your     Mar- 
riage 
Fred   Waller,   Jr. 

The    Crad'.e    Buster 
Dwight  Warren 

The   Altar    Stairs 
Gilbert   Warrenton 

Hush    Money 

The  Dawn  of  the  East 

Lane    That    Had    No    Turning 

Missing  iMillions 

Anna   Ascends 

More   to   be   Pitied 
George    Webber 

Head    Over    Heels 

Cinderella  of  the  Hi'ls 

Extra  !   Extra  ! 
C.    Welty 

Reckless    Chances 
Harold  Wenstrom 

The    Young    Diana 

The    Beauty    Shop 

The  Face  in  the  Fog 

When    Knighthood    was    in 
Flower 
Guy  Wilky 

Bought  and  Paid   For 

After   the    Show 

(Continued  on  page  443) 


GARRETT  ELSDEN  FORT 

Continuities  Titles 

Originals  Editing 

Publicity 


Edfrid  A.  Bingham 

Scenarios 

"GLIMPSES  OF  THE  MOON" 

Now  in  production 

"SINGED  WINGS" 

Penrhyn  Stanlaws  Production 

"THE  LITTLE  MINISTER" 

Famous  Players-Lasky 

"EARTHBOUND" 

Goldwyn 

Lasky  Studio        Hollywood,  California 

118 


Work  of  Scenario  Writers 


Abramson,  Ivan 

Wildness  of  Youth 
Adamson,  Ewart 

Pink   Gods 
Ade,  George 

Our   Leading   Citizen 
Alexander,  J.  Grubb 

The   Swamp 

Shattered   Dreams 

Chain  Lightning 

The  Innocent  Cheat 

Colleen  of  The  Pines 
Archainbaud,   George 

One  Week  of  Love 
Andres,   Richard 

The   Deuce  of  Spades 
Askew,  Alice  and  Claude 

Under  the  Lash 
Baird,  Leah 

Don't  Doubt  Your  Wife 

When   Husbands  Deceive 
Baker,  C.  Graham 

The  Single  Track 

Little  Minister 

No  Defense 

The  Angel    of   Crooked    Street 

My  Wild  Irish  Rose 

A   Girl's   Desire 
Ballin,   Hugo 

Jane    Eyre 

Married   People 
Barrel! 

Home-Keeping  Hearts 
Beebe,  Ford   I. 

Too   Much  Business 
Beamont,   Harry 

June  Madness 
Beranger,   Clara 

The  Wonderful  Thing 

Miss   Lulu   Bett 

Exit  the  Vamp 

Bought    and    Paid    for 

Nice    People 

Clarence 
Beresford,  Frank 

Anne   of   Little   Smoky 

The  Hands  of  Nara 

Enter  Madame 
Bergere,  Ouida 

Forever    (Peter    Ibbetson) 

Three   Live   Ghosts 

The    Man    From   Home 

To  Have  and  To  Hold 
Bingham,    Edfrid  A. 

The    Little    Minister 

A   Virginia  Courtship 

Singed    Wings 
Boilers,   Florence 

Too   Much   Married 
Boyle,   Jack 

The  Face  in  the  Fog 
Brenon,  Herbert 

The  Wonderful  Thing 

Moonshine    Valley 
Brockelhurst,  J. 

The  Sign  of  the  Rose 
Brooks,   Loida 

Beyond   the    Rainbow 
Brooks,  Marion 

Man  Who  Paid 
Brown,  Earl 

Sherlock   Holmes 
Browne,   Lewis  Allen 

Handcuffs    and    Kisses 

The  Way  of  a  Maid 

The  Man  of  Stone 

Shadows  of  the  Sea 

Reported   Missing 
Browning,    Tod 

Under    Two    Flags 
Buchowetski,  Dimitri 

All   for   a  Woman 
Butler,  Alex.   B. 

The   Night   Riders 
Cabanne,    Wm.   Christy 

Beyond    the    Rainbow 


Carlucci,  A. 

Theodora 
Carpenter,  Grant 

The  Pride  of  Palomar 

Brothers  Under  the  Skin 
Carr,   Harry 

The   Country   Flapper 
Catlin,   Alace 

The   Vermillion   Pencil 
Chaplin,   Charlie 

The  Idle  Class 

Pay   Day 
Clancy,    C.   S. 

The    Headless   Horseman 
Clark,  Frank  Howard 

Billy  Jim 
Clarke,    Violet 

The  Foolish  Age 

Domestic    Relations 
Chester,  Mr.  and  Mrs.  Geo. 

The  Son  of  Wallingford 

The  Lavender  Bath  Lady 

The    Alter    Stairs 
Clift,  Denison 

Why    Men    Forget 

The  Woman  Who  Came  Back 

A   Bill  of  Divorcement 
Clifton,  Wallace 

High    Heels 

The    Millionaire 

Cheated   Hearts 

The  Gutter  Snipe 

Tracked  to  Earth 

The   Wise   Kid 

Out  of  the  Silent  North 

Trimmed 
Clymer,  John  B. 

Forget-Me-Not 
Coffee,  Lenore  J. 

Ladyfingers 

The  Right  That  Failed 

The  Face  Between 

Sherlock  Broun 
Condon,   Frank 

The  Man  Who  Saw  Tomorrow 
Considine,  Mildred 

Bride's    Play 

The  Real  Adventure 
Cork,  J.  Frank 

Foolish  Wives 
Courtney,  Wm.  B. 

Island  Wives 

Divorce  Coupons 
Cowan,  Sada 

A   Fool's  Paradise 

What  No  Man  Knows 

The  Wordly    Madonna 
Creelman,  James  A. 

Smilin'  Through 
Cunningham,  Jack 

The  Call  of  the  North 

Beyond  the  Rocks 

The  Ghost-Breaker 
Curwood,  James  Oliver 

The   Girl    From   Porcupine 
Darling,  Scott 

Watch   Him  Step 
Davenport,  Delbert 

Smiles  Are  Trump 
Dazey,  Frank 

Rich  Men's  Wives 
De  Leon,  Walter 

School    Days 

Rags   to    Riches 
De  Frolignac,  Marquis 

Orphans  of  the  Storm 
d'Usseau,  Leon 

April  Filly 

Miracle  of  Love 

Restless  Sex 

Heedless   Moths 
Dickey,   Basil 

The  Right  Way 
Dittmar,  Harry 

The   Single  Track 

My   Wild   Irish   Rose 

119 


Dix,  Beulah,  Marie 

A  Fool's  Paradise 

Crimson    Challenge 

The  Ordeal 

Borderland 
Dixon,  Thomas,  Jr. 

Bring   Him   In 

Thelma 
Donovan,  Frank  P. 

Silas   Marner 
Doty,  Douglas 

The    Speed    Girl 

Nance   From   Nowhere 
Duffy,  Gerald  C. 

Where    is     My    Wandering    Boy 
Tonight 

Her   Social   Value 

Sure  Fire  Flint 
Dunlap,   Scott 

Western  Speed 
Dunn,  Winifred 

Silent  Years 

Two  Kinds  of  Women 
Ellis 

Home-Keeping   Hearts 
Emerson,  John  and  Anita  Loos 

Woman's  Place 

Red   Hot   Romance 

Polly    of   the   Follies 
Eyton,  Alice 

Tillie 
Fairfax,   Marion 

The  Lotus  Eater 

Sherlock  Holmes 

The   Lynir  Truth 

Fools   First 

The   Snowshoe  Trail 
Falk,    Norbert 

The    Loves    of   Pharaoh 
Fallon,  Thos.  F. 

The  Bootleggers 

The    Broken    Silence 
Farnum,  Dorothy 

The  Iron  Trail 

Fair   Lady 

His    Wife's    Husband 

How  Women  Love 

Secrets  of   Paris 
Feyder,  Jacques 

Missing  Husbands 
Fort,  Garrett  Elsden 

Five    Days   to   Live 

Gay   and   Devilish 
Franklin,  S.  A. 

Smilin'  Through 
Furthman,  Jules  G. 

The  Roof  Free 

Gleam  O'   Dawn 

The  Ragged  Heiress 

Arabian  Love 

Yellow    Stain 

Strange   Idols 

Calvert's  Valley 

"The    Love   Gamblers 
Furthman,   C. 

Lotus    Blossom 
Furey,  Barney 

Headin'   North 
Gates,  Harvey 

Red  Courage 

Fire  Eater 

Headin'  West 

The   Golden    Gallows 

The  Man  Under  Cover 

Hurricane's  Gal 

Broad    Daylight 
Goodman,   Daniel  Carson 

What's  Wrong  With  The  Women 
Goulding,  Edmund 

Peacock    Alley 

Tol'able   David 

Seventh  Day 

Fascination 

Broadway    Rose 

Till  We  Meet  Again 
Guyol,  Edwin   Warren 

The  Vermillion  Pencil 


J.  Clarkson  fliller 

Originals — Continuity — Editing — Titles 

Famous  Players-Lasky 
Eastern  Studio 


Permanent  Address: 

3  Fairmont  Avenue 

Hastings-on-Hudson,  N.  Y. 


Telephone : 
Hastings,  885-M 


WALDEMAR  YOUNG 

Staff  Writer 
Paramount  Pictures 


Commuting 
between'. 

Famous   Play- 
ers' Long 
Island  Studio 

and 

Lasky    Studio, 
Hollywood. 


FOR  EARLY  RELEASE: 

"JAVA  HEAD"— George  Melford 

Special 

CURRENT  RELEASE: 

"EBB  TIDE"— George  Melford 

Special 

RECENT  RELEASE: 

"IF  YOU  BELIEVE  IT,  IT'S  SO" 

Thomas  Meighan  Feature 


120 


Hall,  George  Edwards 

The  Kick-Back 

Good    Men    and    True 
Halsey,   Forrest 

Ruling   Passion 

The  Man  Who  Played  God 
Hampton,   Ben  B. 

The    Gray    Dawn 

Golden    Dreams 
Harbaugh,   Carl 

Little    Miss    Hawkshaw 
Harez,  Jean 

Grandma's   Boy 
Harris,   Elmer 

Her    Own    Money 

Her  Gilded   Cage 
Hastings,   Wells 

The    Sleep    Walker 
Hawks,  J.  G. 

The    Glorious    Fool 

The   Storm 

Love  in  the  Dark 
Heath,  Percy 

Her    Face    Value 

The  Love  Charm 

First  Love 

The  Truthful  Liar 

Her    Gilded    Cage 

The  Impossible  Mrs.  Bellow 
Heazlit,    Eva   B. 

A  Knight  of  the  West 
Heilbron,  Adelaid 

Women    Men    Marry 
Hein,   Florence 

The  Golden  Gift 
Hellman,   Geo.   S. 

Married     People 
Hendricks,    Adelaide 

Ashamed    of    Parents 
Heavil,  Rene 

Blanchette 
Heywood,  W. 

The   Son   of   the   Wolf 
Hillyer,   Lambert 

Three  Word  Brand 

Man    From    Lost   River 

Trave'in'    On        -     - 

The    Super    Sex 
Hively,    George 

Go   Straight 

The    Bear   Cat 

The   Man  Who   Married 

His  Own  Wife 

The    Black    Bag 

Don't    Shoot 

The    Loaded    Door 
Hobart,   Doty 

Boomerang    Bill 

Beauty    Shop 

Find    the   Woman 
Hopkins,   George 

The  Top  of  New  York 
Howard,  William  K. 

Trooper    O'Neill 
Hoyt,   Harry   O. 

Pardon  My  French 

God's  Country  and  the  Law 
Hubbard,  Lucien 

The  Fox 

Wild  Honey 

Human   Hearts 
Hughes,   Rupert 

From    the    Ground    Up 

Come    On    Over 

The  Wall   Flower 

Remembrance 
Hull,  George  C. 

Conllict 

Sure    Fire 

Across  the  Dead  Line 

Man    to    Man 

The    Trap 

The   Kentucky   Derby  . 
Hunt,    Mary 

Molly    O 
Ingraham,  Lloyd 

At  the  Sign  of  the  Jack  O'Lantern 
Ingleton,    E.   Magnus 

On  the   High   Seas 
Ingram,   Rex 

Trifling  Women - 


Jaccard,  Jacques 

The  Fast   Mail 
Jefferson,   L.   V. 

Yellow  Men  and  Gold 
Tracks 
Jessie,   Harry  Chandlee 

Nine  Seconds  from  Heaven 
Johnson,    Emilie 

In  the  Name  of  the  Law 
Johnston,   Agnes   C. 

Rich    Men's   Wives 
Julian,   Rupert 

The  Girl  Who  Ran  Wild 
Josephson,   Julien 

Dangerous  Curve  Ahead 

Watch    Your    Step 

His  Back  Against  the  Wall 

The    Man   with      Two   Mothers 

The  Man  LTnconquerable 

The    Old    Homestead 

The   Cowboy  and  the  Lady 

Hungry  Hearts 
Katterjohn,  Monte  M. 

The    Great   Impersonations 

The    Sheik 

Moran    of    the    Lady    Letty 

The  Green  Temptation 

A    Self   Made   Man 

The  Impossible  Mrs.  Bellow 
Kelly,    Anthony    Paul 

Star  Dust 
Kennedy,    Edith 

The  Fourteenth  Lover 

Glass     Houses 

Youth    to    Youth 
Kenyon,   Charles 

The    Invisible    Power 

Grand   Larceny 

The    Dust    Flower 
King,    Henry 

Tol'able    David 
Kirkland,    David 

At  the  Sign  of  the  Jack  O'Lantern 

The    Veiled    Woman 

The   Ladder  Jinx 
Knowlton,    Vianna 

After  the  Show 
Kraly,    Hanna 

The   Loves   of  Pharaoh 
Lee,   Rob't  M. 

Shirley    of   the   Circus 
Le  Vino,  Albert  Shelby 

Don't    Tell    Everything 

Law    and    the   Woman 

Over    the    Border 

While   Satan   Sleeps 

The   Bonded   Woman 

Missing  Millions 
Le  Saint,   Edward  J. 

The  Men  of  Zanzibar 
Lewis,   Eugene  B. 

Dr.   Jim 
Lewis,    Louise 

The    Strength    of   the    Pines 
Lighton,   W.  R. 

The   Light   in   the   Clearing 
Lloyd,   Frank 

Oliver  Twist 
Logue,  Chas.  A. 

The   Woman  Who   Fooled   Herself 
Loring,    Hope 

Paid  Back 

Shadows 

Thorns    and    Orange    Plossoins 
Lovett,  Josephine 

Footlights 

Love's  Boomerang 

The    Spanish    Jade 
Lowe,  E.  T.,  Jr. 

The    Scrapper 

Under  Two  Flags 
Lynch,   John 

Received   Payment 

Good    Provider 

The  Pride  of   Palomar 
Lynde,    Francis 

Bucking   the    Line 
McConville,   Bernard 

Without  Compromise 

Quincy    Adams    Sawyer 

121 


McCullum,   Ridgewell 

The  Trail  of  the  Ape 
McCarthy,  John  P. 

Shadows  of  Conscience 
MacDonald,   Hazel 

After    the    Show 

The   Girl   from  Rocky  Point 
MacPherson,  Jeanie 

Saturday  Night 

Manslaughter 
McConville,  Bernard 

Doubling   for   Romeo 

Monte    Cristo 

The    Rosary 

A   Poor   Relation 

A    Fool    There    Wa3 
McCloskey,   Laurence 

Slim  Shouders 
McGowan,   Bob 

The  Girl   in   the  Taxi 
Maigne,   Charles 

Hush    Money 
Marcelle,   Sonya 

Lady    Godiva 
Marion,   Francis 

Just  Around  the  Corner 

iBack  Pay 

The  Primitive  Lover 

Sonny 

The    Eternal    Flame 

The  Toll   of  the   Sea 
Mason,   Sarah   Y. 

Love    is    An    Awful    Thing 
Mathis,  June 

The   Idle    Rich 

The  Hole   in   the  Wall 

Turn   to   the   Right 

Hate 

Blood  and  Sand 

The   Young   Rajah 
Mear,  F.   Fowler 

John  Forest  Finds  Himself 
Meredith,   Bess 

Grim    Comedian 

The    Song   of   Life 

Grand    Larceny 

The  Woman    He   Married 

One    Clear    Call 
Miller,   Dr.   Francis    Trevelyan 

Hamlet 
Miller,  J.   Clarkson 

The    Case    of    Becky 
Miles,  John  Anthony 

The  Trail  of  Hate 
Mong,   William  V. 

The  Woman  He  Loved 
Milne,  Peter 

Queen   of  the  Moulin   Rouge 

When   the   Desert   Calls 

What  Fools  Men   Are 
Montagne,  Edward  J. 

A    Man's    Home 

Conceit 

A  Wide  Open  Town 

Reckless   Youth 

Love's   Masquerade 

Evidence 
Moon,  Lorna 

Her    Husband's   Trademark 
Morgan,  Byron 

Across  the   Continent 
MuUin,    Eugene 

The  Land  That  Had  No  Morning 
Murfin,  Jane 

The    Silent  Call 

Brawn    of   the   North 
Murillo,   Mary 

Silent    Years 

Moonshine    Valley 
Musson,   Bennett 

White  Oak 
Myers,  Roy 

Ridin'   Wild 
Myton,  Fred 

South    of    Suva 
Nash,   E.,  Jr. 

World's   Champion 

The    Siren   Call 
Neilan,  Marshall 

Minnie 


LUTHER  REED 

Adaptor  of — 

"When  Knighthood  Was 

in  Flower" 

Cosmopolitan  Productions 

JOHN   LYNCH 


122 


Nigh,   Wm. 

School   Days 
Your    Best    Friend 
Rags   to    Riches 
Notoriety 
O'Hara,   Mary 
Turn   to  the   Right 
Prisoner    of    Zenda 
Orman,  Felix 

The   Glorious  Adventure 
Owen,   C. 

The   Sign   of   the    Rose 
Parsons,    Agnes 
Riding   With    Death 
Chain    Lightning 
The   Fast   Mail 
Perez,  Marcel 

The  Better  Man  Wins 
Pigott,  Wm. 

New    Disciple 
Poland,  Joseph   Franklyn 
Blind    Hearts 
The  Sea  Lion 
Elope   if  you   Must 
The  Forgotten  Law 
Powers,  Fremcis 

Shadows  of  Conscience 
Pratt,   Jack 

Yankee   Doodle,   Jr. 
Printzlau,    Olga 
The   Cradle 
The   Batchelor   Daddy 
Burning    Sands 
Quirk,   Josephine 

A   Question  of   Honor 
Rabock,   Alfred 

Driven 
Ray,   Albert 

A  Tailor-Made  Man 
Reed,   Luther 
Enchantment 

Get   Rich   Quick  Wallingford 
Beauty's    Worth 
The    Young    Diana 
When  Knighthood  Was  In  Flower 
Revier,  Harry 

Life's  Greatest  Question 
Reynolds,  Lynn   F. 
Trailin' 
Sky    High 
Just   Tony 
Tom   Mix  in  Arabia 
Rice,    Elmer 
Rent  Free 
Ritchey,  Will  M. 
North  of  the  Rio  Grande 
The  Woman  Who  Walked  Alone 
Roach,  Hal 

Grandma's    Boy 
Rosson,   Arthur 

The    Fighting    Streak 
Russell,  C.  Case 

Ten   Nights   in   A  Bar  Room 
Salvatori  Fausto 

Retribution 
Sarner,  Charles 
Nero 

Afraid  to  Fight  - 
Caught  Bluffing 
Wolf   Law 
Schayer,    E.   Richard 

The  Glory  of  Clementina 
Schofield,   Paul 
Very    Truly    Yours 
Lights  of  the  Desert 
West    of   Chicago 
Mixed    Faces 
Boss   of   Camp  4 
Schrock,  Raymond  L. 
I   Am   The   Law 
Confidence 
The  Long  Chance 
A   Woman's  Woman 


Schroeder,   Doris 

Nobody's  Fool 
A    Parisian    Scandal 
Playing    With    Fire 
Don't   Get   Personal 
Dangerous  Little   Demon 
Kissed 

Her   Night  of   Nights 
Her   Married   Flapper 
Seastrom,  Victor 

The   Stroke  of      Midnight 
Sedgwick,    Edward 

The    Rough    Diamond 
Sheldon,  E.  Lloyd 

The    Dawn   of   the   East 
Sheehan,   Perley   Poore 
Always    the    Woman 
If  You  Believe  It,  It  Is  So 
Shields,  James  K. 

A    Maker    of    Men 
Sinclair,   Irene 

One   Exciting   Night 
Sloane,  Paul  H. 
A  Stage  Romance 
Shackles  of  Gold 
Silver   Wings 
Who   Are    My    Parents 
The  Village  Blacksmith 
Smith,  Cliff 

My    Dad 
Smollen,   Bradley  J. 
Flower  of  the   North 
The   Silent  Vow 

The  Man  From  Downing  Street 
Little    Wildcat 
Squier,  Lucita 

Penrod 
Staller,  Arthur  F. 
All's   Fair   in   Love 
Poverty    of    Riches 
Man   From  Lost   River 
A    Wonderful    Wife 
Step   On    It 
Trimmed 

Another    Man's    Shoes 
The   Ji't 
Stuart,  Katherine 
Timothy's    Quest 
Stiller,  Mauritz 

In    Self   Defense 
Stowers,  Fred 

Molly    O 
Streeter,   Coolidge 

The   Man  From  Beyond 
Strumwasser,   Jack 
Bar   Nothin' 
Winning   with    Wits 
Pardon    My    Nerve 
Iron  to   Gold 
Rough    Shod 
Oath   Bound 
The   Yosemite   Trail 
While  Justice  Waits 
Sullivan,  C.  Gardner 

Hail   the   Woman 
Taylor,  Charles 

The    Half    Breed 
Taylor,   Rex 
They    Like    'Em   Rough 
The    Five    Dollar    Baby 
Taylor,  S.   E.   V. 

The    Mohican's    Daughter 
Taylor,   Sam 

Grandma's    Boy 
Thew,   Harvey 
Bobbed    Hair 
The    Heart    Specialist 
Thomas,  Elton 

Robin   Hood 
Thompson,    Garfield 
Determination 
Queen   of  the    Moulin   Rouge 


Tracy,  Virginia 

Nero 
Trimble,  Lawrence 

Brawn    of    the    North 
Tucker,  George  Loane 

Ladies    Must    Live 
Tully,   May 

The    Old    Oaken    Bucket 
Tully,  Richard  Walton 
Omar    the   Tentmaker 
Turnbull,   Kector 

Everyhing  for   Sale 
Turnbull,   Margaret 
The   Bonnie   Brier   Bush 
Anna  Ascends 
Tyrone,   Madge 

The  Invisible  Fear 
Unsell,  Eve 
Five  Days  to  Live 
Call   of  Home 
French    Heels 

Jan  of  the  Big  Snows 
Shadows 
Van,  Beatrice 

Eden    and    Return 

Boy    Crazy 

The  Understudy 
Van  Loan,  H.  H. 

Fightin'    Mad 
Waller,   Fred,  Jr. 

The    Cradle    Buster 
Weber,  Lois 

What  Do   Men  Want 
Weil,  Harry 

Oliver   Twist 
Well,   John   K. 

Queen    O'   the  Turf 
Whitaker,    Charles 

The  Bond  Boy 
Whitcomb,   Daniel   F. 

Peaceful    Peters 
Wightman,   Ruth 

Ace  of   Hearts 
Willat,    Irvin 

Yellow   Men   and  Gold 
Williamson,    W.   E. 

Wonders  of   the   Sea 
Winter,   Peter   M. 

A    Dool's    House 
Woods,   Walter 

One    Glorious    Day 

Is    Matrimony   a   Failure 

The    Dictator 
"Vohalem,    G.   F. 

Lotus    Blossom 
Yost,  Dorothy 

Queenie 

Cinderella  of   the   Hills 

Jackie 

Winning  With  Wits 

Little    Miss   Smiles 

The    New   Teacher 

Youth   Must   Have   Love 
Young,   Howard  Irving 

No   Trespassing 
Young,   James 

The    Infidel 
Young,   Waldemar 

A   Prince  There  Was 

Our   Leading   Citizen 

Burning    Sands 

Ebb    Tide 
"V'ounger,  A.  P. 

Second    Hand    Rose 

The    Trouper 

The  Galloping  Kid 

The    Lone    Hand 
Zellner,   Lois 

White   Shoulders 
Zellner,   Arthur  J. 

The    Devil    Within 

Desert   Blossoms 

Extra!     Extra! 


A    SUGGESTION 

The  above  list,  while  far  from  complete,  is  the  b-st  obtainable  of  the  work  of  scenario  writers  in 
productions  released  during  the  past  year.  This  is  primarily  due  to  the  fact  that  very  often  producers 
fail  to  gfive  credit  to  the  scenario  writer.  Very  often  investigations  to  determine  the  name  of  the 
scenario   vvriter   are   blocked   for   some   reason   best    l.nown    to    the    producer. 

It  is  therefore  respectfully  urged  that  scenario  writers  forward  to  this  office  in  the  future  the 
"^es  of  such  productions  upon  which  they  have  worked.  Through  this  cooperation  a  more  complete  list 
will  be  available  for  future  issues. 

123 


Write  or 
phone  me 
concerning 
that  story 
you  need,  _ 
or  about  the 
continuity 
that  must  be 
turned  out 
in  a  hurry 


Lewis  Allen  Browne 

Original  Stories-Adaptations-Continuities 


347  Highwood  Avenue 


Leonia,  N.  J. 


Phone  748 -R  Leonia 

AUTHOR  OF: 
MISS  GEORGE  WASHINGTON   (Mar- 
guerite Clark) 
SPOTLIGHT  SADIE  (Mae  Marsh) 
THE  HIGHEST  LAW  (Ralph  Ince) 
PLEASE  GET  MARRIED  (Viola  Dana) 
GOOD  DODD  (Walter  Hiers) 
THE  SOAP  GIRL  (Gladys  Leslie) 
KNOW    YOUR    NEIGHBOR     (Christie 

Comedy) 
BRAVE  MR.  BUTTS  (Mack  Swain) 
PUTTING  IT  OVER  (Christie  Comedy) 
GAS  LOGIC  (Mr.  and  Mrs.  Sidney  Drew) 
A  MAN'S  WORD  (Special) 
MAROONED  HEARTS  (Conway  Tearle) 
SOONER  OR  LATER  (Owen  Moore) 
THE      LAND      OF      OPPORTUNITY 

(Ralph  Ince) 
WHY      ANNOUNCE      YOUR      MAR- 
RIAGE? (Special) 
OH  PROFESSOR  (Owen  Moore) 
CLAY  DOLLARS   (Eugene  O'Brien) 
PIERRE  OF  THE  SEA  (Conway  Tearle) 
PROPHET'S     PARADISE     (Eugene 
O'Brien) 

ADAPTATIONS: 
THE  HONOR  OF  HIS  HOUSE 
THE  WAY  OF  A  MAID 
THE  FORGETTERS 
POOR  DEAR  MARGARET  KIRBY 
A  DANGEROUS  PARADISE 
SOCIETY  SNOBS 
THE  ROAD  OF  AMBITION 
HANDCUFFS  OR  KISSES 
SHADOWS  OF  THE  SEA 
JOHN   McARDLE,   REFEREE 
STOP  THAT  MAN 
ETC.,  ETC. 


Don^TakeMY 
jWord  for  It! 

Ask  the  men  who  have 
been  my  clients.  That's  the 
answer !  For  instance — 

Ask  Louis  B.  Mayer  or 
Reginald  Barker  about 

"HEARTS  AFLAME" 

Ask  George  Betitel  about 

"SLIPPY    McGEE" 

Ask  Harry  Garson  about 

"AN  OLD  SWEET- 
HEART  OF   MINE" 

Ask  George  Hamilton — or  any- 
body who  has  seen  it, 
about 

"MORTAL   CLAY" 

Ask  Bill  Yearsley  about 

"ONE   ARABIAN 
NIGHT" 

I'll   leave   it  to   any   or   all   of 

these     men  that     you'll     get 

satisfaction  and  results  from 
me. 

Your  editing  and  titling  prob- 
lems are  my  opportunity  to 
serve  you. 

When  Can  We  Get 
Together  ? 

LESLEY  MASON 

Film  Editor 

Suite  511         729  Seventh  Ave. 
New  York  City 


124 


4000  Titles 


Features  Relea»td 
September,  1915,  to  December  31»t,  1922 


Key:  B.B.,  Barriscale ;  C.K.Y.,  Young;  Ex 
MutI;  F.P.-L.,  Famous  Pjayers ;  1st  Xatl;  Gwyn, 
Goldwyn;  Hlmark,  Hallmark;  Hdksn,  Hodkinson ; 
Ind,  Independent;  K.E.S.E.,  Essanay ;  Pop.  P  & 
P.,  Popular  Plays  and  Plyaers ;  Prmt,  Paramount; 
Realrt;  Red  F.,  Red  Feather;  RC,  Robertson- 
Cole;  Selzk;  S  &  E,  Slienfield  &  Ennis ;  St.  Rgt ; 
Un  Art. ;  U  Pic,  United  Picture  Theaters ;  Univ. 
Universal;   U  S  Amuse;   Vita;    V.L.S.E.,   Essanay. 

Title  and  Releasing   Company.  -Review   Date 

A.   B.    C.   of   Love,    The— Pathe 12-14-19 

Accidental  Honeymoon,  The— Rapf-St  Rgt..  5-19-18 

Accomplice,     The— Sherill-Art 2-22-17 

According    to    Law — Gaumont-Mutl 3-9-16 

According    to    the    Code — Essanay-V.L.S.E.   7-20-16 

Ace    High— Fox 6-30-18 

Ace    of    the    Saddle— Univ 7-13-19 

Acquitted — Fine    Arts-Tri    4-27-16 

Adele— U   Pic 1-19-19 

Adopted    Son.    The — Rolf-Metro 11-8-17 

Adorable     Savage,     An — Univ 8-8-20 

Adventurer,  The — U.S.  Amuse-Art  Dramas  2-22-17 

Adventurer,     The — Fox 3-7-20 

Adventure     Shop,     The — Vita 1-5-19 

Affair    of    Three    Nations,    An — Pathe    Gold 

Rooster   11-4-15 

After    the   War— Univ 12-1-18 

Aladdin   and   the   Wonderful    Lamp — Fox.  .  10-11-17 
Aladdin    from    Broadway — Greater    Vita.  ... 3-15-17 

Aladdin's    Other    Lamp — Rolfe-Metro    7-5-17 

Alarm     Clock     Andy— F.P.-L 3-21-20 

Alias    Miss    Dodd— Univ 6-13-20 

A'ias    Timmy    Valentine — Metro    4-11-20 

AHas     Mary     Brown — Tri 8-4-18 

Alias   Mike   Moran— Prmt    3-23-19 

AH   Baba  and    the    Forty    Thieves— Fox 12-1-18 

Alibi.     The— Vifta-V.L.S.E 8-10-16 

A'ien     Enemy,    An — Paralta-Hdksn 4-25-18 

Alien     Souls — Laskv-Prmt 5-11-16 

All   Dolled    Up— Univ 3-6-21 

All   Man— Vita     8-4-18 

All   Man— Peerless-Brav-World     11-30-16 

All  Night— Univ      12-1-18 

All   of  a  Sudden   Norma— B.B.   Feat.-R.C 1-5-19 

All   Souls     Eve — Realrt 2-20-21 

All   Woman— Gwyn     5-26-18 

All   Wrong — Anderson-Brunton-Pathe     5-18-19 

Almighty    Dollar,    The — Paragon-Bradv- 

World     ' 8-31-16 

A'most   a  Husband — Gwyn    10-19-19 

^  Imost     Married — Metro 6-8-19 

Aloha-ee — Kay    Bee-Tri     11-8-lS 

Alster     Case,    The — Essanay 12-16-15 

Always  Audacious — F.P.-L 11-14-20 

Amarilly  of  Clothesline  Alley — Pickford- 

Artcraft    3-21-18 

Amateur  Orphan,  The — Thanhauser-Pathe. .  5-24-17 

Amateur,    An — World    5-18-19 

Amateur  Wife.  The — F.P.-L 5-2-20 

Amazing   Imposter,    The — American-Pathe.  .1-26-19 

Amazing   Woman,    The — Selzk 2-29-20 

Amazons,    The — F.P.-L.-Prmt    8-30-17 

Amazing  Wife,  The — Univ   3-9-19 

Ambition — Fox    7-6-16 

American    Aristocracy — Fine    Arts-Tri 11-9-16 

American   Beauty,    The — Pallas-Prmt 6-29-16 

American    Buds — Fox    4-18-18 

American    Consul.    The — Lasky-Prmt 2-22-17 

American   Live   Wire,   An — Vita 4-11-18 

American  Maid,  The — Empire  All  Star- 

Mutl    12-6-17 

American    Methods — Fox 5-24-17 

Americano,  The — Fine  Arts-Tri 1-4-17 

American's   Answer — Bur.    of    Pub.    Info.  ..  .8-4-18 
American — That's    All — East.    Fine    Arts-Tri. 6-7-1 7 

American   Way,    The — World 7-6-19 

American    Widow,    The — Rolfe-Metro 12-20-17 

Among  Cannibals  of  S.  Pacific — Ind 7-28-18 

And  a  Still  Small  Voice — Nat.  Film-R.C.  .12-15-18 


Review  Date 

.■^ngel   Factory,    The — Astra-Pathe 9-13-17 

Angel    Child— Plaza-Hdksn     9-15-18 

Anne    of   Green    Gables — -Realrt 11-23-19 

Annexing  Bill— Pathe 6-30-18 

.A.nnie    for    Spite — American-Mu;l 5-24-17 

Ann's    Finish — American-MutI    4-4-18 

Answer.    The— Tri    4-18-18 

Antics   of    Ann,    The— F.P.-L.-Prmt 12-13-17 

Anton    the    Terrible — Laskv-Prmt 10-5-16 

Anything    Once— Bluebird 10-18-17 

Apartment  29^Greater  Vita 4-19-17 

Apostle   of   Vengeance,   The — Ince-Tri 5-15-16 

Appearance  of    Evil,   The — World 10-13-18 

Apple-Tree   Girl,   An — Edison-Perfection. ..  10-11-17 

April    Folly- F.P.-L 2-29-20 

Arabian    Knight,    An— R.C 8-15-20 

Are    All    Men    Alike— Metro 10-31-20 

Are  You  Legally  Married — Thornby  Prod..  .  .4-6-19 

Argyle   Case.   The— Rapf-Selzk 2-8-17 

Arizona — Artcraft     12-15-18 

Arms  and  the  Girl— F.P.-L.-Prmt 10-25-17 

Arms  and  the  Woman — -Astra-Pathe 11-16-16 

Armstrong's  Wife — Lasky-Prmt    11-25-15 

Arsene    Lupin — Greater     2-22-17 

Aryon,  The — Kay   Bee-Tri 3-30-16 

As  a  Man  Thinks— Raver-Hdksn 4-20-19 

Ashes  of  Embers— F.P.-L.-Prmt 10-12-16 

Ashes   of    Hope— Tri 10-4-17 

Ashes  of  Love- — Graphic  Film  Corp 10-6-18 

As  in   a  Looking  Glass — World 3-9-16 

As   Made   Made   Her— Peerless-Brady-Wld.  .3-15-17 

As    Men    Love — Pallas-Prmt 5-24-17 

At  First  Sight— F.  P.  L.-Prmt 6-28-17 

Atom,    The— Tri    9-15-18 

At    Piney    Ridge— Selig-V.L.S.E 4-27-16 

Atta   Bov's  Last   Race — Fine   Arts-Tri 10-19-16 

At  the  Mercy  of  Men — Selzk-Select 4-25-18 

Auction  Block.  The — -Rex  Beach  Pic.  Cor.- 

Gwyn    12-20-17 

Action  of   Souls,  The — Selig   1st  Nat 6-1-19 

Auction  of  Virtue,  The — U.  S.  Amus. -Art. .  5-17-17 

Audrey— F.P.-L.-Prmt . .  .3-30-16 

Autumn— Univ-Red  F   3-9-16 

Avalanche,   The— Artcraft    7-6-19 

Avenging   Trail.    The — Yorke-Metro 1-10-18 

Awakening  of   Helen    Ritchie — ^Rolfe-Metro.  1-18-17 
Awakening    of    Ruth.    The — Edison-Perfec.  .9-27-17 

Awakening,    The — World-Peerless    12-6-17 

Away    Goes    Prudence — F.P.-L 7-11-20 

B 

Babbling    Tongues— Ivan-St.     Rgt 8-23-17 

Babette — Greater     Vita 3-22-17 

Bab's    Burglar— F.P.-L.-Prmt     11-15-17 

Bab's    Candidate— Vita    7-4-20 

Bab's    Diarv— F.P.-L.-Prmt    10-18-17 

Bab,    the    Fixer— Balboa-Mutl 8-30-17 

Baby    Mine— Gwyn     10-4-17 

Bachelor's  Wife,   A — American   Prod-Pathe   5-18-19 

Back   of    the    Man — Ince-Tri 3-1-17 

Back   to   God's   Country- 1st  Natl 11-9-19 

Back  to  the  Woods— Gwyn 7-28-18 

Bay    Boy,    The — Fine    Arts-Tri 2-15-17 

Bait,     The— F.P.-L 1-9-21 

Ballet    Girl,    The— Brady-World 2-3-16 

Bandbox,    The— Hdksn 1 1-30-19 

Barbara    Fritchie— Pop.    P.    &    P.-Metro 12-2-15 

Barbary    Sheep— Artcraft    9-20-17 

Baree,    Son    of    Kazan— Vita 5-26-18 

Bare-fisted    Gallagher— Hampton-R.C.-MutI    6-29-19 

Bare   Fists— Univ    4-20-19 

Bare   Knuckles — Fox    3-6-21 

Barker,    The— Selig-K.E.S.E 8-23-17 

Barricade,    The — Rolfe-Metro    3-8-17 

Barrier,    The— Rex   Beach    2-15-17 

Bar   Sinister,   The — Hall-Abrams   &  Werner- 

St.    Rgt 4-26-17 

Bars    of    Iron— Stoll     3-6-21 

Bachelor's  Children,   A — Vita 4-25-18 

Ba  tie    Cry   of    Peace,    The— Vita-V.L.S.E.  .9-16-15 

Battle    of    Hearts,    The — Fox 5-25-16 

Battle   of   Life,    The— Fox 12-14-16 

Battler,   The— World    8-31-19 

Battling  Jane — New  Art  Film  Co.-Prmt 10-6-18 


125 


AGNES   PARSONS 

Scenarios  and  Adaptations 
Editing 


CURRENT  PRODUCTIONS: 
Riding  With  Death 

Chain  Lightning 

Rip  Van  Winkle 

The  Fast  Mail 
The  Vengeance  of  the  Deep 

Hotel  Christie,  Hollywood,  California 


Oscar  C.  Apfel 

Director  of  Features 

"Ten  Nights  in  a  Bar-Room" 
"Bulldog  Drummond'' 

"The  Lion^s  Mouse'^ 

126 


Review    Date 

Bawbs   of   Blue   Ridge— Ince-Tri 11-16-16 

Be   a   Little   Sport — Fox 7-6-19 

Beau   Revel— F.P.-L 3-20-21 

Beans— Bluebird-Univ    9-1 5-18 

Beast,    The— Fox    7-27-16 

Beating     the     Odds — Vita 5-4-19 

Beatrice    Fairfax — Wharton-Intntl    8-17-16 

Beautiful    Adventure,   The — Empire-Mutl. .  10-25-17 

Beautiful  Lie.    The— Rolfe-Metro    5-31-17 

Beautifully   Trimmed— Univ    12-12-20 

Beauty    and    the    Rogue — American-Mutl. .  .2-21-18 

Beauty    in    Chains — Bluebird 4-11-18 

Beauty-Proof— Vita     6-8-19 

Because    of    a    Woman — Tri 12-13-17 

Beckoning   Flame,    The — Tri 12-23-15 

Beckoning    Roads— R.C 12-28-19 

Beckoning     Trail,     The — Red     F 8-3-16 

Beggar  in   Purple — Pathe 11-7-20 

Beggar    of    Cawnpore,    The — Tri-Ince 4-27-16 

Beggar    Prince,    The — R.C 2-1-20 

Beggar  Woman,  The — Russian  Art-Pathe.  .3-14-18 
Behind    Closed    Doors — Triumph-Equitable  1-27-16 

Behind    the    Door— F.P.-L 1-4-20 

Behind    the    Lines — Bluebird    9-7-16 

Behind  the  Lines  in  Italy — Cines-Rome. ..  .9-22-18 
Behind  the  Mask — U.  S.  Amus.-Art  Dram.  .11-1-17 

Behold    My    Wife— F.P.-L 10-17-20 

Belgian,    The — Olcott  Players-St.   Rgt 11-1-17 

Believe    Me,    Xantippe — Lasky-Prmt    5-19-18 

Bella    Donna — F.P.-Prmt    11-25-15 

Belle    of    the    Season,    The— Rolfe-Metro 8-3-19 

Bells,    The — Anderson-Brunton-Pathe     9-22-18 

Beloved  Adventuress,  The — Peerless-World  7-19-17 

Beloved    Blackmailer,    The — World 8-18-18 

Beloved    Cheater,    The— R.C 11-16-19 

Beloved  Impostor,  The — Vita  12-15-18 

Beloved  Jim— Bluebird    12-20-17 

Beloved  Traitor,   The — Gwyn    3-7-18 

Beloved  Vagabond,    The — Jose-Pathe-Gold 

Rooster     12-9-1 5 

Belovir  the  Deadline — Ascher  Prod-St.  Rgt 

Below    the    Surface — F.P.-L 6-13-20 

Ben     Blair— Pallas-Prmt     3-9-16 

Best    Man,    The — Hampton-Hdksn    4-27-19 

Best    of    Enemies,    The — Sennett-Keystone- 

Tri     11-11-15 

Best  of   Luck,  The — Metro 7-11-20 

Betrayed — Fox     9-27-17 

Betsy   Ross — Peerless-World    10-1817 

Betsy's  Burglar — Fine  Arts-Tri   3-1-17 

Better     Half,     The— Select 9-15-18 

Better    'Ole,    The — World 3-9-19 

Better   Times — Brentwood-R.C.-Mutl    6-15-19 

Better    Wire,    The — Select 7-13-19 

Better    Woman,    The— Triumph-Equitable  11-11-15 

Bettina    Loved    a    Soldier — Bluebird 8-3-16 

Betty  Takes  a  Hand— Tri 1-3-18 

Betty  to  the  Rescue — Lasky-Prmt 1-18-17 

Between    Men — Kay    Bee-Tri 12-9-15 

Beware   of    the    Bride — Fox 10-24-20 

Beyond   Price — Fox    5-8-21 

Beyond  the  Law — So.  Feat.  Film-St.  Rgt..  12-8-18 
Beyond    the    Shadows — Tri 7-28-17 


g    Adventure,    The — Univ 4-17-21 

gger    Man,    The — Rolfe-Metro    9-23-15 

ggest  Show  on  Earth,  The — Ince-Prmt 5-2-18 

g  Happiness — R.C 9-5-20 

g  Jim  Garrity— Pathe  Gold  Rooster 4-27-16 

g  Punch — Fox    2-13-21 

g  Sister,    The— F.P.-L.-Prmt     9-7-16 

g  Timber — Morosco-Prmt     6-28-17 

g  Town     Ideas — Fox .....5-15-21 

g  Tremaine — Yorke-Metro    12-7-16 

11  Apperson's  Boy — J.  Pickford-lst  Natl.  .7-20-19 

11    Henry — F.P.-L 9-7-19 

rd  of  Prey,   The — Fox 8-11-18 

llions — Metro     12-6-20 

rd  of  Prey.  The — Fox 8-11-18 

rth — Eugenic-St.    Rgt 4-19-17 

rth  of  a  Man,  The — B.   Moss-St  Rgt 5-18-16 

rth    of    a    Soul — Vita 2-1-20 

rth    of    Democracy,    The — Franco-Amer. 

Ex.    &    Im 1-17-18 

rth  of  Patriotism — Red  F 4-26-17 

shop's    Emeralds,     The — Pearson-Pathe 6-1-19 

t  of  Jade.  A — American-Mutl 4-18-18 

t   of   Kindling.    A- 


Balboa-Mutl 6-28-17 

tter    Truth,     The— Fox 1-18-17 

Black    Beauty — Vita     1-9-21 


Review    Date 

Blackbirds— Realrt    12-12-20 

Blackbirds    10-21-15 

Black  Butterfly,  The — Pop.  P.  &  P.  Metro   12-21-16 

Black    Circle,    The— World 10-19-19 

Black  Crook — Kalem      1-13-16 

Black  Fear — Rolfe-Metro    1-13-16 

Black  Friday— Red    F 8-31-16 

Black    is   White — F.P.-L 3-14-20 

Black  List,     The — Lasky-Prmt 3-2-16 

Blackmail — Metro    10-4-2a 

Black  Panther's    Cub — Equity    2-20-21 

Black  Roses— R.-C 4-17-21 

Black  Stork,    The— Wharton-Sherriott-St. 

Rgt    4-5-17 

Black     Wolf,     The— Lasky-Prmt 2-15-17 

Blazing     Love — -Fox 5-4-16 

Blazing     Trail,     The — Univ 

Blind    Adventure,    The — Vita 1-10-18 

Blinded    Trail,    The— Univ 4-20-19 

Blindfolded— Paralta-Hdksn     5-2-18 

Blind  Husbands— Univ 10-19-19 

Blind  Justice — Dansk-Biograf      9-28-16 

Blind  Love — Bacon-Aywon-St.    Rgt 1-18-20 

Blind   Man's    Luck — Astra- Pathe    5-31-17 

Blindness   of   Devotion,   The — Fox 11-18-15 

Blindness    of    Divorce,    The — Fox 5-2-18 

Blindness  of  Love,  The — Rolfe 3-16-16 

Blind  Wiwes— Fox     1-9-21 

Blind  Youth— Nat.    Pic 6-20-20 

Blood    Barrier,     The — Pathe 4-3-20 

Blood  of  His  Fathers — Horsley-Art-Dram. .  11-29-17 

Blood    Will    Tell— Ince-Tri 3-29-17 

Blooming  Angel,  The — Gwyn 2-15-20 

Bludgeon,    The— Equitable- World    10-28-13 

Blue   Bird,   The— Artcraft 4-4-18 

Blue-Blazes    Rawden — Ince-Prmt    2-21-18 

Blue  Blood — Selexart-Gwyn     5-2-18 

Blue  Blood    and     Red— Fox 4-6-16 

Blue  Bonnet,     The — Natl-Hdksn 8-31-19- 

Blue  Envelope  Mystery,  The — Greater  Vit.  10-19-16 

Blue  Eyed    Mary— Fox    5-26-18 

Blue  Grass — Equitable- World    10-21-15 

Blue  Jeans — Rolfe-Metro     3-28-18 

Blue  Pearl.    The— Selzk     3-7-20 

Blue  Streak    McCoy— Univ 8-1-20 

Blue  Streak,    The— Fox    4-12-17 

Bluff— American-Mutl    10-19-16 

Bluffer,    The— World    1-26-19' 

Blushing     Bride,     The — Fox 3-6-21 

Bobbie    of    the    Ballet — Bluebird 6-1-16 

Bob  Hampton   of   Placer — 1st   Natl 5-8-21 

Body    and    Soul — Metro 10-17-2a 

Body    and    Soul— Frohman-World    12-2-15 

Bolshevism    on    Trail — Select 5-11-19^ 

Bondage  of   Fear,  The — Peerless-Brady- 
World    M8-17 

Bond    Between,    The — Pallas-Prmt 4-5-17 

Bondman,    The — Fox    3-23-16 

Bond    of   Fear,   The — Tri 9-20-17 

Bonds    of    Honor— Haworth-R.C 1-26-19 

Bonds   of   Love — Gwyn 11-8-19 

Bondwomen — Kleine     12-23-15 

Bonnie   Annie   Laurie — Excel-Fox 10-6-18 

Book    Agent.    The — Fox._. 6-7-17" 

Boomerang,    The — Natl-Pioneer    5-4-19 

Boots — Parmt     3-2-19' 

Boots    and    Saddles — Balboa-Moss-St.    Rgt..  11-2-16 
Border    Legion,    The — T.    Hayes    Hunter.  ..  .8-4-18 

Border  Raiders,  The — Diando-Pathe 9-22-lS 

Border    Wireless,    The — Hart-Ince-Artcraft  10-6-18 

Borrowed     Plumage — Kay    Bee-Tri 7-5-1 7" 

Boston     B'ackie's    Little    Pal — Metro 9-8-18 

Bott'e     Imp.     The — Lasky-Prmt 3-29-17 

Bo*-nm   of   the    Well,    The — Vita 10-25-17 

Bottom    of    the    World,    The— R.C 4-3-20 

Bought— World    12-30-15 

Bought    and    Paid    For— Brady- World 11-2-16 

Bound     in     Morocco — Artcraft 8-4-18 

Bov-Girl.    The— Bluebird    3-8-17 

Boys  Will   Be  Boys — Gwyn 5-22-21 

Brace  Up— Bluebird   3-21-18 

Bramble     Bush,     The — Vita 9-28-19' 

Brand    of    Lopez,    The — R.C 4-3-20 

Branded  Soul— Stoll-Pathe   2-13-21 

Branded   Woman — 1st    Natl 9-12-20- 

Brand.    The — Gwyn    2-23-19 

Branding    Broadway — Artcraft    12-22-18 

Branding    Iron — Gwyn    11-14-20 

Brand     of    Cowardice,    The— Rolfe-Metro.  .11-2-16. 


127 


HARRY  GARSON 


Producer  and  Director  of 


lames  Whitcomb  Riley's 
"AN  OLD  SWEETHEART 


OF  MINE 


yj 


V#/ 


^28 


Review  Date 

Brand  of  Satan,  The — Peerless-World 7-12-17 

Brass    Buttons — Russell-Pathe     4-13-19 

Brass     Check,     The— Rolfe-Metro 3-28-18 

Brat,  The — Metro    9-14-19 

Brave    and    Bold— Fox 5-19-18 

Bravest     Way,     The — ^Lasky-Prmt 6-9-18 

Brazen    Beauty,    The — Bluebird-Univ 9-15-18 

Bread— Univ     8-4-18 

Breaker,     The — Essanay-Keys 12-7-16 

Breakers    Ahead — Rolfe-Metro    4-11-18 

Breaking    Point,     The— Hdksn     2-6-21 

Break   the   News  to   Mother — Select 5-25-19 

Breath    of    the    Gods — Univ 8-1-20 

Bred    in    the    Bone — Mutl 12-30-15 

Breed     of     Men — Artcraft 2-9-19 

Brewster's    Millions— F.P.-L 2-6-21 

Bride    of    Fear,    The — Fox 4-25-18 

Bride    of    Hate,    The— Ince-Tri 1-25-17 

Bride's   Awakening,   The — Univ 5-12-18 

Bridges    Bruned— Pop.    P.    &    P.-Metro 2-8-17 

Brigadier  Gerard— Univ.-Red  F 3-23-16 

Bringing  Home   Father — -Bluebird 5-31-17 

Bringing     Up     Betty — World 7-27-19 

Britton    of    the    Seventh— Vita- V.L.S.E 5-11-16 

Broadway     and     Home — Selzk 12-26-20 

Broadway    Arizona — Tri    10-4-17 

Broadway     Bill — ^Yorke-Metro     2-21-18 

Broadway    Bubble,     The— Vita 11-21-20 

Broadway  Cowboy,    A — Pathe     7-4-20 

Broadway  Jones — Cohan-Artcraft     3-29-17 

Broadway   Love — Bluebird    1-17-18 

Bronway  Saint,    A — World     7-20-19 

Broadway   Scandal,     A — Bluebird     6-2-18 

Broadway  Sport,    The — Fox    6-14-17 

Broken    Blossoms — Griffith    5-18-19 

Broken   Butterfly.    The — R.C 10-26-19 

Broken   Chains — Peerless-Brady- World     ....12-7-16 

Broken  Commandments — Fox    9-4-19 

Broken  Fetters — Bluebird     6-22-16 

Broken  Gate— Hkdsn     12-26-20 

Broken  Law,     The — ^Fox     12-16-15 

Broken   Melody,    The— Selzk     12-28-19 

Broken    Ties — Peerless-World    2-28-18 

Bronze  Bride,  The — Red  F 3-29-17 

Brother    Divided — Pathe     1-4-20 

Brown     of     Harvard — Essanay-Perfection. .  12-27-17 

Brute    Breaker,    The — Pathe 11-23-19 

Brute    Master— Hdksn     11-28-20 

Bucking  Broadway — Butterfly   12-13-17 

Bucking     the     Tiger— Selzk 5-1-21 

Bug'e     Call,     The— Ince-Tri 5-4-16 

Busier    of   Algiers,    The— Bluebird 11-30-16 

Bui'ders     of     Castles — Edison-K.E.S.E 5-3-17 

Bu'let     Proof — Univ     4-5-20 

Bullets    and     Brown     Eyes — Kay-Bee-Tri 3-2-16 

Bunch     of     Keys— Essanay-V.L.S.E 9-30-15 

Bunty    Pulls   the    Strings — Gwyn 1-9-21 

Burden     of    Proof,     The — Select 9-8-18 

Burglar,   The — Peerless   World    11-8-17 

Burglar   and    the   Lady,    The— Sun 12-30-15 

Burglar    for    a    Night,    A^Paralta-Hksn 8-11-18 

Burglary    by    Proxy — T.    Pickford-lst    Natl.  .8-31-19 

Buried    Treasure — F.P.-L 2-20-21 

Burning    Daylight — Metro    5-16-20 

Burning     the     Candle— Essanay-K.E.S.E 3-15-17 

Burnt    Wings— Univ    2-22-20 

Busher,     The — Prmt     6-1-19 

Business     is     Business — Univ 9-16-15 

Bu.siness    of    Life,    The — Vita 4-25-18 

Busy   Inn,    The — Russian   Art-Pathe 4-25-18 

Butterfly  Girl.  The — Playgoers  Pic-St.  Rgt..  5-29-21 

Butterfly    Man,     The— R.C 5-30-20 

Butterfly    on    the    Wheel,    The — World 11-18-15 

By  Hook  or  Crook — World 9-22-18 

By  Proxy— Tri     7-14-18 

By  Right    of    Possession — ^Vita....; 8-2-17 

By   Right    of    Purchase — Selzk-Select 3-28-18 

By  the    World     Forgot — Vita 9-15-18 

By  Whose     Hand? — Equitable-World 4-20-16 

C 

Cabaret,    The— World     6-16-18 

Cabaret   Girl,   The — Univ    12-29-18 

Cabinet    of     Dr.     Caligari — Gwyn 4-10-21 

Cactus    Crandall — Tri    8-11-18 

Caillaux   Case,   The — Standard-Fox 10-13-18 

Calendar    Girl,    The — American-Mutl 10-25-17 

Call    of    Her    People,    The — Rolfe-Metro 6-7-17 

Call  of  the  Cumberlands,  The — Pallas-Prmt.  .2-3-16 


Review  Date 

Call    of    East,    The— Lasky-Prmt 11-29-17 

Call  of  the  Soul,  Th^-Fox 1-2-19 

Call     of    Youth— F.P.-L 1920 

Cambric    Mask,    The— Vita 3-30-19 

Camille— World      12-30-15 

Camille — Foreign-Hanover-Genl     10-18-17 

Camouflage     Kiss,     A— Fox 4-25-18 

Campbells    Are    Coming,    The— Univ 10-21-15 

Candy     Girl,     The— Thanhouser-Pathe 5-10-17 

Capitol,    The— Pathe    12-21-19 

Caprice    of    the    Mountains — Fox 7-13-16 

Captain    Jinks   of   the   Horse   Marines — Essa- 
nay-V.L.S.E  1-27-16 

Captain    Kidd,    Jr.— Artcraft 4-6-19 

Captain     Kiddo — Lasalida-Pathe 7-26-17 

Captain    of    His    Soul— Tri 2-14-18 

Captain    of    the    Grey    Horse    Troop,    The 

--Vita    S-24-17 

Captain's    Captain,    The — Vita 1-5-19 

Captain      Swift— Vita     4-25-20 

Captivating    Mary    Carstairs — Natl 12-16-15 

Captive     God,     The— Tri 7-13-16 

Career   of   Catherine   Bush,   The — Prmt- 

Artcraft      8-17-19 

Car-men — Fox(      11-4-lS 

Carmen — Essanay-V.L.S.E 6-1-16 

Carmen — Lasky-Prmt      11-4-15 

Carmen  of  the  Klondike— Selexart-St.  Regt.  2-28-18 

Carmen    of    the    North — Hlmark 5-23-20 

Case  at  Law,  A — Eastern  -Tri   11-15-17 

Case  of  Becky,  The— Lasky-Prod 9-23-lS 

Casey    at    the    Bat — Fine    Arts-Tri 6-22-16 

Cassidy— Eastern   Tri    10-18-17 

Caste— English- Vita    7-26-17 

Castles     for     Two — Lasky-Prmt 3-8-17 

Cast-Off,    The — Ince-Foursquare     3-7-18 

Catspaw,    The — Edison-Kleine    1-20-16 

Caught    in    the    Act— Fox ...12-15-18 

Cavanaugh    of   the    Forest    Rangers — Vita.  .2-28-18 

Caveman.     The— Vita-V.L.S.E 12-2-15 

Cecilia  of  the  Pink  Roses — Graphic 5-26-18 

Chain    Invisible,    The— Equitable 4-27-16 

Chains    of    Evidence — Hlmark 3-7-20 

Chalice   of   Sorrow,    The— Bluebird 9-28-16 

Challenge    of    the    Law— Fox 10-17-20 

Challenge,     The — Astra-Pathe     12-14-16 

Challenge    Accepted,    The — Arden-Hdksn.  12-22-18 

Challenge    of    Chance— Wilke-Ind 7-6-19 

Changing    Women.     The— Vita 8-18-18 

Chaperon,    The— Essanay-K.E.S.E 11-23-16 

Charge    It— Equity     5-29-21 

Charge   It   to    Me — American-Pathe 4-27-19 

Charity    Castle — American-Mutl 9-13-17 

C— Commonwealth- St.    Regt 11-29-17 

Charmer,    The— Bluebird     8-30-17 

Charm     School— F.P.-L 1-9-21 

Chasing     Rainbows — Fox     8-24-19 

Chattel,   The— Vita    9-14-16 

Cheat,     The— La.sky     12-16-15 

Cheated    Love— Univ    5-29-21 

Cheater,   The— Metro    6-20-20 

Cheater     Reformed,     The— Fox 2-27-21 

Cheating  Cheater^Select 1-19-19 

Cheating    the    Public— Fox 1-24-18 

Checkers— Fox    8-3-19 

Checkmate.  The — Balboa-Mutl  5-31-17 

Cheerful   Givers— Fine  Arts-Tri    ..4-19-17 

Chicken    Casey — Ince-Tri    1-25-17 

Chicken    in    the   Case— Selzk    2-6-21 

Chickens— F.P.-L 3-13-21 

Child  for  Sale,  A— Graphic-St.  Rgt 3-28-20 

Child    of     De.stiny,     The — Columbia-Metro.  .8-3-16 
Child  of  the   Paris  Street,   A — Fine  Arts- 
Tri    5-18-16 

Children  in  the  House,  The — Fine- Arts-Tri  4-20-16 

Children     of     Bani.shment— Select 3-2-19 

Children    of    the    Feud— Fine-Arts-Tri 11-30-16 

Children    Pay,    The — Fine-Arts-Tri 12-7-16 

Chimmie   Fadden   Out  West— Lasky-Prmt.  .12-2-15 

Choosing    a    Wife — Brit    Prod-lst    Natl 8-17-19 

Chorus  Girl's  Romance— Metro 8-22-20 

Chorus    Lady,    The— Lasky-Prmt 10-2-15 

Cigarette  Girl,   The — Astra-Pathe 6-28-17 

Cinderella   Man,   The — Gwyn    12-20-17 

Cinderella's    Twin— Metro     12-27-20 

Cinema    Murder,    The— F.P.-L 1-25-20 

Circular   Staircase,  The— Selig- V.L.S.E. ..  .6-23-15 

Circus    Romance,     A — Equitable 2-3-16 

City,    The— Comstock-World     1-20-16 


129 


Review  Date 

City  of  Comrades,    The — Gwyn    7-20-19 

City  of  Dim     Faces,     The — Prmt 7-14-19 

City  of  Illusion,  The — Ivan-St  Rgt 4-11-16 

City  of  Masks,    The— F.P.-L 7-18-20 

City  of  Silent    Men— F.P.-L 4-10-21 

City    Sparrow— F.P.-L 11-28-20 

City    of    Tears,    The— Bluebird-Univ 6-30-18 

Civilian     Clothes— F.P.-L 9-12-20 

Civilization — Ince     6-8-16 

Civilization's     Child— Tri-Kay     Bee 4-20-16 

Claim,     The— Rolf  e-Metro 4-11-18 

Clarion,    The— Equitable-World     2-17-16 

Claw,    The— C.K.Y.-Select    6-9-18 

Claws    of    the    Hun,    The — Ince-Prmt 7-7-18 

Clean-Up,     The— Bluebird     8-9-17 

Cleopatra— Fox     10-18-17 

Clever    Mrs.    Carfax,    The — Lasky-Prmt 11-8-17 

Climbers,    The — Vita     11-9-19 

Clock,    The— Bluebird     4-5-17 

Clodhopper,  The— Kay  Bee-Tri 6-28-17 

Closed     Doors— Vita     5-22-21 

Closed    Road,    The— Paragon-World 4-2-16 

Closing     Net,     The— Jose-Pathe 10-14-15 

Closin'  In— Tri    6-23-18 

Clothes— Metro      9-19-20 

Cloud,   The— Van   Dyke- Art   3-15-17 

Clouded    Name,    The— World 8-24-19 

Clover's     Rebellion— Vita     5-24-17 

Clown,    The — Lasky-Prmt 6-22-16 

Clutch    of    Circumstances,    The — Vita 8-25-18 

Coast   of   Opportunity — Hdksn 12-19-20 

Coax    Me— World    8-3-19 

Code  of  Marcia  Gray,  The — Morosco-Prmt  3-16-16 

Code    of    the    Yukon— Screencraft 12-8-18 

Coincidence — -Metro     5-8-21 

Cold  Deck,  The— Ince-Lynch-St.  Rgt 11-8-17 

Cold    Steel— R.C 6-5-21 

College  Orphan,  The — Univ 10-21-15 

Colorado — Univ 2-27-21 

Colorado    Pluck— Fox    5-8-21 

Come     Again     Smith — Hampton-Hdksn. ..  .1-26-19 

Come-Back,    The — Metro    5-14-16 

Combat,    The— Greater    Vita 9-21-16 

Come    On    In — Loos-Prmt 9-22-18 

Come  Out  of  the  Kitchen — Prmt 5-25-19 

Coming  of  the  Law,  The — Fox 5-18-19 

Common    Cause,    The — Blackton-Vita 12-8-18 

Common  Clay — Astra-Pathe   1-26-19 

Common    Ground — Lasky-Prmt    8-3-16 

Concert,   The — Gwyn    2-27-21 

Coney    Island    Princess,    A — F.P.-Prmt 12-7-16 

Confession — Fox     6-16-19 

Conflict,     The— Vita- V.L.S.E 7-6-16 

Connecticut   Yankee   in    Kink   Arthur's  C'rt 

—Fox 2-6-21 

Conqueror,    The — Ince-Tri    1-6-16 

Conqueror,    The — Fox-Standard     10-25-17 

Conquest   of   Canaan.   The — Frohman 10-5-16 

Conrad  in  Quest  of  His  Youth— F.P.-L..  .11-14-20 
Conscience    of    John    David,    The — Horsley- 

Mutl     4-27-16 

Contrast,    The — Labor    F.    Serv 6-5-21 

Convict    993 — Astra-Pathe    12-20-17 

Cook  of  Canyon  Camp,  The — Morosco-Prmt  7-19-17 

Copperhead,    The— F.P.-L 2-15-20 

Corner   Grocer,   The— F.P.-L. 10-11-17 

Corner    in    Cotton,    A — Quality-Metro 3-9-16 

Corner,     The— Tri     12-16-15 

Corsican  Brothers,  The — Un  Pic 12-28-19 

Cossack    Whip,    The — Edison-K.E.S.E 11-16-16 

Cost   of   Hatred,    The— Lasky-Prmt 4-19-17 

Cost,   Th^-F.P.-L 4-18-20 

Cotton    and    Cattle — Westart-St.     Rgt 1920 

Cotton     King,     The — World     9-9-15 

Counterfeit— F.P.-L 11-30-19 

Countess    Charming,    The — Lasky-Prmt. ..  .9-27-17 

Country    Cousin,    The— Selzk 12-14-19 

Country    God    Forgot,    The— K.E.S.E 10-5-16 

County    Fair,    The— Pioneer 1-23-21 

Courage     for     Two — World 2-9-19 

Courage  of   Marge   O'Doone,   The — -Vita. ..  .6-6-20 
Courage   of    Silence,   The — Greater   Vita. ..  .2-8-17 
Courage    of    Commonplace,    The — Perfec- 
tion      11-22-17 

Courtesan,    The — American-Mutl 5-25-16 

Coward.    The— Kay    Bee-Tri K)-7-l£ 

Crab.    The— Ince-Tri    1-18-17 

Cradle    of    Courage — F.P.-L ....9-26-20 

Crashing  Through   to  Berlin — Jewel-Univ.  .8-18-18 


Review  Date 

Craving,     The — American-Mutl 3-2-16 

Craving,   The — M.   H.   Hoffman 9-29-18 

Creaking  Stairs — Univ    2-2-19 

Cricket,    The— Butterfly     11-29-17 

Crime     and     Punishment — Arrow-Pathe.  ..  .2-15-17 

Criminal,     The — Ince-Tri      10-26-16 

Crimson    Dove,    The — Peerless-Brady-W'ld.  .6-7-17 

Crimson     Gardenia,     The — Gwyn 6-15-19 

Crimson     Shoals — Monopol-St.     Rgt 10-26-19 

Crimson  Stain  Mystery,  The — Consol-Met.  .8-24-16 

Crippled     Hand,     The — Bluebird 4-20-16 

Crisis,     The— Selig     10-5-16 

Crockett,     Davy— Pallas-Prmt 4-20-16 

Crooked   Romance,   A — Astra-Pathe 9-27-17 

Crooked     Straight — F.P.-L 11-2-19 

Crooked     Streets — F.P.-L 8-1-20 

Crook    of    Dreams — World 2-23-19 

Cross-Bearer,    The — Peerless-World     4-18-18 

Cross    Currents — Fine    Arts-Tri 12-9-15 

Crown   Jewels — Tri    12-22-18 

Crown  Prince's  Double,  The — Vit-V.L.S.E.  .  1-6-16 

Crucial     Test,     The — Brady-World 7-6-16 

Cruise   of   the    Makebelieve — Prmt 9-8-18 

Cry    of   the   Weak,   The — -Astra-Pathe 4-20-19 

Crystal    Gazer,    The — Lasky-Prmt 9-20-17 

Cumberland   Romance,   A — Realrt 8-15-20 

Cupid   by    Proxy — Diando-Pathe 7-14-18 

Cupid     Forecloses — Vita     7-6-19 

Cupid,     the    Cowpuncher — Gwyn     8-1-20 

Cup   of    Fury,    The — Gwyn 4-11-20 

Curse  of  Eve,  The — Corona-St.   Rgt 10-18-17 

Curse  of  Iku,  The — Essanay-Perfection 3-28-18 

Curtain— 1st   Natl 10-10-20 

Cycle    of    Fate,    The— Selig- V.L.S.E 4-6-16 

Cyclone  of  Higgins,    D.D. — Metro    5-19-18 

Cyclone,   The — Fox    1-18-20 

Cynthia  of  the  Minute — Hdksn 7-11-20 

D 

Daddy    Long    Legs — 1st — Natl 5-18-19 

Daddy's    Girl — Diando-Pathe     2-21-18 

Daggerwoman,    The— Russian    Art-Pathe 5-2-18 

Damaged  Goods — Bennett   9-30-15 

Damsel    in     Distress,     A — Pathe 10-19-19 

Dancer's  Peril,  The — Peerless-Brady-World  3-8-17 

Dancin'  Fool,   The— F.P.-L 5-9-20 

Danger    Game,    The — Gwyn    4-25-18 

Danger,     Go     Slow — Univ 12-8-18 

Danger  Mark,  The — Artcraft 7-14-18 

Dangerous  Business — 1st    Natl 12-5-20 

Dangerous  Days — Gwyn     3-21-20 

Dangerous  Hours — F.P.-L 2-8-20 

Dangerous   Moment,   The— Univ 14-10-21 

Dangerous  Paradise — Selzk     10-24-20 

Dangerous  Talent,   The — Pathe 3-14-20 

Dangerous  to   Men — Metro      4-18-20 

Dangerous  Waters — Mutl 9-21-19 

Danger  Signal,     The — Kleine-Edison     11-25-15 

Danger  Trail,    The— Selig-K.E.X.E 5-10-17 

Danger  Within — Bluebird      5-2-18 

Danger  Zone,    The — Fox    1-19-19 

Daphne    and    the    Pirate^Tri-Fine    Arts.  .2-24-16 

Daredevil     Kate — Fox     8-24-16 

Daredevil,    The — Fox    3-14-20 

Daring    Hearts — Vita    7-27-19 

Daring    of    Diana,     The— Vita- V.L.S.E 7-27-16 

Darkest    Russia — Peerless-Brady-World 4-26-17 

Dark    Lantern — Realrt    8-8-20 

Dard     Road,     The — Ince-Tri 3-22-17 

Dark     Silence,     The— Peerless-World 9-21-16 

Dark    Star,    The — Cos-Par-Artcraft 8-24-19 

Darling    of    Paris,    The — Fox 2-15-17 

D'Artagnan — Fine   Arts-Tri    2-10-16 

Daughter    Angele — Tri     8-25-18 

Daughter  of  Destiny,     A — Pertova-lst  Natl. 12-27-17 

Daughter  of  France,     A — Fox     4-18-18 

Daughter  of  MacGregor,     The — F.P.-Prmt     9-21-16 
Daughter  of  Maryland,    A — Empire-MutI    ..11-8-17 

Daughter  of  Mine— Gwyn     4-27-19 

Daughter  of  the   City,   A — Essanay 12-23-15 

Daughter  of  the     Gods,     A — Fox 10-19-16 

Daughter  of  the    Poor,     A — Fine-Arts-Tri.  .3-15-17 
Daughter  of  the    Sea,    A — Equitable   M    P.. 12-2-15 

Daughter  of  the    Old    South,    A — Prmt 10-25-18 

Daughter  of  the    West,    A — Diando-Pathe.  .5-19-18 

Daughter  of  Two  Worlds,   A— 1st  Natl 1-11-20 

Daughter  Pays,     The — Selzk     11-28-20 

Dawn — Pathe     12-17-19 

Dawnmaker,   The — Ince-Tri    9-14-16 


130 


Review  Date 
Dawn    of    Freedom,    The— Vita-V.L.S.E..  .8-17-16 

Dawn    of    Love,    The— Rolfe- Metro 10-5-16 

Day    Break— Rolfe- Metro    1-10-18 

Day     Dreams — Gwyn     1-19-19 

Day    She    Paid,    The— Univ 12-14-19 

Day's    Pleasure,    A — 1st    Natl 12-21-19 

Dead     Alive,     The — Gaumont-Mutl 2-17-16 

DeadHer    Sex,    The— Pathe 3-21-20 

Deadline    at    Eleven — Vita 3-14-20 

Dead     Line,     The— Fox 5-9-20 

Dead   Men  Tell   No   Tales— Vita 12-19-20 

Dead-Shot    Baker— Vita     10-18-17 

Death    Dance,    The— Se'ect 7-21-18 

Death  of  Censorship,  The— N. A. M.P.I 10-12-16 

Debt,    Thf^Powell-Mutl     5-3-17 

Debt   of   Honor,   The— Fox 4-11-18 

Deception— F. P. -L 4-24-21 

Deciding   Kiss,    The — B'uebird   Univ    7-14-18 

Decoy,    The — Lederer-Mutl     7-6-16 

Deemster,    The — Arrow-S;    Rgt 4-19-17 

D^ep     Purp'e,     The— Rea'rt 5-9-20 

De'icious    Little    Devil,    The— LIniv 4-20-19 

Deliverance — Liebfreed    and    Miller 8-24-19 

De     Luxe     Annie — Schenck-Select, 5-26-18 

Democracy,   The   Vision    Restored —   Democ- 
racy  Photoplay    8-29-20 

Demon,    The — Metro     7-28-18 

Derelict,    The — Fox     5-3-17 

Deserter,     The — Ince-Tri     6-22-16 

Desert  Gold- Hdksn   11-16-19 

Desert   Law— Tri    9-22-18 

Desert    Love — Fox     4-18-20 

Desert    Man,    The— Tri-Kay    Bee 4-19-17 

Desert     Wooing,     A — Ince-Prmt 6-16-18 

Desired  Woman,  The — Vita   4-11-18 

Desire   of   the    Moth,   The — Bluebird 10-25-17 

Desperate    Hero.    The — Selzk 6-2q-20 

Desperate    Youth — Univ    5-1-21 

Despoi'er,     The — Ince-Tri     12-30-15 

Destiny — Jewel-Tri     8-17-19 

Destiny  or  Soul  of  a  Woman — Rolfe-Metro  9-9-15 

Destiny's    Toy— F.P.-L.-Prmt    6-22-16 

Destroyers,    The— Vita-V.L.S.E 6-8-16 

Destruction — Fox     12-30-15 

Devil.    The — Assoc   Ex 1-23-21 

Devil    at   His    Elbow — P.    P. -Metro 8-10-16 

Devil    Dodger,    The — Tri 10-4-17 

Devil's   Assistant,    The — Pollard-Mutl 4-12-17 

Devil's    Claim,    The— R.C 5-16-20 

Devil's   Confession,   The — Circle   F.   Attrac- 

St  Rgt   3-13-21 

Devil's    Double,   The — Ince-Tri 11-9-16 

Devil's  Garden,  The — 1st  Natl 10-31-20 

Devil's   Needle — Fine    Arts-Tri 7-20-16 

Devil's  Pass  Key,  The — Univ 4-11-20 

Devil's  Pay   Day,    The — Bluebird    1-28-17 

Devil's    Playground,    The — Atlantic 6-23-18 

Devil's    Prayer    Book,    The — Kleine 1-6-16 

Devil's    Prize,      The — Greater    Vita 11-2-16 

Devil's    Riddle,    The— Fox 2-29-20 

Devil's  Stone,  The— Artcraft   12-20-17 

Devil's     Toy,     The — Premo-World 3-9-16 

Devil's     Trail,     The — World 6-15-19 

Devil's    Wheel — Fox     4-18-18 

Devil   to   Pay,   The — Pathe 12-5-20 

Diamonds     and     Pearls — World-Brady 1-3-18 

Diana  of  the  Green  Van — Hutton-Mutl 3-16-19 

Diana    of    the    Huntress — Plurograph-Unity- 

,St  Rgt  6-29-16 

Diane    of    Star    Hollow — Producers    Secur- 

ity-St    Rgt 4-10-21 

Diane   of   the   Follies — Fine   Arts-Tri 9-14-16 

Dice    of    Destiny — Pathe 12-5-20 

Dimples — Metro      2-24-16 

Dinty — 1st    Natl 11-28-20 

Diplomacy — F.P.-Prmt      3-2-16 

Diplomatic     Mission,     A — Vita 9-29-18 

Discard,    The — Essanay-V.L.S.E 3-9-16 

Discarded     Woman,     A — HImark 6-27-20 

Disciple,    The— Ince-Tri    10-28-15 

Dividend,     The — Ince-Tri      6-8-16 

Divine     Sacrifice,     The— Peerless- World 2-7-18 

Divorce    and    the    Daughter — Thanhouser- 

Pathe   11-23-16 

Divorced — Triumph-Equitable    11-4-15 

Divorce,     The — Vita     9-13-17 

Divorcee,     The — Metro     1-26-19 

Divorce   Game,    The — Peerless- World 6-28-17 

Divorce    Trap,     The — Fox     6-1   19 


Review  Date 
Dizzy    Heights    and    Daring    Hearts — ^Tri- 

Key  stone      1-6-16 

Doctor  and  the  Woman,   The — Univ 5-2-18 

Dodging     a     Million — Gwyn 2-7-18 

Doing    Their     Bit— Fox 8-4-18 

Dollar  and   the   Law,   The — Greater   Vita.  .  11-23-16 

Dollar   a    Year    Man,    The— F.P.-L 3-27-21 

Dollar    for     Dollar— Pa'.he     4-25-20 

Dollars    and    Sense — Gwyn 6-27-20 

Dollars   and    the    Woman — Lubin-V.L.S.E.   3-30-16 

Dollars     and     the     Woman — Vita 5-30-20 

Do'l's    House,     A— B'uebird     6-7-17 

DoH's    House,    A — Artcraft    6-2-18 

Dolly  Does  Her  Bit — Diando-Pathe 4-25-18 

Dolly's    Vacation    12-15-18 

Don    Quixo'e — Fine    Arts-Tri 12-30-15 

Don't  Change  Your  Husband — Artcraft 1-26-19 

Don't  Ever   Marry — 1st   Natl 4-25-20 

Don't    Leave    Your    Husband — Federated.  .4-24-21 

Don't     Neglect     Your     Wife — Gwyn 1920 

Doorsteps — Mutl     7-27-16 

Dorian's    Divorce — Rolfe-Metro    6-15-16 

Dormant  Power,  The — Peerless-Power.  ...  10-25-17 

Doub'e    Crossed— F.P.-L 9-21-11 

Doub'e    Dyed    Deceiver — -Gwyn     6-20-20 

Doub'e   Room    Mystery,    The — Red    F 1-11-17 

Doub'e     Speed— F.P.-L 2-8-20 

Double     Standard,     The — Butterfly-Univ 8-2-17 

Down     Home — Hdksn     10-24-20 

Down    on    the    Farm — Un   Art 5-2-20 

Down     to     Earth — Artcraft     8-16-17 

Draft    258- Rolfe-Metro    2-7-18 

Drag  Harlan — Fox 10-24-20 

Dragon    Painter,    The— R.C 10-12-19 

Dragon,   The — Equitable- World 1-13-16 

Dream     Cheater,     Th^-Hdksn 3-21-20 

Dream    Girl,   The — Lasky-Prmt 7-27-16 

Dream    Lady,    The — Bluebird-Univ 7-28-18 

Dream   Street — Un   Art    4-17-21 

Drifter,     The^Gaumont-Mutl      2-3-16 

Drifters,     The — Hampton-Hdksn     12-29-18 

Driftwood — Ocean-Raver     3-23-16 

Dr.    Jekyll    and    Mr.    Hyde— F.P.-L 4-3-20 

Dub,    The — Prmt    1-19-19 

Duchess   of   Doubt,   The — Rolfe-Metro 6-7-17 

Ducks    and    Drakes — Reairt 4-3-21 

Duds— Gwyn    3-21-20 

Duke   of    Chimney    Butte — Federated 1-30-21 

Dulcie's    Adventure — American-Mutl    10-5-16 

Dumb  Girl  of  Portici,  The— Univ 4-13-16 

Dummy,     The — F.P.-L 3-22-17 

Dupe,     The — Lasky-Prmt     7-13-16 

Durand   of   the   Bad   Lands — Fox 8-30-17 

Dust    of    Desire — World    7-13-19 

Dust  of  Egypt,   The— Vita-V.L.S.E 10-28-15 

Dwelling  Place  of  Light— Hdksn 9-12-20 

Dynamite     Allan — Fox     2-27-21 

E 

Each    Pearl    a    Tear — Lasky-Prmt 9-7-16 

Each  to  His  Kind — Lasky-Prmt 2-8-17 

Eagle,    The — Bluebird    6-16-18 

Eagle's  Wings,  The — Bluebird 11-30-16 

Earthbound — Univ     8-15-20 

Easiest    Way,    The— Selzk 5-17-17 

East   Is   West — Mutl    11-9-16 

East  Lynne — Fox   6-22-16 

Eastward    Ho — Fox     11-23-19 

Easy     to     Get — F.P.-L 2-29-20 

Easy     Money — Peerless- World     11-29-17 

Easy     Road — F.P.-L 2-27-21 

Echo    of    Youth,    The — Graphic 2-2-19 

Edge  of  the  Abyss,  The— Kay  Bee-Tri 12-9-15 

Education   of   Elizabeth — F.P.-L 1920 

Efficiency    Edgar's    Courtship — Essanay-K. 

E.S.E 9-13-17 

Egg-Crate  Wallop,  The — F.P.-L 10-12-19 

"813"— R.C 1-23-21 

Eleventh   Commandment,   The — Advanced.  .6-16-18; 

Elusive    Elizabeth — Bluebird    5-4-16 

Embarrassment  of  Riches,  The — Hdksn 9-29-18 

Embers — -American-Mutl    3-2-16 

Emmy  of  Stork's  Nest^Columbia-Metro.  .10-21-15 

Empire  of  Diamonds — Pathe 12-19-20 

Empress.    The — U.    S.    Amuse-Pathe 3-1-17 

Empty    Cab.    The — Bluebird-Univ 7-7-18 

Enchanted    Barn,    The — Vita 1-19-19 

End   of   the   Game,   The— Hampton-Hdksn- 

Pathe   3-23-19 


131 


Review  Date 

End  of  the  Rainbow,  The— Bluebird 10-26-16 

End  of  the  Road,  The— Pub.  H'lth  Films.  10-12-19 

End  of  the  Tour,   The— Rolf e- Metro 2-15-17 

End   of   the  Trail,   The — Fox 8-10-16 

End  of  the  World,  The— Gt.  Nort.-St  Rgt.. 6-1-16 

Enemy,  The — Greater  Vita 12-14-16 

Enemy   to   Society,  An — Columbia-Metro.  .  10-14-15 
Enemy  to  the  King,  An — Greater  Vita.  ...  11-23-16 

En'ighten  Thy  Daughter — Ivan-St  Rgt 2-8-17 

Environment — American-Mutl    5-10-17 

Envy — McOure-Tri      1-25-17 

Erstwhile     Susan — Realrt     12-7-19 

Esmeralda — F.P.-    Prmt    9-16-15 

Eternal     Grind,     The— F.P.-Prmt 4-13-16 

Eternal     Love,     The — Butterfly-Univ     5-3-17 

Eternal     Magdalene,    The — Gwyn S-2S-19 

Eternal     Mother,    The— Rolfe-Metro 12-6-17 

Eternal  Question,   The— Pop.   P&P-Metro.  .7-20-16 

Eternal   Sappho,   The — Fox 5-11-16 

Eternal    Sin,    The— Brenon-Selzk 3-22-17 

Eternal   Temptress,   The — F.P.-Prmt 12-13-17 

Evangeline — Fox    8-24-19 

Eve    in    Exile — Pathe 12-14-19 

Even   As   You  and   I — Univ-St   Rgt 4-5-17 

Even   Break,   An — Kay   Bee-Tri 8-9-17 

Everybody's   Girl — Vita    11-17-18 

Everybody's  Sweetheart — Selzk 10-24-20 

Every    Girl's    Dream — -Fox 9-13-17 

Every    Mother's    Son — Fox 1-5-19 

Everything  But  the  Truth — Univ 5-16-20 

Every  woman — F.P.-L 12-21-19 

Everywoman's    Husband — Tri    7-7-18 

Every   Woman's    Problem — Plym.-St   Rgt.. 3-27-21 

Eve's  Daughter — F.P.-Prmt   3-21-18 

Evidence — Shubert-World     9-23-15 

Evidence — Tri     1-17-18 

Evil    Eye,   the — Lasky-Prmt    1-11-17 

Evil   Thereof,   The — F.P.-Prmt 6-29-16 

Evil    Women    Do,   The — Bluebird 9-14-16 

Excuse    Me — Savage-Pathe    1-6-16 

Excuse  My  Dust — F.   P.-L 3-28-20 

Exile — Paragon -Artcraft     11-22-17 

Experimental    Marriage — Select     3-30-19 

Exploits   of   a   German    Submarine — C.   B. 

Price    1-11-20 

Explorer,     The — ^Kleine-Edison     9-23-15 

Extravagance — Metro      3-6-21 

Extravagance — Pop.    P&P-Metro    11-16-16 

Eye   for   Eye — Metro    12-29-18 

Eye  of  Envy,   The — Horsley-Art 8-30-17 

Eye    of    God,    The — Bluebird 5-25-16 

Eye    of    the    Night,    The— Ince-Tri 7-13-16 

Eyes    of   Julia    Deep,    The — ^Amer.-Pathe.  .8-11-18 

Eyes  of    Mystery,   The — Rolfe-Metro 1-24-18 

Eyes  of  the    Soul — Artcraft    4-27-19 

Eyes  of  the    Heart — Realrt     11-7-20 

Eyes  of  the     World,     The— Clune 7-7-18 

i^yes    of    Youth — Equity    11-16-19 

F 

"Fabiola— H.  B.  Marinelli   10-31-20 

Face    at    Your    Window — Fox 11-14-20 

Face    in    the    Ark,    The— Gwyn 4-25-18 

Face    Value — Bluebird    1-3-18 

Faded   Flame,   The— Ivan-St   Rgt 8-17-16 

Fair  and  Warmer — Metro 10-19-19 

Fair   Barbarian,   The— Lasky-Prmt 12-27-17 

Fair   Enough — American-Pathe    12-22-18 

Fair    Pretender,    The — Gwyn 5-26-18 

Faith— Fox     2-8-20 

Faith— Metro     2-9-19 

Faith   Endurin'— Tri    4-18-18 

Faith     Healer,     The— F.P.-L 3-20-21 

Faith    of    the    Strong— Selzk 9-21-19 

Fallen    Angel,     The— Fox 7-28-18 

Fallen    Idol,    A— Fox /.  10-26-19 

False  Ambitions — Tri    7-21-18 

False    Face,    The— Prmt-Artcraft 2-23-19 

Fall   of   a   Nation,   The — Nat.    Drama 6-15-16 

Fall  of  Babylon,  The— D.  W.  Griffith 7-27-19 

Fall  of  the   Romanoffs,  The — Brenon-A.   H. 

Woods    10-11-17 

False    God,    The— Pathe 10-5-19 

False  Friend,   The — Peerless-Brady-World. 6- 14-1 7 

False    Road,    The— F.P.-L 5-16-20 

Fame  and   Fortune^ Victory-Fox 8-25-18 

Family  Cupboard,     The— World 10-14-15 

Family  Honor,  The— 1st  Natl 5-2-20 

Family   Honor — Peerless-Brady-World    ....4-12-17 


Review  Date 

Family     Skeleton,    The— Ince-Prmt 3-21-18 

Family     Stain,     The— Fox 10-28-15 

Fan     Fan— Fox     11-24-18 

Far  From  the  Madding  Crowd — Mutl 6-29-16 

Fast    Company — Bluebird    3-28-18 

Fatal     Card,     A— F.P.-Prmt 10-7-15 

Fatal  Hour,  The— Metro    10-31-20 

Fated    Hour,    The— Cines-St    Rgt 4-19-17 

Fate's    Boomerang — Paragon-World     5-25-16 

Father    and    Son— Mutl    7-27-16 

Fathers    of     Men— Vita-V.L.S.E 7-13-16 

Fatty   &  Broadway   Stars— Tri 12-16-15 

Fatty    and    Mabel    Adrift— Keystone-Tri 2-3-16 

Favorite    Fool,    A — Keystone-Tri 10-7-15 

Fear    Market,    The— Realrt 1-11-20 

Fear    Not— Bluebird    11-29-17 

Fear    of    Poverty,    The — Thanhouser-Pathe.  .9-7-16 

Fear    Woman,    The — Gwyn 7-13-19 

Feast     of     Life — Paragon-World     5-4-16 

Feathertop — Gaumont-Mutl     4-20-16 

Fedora — Paramount     7-28-18 

Felix    O'Day— Pathe     9-12-20 

Female  of  the  Species,  The — Ince-Tri. ...  12-21-16 

Fettered     Woman — Tri     11-8-17 

Feud    Girl,    The— F.P.-Prmt    5-18-16 

Fibbers,    The — Essanay-Perfection    10-18-17 

Fickle    Woman — Schwab    8-15-20 

Field    of    Honor,    The — Butterfly-Univ 6-21-17 

Fields  of  Honor — Gwyn   1-24-18 

Fifty-Fifty— Fine  Arts-Tri    10-19-16 

Fight  for  Love,  A— Univ 3-9-19 

Fighting  Back— Tri    11-1-17' 

Fighting  Blood — Fox     3-2-16 

Fighting  Chance,    The— F.P.-L 7-25-20 

Fighting   Colleen,    A— Vita    11-16-19 

Fighting  Cressy — Pathe      12-14-19 

Fighting  Destiny — Vita    3-30-19 

Fighting  for  Love — Red  F 1-11-17 

Fighting  Grin,   The — Bluebird   1-17-18 

Fighting  Odds— Gwyn     10-4-17 

Fighting  Roosevelts,  The — 1st  Natl 1-26-19 

Fighting  Shepherdess,   The — 1st   Natl    4-3-20 

Fighting  Stranger — Canyon-St   Rgt    1920 

Fighting  Through— Hdksn     1-19-19 

Figurehead,     The— Selzk     6-20-20 

Filling  His  Own  Shoes— Essanay-K.E.S.  E.  6-21-17 

Final    Closeup,    The— Prmt    6-1-19 

Final     Curtain,     The— Kleine 2-10-16 

Final    Judgment,    The— Rolfe-Metro 10-28-15 

Final    Payment,    The— Fox     6-14-17 

Find     the     Woman— Vita 6-9-18 

Firebrand,     The — Fox     6-9-18 

Firebrand    Trevison — Fox    7-18-20 

Fire  Cat— Univ 2-20-21 

Fire     Fingers,     The — Univ 4-6-19 

Firefly    of    France,    The — Prmt 7-14-18 

Firefly    of   Tough   Luck,   The— Tri 10-18-17 

Fireman,    The — Mutl     6-8-16 

Fires    of    Fate— F.P.-L 5-11-19 

Fires     of     Rebellion — Bluebird     7-5-17 

Fires   of   Youth,    The — Thanhouser-Pathe.  .  5-31-17 

Firing    Line,    The — Prmt-Artcraft    7-13-19 

Firm     of    Girdlestone,     The — Vita 10-19-16 

First    Born— R.C 2-6-21 

First   Law,    The— Astra-Pathe    ..7-21-18 

First   Unit   Programme — Ind.    Film   Clearing 

House    5-11-19 

Fit  to  Win— U.  S.  Public  Serv 4-13-19 

Five  Faults  of  Flo,  The — Thanhouser-Mutl.  1-13-16 

Five   Thousand    an    Hour — Metro 12-1-18 

$5,000    Reward — Bluebird    5-12-18 

Fixed    by    George — Univ    10-31-20 

Flame,     The — Stoll 2-6-21 

Flame  of  Passion,     Th^— Teriss 10-21-15 

Flame  of  the     Desert — Gwyn     11-9-19 

Flame  of  the    Yukon,    The— Kay    Bee-Tri.  .7-19-17 

Flame  of  Youth — Fox     12-12-20 

Flame  of  Youth,   The — Butterfly-Univ    6-28-17 

Flames  of  Chance,    The— Kay    Bee-Tri 1-17-18 

Flames  of  Johannes,  The — Lubin-M.L.S.E.   4-20-16 

Flames  of  the     Flesh— Fox      12-28-19 

Flaming     Clue— Vita     4-18-20 

F'aming   Omen,   The — Vita 11-1-17 

Flapper,    The— Selzk     5-23-20 

Flare-Up    Sal— Ince-Prmt     2-14-18 

Flash     of    Fate,     The — Rawlinson-Univ 2-28-18 

Flashlight,  The— Bluebird    5-10-17 

Flash  of  an  Emerald.  The — World 10-21-15 


132 


Review  Date 
Flight  of   the   Duchess,   The — Thanhouser- 

Mutl 3-9-16 

Flirt,     The— Bluebird      4-6-16 

Flirting    with    Fate — Tri-Fine    Arts    6-29-16 

Floor    Below,    The — Gwyn 3-14-18 

Floorwalker,  The — Chaplin-Mutl    S-11-16 

Flower  of   Doom,   The— Red   F 4-12-17 

Flower  of  Faith,  The— Super-Golden  Eagle  9-21-16 
Flower   of   No    Man's   Land,    The — Columbia- 
Metro     7-6-16 

Flower    of    the    Dusk — Metro 9-1-18 

Fly    God.     The— Tri 6-20-18 

Flying    Colors — Tri    9-13-17 

Flying     Pat-F.P.-L 12-26-20 

Flying  Torpedo,   The— Tri   Fine  Arts 3-16-16 

Flying  With  the   Marines — Bur.  of  Pub. 

Info 6-30-18 

Folly  of  Desire,  The— Red  F 8-10-16 

Folly  of  Revenge,  The — Nola-St  Rgt 7-27-16 

Food    for   Scandal — Realrt    10-31-20 

Food    Gamblers,    The — Eastern    Tri 8-9-17 

Fool   and    His   Money — Selzk 4-25-20 

Fools    and    Their    Money — Metro 6-22-19 

Fools     for    Luck — Essanay-Perfection     ....10-4-17 

Fool's   Gold — Arrow    5-4-19 

Fool's     Paradise,     A — Ivan 2-10-16 

Fool's    Revenge.    A — Fox    2-24-16 

Footlights  and  Shadows— Selzk 2-15-20 

Footlightg    and     Fate — Vita-V.L.S.E 8-24-16 

For  a  Woman's  Fair  Name — Vita-V.L.S.E. 2-24- 16 

For  a  Woman's     Honor — Ex     Mutl 9-28-19 

For  Better,    For   Worse — Artcraft 5-4-19 

Forbidden— Univ    1-18-20 

Forbidden    Adventure,    The — N.Y.M.P.- 

Mutl     12-9-lS 

Forbidden  City,  The — Schenck-Select 10-13-18 

Forbidden  Fire — J.    P.    Reed    3-23-19 

Forbidden  Fruit— F.P.-L 1-30-21 

Forbidden  Fruit — Ivan     2-24-16 

Forbidden  Love — Wistaria-St  Rgt    4-10-21 

Forbidden  Paths— Lasky-Prmt     6-28-17 

Forbidden  Thing,     The — Assoc.     Prod 11-21-20 

Forbidden  Trails— Fox     5-23-20 

Forbidden  Valley — Pathe 10-10-20 

Forbidden  Woman,     The — Equity     2-29-20 

Forest    Rivals— World    9-21-19 

For    France— Vita    9-27-17 

For    Freedom— Fox     12-29-18 

Forged   Bride,   The— Univ 2-1-20 

Forget-Me-Not — Peerless-Brady-World    . .  .4-12-17 

For     Husbands     Only— Weber 5-19-18 

For  Liberty — Fo^x     1-24-18 

For  Sale — Astra-Pathe     6-2-18 

For  the     Defense — Lasky-Prmt     3-16-16 

For  the    Freedom    of    the    World — Lowry- 

Gwyn     1-17-1& 

For  the   Love   of  a  Woman — Rolfe-Metro.  .9-9-15 

For   the    Soul    of    Rafael — Equity S-30-2U 

Fortunate     Youth,     The — Ocean-Rer 3-23-16 

Fortune    Hunter,    The — Vita 2-22-20 

Fortune  Teller.  The — R.C S-16-20 

Fortunes    of    Fifi,     The — F.P.-Prmt 3-1-17 

Forty-five    Minutes   from   B'way — 1st    Natl.  .9-5-20 

For     Valor— Eastern     Tri 11-22-lJ 

Foundling,   The — F.P.-Prmt    1-16-10 

Four  Horsemen  of  the  Apocalypse — Metro. 2-20-21 

Fourteenth    Man — F.P.-L 9-12-20 

Fourth     Estate,     The — Fox 1-27-16 

Frame    Up.    The — Univ    11-4-15 

Framing    Framers — Tri    1-3-18 

France  in  Arms — Pathe   11-1-17 

Freckles — Lasky-Prmt     5-24-17 

Freeze-Out,    The — Univ    4-10-21 

Friday     the     Thirteenth — Brady-World 9-14-16 

Friend  Husband — Gwyn 8-11-18 

Fringe    of    Society,   The— Backer-Hoffman- 

St    Rgt    11-15-17 

Frisky    Mrs.    Johnson — F.P.-L 1-2-21 

From   Broadway   to   a  Throne — Red   F 7-13-16 

From    Now    On— Fox    9-19-20 

From  Two  to  Six— Tri 2-28-18 

Frontier  of   the   Stars— F.P.-L 1-23-21 

Fruits     of     Desire,     The — World 1-27-16 

Fuel  of  Life,  The— Tri 11-15-1/ 

Fugitive    from    Matrimony,    A — R.C 12-7-19 

Fugitive,    The — Thanhouser-Pathe    8-24-16 

Full    House,    A— F.P.-L 9-12-20 

Furnace,    The— Realrt    11-28-20 

Fuss     and     Feathers — Prmt 12-15-18 


G  Review  Date 

Galley    Slave,    The— Fox 12-2-15 

Galloper,    The — Pathe    Gold    Rooster 9-16-15 

Galloping  Devil,  The— Canyon-St  Rgt 5-29-2t 

Gamble    in    Souls,    A— Ince-Tri 12-7-16 

Gamblers,    The— Vita    7-27-19 

Gambling     in     Souls — Fox 3-16-19 

Game  of  Wits,  A— Amer-Mutl 11-15-17 

Game    Old    Knight    and    Her    Painted    Hero 

— Keystone-Tri     10-28-lS 

Game's  Up,   The— Univ    1-19-19 

Game     With     Fate,     A— Vita 6-16-18 

Garden    of    Resurrection — Stoll 3-20-21 

David     Garrick— Pallas-Prmt      4-20-16 

Gates    of    Brass— Keenan-Pathe    6-29-19 

Gates   of   Doom,   The— Red   F 3-1-17 

Gates    of    Eden,    The — Columbia-Metro 11-9-16 

Gauntlet,     The— Vita     7-25-20 

Gay    Lord    Quex,    The— Gwyn 12-21-19 

Gay    Lord    Waring,    The— Bluebird 4-13-16 

Gay  Old  Dog,  The— Pathe 11-9-19 

Gentleman    from    Indiana,    The— Pal-Prmt  12-2-15 

Gentleman    of   Quality,    A— Vita 3-9-19 

Gent'eman's  Agreement,  A — Vita 7-28-18 

Germany  at  War — Cummins-St  Rgt 3-23-16 

Getting     Mary     Married — Select 4-6-19 

Get   Your    Man— Fox    5-29-21 

Ghost     Flowar.     The— Tri 8-18-18 

Ghost    in    the    Garret— F.P.-L 1920 

Ghost    of    Old    Morro,    The— Ed-K.E.S.E.  .6-28-17 

Ghost   of   Rosy   Taylor,   The— Mutl 7-14-18 

Ghost    of    Yesterday,     The— Select 1-10-18 

Ghost    of    the    Rancho,    The — Anderson- 

Brunton-Pathe      8-4-18 

Gift    Girl.    The— Bluebird 3-8-17 

Gift    o'    Gab,    The— Essanay-Perfection 12-6-17 

Gift     Sunreme.     The— Selzk 5-9-20 

Gi'ded  Cage,  The— Brady-World 10-12-16 

Gi'ded  Dream— Univ 10-24-20 

Gilded    Lies— Selzk     5-8-21 

Gilded  Lily,  The— F.P.-L 3-13-21 

Gilded   Spider,   The— Bluebird    4-27-16 

Ginger— World    4-27-19 

Girl  Alaska,    The— World    8-17-19 

Girl   and  the  Crisis,  The— Red   F 2-22-17 

Girl  and  the  Judge,  The— Empire-Mutl 4-11-18 

Girl  at    Bay,     A— Vita 6-22-19 

Girl   Dodger.   The— Prmt    3-2-19 

Girl   from    Beyond,    The— Vita 4-25-18 

Girl   from    Bohemia.    The— Astra-Pathe 8-18-18 

Girl   from  the  Outside,  The— Gwyn 8-24-19 

Girl   in     Bohemia,     A— Fox 11-9-19 

Girl  in    His    House.    The— Vita 6-23-18 

Girl   in     Number     29— Univ 4-3-20 

Girl   in   the   Dark,   Th^-Bluebird 3-14-18 

Girl  in  the  Rain,   The— Univ 6-27-20 

Girl   in    the    Web— Pathe 7-25-20 

Girl  Like   That,    A— F.P.-Prmt 1-25-17 

Girl  Montana,     The— Pathe     1-2-21 

Girl  Named     Mary,     A— F.P.-L 1-25-20 

Girl  of   Lost    Lake,    The— Bluebird 8-17-16 

Girl  of     My     Heart— Fox 12-12-20 

Girl  of    the   Timber    Claims— Tri 1-25-17 

Girl   of    Today,    The— Vita 9-22-18 

Girl  of    Yesterday,    A— F.P.-Prmt 10-14-15 

Girl  Phillipa,   The— Vita    1-4-17 

Girl  Problem,  Th^-Vita 2-23-19 

Girl  Who     Dared— Selzk     8-22-20 

Girl  With   a   Jazz   Heart— Gwyn 1-2-20 

Girls— Prmt    7-6-19 

Girls    Don't    Gamble— Schwab-St    Rgt 9-5-20 

Girl's     Folly,     A — Paragon -Brady- World 3-1-17 

Girl   Who     Came    Back,     The— Prmt 9-1-18 

Girl   who   Couldn't   Grow  Up,   The— Pollard- 

Mutl  9-27-17 

Girl    who    Couldn't    Think,    The — Creative- 

St    Rgt    2-1-17 

Girl  Who  Lost— Red  F   3-15-17 

Girl   Who   Stayed  at  Home.   The — Artcraft  3-30-19 

Girl  Who  Wouldn't  Quit,  The— Univ 4-11-18 

Girl  With    No    Regrets,    The— Fox 2-16-19 

Girl  Without    a    Soul.    The— Rolfe-Metro.  .8-30-17 
Girl   With   the   Champagne   Eyes,   The— Fox   4-4-18 
Girl  With   the  Checkered   Coat,   The — Blue- 
bird      4-5-17 

Girl   With    The    Green    Eyes,    The— Pop.    P. 

&    P.-Pathe    5-11-16 

Girl  Woman.     The — Vita     8-10-19 

Giving     Becky     a     Chance — Morosco-Prmt.  .6-7-17 
Gloriana— Bluebird    11-2-16 


133 


Review   Date 

Gloria's    Romance — Kleine     6-1-16 

Glorious  Adventure,   The — Gwyn 8-18-18 

Glorious     Lady,     The— Selzk 11-9-19 

Glory— Unity-St  Rgt   3-1-17 

Glory    Girl,    The— Kay    Bee-Tri 6-7-17 

Glory    of    Yolande,    The— Vita 1-25-17 

Go    and    Get    It— 1st    Natl 7-2S-20 

Goat,    The— Artcraft     9-29-18 

Godless  Men^Gwyn    2-6-21 

God   of   Little   Children— Apollo-Art    Dram.. 2-1-17 
God's     Country     and     the     Woman — Vita- 

V.L.S.E 6-29-16 

God's  Half  Acre— Rolfe- Metro 8-17-16 

God's    Law    and    Man's — Columbia-Metro.  .5-10-17 

God's   Man— Frohman-St    Rgt    4-12-17 

Gods    of     Fate,     The— Liibin-V.L.S.E 2-3-16 

Going    Some — Gwyn     7-25-20 

Going   Straight — Fine   Arts-Tri 5-25-16 

Gold    and    the    Woman — Fox 3-23-16 

Gold    Cure,    The— Metro     1-12-19 

Golden  Chance,   The — Laskv    12-30-15 

Golden    Fetter,    The — Lasky-Prmt 2-1-17 

Golden    Fleele,    The— Tri 8-4-18 

Golden    Goal,    The— Vita 5-19-18 

Golden   Idiot,   The — Essanay-K.E.S.E 7-26-17 

Golden   Rule  Kate— Kay  Bee-Tri 8-30-17 

Golden    Shower,    The— Vita 12-21-19 

Golden   Wall,   The— World 7-21-18 

Good  Bad   Man,   The — Fine   Arts-Tri 4-13-16 

Good  Bad   Wife— Federated 10-24-20 

Good  Bye     Bill— Prmt     12-8-18 

Good-For-Nothing,    The— Peerless-World    12-27-17 

Good   Gracious  Annabelle — Prmt    4-6-19 

Good  Loser,     A— Tri     7-14-18 

Good  Night    Paul— Selzk-Select    6-16-18 

Good  References — 1st    Natl    9-26-20 

Go   West   Young    Man — Gwyn 2-2-19 

Gown  of  Destiny,  The— Tri 12-27-17 

Grafters— Eastern     Tri     8-30-17 

Grain   of   Dust,   The— Crest-St    Rgt 1-24-18 

Grand    Passion,     The — Bluebird 12-27-17 

Gray    Horizon,    The — Ex.     Mutl 9-7-19 

Gray   Towers   of   Mystery,   The — Vita 11-2-19 

Grasp     of     Greed,     The — Bluebird 7-6-16 

Gray     Mask,     The— Shubert-World 12-9-15 

Gray  Parasol,  The— Tri    9-29-18 

Great    Adveture,     The— Blache-Pathe 2-28-18 

Greased     Lightning — Prmt     5-4-19 

Great    Adventure,     The — 1st     Natl 1-30-21 

Great   Air    Robbery,    The— Univ 1-4-20 

Great   Bradley   Mystery,   The— Apollo-Art.  .4-19-17 

Great    Day,    The— F.P.-L 4-3-21 

Great  Divide,  The— F. P. -Par  12-23-15 

Greater  Claim,   The— Metro    2-20-21 

Greater    Law — Bluebird    7-19-17 

Greater  Than  Fame— Selzk 1-18-20 

Greater    Will,    The — Premo-Pathe 12-16-15 

Greater     Woman.     The — Powell-Mutl 3-29-17 

Greatest  Love— Selzk    1-30-21 

Greatest   Power — Rolfe-Metro    6-29-17 

Greatest  Question,  The — 1st  Natl    1-4-20 

Greatest   Sacrifice — Fox    5-15-21 

Greatest    Thing   in    Life,    The — Griffith 1-2-19 

Great  Expectation — F.P.-L 1-11-17 

Great  Love,     The — Griffith-Artcraft     8-18-18 

Great  Lover — Gwyn   12-5-20 

Great  Problem,    The — Bluebird     4-13-16 

Great     Redeemer,     The — Metro 8-29-20 

Great  Ruby,     The— Lubin-V.L.S.E 9-23-15 

Great  White  Trail.  The— Wharton -St  Rgt.. 6-14-17 

Greed— McClure-Seven    Sin?-Tri    2-8-17 

Green    Cloak,    The — Kleine-Edison    10-28-15 

Green-Eyed     Monster,     The — Fox 1-6-16 

Green   Eyes — Ince-Prmt 8-18-18 

Green   Flame,    The — Hdksn     7-11-20 

Green  God,     The— Vita     9-1-18 

Green  Stockings — Vita-V.L.S.E 1-13-16 

Green   Swamp,    The — Tri-Kay    Bee 1-13-16 

Greel     Mystery,     The — Vita 11-22-17 

Gretchen    the    Greenhorn — Fine    Arts-Tri.  .8-25-16 

Grim     Game,     The — F.P.-L 9-7-19 

Grip    of    Jealousy,    The— Bluebird 3-9-16 

Grouch,    the— World    12-1-18 

Guile  of  Women — Gwyn    3-6-21 

Guilt    of    Silence,     The — Bluebird 6-2-18 

Guilty  Man.  The — Ince-Prmt 2-21-18 

Guilty    of    Love— F.P.-L 9-19-20 

Gun     Fighter,    The— Ince-Tri 2-1-17 

Gun     Fighting     Gentleman — Univ 11-30-19 


Review   Date 

Gun    Woman,    The— Tri 1-24-18 

Gutter   Magdalene,    A— E.   P. -Prmt 6-18-16 

Gypsy    Blood— 1st    Natl    5-1S-21 

H 

Habit   of  Happiness,    The— Fihe   Arts-Tri.  .3-23-16 

Hairpins— F.     P.-L 8-8-20 

Half    a    Chance— Pathe 10-24-20 

Half  Million  Bribe,  The— Rolfe-Metro 4-20-16 

Half  Breed,  The— Fine  Arts-Tri 7-13-16 

Hand    at   the   Window,    The— Tri 4-25-18 

Hand    Invisible,    The— World 3-9-19 

Hand   of   Peril,   The— Paragon-World 3-23-16 

Hands  Down — Bluebird    2-14-18 

Hands  Off— Fox   4-3-21 

Hands    Up— Fine    Arts-Tri 4-26-17 

Hand   that   Rocks   the   Cradle,    The — Weber- 

St    Rgt    ...._ 5-31-17 

Happiness^ — Tri-Kay    Bee    5-10-17 

Happiness    a    La    Mode — ^Select     6-15-19 

Happiness    of    Three    Women,    The — Mor- 

osco-Prmt      1-18-17 

Happy    Though    Married — Prmt    2-16-19 

Hard    Boiled— Prmt    2-2-19 

Hard     Rock     Breed,     The — Tri 3-21-18 

Harriet   the    Piper — 1st   Natl    10-24-20 

Harvest     Moon,     The — Hdksn 4-11-20 

Hate — Fairmont-St    Rgt     8-9-17 

Hater   of   Men,   A— Kay    Bee-Tri 6-21-17 

Haunted    Bedroom,     The — Prmt 6-8-19 

Haunted   House,   The — Eastern   Tri 9-20-17 

Haunted  Manor,  The — Gaumont-MutI 3-30-16 

Haunted    Pajamas,    The — Yorke-Metro    6-21-17 

Haunting    Shadows — R.C 1-18-20 

Havoc,     The — -Essanay-V.L.S.E 3-30-16 

Hawk,    The— Greater    Vita    5-3-17 

Hawthorne  of  the  U.   S.   A.— F.   P.-L 11-30-19 

Hay    Foot,    Straw    Foot— Prmt 6-29-19 

Hazel     Kirke— Pathe     2-10-16 

Headin'    Home — Yankee-St    Rgt    9-26-20 

Headin'    South— Artcraft    3-21-18 

Heart    and    Soul— Fox 6-14-17 

Heart  Line,    The — Pathe     5-29-21 

Heart  of   a   Child   —Metro 4-11-20 

Heart  of  a  Child,  The— London   Red  F 6-22-16 

Heart  of  a  Girl,  The— World 7-7-18 

Heart  of  a  Gypsy,   The— Hlmark 12-7-19 

Heart   of   a   Hero,   The — -Peerless-Brady- 
World    10-26-16 

Heart  of  a  Lion.  The— Fnx 12-27-17 

Heart    of    Ezra    Greer,    The — Thanhouser- 

Pathe      10-4-17 

Heart  of  Gold— World     2-2-19 

Heart  of  Humanity,    The — Univ     1-4-19 

Heart  of  Jennifer,     The — F.     P.-L-Prmt 9-9-15 

Heart  of  Juanita,    The— R.    C 12-7-19 

Heart  of  Maryland— Vita   5-22-21 

Heart  of  New     York,     The — Claridge     2-24-16 

Heart  of  Paula,  The— Morosco-Prmt 3-16-16 

Heart  of  Rachael,   The— Hdksn    10-6-18 

Heart  of  Tara,  The— Horsley-Mutl   3-9-16 

Heart  of  Texas  Ryan,  The — Selig-K.E.S.E. 2-22-17 

Heart  of  the  Blue  Ridee,  The — World 10-21-15 

Heart  of  the  Sunset— Gwyn   4-18-18 

Heart  of  the     Wilds — Artcraft     8-25-18 

Heart  of  Twenty— R.-C 6-27-20 

Heart  of  Wetona.   The— Select    12-29-18 

Heart  of  Youth,     The— F.     P.-L 9-14-19 

Heart   o'   the    Hills— 1st    Natl    12-7-19 

Hearts     and     Masks — -Federated     1920 

Hearts    are    Trumps — Metro     12-12-20 

Heart's    Desire— F.     P.-L. -Prmt 5-3-17 

Heartsease     9-14-19 

Hearts  of  Men — Harris-World    11-18-15 

Hearts  of  Men — Abrams     4-13-19 

Hearts  of   the     World — Comstock-Elliott- 

Gest    5-12-18 

Hearts     or     Diamonds? — Mutl 5-2-18 

Hearts    o'    The    Range— Forward-St    Rgt.. 2-13-21 

Heart    Springs — Fox    1-4-20 

Hearts    Up— Univ    1-2-21 

He    Comes    Un    Smi'ing — Artcraft    9-15-18 

He    Did    and    He    Didn't — Kevstone-Tri 2-10-16 

He  Fill   in   Love  with   His  Wofe — Pallas- 

Prmt 2-17-16 

Heights    of    Hazard.    The— Vita-V.L.S.E.  .  12-2-15 
Heiress   at   Coffee    Dan's.   The — Fine   Arts- 
Tri    12-21-16 

Heiress    for    a    Day — Tri    2-28-18 


134 


Review  Date 

Heir    of    the    Ages,    The— Pallas-Prmt 6-28-17 

Heir   to   the   Hoorah,   The — Lasky-Prmt 11-2-16 

Held  by  the  Enemy— F.  P.-L 10-3-20 

Held    in    Trust— Metro     8-15-20 

Helene  of  the   North— F.   P. -Print 9-9-15 

Heliotrope— F.  P.-L 11  -28-20 

Hell     Bent— Univ     6-23-18 

Hell    Cat.    The— Gwyn     12-8-18 

Helion,     The— Pathe     10-5-19 

Hell     Morgan's    Girl- Bluebird 3-15-17 

Hell     Roarin'     Reform— Fox 2-16-19 

Hell's    End— Tri     7-14-18 

Hell's    Hinges— Tri-Kay    Bee 2-17-1') 

Hell     Ship.     The— Fox 2-15-20 

Hell    to    Pay    Austin— Fine    Arts-Tri 8-10-16 

Help,    Help    Po'ioe— Fox    5-4-151 

He'p    Wanted    Ma'e— Pa'.he    8-22-20 

Help    Yourself— Gwyn    1920 

Her  American    Husband — Tri     1-24-18 

Her  American    Prince — MutI    8-3-16 

Her  Beloved     Villain— Rea'rt— 1-2-21 

Her  Better   Self— F.    P.-Prmt    5-17-17 

Her   Bitter    Cup— Univ.     Red     F 3-30-16 

Her   Bodv    in    Bond^^Murray   Prod 6-23-lb 

Her  Boy— Metro     2-14-18 

Her  Code  of  Honor — Tribune-United   3-9-19 

Her  Country     First— Prmt     8-1-18 

Her  Country    First — Prmt     9-1-18 

Her  Debt    of    Honor— Rolfe-Metro 1-27-16 

Her  Decision — Tri     5-12-18 

Her   Double    Life— Fox    10-5-16 

Here    Comes    the    Bride— Prmt 1-26-19 

Heredity— World    8-11-18 

Her   Elephant     Man— Fox     ...2-1-20 

Her  Excellency  the  Governor — Eastern  Fine 

Arts-Tri    7-S-17 

Her  Father's   Gold— Thanhouser-Mutl    5-11-16 

Her  Father's     Keeper — -Eastern     Fine    Arts- 
Tri    3-22-17 

Her  Father's     Son — Morosco-Prmt     9-28-16 

Her  Fighting  Chance — Jacobs-Hall-St   Rgt  8-16-17 

Her   Final     Reckoning — F.     P.-Prmt 6-9-18 

Her  First    Elopement — Realrt    .1-23-21 

Her  Five    Foot   Highness — Univ    4-3-20 

Her  Good    Name— Van    Dyke 2-1-17 

Her  Greatest    Love — Fox     4-26-17 

Her  Greatest  Chance — Select  12-22-18 

Her  Greatest    Performance — Tri     8-3-19 

Her  Great    Hour— Equitable-World    1-13-16 

Her  Great    Match— Pop.    P.    &    P. -Metro.  .9-16-13 

Her  Great    Price— Rolfe-Metro    3-30-16 

Her  Honor,    The    Mayor — Fox 8-22-20 

Her  Hour— Peerless-World     12-6-17 

Her   Husband's    Friend— F.    P.-L ...1920 

Her  Husband's    Honor — American-Mutl     ..8-11-18 

Her  Husband's     Wife— Ivan      6-29-16 

Heritage — Roubert-St     Rgt     8-15-20 

Heritage   of    Hate,    The— Red    F 11-9-16 

Her  Kingdom  of  Dreams — 1st  Natl 10-5-19 

Her  Life     and     His — Thanhouser-Pathe 2-8-17 

Her  Man— Pathe    8-25-18 

Her   Maternal     Right — World     5-11-16 

Her  Moment — Author's  Photoplays-General  7-21-18 

Her   Official     Fathers— Tri      4-26-17 

Her  Only     Way— Schenck-Select     8-25-18 

Hero      of      Submarine     D-2,      The — Vita- 

V.L.S.E     3-16-16 

Her  Own    People— Pallas-Prmt     2-15-17 

Her   Price — Fox      7-14-18 

Her  Purchase    Price — R.     C 8-31-19 

Her  Right   to    Live — Vita    1-18-17 

Her  Second    Husband — Empire-Mutl     1-10-18 

Her   Secret — Greater    Vita    5-3-17 

Her  Silent     Sacrifice — Select     1-17-18 

Her   Sister— Empire-Mutl      1-3-18 

Her  Sister's    Rival — Russian    Art-Pathe 12-6-17 

Her  Soul's    Inspiration — Bluebird     1-11-17 

Her  Strange   Wedding — Lasky-Prmt    6-21-17 

Her   Surrender — Ivan-St.    Rgt     10-26-16 

Her  Temptation — Fox      5-10-17 

Her  Unwilling    Husband— Pathe    11-21-20 

Hesper    of    the     Mountains — Vita- V.L.S.E.  .8-3-16 

Hidden  Children,    The — Yorke-Metro    4-5-17 

Hidden   Fires — Gwyn     11-24-18 

Hidden    Pearls — Lasky-Prmt    2-7-18 

Hidden  Scar,    The— Brady-World    10-5-16 

Hidden  Spring,  The — Yorke-Metro   8-2-17 

Hidden  Truth,     The— Select     2-2-19 

Hidden  Valley,  The — Thanhouser-Path«s  ..11-30-16 


Review  Date 

Highest    Bid,    The — American-Mutl     6-29-16 

Highest     Bidder,     The— Gwyn     1920 

Highest   Trump,    The— Vita    1-26-19 

High   Finance — Fox   4-19-17 

High   Play — American-Mutl      4-19-17 

High   Speed— Hlmark    1-11-20 

High   Stakes— Tri   5-26-18 

High   Tide— Tri     9-1-18 

Highway   of  Hope,  The — Morosco-Prmt.  ...  5-24-18 

Hillcrest    Mystery — Astra-Pathe    4-11-18 

Hin'on's     Double — Thanhouser-Pathe     ....4-26-17 

Hired     Man,     The— Ince-Prmt 1-31-18 

His  Birtright^Haworth-Mutl      9-15-18 

His   Bonded     Wife— Metro     12-1-18 

Hii  Bridal    Night— Select    7-27-19 

His  Brother's     Wife — Premo-Brady-World     6-1-16 

His  Debt— R.-C 5-25-19 

His  Divorced  Wife — Univ   11-9-19 

His   Enemy,     The     Law — Tri 6-16-18 

His  Greatest    Sacrifice — Fox     5-1-21 

His   House   in    Order— F.    P.-L 3-14-20 

His   Majesty,    Bunker    Bean^Lasky-Prmt.  .4-18-18 

His  Father's    Son— Rolfe-Metro    3-22-17 

His  Majesty    the    American — Uni-Art 9-28-19 

His  Mother's    Boy— Ince-Prmt    1-3-18 

His   Official  Fiancee— F.  P.-L 5-19-18 

His  Own    Home    Town— Ince-Prmt    S-19-18 

His   Own     Law — Gwvn     2-6-21 

His  Own     People — Vita     1-3-18 

His  Parisian    Wife — Artcraft     1-19-19 

His  Picture   in   the   Papers — Fine  Arts-Tri. 2-10-16 

His  Robe  of   Honor — Paralta-Hdksn    1-31-18 

His   Royal     Highness— Peerless-World      3-7-18 

His   Sweetheart — Morosco-Prmt     2-1-17 

His  Temporary   Wife — Hdksn    1-25-20 

His  Wife's    Friend— F.    P.-L 2-15-20 

His  Wife's    Good    Name— Vita 9-14-16 

His  Wife's  Money— Selzk 2-29-20 

Hitchin'     Posts — Univ     8-29-20 

Hit    or    Miss— World    3-16-19 

Hit-The-Trail-Holiday— Cohan-Artcraft      . .  .6-9-18 

Hitting  the   High   Spots — Metro    12-8-18 

Hitting  the   Trail— World    12-8-18 

Hoarded    Assets— Vita    12-22-18 

Hobbs  in  a  Hurry — American-Pathe   10-6-18 

Hold    Your   Horses— Gwyn    2-6-21 

Hollow   of   Her   Hand,    The— Select 1-5-19 

Home — Ince-Tri     8-10-16 

Home    Breaker,    The — Prmt    5-4-19 

Homer    Comes    Home— F.    P.-L 7-4-20 

Homespun    Folks — Assoc-Prod 9-5-20 

Home   Stretch.    The— F.    P.-L 5-8-21 

Home  Town  Girl,  The— Prmt  5-25-19 

Home  Trail,  The— Vita 4-4-18 

Home    Wanted— World    6-29-19 

Honest  Hutch— Gwyn  9-19-20 

Honey    Bee,    The— Pathe    5-23-20 

Honeymoon    Ranch — Bert    Lubin-St    Rgt.  .10-24-20 

Honorable    Algy,     The — Tri-Ince 11-2-16 

Honorable    Friend,    The — Lasky-Prmt    8-31-16 

Honor    Bound — Univ    11-7-2U 

Honor    of   His    House,    The — Lasky-Prmt.  .4-18-18 

Honor  of   Mary  Blake,   The— Bluebird 12-14-16 

Honor's    Altar — Tri-Kay    Bee 3-2-16 

Honor's    Cross — Selexart-Gwyn     5-2-18 

Honor    System,    The — Fox    5-3-17 

Honor    Thy    Name — Ince-Tri     7-27-16 

Hoodlum,    The— 1st    Natl 9-7-19 

Hoodoo  Ann — Fine  Arts-Tri    4-6-16 

Hoosier     Romance,     A — Selig-Mutl 8-25-18 

Hope    Chest,    The — Prmt    1-12-19 

Hopper,    The— Tri    2-7-18 

Hop.    the    Devil's    Brew— Bluebird     2-24-16 

Hornet's    Nest,    The — Vita 7-13-19 

Hostage,    The — Lasky-Prmt    9-27-17 

House   Built   Upon    Sand,    The— Fine    Arts- 
Tri    ..1-18-17 

House  of  a  Thousand  Candles,  The — Selig- 

V.L.S.E 9-9-15 

House     of     Fear,     The — Daly-Pathe     Gold 

Rooster    12-9-15 

House  of  Glass,     The— Select     3-7-18 

House  of  Gold,    The — Metro     6-30-18 

House  of  Lies,   The — Morosco-Prmt    9-21-16 

House  of  Mirrors,  The — Rialto-Mutl   8-10-16 

House   of   Mirth,     The — Metro     8-11-18 

House  of  Silence,  The — Lasky-Prmt 4-18-18 

House  of  Tears,     The — Rolfe-Metro     12-16-lS 


135 


Review  Date 
House  of  the    Golden    Windows,    The — 

Laslcy-Prmt    8-10-16 

House  of  The  Tolling  Bell— Pathe   9-5-20 

House  of  Toys,    The — Pathe     5-30-20 

House   of  Whispers — Hdksn     9-26-20 

House  that    Jazz    Built,    The — Realrt 5-15-21 

House  Without  Children,     The — Film-Mart- 

ket-St   Rgt   8-10-19 

How  Britain     Prepared— Patriot-St     Rgt 6-1-16 

How  Could   You,   Caroline?— Pathe    5-2-18 

How    Could    You,    Jean? — Artcraft 6-16-18 

How  Molly    Made    Good — Steiner 10-14-15 

Huck   and    Tom — ^Lasky-Prmt    3-14-18 

Huckleberry    Finn— F.    P.-L 2-29-20 

Hugon,    The    Mighty— Bluebird-Univ    10-13-18 

Hulda    of    Holland— F.     P.-Prmt 7-20-16 

Human     Driftwood — World-Equitable     ....4-13-16 

Human     Stuff— Univ     6-20-20 

Hundredth     Chance — Stoll     1-2-21 

Humdrum   Brown — Paralta-Hdksn    4-18-18 

Humoresque — F.    P.-L 5-9-20 

Hungry     Eyes — Bluebird     3-14-18 

Hungry       Heart,       The — Peerless-Brady- 
World    1-25-17 

Hungry    Heart,    The — F.    P.-Prmt 11-29-17 

Hunted    Woman,    The— Vita- V.L.S.E 3-9-16 

Hunting   of   the   Hawk,    The — Astra-Pathe.  .4-5-17 

Huntress  of  Men,  A — Univ-Red  F 4-27-16 

Hun    Within,    The — Prmt-Artcraft 9-1-18 

Husband    and    Wife — Brady-World 8-24-16 

Husband    Hunter — Fox    9-19-20 

Hush— Equity-St    Rgt    5-1-21 

Hypocrisy — Fox    6-8-16 

Hypocrites— London  Film-Cosmofotofilm   ..5-12-18 
I 

I   am    Guilty— Assoc.    Prod 4-24-21 

I     Believe — Tucker-Cosmofotofi!m-Sherman.7-5-17 

Iced    Bullet — Ince-Tri    2-1-17 

Idle    Hands — Pioneer    1920 

Idle    Wives — Univ     9-28-16 

Idolaters — Tri      9-13-17 

Idol   Dancer,   The— 1st  Natl    3-23-20 

Idol  of  the  North— F.  P.-L 5-22-21 

Idol   of  the   Stage,   An — Gaumont-Mutl 1-27-16 

Idols  of   Clay— F.   P.-L 11-21-20 

If  I   Were  King — Fox    7-4-20 

If    My    Country    Should    Call— Red    F 9-7-16 

If  Only  Jim — Univ   2-27-21 

If   Women    Only    Knew — R.-C 5-29-21 

I'll    Get   Him   Yet— Prmt    5-25-19 

Illustrious    Prince,    The — R.-C 11-16-19 

I    Love    You — Kay    Bee-Tri 1-10-18 

Image  Maker,  The— Thanhouser- Pathe 1-11-17 

I'm  Glad  My  Boy  Grew  up  to  be  a  Soldier 

— Selig    12-16-15 

Immediate    Lee— American- Mutl     11-16-16 

Immigrant,    The — Lasky    12-23-15 

Immortal     Flame,     The^Ivan     3-2-16 

Impossible     Susan — American-Mutl      7-28-18 

Imposter,    The— Empire- Mutl     1-31-18 

In     Again-Out     Again — Fairbanks-Artcraft     5-3-17 

In    Bad — American-Mutl     2-14-18 

Incorrigible    Dukane,    The — F.    P. -L.-Prmt.  .9-9-15 

Indiscreet     Corinne — Tri     11-8-17 

Indiscretion — Vita     1-18-17 

Inevitable,   The — Erbograph-Art    4-12-17 

Infatuation — American-Mutl     9-9-15 

Inferior  Sex,   The — 1st  Natl    5-9-20 

In     Folly's     Trail— Univ     8-22-20 

In    for   Thirty    Days — -Metro    2-2-19 

Inherited    Passions — Hamilton-Wilcox    ....9-21-16 

In   His  Brother's   Place — Metro    7-13-19 

In    Honor's    Web — Vita 11-9-19 

In    Judgment    of — Metro    8-25-18 

In     Mizzouri — F.     P.-L 10-19-19 

Inner    Shrine,    The — ^Lasky-Prmt    8-2-17 

Inner    Struggle,    The — American-Mutl    6-22-16 

Inner    Voice,    The — -American    3-28-20 

Inner  Voice,  The — Russian  Art-Pathe 2-14-18 

Innocence   of  Ruth,  The — Edison-Kleine.  ..  .2-3-16 

Innocent — Astra-Pathe     1-17-18 

Innocent    Lie,    The — F.    P.-Prmt 5-11-16 

Innocent    Magdalene,    An — Fine    Arts-Tri.  .6-8-16 

Innocent's  Progress — Tri  4.4. 18 

Innocent    Sinner,    The — Fox 8-9-17 

Inn   of  the   Blue   Moon,   The — De   Luxe- 
Sherry   8-18-18 

In  Old  Kentucky — 1st  Natl   12-28-19 

In  Search  of  a  Sinner — 1st  Natl  3-14-20 

136 


Review  Date 

Inside  of  the  Cup,  The— F.  P.-L 1-16-21 

Inside  of  the  Lines — Pyramid-World 9-1-18 

In    Slumberland— Kay    Bee-Tri    8-9-17 

Interloper,    The — World     6-9-18 

International  Marriage,  An — Morosco-Prmt  8-3-16 
In  the  Diplomatic  Service — Quality-Metro  10-26-16 
In    the   Hands   of   the    Law — Balboa-Moss- 

St  Rgt 4-19-17 

In    the    Palace    of    the    King — Essanay- 

V.L.S.E 10-7-15 

Intolerance     9-7-16 

Into    the    Primitive— Selig-V.L.S.E 5-25-16 

Intrigue — -Greater    Vita    3-15-17 

Intrigue,    The— Pallas-Prmt    9-28-16 

Intrusion    of     Isabel — American-Pathe 4-6-19 

Invisible     Divorce — National     8-8-20 

Invisible  Enemy,  The — E.  K.  O.  Film  Co.. 4-20-16 

In    Walked    Mary— Pathe    2-29-20 

In  Wrong— 1st   Natl    12-21-19 

Iron    Heart,    The— Peerless-World 8-9-17 

Iron  Rider— Fox 11-28-20 

Iron    Ring,   The— Peerless-World    8-9-17 

Iron   Strain,  The— N.  Y.  M.  P. -Metro 10-12-16 

Iron    Woman,    The— Pop.    P&P-Metro 10-12-16 

Is    Any    Girl    Safe— Anti-Vice    M.    P 9-21-16 

Island  of  Desire,  The— Fox 1-4-17 

Island    of    Surprise,    The— Vita-V.L.S.E 2-3-16 

Isle    of   Conquest — Selzk 11-9-19 

Isle    of    Life,    The— Red    F 10-26-16 

Isle  of   Love,   The— Gaumont-Mutl 5-18-16 

Isobel— Davis-St   Rgt    12-5-20 

It     Happened     in     Paris— Tyrad 3-7-20 

It  Might  Happen  to  You— S.  &  E.-St  Rgt  11-14-20 

It    Pays    to    Advertise — F.    P.-L 11-30-19 

It's    a    Bear— Tri     3-2-19 

It's    a    Great    Life — Gwyn     9-5-20 

It's  Easy  to   Make   Money — Metro    7-20-19 

Ivory   Snuff,   The— World    9-16-15 

I  Want  to  Forget— Fox ....12-29-18 

I   Will   Repay— Vita    11-15-17 

J 

J'Accuse — Marc     Klaw     5-15-21 

Jack  and  Jill — Morosco-Prmt   11-22-17 

Jack  and  the  Beanstalk — Fox-Standard.  ...  10-11-17 

Jack    Knife    Man— 1st    Natl 8-8-20 

Jack    Straw— F.    P.-L 4-3-20 

Jacques    of    the    Silver    North — Select 6-8-19 

Jaffery — Frohman- International     9-14-16 

Jaguar's    Claws,    The — Lasky-Prmt    6-7-17 

jailbird.   The— F.   P.-L 10-3-20 

Jane — Morosco-Prmt     12-9-15 

Jane    Goes    a- Wooing — Frmt     1-12-19 

Japanese     Nightingale,     A — Astra-Pathe      ..9-1-18 

Jealousy — -Fox    11-23-16 

Jeanne    Dore — -Bluebird    1-20-16 

Jean    of    the    Woods— World 7-28-18 

Tenny    Be    Good— Realrt 5-16-20 

jes'   Call    Me    Tim— Gwyn    5-30-20 

Jewel   in   Pawn,   A — Bluebird    4-19-17 

Jilted    Janet — American-Mutl    2-28-18 

Jim    Bludso — Fine    Arts-Tri    2-1-17 

Jim    Grimsby's    Boy — Ince-Tri    10-19-16 

Jim   the   Penman — 1st   Natl    f 2-27-21 

Jinx — Gwyn     9-28-19 

Joan    of    Plattsburg — Gwyn    5-12-18 

Joan   the   Woman— F.    P.-L 1-4-17 

Johanna    Enlists — Artcraft    , 9-8-18 

John    Needham's   Double — Bluebird 4-13-16 

Johnny   Get   Your   Gun — Artcraft 3-23-19 

Johnny-on-the-Spot— Metro    2-23-19 

John    Petticoats— F.    P.-L ...11-23-19 

Jordan   in   a  Hard    Road— Fine   Arts-Tri.  .11-25-15 

Journey's    End — World    5-19-18 

Joyous    Liar,    The— Pathe     12-14-19 

Joyous  Troub'emaker,  The — -Fox 6-20-20 

Tubilc— Gwyn     12-14-19 

"Jucklins— F.   P.-L 12-26-20 

Judgment  House,  The — Blackton-Prmt 11-29-17 

Judge      Not — Univ      9-16-lS 

Tudith  of  the  Cumberlands — Signal-Mutl   ..8-10-16 

Judy    of    Rogue's    Harbor — Realrt 2-8-20 

Jules  of  the  Strong  Heart — Lasky-Prmt 1-24-18 

Jungle     Child,     The — Ince-Tri 9-14-16 

Jungle    Trail,    The— Fox 4-13-19 

Jury   of  Fate.   The — Rolfe-Metro 8-16-17 

Just  a  Woman— Steger-St  Rgt 5-2-18 

Just    Out    of    College— Gwyn 2-13-21 

Just    Pals— Fox    11-21-20 

Just    Sylvia— World    11-24-18 


K  Review  Date 

Kaiser,   The^The   Beast   of  Berlin — Amer- 

ican-Mutl      3-14-18 

Kaiser's   Finish,    The— Warner-St    Rgt 12-15-18 

Kaiser's    Shadow,    The— Prmt    6-23-18 

Kazan — Export  &   Import-St   Rgt 2-20-21 

Keeping  Up  With  Lizzie — Hdksn 5-15-21 

Keep  Moving — -Kleine-Edison   11-25-15 

Keep    to    the    Right — See    "Who's    Your 

Brother"     

Keith    of    the   Border — Tri    3-7-18 

Kennedy  Square — Vita-V.L.S.E 2-17-16 

Kentuckians,     The — F.     P.-L 2-13-21 

Kentucky    Cinderella.    A — -Bluebird 6-28-17 

Kentucky     Colonel — Hdksn     9-19-20 

Key    to    Power,    The — Educ 12-15-18 

Kick     In — Astra- Pathe     1-11-17 

Kid,    The — Vita-V.L.S.E 8-21-16 

Kid,   The— 1st   Natl    1-16-20 

Kidder   &  Ke — Diando-Pathe    6-9-18 

Kid  is  Clever,  The — Fox 6-30-18 

Kildare  of   Storm — Metro    9-29-18 

Killer,    The — Pathe    1-30-21 

Kingdom  of  Love,  The — Fox 1-10-18 

Kingdom    of   Youth,    The — Gwyn    10-13-18 

King   Lear — Thanhouser-Pathe    12-14-16 

King  of  Diamonds,  The — Vita 10-13-18 

King  Queen  Joker — F.  P.-L 6-5-21 

King's    Game,    The — Pathe-Gold    Rooster.  .  1-13-16 

King   Spruce — Hdksn    3-20-20 

Kinkain,    Gambler — Red    F    11-30-16 

Kismet — R.C 10-31-20 

Kiss    for    Susie,    A — Morosco-Prmt 9-27-17 

Kiss   of    Hate,   The — Rolfe-Metro    4-13-16 

Kiss  or  Kill — Univ 11-24-18 

Kitty  Mackay — Greater  Vita 2-22-17 

Knickerbocker    Buckaroo,    The — Artcraft.  ..  .6-1-19 

Knife,   The — Select    2-21-18 

Knight    of    the    Range,    A — Red    F-Univ 2-3-16 

Knights    of    the    Square    Table — Conquest- 

Edison-K.E.S.E 7-26-17 

Know   Your   Man — Fox    3-20-21 

Kultur — Fox     9-22-18 

L 

La    Belle    Russe — Fox 9-21-19 

Labyrinth,   The — Equitable    12-23-lS 

Lad  and  the  Lion,  The — Selig-K.E.S.E.   ..5-24-17 

Ladder    of    Lies,    The — ^F.P.-L 7-11-20 

Lady  Barnacle — Rolfe-Metro      6-21-17 

Lady   in    Love.    A — F.    P.-L 5-23-20 

Lady  of    Red    Butte,    The — Prmt 5-25-19 

Lady  of   the   Dugout,    The — -Jennings-Ship- 

man 10-13-18 

Lady     of     the     Photograpth,     The — Edison- 

K.E.S.E 9-16-17 

Lady  Rose's  Daughter — F.  P.-L 9-5-20 

Lady's  Name,  A- Select    12-15-18 

Lady  Windemere's  Fan — Tri    6-8-19 

Lafayette,    We   Come! — Affiliated 9-15-18 

Lahoma — Pathe   8-29-20 

Lair  of  the  Wolf,   The — Butterfly 9-6-17 

La     La     Lucille — Univ 7-18-20 

Lamb,  The — Fine  Art-Tri   9-30-15 

Lamplighter,    The — Fox    4-10-21 

Land    Just    Over    Yonder,    The — Dudley- 

Unity-St    Rgt    10-26-16 

Landloper,  The — Yorke-Metro   4-18-18 

Land  of  Jazz — Fox    1-16-21 

Land    of    Long    Shadows — Ess'y-K.E.S.E.  .6-28-17 

Land    of   Promise,    The — F.P.-L.-Prmt 12-20-17 

Landon's    Legacy — Univ    12-30-15 

L'Apache — F.P.-L 12-14-19 

Lasca — -Univ     11-23-19 

Lash,    The — Lasky-Prmt    10-12-16 

Lash  of  Power,  The — Bluebird 11-8-17 

Last  Act,  The — Kay  Bee-Tri 3-16-16 

Last  Card,  The — Metro   5-22-21 

Last  Man,  The — Greater  Vita 10-26-16 

Last  of  His  People,  The — Selzk 12-21-19 

Last  of    the    Carnabys,    The — Astra-Pathe.  .8-9-17 

Last  of    the    Duanes,    The — Fox 10-5-19 

Last  of   the   Ingrams,    The — Ince-Tri 2-15-17 

Last  of  the  Mohicans — Assoc.   Prod 11-28-20 

Last   Rebel,    The — Tri    6-9-18 

Last  Straw,     The — Fox     2-1-20 

La    Tosca — Prmt    4-18-18 

Laughing    Bill     Hyde — Gwyn     9-29-18 

Lavender  and  Old  Lace — Hdksn    5-1-21 

La  Vie  De  Boheme— Brady-World 6-15-15 

Law    Decides,    The— Vita-V.L.S.E 4-27-16 


•19-19 
-25-18 
23-17 
-5-17 
•15-18 
•19-20 
■10-18 
-29-17 
■18-18 
,...3-2-16 
,...5-2-18 
.12-20-17 
,...5-2-20 


Review  Date 

Lawless    Love — Excel-Fox     9-8-18 

Law  of  Compensation,  The — Schenck-Selzk  4-26-17 
Law  of     Nature,     The — ^Fischer- Arrow.  ...  1- 
Law  of  the  Great  Northwest,  The — Tri... 

Law   of  The  Land,  The — Lasky-Prmt 

Law  of  the  North,  The— Edison-K.E.S.E. 

Law  of    the    North,    The — Ince-Prmt 

Law   of     the     Yukon — Realrt 

Law's   Outlaw,   The — Kay   Bee-Tri   1- 

Law  That     Failed,     The — Apollo-Art 3- 

Law  Unto  Herself,  A — Paralta-Hdksn. 
Law  Unto  Himself,  A — Horsley-Mutl.  . 
Leap  to  Fame,  A — Peerless- World.  ..  . 
Learnin'    of    Jim    Benton,    The — Tri.... 

Leave     it    to     Me — Fox 

Leave    it    to    Susan — Gwyn 6-1-19 

Lend   Me   Your   Name — Yorke-Metro    6-2-18 

Leopard's    Bride,    The— Horsley-Mutl     4-20-16 

Leopard  Women — Assoc.  Prod 10-17-20 

Les    Miserab'es — Fox    1-10-18 

Less    Than    Kin— Prmt     7-21-18 

Less    Than    the    Dust— Pickford-Artcraft.  .  11-9-16 

Lest  We  Forget— Metro   2-21-18 

Let   Katy    Do   It— Tri 12-16-15 

Let's  Be   Fashionable— F.   P.-L 6-20-20 

Let's    Get    a    Divorce — F.    P.-L-.Prmt 5-2-18 

Liar,    The— Fox    9-1-18 

Liberator,    The — Raver     12-1-18 

Libertine,   The — Triumph    -    Mammouth-St 

Rgt   11-16-16 

Liberty   Loan    Films 9-22-18 

Lie,    The— Prmt    4-18-18 

Lieut.    Danny,    U.    S.    A.— Ince-Tri 8-10-16 

Life— F.  P.-L 11-14-20 

Life   Line,   The— F.   P.-L 10-12-19 

Life  Mask,  The— 1st  Natl  4-18-18 

Life   of   the   Party— F.   P.-L 12-1-20 

Life    of    Honor — Graphic-St    Rgt 4-11-18 

Life's     Blind     Alley — American-MutI 2-17-16 

Life's  Shadows — Columbia-Metro   10-19-16 

Life's     Twist— R.-C 7-25-20 

Life's    Whirlpool— World     1-20-16 

Life's   Whirlpool— Rolfe-Metro    10-18-17 

Lifted    Veil,    The— Rolfe-Metro    9-13-17 

Lifting     Shadows — Pathe 3-28-20 

Light,  The — American-Mutl   9-14-16 

Light,    The— Fox     1-12-19 

Light  at  Dust,     The— Lubin-V.L.S.E 8-3-16 

Light  of  Happiness,  The — Columbia-Metro  9-14-16 

Light  of  Victory,     The — Bluebird      3-2-10 

Light  of  Western    Stars,    The — Sherman- 
United   9-15-18 

Light  that  Failed,  The — Thanhouser-Pathe  11-2-16 
Lights   of    New   York,    The— Vita-V.L.S.E.  .6-1-16 

Light   Within,   The— 1st   Natl    2-21-18 

Light  Woman — Pathe   9-26-20 

Lily   and   the   Rose,   The — Fine   Arts-Tri.  .  11-18-15 

limousine   Life — Tri    2-7-18 

Lincoln    Cycle,    The — Charter-St    Rgt 6-7-17 

Lincoln    Highwayman,    The — Fox 1-4-20 

Lion  and  the   Mouse,   The— Vita 2-16-19 

Little  American,     The — Pickford-Artcraft.  .7-12-17 

Little  Boy  Scout,  The — F.  P.-L.-Prmt 7-12-17 

Little  Brother,  The— Ince-Tri  2-22-17 

Little  Brother    of    the    Rich,    A — Univ 9-16-15 

Little  Brother  of  the  Rich,  A — Univ. 
Little  Diplomate,    The — Diando-Pathe    . 

Little  Cafe,    The — Pathe    6-6-20 

Little  Clown — Realrt     4-10-21 

Little  Duchess — Peerless- World    8-30-17 

Little  Eve    Edgarton — Bluebird    8-10-16 

Little  Fool,    The — Metro     3-13-21 

Little  'Fraid   Lady,   The— R.-C 1-23-21 

Little  Girl    Next   Door,   The — Marketed-St 

Rgt   7-20-16 

Little  Grey  Mouse — Fox   10-21-20 

Little  Gypsy — Fox     10-21-15 

Little  Home   Nurse — Showman-Educ    1920 

Little  Intruder,    The— World    3-30-19 

Little   Lady     Eileen— F.-P. -Prmt     8-17-16 

Little  Liar,   The — Fine  Arts-Tri   8-31-16 

Little  Lost  Sister — Selig-K.E.S.E 3-22-17 

Little  Modemoislelle — World     91-30-15 

Little  Mary  Sunshine — Balboa-Pathe 4-20-16 

Little  Meera's   Romance — Fine    Arts-Tri    ..3-23-16 

Little   Miss  Fortune — Erbograph-Art S-10-17 

Little   Miss     Happiness — Fox     9-31-16 

Little  Miss    Hover — Prmt     12-29-18 

Little  Miss  No  Account — Vita 4-25-18 


,..6-29-19 
...5-25-19 


137 


Review    Date 

Little  Miss     Nobody — Bluebird     4-26-17 

Little  Miss  Rebellion— F.   P.-L 9-26-20 

Little  Miss    Optimist — Morosco-Prmt    9-6-17 

Little  Orphan,    The— St    Rgt    3-2-16 

Little  Orphan,    The — Astra-Pathe    6-21-17 

Little  Patriot,    The— Diando-Pathe    11-22-17 

Little  Pirate,    The— Butterfly     9-13-17 

Little  Princess,  The— Pickford-Artcraft   ..11-22-17 

Little  Red     Decides— Tri     2-28-18 

Little  Runaway,    The — Vita    5-12-18 

Little  Savage,     The— Bluebird     3-2-19 

Little  School    Ma'm,    The— Fine    Arts-Tri.  .7-6-16 
Little   Shepherd   of   Bargain   Row,    The — Es- 

sanay- V.L.S.E 5-4-16 

Little  Shoes— Essanay-K.E.S.E 1-2S-17 

Little  Sister    of    Everybody,    A — ^Anderson- 

Brunton-Pathe    6-23-18 

Little  Terror,  The— Bluebird    8-2-17 

Little  Wanderer,  The— Fox   8-15-20 

Live  and  Let  Live— R.-C 5-29-21 

Live    Sparks— Hdksn    1-25-20 

Loaded    Dice — Astra-Pathe    2-14-18 

Locked  Heart,  The — Horkheimer-Genl 8-11-18 

Locked  Lips — Univ   4-18-20 

Lombardi,    Ltd. — Metro    9-28-19 

Lone   Hand,    The— Alexander- St.    Rgt 4-11-20 

Lonely  Woman,  The — Tri 5-2-18 

Lonesome  Chap,  The — Pallas-Prmt    4-19-17 

Lone  Wolf,  The— Brenon-Selzk   7-12-17 

Lone  Wolf's  Daughter,  The— Hdksn 12-14-19 

Long    Lane's    Turning,    The — Natl-R.-C- 

Ex.    Mull    2-16-19 

Long    Trail,     The— F.-P.-Prmt 9-13-17 

Loot— Univ    10-5-19 

Lord   and    Lady   Algy — Gwyn 9-1-19 

Lords   of    High    Decision,   The — Univ-Fed 

F 3-2-16 

Lorelei  of  the  Sea,  The — Hansen-Marine- 

St.    Rgt    9-6-17 

Lost   and   Won — Lasky-Prmt 1-25-17 

Lost   Battalion,   The — McManus    7-6-19 

Lost  Bridegroom,  The— F.-P.-Prmt  3-30-16 

Lost     in     Transit — Morosco-Prmt 9-13-17 

Lost    Money — Fox    12-7-19 

Lost    Princess,    The — Fox 11-2-19 

Lost  Romance— F.   P.-L 5-15-21 

Lost   Sentence,    The— Edison-K.E.S.E 1-4-17 

Lottery   Man,  The — F.   P.-L 10-19-19 

Lottery  Man,  The— St.  Rgt   2-17-16 

Louisiana — Prmt     7-27-19 

Love — Assoc-Prod    12-5-20 

Love  Aflame — Red  F 1-25-17 

Love  and   Hate — Fox 11-23-16 

Love  and  the  Woman — World 6-22-19 

Love    Auction,    The— Fox 2-9-19 

Love    Brokers,    The— Tri 4-18-18 

Love    Burglar,    The— Prmt 8-3-19 

Love   Call,  The— Natl-R.-C.-Exb.    Mutl 4-27-19 

Love    Cheat,    The— Capellani-Pathe 8-10-19 

Love    Defender,    The — World 3-23-19 

Love  Expert,  The — 1st  Natl 5-2-20 

Love    Flower,    The— Un    Art 8-29-20 

Love    Girl,    The — Bluebird 6-29-16 

Love,  Honor  and  Behave — 1st  Natl 3-20-21 

Love,    Honor   and    Obey — Metro 9-5-20 

Love  in   a   Hurry — World 1-19-19 

Love    Insurance — F.    P.-L 9-28-19 

Love   Letters — Ince-Prmt    12-27-17 

Love    Liar,    The — Horsley-Mutl 3-30-16 

Love  Light,   The — Un   Art   1-16-21 

Lovely    Mary — Rolfe-Metro    3-23-16 

Love    Madness — Hdksn    8-8-20 

Love   Mask,   The — Lasky-Prmt    4-20-16 

Love  Me — Ince-Prmt   3-28-18 

Love    or    Justice — Ka    Bee-Tri 6-14-17 

Love's  Battle — Clark  Cornelius — St.   Rgt. .  .9-12-20 

Lovers   of   Letty,   The — Gwyn    2-15-20 

Love  Special,  The — F.   P.-L 3-27-21 

Love   Without   Question — Jans    4-3-20 

Lone  Ranger,   The— Fox 6-29-19 

Love  is  Love — -Fox    8-10-19 

Love's   Conquest — F.   P. -Prmt    6-2-18 

Love's  Crucible — Brady-World    2-17-16 

Love's  Flame — Fidelity   St.   Rgt 6-13-20 

Love's    Lariat — Bluebird    7-27-16 

Love's    Law — Fox    4-5-17 

Love's  Law — Mutl    9-8-18 

Love's    Pilgrimage    to    America — Univ 1-6-16 

Love's    Prisoner— Tri    S-2S-19 


Review    Date 

Love's    Sacrifice — ^Ambrosio    4-6-16 

Love   Sublime,  A— Fine  Arts-Tri 3-22-17 

Love  Swindle,  The — Bluebird-Univ 8-18-18 

Love  that  Dares,   The — Fox 4-20-19 

Love  Trail,  The— Pathe-Gold  Rooster 1-27-16 

Love  Watches — Vita    7-21-18 

Love's    Loyalty — Ore-Bernstein-St.    Rgt 11-1-17 

Luck    and    Luck — Fox    2-2-19 

Luck  in  Pawn— F.  P.-L 12-21-19 

Luck    of    Geraldine    Laird — R.-C 2-1-20 

Luck  of  the  Irish,  The— Realrt    1-25-20 

Lure    of   Alaska,    The— Educ 7-27-16 

Lure    of    Ambition — Fox    11-16-19 

Lure  of  Crooning  Water — Stoll    1-16-21 

Lure  of  Egypt— Pathe    1920 

Lure  of  Heart's   Desire,  The — Pop.  P.   &  P. 

Metro     1-20-16 

Lure  of  Luxury.  The — Bluebird-Univ  ....10-13-18 
Lure  of  the   Orient,   The— Aywon-St.   Rgt..      1920 

Lure   of   Youth — Metro    1-16-21 

Lust  of  the  Ages.  The— Ogden-St.  Rgt 8-23-17 

Lydia   Gilmore— F.   P. -Prmt   12-30-15 

Lying    Lips — Assoc-Prod     2-13-21 

Lying   Lips — American-Mutl    5-4-16 

M 

Macbeth — Reliance     6-8-16 

Maciste — Itala     Film     9-9-15 

Madame  Bo  Peep — May  Bee-Tri 5-24-17 

Madame  Butterfly— F.  P. -Prmt   11-11-15 

Madame    Du    Barry — Fox    1-31-18 

Madame   Jealousy — F.   P. -Prmt    2-7-18 

Madame    Peacock — Metro    10-10-20 

Madame    Presidents— Morosco-Prmt    2-17-16 

Madame    Sherry — Hoffman-St.    Rgt 9-13-17 

Madame   Sphinx — Tri    6-9-18 

Madame   X — Gwyn    10-3-20 

Madam   Spy — Butterfly-Univ    1-10-18 

Madam   Who?— ParaHa    1-3-18 

Madcap  Madge — Kay   Bee-Tri   7-5-17 

Made     in     America — Hdksn-Pathe 2-9-19 

Made  in  Heaven — Gwyn    5-1-21 

Mad  Lover.   The— Rapf-Pathe    8-2-17 

Mad    Marriage — Univ     2-6-21 

Madness   of   Helen,    The — Paragon -Brady- 
World     11-9-16 

Madonnas  and   Men — Jans    6-20-20 

Maelstrom.    The — Vita    6-28-17 

Magda— C.K.Y.-Select    10-18-17 

Magdalen    of   the    Hills,    A — Rolfe-Metro.  .4-19-17 

Maggie    Pepper — Prmt    2-16-19 

Magic    Cup,    The — Realrt    5-2-21 

Magic    Eye,    The— Bluebird    4-25-18 

Magic    Toy    Maker,    The — K.    &    R.    Folm 

Co 12-2-15 

Magnificent    Brute — Univ    3-20-21 

Magnificent    Meddler,    The — Vita    6-7-17 

Maid    of    Belgium.    The— Peerless-World. .  10-25-17 

Maid   o'   the    Storm — Brunton-Pathe 7-21-18 

Mainspring,   The — Red   F   11-30-16 

Majesty  of  the  Law,  The — Bosworth-Prmt.  .9-9-15 
Making  of  Magdalene,  The — Morosco-Prmt. 6-8-16 

Male  and   Female— F.   P.-L 11-30-19 

Mamma's    Affair — 1st    Natl    2-6-21 

Man  Above  the  Law,   The— Tri 1-3-18 

Man    and    Beast — Butterfly-Univ    . .  _. 7-19-17 

Man   and   His  Angel — Triumph-Equitable.  .3-16-16 

Man  and   His  Money,   A — Gwyn    4-27-19 

Man  and  His  Soul.  A — Quality-Metro 2-24-16 

Man  and   His  Woman— Pathe    7-18-20 

Man  and  the  Woman,  A — U.  S.  Amus-Art. 3-29-17 
Man    Behind    the    Curtain,    The — Vita- 

V.L.S.E 6-22-16 

Man    Beneath.    The — Haworth-R.-C.-Exh- 

Mutl     7-13-19 

Mandarin's     Gold— World     2-16-19 

Man   from   Bitter   Roots.   The — Fox    7-6-16 

Man  From  Montana,  The — Butterfly 11-29-17 

Man  from  Nowhere,  The — Arrow-St.  Rgt.  .  1920 
Man  From  Nowhere,  The — Red  F. -Univ.  .  .6-8-16 
Man   from   Painted  Post.   The — Fairbanks- 

Ar'craft     10-4-17 

Man  Hater,  The— Eastern  Tri 10-25-17 

Manhattan   Knight,   A — Fox    3-21-20 

Manhattan  Madness — Fine  Arts-Tri   9-21-16 

Man  Hunt.  The— World   6-23-18 

Man    Hunter.   The — Fox    2-23-19 

Man  Inside,  The — Univ 1-20  16 

Man   in    the   Open,    A — United    3-9-19 


138 


Review    Date 

Man  of  Bronze,  The— World   12-15-18 

Man   of   Mystery,   The— Vita    1-25-17 

Man  of   Shame,   The— Univ    10-4-15 

Man  of  Sorrow,  A — Fox   4-27-16 

Man   of  the   Forest — Hdksn    5-22-21 

Man's   Country — Winsome-R.-C.-Exh.    Mutl. 7-6-19 

Man's   Desire — R.-C.-Ex    Mutl    7-13-19 

Man's   Fight,  A— United    8-17-19 

Man's  Making,   A — Lubin    12-23-15 

Man's    Man,    A — Paralto-Tri    9-20-17 

Man's  Woman,  A— Peerless-Brady-World.  .3-29-17 

Man's    World,    A— Metro    7-7-18 

Man    Tamer,    The — Univ    6-5-21 

Man  There  Was— Radeisoul 2-29-20 

Mantle    of    Charity — American-Pathe    9-29-18 

Man  Trail,  The— Essanay-V.L.S.E 9-23-15 

Man  Trap,  The— Bluebird   11-1-17 

Man  Who  Could  Not  Beat  God,   The — Vita 

V.L.S.E 11-4-15 

Man    Who   Dared— Fox    8-8-20 

Man  Who  Forgot,  The— Brady-World 1-18-17 

Man  Who  Had  Everything — Gwyn 1920 

Man    Who   Lost   Himself,    The — Selzk 6-6-20 

Man   Who    Made   Good,   The — Fine   Arts- 

Tri    5-3-17 

Man  Who  Stayed  at  Home,  The — Metro  ..6-15-19 
Man  Who  Stood  Still,  The— Brady-World.  10-19-16 
Man  Who  Took  a  Chance,  The— Bluebird.  .2-8-17 
Man  Who  Turned  White,  The — Superior- 

R.-R.-Ex   Mutl   6-8-19 

Man     Who    Was    Afraid,     The — Essanay- 

K.E.S.E 7-19-17 

Man  Who  Woke  Up,  The— Tri  6-9-18 

Man  Who  Won,  The— Vita 6-29-19 

Man  Who  Would  Not  Die,  The — American- 

Mutl     9-7-16 

Man    Who    Wouldn't    Tell,    The— Vita. ..  .12-8-18 

Man- Woman- Marriage — 1st     Natl     1-16-20 

Manx     Man,     The — Tucker-Cosmofotofilm.  .4-12-17 

Marble  Heart,  The— Fox 3-16-16 

Marcellini    Millions,    The — Morosco-Prmt.  .5-10-17 

Marie,     Ltd.— Select     3-30-19 

Marie    Rosa — Lasky-Prmt    5-4-16 

Marienettes,     The— C.K.Y. -Select     2-14-18 

Marked    Men — Univ    12-21-19 

Market  of  Souls,  The— F.  P.-L 9-21-19 

Mark   of   Cain,   The— Red    F 8-24-16 

Mark  of  Cain,  The — Astra-Pathe 11-1-17 

Mark  of  Vain  Desire,  The — Ince-Tri 5-18-16 

Mark    of    Zorro — Un    Art    12-5-20 

Marooned  Hearts — Selzk   10-17-20 

Marriage — Keeney- Sherry   11-24-18 

Marriage  for  Convenience — Keeney-Sherry  2-23-19 

Marriage     Lie,     The— Bluebird 4-25-18 

Marriage    of    Kitty,    The — Lasky-Prmt 9-9-15 

Marriage  of   Molly   O,   The — Fine  Arts-Tri  7-27-16 

Marriage  of  Wm.     Ashe — Metro      1-23-21 

Marriage  Pit,   The — Univ    10-3-20 

Marriage   Price,    The — Artcraft     3-30-19 

Marriage   Ring,     The — Ince-Prmt     ....9-8-18 

Marriages    Are    Made — Excel-Fox 10-13-18 

.Marriage    Speculation,    The — Vita 12-13-17 

Married   in   Haste — Fox 4-6-19 

Married    Life — Sennett    6-27-20 

Martyrdom    of    Philip    Stron,    The — Edison- 

Prmt     11-30-16 

Martyrs    of    the    Alamo,    The — Griffith-Fine 

Arts-Tri      11-4-lS 

Mary  Ellen   Comes   to   Town— F. P.-L 3-28-20 

Mary  Jane's    Pa— Vita 8-23-17 

Mary  Lawson's   Secret — Thanhouser-Pathe   3-22-17 

Mary  Moreland — Powell-Mutl    8-16-17 

Mary   Regan — Mayer- 1st  Natl    5-11-19 

Marv's     Ankle— F.P.-L 3-7-20 

Mask,   The  Exp  &  Imp-St  Rgt 3-13-21 

Mask,   The— Tri    9-1-18 

Masked    Heart,    The — American-Mutl 7-19-17 

Masked    Rider,    The— Quality-Metro    6-22-16 

Masque   of   Life,    The — Foreign-St    Rgt 11-2-16 

Masqueraders.    The — F.P.-Prmt    11-4-15 

Master   Man,    The — Keenan-Pathe    5-11-19 

Master  Mind,    The — 1st    Natl    9-19-20 

Master  of    His    Home — Kay    Bee-Tri 8-23-17 

Master  Passion.    The— K.E.S.E 1-11-17 

Master      Shakespeare,      Strolling     Player — 

Thanhouser-Mutl    4-20-16 

Mate  of  the  Sally  Ann,  The — Amer-MutL  .  12-6-17 

Maternal    Spark,   The— Tri    12-13-17 

Maternity — Peerless-Brady-World     5-24-17 


Review    Date 

Mating,    The — Vita    10-6-18 

Mating  of   Marcella,   The — Ince-Prmt 5-19-18 

Matrimaniac,    The — Fine     Arts-Tri 12-14-16 

Matrimonial    Martyr,    A — Balboa-Pathe 6-22-16 

Matrimony — Ince-Tri    11-4-15 

May    Blossom — Astra-Pathe    3-22-17 

Mess  Me  and  Captain   Kidd — World 11-16-19 

Me    an'    Me    Pal— English -Red    F 2-8-17 

Measure  of  a  Man,  The — Bluebird 11-16-16 

Mediator,   The — Fox    11-23-16 

Medicine    Bend — Signal-Mutl     6-15-16 

Medicine  Man,  The — Tri 11-8-17 

Melissa    of    the    Hills— Amer-Mutl 7-26-17 

Men — Bacon-Backer-Foursquare    5-26-18 

Menace,   The — Vita    1-24-18 

Menace    of    the    Mute,    The — Pathe    Gold 

Rooster    11-11-15 

Men  of    the     Desert — Essanay-Perfection.  .  10-4-17 
Men   She    Married,    The— Peerless-Brady- 
World    11-23-16 

Men  Who    Have     Made    Love    to    Me — Es- 
sanay-Perfection      1-17-18 

Men,     Women     and     Money — Prmt 6-22-19 

Merely    Mary    Ann — Fox    2-24-16 

Merely  Players— World    8-25-18 

Merry  Go  Round,  The — Fox 9-28-19 

Message  from   Mars — Metro    3-27-21 

Mexico    Today — Educa    6-23-18 

Mice    and    Men— F.P.-Prmt    1-13-16 

Mickey — Western    Import    8-4-18 

Microbe,   The — Metro    7-20-19 

Microscope    Mystery,    The — Fine    Arts-Tri    11-2-16 

Mid  Channel — Equity   9-19-20 

Midnight  Bride.     The — Vita 2-1-20 

Midnight  Gambols — Pioneer    6-27-20 

Midnight   Madness— Bluebird     6-2-18 

Midnight  Romance,  A — Mayer-lst  Natl 3-16-19 

Midnight  Stage,    The — Anderson -Brunton- 

Pathe    1-5-19 

Midnight  Trail,    The— Amer-Mutl    3-14-18 

Midsummer    Madness — F.P.-L    12-12-20 

Might   and   the    Man — Fine    Arts-Tri 5-17-17 

Milady   of   the   Beanstalk — Diando-Pathe.  .  11-24-18 

Mile-a-Minute     Kendall — Lasky-Prmt     5-12-18 

Milestones — Gwyn      9-12-20 

Millionaire  Kid,    The— Vita-V.L.S.E 4-20-16 

Millionaire  Pirate,    The— Bluebird    2-16-19 

Millionaire's  Double,  The— Rolf e- Metro 5-10-17 

Million  a    Minute,    A— Quality-Metro    ....5-18-16 

Million   for   Mary,  A — Amer-Mutl    8-17-16 

Millionaire    Vagrant,    The — Tri 5-24-17 

Mill  On  the  Floss,  The— Mutl    12-23-15 

Mind    the    Paint    Girl— 1st    Natl 11-30-19 

Mints      of      Hell,      The— Hampson-RC-Ex.- 

Mutl     6-1-19 

Miracle  Man,  The— Prrat-Artcraft 8-31-19 

Miracle  of   Life,   The — Amer-Mutl    11-25-15 

Miracle  of    Love,    The— F.P.-L 12-28-19 

Miracle  of    Manhattan,    The— Selzk 5-8-21 

Miracle   of   Money,   The — Pathe 5-2-20 

Mirror,     The — Powell-Mutl     5-31-17 

Mischief    Maker,    The— Fox     11-30-16 

Misfit   Earl,    The— Gwyn    11-16-19 

Misfit  Wife— Metro   7-18-20 

Misleading  Lady — Gwyn    12-19-20 

Misleading  Lady,    The — Essanay-V.L.S.E.    1-27-16 

Misleading  Widow— F.P.-L.     9-7-19 

Miss  Adventure — Fox     4-27-19 

Miss  Ambition — Vita    12-1-18 

Miss    Crusoe — World    10-5-19 

Miss  Dulcie    from    Dixie — Vita 3-23-19 

Miss  George  Washington — F.P.-Prmt   11-30-16 

Miss  Hobbs— Realrt     6-20-20 

Missing — Blackton-Prmt     6-2-18 

Missing  Links,  The — Tri   12-23-15 

Miss  Innocence — Fox     7-21-18 

Miss   Jackie  of  the  Army — Amer-Mutl. ...  12-20-17 
Miss  Jackie    of   the   Navy — Pollard-Mutl.  .  12-14-16 

Miss.  Petticuats— Brady-World      7-27-16 

Miss  Robinson    Crusoe — Rolfe-Metro    8-9-17 

Mister    Forty-Four — Yorke-Metro    9-21-16 

Mistress    of    Shenstone — R.C 3-20-21 

Mixed  Blood— Red  F 1-4-17 

M'Liss — Pickford-Artcraft     5-2-18 

Mile.    Paulette— Tri     5-19-18 

Modern   Cinderella — Fox      1-11-17 

Modern  Husbands — Natl-R.C.-Ex.    Mutl    ...6-1-19 

Modern  Life — Murray-Univ     9-8-18 

Modern   Musketeer,    A — Artcraft    1-3-18 


139 


Reviiw    Date 

Modern  Monte  Cristo,  A — Pathe 1-25-17 

Modern  Thelma,    A— Fox    4-20-16 

Molly   and  I — Fox 3-21-20 

Mollycoddle,    The— Un    Art 6-20-20 

Molly  Go    Get    'Em— Amer-MutI 1-17-18 

Molly  Make-Believe— F.P.-Prmt 4-20-16 

Molly  of    the    Follies — Amer-Pathe    2-2-19 

Moment     Before,     The — F.P.-Prmt 5-11-16 

Money   Changers — Pathe    10-31-20 

Money  Corral,    The — Artcraft    4-27-19 

Money  Isn't    Everything — Amer-Pathe 10-6-18 

Money  Mad — Gwyn     9-22-18 

Money    Madness — Butterfly-Univ    6-7-17 

Money   Magic — Vita     2-1-17 

Money  Master,   The — Kleine-Edison    9-16-15 

Moon    Madness— R.C 8-1-20 

Moonshine     Trail,     The— Pathe 10-26-19 

Moral   Code,     The — Erbograph-Art     3-9-17 

Moral  Courage — Peerless-Brady-World  ....5-24-17 

Moral  Deadline,    The— World    2-16-19 

Moral  Deadliness— World    2-16-19 

Moral   Fabric,   The— Tri-Kay   Bee    3-16-16 

Moral  Law,    The — Fox    3-21-18 

Morals  of  Hilda,  The— Red  F 12-21-16 

Moral    Suicide — Graphic-St   Rgt    3-28-18 

More  Deadly  Than  the  Male— F.P.-L 12-14-19 

Mother  and    the    Law — Griffith    9-7-19 

Mother  and   the   Law,   The — Super-Art 11-1-18 

Mother  Eternal — Graphic-St  Rgt 4-24-21 

Mother  of    His    Children — Fox 4-11-20 

Mothers    of    Men — Republic 3-7-20 

Mother    O'    Mine — Assoc.    Prod 6-5-21 

More  Excellent  Way,  The — Greater  Vita.  .3-29-17 
More  Trouble — Anderson-Brunton-Pathe  ..6-2-18 
More  Truth  Than  Poetry — Pop.  P.&P-Met.  11-1-17 

Morgan's    Raiders — Bluebird    2-21-18 

Mormon    Maid,    The— Hiller   &    Wilk-Fried- 

man-St    Rgt     2-22-17 

Morok — Hesperia-St   Rgt   2-7-18 

Mortal  Sin,  The — Columbia-Metro  3-15-17 

Mortgaged   Wife,   The — Phillips-Univ 6-30-18 

Mortmain — Vita-V.L.S.E 9-9-15 

Moth,    The— Schenck- Select    10-11-17 

Mother — Tucker-McClure-St    Rgt    11-8-17 

Mother,  I  Need  You — Castleton-Shipman   10-22-18 

Mother   O'    Mine— Bluebird 9-6-17 

Mother's  Ordeal,  A — Van  Dyke-Art 5-10-17 

Mother's    Secret,    A — Fox    12-23-15 

Mother's  Secret,   A — Bluebird    4-25-18 

Mother's  Sin,     A — Vita     2-7-18 

Mountain    Dew — Tri     9-20-17 

Mountain    Woman — Fox    2-6-21 

Mr,  Fix-It — Fairbanks-Artcraft     4-25-18 

Mr.  Goode   the   Samaritan — Tri-Fine   Arts   5-25-16 

Mr.   Crex  of  Monte  Carlo — Lasky 12-16-15 

Mr.  Logan,    U.    S.    A. — Victory-Fox 9-15-18 

Mr.   Opp — Bluebird    8-23-17 

Mrs.  Balfame — Powell-Mutl   4-19-17 

Mrs.   Dane's    Defense — F.P.-Prmt    1-10-18 

Mrs.    Leffingswell's  Boots — Selzk-Select    9-2-18 

Mrs.   Slacker — Astra    Pathe     3-28-18 

Mrs.  Temple's   Telegram — F.P.-L 5-16-20 

Mrs.  Wiggs   of   the   Cabbage    Patch — Prmt   2-23-19 

Mr.  Wu — Stoll     12-26-20 

Mummy    and    the    Humming    Bird,    The — F. 

P. -Prmt   11-18-15 

Mutiny — Bluebird     3-15-17 

Mutiny   of   the   Elsinore — Metro    7-25-20 

My  Country     First — Terrigs-Unity 5-18-16 

My  Cousin— Artci aft      12-1-18 

My  Four  Yeors  in  Germany — St  Rgt 3-21-18 

My   Husband's    Other    Wife — Pathe 12-21-19 

My  Lady     Incog — F.P.-Prmt 1-27-16 

My  Lady's       Garter — F.P.-L 3-21-20 

My  Lady's  Latch  Key — 1st  Natl   3-20-21 

My  Lady's    Slipper — Vita-V.L.S.E 1-20-16 

My   Little    Boy — Bluebird     12-13-17 

My  Little    Sister— Fox     6-15-19 

My   Madonna — Pop  P&P- Metro 11-11-15 

My   Official    Wife — Greater    Vita     12-7-16 

My  Old    Dutch — London    Univ    11-18-15 

My  Own  United  States — Frohman-St  Rgt..  1-24-18 

My  Partner — Mutl     3-23-16 

Mysteries  of  Myra,     The — Internatl      6-1-16 

Mysteries  of   Myra,     The — Wharton-Intl.  .  .4-27-16 

Mysterious  Client,     The — Astra-Pathe     5-12-18 

Mysterious  Miss  Terry,  The— F.P.-Prmt   ..8-30-17 

Mysterious  Mrs.    M.,    The— Bluebird 1-25-17 

Mysterious  Mr.    Tiller,    The— Bluebird 9-20-17 


Review    Date 

Mystery  of  No.   47.  The— Selig-K.E.S.E.    ..6-7-17 
Mystery   of  the  Yellow   Room,  The— Rlrt   10-26-19 

Mystic   Faces^-Tri    9-8-18 

Mystic    Hour,    The — Apollo-Art 5-24-17 

My   Unmarried  Wife— Bluebird 12-20-17 

My  Valet— Keystone-Tri      ,...9-30-15 

N 

Naked    Hearts— Bluebird     5-18-16 

Nancy.    Comes    Home — Tri    4-4-18 

Nancy's     Birthright — Signal-Mutl     5-25-16 

Nanette   of   the    Wilds— F.P.-Prmt    11-30-16 

Narrow  Path,  The— Red  F 8-31-16 

Narrow    Trail,    The— Hart- Artcraft     1-10-18 

Natural  Law,  The— France-Films-St  Rgt. .  11-15-17 

Nature    Man,    The— Univ 11-4-15 

Naughty!    Naughty! — Ince-Prmt    4-11-18 

Naulahka— Astra-Pathe     2-14-18 

Nearly    a    King— F.P.-Prmt    2-17-16 

Nearly    Married — Gwyn    12-6-17 

Nedra— Jose -Pathe   Gold   Rooster    11-18-15 

Ne'er-Do-Well,    The— Selig    2-17-16 

Neglected    Wives— Wistaria    4-25-20 

Neighbors— World    8-4-18 

Net,    The — Thanhouser-Mutl    4-6-16 

Never  Say  Quit— Fox   3-23-19 

New   Love  for   Old— Bluebird 2-7-18 

New  Moon,    The— Select    5-18-19 

New  York— Pathe 2-10-16 

New  York    Idea,    The— Realrt    12-12-20 

New    York    Luck— A mer- Mutl    12-27-17 

New  York  Peacock,  The — Fox    3-1-17 

Night    Out,    A— Vita-V.L.S.E 2-3-16 

Night    Workers,    The— Essanay-K.E.S.E..  .  5-31-17 

Nina,  The  Flower  Girl — Fine  Arts 1-11-17 

Nine     O'Clock    Town,     The— Ince 8-4-18 

Nineteen  and  Phyllis— 1st  Natl  1-2-21 

Nine-Tenths  of  the  Law— Atlantic -St  Rgt.. 4-25-18 

Ninety   and    Nine,   The— Greater   Vita 12-21-16 

Nobody's    Kid— R.-C 1920 

Nobody's   Wife— Univ    3-7-18 

No  Children  Wanted— Horkheimer 8-11-18 

No-Good  Guy,   The— Tri-Ince   4-27-16 

No    Greater    Love— Selig- V.L.S.E 1-6-16 

Nomads  of   the   North— 1st   Natl 10-3-20 

No    Man's   Land— Metro 7-21-18 

No    Man's    Woman — Assoc.    Photoplay- St. 

Rgt   2-6-21 

North    Wind's    Malice— Gwyn     10-24-20 

Nothing    But    Lies^Metro     5-23-20 

Not   Guilty— Equitable    12-16-15 

Not  Guilty— 1st  Natl    1-16-21 

Nothing  But  the  Truth— Metro    1-11-20 

Not   My   Sister— Ince-Tri    S-11-16 

Notorious  Gallagher  or   His  Great  Triumph 

— Columbia-Metro    6-1-16 

Notorious  Miss  Lisle,  Th^-lst  Natl   8-22-20 

Nugget   Nell— New   Art-Prmt    8-3-19 

Number    17— Fox     1920 

Number  99— Hdksn   5-23-20 

Nurse     Marjorie — Realrt     3-28-20 

Nut,  The— Un  Art    3-13-21 

Nymph  of  the  Woods,   A— Vita 9-8-18 

O 

Oakdale  Affair,  The— World    10-12-19 

Oath,    The— 1st    Natl    4-17-21 

Ocean    Waif,   The — Internatl    11-16-16 

Occasionally    Yours— R.-C 10-17-20 

Officer    666— Gwyn     11-7-20 

Offshore   Pirate— Metro    2-13-21 

Oh    Boy— Capellani-Pathe    6-15-19 

O,    Henry    Stories— Vita 3-22-17 

Oh  Johnny!— Betzwood-Gwyn    1-19-19 

Oh    Lady,    Lady— Realrt    12-26-20 

Oldest    Law,    The — World     6-2-18 

Old    Fashioned    Boy,    An— F.    P.-L 11-7-20 

Old   Fashioned  Young   Man,  An — Fine  Arts 

Tri    5-3-17 

Old   Folks   at   Home— Fine   Arts-Tri 10-12-16 

Old   Hartwell's    Cub— Tri    5-19-18 

Old  Heidelberg— Fine    Arts-Tri    10-7-15 

Old  Homestead,   The— F.  P. -Prmt 12-23-15 

Old  Lady     31— Metro     4-3-20 

Old   Maid's    Baby,    An— Diando-Pathe 2-9-19 

Old   Swimmin'    Hole,    The— 1st    Natl     2-20-21 

Old  Wives    for    New— De    Mille-Artcraft. .  5-26-18 

Oliver     Twist— Lasky-Prmt      12-21-16 

Oliver   Twist,    Jr.— Fox    3-13-21 


140 


Review    Date 

O'Malley    of    the    Mounted— F.    P.-L 2-13-21 

Once  a  Plumber— Univ    9-19-21 

Once  to  Every  Man — Frohman-St  Rgt 2-9-19 

Once  to  Every  Woman — Univ 10-3-20 

On     Dangerous     Ground — Brady-World. ...  1-11-21 

One   A.    M— Chaplin-Mutl    8-3-16 

One  Day— B.    S.    Moss    2-24-16 

One  Hour — Rapf -Hoffman-Foursquare     ..11-29-17 

One  Hour  Before  Dawn— Pathe 7-18-20 

One  Law    for     Both— Ivan-St    Rgt 5-10-17 

One   Man    in    a    Million— R.-C 1-16-21 

One   Man     Trail— Fox    3-27-21 

One  Million     Dollars — Rolfe-Metro     12-2-lS 

One  More    American — Lasky-Prmt    3-7-18 

One  of     Many — James-Metro     , 2-15-17 

One  of   the    Finest — Gwyn    6-8-19 

One   Shot  Ross— Tri   10-11-17 

One-Thing- At-a-Time    O'Day— Metro     6-29-19 

One  Thousand   Dollars— Vita   7-7-18 

One  Touch   of  Nature— Edison-K.E.S.E.    ..8-16-17 

One  Touch    of    Sin — Fox 2-1-17 

One  Woman,   The— Dixon-Select    12-22-18 

One  Week    of    Life— Gwyn    5-25-19 

Only    Road,    The— Metro     6-16-18 

On   Record — Lasky-Prmt     3-1-17 

On   the    High    Card— Arrow    1920 

On  the   Jump — Victory-Fox    10-6-18 

On  the    Level — Lasky-Prmt    11-1-17 

On  the    Quiet— Prmt    8-18-18 

On-the-Square    Girl,    The— Astra-Pathe 8-23-17 

On  Trial — Essanay     6-21-17 

On  With    the     Dance— F.     P.-L 2-5-20 

Open    Door,    The— R.C 10-19-19 

Open    Places— Essanay-K.E.S.E 8-23-17 

Open   Your    Eyes — Warner-St    Rgt    7-6-19 

Opportunity — Metro     7-14-18 

Ordeal  of  E'izabeth,  The— Vita-V.L.S.E 5-18-16 

Ordeal    of    Rosetta,    The— Select ....7-21-18 

Orphan,     The— Fox      5-2-20 

Other    Man,    The — Vita 2-7-18 

Other  Man's    Wife,    The— Hall-Ind 6-15-19 

Other   Men's    Daughters — Fox     7-7-18 

Other  Men's    Shoes — Pathe    1-18-20 

Other   Men's  Wives — Prmt    7-6-19 

Other  People's    Money — Thanhouser-Mutl    5-25-16 

Other  Side    of    the    Door,    The — Mutl 1-6-16 

Other   Woman,    The— Hdksn    4-3-21 

Our  Better   Selves — Astra-Pathe   7-13-19 

Our  Little     Wife — Gwyn     2-21-18 

Our  Mrs.    McChesney — Metro    8-25-18 

Our  Navy — Prizma    6-23-18 

Outcast— Empire- Mutl    9-20-17 

Outcasts    of    Poker    Flat,    The— Univ 6-29-19 

Outing    Chester     Travelogues — Mutl 7-7-18 

Out  of   a    Clear    Sky — Prmt    9-29-18 

Out   of    Darkness — Lasky-Prmt     9-16-15 

Out  of  the  Chorus— Realrt 3-27-21 

Out   of   Luck — New  Art-Prmt    8-31-19 

Out  of    the    Drifts— F.    P. -Prmt 3-9-16 

Out  of   Dust— McCarthy-St   Rgt    1-25-20 

Out  of    the    Fog^Nazimova- Metro    2-9-19 

Out  of   the   Night — Keeney-Sherry    10-23-18 

Out  of    the    Shadow — Prmt    1-26-19 

Out  of    the    Snow — Selzk     11-14-20 

Out  of  the  Storm — Gwyn    6-20-20 

Out  of    the    Wreck — Morosco-Prmt 3-15-17 

Outsider,    The — Rolfe-Metro    11-22-17 

Outside   the    Law — Univ    1-9-21 

Outside   Woman,   The— Realrt    3-20-21 

Outwitted — Rolfe-Metro     11-22-17 

Oval    Diamond,    The — Thanhouser-Mutl    ..2-17-16 

Overalls — American-Mutl      3-23-16 

Overland    Red — Univ    2-15-20 

Over    Night— World    12-16-15 

Over    the    Hill— Astra-Pathe    11-29-17 

Over  the  Hill  to  the  Poorhouse — Fox 9-26-20 

Over   the   Top — Vita    4-4-18 

P 

Paddy    O'Hara— Tri-Kay   Bee    4-26-17 

Pagan    Love — Hdksn     12-26-20 

Page   Mystery,   The— Peerless-Brady-World   5-3-17 

Paid   in    Advance — Univ    11-16-19 

Paid  in  Full — Prmt 3-2-19 

Pagan    God— R.-C 8-17-19 

Painted   Doll,  The— Russian  Art-Pathe 10-4-17 

Painted  Lie,     The — Horsley-Mutl     4-12-17 

Painted  Lily,   The — Tri    6-30-18 

Painted  Lips — Star-Univ     2-14-18 


Review    Date 

Painted   Soul,     The— Mutl     12-30-lS 

Pair   of    Cupids,     A— Metro 8-4-18 

Pair  of    Silk    Stockings,    A— Select     7-14-18 

Pair  of    Sixes,    A — Essanay-Perfection     6-9-18 

Palace    of    Darkened    Windows — Selzk.  ...  12-12-20 

Paliser    Case,     The— Gwyn     2-22-20 

Pals    First — Yorke-Metro     10-6-18 

Panthea— Talmadge-Selzk    1-11-17 

Pants— Essanay-K.E.S.E 9-20-17 

Paradise     Garden — Yorke-Metro     10-^-17 

Parentage      Message,      A — Henley-Seng-St 

Rgt    .    6-14-17 

Paris   Green— F.P.-L 4-25-20 

Parisian    Romance,    A — Fox    1-20-16 

Parson     of     Panamint,     The— Pallas-Prmt.  .8-17-16 

Partners  of    Fate — Fox    2-20-21 

Partners  of    the    Night — Gwyn    3-7-20 

Partners   of    the    Tide — Hdksn 3-20-21 

Pasquale — Morosco-Prmt      5-18-16 

Passersby — Equitable     3-16-16 

Passers    By— Pathe    6-20-20 

Passing   of   the   Third    Floor   Back — Brenon- 

1st    Natl    5-2-18 

Passion— 1st    Natl 10-10-20 

Passion — McClure-Seven     Sins-Tri     3-1-17 

Passionate    Pilgrim — F.P.-L 1-9-21 

Passion   Flower,   The— 1st   Natl 4-10-21 

Passion     Frui; — Metro     1-30-21 

Passion's    Playground — 1st    Natl    10-3-2O 

Path    She    Chose,    The— Univ 5-9-20 

Path   to   Happiness,   The — Univ-Fed  F 2-3-16 

Patriot,    The— Ince-Tri    8-17-16 

Patriotism — Brunton-Paralta     6-16-18 

Pawn    of    Fate,    The— World    3-2-16 

Paws  of   the   Bear— Kay   Bee-Tri 6-28-17 

Pay     Day — Metro     6-2-18 

Paying  His   Debt— Tri    5-2-18 

Paying  the   Piper— F.   P.-L 1-30-21 

Payment,    The — Ince-Tri     7-13-16 

Peaceful    Valley— 1st   Natl    10-17-20 

Peace   of   Roaring   River,   The — Gwyn    8-17-19 

Pearl   of   Paradise,    The— Pollard-Mutl 11-16-16 

Pearl    of    the    Antilles,    The— Terriss 9-30-15 

Pearl    of    the    Army — Astra-Pathe 11-30-16 

Peack's    Bad    Boy— 1st    Natl    5-1-21 

Peck's    Bad    Girl— Gwyn     9-22-18 

Peddler,  The— U.   S.  Amus-Art   8-16-17 

Peer   Gynt — Morosco-Prmt    9-9-15 

Peggy— Kay   Bee-Tri    1-20-16 

Peggy    Does    Her    Darndest — Metro    2-23-19 

Peggy  Leads  the  Way — American-Mutl 11-8-17 

Peg    o'    the    Sea— Sterling    8-4-18 

Penalty,  The— Gwyn   11-21-20 

Penitentes,     The— Fine     Arts-Tri     12-9-15 

Pennington's    Choice — Columbia-Metro     ..11-11-15- 

Penny    of    Hill    Top    Trail- Federated 5-1-21 

People  vs.   John   Doe,   The— Univ 12-21-16- 

Peppy   Polly— Prmt    4-13-19  • 

Perfect  Crime,   The— Assoc.   Prod    2-27-21 

Perfect  Lady,    A — Gwyn     12-8-18 

Perfect  Lover,    The— Selzk    9-21-19 

Perfect  Woman,  The— 1st  Natl  8-1-20 

Perils     of     Divorce,     The— World 6-8-16. 

Periwinkle — American-Mutl    6-21-17 

Peranisketty    Polly    Ann— Tri    9-13-17 

Persuasive   Peggy  —   Mayfair-Shallenberger 

&  Priest-St   Rgt   11-22-17 

Pest.  The— Gwyn   4-20-1? 

Petal   on   the   Current,   The — Univ 8-3-19 

Petticoat     Pilot,     The — Lasky-Prmt 2-14-18 

Pettigrew's    Girl— Prmt    3-16-19 

Phantom   Melody,    The— Univ    1-25-20 

Phantom,    The— Ince-Tri     6-22-16 

Phantom    Fortunes — Vita-V.L.S.E 9-7-16 

Phantom  Husband,  The — Tri   10-11-17 

Phantom    Riders— Univ    1-31-18 

Phantom's   Secret— Butterfly-Univ    5-17-17 

Phil-For-Short— World     6-8-19 

Philip    Holden-Waster — American-Mutl    ..10-12-16 

Piccadilly   Jim — Select    2-8-20 

Pidgin    Island — Yorke-Metro    1-4-17 

Piper's  Price,  The — Bluebird 1-11-17 

Pillars    of    Society— Essanay-V.L.S.E 8-17-16 

Pinch  Hitter,   The — Tri-Kay  Bee 4-26-17 

Pink   Tights — Univ    9-19-20 

Pinto — Gwyn      2-1-20 

Pitfalls  of  a  Big  City— Fox   4-13-19 

Place  Beyond  the  Wind,  The — Red  F 11-2-16 

Plain    Jane — Ince-Tri 9-14-16 


141 


Review    Date 

Painter,    The— Manson-St   Rgt    8-2-17 

Playing    Dead— Vita-V.L.S.E 10-21-15 

Playing    the    Game — Ince-Prmt    4-2S-18 

Playing     with     Fire— Pop.     P&P-Metro 4-27-16 

Plaything   of   Broadway— Realrt    3-20-21 

Playthings^B'uebird-Univ      8-18-18 

Playthings   of   Passion — United    6-1-19 

Please    Get     Married — Metro 11-9-19 

'Please  Help  Emily— Empire-Mutl 11-29-17 

Pleasure     Seekers — Selzk     1-9-21 

Plow    Girl,    The— Lasky-Prmt 11-23-16 

Plow    Woman,    The— Bluebird     7-5-17 

Plunger.     The— Fox     11-7-30 

Point    of    View— Selzk 8-8-20 

Pointing  Finger,  The — Univ   12-7-19 

Police — Essanay-GenI    6-1-16 

Pollyanna— Un  Art   1-25-20 

Polly   of   the   Circus— Gwyn    9-20-17 

Polly  Put  the  Kettle  On— Red  F 1-11-17 

Polly     Redhead— Bluebird     3-1-17 

Polly    with   a   Past— Metro    12-12-20 

Pool    of    Flame,    The— Red    F 2-24-16 

Poor   Boob— Prmt     : 3-30-19 

Poor  Dear  Margaret  Kirby — Selzk   4-10-21 

Poor  Little    Peppina— Pickford    F.-P.-Prmt    3-2-16 

Poor  Schmaltz— F.    P. -L. -Prmt   9-9-15 

Poor  Little    Rich    Girl,    The — Pickford-Art- 

craft     3-8-17 

Poor  Relations— R.-C 10-26-19 

Poor   Simp— Selzk      10-17-20 

Poppy — -Talmadge-Selzk   6-14-17 

Poppy     Girl's    Husband,    The — Artcraft     ..3-30-19 
Pots-and-Pans   Peggy — Thanhouser-Pathe    ..3-8-17 

Power   and   the   Glory,   The — World 9-8-18 

Power  of  Decision,  The — Rolfe-Metro    4-12-17 

Power  of  Evil,  The— Balboa-Moss-St  Rgt   10-12-16 

Powers    that    Prey — American-Mutl     3-21-18 

Prairie    Trails — Fox    12-26-20 

Praise    Agent,    The— World    8-10-19 

Precious  Packet,  The — Pathe  Gold    Rooster  2-24-16 

Pretenders,    The— Rolfe-Metro    .8-31-16 

Pretty  Smooth— Univ   5-25-19 

Prey,    The— Vita     10-10-20 

Price  for    Folly,    A— Vita     12-16-15 

Price  Mark,  The— Ince-Prmt 11-11-17 

Price  of  a   Good   Time,   The— Jewel 11-22-17 

Price  of  Fame,   The — Greater   Vita 11-9-16 

Price   of  Possession — F.  P.-L 2-20-21 

Price  of  Redemption — Metro     9-26-20 

Price  of   Silence — Sunrise-St     Rgt     1-2-21 

Price   of  Silence,   The— Fox    1-11-17 

Price,     The — Triumph-Equitable     10-14-16 

Price  of  Applause,    The— Tri    8-4-18 

Price  of  Happiness,    The — Triumph-Equit- 
able      3-2-16 

Price  of   Malice,     The— Rolfe-Metro     3-2-16 

Price  of  Power,    The — Tri-Fine    Arts    2-24-16 

Price   of  Pride,  The— Peerless-World    7-5-17 

Price  of   Silence,    The— Bluebird    12-17-16 

Price  She  Paid,  The— C.K.Y.-Selzk 3-1-17 

Price  Woman    Pays,    The— Hatch-St    Rgt..  11 -2- 19 

Pride— McCIure-Tri     1-25-17 

Pride  and     the     Devil— Apollo-Art 3-8-17 

Pride   and    the    Man — -American-Mutl    8-9-17 

Pride  of  New  York,  The— Fox 1-10-18 

Pride  of  the  Clan,  The— Pickford- Artcraft  1-11-17 
Prima    Donna's    Husband,    The — Triumph- 

A    &    W    Film    Co 6-15-16 

Prima!  Lure,  The— Ince-Tri   5-11-16 

Primitive     Call,     The— Fox 1-25-17 

Primrose     Ring,     The— Lasky-Prmt 5-17-17 

Prince  and  Betty,  The— Pathe 12-14-19 

Prince  and  the  Pauper,  The — F.   P.-Prmt.  .  12-2-15 

Prince   Chap,    The— De    MiUe    7-18-20 

Prince     Chap— Selig-V.L.S.E 8-3-16 

Prince  in  a  Pawnshop,  A — Greater  Vita.  .10-19-16 

Prince    of    Avenue    A — Univ    1-11-20 

Princess    of    Patches— K.E.S.E 1-25-17 

Princess     of     the     Dark — Ince-Tri     2-8-17 

Princess    Virtue,    The— Bluebird    11-15-17 

Prisoners    of    Love — Gwyn     1-23-20 

Prisoners    of    the    Pines — Hampton-Hdksn.  .9-8-18 
Prison   Without  Walls,   The— Lasky-Prmt.  .3-22-17 

Private     Peat — Prmt-Artcraft      11-17-18 

Probation    Wife,    The— Select    3-16-19 

Prodigal   Liar,   The — Hampton-Ex.    Mutl    ..2-23-19 

Prodigal    Wife,    The— Screencraft    12-8-18 

Profiteer,  The — Astra-Pathe    6-22-19 

Promise,    The — Yorke-Metro    3-8-17 


Review    Date 

Proxies— F.    P.-L 4-17-21 

Prudence    on    Broadway — Tri    9-14-19 

Prudence   the   Pirate — Thanhouser-Pathe.  .  10-12-16 

Prunella— F.    P.-Prmt    5-26-19 

Prussian    Cur,    The — Fox    8-25-18 

Public     Be     Damned,     The— Public     Rights- 

St    Rgt    7-5-17 

Public    Opinion — Lasky-Prmt     8-24-16 

Pudd'n    Head   Wilson— Lasky-Prmt 2-10-16 

Pulse    of    Life,    The— Bluebird     3-22-17 

Puppets     of     Fate— Metro     1920 

Puppy   Love — Prmt    3-16-19 

Purity — American-Mutl      7-13-16 

Purple  Lady,  The— Rolfe-Metro 6-29-16 

Pursuing  Vengeance,  The Unity-Sales-   St 

Rgt    6-1-16 

Pursuit    of    Polly,    The— Prmt    8-25-18 

Putting    One    Over— Fox     6-29-19 

Put   Up   Your   Hands — American-Pathe    ....3-2-19 

Q 

Quality    of    Faith,    The — Gaumont-Mutl    5-4-16 

Queen    of    Hearts — Excel-Fox    9-22-18 

Queen    of    Sheba,    The — Fox 4-17-21 

Queen     of     Spades,     The — Russian     Art- 

Pathe     10-18-17 

Queen  of  the  Sea — Fox 9-1-18 

Queen  X — Empire-Star-Mutl    10-11-17 

Question,     The — Equitable-World     2-24-16 

Question,    The — Vita    6-28-17 

Quest   of   Life,    The — F.    P.-Prmt    10-5-16 

Quickening  Flame,  The — World    4-13-19 

Quitter,    The — Rolfe-Metro    8-10-16 

R 

Race,     The — Lasky-Prmt     4-13-16 

Race    Suicide — St.    Rgt    2-10-16 

Rack,     The — World     1-6-16 

Raffles,   The   Amateur   Cracksman — Hiller  & 

Wilk-St    Rgt    12-6-17 

Ragamuffin — Lasky-Prmt     1-27-16 

Ragged   Princess,   The — Fox 10-19-16 

Raiders,    The — Kay    Bee-Tri    3-9-16 

Rail     Rider,    The— Paragon-Brady-World.  .8-24-16 

Rainbow,    The — Sherill-Art     l-lS-17 

Rainbow   Girl,   The — American-Mutl    9-27-17 

Rainbow  Princess,   The— F.   P.-Prmt    10-26-16 

Rainbow  Trail,   The— Fox    9-22-18 

Ramona— W.    H.     Clune     4-13-16 

Ransom,    The — Equitable     1-27-16 

Rasputin,     The    Black     Monk — Peerless- 
World     10-11-17 

Raven,  The— Essanay-V.L.S.E 11-25-15 

Reaching    for    the    Moon — Artcraft    11-29-17 

Real     Folks— Tri     2-14-18 

Reapers,     The — -Triumph-Equitable     4-6-16 

Reason    Why,    The — C.K.Y. -Select    5-2-18 

Rebellious  Bride,  The — Fox    3-23-19 

Reckoning  Day— Tri   10-27-18 

Reclaimed— Webster    6-9-18 

Recoil,   The— Astra-Pathe    5-17-17 

Redemption — Steger-St   Rgt    6-21-17 

Redemption    of    Dave    Darcey,    The — Vita- 
V.L.S.E 6-15-16 

Red   Foam— Selzk    1920 

Redhead— Select     5-18-19 

Red  Hot    Dollars- F.    P.-L 1-4-20 

Red   Lane,     The — Univ     7-11-20 

Red   Lantern,    The — Nazimova-Metro    S-4-19 

Red   Red    Heart,    The— Bluebird    4-18-18 

Red  Viper,     The — Tyrad     8-31-19 

Red,  White  and  Blue  Blood— Rolfe-Metro  12-27-17 

Red   Widow,   The — F.    P.-Prmt    S-4-16 

Red  Woman,    The— World    2-1-17 

Reed    Case,    The— Butterfly-Univ     7-19-17 

Reform    Candidate,    The— Pallas-Prmt 12-23-15 

Regenerates,    The — Kay   Bee-Tri    11-22-17 

Regeneration,     The — Fox      9-23-15 

Reggie   Mixes   In — Fine  Arts-Tri    6-1-16 

Regular    Girl.    A— Select    11-30-19 

.Remodeling    Her    Husband— F.    P.-L 6-13-20 

Reputation — Univ     5-8-21 

Reputation — Empire-Star-Mutl     9-13-17 

Respectab'e    by     Proxy — Pathe     2-1-20 

Restitution — Mena-St    Rgt    5-26-18 

Restless  Sex,   The — F.   P.-L 613-20 

Restless    Souls— Tri     1-19-19 

Resurrection— F.   P.-Prmt    5-12-18 

Return    of    Draw    Egan,    The — Ince-Tri.  ...  10-5-16 
Return  of  Eve,  The — Essanay-K.E.S.E.   ..10-26-16 


142 


Review    Date 

Return   of   Mary,   The — Metro    16-6-18 

Return    of    Tarzan,    The — Gwyn     6-6-20 

Revelaiion — American-Mutl'     4-6-16 

Revelation — Screen    C'.assic-Metro    3-21-18 

Revenge    of    Tarzan — Gwyn     1920 

Revolt,    The— Brady-World    9-28-16 

Reward   of    Patience,   The— F.    P.-Prmt 9-21-16 

R -vard   of   the   Faithless— Bluebird 2-11-17 

R'.chard    the    Brazen— Vita    8-9-17 

Richest    Girl,    The — Empire-Mutl    5-2-18 

Rirh   Girl,   Poor  Girl— Univ    1-30-21 

Rich    Man,    Poor    Man— F.    P.-Prmt 5-2-18 

Ri  h    Man's   Darling,    A— Bluebird    4-18-18 

Ridd'e    Gawne — Hart-Ince-Artcraft     8-18-18 

Rider   of   the    King   Log — Assoc.    Exhib. ..  .5-22-21 

Rider  of   the   Law,   The— Univ    10-12-19 

Riders  of  the   Dawn— Hdksn    5-9-20 

Riders  of  the   Night — West  Coast-Metro 5-2-18 

Riders  of  the  Purple  Sage— Standard-Fox.  .9-15-18 

Riders  of  Vengeance — Univ 5-18-19 

Ridin'     Romeo,    A — Fox     6-5-21 

Right   of    Way,    The — Metro    2-1-20 

Rights   of    Man,   The— Lubins-V.L.S.E.    ..10-28-15 

Right  to  be   Happy,   The— Bluebird    12-21-16 

Right  to   Happiness,  The — Jewel-Univ    8-24-19 

Right    to    Lie,    The— Pathe     12-7-19 

Rimrock     Jones — Lasky-Prmt     1-31-18 

Rink,     The— Lone     Star-Mutl     12-14-16 

Rio   Grande— Pathe    4-15-20 

Rise   of    Tennie    Gushing,    The — Artcraft.  .  11-22-17 
Rise    of  "Susan,    The — Peerless- World     ..12-14-16 

Ri-ky    Business— Univ    11-28-20 

Risky     Road— Bluebird     4-25-18 

River    of    Romance,    The — Yorke-Metro    ..8-17-16 

River's  End,   The — 1st  Natl    2-22-20 

Road    Between,    The — Erbograph-Art 7-12-17 

Road    Demon,    The — Fox    2-20-21 

Road   of  Ambition,   The — Selzk 2-20-21 

Roadside  Impressario,   A — Pallas-Prmt   ....6-28-17 

Roads    of    Destiny — Gwyn     4-3-21 

Road    through    the    Dark,    Th^— Select    ..12-15-18 

Road    to    Divorce.    The — Univ    3-7-20 

Road  to  France,  The— World   11-17-18 

Road   to   Love,    The — Morosco-Prmt    12-7-16 

Roaring    Road.    The — Prmt    3-23-19 

Rogues    and    Romance — -Pathe     1-2-21 

Rogues     Romance,     A— Vita 5-25-19 

Romance — Un    Art     5-23-20 

Romance    and     Arabella — Select     2-2-19 

Romance    of    Billy    Goat   Hill,    A — Red    F.. 9-28-16 

Romance   of   Happy   Valley — Artcraft    2-2-19 

i^-i-riance  of  the  Air,  A— Crest-St  Rgt 11-11-18 

Romance    of    the    Redwoods,     A — Pickford- 

Artcraft     5-17-17 

Romance    of    the    Underworld,    A — Keeney- 

Sherry      7-21-18 

Romantic    Journey,    The —    12-21-16 

Romany    Lass,     A— Harma-St    Rgt 4-20-19 

Romeo   and   Juliet — Quality-Metro 10-26-16 

Romeo     and     Juliet — Fox      10-26-16 

Rookie's   Return,    The — F.    P.-L 1-9-21 

Roped— Univ   1-12-19 

Rosemary,     That's    for     Remembrance — 

Quality-Metro      12-23-lS 

Rose  of   Nome — Fox    8-8-20 

Rose    O'    Paradise— Brunton-Paradise    5-19-18 

Rose    of   the    Blood— Fox    1-17-18 

Rose  of  the  South — Greater  Vita ..12-7-16 

Rose  of  the  West — Fox   7-20-19 

Rose   of   the   World— Artcraft    1-17-18 

Rosie     O'Grady — Apollo-Art     2-8-17 

Round    Up,    The— F.    P.-L 9-12-20 

Rouge    and    Riches — Univ     1-4-20 

Rough   Lover,   The — Univ    3-21-18 

Rough    Riding    Romance — Fox     8-3-19 

Royal    Pauper,    The — Edison-K.E.S.E 2-15-17 

Royal    Romance.    A — Fox    ."......  .5-24-17 

Ruggles   of    Red    Gap — Essanay-Perfection    3-14-18 

Ru'er    of    the    Road— Pathe    4-25-18 

Ru'ing  Passion,  The — Fox 2-10-16 

Ru'ing    Passions-Schomer-St    Rgt    9-29-18 

Rummy — Fine    Arts-Tri     10-19-16 

Runaway,     The — Empire-Mutl     10-25-17 

Runaway    Romany — Ardsley-Pathe     12-20-17 

Rupert   of   Hentzau — London-Bluebird    ....3-16-16 
S 

Sab'e    Lorcha,    The — Griffith-Tri     10-28-15 

Sacred  and  Profane  Love — F.  P.-L 4-24-21 

Sacred  Flame,   The — Schomer-Ross-St  Rgt  11-2-19 


Review    Date 

Sacred   Silence — Fox    10-19-19 

Sacrifice — LasJ<y-Pr,mt      S-10-17 

Safe   for   Democracy — Blackton    11-24-18 

Safety    Curtain,    The — Select    7-7-18 

Sagebrusher,    The — Hdksn    1-4-20 

Sage    Hen,    The— Pathe    1-16-21 

Saint,    Devil    and    Woman — Thanhouser- 

Pathe     10-19-16 

Saintly  Sinner,  The — Bluebird 2-22-17 

Saint's  Adventure,  The — Essanay-K.E.S.E.  5-17-17 

Saints   and    Sinners^ — F.    P.-Prmt 7-13-16 

Salamander,    The — Moss    12-23-15 

Saleslady,    The — F.    P.-Prmt 3-30-16 

Sally    in    a   Hurry — Greater    Vita 4-19-17 

Sally    in    Our    Alley— Brady-World    7-20-16 

Salome — Fox      10-13-18 

Salt  of  the  Earth,  The— Edison-Perfection    12-20-17 

Salvage— R.-C 5-22-21 

Salvation    Joan— Vita-V.L.S.E 4-13-16 

Salvation   Nell — World   10-28-15 

Sand— F.    P.-L 6-27-20 

Sands    of    Sacrifice — American-Mutl    10-4-17 

Sandy— Lasky-Prmt     6-30-17 

Saphead— Metro      2-27-21 

Sapho— F.     P.-Prmt     3-15-17 

Satan     Junior — Metro     3-9-19 

Sauce  for  the  Goose — Selzk-Select 8-25-18 

Savage    Woman,    The — Select    8-11-18 

Saving  the   Family    Name — Bluebird    8-31-16 

Sawdust    Doll,    The— Diando-Pathe    3-30-19 

Say!    Young  Fellow — Artcraft    6-23-18 

Scandal — Talmadge- Select     11-8-17 

Scar,     The— World     4-6-19 

Scarab     Ring — Vita     5-29-21 

Scarlet  Car,    The — Bluebird    12-6-17 

Scarlet   Crystal,     The— Red     F 2-11-17 

Scarlet  Days— F.     P.-L 11-23-19 

Scarlet  Drop,     The— Bluebird     5-2-18 

Scarlet   Letter,   The — Fox    2-22-17 

Scarlet  Oath,  The — Peerless-World   10-19-16 

Scarlet  Road,     The — Kleine-Edison     2-24-16 

Scarlet    Road,    The — Fox     6-23-18 

Scarlet    Runner,    The^Greater  Vita    9-14-16 

Scarlet    Shadow,    The — Univ     2-23-19 

Scarlet  Trail,    The— St    Rgt    12-29-18 

Scarlet   Woman,    The— Pop.    P&P-Metro 6-8-16 

Scrambled  Wives — 1st  Natl    5-29-21 

Scrap    Iron — 1st    Natl    ., 6-5-21 

Scratch    My   Back — Gwyn    6-13-20 

Scream   in   the   Night,   A — Selzk 10-26-19 

Scuttlers,   The — ^Fox    12-19-20 

Sea    Flower,    The — Univ    12-29-18 

Sea'ed     Lips — Equitable     12-23-15 

Seal    of    Silence,    The — Vita    5-2-18 

Sea   Master,   The — American-Mutl    11-1-17 

Sea   Panther.    The— Tri 3-21-18 

Sea   Rider,    The — Vita    S-30-20 

Sea    Wolf,    The— F.    P.-L 5-23-20 

Secret    Code,    The — Tri     9-8-18 

Secret  Game,   The — Lasky-Prmt    12-6-17 

Secret    Garden.    The — Prmt    1-19-19 

Secret    Gift,    The — Univ    9-5-20 

Secret    Love — Bluebird     2-10-16 

Secret   of   Eve,   The — Pop.    P   &   P-Metro. .  .3-8-17 
Secret   of   the   Storm   Country — Talmadge- 

Se'ect 11-22-17 

Secret  of  the  Swamp,   The — Bluebird 7-20-16 

Secret     Service — Prmt-Artcraft     6-29-19 

Secret   Sin,  The — Lasky-Prmt    10-28-15 

Secret   S':rings — Metro    11-17-18 

Seeds   of   Vengeance — Selzk    11-14-20 

Seeing    It    Through— R.-C 2-15-20 

Seekers,    The — Red    F    7-6-16 

See    My    Lawyer — R-C    6-S-21 

Selfish    Woman.   The — -Lasky-Prmt    7-20-16 

Selfish    Yates — Hart-Artcraft     5-12-18 

Senator,   The — Equitable    12-23-15 

Sentimental   Lady,   The — Kleine-Edison    ..11-11-15 

Sentimental    Tommy — F.    P.-L 4-3-21 

Serpent,     The — Fox     2-10-16 

Serpent's    Tooth.    The — American-Mutl 6-7-17 

Servant  in   the   House — Film   Bk.   Of 8-22-20 

Servant  Question,   The — Select    6-27-20 

Service    Star,    The — -Gwyn    7-14-18 

Set     Free — Bluebird-Univ     12-8-18 

Seven  Keys  to  Baldpate,  The — Cohan-Art- 

craft     9-15-17 

Seven    Swans,   The — F.    P.-Prmt    1-3-18 

Seven     Years     Bad     Lu-k — R.-C 5-1-21 


143 


Review    Date 

Sex— Hdksn     3-21-20 

Sex  Lure,   The— Ivan-St.  Rgt   11-9-16 

Shackled — Paralta-Hdksn     6-9-18 

Shackles    of   Truth— American-Mutl    6-14-17 

Shadow  of  Doubt,  The— Equitable  4-13-16 

Shadow    of    Her    Past,    The — Pathe    Gold 

Rooster    8-3-16 

Shadow  of   Rosalie   Byrnes — Select    5-16-20 

Shadows — Gwyn    2-16-19 

Shadows    and     Sunshine — Balboa-Pathe. ...  11-9-16 

Shadows    of    Suspicion — Metro    2-9-19 

Shall   We  Forgive  Her?— Peerless-World.  10-18-17 

Sham— F.     P.-L 5-29-21 

Shame— Noble-Duplex-St    Rgt    11-29-17 

Shark     Monroe — Artcraft     7-7-18 

Shark,    The— Fox    1-11-20 

She— Fox    5-17-17 

She    Couldn't   Help    It— Realart 2-27-21 

Shell    Game,    The — Rolfe-Metro 3-21-18 

Shell     "43"— Ince-Tri     8-24-16 

She  Loves  and  Lies — Selzk   1-11  -20 

Sheltered    Daughters — Realrt    5-22-21 

Shepherd   of  the   Hills,   The— Wright-Ind.  .8-31-19 

Sheriff's    Son,    The— Prmt    4-6-19 

Sherlock   Holmes— Essanay-V.L.S.E 5-18-16 

Sherry— Pathe     5-30-20 

Shielding    Shadow,    The^Astra-Pathe    9-7-16 

Shifting    Sands — Tri     8-11-18 

Shine   Girl,    The — Thanhouser-Pathe    8-10-16 

Ship  of  Doom,  The — Tri 11-29-17 

Shipwrecked    Among    Cannibals — Univ     ....7-4-20 

Shirley     Kaye— C.K.Y.-Select     12-13-17 

Shocking    Night— Univ    1-16-21 

Shod   with   Fire— Fox    2-22-20 

Shoes— Bluebird      6-15-16 

Shoes    that    Danced — Tri     2-28-18 

Shop  Girl,  The— Vita- V.L.S.E 7-6-16 

Shore    Acres — Metro     3-28-20 

Should  a  Baby   Die? — ^Harris-Hanover 2-24-16 

Should  a  Wife  Forgive?— Equitable   12-23-15 

Shoulder   Arms — Chaplin-lst   Natl 10-30-18 

Show-Down,  The — Bluebird   8-16-17 

Shrine   of   Happiness,   The — Balboa-Pathe 

Gold    Rooster    2-24-16 

Shuttle,  The— Selzk-Select 3-14-18 

Sick  Abed— F.   P.-L 6-27-20 

Sign   Invisible,  The — Edgar    3-7-18 

Sign  of  the   Poppy,  The — Bluebird 12-17-16 

Sign    of   the    Spade,    The — American-Mutl.  .7-6-16 

Silas    Marner — Thanhouser-Mutl    2-17-16 

Silence  of  Martha,  The— Tri-Fine  Arts 3-16-16 

Silence   Sellers,   The — Pop   P   &  P-Metro. .  10-4-17 

Silent   Barrier — Hdksn    8-1-20 

Silent  Battle,  The— Bluebird   7-13-16 

Silent    Lie,    The — Fox    6-28-17 

Silent    Man,    The— Artcraft    12-6-17 

Silent    Master,    The— Rapf-Selzk    5-31-17 

Silent    Mystery,    The — Buston-Hiller    & 

Wilk    12-1-18 

Silent  Partner,  The— Lasky-Prmt 5-10-17 

Silent  Voice,  The — Quality-Metro    9-23-15 

Silent   Woman,   The — Metro    9-8-18 

Silk   Hosiery— F.    P.-L 2-13-21 

Silk    Lined    Burglar,    The — Univ    3-16-19 

Silks   and    Satins — F.    P.-Prmt    6-15-16 

Silver     Car,     The — Vita 6-5-21 

Silver   Horde,   The— Gwyn    5-16-20 

Silver  King,  The — Prmt-Artcraft   1-19-19 

Silver    Lining,    The — Metro    2-20-21 

Simple    Souls^— Pathe    5-16-20 

Sin— Fox     10-7-15 

Sinners — Realrt    3-21-20 

Sin  of  the  World,  The — United   3-30-19 

Sins  of  Rosanne — F.  P.-L 10-17-30 

Sin  that  Was  His,   The— Selzk   12-12-20 

Sin  Woman,   The— Baker-Hoffman-St  Rgt. 4-26-17 

Sin  Ye  Do,  The — Ince-Tri   12-7-16 

Single  Code,   The — Horsley-Mutl   4-26-17 

Sins  of  Ambition,  The— Ivan-St  Rgt 12-27-17 

Sins    of    Men,    The— Fox    5-18-16 

Sins  of  Society,  The— Brady-World   12-9-15 

Sins  of  the  Parents — Fox    12-14-16 

Sirens  of  the  Sea,  The — Universal-Jewel- 

St    Rgt    9-20-17 

Siren's    Song,   The — Fox    5-4-19 

Sis   Hopkins — Gwyn    3-9-19 

Sister   of   Six — Fine   Arts-Tri    10-12-16 

Sister  to  Salome,  A — Fox   7-11-20 

Six   Best  Cellars,   The— F.   P.-L 3-14-20 


Review    Date 

Six    Feet   Four — American-Pathe    8-31-19 

Six-Shooter    Andy — Fox    3-28-18 

Sixteenth   Wife,    The — Greater    Vita    5-17-17 

Skinner's   Baby — Essanay-K.E.S.E 8-2-17 

Skinner's    Bubble — Essanay-K.E.S.E 5-10-17 

Skinner's    Dress    Suit — Essanay-K.E.S.E     ..2-8-17 

Sky    Eye— Sol    Lesser-St    Rgt     1-11-20 

Skyfire— Ind-St    Rgt    1920 

Sky  Pilot,  The— 1st  Natl   4-24-21 

Skywayman,    The — Fox    9-5-20 

Slacker,    The— Rolfe-Metro    8-23-17 

Slam,    Bang    Jim — Pathe 4-18-20 

Slander — Fox     4-13-16 

Slave    of    Vanity,    A— R.-C 11-28-20 

Slaves   of   Pride — Vita    1-18-20 

Slave,   The— Fox    6-28-17 

Slave    Market,    The— F.    P.-Prmt    1-4-17 

Sleeping  Fires— F.   P.-Prmt   4-19-17 

Sleeping   Lion,   The — Univ    6-1-19 

Sleeping   Memory,   The — Rolfe-Metro    10-25-17 

Slim    Princess,    The — Gwyn    7-4-20 

Sloth— McClure-Seven    Sins-Tri    2-15-17 

Small    Town    Girl,    A— Fox     5-31-17 

Small    Town    Guy,    The — Essanay-Perfec- 

tion     12-13-17 

Small   Town    Idol— Assoc.    Prod    2-20-21 

Smart   Sex,   The— Univ    3-27-21 

Smashing    Through — Bluebird    6-9-18 

Smiling  All  the  Way— Schwab-St  Rgt 11-21-20 

Smouldering     Embers — Pathe     2-15-20 

Smugglers,   The— F.   P.-Prmt   8-24-16 

Snap    Judgment — American-Mutl    11-29-17 

Snares    of    Paris — Fox     11-30-19 

Snarl,  The — Tri-Kay   Bee    5-3-17 

Sneak,  The — Fox   6-8-19 

Snob,    The — Realrt    1920 

Snowbird,    The— Rolfe-Metro     5-11-16 

Snow  Blind — Gwyn   5-29-21 

Snow  White— Educ-St  Rgt 11-23-16 

Snow    White — F.    P.-Prmt    1-4-17 

Soap    Girl,    The— Vita    6-16-18 

Social     Ambition — Selexart-Gwyn     5-12-18 

Social  Briars — American-Mutl    6-2-18 

Social  Buccaneer,   The — Bluebird    10-5-16 

Social    Highwayman,    The-^— Peerless- World. 4-20- 16 

Social    Hypocrites — Rolfe-Metro    4-25-18 

Social    Leper,    The — Peerless-Brady- World.  3-15-1/ 

Social   Pirate,  The — World    5-11-19 

Social    Secretary,    The — Fine    Arts-Tri 9-7-16 

Social    Quicksands — Metro    6-23-18 

Society    Exile,    A — Prmt    8-24-19 

Society    for    Sale — Tri    4-25-18 

Society    Sensation,    A — Bluebird-Univ    ....10-6-18 

Society    Snobs — Selzk    3-20-21 

Sold   At  Auction — Balboa-Pathe    1-25-17 

Sold    for    Marriage — Fine   Arts-Tri    4-6-16 

Soldier's    Oath,    A— Fox    12-30-15 

Soldiers    of    Chance — Vita    9-6-17 

Soldiers  of  Fortune — Hdksn   11-16-19 

Solitary    Sin,    The — Solitary    Sin    Corp-St 

Rgt     6-29-19 

So   Long   Letty — R.-C 11-14-20 

Some  Boy— Fox   7-12-17 

Some    Bride — Metro    6-13-19 

Some    Liar — Russell-Pathe    5-11-19 

Someone    in    the    House — Metro    11-7-20 

Someone   Must   Pay — Graphic-St  Rgt    9-28-19 

Something    Different — Realrt    1-30-21 

Something   to    Do — Prmt    3-16-19 

Something  to  Think  About— F.  P.-L 10-24-20 

Somewhere  in  America — Rolfe-Metro    8-2-17 

Somewhere  ^in   France — Kane-St  Rgt 3-16-16 

Somewhere  in  France — Ince-Tri   11-9-16 

Somewhere    in    Georgia — Sunbeam-St  Rgt...  6-7-17 

Some  Wild  Oats — Cummings-St  Rgt 7-27-19 

Song  of  the   Soul — Gwyn    10-17-20 

Son   of  Erin,   A— Pallas-Prmt    11-2-16 

Song  of   Hate,    The — Fox    9-16-15 

Song  of  Songs,   The — Zukor- Artcraft    2-21-18 

Song  of   the    Soul,   The— Vita    3-14-18 

Son  of  His  Father,  The — Ince-Prmt 10-25-17 

Son  of  the  Hills,  A— Vita 6-28-17 

Song  of  the  Wage  Slave,  The— Pop.  P  &  P- 

Metro     ./10-14-15 

Son   of   the   Immortals,    A — Bluebird    5-11-16 

Sooner    or    Later — Select    3-21-20 

Sorrows   of   Happiness,    The— Lubin    3-2-16 

Sorrows    of    Love,    The — Ince-Tri    6-1-16 

Soul    Enslaved,    A — Univ    2-3-16 


144 


Review    Date 

Soul   for   Sale,   A — Jewel-Univ    5-26-18 

Soul   in   Pawn,   A- — American -Mutl    9-13-17 

Soul   in   Trust,  A— Tri    3-28-18 

Soul    Market,    The— Pop.    P    &    P-Metro 3-9-16 

Soul     Master,    The— Vita     5-31-17 

Soul    Mates — American-Mutl    S-18-16 

Soul   of   Broadway,   The — Fox    10-21-15 

Soul  of  Buddha,  The— Fox   5-19-18 

Soul  of  Kura  San,  The — Lasky-Prmt 11-9-16 

Soul  of  Youth,  The— Realrt   8-22-20 

Souls    Adrift— Peerless-World     9-6-17 

Soul's  Cycle,  The— Horsley- Mutl   2-17-16 

Souls    in     Bondage — Lubin- V.L.S.E 2-3-16 

Souls  Triumphant — Fine   Arts-Tri    5-24-17 

Soul  Without  Windows,  A— World    16-6-18 

Source,   The— Prmt    8-18-18 

Southern    Justice — Bluebird    5-24-17 

Sowers,    The — Lasky-Prmt    3-30-16 

Sowers   and    Reapers — Rolfe-Metro    5-24-17 

Sowing  the  Wind— 1st  Natl   1-16-20 

Spark   Divine,    The — Vita    6-15-19 

Speed    Maniac,    The— Fox    9-28-19 

Spellbound — Horkheimer-Knickerbocker- 

Genl     5-4-16 

Spell    of    the    Yukon,    The— Pop    P    &    P- 

Metro     5-25-16 

Spender,  The— Pathe  Gold  Rooster  10-7-15 

Spender,    The— Metro    1-5-19 

Spender-— Hdksn     1-9-21 

Sphinx,    The — Univ-Red    F    2-3-16 

Spider,    The— F.    P. -Prmt    2-10-16 

Spider   and    the    Fly,    The — Fox    6-1-16 

Spindle    of    Life,    The— Butterfly    9-27-17 

Spirit    of    Good,    The— Fox 7-11-20 

Spirit  of  Romance,  The — Morosco-Prmt. ..  .3-29-17 

Spirit  of  '17,   The — Morosco-Prmt   1-31-18 

Spitfire   of   Seville,   The — Univ    7-20-19 

Splendid    Hazard— 1st    Natl    9-26-20 

Splendid    Sin,    The— Fox    9-7-19 

Splendid    Sinner,   The — Gwyn    4-18-18 

Sporting   Blood — Fox    8-17-16 

Sporting    Chance,    A — Russell-American- 

Pathe     6-22-19 

Sporting   Chance,    A^Prmt    7-20-19 

Sporting   Duchess,    The — Vita    3-7-20 

Sporting    Life — Tourneur-Hiller    &    Wilk.  .9-22-18 

Spotlight    Sadie— Gwyn    4-20-19 

Spotted    Lily,    The — Bluebird     10-4-17 

Spreading   Dawn — Gwyn    11-1-17 

Spurs  of  Sybil,  The— Peerless-World    3-14-18 

Spy,  The— Fox- Standard   10-11-17 

Squandered  Lives— Stoll    12-19-20 

Square    Deal,    A — Peerless-Brady-World.  .  .2-15-17 

Square  Deal,  A — American-Mutl    6-16-18 

Square  Deal  Anderson — Artcraft    6-22-19 

Square   Deal   Man,   The — Ince-Tri    3-15-17 

Square    Deceiver,   The — Yorke-Metro    ....12-15-17 

Square   Shooter — Fox    6-8-20 

Squaw   Man,   The— De   Mille    1-12-19 

Squaw  Man's  Son,  The — Lasky-Prmt    8-2-17 

Stage    Struck— Fine   Arts-Tri     2-22-17 

Stain   in    the    Blood,   The— Signal -Mutl    ...4-27-16 

Stainless   Barrier,   The— Tri    10-25-17 

Star    Rover— Metro     11-14-20 

Starvation — Warren-Baker      1-18-20 

Station    Content — Tri    8-16-18 

Stealers,    The— R.-C 9-26-20 

Steel  King,  The — World    ll-3U-i9 

Stella   Maris — Artcraft    1-31-18 

Stepping   Out— F.    P.-L 10-5-19 

Stepping    Stone,     The — Kay     Bee-Tri     4-6-16 

Still    Alarm,    The— Selig-Pioneer-St   Rgt.  .  .8-25-18 

Still    Waters— F.    P. -Prmt    11-11-15 

Sting    of    Victory,    The — Essanay-V.L.S.E.. 8-10-16 

Stitch    in    Time,    A— Vita    4-27-19 

Stolen    Honor,    The — Fox    1-17-18 

Stolen    Hours — Peerless-World    1-10-18 

Stolen  Kiss,  The — Realrt 3-14-20 

Stolen    Magic — Keystone-Tri    10-7-15 

Stolen    Orders^-Brady    6-9-18 

Stolen   Paradise,   The— Peerless-World    6-21-17 

Stop    Thief— Gwyn    8-22-20 

Storm.     The— Lasky-Prmt     8-14-16 

Stormy    Knight — Bluebird     9-13-17 

Straight  is  the  Way— F. P.-L 2-27-21 

Straight    Way.    The— Fox    10-5-16 

Stranded— Fine    Arts-Tri     7-13-16 

Stranger  From  Somewhere,  A — Bluebird.  11-16-16 
Strange  Woman,  The — Victory-Fox 9-29-18 


Review    Date 

Street   Called    Straight,    The— Gwyn    3-14-20> 

Street   of    Seven    Stars,   The — Dietrich- 

Kenyon     S-26-18 

Streets  of  Illusion,  The — Astra- Pathe 8-16-17 

Strength   of   Donald    McKensie,    The — 

American-Mutl    8-10-16- 

Strength  of  the  Weak,  The— Bluebird 3-23-16 

Strictly   Confidential— Gwyn    10-12-19 

Strife   Eternal,    The— English-Mut!    12-2-15 

String   Beans — Prmt    12-15-18 

Stripped  for  a  Million — Kremer    9-7-19 

Stronger  Than   Death— Metro    1-18-20 

Stronger   Vow,    The— Gwyn    5-4-19 

Strongest,    The— Fox    2-8-20 

Strong   Way,    The— World    1-24-18 

Stronger   Love,   The — Morosco-Prmt    8-3-16 

Struggle,    The — World    Equitable 

Struggle  Everlasting,   The— Rapf-St   Rgt.  .  12-20-17 

Studio    Girl,    The— Select    1-31-18 

Submarine    Eye,   The — Williamson-Sub- 

marine-St    Rgt    6-21-17 

Submarine  Pirate,   The — Keystone-Tri    ...11-25-15 

Successful   i^dventure,  A — Metro    7-21-18- 

Successful    Failure,    A — Eastern   Tri 8-2-17 

Successful    Failure,    A— Tri     1-12-19 

Such  a  Little   Pirate— Prmt 10-13-18 

Sudden   Gentleman,   The— Tri    U-29-17 

Sudden    Jim— Kay    Bee-Tri    7-19-17 

Sudden    Riches— World    5-11-16. 

Suds— Un    Art    7-4-20 

Sultana,    The— Balboa-Pathe     11-23-1& 

Summer  Girl,  The— World   8-17-16 

Sunbeam.    The— Rolfe-Metro    12-14-16 

Sundown    Slim — Univ     9-26-20 

Sundown     Trail,     The— Univ     9-21-19 

Sunight's  Last  Raid— Vita 10-4-17 

Sunny    Jane— Balboa- Mutl    4-5-17 

Sunnyside — 1st   Natl    6-22-19 

Sunset    Jones — Pathe    4-24-21 

Sunset    Sprague — Fox    9-26-20 

Sunset  Trail,  The— Lasky    10-4-17 

Sunshine    Alley — Gwyn    11-15-17 

Sunshine    and    Gold— Balboa-Pathe    4-26-17 

Sunshine    Dad — Fine    Arts-Tri    3-30-16 

Sunshine    Nan — Zukor-Prmt     4-11-18 

Supreme  Passion,  The — Film  Market-St 

Rgt     3-6-21 

Supreme  Sacrifice.  The — Premo-World  ....3-16-16 
Supreme  Temptation.  The— Vita-V.L.S.E.  .3-23-16 
Susan     Rocks     the     Boat — Fine     Arts-Tri.  .  .6-1-16 

Susan's    Gentleman — Bluebird    3-15-17 

Susie    Snowflakes— F.    P.-Prmt    6-29-16 

Suspect,   The— Vita. -V.L.S.E 5-25-16 

Suspicion — Hoffman     12-1-18 

Swat   the    Spy— Fox    11-17-18 

Sweet  Alyssum—Selig- V.L.S.E 12-2-15 

Sweetheart   of   the    Doomed — Tri    4-19-17 

Sweet  Kitty  Bellaire — Lasky-Prmt 5-25-16 

Sweet   Lavender— Realrt 10-10-20 

Sylvia  of   the   Secret  Service — Astra- 

Pathe     11-15-17 

T 

Tale  of  Two  Cities,  A— Fox   3-15-17 

Tale    of    Two    Worlds— Gwyn    3-20-21 

Talk  of  the  Town,  The— Phillips-Univ 9-22-18 

Tangled    Fates— Peerless-World    5-18-16 

Tangled     Hearts— Bluebird     4-13-16- 

Tangled   Lives — Fox    5-3-17 

Tangled    Lives— Vita     6-30-18 

Tangled    Threads— B.B. R.-C.    Ex    Mutl    6-8-19 

Tarantula,    The— Vita- V.L.S.E 8-17-16 

Tar  Heel   Warrior,  The— Tri    10-11-17 

Tarnished     Reputations — Pathe     5-7-20 

Tarzan   of  the   Apes— Natl-St   Rgt   2-14-18 

Tattlers,    The— Fox    3-28-20 

Tavern   Knight— Stoll   1-20-21 

Tears  and    Smiles — La    Salida-Pathe    9-2"'-17 

Teeth   of  the  Tiger,   The— F. P.-L 10-26-19 

Te'l    it    to    the    Marines — Fox 11-9-18 

Tell-Tale    Step,    The— Edison-K.E.S.E.     ..5-31-17 

Temperamental  Wife,  A— 1st  Natl   9-28-19 

Temptation,    The — -Lasky    12-30-15 

Tempered    Steel — Petrova    6-50-18 

Temptation   and   the    Man — Red   F 7-6-16 

Tenderfoot,    The— Vita    12-6-17 

Ten   Dollar   Raise,   The — Assoc.    Prod 5-15-21 

Testimony — Stall      3-6-21 

Tennessee's  Pardner — Lasky-Prmt    2-10-16 


145 


Review    Date 

Terror  Island— F.    P.-L 5-2-20 

Terror,     The — Fox     5-23-20 

Terror,  The— Red   F 2-15-17 

Testing   Block— F.    P.-L 12-12-20 

Test   of   Honor,   The— Prmt    4-13-19 

Texan,    The— Fox    1920 

Thais— Gwyn      1-3-18 

That   Devil    "Bateese" — Bluebird-Univ 9-1-18 

That    Something— Herman-St    Rgt    1920 

That    Sort— Essanay-V.L.S.E 6-15-16 

Their    Compact— Rolfe-Metro     9-27-17 

Then    I'll   Come   Back   to    You — Frohman- 

World     4-6-16 

Thief,    The— Fox    12-5-20 

Thieves,   Fox    11-2-19 

Thieve's    Gold— Butterfly     3-28-18 

Things    Men    Do — Schlesinger-St    Rgt     1920 

Things  We  Love,  The — Lasky-Prmt 4-4-18 

Thin  Ice— Vita   5-18-19 

Third  Degree,    The— Vita    5-11-19 

Third     Generation,     The— R.-C 1-25-20 

Third  Kiss,    The— F.    P.-L 8-24-19 

Third  Woman.    The— R.-C 3-21-20 

Thirteenth     Chair,     The— Acme-Pafthe 8-24-19 

Thirteenth    Commandment — F.    P.-L    3-15-20 

Thirty    a    Week— Gwyn 11-17-18 

39     East— Realrt     9-19-20 

Thirty     Thousand     Dollars— Hdksn 2-22-20 

This    Hero     Stuff— Russell-Pathe 7-27-19 

Thoroughbred,   The — American- Mutl    1-20-16 

Thoroughbred,   The— Ince-Tri    8-24-16 

Those    Who    Pay— Ince    2-28-18 

Those    Who    Toil— Lubin-V.L.S.E 

Those  Without   Sin— Lasky-Prmt    3-8-17 

Thou    art    the    Man— F.    P.-L 6-6-20 

Thou    are   the    Man— Vita 12-23-15 

Thoughtless    Women — Pioneer     11-21-14 

Thousand   to   One — Assoc.    Prod 12-26-20 

Thou    Shalt    Not    Covet— Selig-V.L.S.E 2-3-16 

Thousand    Dollar    Husband,    The — Lasky- 
Prmt     6-1-16 

Threads   of   Fate — Columbia-Metro    2-1-17 

Three  Black     Eyes— Tri      9-14-19 

Three  Godfathers,     The— Bluebird     6-8-16 

Three  Gold    Coins— Fox    7-4-20 

Three   Green    Eyes— World     4-20-19 

Three  Men     and     a     Girl — Prmt 4-6-19 

Three    Mounted    Men — Carey-Univ    11-24-18 

Three   of  Many— Ince-Tri   12-7-16 

Through   Eyes    of    Men— Radin     3-28-20 

Through    the    Back    Door— Un    Art 5-22-21 

Through   the     Toils— World      6-8-19 

Through     the     Wall— Greater     Vita 9-28-16 

Through   the   Wrong   Door — Gwyn    7-27-19 

Thrown    to    the    Lions — Univ-Red    F 4-6-16 

Thunderbolt,    The— 1st    Natl    11-23-19 

Tidal     Wave-Stoll      2-27-21 

Tides    of    Barnegat.     The — Lasky-Prmt 4-19-17 

Tiger-Lily,    The — American-Pathe    7-20-19 

Tiger    Man,    The — Hart    Artcraft 4-25-18 

Tiger's     Cub— Fox     10-3-20 

Tiger    True — Univ     1-23-21 

Tiger  Woman,  The — Fox 3-1-17 

Ti'I    I    Come    Back    to    You— Artcraft 9-1-18 

Til'ie    Wakes    Up— Peerless-World ..1-25-17 

Time    Locks   and   Diamonds — Kay   Bee-Tri    7-12-17 

Tin  Pan  Alley— Fox   12-28-19 

Tinsel— World     7-14-18 

Toast  of   Death,   The— N.    Y.   M.    P. -Mutl.  .9-9-15 

Toby's    Bow— Gwyn     12-28-19 

Today— Today    Film    Corp. -St    Rgt    8-9-17 

Todd   of  the   Times— Brunton-Pathe    1-26-19 

Together— Bluebird-Univ      10-13-18 

To  Have   and   to   Hold — Lasky-Prmt 3-9-16 

To   Hell   with   the  Kaiser— Metro    7-7-18 

To  Him   that   Hath— World    9-29-18 

To   Honor  and   Obey— Fox    8-9-17 

Tokio    Siren,    A — Univ    6-13-20 

Told    at    Twilight— Balboa-Pathe 3-16-17 

Told    in     the    Hills— Prmt-Artcraft 8-10-19 

Tomboy,    The— Fox     1920 

Tnm     Sawyer — Morosco-Prmt     12-13-17 

Tong    Man,    The— R.-C 12-14-19 

Tongues    of    Men,    The — -Morosco-Prmt.  ...  1-27-16 

Tony  America — Tri    10-6-18 

Too    Fat    to    Fight— Gwyn     12-8-18 

Too     Many     Crooks — Vita 6-8-19 

Too   Many    Millions — Prmt    12-22-18 

Too    Much    Johnson— F.     P.-L 2-22-20 


Review   Date 

Too    Wise     Wives — F.P.-L 5-22-21 

To     Please     One    Woman — F.P.-L 1-2-21 

Torrent,     The — Univ     1-21-20 

Tortured    Heart.    A — Fox    8-10-16 

Tortured    Silence,    The — French-Pathe 10-11-17 

To  the    Death— Pop    P&P-Metro    8-30-17 

To    the    Highest   Bidder — Vita    7-21-18 

T'OJier    Dear   Charmer — World    9-15-18 

Tower- of   Jewels,   The^Vita 1-11-20 

Toys  of   Fate — Screen  Classics-Metro    5-9-18 

Traffic  Cop.  The — Thanhouser-Mutl   4-6-16 

Trail    of    the    Lonesome    Pine,    The — Lasky- 
Prmt     2-24-16 

Trail    of    the    Shadow.    The — Rolfe-Metro. .  7-12-17 

Trail   to   Yesterday,   The — Metro   5-12-18 

Trap,     The — Peerless-World     5-2-18 

Trap,   The — Univ    8-24-19 

Traveling    Salesman,    The — F.    P.-L 5-1-21 

Traveling  Salesman,  The — F.  P. -Prmt  ....12-21-16 

Treason — Bluebird      5-10-17 

Treason — Mutual    10-26-18 

Treasure     of    the     Sea,    The — West    Coast- 
Metro     5-2-18 

Treasure     Island — Fox     1-24-18 

Treasure    Island — F.     P.-L 4-18-20 

Treat    'Em    Rough— Fox    12-15-18 

Tree  of  Knowledge,  The— F.  P.-L 1-18-20 

Tremb'ing   Hour,   The — Univ    10-19-19 

Trick    of    Fate,    A — A.    B.-Ex.    Mutl 2-23-19 

Triflers,  The — Univ   1-11-^0 

Trilby— Equitab'e-World    9-9-13 

Trip   to   Mars,   A— Tower-St  Rgt 5-30-20 

Triumph    of    the    Weak,    The— Vita 5-12-18 

Triumph  of  Venus,  The — Victory-St  Rgt.. 3-14-18 
Trixie     from     Broadway — American-Pathe.  .6-8-19 

Trouble    Buster,    The — Pallas-Prmt    10-18-17 

Truant  Husband — Hdksn 10-10-20 

Truant    Soul,    The — Essanay-K.E.S.E 1-25-17 

True    Blue — Fox-Standard    6-2-18 

True    Heart    Susie — Artcraft    6-8-19 

True     Nobility — American-Mutl      3-6-16 

Trufflers,     The— Essanay-K.E.S.E 5-31-17 

Trumpet    Island— Vita    10-17-20 

Truth,    The — Gwyn    8-29-20 

Truth  About  Husbands — 1st  Natl   12-19-20 

Turmoil,    The — -Columbia-Metro    1-13-16 

Turning    the    Tables — F.    P.-L 11-9-19 

Turn  of  a  Card,  The— Paralta-Hdksn 1-31-18 

Turn  of  the   Road,   The— Vita-V.L.S.E.    ..11-18-15 

Turn    of    the    Wheel,    The — Gwyn     9-8-18 

'Twas     Ever     Thus — Bosworth-Prmt 9-30-15 

Twelve    Ten— Select    12-28-19 

Twenty-One — Anderson-Brunton-Pathe  . .  .4-8-18 
Twenty    Thousand    Leagues    Under    the    Sea 

—Univ     1-11-17 

Twenty-Three    and    a    Half    Hour's   Leave 

F.    P.-L 11-2-19 

Twilight — De   Luxe-Sherry    3-2-19 

Twin   Beds — 1st    Natl    11-7-20 

Twin     Kiddies — Balboa-Pathe     1-11-17 

Twins  of   Suffering  Creek — Fox    6-20-20 

Twin  Triangle,  The — Ba'boa-Equitable.  . .  .  5-1S-I6 
Two  Bit  Seats — Essanay- Perfection  ....11-15-17 
Two   Edged    Sword.   The— Vita- V.L.S.E.    ..3-30-16 

Two   Kinds    of     Love — Univ     12-26-20 

Two    Men  and  a  Woman — Ivan-St  Rgt 2-22-17 

Two    Moons— Fox     1-2-21 

Two  Orphans,    The — Fox    9-16-15 

Two  Weeks— 1st    Natl     2-1-20 

Tyrant    Fear — Ince-Prmt     4-25-18 

U 

Unattainable,     The — B'uebird     8-24-16 

Unbeliever,    The— Edison     2-28-18 

Unbroken    Promise,    The — Sunset-Tri     ....7-13-19 

Uncharted   Channe's — R.-C 6-13-20 

Uncharted  Seas — Metro    4-17-21 

Unchastened   Woman,    The — Riolto-St   Rgt.. 5-2-18 

Unclaimed     Goods — Lasky-Prmt      5-2-18 

Uncle    Sam    of    Freedom    Ridge — -Levey.  ...  10-3-20 

Uncle     Tom's     Cabin— Prmt     7-7-18 

Unconquered — Lasky-Prmt      5-24-17 

Under    Cover— F.     P. -Prmt     7-27-16 

Under  Crimson     Skies — Univ     6-6-20 

Undercurrent,    The — Select    12-7-19 

Under  Handicap — Yorke-Metro     9-20-17 

Under   Northern     Lights — Univ     7-25-20 

Under  Southern    Skies — Univ    9-16-15 

Under   Suspicion — Univ     11-23-19 


146 


Review   Date 
Under  the    Greenwood    Tree — Artcraft    ..12-15-18 

Under  the   Top— Artcraft    1-12-19 

Under  the     Yoke— Fox     6-23-18 

Undertow,     The — American-Mutl     11-2-16 

Under  Two    Flags— Fox    8-3-16 

Undine— Bluebird     2-17-16 

Undying  Flame,  The — Lasky-Prmt 5-31-17 

Uneasy     Money — Essanay -Perfection     2-7-18 

Unexpected    Places — Metro    10-13-18 

Unfaithful    Wife,    The— Fox    12-16-15 

Unforeseen,    The — Empire-Mutl    11-1-17 

Unfortunate    Sex,    The— Gerston-St    Rgt.  .  10-31-20 

Unknown,  The — Lasky 12-16-15 

Unknown    Love,    The— Perett-Pathe    4-13-19 

Unknown    Quantity,    The — Vita 4-6-19 

Unknown    274— Fox    12-27-17 

Unknown    Wife,     The — Univ     3-20-21 

Unpainted    Woman,    The — Univ     5-4-19 

Unpardonable     Sin,    The — World 3-16-16 

Unpardonable    Sin,    The — Garson-Neilan-St 

Rgt     3-23-19 

Untamed— Tri    9-1-lS 

Untamed,    The — Fox 8-29-20 

Until    They    Get    Me— Tri    12-27-17 

Unto     Those     Who     Sin— Selig-V.L.S.E 3-8-16 

Unveiling    Hand,    The— World    3-2-19 

Unwelcome    Mother,     The — Fox 9-7-16 

Unwritten    Code,    The — World    5-4-19 

Unwritten    Law,    The — Calif    M.    P 1-20-16 

Upheaval,    The— Rolfe-Metro     9-14-16 

Up   in    Marv's   Attic— Fine    Arts-St   Rgt 8-1-20 

Uplifters,    The— Metro     6-29-19 

Up    or    Down^Tri    11-1-17 

Upper    Crust,     The — American-Mutl     7-5-17 

Up  Romance  Road — Mutl    6-30-18 

Upside    Down— Tri    6-15-19 

Upstairs — Gwyn      8-31-19 

Upstairs     and     Down — Selzk-Select     6-15-19 

Upstart,    The— Rolfe-Metro    2-10-16 

Up   the    Road   with    Sallie— Selzk-Select 4-25-18 

U.    P.    Trail- Hdksn     11-7-20 

Usurper,    The— Vita    4-20-19 

V 

Vagabond    Luck — Fox     11-30-19 

Vagabond   of   France.   A — Pathe    1-12-19 

Vagabond    Prince,    The — Ince-Tri    9-28-lfe 

Valentine  Girl.   The— F.   P.-Prmt 5-10-17 

Va'iants  of   Virginia,   The — Selig-V.L.S.E.    6-29-16 

Valley  of  the  Giants,  The — F.  P.-L 9-14-19 

Valley  of  Tomorrow,  The— Pathe 1-18-20 

Vamn.    The — Ince-Prmt    7-21-18 

Vani'y — Pop    P&P-Me'ro     1-11-17 

Vanity    Fair — Edison-K'eine     10-14-15 

Varmint,     The — Lasky-Prmt     9-13-17 

Veiled    Adventure,    The — Select    5-11-19 

Vei'ed    Marriage,    The — H'mark    3-14-20 

Velvet    Hand,    The — Bluebird-Univ     10-6-18 

Velvet    Paw,    The — Paragon-Brady- World    8-31-16 

Vengeance — World     5-26-18 

Vengeance    is    Mine — Horsley-Mutl     1-27-16 

Vengeance    is    Mine — Astra-Pathe    12-6-17 

A'engeance   of   Durand — Vita    12-14-19 

"^'enus  in   the    East — Prmt   1-26-19 

"enus    Model,    The — Gwyn     6-23-18 

''era    the    Medium — Gordon    F.     Co 1-4-17 

Very   Idea,  The — Metro    2-22-20 

^'i-^    Wire'ess — Pathe    Gold    Rooster    9-23-15 

Vicar    of    Wakefield,    The — Thanhouser- 

Pathe    3-8-17 

^'i-e   of  Too's — Vita    11-14-20 

Vickey    Van — -Prmt    3-23-19 

Victim,    The — Fox    1-18-17 

Victoria  Cross,  The — Lasky-Prmt    12-14-16 

Victory — F.     P.-L 12-7-19 

Victory    of    Conscience,    The — Lasky-Prmt    8-31-16 

Victory    of    Virtue,    The — Exclusive    12-2-15 

Village    Scandal,    The— Keystone-Tri     11-8-15 

Village    Sleuth— F.    P.-L 9-19-20 

Virgin    of    Stamboul,    The — Univ     2-29-20 

Virtuous    Men — S.L 4-13-19 

Virtuous    Model,    The — Pathe    9-28-19 

Virtuous    Sinners— Pioneer     5-18-19 

Virtuous   Thies,    The — F.    P.-L 9-21-19 

Virtuous  Vamp,   The — 1st   Natl   11-30-19 

Virtuous   Wives— 1st    Natl    1-3-19 

Vital    Question,    The — Vita-V.L.S.E 4-6-16 

Vive    La    France — -Ince-Prmt     9-29-18 

Viviette — Lasky-Prmt     6-2-18 


\r-  rru       T-  Review  Date 

Vixen,  The — Fox   12  7  16 

Voice  of  Destiny,  The— Diando-Pkthe! !!  ie- 16-18 
Voices — Kremer-St     Rgt     ...  10  3  20 

Volcano,  The— Raver-Hdksn-Pkthe! '.'.'.".  's-u'-ig 
Vultures    of    Society— V.L.S.E 2-10-16 

W 

Wager,    The— Rolfe-Metro    11   ?1  i/; 

^J^^^i*"     Tracks— Prmt-Artcraft     ...'.:.'."   8-I7!   9 

Waifs,    The— Kay    Bee-Tri    .  4  rt  ifi 

Waifs-Astra- Pathe     ....!. y^±]t 

^allop'^Th^uIl^-:^"^'^*-^--  •  •    •  •  •  t    ■ 
Wall    Street    Tragedy,    A-MiVror'-Muif  ' !  is-l'^ie 
Wanted     a     Home— Bluebird     ....  9  01   \f, 

Wanted— A  Husband— F.  P  -L  1?  ^i    10 

Wanted-A  Mother-Peerless'- WoVld' '  ! ! !  .4.4;  8 
Wanted    at    Headquarters— Univ     ....  10-10-20 

Wanted    for    Murder-Rapf 2  ?2  18 

War  Bndes-Brenon-Selzk „   j^'   ! 

War  Bride's  Secret,   The-Fox  WV    10  it  it 

Warfare  of  the  Flesh,  The-War'n-St  Rgt  4-26-  7 
W'nfn';'   *^f    Wr'"TThanhouser-Path'e    9-13-} 

yvarning,!  he— Equitable     12-16-lS 

War   of  the   Tongs,    The— Red   F....  9.    5  ,7 

Warrior     The— Itala-Raver-St    Rgt         ""726/7 

VVasp.  The-Peerless-World   .  . .    .^  .  .  ] Jin'   o 

VVasted  Years,  The— Horsley-Mutl  "    f,  99  \1 

w''"''A^^'^"r'"^?^'^'-^^^h^'-^-^^wy„ .  :::::::•  2  ilo 

Wax   Model,   The-Pa'las-Prmt Ig.f; 

Way     Down     East— GriflBth     ' '  '  '  Q^l  9  90 

Way  of  a   Man    With   a   M.-,id,    The-P^t     1  i^ig 

Way    of   a    Woman,    The-Select    8-3-9 

w""^    °f    the    World,    The^Red    F...  6  4-   6 

W^^  ,S"''  The-Peerles.-World  ...  ::4-U-8 
Way   Women  Love— LyrV-St    Rgt    ...  2-3-91 

Weaker    Vessel,    The— Univ 6.8  19 

Weakness  of  Man,  Th.-Brady-World: ! .' if  13-  6 
Weakness     of     Strengtn,     The— Pop.     P&P- 

Metro     ^  9  9-11/; 

^^MeTro°^   ^'^^"'''   ^^-Rolfe- West   Coast- 
Weavers  of'  Life;  'Th'e-War'r'en-'St  'Pg't ' .'  [itltl? 

w'^u    °1    Chance,    The— Fox     ^  2-21     9 

w'k  °/  Deceit,  T'ie-Pathe  .  .  .  .  .  '  ' '  i  4:30 
W?  Can^t"  Hi  T)-e-Peerless-Brady-Wo'r]d'll-17 

w;d>o?k"-^Pa?ri;^.H';,rs;^^'^.'".^-^^^--^^-  -,',1-11 

Welsh  Singer  A-English-Mutl'  ':::::: :  :7;24-  6 
We    Should    Worry— Fox    6  1o     S 

W^r^s' We^? V"'"'P^°"-"'^'^^"  "■••••  •'-'°-'' 
west     IS     We't — Univ     1 1    9«  on 

W^r^^^S    The-Fine    Arts-fr'i"  !  1 !  1 !  !    sltie 

What    Am    I    Bid— Univ    ^'g-   o 

Whatever  the  Cost-Plaza-Hdksn.  ....':.' .'  io-6-  8 
w^^'  J^'^'y  Woman  Knows— F.  P  -L  3-6-91 
What  Every  Woman  Learns-F.  P.-L.  .';  {6-26-19 
What     Every    Woman     Wants-Hampton- 

R.-C.-Lx   Mutl    4  ?n  10 

W^t_..J^aPPened     in     22-Fr'o'h'man'-B'r'a'dy-' 

uru^'l  S^PI'^^ned'  to'  Fat'h'e'r— Vita'-V.'L.'s'.'E  ■^2?9;iS 

What   Happened   to  Jones— F.   P.-L 8-15-20 

What  Happened  to   Rose— Gwyn   ....              4-7-21 

What  Love    Can    Do-Red    F   . .  . !  .        '. ! ! !  Vj  .jg 

Whar    Love    Forgive^— World    1-19     0 

w^''>  ^r'^^i.^'"  worh-R.-c :::."4-n.9, 

Wh,-s    Wor-.h    Whi-e?-F.     P.-L 19'0 

^T-,1'^','^  ,\°"''  Husband  Doing?— F.  P -L  "9'-,S-20 
that's    Your    Hurry— F.    P.-L  s"??  90 

Wh'!    .!;y"'     P^""'^     Say  F-Me't^o'. '. '. '. '. '. '. '.  '.'S'-ie 

x^u""  )^°'"^"    Love— 1st    Natl 8-15-20 

wu^'  ■,^°"'^"  W'"   Do— Pathe 2-3-21 

What  Would  You  Do?-Fox 1-25-20 

What    You    Coin-    To    Do    About    j^pH- •  •  ^  ^^  20 

Editorial      9fii7 

Wheels  of  the  Law,   The^Rolfe-Met^o: ! !  :9-28-  6 

When   a     Man    Loves— Vita 1-18-20 

When    a    Man    Rides   Alone-American- 

^athe     lo  oo  io 

What  a   Woman    Sins— Fox". :::  i: '. 9  iSll 

When  Baby  Forgot-Lasalida-Pathe 'i  ".i '.i  .6-7-  7 
When  Dawn  Came— Prod.  Scurity-St  Rgt  12-26-20 
When   Do    We     Eat  ?-Ince-Prmt     .  . .  _  .    Il  4-18 

When   False    Tongues    Speak— Fox 10-4-7 

When   Fate     Divides— Fox      5  25     9 

When   Love    is    King— Edison-Kleine.  .'.'.'.' 12-17-16 


147 


Review   Date 

When  Men  Are  Tempted — Vita 1-3-18 

When   Men     Betray — Ivan-Graphic     6-2-18 

When    Men   Desire — Fox   3-9-19 

When  the    Clouds   Roll    by — Un   Art 1-4-20 

When  True     Love     Dawns — French-World.  .8-2-17 

When  We    Were    Twenty-One — Pathe     1-9-21 

Where    are    My    Children? — Univ    4-20-16 

Where  Bonds  are  Loosed — Waldorf-St  Rgt.. 8-3-19 
Where  is   My  Father? — Exclusive-St   Rgt   10-12-16 

Where    Love    Leads — Fox     9-21-16 

Where  the  West  Begins — American-Pathe.  .3-16-19 

Which  Woman — Univ 6-16-18 

While    New    York    Sleeps — Fox. 8-1-20 

While    the    Devil    Laughs — Fox 1920 

Whip,   The — Paragon-St   Rgt 4-26-17 

Whirl   of   Life,   The— Cort 12-2-15 

Whirlpool,    The — Select     7-7-18 

Whirlpool    of    Destiny — Red    F 8-31-16 

Whispering  Chorus,  The — DeMille-Artcraft  3-28-18 

Whispering     Devils — Equity     1920 

Whispering    Smith — Signal-Mutl     6-8-16 

Whisper    Market,    The — Vita 8-29-20 

Whispers — Select     7-4-20 

Whistle,    The— F.    P.-L ..4-3-21 

White    Circle,    The— F.     P.-L 8-29-20 

White    Heather,    The— Tourneur-Hiller    & 

Wilk     5.J1.J9 

White   Lies — Fox    6-6-20 

White     Lie,     The— Paralta-Hdksn      .......  .g-l-lS 

White    Man's    Chance,    A— Brunton-Hdksn- 

Pathe      8-17-19 

White  Man's  Law,   The— Lasky-Prmt    . ! !        5-2-18 

White  MoU,    The— Fox 7-18-20 

White  Pearl,   The— F.   P.-Prmt    !  10-14-15 

White  Raven,     The— Rolfe-Me'ro     1-25-17 

White   Rider,     The — Masterpiece-St     Rgt.. 8-22-20 

White   Rosette,    The— American-Mutl    2-3-16 

White-Washed    Walls— Hampton    .3-9-19 

White  Youth — Univ    12-19-20 

Whither  Thou   Goest? — Samwick-St   Rgt    ..7-26-17 

Who   Cares? — Select      1-19-19 

Who  Goes    There?— Vita     !'.'.!!'.!  12-6-17 

Who   Killed     Walton? — Tri     .!4^25-18 

Who  Knows? — Bernstein     12-6-17 

Whom   the   Gods    Destroy— Greater    Vita.' .' 12-14-16 

Who's     To     Blame? — Tri     5-19-18 

Who's  Your  Brother?— Curtiss- St  Rgt. !!!  11-26-19 
Who's  Your    Neighbor? — Master-St    Rgt    ..6-21-17 

Who's    Your   Servant? — R.-C 3-14-20 

Who    Will    Marry    Me?— Univ !'.l-26-19 

Why   America    Will    Win — Fox ^9-29-18 

Why   Change   Your  Wife? — F.    P.-L.  ..!!!!.  5-2-20 

Why  Germany  Must  Pay — Metro 1-19-19 

Why  I   Would  Not   Marry— Fox !.!!!  11-24-18 

Why    Smith    Left    Home— F.    P.-L 11-2-19 

Why    Trust   Your    Husband— Fox    .'!  1-30-21 

Wicked     Darling,     The — Univ     2-2-19 

Widow    by     Proxy— F.     P.-L 10-5-19 

Widow's    Might,    The— Lasky-Prmt    1.2-7-18 

Wife    By    Proxy,    A— Columbia-Metro    ...    1-18-17 

Wife    He    Bought,    The— Bluebird    2-14-18 

Wife    No.    2— Fox     8-16-17 

Wife    on    Trial,    A— Butterfly '.'..'.'..  .8-9-17 

Wife's    Sacrifice,    A — Fox    3-30-16 

Wild    and     Wooly— Fairbanks-Artcraft     . '. '    7-5-17 

Wildcat,    The— Balboa- Mutl     5-3-17 

Wilderness  Trail,  The — Fox   7-13-19 

Wild  Girl,  The— Tanguay- Weber-Select!.  11 -8- 17 
Wild  Girl  of  the  Sierras,  A— Fine  Arts-Tri  6-15-16 

Wild  Goose,   The— F.   P.-L 5-15-21 

Wild  Honey — DeLuxe-Sherry    12-2^-18 

Wild    Life— Tr(i      8-25-18 

Wild   Oats— Kleine-Edison      1-27-16 

Wild   Primrose — Vita      8-11-18 

Wild   Strain,  The— Vita   1-24-18 


Review   Date 

Wild   Sumac — Tri     10-11-17 

Wild  Winship's    Widow — Kay    Bee-Tri     ..5-31-17 

Wild  Women — Butterfly-Tri     3-7-18 

Wild   Youth — Blackton-Prmt      3-28-18 

Winding  Trail,   The — Rolfe-Metro    1-24-18 

Willow    Tree,    The — Metro     1-11-20 

Winchester    Woman,    The — Vita     11-16-19 

Wine    Girl,    The— Bluebird    4-4-18 

Winged    Idol,    The— Kay    Bee-Tri     11-25-15 

Wing    Toy— Fox    2-13-21 

Wings   of    the    Morning— Fox    12-7-19 

Winner  Takes  All— Bluebird-Univ   7-21-18 

Winning     Girl,     The— Prmt     3-9-19 

Winning   Grandma — Diando-Pathe    8-11-18 

Winning    of    Beatrice,    The — Metro 5-26-18 

Winning    of    Sally    Temple,    The — Lasky- 
Prmt     2-22-17 

Winning   Stroke,   The— Fox    10-5-19 

Wise   Fool,   A— F.   P.-L 6-5-21 

Wishing    Ring    Man,    The — Vita     3-2-19 

Witching  Hour,  The— F.  P.-L 3-6-21 

Witch,    The— Fox     3-9-16 

Witchcraft— Prmt     10-26-16 

Witching    Hour,    The — Frohman     11-30-16 

Witch    Woman,    The— Peerless-World    4-25-17 

With     Hoops    of     Steel— Paralta-Hdksn 5-12-18 

Within    the    Cup— Paralta-Hdksn     3-21-18 

Within   the   Law— Greater   Vita 5-17-17 

Without  Honor— Tri    12-20-17 

Without   Limit— Metro    2-2-21 

Witness  for  the  Defense,  The— F.  P.-L 9-28-19 

Wits    vs.    Fits— Hlmark    6-6-20 

Wives  and   Other  Wives — American-Pathe   12-8-18 

Wives   of   Men — Pioneer    9-1-18 

Wolf.    The— Vita    8-10-19 

Wo'f   and    His    Mate,    The— Butterfly 12-6-17 

Wo'f   Lowry — Kay    Bee-Tri    6-7-17 

Wolf     of     Debt,     The— Univ 9-30-15 

Wolf   Woman,   The— Ince-Tri    8-31-16 

Wolves  of  the  Border— Tri 5-12-18 

Wolves   of    the    Night— Fox    7-27-19 

Wolves    of   the    North — Univ 5-15-21 

Wolves   of   the   Rail— Artcraft    1-17-lS 

Woman— Hiller  &  Wilk   11-3-18 

Woman     Alone,     A— Peerless-Brady-World     1-4-17 
Woman    and    the    Beast,    The — Graphic-St 

Rgt     12-13-17 

Woman    and    Wife— Select     1-17-18 

Woman   and    the    Law — Fox    3-28-18 

Woman   and  the   Puppet,  The — Gwyn    4-11-20- 

Woman     Beneath,    The— Peerless-World.  .  10-25-17 

Woman    Between   Friends,  A— Vita 2-28-18 

Woman   Game,    The— Select    3-14-20 

Woman    Gives.   The— 1st   Natl    4-18-20 

Woman    God    Changed,    The— F.    P.-L 6-5-21 

Woman    God    Forgot,    The— Artcraft 11-8-17 

Woman    God    Sent,    The— Select    7-18-20 

Woman  He  Chose,  The— Mickey-St  Rgt.  .11-23-19 

Womanhood — Vita    4-5-17 

Woman    in    47,    The — Frohman-Equitable.  .2-17-16- 

Woman   in   His   House,   The— 1st  Natl    9-15-20 

Woman  in  Politics,  The — Thanhouser-Mutl  1-20-16 

Woman   in   Room    13,   The^Gwyn    4-11-20 

Woman   in  the   Case,  The — F.   P.-Prmt 8-10-16 

Woman   in   the    Suitcase,  The— F.    P.-L 1-18-20 

Woman  in  White,  The— Thanhouser-Pathe  6-28-17 
Woman   Michael   Married,  The — B.    B.-R.- 

C.-Ex.    Mutl    7-27-19 

Woman   Next  Door,   The — ^Kleine-Edison    ..9-9-lS 

Woman   of   Impulse,   A — Prmt 9-22-18 

Woman    of    Lies — World     11-2-19 

Woman  of   Pleasure — Pathe    9-14-19 

Woman    of    Redemption,    A — World    6-30-18 

Woman  on  the  Index,  The — Gwyn   3-30-19 

Woman   Pays,   The — Rolfe-Metro    11-25-15 

Woman's  Awakening,   A — English-Mutl    ..11-23-16 


148 


Review   Date 
Woman's    Awakening,    A — Fine    Arts-Tri.  .3-29-17 

Woman's   Business,    A— Jan5-St    Rgt 8-1-20 

Woman's     Experience,     A — Bacon-Backer.  .9-29-18 

Woman's    Fight,    A— Pathe    8-31-16 

Woman's    Fool,    A — Carey-Univ     8-4-18 

Woman's    Honor,    A — Fo.x     6-15-16 

Woman's  Law,  The — Arrow-Pathe   3-30-16 

Woman's  Man,  A — Arrow -. 6-13-20 

Woman's   Past,   A— Fo.k    12-9-15 

Woman's    Power,    A — World     3-2-16 

Woman's    Way,    A— Brady-World    8-10-16 

Woman    the    German    Shot,    The — Plunkett 

&     Carroll     11-2-18 

Woman   There  Was,   A— Fox    6-8-19 

Woman    Thou    Gavest    Me,    The — Prmt-Art- 

craft      6-15-19 

Woman   Under  Cover.  The— Univ    9-14-19 

Woman    Under    Oath,    The — Tribune-Pic.  .6-22-19 

Woman   Untamed — McGovern-St    Rgt    10-31-20 

Woman  Who  Dared,  The— Calif  M.   P.  Co  7-20-16 
Woman   Who   Gave,    The— Standard-Fox.  .  10-20-18 

Women   Men   Forget — Un    Pic   3-14-20 

Women   Men   Love— Bradlev-St   Rgt    1-23-21 

Wonderful    Adventure.    A — Fox    9-30-15 

Wonderful     Chance— Selzk     10-3-20 

Wonder    Man,    The— R.-C 6-6-20 

Wooden     Shoes— Kav     Bee-Tri 8-30-17 

Wood    Nymph,    The— Fine    Arts-Tri    1-13-16 

Wooing    of    Princess    Pat,    The — Vita 2-21-18 

World    Aflame.    The— Pathe     8-3-19 

World    Against    Him,    The — Paragon-Brady- 
World     12-21-16 

World   and    His  Wife,   The— F.   P.-L 7-18-20 

World   and   its  Woman,   The — Gwyn 9-21-19 

World  and  the  Woman,  The — Thanhouser- 

Pathe      11-2-16 

World    of   Folly,   A— Fox    6-13-20 

Worlds   Apart— Selzk    2-27-21 

World's   Great   Snare,    The— F.    P.-Prmt 7-6-16 

World   to   Live  In,  The— Select 2-23-19 

Worst  of  Friends,  The — Keystone-Tri   ....1-13-16 


Review   Date 

Would    You    Forgive — Fox     4-18-20 

Wrath — McClure-Seven    Sins-Tri    3-8-17 

Writing   on    the    Wall,    The— V.L.S.E 2-10-16 

Wrong   Door,   The — Bluebird    3-2-16 

Y 

Yankee     Doodle     in     Berlin — Sennett-Sol- 

Lesser    4-13-19 

Yankee    Girl,    The— Morosco-Prmt     10-28-15 

Yankee    Pluck — Peerless-Brady-World    5-24-17 

Yankee  Princess,  A — Vita   4-13-19 

Yaqui,     The — Bluebird     3-30-16 

Years    of   the   Locust,    The — Lasky-Prmt.  .  11-23-16 

Yellow   Dog,    The— Univ    10-24-18 

Yellow     Passport,     The — World     2-24-16 

Yel'ow    Pawn,    The— Lasky-Prmt    11-30-16 

Yellow    Streak,   The — Columbia-Metro    12-9-15 

Yellow    Typhoon,    The— 1st    Natl     S-16-20 

Yes  or  No— 1st   Natl    7-11-20 

Yoke    of    Gold,    The— Red    F 8-17-16 

You   and    I — Radiosoul-St    Rgt    3-6-21 

You   Can't   Believe   Everything — Tri    6-23-18 

You  Find  it  Everywhere— Howells-St  Rgt.. 3-20-21 

You  Never  Can  Tell — Realrt    10-10-20 

You   Never   Saw    Such    a    Girl — Prmt    3-9-19 

Young     Mother     Hubbard — Essanay-Perfec- 

tion     11-1-17 

Young   Mrs.    Winthrop— F.    P.-L 3-28-20 

You're    Fired — Prmt     6-22-19 

Your  Wife  and   Mine — St   Rgt    4-6-19 

Youth — Peerless- World      8-9-17 

Youthful     Folly— Select     4-3-20 

Youth    of   Fortune,    The — Univ-Red   F 5-4-16 

Youth's  Endearing  Charm — American-Mutl  8-31-16 
Yvonne    From    Paris — American-Pathe     ....7-6-19 


Zaza— F.    P.-Prmt    10-7-15 

Zeppelin's    Last    Raid,    The — LI.    S.    Ex. 

Bking    Corp 11-15-17 

Zongar — Bernarr    McFadden     1-24-18 


THE   FIRST   STUDIO   IN   AMERICA 


Edison's  "Black  Maria" 
149 


Made  Deliberately  for 
the  Box -Office 


"Rich  Men's  Wives" 

Proclaimed  one  of  the  outstanding  pic- 
tures of  the  year  and  a  money-maker 
everywhere. — Directed  by  Gasnier. 


"Shadows" 


Adapted  from  Wilbur  Daniel  Steele's 
famous  prize  story,  "Ching,  Ching, 
Chinaman." — Directed  by  Tom  For- 
man. 


"Thorns  and  Orange  Blossoms" 

An  adaptation  of  the  story  and  play  by  Bertha  M.  Clay.- 
Directed  by  Gasnier. 


'The  Hero" 


The  great  American  play  of  1921,  by 
Gilbert  Emery. — Directed  by  Louis 
Gasnier. 


"Are  You  a  Failure?" 

A  big  drama  of  the  timber-land  by 
Larry  Evans. — Directed  by  Tom 
Forman. 


'The  Girl  Who  Came  Back^'         "Poor  Men's  Wives 


yy 


One  of  the  most  brilliant  and  thrilling 
plays  of  recent  years  by  Chas.  E.  Bla- 
ney  and  Samuel  Ruskin  Golding. — 
Directed  by  Tom  Forman. 


A  vi^orthy  successor  to  "Rich  Men's 
Wives,"  by  Frank  Dazey  and  Agnes 
C.  Johnston. — Directed  by  Gasnier 
with  a  superlative  cast. 


"Mothers-in-Law" 

A  brilliant  treatment  of  an  intensely 
interesting  story  by  Frank  Dazey  and 
Agnes  Christine  Johnston. — Directed 
by  Gasnier. 


"The  Broken  Wing" 

A  play  by  Charles  W.  Goddard  and 
Paul  Dickey  that  thrilled  hundreds  of 
thousands. — To  be  directed  by  Tom 
Forman. 


"A  Mansion  of  Aching  Hearts" 

Based  on  the  song  that  is  familiar  to  millions  by  Harry 
Von  Tilzer  and  Arthur  J.  Lamb. 


"The  Parasite" 

Helen    Martin's    popular    book    that 
proved  one  of  the  big  popular  sellers. 


"Sunshine  Alley" 

A   story  that  bubbles    with    life,    its 
drama,  sorrows  and  laughs. 


Produced  by 


PREFERRED 
PICTURES  Inc. 

B.P.SchuIberj'  -Pres    J.C.Bachmann-rr*«. 


Disti-ibuted  by 

AL-LICHTMAN 

CORPO^ATIO  N 

l6508ROADWAy('Si^)NEW  YORK  CITV 


150 


r  ERNEST  SHIPMAN  announces  that  he  has— com- 
pleted and  ready  for  the  screens  of  the  world — five 
new   productions,   with  others   to   follow.  . 


"THE  MAN  FROM  GLENGARRY,"  Ralph  Con- 
nor's thundering  epic  of  the  Ottawa — directed  by 
Henry  McRae — produced  by  Ottawa  Film  Produc- 
tions, Ltd. 


q  "THE  GOOD-FER-NOTHIN'!"  adapted  from  Ralph 
Connor's  "Glengarry  School  Days" — a  merry  admix- 
ture of  romance  and  intrigue — directed  by  Henry 
McRae — produced   by   Ottawa   Film   Productions,   Ltd. 


"THE  RAPIDS,"  Alan  Sullivan's  inspiring  novel  of 
a  superman  and  empire-builder — directed  by  David  M. 
Hartford — produced   by   Sault   Ste.    Marie  Films,   Ltd. 


j][  "BLUE  WATER,"  Capt.  Frederick  Wm.  Wallace's 
brine-steeped  tale  of  the  Bay  of  Fundy  fisher-folk — 
directed  by  David  M.  Hartford — produced  by  New 
Brunswick   Films,   Ltd. 


|«  "LATIN    LOVE,"    based    on    F.    Marion    Crawford's 
J"  immortal    classic,    "Sanf    Ilario" — the    drama    of    the 
Saracinesca — with      Alexander      Salvini — directed      by 
Henry   Kolker — photographed  by    Charles   Rosher. 


.  AND  HE  confidently  expects  these  productions  to 
exceed  the  earnings  of  such  past  Shipman  successes 
as  "Back  to  God's  Country,"  "Nomads  of  the  North," 
"The  Golden  Snare,"  "The  Sky  Pilot,"  "Cameron  of 
the  Royal  Mounted"  and  "God's  Crucible." 


151 


The  Best  in  Pictures 


The  production  plans  of  MURRA  Y 
W,  GARSSON,  Inc,  for  the  coming 
year  are  based  on  the  following  fun- 
damental principles  of  GOOD  pic- 
ture-making: 

The  biggest  of  stories 
The  best  of  direction 
Excellence  in  cast 
Expenditure  essential  to  highest 
quality 

This  promise  is  best  reflected  in  our 
most  recent  production  *' SUCCESS'' 
acclaimed  as  the  picture  of  the  year. 

It  will  be  rigidly  adhered  to  in  every 
production  bearing  our  trade-mark. 

Our  aim.  is  not  to  make  better  pic- 
tures, but  to  make  the  BEST  of  pic- 
tures, ^  ( 

MURRAY  W.  GARSSON  Inc. 

522  Fifth  Ave,  New  York  City 


152 


Independent  Productions 

Released  from  Nov.  1,  1921,  to  Jan.  1,  1923 


Title.  Release   Co. 

Able  Minded  Lady,  The Pacific 

Accord. ng  to   Hoyle Western  Picts. 

Across    the    Border Aywon 

After    Six    Days Weiss    Bros. 

Apainst    the    Law     Epco 

All   the   World's  a    Stage Principal 

Amazing  Lovers,  The Jans 

American    Toreador    Anchor 

Angel    Citizen     Merit 

Any  Night Amalgamated 

Anotl'cr  3\Ian's   Boots   Aywon 

Are    n-i'dr-"    to    Blame rprtified 

Ashamed  of  Parents Warner 

Ashes East    Coast    Prod. 

Back  to  the  Yellow  Jacket Arrow- 
Barb   Wire Arrow 

Barriers    of     Folly Russell 

Beautiful    and    Damned Warners 

Better  Man,  The Aywon 

Best   ]\lans   Wins,   The Sanford 

Better  Man  Wins,  The Sandford 

Bewa-e    of    the    Law Jawitz 

T'.ic?   S'a'  cs    East   Coast 

Blanchette Photo.   Prod. 

Blaze   Away Di    Lorenzo 

Blazing    Arrows    Apollo 

Blind    Circumstances Clark-    Cornelius 

Boomerang  Justice Russell 

Border   Scouts Bert  Hall 

Branded Lee   Bradford 

Bride's    Confession,    The Graphic 

Broken  Shadows 2nd  Nat'l 

Broken  Silence,  The Arrow 

Butterfly     Range     Steiner 

Call  from  the  Wild Pacific 

Chain   Lightning Arrow 

Cloudburst Lee     Bradford 

Country    Flapper,    The    Prod.    Sec. 

Craven,   The    H.   Bolhnan 

Crossmg  Trails Asso.  Photo 

Crow's    Nest,    The    Aywon 

Cub  Reporter Phil  Goldstone 

Curse    of    Drink,    The Anollo 

Daddy's    Love Roy   Klumb 

Dangerous   Adventure,   A    Warners 

Dawn    of    Revenge     Aywon 

Daughter   of   Eve Commonwealth 

David   and   Jonathan 2nd   Nat'l 

Deserted    at    the    Altar Goldstone 

Desert's    Crucible    Arrow 

Dest.ny    Artclass 

Determmation Lee    Bradford 

Devil's    Partner,    The    Iroquois 

Diamond    Carlisle Clark    Cornelius 

Door    That    Has    No    Key Alliance 

Double     Stakes Pacific 

Down    to   the    Sea   in   Ships Elmer    Clifton 

Driven    Dependable   Sales 

Edge  of  Youth,  The Gaumont 

Faithless  Sex,  The Signet  F. 

False  Brands Pacific 

Fatal  30,  The Pacific 

Fidelity    Aywon 

Hesh   and    Blood    Cummings 

Flesh  and   Spirit Lee   Bradford 

Foolish   Twins    Lee- Bradford 

For   His   Sake Zerner 

For  Your  Daughter's  Sake J.  W.  Film 

For  Your   Daughter's  Sake T     W 

Forest    King,    The Pacific 

Fountain  of  Youth,   The Graphic 

Four    Hearts Western    Picts. 

Frivolous      Wives      Fidelity 

Ghost   City Asso.   Photoplays 

Girl   from   Porcupine Arrow 

Girl  from  Rocky  Point,  The Pacific 

Give  Me  My  Sv-n Geo.  Hamilton 

Gods    Country    and    the    Law Arrow 

Gold   Grabbers    W     M.    Smith 

Greater  Duty,  The East  Coast  Prod 

Gun  Shy   

Hamlet Asia 

Hardest  Way,   The Joan 


Title.  Release  Co. 

Hate  Trail Clark  Cornelius 

Headin'    North Arrow 

Heart    of    a    Texan,    The Steiner 

Hell's  Border Western  Films 

Her    Half    Brother    Cert  fied 

Her    Story 2nd    Nat'l 

Heroes    of    the    Street Warners 

High   Road,   The    H.   Bolhnan 

His   Nibs Exceptioiial 

Holdane   of   the    Secret    Service Houdini 

How  Women  Love B.  B.  Prod. 

I  Am  the  Law Affiliated  Dist. 

I    Defy Arista 

In   the   Night    Prod.    Sec. 

Impossible    Boy,    The Pacific 

Impulse   Arrow 

Innocent  Cheat,  The Arrow 

In  Self  Defense Geo.   Hamilton 

Insinuation Russell  Clark 

Intrigue S.    R.    Levinson 

John  Forest  Finds  Himself Hep  worth 

Julius   Caesar Geo.   Kleine 

King   Fisher's   Roost Pinnacle 

Knight  of  the  West Blanchfield 

Last  Chance,  The Canyon 

Life's   Greatest   Question C.    B.C. 

Living  Lies Clark  Cornelius 

Lonely  Trail,  The Primex 

J^ost    in    a    Big    City Arrow 

Love   Slave,   The Russell   Clark 

Lowland  Cinderella 2nd  Nat. 

Lure    of    Gold,    The Steiner 

Maker  of  Men,  A Plymouth 

Making   the   Grade Butler 

Man  from  Beyond,  The Houdini 

Man  from  Hell's   River Western   Pict. 

Man   Wanted    Clark- Cornelius 

Man  Who  Paid Prod.   Sec. 

Master  of   Beasts,  The Aywon 

Miss  Paul   Revere Russell   Clark 

Mn-.e.    Sars    Gene    Prod.    Sec. 

ATore    to    Be    Pitied C    B.    C. 

A^ortal  Clay Hamilton 

Mr    Bingle Prod.   Sec. 

Mr!  Pirn  Passes  By 2nd  Nat'l 

Mr.   Potter  of  Texas Prod.   Sec. 

Motion  to  Adjourn,  A Arrow 

New   Disciple Federation 

Night     Life    in     Hollywood Arrow 

Night  Riders,  The 2nd   Nat'l 

Nine   Seconds   to   Heaven Rialto 

Notoriety     Weber-North 

Oflenders,  The Russell  Clark 

Oh,   Mabel    Behave Aywon 

Once  Upon  a  Time Henry   BoUman 

One  Eighth  Apache Arrow- 
One   Moment's   Temptation 2nd   Nat. 

Orphan    Sallv     Lee-Bradford 

Pals   of   the   West Clark-Cornelius 

Parted    Curtains Warner 

Partners  of  the  Sunset Bert  Lubin 

Peaceful    Peters    Arrow 

Plavthings    of    an    Emiperor Levinson 

Polish  Dancer,  The Levinson 

Power   of    Love    Perfect 

Prejudice   Arista 

Price  of  Youth Arrow- 
Putting  It  Over   Goldstone 

Rags   to   Riches    Warners 

Raiders,    The Canyora 

Range    Patrol,    The     Rpssell 

Rangeland Wm.   Steiner 

Retribution    Rialto 

Ridin'   Wild Western   Pict. 

Right  Way,  The Prod.   Sec. 

Rigoletto    Romayne 

Road  of  Arcady,  The J.  W.  Film 

Rounding  Up  the  Law ^ Aywon 

Saved    bv    Radio    Russell 

School    Days Warner 

Secrets    of    Paris    Master 

Serving  Two  Masters Lee  Bradford 

Shadows  of  Conscience Russell  Prod. 


153 


HUGO  BALLIN  PRODUCTIONS,  i„c. 

366  Fifth  Avenue,  Fitz  Roy  2111 

Hugo  Ballin,  Pres.  George  S.  Hellman,  Secy,  and  Treas. 

NOW  IN  PRODUCTION 

The  most  famous  of  all  novels 

"VANITY  FAIR" 

with  Mabel  Ballin  as  Rebecca  Sharp 

To  be  Released  by 

GOLDWYN 


HARRY  BEAUMONT 


Directing 


MAIN  STREET 


154 


Title.  Release  Co. 

Shadows  of  the  West Nat'l  Exch. 

Shattered F.   W.    Kurtz 

Should  a  Wife  Work J.  W.  Film 

Shylock    of    Wall    St Burton    King 

Silent    Shelby Ay  won 

Sir  Arne's  Treasure Geo.   Hamilton 

Smilin'  Jim Enterprise 

Snitching    Hour,    The    Clark-Cornelius 

So  This  is  Arizona W.  M.  Smith 

Soul  and  Body Peacock  P. 

Soul  of  a  Woman,  The Asso     Photo. 

Soul  of  Man,  The Prod.   Sec. 

South    of    Northern    Lights Steiner 

Splendid   Lie,   The Arrow 

Squire   Phinn Prod.    Sec. 

Star    Reporter    Arrow 

Storm    Girl,   The    Anchor 

Stronger    Passion,   The    Lee-Bradford 

Superstition    Lee- Bradford 

Sure-Fire  Flint   Mastodon 

Suspicious  Wives State  Rights 

Table    Top    Ranch     Steiner 

Taking    Chances Phil    Goldstone 

Tangled  Trails Wm.   Steiner 

Ten  Nights  in  a  Bar  Room Arrow 

They're  Ofl  Aywon 

Thistle  and  the  Rose,  The E.  V.  Brewster 

Thorobred   Clark-Cornelius 

Thundering   Hoofs    Aywon 

Thou    Shalt    Not    Love Graphic 

Through   Three   Reigns Hep  worth 

Too   Much   Married Asso.   Photo. 

Trail  of  Hate Di  Lorenzo 

Trail  of  the  Law Prod.  Sec. 

Trail's    End,    The W.    M.    Smith 

Two-FIsted  Jefferson    Arrow 

Unconquered Aywon 

Unconquered    Woman Lee    Bradford 

Unknown,  The Phil  Goldstone 

\'alley    of    Lost    Souls Troquo  s 

Vendetta  Howells 

Watch  Him  Step Phil  Goldstone 

Watching   Eyes Arrow 

Way  of  a  Man,  The Lee   Bradford 

Welcome    Children Nat'l    Exch. 

Welcome  to   Our   City Prod.   Sec. 

Western   Demon,    A Western    Film 

Western    Firebrands Aywon 

West    of    the    Pecos Steiner 

West    vs.    East    Sandford 

What  No  Man  Knows Equity 

What's    Wrong    With    the    Women Equity 

When    Knights    Were   Bold Hamilton 

When   Love  is   Young Arista 

Where  is  My  Wandering   Boy  Tonight?.  ...  Equity 

Whispering    Shadows Peacock    P. 

Whispering  Women Clark  Cornelius 

White   Hell Chas.    E.    Bartlett 

White  Masks,  The W.  M.  Smith 

Why    Do    Men    Marry Unity 

Wildcat    Jordan     Goldstone 

Wildness    of   Youth    G-  anhci 

Wolf   Pack,   The State   Rights 

Wolf's    Fangs,    The    Prod.    Sec. 

Woman   Who    Believed    Artclass 

Women    Men    Marry    Genius 

Woman's   Woman Russell    Clark 

Wonders    of    the    Sea Wi"'rimson 

Worldly    Madonna,   The Equity 

Yankee  Doodle,  Jr M.   J.    Burnside 

Your    Best    Friend Warner 


INDEPENDENT    PRODUCERS 
AND  DISTRIBUTORS  ASSN. 

(Name   of   Co.,    Represented  by,   Address   and 

Telephone   Number.) 

Ascher    Prod..    Inc.,    Sidney   Ascher    (P),    117    W. 

46th    St.,    N.    Y.    City,    Bryant    8960. 
Allied    Distributing    Corp.,    C.    H.    Rosenfeld    (D), 

117  W.  46th  St.,  N.  Y.  City,  Bryant  0248. 
Arrow   Film   Corp.    (D),   220  W.   42nd   St.,   N.   Y. 

City,   Bryant  7095. 
Aycie    Pictures    Corp.,    Aaron    A.    Corn    (D),    117 

W.   46th   St.,   N.   Y.    City,   Bryant   9490. 
C.  B.  C.  Film  Sales  Corp.,  Joe  Brandt   (D  &  P), 

1600   Broadway,   N.  Y.   City,   Bryant  6212. 


Aywon   Film   Corp.,   Nathan   Hirsch    (D),   729   7th 

Ave.,  N.  Y.  City,  Bryant  7224. 
Edward  L    Klein,   E.   L.   Klein   (D),   N.  Y.   City., 

152   W.  ■42nd    St.,    N     Y.    City. 
Cinart,   Inc.,  W.   H.    Burnside    (D),   615   Hollings- 

worth   Bldg.,   Los  Angeles. 
Equity  Pictures   Corp.,  J.  J.   Schnitzer   (D),  33  W. 

42nd  St.,  N.  Y.  City,  Murray  Hill  1846. 
Fidelity   Pictures  Co..  Wm.   G.  Smith   (D),   117  W. 

46th    St.,    N.    Y.    City,    Bryant   9637. 
Forward  Film   Distributors,  Inc.,  Joe  Sameth   (D), 

110   W.   40th   St.,   N.   Y.    City,    Pa.    1086. 
Graphic  Film   Corp.,  Ivan  Abramson   (P),  729  7th 

Ave.,    N.    Y.    City.,    Bryant    7224. 
Edward  Hemmer  Prod.,  Edward  Hemmer  (P),   137 

W.  48th  St.,   N.   Y.   City.  Bryant  4193. 
David   Horsley,   David  Horsley    (D),   729   7th  Ave, 

N.    Y.    Citv,    Bryant   Zi77. 
Jans  Pictures,   Inc.,  Herman  F.  Jans  (P),  729  7th 

Ave.,  N.  Y.   City,   Bryant  3623. 
Mastodon    Films,    Inc.,    C.    C.    Burr    (P),    135    W. 

44th  St.,  N.   Y.   City,  Bryant  5234. 
Rainbow    Film    Corp.,    Fred    T.    Roberts    (D),   911 

Brokaw    Bldg.,    N.    Y.    City. 
Rialto    Prod..    Inc.,    S.    J     Stebbins    (D),    729    7th 

Ave.,   N.   Y.    Citv,    Bryant   3623. 
Screenplays    Prod..    Inc.,    L.    A.    Ochs    (P),    1819 

Broadway,   N.   Y.   City,   Columbus   7747. 
Wm.    Steiner,   Wm     Steiner    (P),   220   W.   42nd    St. 

N.   Y.   City. 


AL  LICHTMAN  EXCHANGES 

Boston — American  Feature  Film  Co.,  37  Pied- 
mont   St. 

Buffa'o — Bond  Photoplay   Corp.,  505   Pearl  St. 

Chicago — Celebrated  Players  Film  Co.,  810  So. 
Wabash   Ave. 

Cleveland — ^Standard  Film  Service  Co.,  217  Sloan 
Bldg. 

Pittsburgh — Federated  Film  Exchange,  1018  For- 
bes Ave. 

Denver — Mountain  States  Film  Attractions,  2104 
Broadway. 

Des  Moines — A.  H.   Blank  Enterp.,  303   Second  St. 

Minneapolis— F.  &  R.  Film  Exch.,  409  Loeb  Ar- 
cade  Bldg. 

New  Jersey — Jans  Film  Service,  729  Seventh  Ave., 
N.  "Y.    C. 

New  York — Commonwealth  Film  Service,  729 
Seventh   Ave.,    N.    Y.    C. 

Philadelphia — Masterpiece  Film  Attractions,  1329 
Vine    St. 

San  Francisco — All  Star  Feature  Distributors — 
209    Golden    Gate   Ave. 

St.  Louis — Skouras  Bros.  Enterprises,  3319  Locust 
St. 

Seattle— De  Luxe  Feature  Film  Co.,  308  Vir- 
ginia  St. 

Washington — AI  Lichtman  Exchange,  916  "G"  St., 
N.   W. 

Atlanta — Al  Lichtman  Corp.  of  Southeast,  Inc., 
106    WaUon    St. 

Dallas — Al  Lichtman  Corp.  of  Texas,  Inc.,  308 
So.    Harwood    St. 

New  Orleans — -Al  Lichtman  Corp.  of  Louisiana, 
Inc..   1401  Tulane  Ave. 

Canada — Dominion  Films,  Ltd.,  Allen  Theater 
Bldg.,    Toronto. 


Independent  Pictures  Corp.  Releases 
Independent  Pictures  Corp.  announces  for  1923, 
releases  of  twelve  2  reelers  directed  by  D.  W. 
Griffith,  a  series  of  twelve  2  reel  Nick  Cartrs, 
four  5  reelers  featuring  George  B.  Larkin  and 
seven  featuring  Jack  Livingston,  as  well  as  two 
7  reel  specials. 


University  Extension  Lyceum 

University  of  Kansas.  Extension  Division,  Law- 
rence.   Kan.;    A.    Wm.    Olmstead,    director. 

University  of  Minnesota.  Extension  Division, 
Minneapolis.  Minn.;   L.  J.   Seymour,  secy. 

University  of  Wisconsin.  Extension  Division, 
Madison,   Ws. ;   R.   B.   Duncan,   secy. 

University  of  North  Dakota  Extension  Division, 
Grand  Forks,  N.   D.,  A.   H.  Yoder,  secy. 


155 


STAULCUP  CINEMA  SERVICE,  Inc. 

Motion  Picture  Settings  Designed  and 
Executed  by  an  Art  Director  of  Experience 
and  Repute — assisted  by  a  capable  and 
trained  Studio  Staff — 

1476   BROADWAY 
Phone  Bryant  7835 


Bryant  5741  245  West  47th  Street 

CHARLES  WALTON 

"Personal  Representative" 
Serving   The  Best  With   The  Best  In  Motion  Pictures 


PRODUCERS,   DIRECTORS 

MOTION  PICTURE 

SERVICE 


Joe  Egginton,  Representative  New  York  City 


156 


Hollywood  Studio  Props 

Furniture  and  General  Address  Telephone 

Arnold    Rental    Co 5853  Santa  Monica  Blvd Holly   3694 

Art  Furniture  Co 661  West  Washington 238-13 

Basch,  Jos.    Co 1035    So.    Hill    St 122-64 

Be  Hannesey,  P.  A 1 122  No.  Western  Ave Holly  3963 

Cinema    Props    Co 937  So.   Los  Angeles  St Pico   4380 

Curtis    Studio,   The 421  So.  Western  Ave 567-191 

Fenton"  Pacific  Coast  Rattan  Co 1525  So.  Main  St Pico  4911 

Real  Art  Studio 925    So.   Grand  Ave 674-70 

Skeels,  L.  C 143  No    Spring  St 159-27 

Stack,    M.    &    Co 4532  Hollywood  Blvd 598-030 

Stavnow's  Studio 942  So.  Main  St Pico  431 ;  648-86 

Western    Costume    Co 908  So.   Broadway Maiu  2345 

Japanese  &   Chinese  Furniture  &   Furnishings 
Oriental  Costume  Co 6238  Santa  Monica  Blvd Holly  5954 

Club  Furniture 
Brunswick-Balk-Callender    Co 845  So.  Los  Angeles Main  2103 ;  602-06 

Office  Furniture 
L.  A.  Desk   Co 848  So.  Hill  St 60091 

Rugs 
Constantian    Bros 919  So.   Broadway 620-51 

Pictures,  Mirrors,  etc. 
Green    Art    Store, 815  So.  Hill  St 640-04 

Decorations   &   Novelties 
Decorative  Novelty  Co.,  739   So.   Broadway 739   So.   Broadway 150-19 

Guns,   Jewelry   &   Musical   Instruments 
Ellis    Mercantile    Co 148  So.  Main  St Pico  108 

Property   Builders,  Statues,  Breakaway,  Papier   Mache 

(Gabe)    Gabouri  &  Gushing Cahuenga  Ave.  and  Eleanor Holly   7803 

Hollywood  Prop   Shop 4536  Hollywood  Blvd 

Electrical  Fixtures 

Vogue  Fixture  Co 1012   So.  Hill  St Broadway  1588 

(See    Space    Directly    Opposite    for    Further    Prop.    Listings) 

Building    Material 

Eastman,   Geo    L.   Co 1111    Highland   Ave Holly    7910 

Cabinet  &   MiU  Work 

Highland  Wood  Working  Co.    (Rush  jobs) 1008   No.   Highland  Ave 579-870 

KoU  Planing  Mill   Co 412  Colyton  St Main  1242 

Scenics 
Flag  Scenic  Co 1638   Long   Beach  Ave South  6558 

Stock  Film  Scenes 

Dawes   1407    Gower     St 

Negative   Library   Bureau Universal  City Holly   2500 

Tents  &  Circus  Equipment 

Downie   Bros 644  So.  San  Pedro  St Bway  3987 

Thorn,  Jack 1015   Crocker   St 671-65 

Horses  &  Equipment 
Smith  (Bill),  1526^   Cahuenga  Ave 1526i^    Cahuenga  Ave Holly   1492 

Lions 
Gay,   Chas.,   Lion  Farm 4101     Mission    Road Lincol  2648 

Small  Animals 
Horney,    C.    R 2823    Avenel    St 599-805 

COSTUMERS 

Bean's,  Jack  Full  Dress  and  Tuxedo   Shop 208-9  Loew's  State  Building Pico  4862 

Brill's    319    So.    Spring    St 191-55 

Kristan's  (Successor  to  Schlanfc's) 1S70  Sunset   Blvd 556-730 

La  Rue  Costume  Co Byrne  Bldg Broadway  2154 

Lewis,  Jane 6055    Hollywood    Blvd Holly  9447 

•  Oriental    Costume    Co 6238  Santa  Monica  Blvd Holly   5954 

Randall,    Bruce 1323^4    No.    Bronson  Ave Holly   1033 

Rose    Rehn    Costume    Co 342   So     Broadway 653-60 

Sooy  &  Lindsey Byrne  'Bldg 616-70 

Studio    Shop 430    So.     Broadway 136-91 

Temple  Costume  Co 525    So.    Broadway Broadway  2658 

Western     Costume     Co 908    So.     Broadway Main   234  5 

Wigs  &   Hair  Goods 
Cesar,  Maison  Co 709    W.    7th    St Main  301 3 

Cameras   &    Photo   Supplies 

Bell  &  Howell  Co 6324  Santa  Monica  Blvd. Holly  ;    09 

Gennert,    G.,     (Pathe    Cameras) 917   Maple  Ave Broadway   139S 

Howland  &  Dewey  Co 510   So.   Broadway Main  6920;  669-11 

Mitchell     Camera     Co 6019   Santa  Monica   Blvd Holly   3946 

Camera    Repairs   &   Accessories 

Cinema   Engineering   Co 5158    Santa    Monica    Blvd Holly  7625 

Hiney,     Laurance    E 641  N.  Bronson  Av.  near   Melrose 

Mitchell     Camera     Co 6019    Santa   Monica    Blvd Holly    3946 

Thalhammer,    K.    W 550    So.    Figueroa    St Main   1574 

Gennert,   G.,    (Pathe   Cameras) 208   So.    Spring    St Broadway  1395 

Projecting  Machines 
Argus    Enterprises,    Inc 836    So.    Hill    St Broadway    1568 

Lamps  &  Electrical  Effects 

Cinema     Sales     Co 4538   Hollywood    Blvd l,<Jf',-021 

Cinema   Studio   Supply   Co 1442    Gower    St I  folly  819 

Clune's    5356    Melrose   Ave I  (oily  2700 

Cooper-Hewitt    Elec     Co 1110   Van   Nuys    Bldg 664-90 

House  of  Props 1047  So.  Grand  Ave Pico   168;   618-57 

157 


LONDON  LOS  ANQELES 


'ess 

MOTION  PICTURE  ENTERPRISES 

IM  ^^t  44"'Street -  dV^wl^ork 


Bryant  3782 


Ctlforti  Cinema  Corporation 

ortstnators  of  t|)e 

dBJuarantccD  Contract  3!tiea 

for 

31nDepenDent  ^BrotiucerjS 

332-344  ^rst  44tt)  ^trc f  t 


158 


Furniture  and   General  Address  Telephone 

Oleson,    Otto    K 1645   Hudson Holly   266 

Studio    Lighting    Service 1 645   Hudson Holly  266 

Sun  Light  Arc  Corp 1769    Highland   Ave 577-876 

Winfield-Kerner    Co 325    East   6th    St 122-15 

Portable   Power    Plant 
Minerva  Pictures  Corp 1608  No.  Vermont  Ave 596-719 

Fire  &  Light  Effects 
L.  A.  Fireworks  Co 410    East    3rd    St 110-13 

Art  Titles 

Jacobsmeyer,    H.    C.    Co 5517    Santa   Monica    Blvd Holly  482 

Nell    Walker 5517  Santa  Monica  Blvd Holly  482 

Reed    Williams 643- JO 

Rolins  Hamilton,   B.  Jr 415    Blanchard   Bldg 100-82 

Film   Library,    Dawes 1407  Go wer  St 

Fowler    Studio Chamber    of    Commerce    Bldg. .  .  632-57 

Cinema  Inserts 
Hays,  Earl  S 5515    Santa   Monica   Blvd Holly  4510 

Title    Printers 

Aston  M.  P.  Title  Co Corner  Sta  Monica  &  Bronson .  .  Holly  93 1 

Jacobsmeyer    H.    C.    Co 5517    Santa    Monica   Blvd Holly    482 

"Pacific  Title  Card   Co 1123    No.    Bronson Holly    4609 

Location  Lunches                                                • 
Tansig,  Arthur 1105    No.    El    Centre    St Holly  5948 

Film  Containers 
^xcello   Products  Co 1032    No.    Highland    Ave 579-841 

Photo  Engraving 
Sunset  Photo  Engraving  Co 325 J^  East  6th  St Pico  2646;  149-77 

New  York  Studio  Props 

Furniture  Address  Telephone 

Baumann    &    Co 313   E.    151st    St Melrose  3263 

Birns,    William    103   W.    37th    St Fitzroy  6255 

Bardley    Studios    435  Fifth    Ave Murray  Hill  7756 

Louis   XIV  Ant.    Shop 9   E     55th   St Plaza  2183 

Lavezzo   &   Bro 154   E.   54th  St Plaza  0117 

John    Weiss    Co 625   Lexington   Ave Plaza  0419 

Alberts   &   Co 779   Third   Ave Vanderbilt  4616 

Henry    Naftal    &    Sons 642  Eighth    Ave Bryant  3645 

F.   A.    Lawlor   &   Co 238  Madison    Ave Murray  Hill  9369 

Charles   Young,    Young's   Rental   Serv 3225  Third  Ave Melrose  2192 

Charles  Lewis   710  Third  Ave Murray  Hill  5393 

Di   Salvo    Brothers 443   Madison    Ave Plaza  3440 

Baumeister     1 181    Broadway    Watkins  4878 

Beaumont    Studios    225   W    46th  St Bryant  9448 

Knickerbocker  Chand.  &  Elec.  Co 325  W.    42nd    St Longacre  9854 

Chas.   Welch    ( Silverware  and  Table  Service) 1143   Park  Ave Lenox  8085 

Albert    Grosfield    711   Lexington  Ave Plaza  1133 

Costumes  !*'*'!  ! 

Eaves  Costume  Co 110  W.   46th   St Bryant  7212 

Chas.    Chrisdie    41   W.  47th   St Bryant  2449 

Tarns    318  W    46th   St Longacre  1913 

Mme.    Naftal    69  W.   4Sth   St Bryant  0670 

Bergdorf-Goodman    616  Fifth    Ave Circle  5436 

Josephs     121   W.    19th   St Watkins  2778 

Schneider-Anderson    229   W.    36th   St Longacre  2200 

Hardware 

Bronx  Hardware   &   Sy.   Co 2737   Third   Ave Mott  Haven  1077 

C.    D.    Serven,    Yonkers 9  Warburton  Ave Yonkers  2106 

HammacherSchlemmer    133  Fourth  Ave Stuyvesant  7000 

Paints 

Emil   Janovic    &    Co 1292  First  Ave     RJiinelander  3846 

David    Meyer    &    Bros 188   First  Ave Drydock  9050 

Nevius   &   Co.,   Yonkers 50   Main   St Yonkers  35 

DeVoe    and    Raynolds 101    Fulton    St Beekman  2906 

Wall  Paper 
A.   Bosch   Peats  Wall  Paper   Co 2132    Broadway    Columbus  7421 

Flowers 

N.   Y.   Floral   Co.,   Yonkers    (Real) 1    Manor    House    Sq Yonkers  2736 

General    Flower    &    Dec.    Co.    (Artificial) 228   W.   49th   St Bryant  5927 

United   Flower   and    Dec.    Co.    (Artific:a!) 238   W.   48th    St Bryant  0666 

Electrical   Supplies 

Projections   Apparatus    Co.    (Condensers) 45    Lafayette   St Franklin  3331 

M.    J.    Wohl    (Carbons) Payntor    Ave      Astoria  3136 

Khegl    Bros 321    W.    50th   St Circle  0094 

Sunlight   Arc    Corp 1600    Broadway    Bryant  4468 

Yonkers    Elec.     Co 7    Manor    House    Sq Yonkers  5075 

United    Theater    Equipment    Co 25   W.  45th   St Bryant  8391 

PROJECTION  ROOMS  PLAY  BROKERS 

(New    York    City)  CNew   York   City) 

Jos.   R.   Miles,    130   W.  46th   St.,   Bryant   5600.  American   Play  Co.,   33   W.  42nd   St      Van    0590 

Public    Projection    Rooms,    729    7th    Ave.,    Bryant  J^randt  &  Kirkpatrick,  101   Park  Ave'.,  M    H    3674 

2573.  Kauser,  Alice,    1402   Broadway,   Fitzroy   5860 

Simplex    Projection    Rooms,    Canller   Bldg.,    Bryant  gelTen""   Ediar^'^S  J' Rrn  h'"*^"'   l'-"""'  ?^°^- 

0984.  c       11     17^         J  Broadway,    Bryant   1530. 


i>ma!l,   Edward,    1493    Broadway,    Bryant  2389. 


159 


LON  CHANEY 


BUSINESS  MANAGER 

Alfred  A.  Grasso 

3459  Plata  St. 
Los  Angeles,  Calif. 


BETTY  BLYTHE 

Who  following  her  success  in 
"THE  QUEEN  OF  SHEBA," 
is  being  starred  by  Whitman 
Bennett  in  a  series  of  feature 
productions.  The  first  of 
these  is  ''HOW  WOMEN 
LOVE,"  the  second  "THE 
DARLING  OF  THE  RICH." 
Miss  Blythe,  in  addition,  is 
making  a  triumph  of  her  per- 
sonal appearances  in  New 
York  and  the  larger  cities, 
where  her  cultivated  singing, 
gracious  personality  and  won- 
derful gowns  have  endeared 
her  to  thousands  and  delight- 
ed the  exhibitors. 

B.  B.  PRODUCTIONS 

Whitman  Bennett  Studios 

Riverdale  Avenue,  Yonkers,  N.  Y. 


160 


EDITORS    &   TITLE   WRITERS 

(New  York  City) 
Morris   Ryskind. 

Donald    Buchanan,    130  W.   46th   St. 
loseph  Farnham,  220  W.  42nd  St. 
btlo  Lovering  Eusten,   220   W.   42nd   St. 
Arthur   Edwin    Krows,    Yonkers,    N.    Y. 
Paul  Mashke,  220  W.  42nd  St. 
Charles  Beahen,  220  W.  42nd  St. 
Tom  Bret,  Candler  Bldg. 
Lesley  MasoL,  729  7th  Ave. 
Ralph  Spence,  Fox  Film  Corp. 
Harry   Chandlee,   130  VV.   46th   St. 
Martin  &  Natteford,  729   7th  Ave. 
William  B.   Laub,   130  W.   46th   St. 
Miss  J.  Moran,  Harlem,  2776. 

Miss  Laura  Lee  Rogers,  titles  only,  181  W.  75th  St. 
Don  W.   Bartlett,   355   E.   21st   St.,   Brooklyn. 
John  Slobey,  727  7th  Ave. 
Ernest  Stern,   413   W.   41st   St. 
Arthur  Weil,  220  W.  42nd  St. 

PLAY    BROKERS 

(New  York   City) 
Adams,  J.  K.,  223  W.  46th  St.,  Bryant  5583. 
American    Play    Co.,    33    W.    42nd    St.,    Longacre 

8040. 
Andreas  Eulalie  Miss,  1  Bank  St.,  Watkins  8692. 
Bartsch,    Hans,    1432    B'way,    Bryant    3459. 
Bimberg,   Ed.,   1531    B'way,   Bryant  9029. 
Brandt  &  Kirkpatrick,  101   Park  Ave.,  M.  H.  3674. 
Century   Play   Co.,    1400    B'way,   Fitzroy   4226. 
Darcy  &  Wolford,   114  W.  39th  St.,  Fitzroy  5285. 
Dramatists  Play  Agency,  213  W.  42nd  St.,  Bryant 

4677. 
Furst,  Myra,   1441  B'way,  Bryant  3177. 
Kauser,   Alice,    1402    B'way,   Fitzroy    5860. 
Nuplay   Service   Corp.,  33   W.  42nd   St.,   Longacre 

8926. 
Playcraft,  Inc.,  206  B'way,  Cortland  6537. 
Play   Revision   Service,   303   Fifth  Ave.,   Lexington 

3855 
Rice,    Frank    H.,    1440    Broadway,    Bryant    3177. 
Sanger    &    Jordan,    Times    Bldg.,    Bryant    6066. 
Selden,    Edgar,    1531     Broadway,    Bryant    1530. 
Small,    Edward,    1493     Broadway,    Bryant    2389. 
Stagelore  Play  Co.,  1402  B'way,  Fitzroy  3689. 
United   Plays,   Inc.,   1430   B'way,   Bryant  0747. 
Winniett,  Geo.  W.,  1402  B'way,  Fitzroy  6232. 

AMERICAN  SOCIETY  OF  CINE- 
MATOGRAPHERS  Los  Angeles 

Officers:  Fred  W.  Jackman,  president;  L.  Guy 
Wilky,  first  vice-president ;  Victor  Milner,  second 
vice-president;  (Gilbert  Warrenton,  third  vice-presi- 
dent ;  Jackson  J.  Rose,  treasurer ;  Philip  H.  Whit- 
man, secretary. 

Board  of  Governors:  John  Arnold,  Victor  Mil- 
ner, H.  Lyman  Broening,  Gaetano  Gaudio,  Ken- 
neth G.  MacLean,  Frank  B.  Good,  Fred  W.  Jack- 
man,  Jackson  J.  Rose,  Philip  E.  Rosen,  Homer  A. 
Scott,  John  F.  Seitz,  James  C.  Van  Trees,  George 
Schneiderman,   Philip  H.   Whitman,  L.   Guy   Wilky. 

Members :  David  Abel,  *John  Arnold,  George 
S.  Barnes,  Wm.  J.  Beckway,  Georges  Benoit,  Ru- 
dolph  J.    Berquist,    H.    Lyman    Broening,    Norbert 

F.  Brodin,  Karl  Brown,  Bert  Cann,  Herford  T. 
Cowling,  L.  Dal  Clawson,  Henry  Cronjager,  A.  M. 
Davey,  Faxon  M.  Dean,  E.  S.  Depew,  Robert  V. 
Doran,  J.  A.  Dubray,  Arthur  Edeson,  Perry  Evans, 
William  Fildew,  Ross  G.  Fisher,  *Wm.  C.  Foster, 
Harry  M.  Fowler.  *T.  G.  Gaudio,  A.  L.  Gilks, 
*Frank  B.  Good,  Fred  L.  Granville,  *King 
D.    Gray,    Walter    L.    Griffin,-  Rene    Guissart,   Alois 

G.  Heimerl,  *Fred  W.  Jackman,  Floyd  Jack- 
man,*  Roy  H.  Klaffki,  Ben  H.  Kline,  H.  F. 
Koenekamp,  Edward  Kull,  R.  B.  Kurrle,  J.  R. 
Lockwood,  Walter  Lundin,  Reginald  Lyons,  Jack 
Mackenzie,  Kenneth  G.  MacLean,  Virgile  Miller, 
Victor  Milner,  Ira  H.  Morgan,  George  Meehan, 
Robert  S.  Newhard,  Stephen  S.  Norton,  Roy  F. 
Overbaugh,  Ernest  S.  Palmer,  Paul  P  Perry, 
Marcel  LePicard,  Sol  Polito,  B.  F.  Reynolds, 
George  Rizard,  Jackson  J.  Rose,  *Philip  E.  Rosen, 
Charles  G.  Rosher,  C.  E.  Schoenbaum,  Henry 
Sharp,  Don  Short,  George  Schneiderman,  *Homer 
A.  Scott,  'John  F.  Seitz,  Al  Siegler,  W.  S  Smith, 
Jr.,  R.  H.  Totheroh,  *J.  C.  Van  Trees,  Charles 
Van  Enger,  R.  W.  Walter,  Gilbert  Warrenton, 
*Philip  H.  Whitman,  'L.  Guy  Wilky. 

'Member  of  the  Board  of  Governors. 


AUTHORS   LEAGUE   OF  AMERICA 

President — Ellis   Parker   Butler. 

Vice-President — Gelett    Burgess. 

Honorary  Vice  Presidents — Thopnpson  Buch- 
anan; Owen  Davis;  C.  B.  Falls;  Victor  Herbert; 
William  Johnston ;  Alice   Duer  Miller. 

Secretary   and   Treasurer — Eric    Schuler. 

Executive  Committee — George  Barr  Baker ;  Mc- 
Clelland Barclay ;  Thompson  Buchanan ;  Eugene 
Buck;  Gelett  Burgess;  Ellis  Parker  Butler;  Ed- 
ward Childs  Carpenter ;  A.  Helene  Carter ;  Charles 
E.  Ch.imbers ;  Dwight  Cleveland ;  F.  G.  Cooper ; 
Charles  B.  Couchman ;  George  Creel;  Owen  Davis; 
James  Forbes;  Montague  Glass;  Jules  Eckert 
Goodman;  Cosmo  Hamilton;  Otto  A.  Harbach; 
Elmer  Harris;  Fannie  Hurst;  Orson  Lowell; 
Jeanie  Macpherson ;  June  Mathis ;  Alice  Duer 
Miller;  Harvey  O'Higgins;  William  Hamilton  Os- 
borne; Frederick  Palmer;  Floyd  Parsons;  Chan- 
ning  Pollock;  Eugene  W.  Presbrey ;  Elmer  Ric;; 
David  Robinson ;  Arthur  Somers  Roche ;  Tony 
Sarg;  Maravene  Thompson;  Rob  Wagner;  John 
Alonzo  William ;  Edward  A.  Wilson ;  Frank  E. 
Woods.. 

Council — Gelett  Burgess ;  Ellis  Parker  Butler ; 
George  Creel;  Fannie  Hurst;  Alice  Duer  Miller; 
Harvey  O'Higgins;  William  Hamilton  Osborne; 
Arthur   Somers   Roche ;    Maravene   Thompson. 

The  Screen  Writers'  Guild 

Frank  E.  Woods,  President;  Marion  Fairfax, 
Vice-President;  Elmer  Harris,  Treasurer;  Lucien 
Hubbard,    Secretary. 

Executive  Board — Frank  E.  Woods,  Chairman ; 
Marion  Fairfax ;  Elmer  Harris  ;  Lucien  Hubbard  ; 
Thompson  Buchanan;  Alfred  A.  Cohn ;  Jeanie 
Macpherson;  Mary  H.  O'Connor;  Eugene  W. 
Presbrey ;   Milton   H.   Schwartz ;   Waldemar  Young. 

Council — Ruth  and  Baldwin;  Charles  Chaplin; 
William  H.  Cliflford ;  Kate  Corbaley ;  Jack  Cun- 
ningham ;  William  C.  DeMille ;  Douglas  Fairbanks ; 
Beulah  Marie  Dix  Flebbe ;  Clayton  Hamilton;  E. 
Percy  Heath ;  Rupert  Hughes ;  Julia  Crawford 
Ivers;  Monte  Katterjohn;  Charles  Kenyon ;  Peter 
B.  Kyne;  Albert  S.  LeVino ;  Eugene  B.  Lewis; 
June  Mathis;  Bernard  McConville;  Sir  Gilbert 
Parker ;  Mary  Pickford ;  Luther  Reed ;  Elmer 
Rice;  Edna  Schley;  Doris  Schroeder;  Perley  Poore 
Sheehan ;    C.   Gardner   Sullivan;    Bayard   Veiller. 

Important  Committees — Legal :  Milton  H. 
Schwartz,  Chairman ;  Beulah  Marie  Dix  Flebbe ; 
Bernard     McConville.  Grievance :      Eugene     W. 

Presbrey,  Chairman;  William  C.  DeMille;  Rupert 
Hughes;  Peter  B.  Kyne;  June  Mathis.  Censor- 
ship-Publicity :  Waldemar  Young,  Chairman ; 
Harry  C.  Carr;  Clayton  Hamilton;  Louis  Sher- 
vvin ;  Rob  Wagner.  Copyright :  Marion  Fairfax, 
Chairman ;   Abraham   Lehr ;    Ewell   D.   Moore. 

The   Dramatists'   Guild 

President — Owen    Davis. 

Vice-President — Edward    Childs   Carpenter. 

Secretary  and  Treasurer — Jerome  Kern. 

Council — Porter  Emerson  Browne,  Eugene 
Buck,  Edward  Childs  Carpenter,  Owen  Davis, 
Anne  Crawford  Flexner,  James  Forbes,  Montague 
Glass,  Cosmo  Hamilton,  Otto  A.  Harbach,  Louis 
A.  Hirsch,  Aaron  Hoffman,  Avery  Hopwood,  An- 
thony Paul  Kelly,  Jerome  Kern,  Edward  Locke, 
George  Middleton,  Channing  Pollock,  Edwin  Mil- 
ton Royle,  Mark  Swan,  A.  E.  Thomas,  Augustus 
Thomas,   Rita  Weinman,  Rida  Johnson  Young. 

The  Guild  of  Free  Lance  Artists 

President— C.    B.    Falls. 

Vice-President — Charles   E.    Chambers. 

Secretary   and   Treasurer — F.    G.    Cooper. 

Council — Walter  Biggs,  Franklin  Booth,  E.  J. 
Busenbark,  Arthur  William  Brown,  Charles  E, 
Chambers,  Walter  Jack  Duncan,  Harvey  Dunn, 
C.  B.  Falls,  Frederic  R.  Gruger,  George  Illian, 
Merle  Johnson,  Arthur  I.  Keller,  Wallace  Mor- 
gan, Edward  Penfield,  Norman  Price,  Albert  T. 
Reid,  Henry  Reuterdahl,  Norman  Rockwell,  W. 
A.  Rogers,  Tony  Sarg,  R.  F.  Schabelitz,  John 
E.  Sheridan,  C.  W.  Svensson,  W.  D.  Teague, 
Harry  E.  Townsend,  John  Alonzo  Williams,  Ed- 
ward A.  Wilson. 

Executive  Committee — Walter  J.  Duncan, 
Arthur  Keller,  Tony  Sarg,  Harry  Townsend, 
George  Illian,  Orson  Lowell,  Henry  Reuterdahl, 
W.  D.  Teague,  Tohn  A.  Williams  and  Edward 
A.  Wilson. 


161 


NOAH   BEERY 

Recent  Productions 

"The  Red  Lantern" 

"Sea  Wolf" 

"Mutiny  of  the  Elsinore" 

"Dinty" 

"Go  and  Get  It" 

"Bob  Hampton  of  Placer" 

"The  Ebb  Tide" 

"Ten  Ton  Love" 

"Stormswept" 

"Country  Love" 

"Omar  the  Tentmaker" 

"The  Hand  Me  Down" 

"The  Call  of  the  North" 


LOUISE 
FAZENDA 


'^ 


162 


WEST   COAST    STUDIOS 

American  Film  Co.,   Santa   Barbara. 

Astra  Film  Corp.,  Verdugo  Road,  Glendale. 

Bachman   Studios,  831   E.  Windsor  Road,  Glendale. 

Balboa  Studios,   6th   St.,   Long   Beach. 

Balshofer   Studios,   1329   Gordon   St.,   Los  Angeles. 

Belasco   Studios,  833   Market   St.,   San  Francisco. 

Bernstein  Studios,  753  So.  Boyle  St.,  Los  Angeles. 

Berwilla  Film  Corp.,  S821  Santa  Monica  Blvd., 
Los  Angeles. 

Blazon   Prod.,    Keens   Kamp. 

Brentwood  Film  Corp.,  4881  Fountain  Ave.,  Los 
Angeles. 

Bronx  Studios,   1745   Allesandro   St.,   Los  Angeles. 

Robert  Brunton  Studios,  Inc.,  5341  Melrose  Ave., 
Los  Angeles. 

Burston  Films,  Inc.,  6050  Sunset  Blvd.,  Los 
Angeles. 

Century  Film  Corp.,  6100  Sunset  Blvd.,  Los  An- 
geles. 

Charles  Chaplin  Studio,  1416  LaBrea  Ave.,  Hol- 
lywood. 

Chester  Comedies,  Inc.,  1438  Gower  St.,  Los 
Angeles. 

Christie  Film   Co.,  6101    Sunset   Blvd.,   Hollywood. 

Clermont  Photoplays  Corp.,  6058  Sunset  Boul., 
Hollywood. 

Clune's   Studio,   5350  Melrose  Ave. 

Comique  Film  Corp.  (Roscoe  Arbuckle),  Culver 
City. 

Cosmosart   Picture   Corp.,   3700   Temple   St. 

Douglas  Fairbanks  Co.,  5320  Melrose  Ave.,  Hol- 
lywood. 

E.  &  R.  Jungle  Film  Co.,  720  N.  Soto  St. 

Famous  Players-Lasky  Corp.,  Realart  Studios,  200 
N.    Occidental    St. 

Famous  Players-Lasky  Corp.,  1520  Vine  St.,  Hol- 
lywood. 

Fine  Arts   Studios,  4500   Sunset   Blvd 

Francis  Ford  Studios,  6040  Sunset  Blvd.,  Holly- 
wood. 

William  Fox  Film  Corp.,  1417  N.  Western  Ave., 
Hollywood. 

William  Fox  Studio  (Ranch),  2450  Tevio,  Los 
Angeles. 

Frazee  Studios,   Riverside,    Calif. 

Garson   Studios,   1845  Glendale  Blvd.,  Los  Angeles. 

L.  J.  Gasnier  Prod.,  Verdugo  Road,  Glendale. 

Paul  Gerson   Studio,   353   10th   St.,   San   Francisco. 

Goldwyn  Film  Corp.   Studios,   Culver  City. 

J.  D.  Hampton  Prod.,  Sunset  and  LaBrea  Blvds., 
Hollywood. 

Wm.  S.  Hart  Studio,  1215  Bates  St.,  Los  Angeles. 

Haworth  Pictures  Corp.,  4500  Sunset  Blvd.,  Hol- 
lywood. 

Herman  Film  Corp.,  2436  Wilshire  Blvd.,  Santa 
Monica. 

Historical   Film   Corp.   of  America,   Burbank. 

Hollywood  Studios,  Inc.,  6642  Santa  Monica 
Blvd.,    Hollywood. 

David  Horsley  Studios,  1919  So.  Main  St.,  Los 
Angeles. 

Horsley,   Wm.,    Studios,   6060    Sunset    Blvd. 

Thomas  H.   Ince   Studios,   Inc.,   Culver   City. 

Keaton,   Buster,  Studios,   1025   Lillian  Way. 

King  Vidor  Productions,  7200  Santa  Monica  Blvd., 
Los  Angeles. 

Henry   Lehrman   Studios,    Culver   City. 

Katherine  MacDonald  Studios,  904  Girard  St., 
Los  Angeles. 

Louis  B.  Mayer  Studios,  3800  Mission  Road,  Los 
Angeles. 

Master  Films,  Inc.,  Culver  City. 

Metro  Pictures  Corp.,  900  Cahuenga  Ave.,  Hol- 
lywood. 

Mixville,  2450  Teviot   St. 

Montague  Studios,  San  Francisco. 

Reelcraft  Pictures  Corp.,  1107  N.  Bronson  St., 
Los  Angeles. 

Morosco  Studios,  201  N.  Occidental  Blvd.,  Los 
Angeles. 

National  Film  Corp.  of  America,  1116  Lodi  St., 
Hollywood. 

Marshall  Neilan  Studio,  1407  N.  Wilton  PI.,  Hol- 
lywood. 

O.  Conner  Productions,  1107  N.   Bronson  Ave. 

Pacific   Film   Co.,   Culver   City. 

Pacific   Studios   Corp.,    Peninsular  Ave. 


Pickford-Fairbanks     Studios,     7100     Santa     Monica 

Blvd. 
Ray,   Charles,  Prod.,  Inc.,   1425   Flemmmg  St. 
Roach,   Hal   E.,   Studios,    Inc.,   Culver   City. 
Robertson-Cole,  780  Gower  St.,  Hollywood. 
Rolin   Film  Co.,   Culver   City. 

Romayne   Studio,   Washington   Blvd.,   Culver   City. 
Mack    Sennett,    1712    Glendale    Blvd.,    Los   Angeles. 
Special   Pictures    Corp.    Studios,    Long   Beach. 
Sacred  Film   Co.,   Burbank,   Cal. 
Selig   &   Rork    Prod.,   3800   Mission    Road. 
Stocktonian   Film   Co.,   Stockton,   Calif. 
Triangle     Film     Corp.,    405     Currier     Bldg.,     Los 

Angeles. 
United   Studios,  5341   Melrose  Ave. 
Universal  Film  Mfg.  Co.,  Universal  City. 
Vacant      Studio,      Nat      Goodwin      Pier,       Santa 

Monica. 
Vidor,   King,  Prod.,  7200  Santa  Monica  Blvd. 
Vitagraph  Co..   1708  Talmadge  St.,  Hollywood. 
Wall,    Larry,    M.     P.     Prod.,    319-29    Sumner    St., 

Bakersfield,   Cal. 
Warfier     Bros.,     Sunset     Blvd.     at     Bronson,     Los 

Angeles. 
Lois  Weber  Productions,  4634  Santa  Monica  Blvd., 

Los  Angeles. 
Willis    &    Inglis    Studios,    1425    Fleming    St.,    Los 

Angeles. 
Wilnat    Studios,    6070    Sunset    Blvd.,    Hollywood. 
Weegy    Bird    Films    Co.,    1915    N.    Broadway,    Cal. 
Western   Arts    Studios,    1745    Glendale    Blyvd. 
Willat   Prod.,   Inc.,   Culver   City. 
Wong  Ming  Prod.    Co.,   753   S.   Boyle  Ave. 

Other  Western    Studios 
Globe,  Arizona — Apache  Trail  Prod. 
Bisbee,   Arizona— Border   Film   Feature. 
Columbia  Falls,  Mont. — Flathead  Prod. 
El  Paso,  Texas — Photo  Art  Film  Co. 
Portland,    Ore. — American    Lithograph    Co. 
Portland,    Ore. — Kiser    Studios. 
Spokane,    Wash. — Pan-American    Film    Corp. 

EASTERN   STUDIOS 
New  York  City 

Adolph  Philipp  Film  Corp.,  11  East  14th  St.,  Stuy- 
vesant  6787. 

Asso.   Screen  News,   120  W.  41st  St. 

Bertin    Studios,    454    3rd  Ave. 

Biograph,  807  East   175th  St.,   Tremont   5100. 

Columbia-Metro,  3   West  61st   St.,   Columbus  8181. 

Edison,  Decatur  Ave.   &  Oliver  PI.,  Fordham  8330. 

Estee's,   361    West   125th   St.,   Morningside   4985. 

Fifty-fourth    St.,    517    West    54th    St.,    Columbus 
6498. 

Filmart,  69  West  90th  St.   (used  for  school  of  act- 
ing).    Riverside  1315. 

Fox  Film   Corp.,   55th   St.   and   10th  Ave. 

Fox,  West  55th  St.,   Circle  6800. 

International,  127th  &  Second  Ave.,  Harlem  6298. 

Jackson    Studios,    Westchester   Ave.,    Bronx. 

Jeflferson  Film  Co.,  2555  Webster  Ave. 

Levey,  Harry,  230  West  38th  St.,  Greeley  2485. 

Norma   Talmadge,    318    East   48th    St.,    Vanderbilt 
4338. 

Tilford  Studios,  344  West  44th  St. 

Oliver,    308    East   48th    St.,   Murray   Hill   6276. 

Pathe,  134th  St.  &  Park  Ave.,  Acad.  4730. 

Victor,  645  West  43rd  St.,  Longacre  20. 

Miscellaneous 

Beaver,  Dongan  Hills,   Staten  Island,  N.  Y.,  New 

Dorp    535. 
A.  H.  Fisher,  New  Rochelle,  N.  Y.,  New  Rochelle, 

2277. 
Griffith,   Orienta   Point,   Mamaroneck,   N.   Y.,   Ma 

maroneck   1191. 
Plimpton,  965  Yonkers  Ave.,  East  Yonkers,  N.  Y. 

Mt.  Vernon  3884. 
Whitman    Bennett,    537    Riverside    Ave.,    Yonkers 

Kingsbridge  270. 
Unexcelled,  120  School  St.,  Yonkers,  N.  Y.,  Yonk 

ers  4600. 

Brooklyn  and  Long  Island 

Astra  Studios,  75  Will  St.,  L.  I.  City. 

J.    Stuart    Blackton,    423    Classon   Ave.,    Brooklyn, 

N.  Y.,  Prospect  9683. 
Famous  Players,   Long  Island   Cty,  N.   Y. 


163 


SCREEN 


"Timothy's 
Quest" 

Directed   by 

Sidney   Olcott 

"Jacqueline" 

Directed   by 

Dell   Henderson 

"The  Broken 
Silence" 

Directed   by 

Dell   Henderson 

"Clay 
Dollars" 

With 
Eugene  O'Brien 

"Dream 
"Street" 

D.  W.  Griffith 
Special 


STAGE 

"THE 
HERO" 

With 
Richard 
Bennett 

and 
Robert 

Ames 

"HANDS 
UP" 

In 

Vaudeville 


JOSEPH  DEPEW 


Helen  Rowland 

"Lady  Gay"  in  "Timothy's  Quest" 
American  Releasing  Corp. 

"What's  Wrong  with  the 

Women?" 

Equity  Production 

"Eppie"  in  "Silas  Marner" 
Pathe 

"Jacqueline" 
Arrow  Production 

"My  Friend  the  Devil" 

Fox 

Charles  Murray  Comedies 

"Twas  the  Night  Before  Xmas" 
Bray 

"Woman's  Home  Companion 
Series" 


2322  Grand  Ave.,  New  York  City 
or      Actors      Equity     Association 

Born  Aug.  7,  1918 


164 


Frohman  Amuse.  Corp.,   140  Amity   St.,   Flushing, 

L.  I.,  Flushing  3994. 
Mirror,  Glendale,  L.  1.,  Rich.  Hill  3S4S. 
Gaumont,    Flushing,    L.    I.,    laboratory.    Flushing 

2211. 
Hal     Benedict,     College    Point,    Flushing,     L.     I.. 

Flushing  3142. 
Vitagraph,   E.    ISth   St.    &  Locust  Ave.,   Midwood 

New  Jersey 

Charter  Fihn   (Benj.  Chapin),  Ridgefield  Park,  N. 

J.    (used  as  laboratory  at  present),   Hackensadc 

583. 
Erfair-Fox,   Fort  Lee,   N.   J.,   Fort   Lee    120. 
Ideal    (Briggs),    Hudson    Heights,    N.    T.,    Union 

5067. 
Kalem,  Cliffside,  N.  J.,  Cliffside  789. 
Lincoln,   Grantwood,   N.  J.,   Morsmere   649. 
Mark  M.  Dintenfass,  Hudson  Heights. 
Paragon    (Chautard),   Fort   Lee,   N.   J.,   Fort    Lee 

329. 
Pathe-Astra,    1    Congress    St.,   Jersey    City,    N.   J., 

Webster  4675. 
Pathe  Exchange,  Bound   Brook 
Peerless,  Fort  Lee,  N.  J.,  Fort  Lee  200. 
Solax,  Fort  Lee,  N.  J.,  Fort  Lee  166. 
Universal,  Leonia,   N.  J.,  Fort  Lee  350. 

LABORATORIES 

California 

Bennett,  Chester,  Lab.,  4500  Sunset  Blvd.,  597- 
061 ;  Bloom's  Film  Lab.,  7520  Sunset  Blvd.,  Holly 
4015;  Crandall  &  Stevens  Film  Lab.,  1745  Glen- 
dale Blvd.,  54109  and  Wilshire  4275;  Grouse,  F.  H., 
1511  Cahuenga  Ave.,  Holly  2366;  Clune's  Lab.. 
5356  Melrose  Ave.,  Holly  2700;  Fibncraft  Lab., 
Culver  City,  Cal.,  761-201;  William  Horsley  Lab., 
6060  Sunset  Blvd.,  Holly  7120;  Rothacker-Allers 
Lab.,  5515  Melrose  Ave.,  Holly  2804;  Crosby  Film 
Lab.,  5813  Santa  Monica  Blvd.,  Holly  2752;  Cres- 
cent Film  Lab.,  7870  Santa  Monica  Blvd.,  578- 
473;  Downing  Pro.  Lab.,  6363  Santa  Monica 
Blvd.;  H.  &  F.  Film  Lab.,  1123  Lillian  Way;  Pa- 
cific Film  Lab.,  1123  No.  Bronson,  Holly  4609; 
Sunset  Lab.,  6060  Sunset  Blvd.,  Holly  3693; 
Standard  Fihn  Lab.,  959  Seward  Ave.,  Holly  6943  ; 
Story  &  Guild,  1123  Lillian  Way,  Holly  1696. 

San  Francisco:  Duhem  M.  P.  Mfg.  Co.,  985 
Market  St.;  Blache  Film  Lab.,  292  Turk  St. 

Canada 

Vancouver,  B.  C. :   Dominion  Film  Co. 

Colorado 

Denver:     Ford's    1029     16th  St. 

District  of  Columbia 

Washington:     Colonial  Film  Co.,  606  Sixth  Ave. 

Florida 

Miami  Studios,   Miami. 

Georgia 

Atlanta:   Scenic  Film   Co.,  146  Marietta  St. 

Illinois 

Chicago:  Active  M.  P.  Co.,  1103  W.  Randolph 
St.;  Commercial  M.  P.  Mfg.  Co.,  2436  Sheffield 
Ave.;  Emerald  M.  P.  Co.,  1717  N.  Wells  St  ; 
Premier  Title  Co.,  330  E.  35th  St.;  Rothacker 
Film  Mfg.  Co..  1339  Diversey  Pky. ;  Selig  Poly- 
scope Co.,  58  E.  Washington  St. ;  Burton  Holmes, 
7510  N.  Ashland  Ave.;  Camel  Film  Co.,  950  Edge- 
comb  PI. 

Indiana 

Indianapolis:  Coburn  Photo  &  Film  Co,  539 
W.   Meridan  St. 

Iowa 

Des  Moines:  Superior  Film  Mfg.  Co.,  13th  & 
Crocker  Sts. 

Maryland 

Baltimore:  Lewey  Harry,  Wizard  Theater  Bldg. 

Massachusetts 

Boston  :  Motion  Picture  Advertising  Co. ;  Com- 
monwealth Cinema  Co.,  29  Middlesex  St. 

Michigan 
Detroit:     H.  N.  Nelson,  Fihn  Bldg. 


Minnesota 

Minneapolis:    Lochren    Fihn   Mfg.   &  Adv.    Ser- 

^'st.    Paul:      Rath,    Mills   &   Bell,   817   University 
Ave.  ■,,•  • 

Missouri 

Kansas  City:  Kansas  City  Slide  Co.,  2449 
Charlotte   St. 

St.  Louis:  Merchants  Features  Film  Studios, 
2502   Cass  Ave. 

Nebraska 

Lincoln:      Nebraska    Feature    Co.,    1212    P.    St. 
Omaha:      Chenoweth  Film  Co. 

New  Jersey 

Atlantic    City:      Acme    M.    P.    Prod.    Co. 

Bayonne:     Unista  Fihn  Co.,  670  Avenue  E. 

Bound   Brook :     Pathe. 

Fort  Lee:  Paragon,  John  St.;  United  States 
Amuse  Co.,  Lemoine  Ave.;  Universal  Film  Mfg. 
Co.,  Kessel  Laboratories,  San  Jacq  Lab.,  Goldwyn ; 
Herlograph  M.  P.  Film  Corp. ;  Film  Service  Corp., 
Fort  Lee. 

West  Hoboken :  Film  Developing  Corp.,  216 
Weehawken    St. 

Hudson  Heights:     Mark   M.   Dintenfass. 

Palisades:  Palisades  Film  Lab.-;  Knicker- 
bocker Film  Lab. 

Plainfield:      Saturn   Film   Co.,   Interhaven  Ave. 

Cliffside:      Rex    Lab. 

New  York 

Long  Island  City:  G.  M.  Laboratories,  Inc.  ; 
Famous  Players-Lasky,  6th  St.  and  Pierce  Ave. 

Flushing:     Gaumont  Co.,  48  Congress  St. 

Ithaca :      Wharton,    Inc. 

Staten  Island:     Beaver  Film  Co.,  New  Dorp. 

Mamaroneck:     D.  W.  Griffith,  Orienta  Pt. 

New  Rochelle :  Colograph  Laboratories,  Hud- 
son Pk.  Road.  David  Fischer  Studio  and  Lab- 
oratories. 

Brooklyn:  Vitagraph  Co.,  ISth  St.  and  Locust 
Ave. 

New  York  City:  Acme  Film  Co.,  1542  Broad- 
way; Art  Laboratories,  316  E.  48th  St.;  Clare- 
mont  Laboratory,  Park  Ave.  and  Claremont  Pky. ; 
Biograph  Co.,  807  E.  lS7th  St.  ;Brunels  Film 
Prod.  Co.,  1265  Broadway ;  Cromlow  Film  Labo- 
ratories, 220  West  42nd  St. ;  Eclipse  Film  Labo- 
ratory, 521  W.  23rd  St.;  Edison  Studio  and  Lab- 
oratory, 2862  Decatur  Ave. ;  Empire  Film  Labora- 
tory, 345  W  40th  St.;  Erbograph  Co.,  203  W. 
146th  St.;  Evans  Film  Mfg.  Co.,  416  W.  216th 
St.;  Kalem  Co.,  235  W.  23rd  St.;  Republic  Film 
Lab.,  128  W.  52nd  St.;  Tremont  Film  Lab.,  1942 
Jerome  Ave. ;  Urban  Motion  Picture  Industries, 
Inc.,  Irvington  on  the  Hudson;  Craftsmen  Film 
Laboratories,  Inc. ;  DuArt  Film  Laboratories, 
Westchester  Ave.,  Bronx;  L.  Star,  111  Westches- 
ter Square;  Crystal,  430  Claremont  Parkway; 
Dobbs  Laboratories,  316  E.  48th  St. 

Yonkers:     Whitman  Bennett,  537  Riverside  Ave. 

Ohio 

Cleveland:  Industro- Scientific  Film  Co.,  1514 
Prospect  Ave. 

Dayton:  Pyramid  Film  Co.,  Pyramid  Bldg.,  121 
E.  3rd  St. 

Toledo:    Animated  Adv.   Serv.   Co.,   Ohio   Bldg. 

Wapakoneta :      Buckeye  M.    P.    Co. 

Oregon 

Portland:      Kiser    Studios,    773    Melrose    St. 

Pennsylvania 

Philadelphia:  Brilliant  F.  Mfg.  Co.,  247  N. 
nth  St.;  Colonial  M.  P.  Co.,  Wissahicken;  Mas- 
terpiece Fihn  Attractions,  1235  Vine  St.;  Betx- 
wood  Film  Co.,  Port  Kennedy,  Pa. 

Pittsburgh:  Indus.  &  Domestic  Film  Co.,  16th 
and  Penn  Sts. 

WiDces-Barre :  Lyman  Howe  Film  Labora- 
tories,  175  W.  River  St. 

Texas 

Dallas:     E.  H.  Fitzhugh,  1026^   Ehn  St. 
Austin :     Austin  Fihn  Library,  Inc. 

Wisconsin 
Milwaukee:      U.    L.    C.    Industrial    Film    Co., 
Second   St. 


165 


Jacqueline  Logan 


"Java   Head" 
**Burning  Sands" 


Famous  Players  -  Lasky  Release 


WEBSTER    CAMPBELL 

Director 

"ISLAND  WIVES" 

"DIVORCE  COUPONS'' 

"THE  SINGLE  TRACK" 

Starring  Corinne  Griffith 


166 


STANDARDIZING   PRODUCTION    COSTS 


Producer's   EsHmai-e  Sheeh. 

Producer.                                           Prorltir.|-inn 

Da^'e. 

OtwAOXMCNT.                                                    ITPK^                                                     KlAt^e    -                                                  e  STlA.^aTtte>.        actoal-.      EJT.Mii-t«o.  -A-cnjAl.  .                                           1 

•■       Staff 

2.  PrfillnninarN(              Stnri) 

S<-en'=>'-in 

""Wotnfn 

1 

Bit-.-^    ^ 

-     - 

» 

M 

4.  «>t-(iHio  (?'3nt 

ti  Dir*»<-Hon                  pirfx-for- 

WrirWinADrinh 

9   riifHpA                        C-iift-<»r- 

"                        D^t^hpi- 

10.  Tff|<»s                                         Pl«in     1^1 





<2.w<¥-dfnh4             <-««if 

p.'+-< 

l4.Setl-in^8                Art  and  T&chnical  Direction 
Research  xvork 
Set  Desi^na-plana-models 
Deai^nera  and  Model makefs 
Decorator 
Draper 

Art  Selectors 
Carpenter  Labor 
Scenic  Labor 
Propertij  Men 
Clearera 
Clerical    . 

Workmens  CompenaatiOn 
Properties 
Draperies 

Purchases  and  Rentals 
TransporfatlonfothcK  *hon  «slj 
Receiving  and  Shipping 
Constructron  on  Locahon 

TILFORO 

-CINEMA 

3TUD10S 

, 

ISSUED   BY  TILFORD  CINEMA    STUDIOS    16S~3I«t.   W.r.c. 

TO-TA 

1.  . 





__ 

Prepared  by  the  Tilford  Cinema  Studios.  While  self-explanatory,  it  should  be 
borne  in  mind  that  Item  No.  4  with  reference  to  Studio  Rent,  includes  electric  cur- 
rent, labor  of  electricians,  etc.  Those  interested  can  doubtless  secure  sheets  of  this 
nature  from  the  Tilford  organization. 

167 


WILLIAM  H.  STRAUSS 

Starring  in 

"THE  HOUSE  OF  SOLOMON" 

An  unusual  photoplay,  combining  the  beauty  of 

"The  Return  of  Peter  Grimm"  and  the  comedy  of 

"Potash  and  Perlmutter" 

Distributed  by  American  Releasing  Corp. 


EDITH 
ROBERTS 


168 


Producers  of  Short  Reels 


New  York 

Producer  Studio   Address 

All-Star     Comedies,     Inc 3021   Myrtle  Ave.,  Glendale,  L.  I. 

*Baumer    Films,    Inc 6   West  48th   St 

*Blake   and    Coyle    1600    Broadway     

Bray   Prod,   Inc.    130  West  46th   St 


*Robert   C.    Bruce    Care  Educational,   370   7th  Ave. 

Chronicles    of    America ISth  and  Locust,  Brooklyn 

*Jack    Cohn    1600  Broadway    

Jack    Eaton-Weiss    Bros 135  West  44th  St 

Fables    Pictures,    Inc 133  West  52nd  St 

Fox   Film    Corp 10th   Ave.   and   55th    St 

Funk  and  Wagnalls  Co 354  4th  Ave 

William  J.  Ganz   507  5th  Ave 

Earl  Hurd   Kew   Gardens,   L.   I 

'International    News    Reel    Corp 281    William    St 

Kineto    Co.    of    America Irvington,    N.    Y 


♦Kinograms  Pub.   Corp 121    West    41st    St 

Hoey    Lawlor    Care  J.  G.  Slobey,  729  7th  Ave 

Macdono  Cartoons,  Inc 3021    Myrtle   Ave.,    Glendale,    L.    I.... 

Mastodon  Pictures,  Inc 3021    Myrtle    Ave.,    Glendale,    L.    I.... 

Arthur  Maud  Care  Pathe.  35  West  45th  St 

Music  Films,   Inc 3193  Boulevard,  Jersey  City,  N.  J 

*Nat'l    Poem    Classics   Ass'n 110  West  40th  St 

Warren  A.    Newcombe 130  West  46th  St 

Nick  Carter  Prod 361   West  125th  St 

Out-of-the-Inkwell    Films,    Inc 128   East   45th   St 

*Pathe  News   35  West  45th  St 

*Pathe   Review    35  West  45th  St 

Dr.    Lillian    D.    Powers Red  Squirrel  Farm,  White  Plains,  N.Y. 

Prizma,     Inc 3193    Boulevard,   Jersey    City,    N.   J.... 

A.    M     Putnam J2    Serpentnie    Drive,    New    Rochelle, 

N.  Y 

Rialto    Prod .• 10th  Ave.   and  54th   St 

Tony  Sarg   54    West    9th    St 

*Screen    Snapshots,    Inc 1600    Broadway    

Geo.    B.    Seitz   Prod 1990    Park    Ave 


*Selznick    Pictures    Corp 729     7th    Ave 

•Storey   Pictures,    Inc.    729    7th    Ave 

Pat    Sullivan    1947    Broadway    

Timely    Films,    Inc 1 562    Broadway     

•Triart    Prod -. 469     5th    Ave. .' 

♦Visual  Symphony   Prod 17    West    44th    St 

•Eltinge   F.    Warner 25    West   4Sth    St 

Los  Angeles 

Adams  Prod 1412  Bond  St 

C.  B.  C 6070   Sunset   Blvd 

Campbell  Comedy  Corp 4530   Sunset  Blvd 

Century    Film    Corp 6100   Sunset   Blvd 


Chas.    Chaplin    Prod 1416    La    Brea    Ave... 

Chester  Prod. 1 720  N.   Soto   St 

Christie    Film    Corp 6101    Sunset   Blvd 

Cinal   Prod 3500    Beverly    Rd 

Cosraosart  Prod 3500    Beverly    Rd 

Crescent   Prod 4500   Sunset   Blvd 

A.  E.  Cuthbert 217   N.    Burlington   St. 

Fashion  Features    6050   Sunset   Blvd 

Film   Booking   Offices 780   Gower  St 


Fox  Film   Corp Sunset    Blvd. -Western    Ave. 


Hamilton-White    Comedies,    Inc 5341   Melrose  Ave 

L.   C.   Haynes  Prod 410  Court  St 

Fred    Hibbard    Prod 5341     Melrose    Ave 

Buster  Keaton  Prod 1025    Lillian    Way 

Eddie  Lyons    5821  Santa  Monica  Blvd. 

Malobee  Prod 6050   Sunset   Blvd 

J.    K.    McDonald    Prod 6642  Santa  Monica  Blvd. 

O'Conor   Prod 1110    Tamarind    St 

Paragon    Prod .,  .4811   Fountain  Ave 

Reagner  Prod.  Co 1745    Glendale    Blvd 


Reels  Release 

2       Federated 


Hodkinson 
State  rights 
Hodkinson 
Educational 

F.'B.'bV    "* 

Goldwyn 

Pathe 

Fox 

Hodkinson 

State  rights 

Educational 

Universal 

Universal 

Hodkinson 

Vitagraph 

Educational 

State  rights 
Educational 
One  through  Pathe 


Forward    Film    Dist. 


Pathe 
Pathe 
Lee-Bradford 


Corp. 


Clark-Cornelius 

State  rights 

Educational 

Pathe 

Pathe 

Pathe 

Selznick 

Federated 

State  rights 

Pathe 

Hodkinson 

Hodkinson 


State  rights 

Educational 

Universal 

Universal 

Universal 

Asso.   First  Nat'l 

Hodkinson 

Educational 


Forward    Film    Dist. 


F.  B.  O. 

F.  B.  O. 

F.  B.  O. 

Fox 

Fox 

Fox 

Fox 

Fox 

Fox 

Educational 


Asso.    First    Nat'l 

Arrow 

State  rights 

Pathe 

Pathe 

State  rights 

State  rights 


169 


DOROTHY 
MACKAILL 

.       "The  Isle  of  Doubt" 
"The  Jelly  Fish" 
"A  Woman's  Woman" 

"The  Streets  of  New 
York" 

"Mighty  Lak  a  Rose" 
Edwin  Garewe 

(First  National  Attraction) 

CHARLES    CRAIG 

Comedy  Leads 

"THE  HEADLESS  HORSEMAN" 
with  Will  Rogers 

"BEYOND  THE  RAINBOW" 

"THE  STAGE  DOOR" 

W.  Christy  Gabanne  Prods. 

"A  MILLION  IN  JEWELS" 
J.  P.  McGowan  Prod. 


170 


H.   E.    Roach   Comedies Culver   City 


Joe    Rock    Universal    City 


Rodeo  Comedies   S341 

Ruth   Roland    Serials 5341 

Russell    Prod 6050 

Sanford   Prod 6050 

Mack   Sennett    1712 


Melrose    Ave 2 

Melrose    Ave 31 

Sunset    Blvd 2 

Sunset   Blvd 2 

Glendale    Blvd 


Hunt    Stromberg    Prod 6642    Santa    Monica    Blvd. 

Universal    Universal     City     


Vitagraph   1 708    Talmadge    St. . 

Jack   White   Corp 5341    Melrose    Ave.. 

Ben  Wilson  Prod 5821    Santa    Monica 


Blvd. 


Elsewhere 

Betzwood    Film    Co Philadelphia    

Bray    Prod,    Inc Norwalk,    Conn 

Bruce    Carter    Prod San    Francisco     

Commercial    Film    Studios,   Inc 21st  St.  and  Olive,   St.   Louis. 

Essanay   Film   Co Chicago,    111 

Paul   Gerson    Pict.    Corp San  Francisco    

Harter-Wall  Prod Bakersfield,   Cal     


Pathe 
Pathe 
Pathe 
Federated 

Patiie     

State  rights 

State  rights 

Asso.   First   Nat'l 

Asso.   First  Nat'l 

Asso.   First  Nat'l 

Metro 

Universal 

Universal 

Universal 

Vitagraph 

Educational 

Federated 

Federated 

Educational 


Forward    Film    Dist. 
Rialto    Prod. 
F.  B.  O. 


Rothacker    Film    Co 1339    Diversey    Parkway,    Chicago... 

Sacred    Films,    Inc Burbank,    Cal 1 

Worcester  Film  Corp Worcester,   Mass 

*These  companies   operate   in   no  regular   studio.      Addresses   given   are  business 


State  rights 
addresses. 


EARLY   DAYS    IN   AUSTRALIA 

A  few  particulars  regarding  the  early  introduc- 
tion of  long  feature  pictures  in  Australia,  by  Mil- 
lard Johnson,  American  representative  of  Austra- 
lasian Films,  Ltd. 

In  1900  the  present  King  and  Queen  of  Eng- 
land came  to  Australia  and  about  10,000  feet  of 
negative  was  taken  for  the  Australian  Government 
by  Mr,  J.  Perry,  depicting  the  ceremonies,  pro- 
cessions, etc.,  when  Australia  became  a  nation. 

I  bought  about  4,000  feet  and  made  a  feature 
of  over  3,500  feet  long  and  toured  Victoria  and 
Tasmania  with  this,  supplemented  by  other  short 
subjects,  but  lost  money.  This  is  the  first  record 
of  a  long  feature. 

In  1903  Charles  Urban  made  a  four  reel  feature 
called  "Living  London"  without  any  titles.  Mr. 
W.  A.  Gibson  and  myself,  in  conjunction  with 
Taits,  exploited  this  through  Australia  and  India 
and  did  enormous  business,  so  much  so  that  in 
1904  Taits  asked  us  to  make  another  and  we  pro- 
duced in  1905  "The  Kelly  Gang,"  a  five  reel 
feature  life  story,  the  first  ever  made,  and  even 
now  no  picture  has  reached  the  great  financial 
success  of  this  in  Australia. 

Every  six  months  we  made  another  of  these 
including  "Robbery  Under  Arms,"  "Mystery  of 
the  Hansom  Cab,"  "Called  Back,"  "The  Bells" 
and  others. 

Each  of  these  were  over  6  reels  long  and  a  whole 
night's  entertainment.  These  cost  about  $2,500  to 
make  and  we  shot  7,000  feet  of  negative  and 
showed  6,500  feet  of  positive. 

I  am  therefore  justly  entitled  to  be  ranked 
amongst  the  very  earliest  in  the  world  who  in- 
troduced and  saw  the  great  possibility  of  the  long 
6  reel  feature. 

For  "The  Bells"  Mr.  Gibson  and  myself  en- 
gaged Arthur  Steyn,  Melbourne's  leading  actor, 
and  hired  all  the  stage  scenery  from  Williamsons 
for  our  production. 

Mr.  Spencer  produced  about  1908  "Sweet  Nell 
of  Old  Drury,"  paying  Miss  Nellie  Stewart  about 
$5,000  to  act  her  leading  stage  role,  which  was 
considered  an  enormous  salary  in  those  days. 

When  I  arrived  in  America  in  1913,  long  pic- 
tures were  absolutely  unknown,  no  orchestras  of 
24  and  30,  but  these  were  very  common  in  Aus- 
tralian pictureshows,  and  pictures  of  30  to  35 
feet  diameter  were  the  usual  size  there. 

I  personally  contracted  with  Adolph  Zukor  for 
his  first  year  productions  at  their  earliest  com- 
mencement, but  my  firm  had  previously  bought  in 
London  Bernhardt's  "Queen  Elizabeth"  before  it 
was  shown  in  America. 

The  Nordisk  Biograph  with  Asta  Neilson  made 
the  best  5  reel  features  in  the  earliest  times  prior 
to  1912. 


COLOR   PHOTOGRAPHY   IN    1922 

By  Carroll  H.  Dunning,  Vice-President, 
Prizma,  Inc. 
Progress  during  1922  in  the  field  of  color  motion 
photography  has  been  marked  by  the  announce- 
ment by  several  new  companies  of  the  acquisition 
of  patents  and  their  intentions  to  make  color 
films,  by  the  demise  of  at  least  one  company 
whose  initial  wark  in  1921  gave  some  promise; 
and  by  the  gradual  acceptance  by  the  trade  of  the 
value  of  color  in  their  productions  and  willingness 
to  cooperate  with  color  companies  to  get  those 
results  that  can  be  secured  in  no  other  way  than 
by   means   of   color   photography. 

Prizma,  Inc.,  pioneer  color  company  working 
under  the  patents  and  processes  of  William  Van 
Doren  Kelley,  has  pursued  the  even  tenor  of  its 
way,  making  improvements  in  its  methods,  building 
new  equipment  in  its  laboratory  and  getting  better 
results  in  its  product.  During  the  year  Prizma 
made  and  released  a  series  of  26  short  subjects 
comprising  the  only  regular  short  subject  service 
in  the  world  using  color  photography  exclusively. 
It  made  for  Music  Films,  Inc.  the  series  of 
exquisite  little  dances  in  synchronization  with  the 
music,  that  proved  to  be  such  a  distinct  novelty 
and  at  once  acceptable  to  the  leading  first-run 
theaters  in  the  country.  It  made  the  release 
prints  for  J.  Stuart  Blackton's  first  Prizma  color 
drama  "The  Glorious  Adventure,"  handling  the 
largest  color  order  ever  placed,  in  its  Jersey  City 
laboratory  with  double  shifts  working  five  nights 
a  week  for  the  entire  summer.  It  made  color 
titles,  prologues,  inserts  or  embellishments  for 
practically  every  prominent  producer  in  the  in- 
dustry. Such  work  as  that  appearing  in  Mae 
Murray's  "Broadway  Rose"  being  typical  of  the 
improved   methods    and    results    secured. 

It  opened  a  new  office  in  Hollywood  in  charge 
of  Captain  George  Stone  to  take  care  of  producers 
on  the  Coast  needing  color  in  their  productions, 
and  it  saw  its  product  meet  with  profitable  accept- 
ance by  exhibitors  and  public  in  England,  France, 
Belgium,  Holland,  Scandinavia  and  Czecho- 
slovakia. 

The  principal  event  of  all  in  1922,  however,  m 
the  field  of  color  motion  photography  from  a 
historical  standpoint  was  undoubtedly  the  premiere 
showing  of  "The  Glorious  Adventure''  at  the 
Capitol,  New  York,  in  April.  Much  depended 
upon  the  initial  reception  by  the  public  of  this  J. 
Stuart  Blackton  production  because  it  was  the 
first  full  length  color  in  the  film  feature  ever  to 
be  shown. 

The  favorable  reaction  of  the  public  at  that  time 
and  since  as  reflected  in  the  box-office  both  in  this 
country  and  in  Europe  furnishes  the  encouraging 
answer  that  color  motion  photography  has  a  place 
in   the   industry. 


171 


Raymond   McKee 

Starring  in  C,  C.  Burrs 
"All  Star"  Comedies 


Current  Releases 

ELMER  CLIFTON'S 

SUPER  FEATURE 

'*Down  to  the  Sea  in  Ships" 

*A  Blind  Bargain,"  Goldwyn 

THE  FRIARS  CLUB, 

N.  Y.  C. 


Laura  La Plante    |v^ 

P^^ 

Current  releases:              I^k 

r 

"THE  WALLFLOWER"     HI 

BH 

Leading  Lady  with            f^ll 

Bill  Desmond  in              l^^l 

^^HH 

"PERILS  OF  THE          H 

^^^^fl 

YUKON"                  ^H 

^^^^H 

and                          ^^^1 

^^^^^B 

"AROUND  THE           ^H 

^^^hh 

WORLD  IN  18  DAYS"      H 

BiM 

172 


American  and  Foreign  Distribution  Percentage  Tables 


First  National  Exhib.  Circuit 
Territory  Percentage 

isou.    Cal.   &  Ariz.    2  27/56 

Nevada,  Hawaii  &  Nor.   Cal .' .   3     2/14 

Alaska,     Wash.,     Ore.,     Men.,    and    No 
Col.,  New  Mexico,  Utah,  Wyo.  and   So. 

Idaho     1     3/4 

Western  Canada   ' .' .'  2 


Illinois 


8      1/4 


Indiana      3  i/;^ 

Kan.,     Iowa-Neb 4  3/4 

Michigan     4  1/4 

Minn.,   Wis.,  N.   &  S.  Dak.    ....'.'.".""   5 

Missouri    ;.;   3  1/4 

Ohio     7 

New   England    g 

Md.,  Dist.  of  Col.  &  Del .'.".' 2  1/4 

New    Jersey     [[[    3  S/g 

New   York    I4  1/2 

West.  Va.  &  Western  Penna.   ...'.' .' .'.'.'.'   4  1  /  g 

Eastern   Penna 4  3/4 

Eastern   Canada    3  1/0 

Ga.,  Fla.,  Ala.,  Va.,  N.  &  S.  Car. .' .' ! .' .' .'   3  1/8 

Louisiana    &    Mississippi    1  3/g 

Texas,  Okl.  &  Mississippi   '..'.   4  1/2 

Kentucky    &    Tenn ' .' .'    1  7/3 

This  list,  while  correct,  so  far  as  percentages 
are  coricerned  has  become  more  or  less  obsolete 
since   First   National   took  over   its   own   exchanges. 

,       ivT         .r     .■^"°^  Film  Corp.  Per  cent 

1  New    York     State 14  5 

2  No.   N.  Jersey 3 

3  New    England    g 

4  E.    Penn.,    So.    N.   J.   and    Del'.'.'.'.'.'.  5 

5  W.  Penn.  and  W    Va 4 

6  Md.,   D.    C.   and   Va '■'  3 

7    Ohio ;;;;;;;  Is 

8  Michigan    4' 

9  N.    Illinois    and    Ind '.'.'.'.  10 

10  Minn.,  Wise,  No.  &  So.  Dak 5 

11  Iowa  and  Nebraska 4 

12  E.  Mo.  and  So.  Ills 35 

13  Col.,  Utah,  Wyo.  and  N.   Mex.    '.'.'.'  IS 

14  Wash.,  Oregon,  Ida.,  and  Mont 4 

15  Calif.,  Ariz    and  Nev.   ...  SS 

16  Tex.,  Okla.'  and  Ark '.'.'.'.'.'.'.'.'.  5 

1 7  La.  and  Miss IS 

18  Kentucky  and  Tenn 2 

19  No.  and  So.  Car.,  Ga.,  Ala.  and  Fla'.  3.5 

20  Canada     4 

Western    Mo.    and    Kans. '.'.*.'.*.*.' .'.*.'.'.  3 

New  England  States   g 

Washington,   Oregon,   Montana  and 'idaho! '.  314 

New  York   State  and  Northern   New  Jersey  17  V, 

Michigan ^'^' 

Delaware,    Maryland,    Virginia'  and  '  District 

of    Columbia    31/ 

Colorado,  New  Mexico,  Utah  andWy'oming  id 
North    Carolina,    South    Carolina,    Georgia. 

r  lorida   and   Alabama 3 

Kentucky   and    Tennessee 1 1/ 

Eastern     Pennsylvania    and     Southern     New 

Jersey      41, 

Cahfornia,  Arizona  and  Nevada.  .  sU 

Western    Pennsylvania    [['//  4 

Louisiana   and    Mississippi .............,"  i 

Texas,   Oklahoma  and  Arkansas 414 

Iowa   and   Nebraska    31/ 

Western  Missouri  and  Kansas.!!!!!!! 3 

Illmois   and    Indiana in 

Ohio                                             ^^ 


'-'"*w     y 

Minnesota,    Wisconsin,    North' '  and' '  'So'iith 

Dakota    e 

Canada    !!!!!!! 5  ?/ 

Southern    Illinois  and   Eastera"MisVouVi! ! ! !  3 


Ind.    Prod.    &    Dis.   Asso.    Distribution    Percentage 
r,       .      ,.        ,,     .  Percent 

Greater  New  York  and  No.  New  Jersey...    .    13 

New  York  State  (no.  Westch.  Co.) 4" 

New    England    "   g' 

Eastern   Pa.   and   So.  New  Jersey '&"l)eia ware  s! 


Western  Pa.  and  West  Virginia 4. 

Maryland,  Dist.  Col.  &  Virginia 3. 

North  and  So.  Carolnia,  Ga.  Fla.  &  Ala 3.S 

Tennesse    1. 

Kentucky      1 . 

Ohio    6.5 

Michigan    4. 

Northern   Illinois  and  Indiana   10. 

Eastern  Missouri  and   Southern  Illinois 3.5 

Western  Missouri  and  Kansas   3. 

Iowa   and   Nebraska    4. 

Minn.  North  and  South  Dakota 3. 

Wisconsin     2. 

Louisiana  and  Mississippi   1.5 

Texas,   Okla.   and  Arkansas    5. 

Colo.,  Wyo.,  Utah,  New  Mexico  &  So.   Idaho  1.5 

Wash.,  Ore.,  No.  Idaho  &  Montana 4. 

Calif.,  Nevada,  Arizona,  Hawaiian  Islands 5.5 

Eastern  Canada   2.5 

Western    Canada    1.5 


Federated  Exchanges  Percentages 
(Table  issued  in   1920) 

New  York   and   No.   N.  J 

New    England     

E.   Penn.   and   S.   New  Jersey 

W.    Penn.   and    W.    Va 

Del.,    Md.,    Dist.    of    Col.   and   Va 

Ohio   and    Kentucky    

Michigan    (without    Northern    Penin.) 

Illinois    and    Indiana     

Less   15^   for  So.   Ills,   if  eliminated*) 
Minn.,    No.   and    So.    Dakota   and    Northern 

Peninsula    of    Michigan     

Wisconsin     

Iowa   and    Nebraska    

E.    Missouri     

W.    Missouri   and    Kansas 

Col.,  Utah,  Wyoming  and  New  Mex 

Washington,   Oregon,   Idaho  and   Mont 

Calif.,  Arizona  and  Nevada    

Texas,    Oklahoma    and    Arkansas 

Louisiana  and   Mississippi    

N.  and  S.  Car.,  Ga.,  Fla.,  Ala.  and  Tenn... 
Canada    


nvi 

8 

4 /a 
4 

3J4 

7 

4 


3 
2/2 

3K 

3 

4 

5 /a 
4/a 
1J4 
4 

4 


FOREIGN     PERCENTAGES 
David  P.  Howells,  Inc. 

Percentage 

United    Kingdom    48 

France,    Switzerland,    Belgium,    F.A.C 7 

Holland    2J4 

Italy     2J4 

Scandinavia    8 

Austria  Hungary  and  Balkans 2 

Far  East 4 

BrazO     2 

Argentine  and  West  Coast 6 

Cuba  and  West  Indies 2 

South    Africa     2 

Mexico    2 

Australia   and   New   Zealand 12 

You  will  note  we  have  not  taken  into  account 
Germany  and  Russia,  neither  of  which  territories 
are  salable.  Any  fluctuations  in  exchange  must 
of  necessity  affect  the  price  any  country  pays. 

The    British    &    Continental    Trading    Co.,    Inc. 

Percentage 

United  Kingdom  45 

France,  Belgium  &  Switzerland 6 

Holland 1 

Scandinavia  &  Finland   8 

Italy  2J4 

Spain  &  Portugal   3 

Czecho  Slovakia  &  Balkans 2  J4 

Far  East S 

Australia  &  New  Zealand 10 

South   America    12 

Cuba  &  West  Indies  2J4 

Mexico     lyi 

We  have  not  taken  into  account  Central  and 
East  Europe,  neither  of  which  territories  are  sal- 
able. Fluctuations  in  exchange  will  of  course 
affect   the   price   any   country   pays. — 

J.   C.   BARNSTYN. 


173 


PAT  C.  HARTIGAN 

Character  "Heavies*' 

^*Down  to  the  Sea  in  Ships'' 
12-Reel  Sea  Story 

Elmer  Clifton  Production 


"Fury,"  with 
Richard  Barthelmess 


Robert  W.  Frazer 

Leads 

"Fascination,"'  with 
Mae  Murray 

"How  Women  Love,"  with 
Betty  Blythe 

"The  Desert  Calls" 

"Jazzmania,"  with 

Mae  Murray 

(Now  in  production) 

Management  of 
Edward  Small 


174 


Inter-Globe   Export   Co. 

Subject  to  change.  Percentage 

England    50 

France-Switzerland-Belgium    6 

Holland     lyi 

Italy    1 

Russia    ? 

Norway,   Sweden,  Denmark,  Finland  7 

Ge-many    ? 

Austria    Hungary    ? 

Czecho   Slovakia    ; 1 

Spain,    Portugal    2 

Australia   8 

Far  East   7^ 

South   America    7 

West  Indies   3 

South  Africa    1 

Egypt 1 

No  valuation  can  be  placed  on  the  Central  Pow- 
ers on  account  of  the  unsettled  conditions  prevail- 
ing in  those  countries  and  the  little  value  of  their 
money  at  present  exchange  rates. 

R  I.  L.  M.  CLUBS 
Albany,  N.  Y. 

President,  C.  R.  Halligan,  (Universal)  ;  Vice 
President,  B.  Gibbons,  (Vitagraph)  ;  Secretary, 
Miss  Marie  Wheeler  (Merit);  Treasurer,  M. 
Kempner,    (Paramount). 

Atlanta,  Ga. 

Film  Exchange  Mgrs.  Assn.  of  Atlanta,  26-28 
Moore  Bldg:  Oscar  Oldknow,  Chairman,  South- 
ern States  Film  Co.;  W.  H.  McWorther,  Vice- 
Chairman,  (Pathe)  ;  B.  I.  Bak,  Treas.,  (Gold- 
wyn)  ;    Ruby    Farris,    Corres.    Sec'y. 

Serve  a  month   and   rotate. 

Boston,  Mass. 

New    England    Film    Board    of    Trade 
Fred    B.    Murphy,    president;     Harry    Campbell, 
first   vice   president;    Joseph    L.    Roth,    second   vice 
president;    George    M.   A.    Fecke,    treasurer;    Benj. 
P.   Rogers,   78    Broadway,   secretary. 

Chicago,  111. 

Chicago  Film  Board  of  Trade,  804  S.  Wabash 
Ave.  :  E.  Silverman,  Select,  President ;  J.  L. 
Friedman,  Celebrated  Players,  Vice.-President ; 
J.  Steinson,  Vitagraph,  Secretary ;  I.  M.  Schwartz, 
Educational,   Treasurer. 

Board  of  Directors :  O.  W.  Bolle,  Famous 
Players;  H.  O.  Martin,  Pathe;  J.  L.  Friedman, 
Celebrated  Players;  C.  W.  Eckhardt,  Fox;  S. 
Greiver,  Greiver  Prod. 

Cincinnati,  Ohio 

Film  Board  of  Trade,  Broadway  Film  Bldg. : 
W.  A.  Kaiser,  President,  S.  C.  Jacques,  Vice 
President,  N.  G.  Shafer,  Treasurer,  M.  A.  Borge- 
menke.    Secretary. 

Denver,  Colo. 

Mel  Wilson,  President,  (Famous  Players)  ; 
Arthur  Bailey,  Vice  President,  (Pathe)  ;  Eugene 
Bailey,  Gerbase,  Treasurer,  (Universal)  ;  Frederick 
Sass,    Secretary    and    general   counsel. 

Address  correspondence  to  Frederick  Sass,  919 
Foster    Building.    Denver. 

Detroit,  Mich. 

President,  Ray  Branch  (Merit),  Vice  President, 
Harry  Scott,  (Pathe),  Treasurer,  Joseph  Fried- 
man (Universal),  Secretary,  W.  E.  Wilkinson, 
607    Joseph    Mack    Building. 

Indianapolis,  Ind. 

Indianapolis  Exch.  Mgrs.  Assn. :  C  E.  Pen- 
rod,  Pres.,   (Fox),  23  N.  Illinois  St. 

Kansas  City,  Mo. 

President,  Harry  D.  Graham,  (Pathe),  Vice- 
President,  Truly  B.  Wildman,  (Enterprise),  Treas- 
urer, Wm.  E.  Truog,  (Goldwyn),  Secretary,  Mabel 
Warren,  (Office  address,  1822  Main  Room  5). 

Los  Angeles,  Cal. 

Los  Angeles  Film  Exch.  Bd.  of  Trade,  Los 
Angeles,  Cal. ;  A.  P.  Michael  Narlian,  Sec'y,  417 
Higgins   Bldg. 

Milwaukee,  Wise. 

Milwaukee  Film  Club:  George  Levine,  Pres., 
(Universal),  174-2nd  St.;  Arthur  Grey,  V.  Pres.; 
Ray  Smith,  Treas.;  Robt.  A.  Hess,  Sec'y.  603 
Caswell  Block. 


Pittsburgh,  Pa. 

The  Film  Board  of  Trade:  President  B.  M. 
Moran  (Pathe);  Vice-Pres  D.  J.  Selzmck, 
(Select)  ;  Treasurer  Frank  Drew  (Fox)  ;  Secre- 
tary,  Olive  J.  Harden,  415   State  Theater  Buildmg. 

St.  Louis,  Mo. 

F  I  L.  M.  Club  of  St.  Louis:  Floyd  Lewis, 
Pres.,  (Select);  Frank  Harris,  V.  Pres.,  (Pathe); 
G  .M.  McKean,   Secy.  &  Treas.,   (Fox). 

Salt  Lake  City,  Utah 

Intermountain  Film  Bd.  of  Trade:  G.  L-  Clo- 
ward,  Pres.,  (Metro)  ;  Wm.  Seib,  Vice  Pres., 
(Pathe)  E.  C.  Mix,  Secy.  &  Treas.,  (Select), 
Murray   W.    McCarty,    Counsel,   212    Felt   Bldg. 

San  Francisco,  Cal. 

WilHam  A.  Crank,  Pres.,  191  Golden  (Jate  Aye., 
(American  Releasing)  ;  Morgan  A.  Walsh,  Vice- 
Pres.,  298  Turk  St.,  (Federated)  ;  Groyer  C.  Par- 
sons  Secy,  71  Leavenworth  St.,  (Goldwyn)  ; 
Milton  A.  Nathan,  Attorney  and  Executive 
Officer,    Suite    521,    Chronicle    Building. 

Seattle,  Wash. 

Northwest  Film  Bd.  of  Trade:  J.  T.  Sheffield, 
President,  G.  F.  Navarre,  Vice-President,  A. 
Rosenberg,  Treasurer,  E.  A.  Lamb,  Executive 
Secretary. 

Washington,  D.  C. 

Film  Board  of  Trade,  Washington,  D.  C. : 
Clinton  Robins,  Pres.  (Pathe);  Walter  Price, 
Vice-Pres.  (Goldwyn)  ;  Eugene  Wilson,  Treas. 
(Vitagraph)  ;  David  Thomas,  Secretary,  (Strand)  ; 
Executive  Committee:  Walter  Price,  Clinton 
Robins,  Brown  (Universal),  D.  M.  Thomas,  811 
Mather    Bldg. 

Minneapolis,  Minn. 

Minneapolis  Film  Board  of  Trade,  Inc.,  731 
Metropolitan  Bank  Bldg. :  Pres.,  A.  H.  Fischer 
(Metro);  Vice  Pres.,  J.  E.  O'Toole  (Select); 
Secy,  C.  W.  Stombaugh  (Pathe) ;  Treas.,  Fred 
Knispal    (Vitagraph). 

New  Haven,  Conn. 

New  Haven  Film  Club:  M.  H.  Kelleher,  Pres. 
(1st  Natl),  132  Meadow  St.;  Wm.  A.  Scully,  Secy. 

(Metro),    132    Meadow   St. 

New  York  City,  N.  Y. 

F  I.  L.  M.  Club,  1520  Broadway,  New  York 
City:  S.  Zierler,  Pres.,  W.  E.  Raynor,  Vice- 
Pres.,  Henry  Siegel,  Second  Vice-Pres.,  L.  Rosen- 
bluh.  Treasurer,  Author  Abeles,  Master  of  Cere- 
monies, C.  B.  Hoy,  Secretary  (All  correspond- 
ence). 

Omaha,  Nebraska 

Omaha  Film  Board  of  Trade,  338  Peters  Trust 
Bldg.:  Sidney  Meyer,  (Fox),  Pres.;  T.  E.  De- 
laney,  (Vitagraph),  V.  Pres.;  C.  W.  Taylor, 
Treas.;   Kay  Berry,  P.  O.   Box   129. 

SCHOOLS  SHOW  FILMS 

There  are  110  non-theatrical  institutions  in 
the  vicinity  of  Albany,  N.  Y.,  and  of  these  53 
are  now  using  motion  picture  films  as  a  means 
of  entertainment   from   time   to   time. 


Form    Federation    of    Art 
In    March   the    Motion    Picture    Directors'   Asso- 
ciation,   the    American    Society    of    Cinematograph- 
ers,    the    Actors'    Equity    and    the    Screen    Writers' 
Guild  formed  the  Federation  of  Art  in  Hollywood. 


Manufacture  of  Organs  for   1921 

The  Department  of  Commerce  announced  in 
October,  that  the  census  reports  showed  consider- 
able increase  in  the  activities  of  the  establishments 
engaged  in  the  manufacture  of  organs  during  1921 
as  compared  with  the  year  1919.  Fifty-five  estab- 
lishments reported  products  valued  at  $10,173,904 
for  1921  as  compared  with  68  establishments 
having  products  valued  at  $5,973,268  for  1919. 
The  increase  in  the  total  value  of  products  was 
70.3  per  cent.  Of  55  establishments  reported  in 
1921,  11  are  located  in  New  York;  10  in  Illinois; 
6,  each  in  Pennsylvania  and  Ohio ;  4,  each  in 
Massachusetts  and  Wisconsin ;  2,  each  in  Califor- 
nia,  Connecticut,  Kentucky,  Missouri. 


175 


1^ 


Adolph   Milar 

"Fury" 
With  Richard  Barthelmess 

"My  Friend  the  Devil" 
William  Fox  Special 

"Reported  Missing" 
With  Owen  Moore 

"The  Silent  Barrier" 
(All-Star  Cast) 


Corinne 
Griffith 


'^ 


176 


Key  Cities,  with  Important  Nearby  Towns 


Birmingham,   Ala. 


Jacksonville,    Fla. 
Tampa,   Fla. 
Augusta,  Ga, 

Montgomery,    Ala. 
Miami,   Fla. 
Columbus,    Ga. 

Anniston,  Ala. 
Bessemer,   Ala. 
Gadsden,    Ala. 
Selma,    Ala. 
Tuscaloosa,   Fla. 
Key    West,    Fla. 
St.    Petersburg,    Fla. 
West  Tampa,    Fla. 
Albany,    Ga. 
Athens,    Ga. 


Boston,  Mass. 
Bridgeport,    Conn. 
Hartford,    Conn. 
New  Haven,   Conn. 

New   Britain,   Conn. 
Waterbury,    Conn. 
Portland,   Me. 
Brockton,   Mass. 

Meriden,   Conn. 
New  London,   Conn. 
Norwalk,   Conn. 
Bangor,   Me. 
Lewiston,    Me. 
Chelsea,  Mass. 
Chicopee,   Mass. 
Everett,    Mass. 

Ansonia,    Conn. 
Bristol,   Conn. 
Danbury,   Conn. 
Derby,    Conn. 
East  Hartford,  Conn. 
Fairfield,   Conn. 
Manchester,   Conn. 
Middletovvn,  Conn. 
Milford,    Conn. 
Naugatuck,    Conn. 
Norwich,    Conn. 
Torrington,    Conn. 
Willimantic,    Conn. 
Augusta,    Me. 
Bath,   Me. 
Biddeford,    Me. 
Sanford,    Me. 
Waterville,    Me. 
Amesbury,    Mass. 
Arlington,   Mass. 
Attleboro,   Mass. 


Buffalo,   N.   Y. 

Binghamton,    N.    Y. 

Auburn,    N.    Y. 
Elmira,   N.   Y. 

Batavia,    N.   Y. 
Corning,  N    Y. 
Cortland,    N.   Y. 
Dunkirk,    N.    Y. 
Fulton,  N.  Y. 
Geneva,   N.   Y. 


ATLANTA 

Cities   Over    100,000- 
Nashville,    T 
Cities   Betw^een   50,000   and 
Macon,   Ga. 
Savannah,   Ga. 

Cities    Between    25,000   and 
Asheville,   N.    C. 
Charlotte,   N.   C. 

Cities   Between   10,000   and 
Brunswick,   Ga. 
La  Grange,   Ga. 
Rome,    Ga. 
Valdosta,    Ga. 
Waycross,   Ga. 
Durham,   N.   C. 
Gastonia,    N.    C. 
Goldsboro,   N.    C. 
Greensboro,   N     C. 
High   Point,   N.   C. 


-3 

enn.  .\tlanta,   Ga. 

100,000 — 8 

Charleston,    S.    C. 

Chattanooga,   Tenn. 

Knoxville,    Tenn. 
£0,000—8 

Wilmington,   N.    C. 

Winston-Salem,   N.   C. 

Columbia,    S.    C. 
25,000—30 

Newbern,   N.    C. 

Raleigh.    N.    C. 

Rocky  Mount,  N.  C. 

Salisbury,   N.    C. 

Wilson,   N.    C. 

Anderson,    S.    C. 

Florence,    S.    C. 

Greenville,   S.   C. 

Spartanburg,   S.   C. 

Johnson  City,  Tenn. 


BOSTON 

Cities   Over   100,000 — 11 
Cambridge,    Mass. 
Fall    River,    Mass. 
Lowell,   Mass. 

Cities  Between  50,000  and   100,000- 
Haverhill,   Mass. 
Holyoke,    Mass. 
Somerville,   Mass. 

Cities   Between   25  000   and   50,000— 

Fitchburg,    Mass. 
Maiden,   Mass. 
Medford,  Mass. 
Newton,    Mass. 
Pittsfield,   Mass. 
Quincy,  Mass. 
Revere,   Mass. 

Cities   Between   10,000   and   25,000— 
Beverly,    Mass. 
Clinton,  Mass. 
Danvers,   Mass. 
Dedham,  Mass. 
Easthampton,   Mass. 
Framington,  Mass. 
Gardner,  Mass. 
Greenfield,  Mass. 
Gloucester,  Mass. 
Leominster,    Mass. 
Marlboro,  Mass. 
Melrose,   Mass. 
Milford,   Mass. 
Natick,   Mass. 
Newburyport,    Mass. 
North  Adams,   Mass. 
Northampton,   Mass. 
Norwich,  Mass. 
Peabody,  Mass. 
Plymouth,   Mass. 
Southbridge,   Mass. 

BUFFALO 

Cities   Over    100,000 — 3 

Rochester,   N.  Y. 
Cities   Between   50,000   and   100,000- 

Niagara    Falls,    N.    Y. 
Cities   Between   25,000   and    50,000- 

Jamestown,    N.    Y. 

Cities   Between    10,000   and   25,000— 
Hornell,   N.   Y. 
Ithaca,   N.   Y. 
Lackawanna,   N.   Y. 
Lockport,  N.  Y. 
North  Tonawanda,   N.   Y. 


177 


New    Bedford,    Mass. 
Springfield,   Mass. 
Worcester,   Mass. 
Providence,   R.   I. 
-11 

Lawrence,  Mass. 
Lynn,    Mass. 
Manchester,  N.  H. 
Pawtucket,   R.   I. 

-22 

Salem,  Mass. 
Taunton,  Mass. 
Waltham,  Mass. 
Nashua,  N.  H. 
Cranston,  R.  I. 
Newport,  R.  I. 
Woonsocket,   R.   I. 

-62 

Wakefield,    Mass. 
Watertown,    Mass. 
Webster,    Mass. 
Westfield,   Mass. 
West   Springfield,   Mass. 
Weymouth,   Mass. 
Winthrop,    Mass. 
Woodburn,  Mass. 
Berlin,    N.   H. 
Concord,   N.   H. 
Dover,   N.  H. 
Keene,   N.    H. 
Laconia,   N.   H. 
Portsmouth,    N     H. 
Bristol,    R.    I. 
Central    Falls,    R.   I. 
East    Providence,    R.    I. 
Barre,    Vt. 
Burlington,    Vt. 
Rutland,    Vt. 


Syracuse,   N.   Y. 
-3 

Utica,    N.    Y. 
-5 

Rome,   N.  Y. 

Watertown,   N.   Y. 

16 
Ogdensburg,    N.   Y. 
Glean,    N     Y. 
Oneida,   N.   Y. 
Oswego,   N.   Y. 
Tonawanda,  N.  Y. 


Albert  Rogell 

Director 

Current    Releases 

Phantom  of  the  Hills 
Where  West  Meets  East 
The  Double  Reward 
The  Streak  of  Yellow 
No  Man's  Gold 
The  Greatest  Menace 


WALLACE  FOX 


Assistant  Director 


ALBERT  ROGELL 


178 


Chicago,   111. 

Peoria.    111. 
Rockford,    111. 
Springfield,    111. 

Aurora,  111. 
Bloomington,    111. 
Cicero,    111. 
Danville,    111. 
Decatur,    111. 
Elgin,   III. 
Evanston,   111. 

Berwyn,   111. 
Blue  Island,   111. 
Canton.   111. 
Champaign,   111. 
Chicago    Heights,    111. 
Freeport,    111. 
Forest    Park,    111 
Galesburg,    111. 
Kankakee,   111. 
Kewanee,    111. 
La   Salle,    111. 
Lincoln,    111. 
Maywood,  111. 
Ottawa,   111. 


CHICAGO 

Cities  Over   100,000 

Milwaukee,  Wis. 
Cities  Between  50,000  and 

Ft.   Wayne,  Ind. 

Gary,   Ind. 

South   Bend,   Ind. 
Cities  Between  25,000  and 

.Toliet,   111. 

Moline,   111. 

Oak   Park,  111. 

Rock    Island,    111. 

East   Chicago,  III. 

Hammond,  Ind. 

Cedar  Rapids,   la. 
Cities   Between   10,000   and 

Pekin,    111. 

Streator,    111. 

Urbana,   111. 

Waukegan,  111. 

Elkhart,   Ind. 

Huntington,    Ind. 

Lafayette,    Ind. 

Laport,   Ind. 

TvOgansport,  Ind. 

Michigan    City,    Ind. 

Mishawaka,    Ind. 

Peru,    Ind. 

Burlington,  la. 
Clinton,    la. 


—2 

100,000—8 

Davenport,    la. 
Racine,   Wis. 

50,000—21 

Dubuque,   la. 
Waterloo,    la. 
Green    Bay,    Wis. 
Kenosha,    Wis. 
Madison,   Wis. 
Oshkosh,  Wis. 
Sheboygan,   Wis. 

25,000 — 41 

Ft.    Madison,    la. 
Iowa   City,   la. 
Marshalltown,    la. 
Muscatine,  la. 
Ottumwa,    la. 
Appleton,  Wis. 
Beloit,  Wis. 
Fond    du    Lac,    Wis. 
Janesville,   Wis. 
Manitowoc,    Wis. 
Marinette,    Wis. 
Waukesha,  Wis. 
West  AUis,  Wis. 


Akron,   Ohio 
Cleveland,   Ohio 


East   Cleveland,   Ohio 
Lakewood,   Ohio 
Lorain,    Ohio 

Alliance,  Ohio 
Ashtabula,   Ohio 
Barverton,    Ohio 
Bellaire,   Ohio 
Bucyrus,   Ohio 
Cambridge,  Ohio 
Coshocton,  Ohio 


CLEVELAND 

Cities   Over   100,000 — 5 

Columbus,   Ohio 

Toledo,  Ohio 
Cities  Between  50,000  and  100,000 — 1 

Canton,  Ohio 
Cities   Between  25,000  and  50,000 — 9 


Youngstown,    Ohio 


Mansfield,    Ohio 
Marion,    Ohio 
Newark,   Ohio 
Cities  Between   10,000  and  25,000- 
Cuyahoga  Falls,   Ohio 
East  Liverpool,  Ohio  _(K) 
East  Youngstown,   Ohio   (K) 
Elyria,    Ohio 
Findlay,   Ohio 
Fremont,  Ohio 
Kenmore,   Ohio 


Steubenville,  Ohio 
Warren,    Ohio 
Zanesville,    Ohio 
-21 

Martin's   Ferry,    Ohio 

Massillon,   Ohio 

New   Philadelphia,    Ohio 

Niles,  Ohio 

Salem,  Ohio 

Sandusky,   Ohio 

Tiffin,  Ohio 


Indianapolis,  Ind. 


Covington,    Ky. 

Anderson,   Ind. 
Kokomo,   Ind. 
Muncie,    Ind. 


Bloomington,    Ind. 
Elwood,   Ind. 
Frankfort,   Ind. 
.Teflfersonville,    Ind. 
Marion,   Ind. 


CINCINNATI 

Cities  Over  100,000 — 4 
Louisville,  Ky.  Cincinnati,   Ohio 

Dayton,   Ohio 

Cities  Between  50,000  and  100,000 — 3 
Huntington,  W.   Va.  Springfield,  Ohio 

Cities  Between  25,000  and  50,000 — 10 
Richmond,   Ind.  Lima,    Ohio 

Lexington,    Ky.  Portsmouth,    Ohio 

Newport,   Ky.  Charleston,    W.    Va. 

Hamilton,    Ohio 

Cities  Between   10,000  and  25,000 — 15 
New   Albany,    Ind.  Lancaster,   Ohio 

New  Castle,  Ind.  Marietta,   Ohio 

Ashland,    Ky.  Middletown,   Ohio 

Chillicothe,   Ohio  Norwood,   Ohio 

Ironton,    Ohio  Piqua,    Ohio 


Detroit,   Mich. 

Flint,    Mich. 

Battle   Creek,  Mich. 
Bay   City,   Mich. 
Highland    Park,    Mich. 

Adrian,  Mich. 
Alpena,  Mich. 
Ann  Arbor,    Mich.    (K) 


DETROIT 

Cities   Over    100,000 — 2 

Grand    Rapids,    Mich. 
Cities   Between  50,000  and   100,000 — 3 

Lansing,    Mich.  Saginaw,   Mich. 

Cities    Between   25,000   and    50,000 — 8 

Jackson,   Mich.  Port  Huron,   Mich. 

Kalamazoo,    Mich.  Muskegon,  Mich. 

Pontiac,    Mich. 
Cities   Between   10,000   and   25,000 — 10 

Benton    Harbor,    Mich.  Sault   Ste.   Marie,   Mich. 

Holland,   Mich.  Traverse   City,   Mich. 

Monroe,   Mich.  Wyandotte,   Mich. 

Owosso,   Mich. 

179 


GEORGE   FOLSEY 

Cinematographer 

"THE  BRIGHT  SHAWL ' 

Inspiration  Production 
Directed  by  John  S.  Robertson 

(Now  in  Production) 

"Slim  Shoulders,"  with  Irene  Castle 

"What's  Wrong  With  Women?" 

"A  Game  Chicken,"  with  Bebe  Daniels 

"Nancy  from  Nowhere,"  with  Bebe  Daniels 


ARTHUR  STUART  HULL 

"THE  GREAT  MOMENT" 

With  Gloria  Swanson 

"A  QUESTION  OF  HONOR" 

With  Douglas  MacLean 

"THORNS  AND  ORANGE  BLOSSOMS" 

Gasnier  Prod. 

"JAVA   HEAD" 

George  Melford  Prod. 

577332 

6511  »/2    Hollywood   Blvd.,   Hollywood,   Calif. 


180 


Pueblo,  Colo. 
Ogden,  Utah. 

Boulder,   Colo. 
Greeley,    Colo. 
Trinidad,    Colo. 
Boise,  Ida. 
Pocatella,    Ida. 


DENVER 

Cities   Over    100,000 — 2 
Denver,   Colo.  Salt  Lake  City,  Utah. 

Cities    Between   25,000   and   50,000 — 4 
Colorado    Springs,    Colo.  Butte,    Mont. 

Cities   Between   10,000   and  25,000 — 15 
Anaconda,    Mont.    (K)  North    Platte,    Nebr. 

Billings,   Mont.    (K)  Albuquerque,    N.    M. 

Great   Falls,   Mont.    (K)  Provo,   Utah. 

Helena,  Mont.  Casper,    Wyo. 

Missoula,  Mont.   (K)  Cheyenne,  Wyo. 


Dallas,  Tex. 
Fort  Worth,   Tex. 

Oklahoma   City,    Okla. 
El  Paso,  Tex. 

Austin,  Tex. 
Beaumont,   Tex. 
Galveston,  Tex. 

Abeline,  Tex. 
Amaraillo,  Tex. 
Brownsville,   Tex. 
Cleburne,  Tex. 
Corpus   Christi,   Tex. 
Corsicana,    Tex. 
Del   Rio,  Tex. 
Denison,   Tex. 
Greenville,  Tex. 
Laredo,    Tex. 
Marshall,  Tex. 
Palestine,  Tex. 
Paris,    Tex 


DALLAS 

Cities   Over   100,000 — 5 
Houston,    Tex.  New   Orleans,   La. 

San  Antonio,  Tex. 
Cities   Between   50,000   and    100,000 — 4 


Mobile,    Ala. 

Cities   Between   25,000  and   50,000- 
Waco,   Tex. 
Wichita  Falls,   Tex. 
Ft.   Smith,  Ark. 

Cities   Between   10,000  and   25,000— 
Port  Arthur,  Tex. 
Ranger,  Tex. 
Sherman,  Tex. 
Temple,  Tex. 
Tyler,  Tex. 
Texarkana,  Tex. 
Dothan,   Ala. 
Hot   Springs,  Ark. 
Pine  Bluff,  Ark. 
Alexandria,   La. 
Baton   Rouge,   La. 
Lake  Charles,   La. 
Monroe,  La. 


Little    Rock,    Ark. 


Pensacola,  Fla. 
Shreveport,    La. 

•38 
Columbus,   Miss. 
Greenville,   Miss. 
Hattiesburg,    Miss. 
Jackson,   Miss. 
Laurel,   Miss. 
Meriden,   Miss. 
Natchez,   Miss. 
Vicksburg,   Miss. 
Ardmore,   Okla. 
Chickasha,   Okla. 
McAIester,    Okla. 
Shawnee,   Okla. 


Des  Moines,  la. 
Kansas  City,  Kansas 

Sioux  City,  la. 
Topeka,  Kans. 

Council  Bluff,  la. 
Joplin,  Mo. 

Boone,    la. 
Fort  Dodge,  la. 
Arkansas    City,    Kans. 
Atchison,    Kans. 
Chanute,    Kans. 
Coffeyville,    Kans. 
Eldorado,  Kans. 
Emporia,  Kans. 
Fort  Scott,  Kans. 


KANSAS   CITY 

Cities  Over   100,000 — 4 
Kansas  City,  Mo. 


Cities   Between   50,000   and    100,000 

Wichita,   Kans. 

St.  Joseph,  Mo. 
Cities   Between   25,000   and   50,000 

Springfield,   Mo. 

South  Omaha,  Nebr. 
Cities   Beween   10,000   and  25,000 — : 

Hutchinson,    Kans. 

Independence,  Kans. 

Lawrence,    Kans. 

Leavenworth,   Kans. 

Parsons,    Kans. 

Pittsburgh,    Kans. 

Salina,    Kans. 

Carthage,   Mo. 

Independence,  Mo. 


Omaha,   Nebr. 

—6 

Lincoln,    Nebr. 
Tulsa,  Okla. 
5 
Muskogee,   Okla. 


26 
Sedalia,   Mo. 
Grand  Island,  Nebr. 
Hastings,    Nebr. 
Bartlesville,   Okla. 
Enid,    Okla 
Guthrie,    Okla. 
Okmulgee,  Okla. 
Sapulpa,   Okla. 


San    Diego,    Cal. 

Pasadena,   Cal. 

Tucson,  Ariz. 
Bakerfield,  Cal. 
Glendale,   Cal. 
Pomona,  Cal. 


LOS  ANGELES 

Cities   Over   100,000 — 1 

Los  Angeles,  Cal. 
Cities   Between   50,000   and   100,000 — 2 

Long  Beach,  Cal. 
Cities    Between   25,000    and    50,000 — 2 

Phoenix,    Ariz. 
Cities   Between   10,000   and   25,000 — 10 


Riverside,    Cal.    (K) 

San  Bernardino,  Cal.  (K) 

Santa  Ana,   Cal. 

Santa   Barbara,   Cal.    (K) 


Santa   Monica, 
Venice,    Cal. 


Cal. 


Minneapolis,   Minn. 


Sioux  Falls,  S.   D. 


MINNEAPOLIS 

Cities   Over    100,000—2 

St.   Paul,   Minn. 
Cities   Between   50,000   and   100,000 — 1 

Duluth,   Minn. 
Cities   Between  25,000  and  50,000 — 3 


La  Crosse,  Wis. 


Superior,  Wis. 


181 


HENRY  CRONJAGER 

Photographed 
*Back  Home  and  Broke,"  with  Thomas  Meighan 

Directed  by  Alfred  E.  Green 

"The  Purple  Highway" 

Directed  by  Henry  Kolker 

"Tollable  David,"  with  Richard  Barthelmess 

Directed  by  Henry  King 

And  Many  More  to  Come,    Next. 


BERT  GLENNON 

PHOTOGRAPHER 

FAMOUS     PLAYE  RS-LAS  K  Y 
GEORGE  MELFORD  PRODUCTIONS 

Current  Releases 

"The  Woman  Who  Walked  Alone" 

"Burning  Sands" 
"Ebb  Tide"  "Java  Head" 


182 


Mason   City,    la. 
Escanaba,    Mich. 
Ironwood,   Mich. 
Ishpeming,    Mich. 
Marquette,    Mich. 
Austin,    Minn. 
Faribault,    Minn. 


Cities   Between   10,000   and   25,000 — 21 


Hibbing,   Minn. 
Manal<ato,  Minn. 
Rochester,    Minn. 
St.    Cloud,    Minn. 
Virginia,    Minn. 
Winona,    Minn. 
Fargo,   N.   D. 


Grand    Forks,   N.   D. 
Minot,    N.    D. 
Aberdeen,    S.    D. 
Ashland,    Wis. 
Eau  Claire,   Wis. 
Stevens   Point,   Wis. 
Wausau,   Wis. 


Albany,   N.   Y. 

Schenectady,    N.   Y. 

.Stamford,    Conn. 
Amsterdam,    N.    Y. 
Kingston,   N.   Y. 

Greenwich,  Conn. 
Beacon,  N.   Y. 
Cohoes,   N.  Y. 
Glens   Falls,   N.   Y. 
Gloversville,   N    Y.    (K) 
Herkimer,  N.  ^. 
Hudson,  N.   Y. 


NEW    YORK 

Cities   Over    100,000—3 

New  York,   N.  Y. 
Cities   Between   50,000   and    100,000- 

Troy,    N.    Y. 

Cities   Between   25,000   and   50,000- 

Mt.    Vernon,   N.   Y. 

Newburgh,    N.    Y. 

New  Rochelle,  N.  Y. 
Cities   Between   10,000   and   25,000— 
Ilion,   N.   Y. 

Tohnstown,   N.   Y. 

Little  Falls,   N.   Y. 

Middletown,   N.   Y. 

Oneonta,   N.  Y. 

Ossining,  N.  Y. 

Plattsburgh,   N.  Y. 


Vonkers,    N.    Y. 


Poughkeepsie,   N.    Y. 


Port  Chester,  N.  Y. 
Peekskill,   N.   Y. 
Port  Jervis,    N.   Y. 
Rensselaer,   N.   Y. 
Saratoga   Springs,    N 
Watervliet,   N.   Y. 
White  Plains,  N.  Y. 


Newark,   N.   J. 

Bayonne,  N.  J. 
East  Orange,  N.  J. 

Clifton,   N.  J. 
Irvington,  N.  J. 
Kearney,  N.  J. 
Montclair,   N.  J. 

Asbury  Park,  N.  J. 
Belleville,  N    J. 
Bloomfield,   iS[.   J. 
Englewood,   N.  J. 
Garfield,   N.  J. 
Hackensack,   N.   J. 


NEWARK 

Cities   Over    100,000 — 3 

Jersey    City,   N.   J.  Paterson,  N.  J. 

Cities   Between   50,000   and    100,000 — 5 

Elizabeth,  N    J.  Passaic,   N.   J. 

Hoboken,   N.'  J. 
Cities   Between  25,000   and   50,000 — 10 

New   Brunswick,  N.  J.  West  Hoboken,  N.  J. 

Orange,  N.  J.  West  New   York,   N. 

Perth  Amboy,  N.  J. 

Plainfield,  N.  J. 
Cities   Between   10,000   and   25,000 — 16 

Harrison,   N.  J.  Summit,   N    J. 

Long   Branch.   N.  J.  Union  Hill,'  N.  J. 

Morristown,   N.   J.  Weehawken,  N.  J. 

Phillipsburg,   N.  J.  West  Orange,   N.  J. 

Rahv/ay,  N.  J. 

Roosevelt,  N.  J. 


Philadelphia,   Pa. 
Wilmington,    Del. 

Atlantic   City,   N.  J. 
AUentown,    Pa. 
Bethlehem,    Pa. 

Easton,    Pa. 
Hazlrton,   Pa. 

Brighton,    N.   J. 
Gloucester  City,    N. 
Millville,   N.   J. 
Berwick,    Pa. 
Bristol,    Pa. 
Carbondale,     Pa. 
Carlisle,    Pa. 
Chambersburg,    Pa. 
Coatesville,    Pa. 
Columbia,   Pa. 


PHILADELPHIA 

Cities   Over    100,000 — 6 

Camden,   N.  J. 

Trenton,  N.  J. 
Cities   Between   50,000   and    100,000- 

Chester,    Pa. 

Harrisburg,    Pa. 

Lancaster,  Pa. 
Cities    Between   25,000   and   50,000- 

Norristown,    Pa. 

Williamsport,    Pa. 
Cities   Between   10,000   and  25,000— 

Dickinson    City,   Pa. 

Dunmore,    Pa. 

Lel)anon,    Pa. 

Mahoney    City,    Pa. 

Mt.    Carmel,   Pa. 

Nanticoke,    Pa. 

Olyphant,    Pa. 

Old   Forge,   Pa. 

Phoenixville,    Pa. 

Pittston,   Pa. 


Reading,   Pa. 
Scranton,   Pa. 
-7 
Wilkes-Barre,    Pa. 


York,    Pa. 

•30 

Plymouth,   Pa. 
Pottstown,    Pa. 
Pottsville,    Pa. 
Shamokin,   Pa. 
Shenandoah,   Pa. 
South  Bethlehem,  Pa. 
Steelton,    Pa. 
Sunbury,    Pa. 
Tamaqua,   Pa. 
Westchester,   Pa. 


Erie,    Pa. 
McKeesport,    Pa. 


PITTSBURGH 

Cities   Over   100,000—1 

Pittsburgh,   Pa. 
Cities   Between   50,000   and    100,000 — 4 

Altoona.    Pa.  Tohnstown,  Pa. 

Wheeling,  W.  Va. 
Cities    Between    25,000   and    50.000- 

New    Castle,   Pa. 


Clarksburg,   W.   Va. 


183 


HARRyA.FI5CHBECK 
GEORGE  ARLI55 


Motion  Picture 


Hand  Coloring 


JOHN  DUER  SCOTT 

106  West  52nd  Street 

Telephone  Circle   1^12 


184 


Ambridge,    Pa. 
Beaver    Falls,    Pa. 
Braddock,   Pa. 
Bradford,    Pa. 
Butler,   Pa. 
Carnegie,    Pa. 
Cannonsburg,    Pa. 
t'harleroi,    Pa. 
Connellsville,    Pa. 
Donora,    Pa. 
Dubois,    Pa. 


Cities   Between    10,000   and   25,000- 
Duquesne,    I'a. 
Farrell,    Pa. 
Greensburg,    Pa. 
Homestead,   Pa. 
Jeanette,    Pa. 
McKees   Rocks,   Pa. 
Meadville,   Pa. 
Monesson,   Pa. 
New    Kensington,    Pa. 
Oil   City,   Pa. 
Punxsutawney,   Pa. 


-33 

Sharon,    Pa. 
Swissvale,    Pa. 
Uniontown,   Pa. 
Warren,   Pa. 
Washington,    Pa. 
Woodlawn,    Pa. 
Wilkinsburg,   Pa. 
Fairmont,    W.    Va. 
Morgantown,   W.   Va. 
Moundsville,  W.  Va. 
Parkersburg,  W.   Va. 


San   Francisco,   Cal. 

Berkley,   Cal. 

Alameda,    Cal. 

Eureka,  Cal. 
Richmond,    Cal. 

Seattle,  Wash. 

Bellingham,  Wash. 

Astoria,  Ore. 
Eugene,  Ore. 
Salem,    Ore. 


SAN  FRANCISCO 

Cities   Over    100,000 — 2 
Oakland,   Cal. 
Cities   Between   50,000   and    100,000 — 2 
Sacramento,  Cal. 

Cities   Between   25,000   and   50,000 — 4 
Fresno,    Cal.  Stockton,   Cal.  San  Jose,  Cal. 

Cities   Between    10,000   and   25,000 — 5 
Santa    Cruz,   Cal.  Reno,    Nevada 

Vallejo,    Cal. 

SEATTLE 

Cities   Over    100,000 — 3 

Portland,   Ore.  Spokane,   Wash. 

Cities   Between   50,000   and   100,000 — 1 

Tacoma,  Wash. 
Cities    Between   25,000   and    50,000 — 2 

Everett,  Wash. 
Cities    Between    10,000   and    25,000 — 7 

Aberdeen,   Wash.  Yakima,  Wash. 

\'ancouver,   Wash. 

Walla  Walla,   Wash. 


St.  Louis,  Mo. 
East  St.   Louis,   III. 


Helana,    Ark. 
Alton,    111. 
Belleville,    111. 
Cairo,   111. 
Centralia,    111. 
Granite  City,  111. 
Jacksonville,   111. 
Herin,   111. 


ST.   LOUIS 

Cities  Over   100,000 — 2 
Memphis,   Tenn. 
Cities   Between   50,000   and   100,000- 

Evansville,    Ind. 
Cities    Between   25,000   and   50,000- 

Quincy,    111. 
Cities   Between   10,000   and  25,000— 

Mattoon,   111. 

Murphysboro,    111. 

Clinton,    Ind. 

Crawfordsville,    Ind. 

Vincennes,   Ind. 

Keokuk,   la. 

Henderson,    Ky. 

Ovvensboro,   Ky. 


Terre  Haute,   Ind. 
-1 


23 
Paducah,    Ky. 
Cape  Girardeau,  Mo. 
Columbia,   Mo. 
Hannibal,    Mo. 
Jefferson    City,   Mo. 
Moberly,    Mo. 
Jackson,  Tenn. 


k 


WASHINGTON 

Cities   Over   100,000 — 4 
Washington,   D.    C.  Baltimore,   Md.  Norfolk,   Va.  Richmond,   Va. 

Cities  Between   50,000   and    100,000 — 2 
Portsmouth,    Va.  Roanoke,  Va. 

Cities   Between   25,000  and   50,000 — 5 
Ctmiberland,   Md.                                     Lynchburg,   Va.  Petersburg,   Va. 

Hagerstown,   Md.  Newport  News,'  Va. 

Cities   Between    10,000  and   25,000 — 8 
Annapolis,  Md.                                         Charlottesville,   Va.  Bluefield,  W.  Va. 

Frederick,   Md.  Danville,  Va.  Martinsburg,   W.   Va. 

Alexandria,  Va.  Staunton,   Va. 


A  WORD  OF  THANKS 
To  those  in  the  industry  who  have  co-operated  to  make  the 
statistical  data  and  other  text  matter  of  this  publication  possible  and 
accurate ;  to  those  who  have  given  of  their  time  and  knowledge  freely 
and  willingly,  the  publishers  wish  to  thus  publicly  tender  their  thanks 
and  sincere  appreciation. 


185 


2  ^!^  4mmmiUi''^>^l 


WILLIAM  H.  TUERS 

Photographed    Chas. 

(Chick)     Sales    in 

"HIS  NIBS" 


WILLIAM  CHRISTY 
CABANNE 

"THE  BARRICADE" 

"AT  THE  STAGE  DOOR" 

"BEYOND  THE  STAGE 

DOOR" 

"TILL  WE  MEET 

AGAIN" 


FRANK  ZUCKER 

Photographed 

"THE  MAN  FROM 

BEYOND" 

"HALDANE   OF  THE 

SECRET  SERVICE" 

With  Houdini 

"CAPTAIN  KIDD" 

With  Eddie  Polo 

"THE  SILVER  LINING" 

Roland  West  Prod. 

"INSINUATION" 


Johnnie  Jones 

Now  Starring  in  a  Series 

of  Twelve 

JOHNNIE  JONES 

COMEDY-DRAMAS 

Released  by  Pathe 

Past  Releases 

The  Booth  Tarkington 

Edgar  Series  for  Goldwyn 


J.  K.  McDonald 

Directed 

Productions 

by 

4211  Delmar  Avenue 

Mason   N. 

Telephone    599941 

Litson 

Hollywood,    Calif. 

186 


Leading  Distributors  Exchange  Addresses 


AMERICAN  RELEASING  CORP. 

Albany — J.    L.    Daly,    676    Broadway. 

Atlanta— F.    E.    Lane,    71 -A   Walton    St. 

Boston — L.    J.    Reardon,    Zl    Winchester    St. 

Buffalo — A.    W.    Moses,   254   Franklin    St. 

Chicago — S.  J.    Goldman,  806   S.  Wabash  Ave. 

Cincinnati — E.   A.    McAuliffe,   S30   Broadway. 

Cleveland — M.  Hirsch,  21st  St.   Payne  Ave. 

Dallas— J.    C.    Shannon,    1919J^    Main    St. 

Denver — ^J.  J.   Duffy,   1714   Broadway. 

Detroit— John   J.   Heagney,    143   E.    Elizabeth   St. 

Kansas  City — Harry  Wellington,  19th  &  Wyan- 
dotte   Sts. 

Los  Angeles— Wm.   H.  Jenner,  917   So.   Olive  St. 

Minneapolis — Frank    Mantzke,    16    North    4th    St. 

New  Haven— I.  Levine,   134  Meadow  St. 

Newark,   N.  J.— Wm.    Benson,    729   Seventh  Ave. 

New  York— Rudolph  Berger,  729  Seventh  Ave. 

Philadelphia— Edgar  Moss,  253  N.  13th  St. 

Pittsburgh— Harvey    B.    Day,    1010   Forbes    St. 

San  Francisco — Wm.  A.  Crank,  191  Golden  Gate 
Ave. 

St.   Louis— D.    E.   Hilly,   3405    Olive   St. 

Seattle — Louis   Amacher,   2012   3rd  Ave. 

Washington,  D.  C— J.  J.  Milstein,  916  G  Street. 
N.  W. 

CANADIAN  RELEASING  CORP. 

Montreal,   P.  Q.— J.   P.  O'Loghlin,   12  Mayor  St. 

St.  John,  N.   B.— Phil  Hazza,   10  Mill  St. 

Toronto,  Ont. — W.  A.  Allen,   1  Alice  St. 

Winnipeg,     Man.— S.     A.      O'Loghlin,     McArthur 

Bldg. 

Calgary,  Alta. — S.  A.  O'Loghlin,  400  8th  Ave. 

District  Managers:  R.  Berger,  New  York; 
J.  S.  Shannon,  Dallas;  Wm.  H.  Jenner,  Los  An- 
geles. 

ASSOCIATED      FIRST     NATIONAL 
PICTURES   INC.  EXCHANGES. 

Albany — A.   J.   Herman,   670   Broadway. 

Buffalo— E.  J.   Hayes,   505    Pearl   St. 

New   York— R.    H.   Clark,   729    Seventh  Avenue. 

Boston— T.   B.  Spry,  7  Isabella  Street. 

New  Haven — M.  H.   Keleher,   126   Meadow  Street. 

Chicago — E.     J.     Eichenlaub,     831      So.     Wabash 

Avenue. 
Cleveland — W.    E.    Lusk,    21st    Street    and    Payne 

Avenue. 
Cincinnati — R.   H.   Haines,    Broadway  and   Pioneer 

Street. 
Minneapolis — J.    F.    Cubberley,    409    Loeb    Arcade 

Bldg. 
Milwaukee — H.  J.  Fitzgerald,  402  Toy  Building. 
Des  Moines — H.  M.  Weinberg,  303  Second  Street. 
Omaha — E.  L.  Alperson,  2036  Farnum  Street. 
Kansas     City— E.     C.     Rhoden,     1712     Wyandotte 

Street. 
Philadelphia — W.   J.    Heenan,    1339    Vine    Street. 
Dallas— W.   E.    Callaway,    1914   Main    Street. 
Oklahoma — W.    A.    Ryan,    304   West   Reno    Street. 
Detroit— F.    E.    North,    159    E.    Elizabeth    Street. 
Pittsburgh— Jos.  Skirboll,  119  E.  Ninth  Street. 
New  Jersey — S.    H.    Fabian,   729    Seventh  Avenue, 

(N.    Y.). 
Seattle— G.  G.  Maxey,  2023  Third  Avenue. 
Portland — C.    H.    Feldman,    9th   and    Burnside    Sts. 

Butte — C.    W.    Koerner,    114   W.    Granite    Street. 

Charlotte— F.    P.    Bryan,    12   So.    Church   Street. 

Atlanta — C.    R.    Beacham,    148    Marietta    Street. 
"St.    Louis — Harry  Weiss,   3319    Locust   Street. 

Indianapolis — Floyd   Brown,    122   West   New   York 
Street. 

San    Francisco — Chas.    H.    Muehlman,    146    Golden 
Gate  Avenue. 

Los  Angeles — W.  E.  Knotts,  918  So.  Olive  Street. 

Washington — Louis    Bache,    916    G    Street    N.    W. 

Louisville — P.    E.    Kreiger,    221    So     Third    Street. 

Denver— J.  H.  Ashby,   1732  Welton  Street. 

Salt   Lake— L.   L.   Hall,   60   Exchange   Place. 

New   Orleans — C.  J.    Briant,   1401    Tulane  Avenue. 

Toronto — W.  J.  Reid,  91  Queen  Street,  East. 

Montreal — A.   Gorman,   E.  Albee   Bldg.   Mayor  St. 

St.  Johns — J.  O'Donnell,  Marr  Building. 

Vancouver — S.    J.    Coffland,    719    Seymour    Street. 


Winnipeg — W.    S.   Jones,    Robinson    Bldg.,    Rupert 

Street 
Calgary — W.  H.  Mitchell,  405  Eighth  Avenue. 

ASSOCIATED  EXHIBITORS.  INC. 

(Special      Distributors,      Pathe      Exchange,      Inc.) 
Albany — S.    Hochstein. 
Atlanta — Jack   Withers. 
Boston— S.  B.  Waite. 
Buffalo — E.   M.   Hopcraft. 
Charlotte — D.    O'Connor. 
Chicago — Harry  W.   Willard. 
111.    &   Ind.— E.   E.   Rosecan. 
Cincinnati — L.     S.     Muchmore. 
Cleveland— E.    C.    Fielders. 
Dallas — A    Russell. 
Denver— G.   A.    Parfet. 
Des  Moines — H.  D.   Baumeister. 
Detroit — Gerald  Meyer. 
Indianapolis — M.    D.    Weinberger. 
Kansas   City — B.   L.   Mendelson. 
Los  Angeles — L.   E.   Kennedy. 
Memphis — 

Milwaukee — E.  Louthain. 
Minneapolis — F.   O.   Peters. 
Newark — E.  Carroll. 
New  Haven — C.   C.   Loftus. 
New  Orleans — J.   S.   Bagnetto. 
New  York— L.   W.  Adler. 
Oklahoma  City— E.   S.   Olsmith. 
Omaha— S.  J.   Baker. 
Philadelphia— C.    G.    Powell. 
Pittsburgh — J.    A.    Harris. 
Portland — Geo.   Christoffers. 
Salt  Lake  City— L.  J.   Baratte. 
San   Francisco — M.  A.   Hulling. 
Seattle— M.    R.   Cohen. 
Spokane — 

Washington — W.  A.  Busch. 
St.    Louis — Al.   Bartlett. 

Manager's  addresses  care  Pathe  Exchange  in  each 
city. 

EDUCATIONAL  FILM  EX- 
CHANGES,  INC. 

Albany,  N.  Y. — J    H.   Morgan,  659   Broadway. 
Atlanta,  Ga.— A.   C.  Bromberg,  108  Walton  St. 
Boston,  Mass. — Joseph  Partridge,  10  Piedmont  St. 
Buffalo,   N.    Y.— Howard  F.   Brink,    505   Pearl   St. 
Calgary,     Atla.,     Can. — George     Sereth,     Canadian 

Ed.   Films,   Ltd.,   405   Eighth  Ave.,  W. 
Charlotte,  N.  C— H.  H.  Everett,  10  S.  Graham  St. 
Chicago,    111.— I.    M.     Schwartz,    829     S.     Wabash 

Ave. 
Cincinnati,    Ohio — ^J.    M.    Johnston,    N.    W.    Cor. 

7th  &  Main  Sts.  „    ., , 

Cleveland,  Ohio — H.  R.  Skirboll,  411  Film  Build- 
ing. 
Dallas,  Texas — Floyd  A.  Fomes,  1919^  Main  St. 
Denver,  Colo. — E.  J.  Drucker,  1525  Tremont  St. 
Des  Moines,  la. — A.  W.  Kahn,  Hewitt  Building. 
Detroit,  Mich.— M.  H.  Starr,  601  Film  Building. 
Indianapolis,   Ind.— Carl  T.   Lieber,   58  West  New 

York  St. 
Kansas      City,      Mo.— Harry      E.      Schiller,      1712 

Wyandotte   St. 
Los   Angeles,    Gal.— Jules   Wolf,   918    S.    Olive    St. 
Louisville,    Ky.— Lee    Goldberg,    221    So.    3rd    St. 
Milwaukee,  Wis.— M.   Stahl,  604  Toy  Bldg. 
Minneapolis,    Minn. — Harry    Hollander,    407    Loeb 

Arcade. 
Montreal,   Que.,   Can. — C.    Shalit,   12   Mayor  St. 
New   Haven,   Conn. — A.   M.   Hersee,   134   Meadow 

St. 
New     Orleans,     La. — J.     B.     Dumestre,     Jr.,     415 

Dryades  St. 
New  York,  N.   Y.— Leon  D.   Netter,  729  Seventh 

Ave. 
Oklahoma    City,    Okla.— C.    O.    Fulgham,    106    So. 

Hudson   St. 
Omaha,   Neb. — C.   L.   Peavey,   2036   Farnum   St. 
Phila,    Pa.— C.    S.    Goodman,    1309    Vine    St. 
Pittsburgh,    Pa. — Joseph    Kaliski,    119    Ninth    St. 
St    John,  N.  B.,  Can. — Sam  Jacobs,  87  Union  St. 
Salt  Lake  City— C.  H.  Messinger,   138  Regent  St. 
St     Louis,    Mo. — Harry    Hynes,    3319    Locust    St. 


187 


George  Archainbaud 

Director  of 

**EVIDENCE" 

*'UNDER  OATH'* 

**ONE  WEEK  OF 
LOVE" 

"POWER  OF  A  LIE'' 


E.  D.  VENTURINI 


DIRECTOR 


THE  HEADLESS  HOKSEMAN" 


188 


San  Francisco,   Cal. — C.   C.  Blumenthal,  288  Turk 

St. 
Seattle,   Wash.— J.   A.   Gage,   308  Virginia  St. 
Toronto,    Ont.,    Can.— S.    B.    Taube,    21    Dundas 

St.,  E. 
Vancouver,    B.    C,    Can. — W.    P.    Dewees,    Allen 

Theater   Bldg. 
Washington,    D.    C. — Howard    Beaver,   916   G   St., 

N.   W. 
Winnipeg,  Man.,   Can. — S.   Brint,  Robinson  Block, 

Rupert    St. 
District     Managers :       Lowell     V.     Calvert,     Dave 

Chatkin,   John   J.    Scully. 

FAMOUS    PLAYERS-LASKY 
CORPORATION 

District  No.  1 — Geo.  J.  Schaefer,  Dist.  Mgr., 
8  Shawmut  St.,  Boston,  L^ass.  Boston — Walter 
R.  Scates,  Mgr.,  8  Shawmut  St.,  Boston,  Mass. 
New  Haven — John  D.  Powers,  Mgr.,  134  Meadow 
St.,  New  Haven,  Conn.  Maine — ^J.  H.  Maclntyrc, 
Mgr.,  265  St.  Johns  St.,  Portland,  Me. 

District  No.  2 — H.  H.  Buxbaum,  Dist.  Mgr., 
729  Seventh  Ave.,  New  York,  N.  Y.  New  York— 
H  H.  Buxbaum,  Mgr.,  729  Seventh  Ave.,  New 
York,  N.  Y.  Buffalo— Allan  S.  Moritz,  Mgr.,  254 
Fra.iklin  St.,  Buffalo,  N.  Y.  Albany— M.  W. 
Kempner,  Mgr.,  33   Orange  St.,  Albany,  N.  Y. 

District  No.  3— W.  E.  Smith,  Dist.  Mgr.,  1219 
Vine  St.,  Philadelphia,  Pa.  Philadelphia— P.  A. 
Bloch,  Mgr.,  1219  Vine  St.,  Philadelphia,  Pa. 
Washington — Harry  Hunter,  Mgr.,  1101  No.  Cap- 
itol St.,  Washington,  D.  C.  Wilkes-Barre — E. 
W.  Sweigert,  Mgr.,  62  No.  State  St.,  Wilkes- 
Barre,  Pa. 

District  No.  4 — H.  A.  Ross,  Dist.  Mgr.,  159 
Elizabeth  St.,  Detroit,  Mich.  Detroit— H.  W. 
Given,  Mgr.,  159  Elizabeth  St.,  Detroit,  Mich. 
Pittsburgh — Maxwell  C.  Hughes,  Mgr.,  1018  Forbes 
St.,  Pittsburgh,  Pa.  Cleveland — J.  E.  Fontaine, 
Mgr.,  1563  E.  21st  St.,  Cleveland,  Ohio. 

District   No.    5 ,    Dist.   Mgr., 

845  So.  Wabash  Ave.,  Chicago,  111.  Chicago — C. 
C.  Wallace,  Mgr.,  845  So.  Wabash  Ave.,  Chicago, 
111.  Milwaukee— G.  A.  Durlam,  Mgr.,  119-121 
7th  St.,  Milwavikee,  Wis. 

District  No.  6 — R.  C.  Li  Beau,  Dist.  Mgr., 
110-112  W.  18th  St.,  Kansas  Qty,  Mo.  Kansas 
City— B.  Blotcky,  Mgr.,  110-112  W.  18th  St., 
Kansas  City,  Mo.  St.  Louis — R  J.  McManus, 
MgT.,  3721   Washington   Blvd.,   St.   Louis,   Mo. 

District  No.  8 — Louis  Marcus,  Dist.  Mgr., 
133  E.  2nd  So.  St.  Lake  City,  U.  Salt  Lake 
City— O.  Wog,  Mgr.,  133  E.  2nd  So.  St.,  Salt 
Lake  City,  U.  Denver— M.  S.  Wilson,  Mgr.,  1625- 
1631  Court  PI.,  Denver,  Colo.  Butte — (Shipping 
Station)  49  W.  Granite  St.,  Butte,  Mont.  Sioux 
Falls — A.  B.  Leak,  Mgr.,  318  S.  Main  St.,  Sioux 
Falls,  la. 

District  No.  9. — Herman  Wobber,  Dist.  Mgr., 
201  Golden  Gate  Ave.,  S.  Frisco.,  Cal.  San 
Francisco — H.  G.  Rosebaum,  Mgr.,  201  Golden 
Gate  Ave.,  S.  Frisco,  Cal.  Los  Angeles — O.  V. 
Traggardh,  Mgr.,  924  So.  Olive  St.,  Los  Angeles, 
Cal.  Seattle— Geo.  P  Endert,  Mgr.,  2017-19 
Third  Ave.,  Seattle,  Wash.  Portland— C.  M.  Hill, 
Mgr.,  444  Glisan  St.,  Portland,  Ore. 

District  No.  10— H.  E.  Elder,  Dist.  Mgr., 
Pioneer  &  B'way,  Cincinnati,  Ohio.  Columbus — 
J.  B.  Dugger,  Mgr.,  Columbus,  Ohio.  Cincinnati — 
H.  E.  Elder,  Mgr.,  Pioneer  &  B'way,  Cincinnati, 
Ohio.  Indianapolis — Chas.  M.  Reagan,  Mgr.,  38 
So.  Capitol  Ave.,  Indianapolis,  Ind. 

District  No.  11 — Philip  Reisman,  Dist.  Mgr., 
608  1st  Ave.,  No.  Minneapolis,  Minn.  Minneap- 
olis— Frederick  Strief,  Mgr.,  608  1st  Ave.,  No. 
Minneapolis,  Minn.  IDes  Moines — A.  W.  Nichols, 
Mgr.,  415  W.  8th  St.,  Des  Moines,  Iowa.  Omaha 
— R.  D.  Thompson,  Mgr.,  1610-1612  Davenport 
St.,  Omaha,  Nebr. 
Southern  Enterprises,    Inc.   (All  Southern  0£Eices) 

District  No.  7.— L.  L.  Dent,  Dist.  Mgr.,  169 
Peacttree  St.,  Atlanta,  Ga.  Atlanta — G.  H.  Bailey, 
Mgr.,  51  Luckie  St.,  Atlanta,  Ga.  New  Orleans — 
H.  F.  Wilkes,  Mgr.,  944  Perdido  St.,  New  Or- 
leans, La.  Charlotte — C.  E.  Peppiatt,  Mgr.,  28 
W.  4th  St.,  Charlotte,  N.  C.  Dallas— Leslie 
Wilkes,  Mgr.,  1924  Main  St.,  Dallas,  Tex.  Okla- 
homa City — Lea  Richmond,  Mgr.,  128  W.  3rd  St., 
Okla.  City,  Okla. 


Famous  Lasky  Film  Service,  Ltd.  (All  Canadian 
Offices 

Executive  Offices— G.  E.  Akers,  Gen'l  Mgr., 
206  Victoria  St.,  Toronto,  Ont.  Toronto,  Ont. — 
Carl  H.  Weeks,  Mgr.,  206  Victoria  St.,  Toronto, 
Ont.  Montreal,  Que.— Ed.  English,  Mgr.,  12 
Mayor  St.  (Albee  Bldg.),  Montreal,  Que.  St. 
John,  N.  B.— P.  J.  Hogan,  Mgr.,  8  Mill  St.,  St. 
John,  N.  B.  Winnipeg,  Man. — Geo.  A.  Margetts, 
Mgr.,  221  McDermotte  Ave.,  Winnipeg,  Man. 
Calgary,  Alta.— F.  H.  Marshall,  Mgr.,  310  8th 
Ave.,  Calgary,  Alta.  Vancouver,  B.  C. — Wm. 
Hansher,  Mgr.,  553  Granville  St.,  Vancouver, 
B.  C. 

Storehouse — Daniel  F.  Hynes,  Gen'l  Mgr.,  141 
E.   2Sth  St.,  New   York,   N.   Y. 

FEDERATED  FILM  EXCHANGES 
OF  AMERICA,  INC. 

Boston — Samuel  V.  Grand,  Federated  Film  Ex- 
change of  N.  E.,  Inc.,  48   Piedmont   St. 

Chicago — Jos.  L.  Friedman,  Celebrated  Players 
Film  Corp.,  810  S.  Wabash  Ave. 

Cleveland — Harry  Charnas,  Standard  Film  Service 
Co.,  Sloan  Bldg. 

Cincinnati — 7th  and   Main    Sts. 

Detroit — Film    Bldg.,    Elizabeth   and   John    Sts. 

Pittsburgh — Federated  Film  Exchange  Co.,  412 
Ferry   St. 

New  Orleans — Pearce  Films,  Inc.,  1015  Common 
St. 

New  York  City — Apollo  Film  Exchange,  1600 
Broadway. 

Philadelphia — Benjamin  Amsterdam,  Masterpiece 
Film  Attractions,  1329  Vine  St. 

San  Francisco — G  A.  Oppenheimer,  Federated 
Film   Distributors',   Inc.,   298   Turk   St. 

Los  Angeles — G.  A.  Oppenheimer,  913  S.  Olive  St. 

Dallas — W.  G.  Underwood,  Specialty  Film  Co., 
Inc.,   107  S.   St.   Paul   St. 

Little  Rock,  Ark.— 1114   W.   Markham  St. 

Oklahoma   City— 112    S.    Hudson    St. 

Baltimore — P  Oletsky,  Federated  Film  Exchange 
of  Balto.,  Inc.,  412  E.  Balto.  St. 

Seattle — J.  T.  Sheffield,  Greater  Features,  Inc., 
2010  Third  Ave. 

Salt  Lake  City — 64  E.  4th  South  St. 

Denver — Lannon  Sheffield  Exchanges,  1734  B'way. 

New  York  State — Grand  &  Warner  Film  Ex- 
change, 676  Broadway,  Albany. 

Grand  &  Warner  Film  Exchange,  338  Pearl  St., 
Buffalo. 

FOX  FILM  CORPORATION 

R.  A.  White,  General  Sales  Manager ;  Sam 
Dembow,  Jr.,  Asst.  General  Sales  Manager ;  J. 
Sicheknan,    Contract   Dept.    Manager. 

District  Managers :  Harry  F.  Campbell,  New 
England;  Clayton  P.  Sheehan,  Eastern;  Howard  J. 
Sheehan,  Pacific  Coast ;  George  Allison,  Southern. 
Albany,  N.  Y.— G.  A  Woodard,  46  Orange  St. 
Atlanta,  Ga. — Geo.  Allison,  111  Walton  St. 
Boston,  Mass. — H.  F.  Campbell,  54  Piedmont  St. 
Buffalo,  N.  Y.— C.  N.  Johnston,  209  Franklin  St. 
Butte,  Mont. — J.  J.  Sullivan,  125  West  Broadway. 
Charlotte,   N     C— W.  J.   Kupper,  213   So.    Church 

St. 
Chicago,  111. — Sidney  Meyer,  910  So.  Wabash  Ave. 
Cincinnati,   Ohio— R.    Knoepfle,   514   Elm   St. 
Cleveland,    Ohio — Robert    Cotton,   Payne  Ave.   and 

E.  21st  St. 
Dallas,  Tex.   (Box  Office  Attr.   Co.)— P.   K.  John- 
ston, 1907  Commerce  St. 
Denver,   Colo. — Ward   Scott,    1531   Tremont  St. 
Detroit,    Mich.     (Box    Office    Attr.    Co.)— W.    D. 

Ward,   149  E.  Elizabeth  St. 
Indianapolis,    Ind. — Harry    Bailey,    232    North    Il- 
linois  St. 
Kansas     City,     Mo. — B.     E.     Edwards,     19th     and 

Wyandotte   Sts. 
Los  Angeles,  Calif. — R.  M.  Yost,  914  South  Olive 

St. 
Minneapolis,  Minn. — B.  F.  Tarbell,  608  First  Ave., 

North. 
New    Orleans,    La. — B.    L.    Dudenhefer,    725    Poy- 

dras  St. 
New  York  City,  N.  Y.— Louis  Rosenbluh,  130  W. 

46th  St. 
Oklahoma    City,    Okla. — A.    C.    Buchanan,    106    S. 

Hudson  St. 


189 


ROWLAND  V.  LEE,  Director 

Adapted  and  Directed 
Booth  Tarkington's  Pulitzer  prize  novel 

"ALICE  ADAMS" 

Starring  Florence  Vidor 

Also  Directed; 

"SHIRLEY  OF  THE  CIRCUS" 
Starring  Shirley  Mason  for  Fox 

"THE  SEA  LION" 
Starring  Hobart  Bosworth 

"HIS  BACK  AGAINST  THE  WALL" 

"THE  DUST  FLOWER"    For  Goldwyn 

Richard  Harding  Davis' 

"THE  MEN  OF  ZANZIBAR" 

Starring  William  Russell  for  Fox 


EDMUND  MORTIMER 

Director 

MAY  ALLISON  in 

"THE  BROAD  ROAD" 

by  Hapsburg  Liebe 

In  preparation 

"THE    EVERLASTING    LIGHT" 

by  Hapsburg  Liebe 


"THE  HUSHED  HOUR,"  Blanche  Sweet 

"THE  ROAD  THROUGH  THE  DARK,"  Clara  Kimball  Young 

"ALIAS  JIMMY  VALENTINE,"  Bert  Lytell 

"THE  MISFIT  WIFE,"  Alice  Lake 

"THE  COUNTY  FAIR"  (Maurice  Tourneur) 

With  Wesley  Barry 


190 


Omaha,  Neb. — Harry  Heyman,  1413-15  Harney 
St. 

Philadelphia,  Pa.— Geo.  F.  Dembow,  1315-17  Vine 
St. 

Pittsburgh,    Pa. — Frank   Drew,    121    Fourth   Ave. 

St.    Louis,    Mo.— Geo     E.    McKean,    3314    Olive   St. 

Salt  Lake  City,  Utah— Clyde  A.  Walker,  46  Ex- 
change Place. 

San  Francisco,   Calif.— J.  J.   Sheehan,  308  Turk  St., 

Seattle,    Wash. — Guy    Navarre,    2008    Third   Ave. 

Washington,  D.  C. — Geo.  A.  Roberts,  305  Ninth 
St.,  N.  W. 

Canadian  Managers 

William    F.    Barrett,    District    Manager 
Montreal — L.    H.    Watrous,    322    St.    Catherine    St. 
Toronto — L.   M.   Devaney,  21    Dundas   St.   East. 
St.  John— R.  G.   March,   162  Union  St. 
Calgary — J.    H.    Huber,    9    Princess    Theatre    Bldg. 
Winnipeg — J.   A.   Wilson,   48  Aikens   Bldg. 
Vancouver — -W.    R.   Marshall,  Leigh   Spencer   Bldg. 

FILM     BOOKING     OFFICES     OF 
AMERICA,  INC. 

Albany — R.   S.   Bendell,  703  Broadway. 
Atlanta — R.    A     Davis,    148    Marietta    Street. 
Buffalo— E.   W.    Kramer,   505    Pearl   Street. 
Chicago — C.    R    Plough,    908    South   Wabash   Ave. 
Cincinnati — E.  T.  Gomersall,  B'way  Film  Building, 

Pioneer   Street   and    Broadway. 
Cleveland — Mark    Goldman,    Film    Exchange    Bldg. 
Dallas— L.    E.    Harrington,    1914J/^    Main    Street. 
Denver — Jack  Nelson,  809-21st  Street. 
Detroit — A.  M.   Elliott,    159  E.   Elizabeth   Street. 
Indianapolis — E.    M.    Booth,    111    W.   Maryland   St. 
Kansas    City — R.    E.    Churchill,    Snower    Building, 

18th   St.   and   Baltimore  Ave. 
Los    Angeles— E.    H.    Wachter,    825    South    Olive 

Street. 
Minneapolis — W.    J.    Weisfeldt,    309    Loeb    Arcade 

Bldg. 
New    Orleans — Frank   Jene,   419    Dryades    Street. 
New    York — -Chas.    Rosenzweig,    723    Seventh    Ave. 
Omaha — Wm.    Benjamin,    1508   Davenport   St. 
Philadelphia— J.   M.   Flynn,   1219   Vine   Street. 
Pittsburgh — A.    H.    Schnitzer,    121    Fourth  Avenue. 
Salt    Lake    City — Location   not   selected. 
San  Francisco— C.   D.   Beale,   310  Turk   Street. 
St.   Louis — A.  W.   Carrick,  3623  Washington  Ave. 
Seattle — E.   J.   Lipson,    1933   Third  Avenue. 
Washington — I.  Gettelson,  916   "G"  Street,  N.  W. 
Boston — S.   E.   Fitzgibbon,   59   Church   Street. 
Canada — J.  M.  Mullin,  Special  Representative,  care 

Regal  Films,   Ltd.,  21    Dundas   Street,  E. 

GOLDWYN    DISTRIBUTING   CORP. 

Atlanta — J.  L.  Marentette,  111  Walton  St. 
Boston— C.   W     Perry,   42   Piedmont   St. 
Buffalo— Thos.   Brady,   509   Pearl   St. 
Chicago — Ben    B.    Reingold,    800    S.    Wabash   Ave. 
Cincinnati — E.    S.    Stewart,    301    Bway    Film    Bldg. 
Cleveland— N.    Barach,    701    Film    Bldg. 
Dallas— L.    B.    Remy,    1922    Main    St. 
Denver— A     A.    Schayer,    1755    Welton    St. 
Detroit— H.    S.   Lorch,   Film   Exchange   Bldg. 
Indianapolis— W.   W.   Willman,  438-440  N.   Illinois 

St 
Kansas    City — J.    H     Hill,    Snower    Bldg. 
Los  Angeles— Seth   Perkins,   912   S.   Olive   St. 
Milwaukee — Sub-office   to   Chicago,   401    Toy   Bldg. 
Minneapolis — M.    Gottlieb,    16   N.   4th   St. 
New   York — S     Eckman,  Jr.,   729   Seventh   Ave. 
Philadelphia— E.  Moss,  1335  Vine  St. 
Pittsburgh — L.    Sturm,    1201    Liberty    Ave. 
Portland— Sub-office  to   Seattle,   14  N.   9th   St. 
San  Francisco — -G.  C.  Parsons,  71  Leavenworth  St. 
St.   Louis— J.   B.   Dugger,   3312  Lindell  Blvd. 
Seattle — W.    E.    Banford,   2018   Third   Ave. 
Washington— Walter  Price,  714  11th  St.,  N.  W. 
New   Orleans— J.   W.   Pope,   Jr.,   1125   Girod   St. 
Omaha— Roy    Churchill,    1508    Davenport    St. 
Salt   Lake   City — Chas   Knickerbocker,    135   E.   2nd 

South   St. 

SUPERVISION 
S.  Eckman,  Jr.,  *New  York. 
Ben    Fish,    "Denver,    Salt    Lake. 
J.     A.     Koerpel,     'Cleveland,     Cincinnati,     Detroit, 

Indianapolis. 
H.     Leonhardt,     *Los     Angeles,     San     Francisco, 

Seattle,   Portland. 


Arthur    Lucas,    *Atlanta,    New    Orleans. 

Geo.    A.    Hickey,    *Chicago,    Minneapolis,    Milwau- 
kee. 

W.   E.   Truog,   'Kansas   City,   St.   Louis,   Omaha. 

Felix       Mendelssohn,       'Philadelphia,       Pittsburgh, 
Washington. 

'Headquarters 

W.  W.  HODKINSON  CORPORATION 

Atlanta — A.    S.    Dickinson,    106   Walton   Street. 
Boston — L.   Hacking,  48   Melrose  Street. 
Buffalo— T.   Brady,   505   Pearl  Street. 
Chicago — R.   Simmons,  730  South  Wabash  Avenue. 
Cincinnati— H.    H.    Hurn,    124    East    7th    Street. 
Cleveland — C.    E.    Holah,    21st    Street    and    Payne 

Avenue 
Dallas — Jack    Schaefer,    1912^    Maine    Street. 
Denver — H.   O.   Bartels,   1942  Broadway. 
Detroit— Ralph    Peckham,    159    S.    Elizabeth    Street. 
Kansas  City— F.  B.  McCracken,  1627  Maine  Street. 
Los  Angeles— W.  T.  Wall,  838   So.   Olive  Street. 
Minneapolis — E.    R.    Reynolds,    506   Film   Exchange 

Building. 
New    Orleans — Mrs.    A     H.    Sessions,    415    Dryades 

Street 
New    York— F.    Kilgour,    130   West    46th    Street. 
Oklahoma    City— J.    C.    DeWalt,    123    So.    Madison 

Street. 
Omaha— H.   Melcher,   314   So.    13th   Street. 
Philadelphia— F.  W.   Gebhardt,   1324  Vine  Street. 
Pittsburgh— Harry   Reiff,    1026   Forbes  Street. 
St.    Louis— C.    D.   Hill,   3435    Olive   Street. 
Salt  Lake  City— Earl  Steele,   60  E.   4th   St.,   South. 
San  Francisco— J    G.  Connors,  294  Turk  Street. 
Seattle — R.   Pielow,   2020  Third  Avenue. 
Spokane — H.    Burnham,   4   So.    Bernard   Street. 
Washington— S.    A.    Galanty,    916    "G"    St.    N.    W. 

METRO    PICT.    CORP. 

Atlanta — S.    Maclntyre,    108    Walton    Street. 
Buffalo— H.    W.    Kahn,    259    Franklin    Street. 
Boston— M.    Hill,   60    Church   Street. 
Chicago — L.  A.   Rozelle,  831    So.  Wabash  Avenue. 
Cincinnati — A.    B.   Lamb,   7th  &  Main   Streets. 
Cincinnati — W.    C.    Bachmeyer,    D.    Mgr.,    7th    & 

Main   Streets. 
Cleveland— C.  E.  Almy,  506  Clev.  Film  Ex.  Bldg. 

&   E.   21st    Street   &   Payne   Avenue. 
Dallas — L.    Bickel,    1909    Commerce   Street. 
Detroit — F.   J.    Nugent,    134    E.    Elizabeth    Street. 
Denver— F.    P.    Brown,    1721    California   Street. 
Kansas      City,      Mo. — S.      L.      Haldeman,      1706-8 

Wyandotte    Street. 
Los    Angeles — B.     F.     Rosenberg,     820     S.     Olive 

Street. 
Minneapolis — A      H.     Fischer,     818     Produce    Ex. 

Bldg. 
New   York — A.  Abeles,   729   Seventh  Avenue. 
New  Haven — Wm.  A.   Scully,   126  Meadow  Street. 
New  Orleans— C.  J.   Briant,   1401   Tulane  Street. 
Omaha — C.    R.    Osborn,    1512    Davenport   Street. 
Pittsburgh — A.    E.    Atkinson,    1018    Forbes    Street 

(Uptown    Station). 
Philadelphia— R.    Lynch,    1321    Vine    Street. 
Seattle — C.    Stearn,    2002    Third   Avenue. 
San    Francisco — F.    W.    Voigt,    247    Golden    Gate 

Avenue. 
Salt   Lake   City— G.   L.    Cloward,   58   East   Fourth 

South. 
St.    Louis— Chas.    Werner,    331 3A    Olive    Street. 
Washington— G.  W.   Fuller,  916  G.   Street,  N.  W. 
Toronto— S.    Glazer,    21    Dundas    Street,    E. 

PATHE  EXCHANGE,  INC. 

Atlanta — 102   Walton    Street. 
Dallas — 1715    Commerce    Street. 
Chicago — 418    So.    Wabash    Avenue. 
Minneapolis — 608    First   Avenue,    N. 
New    York — 1600    Broadway. 
Boston — 13   Stanhope  Street. 
Los  Angeles — 920    So.    Olive   Street. 
St.   Louis — 3308  Lindell  Boul. 
San  Francisco — 321   Turk  Street. 
Albany — 35    Orange   Street. 
Pittsburgh — 1018    Forbes    Street. 
Cincinnati — 124  E.  7th  Street. 
Cleveland — 2100   Payne  Avenue. 
Oklahoma    Citv— 508    W.    Grand    Avenue. 
Philadelphia— 211    No.    13th    Street. 
New    Orleans — 229    Dauphine   Street. 


191 


CHARLES    HUTCHISON 


Atlantic  iFcatureg,  Jnc. 


announces  a  $ttit&  of 


jFour  special  :Protiucttons 

to  be  releaseD  ctirouglj  tlje 

9lrrotD  :film  Corporation 


no  Wmt  40t!)  §>trect 
Bm  porfe  Citp 


192 


Washington — 916   G.    Street,   N.   W. 
Kansas   City— 111    W.    17th    Street 
Denver  — 1426   Welton   Street. 
Omaha — 1417  Harney  Street. 
Seattle— 2025    Third   Avenue. 
Salt   Lake  City — 64   Exchange   Place. 
Indianapolis — 66   W.    New   York   Street. 
Detroit— 159   E.   Elizabeth  Street. 
Des   Moines — lOOJ^    E.   Locust   Street 
Charlotte — 235    So.   Tryon    Street. 
Buffalo — 5().S    Pearl    Street. 
Milwaukee — 174    Second    Street. 
Spokane — 408    First    Avenue. 
Memphis — 302    Mulberry    Street. 
Portland — 10   No.   9th    Street. 
New    Haven — 134   Meadow   Street. 
Newark — 1600     Bway.     N.     Y.     C.       (Present     lo- 
cation.) 

SELZNICK  CORPORATION 

Albany— H.  Wilkenson,  679   Broadway,  Main  3422. 
Atlanta— John    T.    Ezell,     106-108    Walton     Street, 

Ivy   7875. 
Boston — Benj.     P.     Rogers.     78     Broadway,     Beach 

7130. 
Buffalo— Harry  E.  Lotz,  257   Franklin  Street,  Tap- 
per 4522  or   1487. 
Charlotte — ^J.     U.     McCormick,      13      So.      Church 

Street,   Charlotte  4403. 
Chicago — E.    Silverman,    831    So.    Wabash    Avenue, 

Harrison  6184-5-6. 
Cincinnati — O.    P.   Hall,    Pioneer   Street   &    B'way.. 

Canal   6137. 
Cleveland— Albert     AV.     Eden,     New     Film     Bldg., 

Payne  Avenue   &    E.   21st   Street,    Prospect   1722. 
Dallas — Diaz     Callahan,     ISOJ^     Commerce     Street, 

Y  6059. 
Denver — J.     S.     Hommel,      1728     Welton      Street, 

Champa    1697. 
Detroit— J.     O.     Kent.     159     E.     Elizabeth     Street, 

Cadillac    2659. 
Indianapolis — D.    Williston,    66    W.    N.    Y.    Street, 

Circle  380. 
Kansas    City — J.     B.    Reilly,     19th    and    Wyandotte 

Streets,   Harrison   ^155. 
Los    Angeles— Oren     F.     Woody,     818     So.     Olive 

Street,    Broadway    43. 
Milwaukee — F.   .M     DeLorenzo,    172   Second   Street, 

Grand  4847. 
Minneapolis — J.    E.   O'Toole,   Produce   Exch.   Bldg., 

608    First  Avenue,    N.,   Atlantic    6003. 
New     Haven — S.      Bernfield,      19     Portsea     Street, 

Colony    135. 
New      Orleans — F.      F.      Goodrow,      1006      Gravier 

Street,   Main    1367. 
T^ew     York — Henry     Siegel,     (Dist.     Mgr.)  ;     Nat 

Beier,    (Sales    Mgr.),    729    Seventh    Ave.,    Bryant 

9907. 
Oklahoma    City — C.     Y).    Touchon,    412    W     Reno 

Street,   Maple    1694. 
Omaha— S.    T.     O'lirien,     1510    Davenport    Street, 

Jackson  2827. 
Philadelphia — ^L^x      Milder,      1308      Vine      Street, 

Locust   4136. 
Pittsburgh — D.    J.     Selznick — 1024     Forbes    Street, 

Grant    1203    or    1204. 
Portland,  Me. — J.   H.   Curran,  915  Congress  Street. 

Portland    7577. 
St.  Louis — Floyd  Lewis.  3617  Washington  Avenue, 

Lindell    1450. 
Salt    Lake    City— E.    C.    I^Iix,    150    Regent    Street, 

Wasatch    4304. 
San   Francisco — Ralph    B.   Quive,    104   Golden   Gate 

Avenue,    Prospect    3132 
Seattle — Paul    R.    Aust,   2024    Third   Avenue,    Main 

4280-4281. 
Washington — Louis     Keichert,    916    G.     Street      N 

W.,   Main  4413. 

C.    C.    Ezell — Personal    Representative    to    Lewis 

J.   Selznick. 

UNITED  ARTISTS  CORP. 


106    Walton    Street. 

69    Church    Street,    Beach 


Atlanta— M.    C.    Coviie, 
Boston — H.    T.    Scullv, 

7120. 
Buffalo — M.    H.    Markowitz,    221    Franklin    Street 

Seneca  6710. 
Chicago— C.    E.    Smith— 80S    S.    Wabash    .\venue 

Randolph   4460. 


Cleveland— R.    K.    Evans,    2143    Prospect    Avenue. 

Prospect   657. 
Dallas — J.    E.    Luckett,    180^    Commerce    Street. 
Denver— J.    A.     Crun,    617     19th    Street,     Champa 

5552. 
Detroit— H      W.     Traver,     303    Jos.     Mack     Bldg., 

Main  5222. 
Havana — M.  Weiner,   122   Consulado  Street. 
Kansas   City,   Mo. — T.   Y.   Henry,    17th   and   Main 

Streets,    Bell    Tel.,    Grand    1822. 
Los  Angeles— H.   D.   Buckley,  922   S.   Olive  Street. 
Minneapolis — T.  J.   MacEvoy,  402   Film  Exchange 

Bldg.,   Atlantic   0079. 
Montreal — 1.    Sourkes,    12    Mayor    Street. 
New    Haven — F.    Scully,    134    Meadow    Street. 
New    York — M.    Streimer,    729    Seventh    Avenue. 

Bryant   1774. 
Omaha — S     Vorzimer,    1508    Davenport    Street. 
Philadelphia— C.     U.     Martin,     1323     Vine     Straet. 

Locust   5146. 
Pittsburgh— C       E.     Moore,      119      Ninth     Street. 

Grand   3678. 
Portland,   Me.— M.  J.  Garrity,  614  Fidelity  Bldg 
St.   Louis— W.  A.   Shalit,  3431    Olive   Street. 
San    Francisco — E.    B.    Baron,    229    Golden    Gate 

Avenue,   Park    5211. 
Seattle— C.  W.   Harden,   1913   Third  Avenue. 
Washington — G.    F.    Lenehan,    801     Mather    Bldg., 

Main    1185. 
Toronto — Wm.     Cranston,     6     Duns     Street,     Adel- 
aide  6537. 
Winnipeg — H.    M.    Master,    Phoenix    Bldg.,    Rm. 

219  A.,   Main  8593. 
Montreal — E.      A.      Brown,      12      Mayor      Street, 

Plateau  2877. 

Resident   Salesmen 
Cincinnati — J.    Keller,    Sinton    Hotel. 
Indianapolis — W.   W.   Willman,  21    Dolly   Madison 

Apts. 

UNIVERSAL    FILM    EXCHANGE 

Albany — Universal      Film      Exchange,      Inc.,      676 

Broadway ;    C.    Halligan,    Mgr. 
Atlanta — Consolidated    Film    &    Supply    Co.,     Ill 

Walton    Street,   N.   E.   Depinet  and   R.   B.   Wil- 
liams,   Mgrs. 
Boston — American  Feature  Film  Co.,  37  Piedmont 

Street ;    Harry  Asher,   Prest. 
Buffalo — Universal      Film      Exchange,      Inc.,      257 

Franklin   Street;    M.   A.   Chase,    Mgr. 
Butte — Universal     Film     Exchange,    Inc.,    23     So. 

Montana    Street ;    W.    P.    Moran,    Mgr. 
Calgary — Canadian    Universal    Film    Co.,    407    W. 

Eighth  Avenue;   W.  A.   Sault,  Mgr. 
Charleston — Universal    Film    Exchange,    Inc.,    707 

Dryden  Street;  J.  E.  Daly,  Mgr. 
Charlotte — Universal    Film     Exchange,     Inc.,     307 

W.    Trade   Street;    E.    F.    Dardine,    Mgr. 
Chicago — Universal    Film    Exchange,    Inc.,    831    S. 

Wabash   Avenue ;    Herman   Stern,    Mgr. 
Cincinnati — Universal        Film        Exchange,        Inc., 

Broadway  and  Pioneer  Streets ;  Maurice  Strauss, 

Mgr. 
Cleveland — Universal    Film    Exchange,    Inc.,    21st 

Street    and    Payne    Avenue ;    Tom    Colby,    Mgr. 
Dallas— Consolidated    Film    &    Supply    Co.,     1815 

Main  Street;  R.  Mcllheran,  Mgr. 
Denver^Universal     Film      Exchange,      Inc.,      801 

21st   Street;   E.   Gerbase,   Mgr. 
Des   Moines — Universal   Film   Exchange,   Inc.,   918 

Locust  Street;   F.  L.  Davie,  Mgr. 
Detroit — Universal    Film    Exchange,    Inc.,    159    E. 

Elizabeth    Street ;    Jos    Friedman,    Mgr. 
El  Paso— Consolidated  Film  &  Supply  Co.,  608  N. 

Oregon   Street;   G.   L    Woods,   Mgr. 
Ft.     Smith — Universal    tilm    Exchange,     Inc.,    709 

Rogers  Avenue;    C.   H.   White,   Mgr. 
Indianapolis — Universal   Film   Exchange,    Inc.,    113 

W.   Georgia  Street;   R.  W.  Abbett,   Mgr. 
Jacksonville — Consolidated     Film     &     Supply     Co., 

1015^4    W.    Bay   Street;  J.   R.    Barton,   Mgr. 
Kansas  City,  Mo. — Universal  Film  Exchange,  Inc., 

1710  Main   Street;   Roy  Alexander,  Mgr. 
Los  Angeles — Universal   Film   Exchange,   Inc.,   822 

So.   Olive  Street ;   C.  Theuerkauf,  Mgr. 
Memphis — Consolidated    Film    &    Supply    Co.,    226 

Union   Avenue;    W.    E.    Sipe,   Mgr. 
Milwaukee — Universal    Film    Exchange,    Inc.,     174 

Second   Street;  Jess   Kaufman,   Mgr. 
(Continued   on    page    196) 


193 


OR  GOOD  COMEDIES 


hey   are   picking   the    progi^ai 
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EDIEIS,  because  no  maltet  what  the  feature 
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■with  as  fiiuch  care, his  a  featurs'  Sind  conlaiititig 
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7  THE  CH.ASED  BRIDE 


♦  ♦♦  ♦  •♦♦>♦♦  ♦♦♦♦♦♦♦♦  ♦>♦♦♦♦  ♦  ♦  ♦  ♦  V«V«%  ♦«>«#<♦  V*v«V««  «♦««♦»♦«>♦*««>  ♦  ♦♦  V^V^V^v^V**  ♦♦>♦♦♦♦♦  ♦♦♦♦♦  ♦♦♦>♦< 


A 


FTER  two  years 
of  keeping  faith 
with  exhibitors  Edu- 
cational is  proud  of 
the  steady  and  rapid  improvement  in 
Short  Subjects  that  has  been  parallel  with 
the  growth  of  this  organization. 

The  only  nationally  advertised  Short  Sub- 
jects, Educational  Pictures  are  known  to 
your  patrons  and  are  attractions  of  definite 
box  office  value  just  as  surely  as  if  they 
were  in  fiwe  or  six  reels   instead  of  one 


or  two. 


^^^oj:}ltx^uA^^^^^^^A-^ 


» 


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-THE  SPICE  OF  THt  PROCK  \M" 


195 


UNIVERSAL   FILM   EXCHANGES 

(  ( 'oiitiiiued    from    pagi'    14,?) 
Minneapolis — Universal       Film       Exchange,       Inc., 

Loeb    Arcade;    Cleve    Adams,    Mgr. 
Montreal — Canadian  Universal  Film  Co.,   12  Mayor 

Street ;    D.    Leduc,    Mgr. 
New     Haven — Consolidated    Film     &    Supply     Co., 

126    Meadow    Street;    M.    Joseph,    Mgr. 
New    Orleans — Consolidated    Film    &    Supply    Co., 

914   Gravier   Street;   W.   Richardson,   Mgr. 
New    York — Big    U    Film    Exchange,    1600    Broad- 
way ;   W.   C.   Herman,   Mgr. 
Oklahoma    City — Universal    Film    Exchange,    Inc., 

312    W.    California    Street;    S.     Benjamin,    Mgr. 
Omaha — Universal    Film    Exchange,    Inc.,    313    So. 

14th  Street;   H.  F.  Lefholtz,  Mgr. 
Philadelphia — Interstate     Films,     Inc.,     1304     Vine 

Street;   Jules    Levy. 
Pittsburgh — Universal    Film    Exchange,    Inc.,    1018 

Forbes   Street;   A.   R.   Cherry,   Mgr. 
Portland,     Ore. — Universal     Film     Exchange,     Inc., 

405   Davis   Street;   J.   N.   MacMeekin,   Mgr. 
St.      John — Canadian      Universal      Film      Co.,      87 

Union    Street ;    P.    C.    Taylor,    Mgr. 
St.    Louis — Universal    Film    Exchange,    Inc.,    2116 

Locust    Street;    B.    Rosenthal,    Mgr. 
Salt     Lake — Universal     Film     Exchange,     Inc.,     56 

Exchange  PI.  ;  F.  L.  McNamee,  Mgr. 
San     Francisco — Universal     Film     Exchange,     Inc., 

221    Golden    Gate   Avenue;    C.    A.    Nathan,    Mgr. 
Seattle — Universal      Film      Exchange.      Inc..      1935 

3rd  Ave. ;   L.  J.  Schaifer,  Mgr. 


Sioux      Falls — Universal      Film      Exchange,      Inc., 

Colonial   Theatre   Bldg. ;    S.    W.    Fitch,   Mgr. 
Spokane — Universal      Film      Exchange,      Inc.;      10 

South    Barnard    Street;    A.    H.    McMillan,    Mgr. 
Toronto — Canadian      Universal       Film      Co.,      350 

Yonge    Street;    C.    Hague,    Mgr. 
Vancouver — Canadian     Universal     Film     Co.,     553 

Granville   Street;    Robt.    Scott,   Mgr. 
Winnipeg— Canadian      Universal      Film      Co.,      40 

Aikens    Bldg.;    G.    F.    Law,    Mgr. 
Wa.shington,    D.    C. — Washington    Film    Exchange, 

307   9th   Street,   N.   W. ;    Harry    S.    Brown,   Mgr. 

SECOND  NATIONAL  PICTURES 
CORP. 

New   York   City — 729  Seventh  Ave.,   Murray   Beier, 

Mgr. 
Boston — 57   State  St.,  Herman   Rifkin,   Mgr. 
New    Haven — 134    Meadow     St.,     Herman    Rifkin, 

Mgr. 
Philadelphia— 1222  Vine  St.,  A.  J.  Sherman,  Mgr. 
Chicago — 813   So.   Wabash  Ave.;    S.   Greiver,  Mgr. 
San  Francisco — Golden  Gate  Ave.,  A.   Moskowitz, 

Mgr. 
Dallas — 1810    Commercial   St.,   Jack   Adams,    Mgr. 
Buffalo — 257    Franklin    St.,    Harry    Massey,    Mgr. 
Raleigh — H.  Van  Maty,  Mgr. 
Detroit — Film    Exchange    Bldg..    Jas.     M.    Mintes, 

Mgr. 
Pittsburgh— 1002     Standard     Life     Bldg.,     C.     A. 

Stoltz,    Mgr. 


Short  Subject  Releases 

Releases  of  national  and  state  right  distributors  from  Jan.  1  to  July  31,  1922,  will  be 
found  below  in  detailed  form: 


NATIONAL    DISTRIBUTORS 
Associated    First    National    Pictures,    Inc.,    6    West 
48th   St.,    New   York 
Title    and    Length    in    feet  Release  Date 

Charles  Chaplin  Comedies 

A    Dog's   Life,    2,674 ' Feb. 

Pay    Day,     1,892 March 

Sunnyside,    2,769     March 

Shoulder    Arms,    3,205 April 

A    Day's    Pleasure,    1,714 May 

Buster   Keaton    Comedies 

The    Paleface,    1,960 Jan. 

Cops,    1,725    March 

My   Wife's   Relations,   2.096 May 

The    Frozen    Nortli,    2,049 June 

The    Blacksmith,     1,764 July 

Frozen     North,    2,049 Aug. 

Electric    House,    2,23 1 Oct. 

Day     Dreams,    2,483 Nov. 

Mack  Sennett  Comedies 

Bright    Eyes,    1,731     Tan. 

The  Duck  Hunter,   1 ,844   Feb. 

On  Patrol,  1,977    March 

Step  Forward,   1,737    April 

Gymnasium  Jim,    1 ,820    IVIay 

Ma  and  Pa,    1,804 June 

Homemade  Movies   August 

Bow    Wow,    1,856 Oct. 

Home    Made    Movies,    1,804 Oct. 

When    Summer    Comes,     1,570 Nov. 

Educational  Films   Exchanges,    Inc.,   370   7th  Ave., 
New    York. 

Adventures   of    Sherlock    Holmes 

The   Devil's   Foot,   2,000 Tune    11 

The  Dying  Detective.  2,000 June  25 

A   Case   of   Identity,    2,000 July      7 

A    Scandal    in    Bohemia,    2,000 Tuly23 

The     Noble     Bachelor,     2,000 Aug.   27 

The    Copper    Beeches.    2,000 Sept.     3 

The  Empty   House,   2,000 Sept.   17 

The    Yellow    Face,    2,000 Sept.      6 

Tiger   of    San    Pedro,    2,000 Oct.      1 

The    Priory    School,    2,000 Oct.    15 


Title   and    Length    in    feet  I^elease  Date 

The     Solitary     Cyclist,     2,000 Oct.  29 

The    Resident    Patient,    2,000 Nov.   26 

The     Beryl     Coronet,     2,000 Dec.   10 

Man    With    the    Twisted    Lip,    2,000 Dec.   24 

Bruce   Scenics 
Unknown    Switzerland,    1,000 Jan.    IS 

Campbell    Comedies 

Schoolday    Love,    2,000 Jan.   29 

Monkey    Shines,    2,000 Feb.  26 

A    Rag    Doll    Romance,    2,000 April     2 

A    Penny    Reward,    2,000 May   14 

A    False    Alarm,    2.000 June   11 

Circus    Davs,    2,000 July     9 

A    Ring    Tail    Romance,    2,000 Sept.   24 

Specials 

The    Enchanted    City,    1,000 Oct.      1 

Man    vs.     Beast,    2,000 Oct.   29 

Christie    Comedies 

A    Barnyard    Cavalier,    2,000 Jan.     8 

One     Stormy     Knight,    2,000 Jan.  22 

A  Rambling  Romeo,  2,000 Feb.     5 

Hokus    Pocus,    2,000 Feb.   19 

'Twas    Ever    Thus,    2,000 March     5 

Oh,    Promise   Me  !    2,000 March   19 

'Tis     the     Bull,     2,000 April     9 

Fair    Enough,    2,000 April  23 

Any     Old     Port,     2,000 May     7 

Cold    Feet,    2,000 May  21 

A    Hickory    Hick,    2,000 June     4 

Bucking    Broadway,   2,000 June   18 

Mile-a-Minute    Mary,    2,000 July     2 

That    Son    of    a    Sheik,    2,000 Sept.     3 

Pardon    Mv    Glove,    2,000 Sept.    17 

Let     'Er     Run,     2,000 Oct.     1 

Ocean  Swells,  2,000 Oct.  22 

Choose  Your  Weapons,  2,000 Nov.     5 

Chop     Suey,     2,000 Nov.    19 

The    C:hased    Bride,    2,000 Dec.     3 

In    Dutch,    2,000 Dec.    17 

Earl  Hurd   Comedies 

One    or    Cat,    1,000 Aug.    13 

Fresh     Fish,      1,000 Oct.     8 

Railroading,     1,000 Dec.     3 


196 


Title   and    Length    in    feet  Release  Date 

Cameo  Comedies 

Crash,      1,000 Nov.   12 

Fitter    Patter,     1,000 Nov.  26 

Once  Over,   1,000 Dec.   10 

Hurry     Up,     1,000 Dec.  24 

Kinograms,    Mermaid   Comedies 

Rolling    Stones,    2,000 Jan.   15 

Step    This    Way,    2,000 Feb.   12 

The  Rainmaker,   2,000 March   12 

Spoks  !     2,000 April   16 

Danger,    2,000 May   14 

Poor    Boy,    2,000 June   18 

Rapid    Fire,    2,000 July   16 

Treasure    Bound,    2,000 Aug.   13 

Look    Out    Below,    2,000 Sept.   10 

The    Steeplechaser,    2,000 Oct.     8 

Blazes,     2,000 Nov.     S 

A    Good    Scout,    2,000 Dec.  31 

High    Power,    2,000 Dec.     3 

Sketchografs 

The  Family  Album,  1,000 Jan.     8 

Toonerville   Comedies 

The     Skipper's     Policv.     2,000 March   19. 

Toonerville     Trials,     2,000 May     7 

Toonerville     Blues,    2.000     June     4 

Toonerville    Topics,    2,000 Sept.   10 

The  Skipper's  Sermon,  2,000 Oct.   15 

Hamilton   Comedies 

The    Speeder,   2,000 Sept.   24 

The  Educator,   2,000 Nov.   12 

Lyman    H.    Howe's    Hodge-Podge 

King   Winter,    1,000 Oct.  22 

Sea   Elephants,    1,000 No   definite   dates 

Garden    of    Geysers,    1,000 Dec.   31 

Torchy   Comedies 

Battling     Torchy,     2,000 Jan.  22 

Torchy  and   Orange   Blossoms,   2.000.  ..  .March  26 

Torchy's    Ghost,    2,000 April  30 

Torchy's    Hold-Up,    2,000 May  28 

Torchy     Steps     Out,     2,000 June  25 

Torchy's     Nut     Sunday,     2,000 July   30 

Torchy's  Feud,  2,000 No  definite  dates 

Wilderness   Tales 

And  Women  Must  Weep,   1,000 Feb.   12 

Missing   Men,    1,000 March   12 

Nights  of  Many  Shadows,   1,000 April  23 

My     Country,     1,000 May  21 

The    One    Man    Reunion,    1,000 June  25 

The     Drifters,     1,000 Sept.     3 

The    Blanket    Stiff,    1,000 Oct.     8 

The   Split    Outfit,    1,000 Nov.    12 

Natural    Born    Liar,    1,000 Dec.   17 

World  Wanderings 

Bonnets    of   Auvergne,    1,000 Jan.      1 

Dawn   to   Dusk   in   Egypt,    1,000 Jan.   29 

The     Silver     Harvest,     1,000 Feb.   26 

Famous     Players-Lasky     Corp.,     485     5th     Avenue 
New   York. 

Burton   Holmes   Travel    Pictures 

Stamboul,     1,000 Jan.      1 

Along    the    Rio    Grande,    1,000 Jan.     8 

At    the   Damascus    Gate,    1.000 Jan.  15 

Lake    Maggiore,     1,000 Jan.  22 

First   Families   of  America,    1,000 Jan.  29 

Film    Booking    Offices    of   America,    Inc.,    723    7th 
Ave.,    New    York. 

Hy  Mayer  Travelaughs 
Such  is  Life  in  London's  West  End,   1,000  April  23 

Such  is  Life  in  Vollendam,   1,000 May     7 

Such  is  Life  in   Monte   Carlo,    1,000 May  31 

Such  is  Life  in  Mon  Petit  Paris,   1,000.  ..  .June     4 
Such  is  Life  Among  Children  of  France, 

1,000    June  18 

Such  is  Life  Among  Paris  Shoppers,  1,000  Aug.    13 
Such  is  Life  in  Amsterdam  and  Alkmaar, 

1,000,     Aug.   27 

Starland   Revue,    1,000    Twice   monthly 

Such  is  Life  Among  Paris   Shoppers,   1,000    .  .Aug. 
Such  is  Life  in  Amsterdam  &  Alkmaar,  1,000  Aug. 

Such   is   Life    Near    London,    1,000 Sept. 

Such   is    Life   in    the    Riveria,    1,000 Sept. 

Such  is  Life  Among  the  Idlers  of  Paris,   1,000  Oct. 

Such  is   Life   in    Busy   London,    1.000 Oct. 

Such  is  Life  in  a  Dutch  County  Fair,  1,000... Nov. 

Plum   Center   Comedies 

Pop    Tuttle's    Movie    Queen,    2,000 Sept. 

Pop    Tuttle's    Clever    Catch,    2,000 Oct. 

The    Fire    Chief,    2,000 Nov. 

Pop    Tuttle's    Grass   Widow,    2,000 Dec. 


Title    and    Length    in    feet  Release  Date 

Carter   De   Haven   Comedies 

Their   First   Vacation.   2,000 Sept. 

Twin    Husbands,    2,000 Oct. 

Entertaining    the    Boss,    2,000 Oct. 

Keep    'Em    Home,    2,000 Nov. 

Xmas,   2,000 Dec. 

Fox    Film    Corp.,    10th    Avenue    and    55th    Street, 
New    York 

Try  and  Get  It,  2,000 Jan. 

A    Ghostly   Wallop,    1,000 Jan. 

Beside   Her   Cider.    1,000 Jan. 

False  Alarm,  2,000 Jan. 

Long   Live   the   King,   1,000 Jan. 

The    Last     Laugh.     1,000 Jan. 

Hold    the    Line,    2,000 Jan. 

The   Hole    Cheese,    1,000 Jan. 

Straight  from  the  Farm,  2,000 Feb. 

The   Phoney    Focus,    1,000 Feb. 

Please  Be  Careful,  2,000 Feb. 

The    Crystal    Gazer,    1,000 Feb. 

Stuck  in  the  Mud.  1,000 Feb. 

West   is    West,   2,000 Feb. 

Too    Much    Sap,    1,000 Feb. 

The    Last    Shot,    1.000 Mar. 

Laughing    Gas,    2,000 Mar. 

The  Cashier,  1,000 Mar. 

The    Studio    Rube,    2,000 Mar. 

The    Barnstormers,    2,000 Mar. 

Any    Ice    Today?    1.000 Mar. 

Hoot    Mon!     1,000 April 

The    Piper,    2,000 April 

Golfing,   1 .000 April 

Tin  Foiled,  1,000 April 

His   Wife's   Son,  2,000 April 

Amid   the    Pyramids.    1,000 April 

Special    Delivery,    2,000 April 

Getting   Even,    1,000 April 

Excuse    Me    Sheriff,    2,000 May 

Hop,   Skip  and  Jump,   1,000 May 

Modern    Fishing,    1,000 May 

The    Wise    Duck,    2,000 May 

Hither    and    Thither,    1,000 May 

The    Village    Sheik,    2,000 June 

The    Landlord.     2.000 June 

Safe    in    the    Safe,    2,000 June 

Fox  News,   1,000 Issued  twice  weekly 

Lupino    Lane   Series 

The     Reporter,     2,000 Aug.  20 

The    Pirate,    2,000 Oct.     8 

My   Hero,   2,000.  ._ Nov.   19 

Clyde  Cook  Series 

The    Eskimo,    2,000 Aug.  27 

Lazy   Bones,  2,000 Nov.     5 

The    Cyclist,    2,000 Dec.  24 

Al  St.  John  Series 

All  Wet,   2,000 Sept.     3 

The   City    Chap,   2,000 Oct.   16 

Out    of    Place.    2,000 Nov.   19 

The    Alarm,    2,000 Dec.   17 

Sunshine   Comedies 

The  Ranch  Romeo,  2,000 Nov.   12 

Cupid's    Elephant,    2.000 Nov.  26 

The   Fresh   Heir,   2,000 Dec.   10 

A    Poor    Fish,    2,000 Dec.  24 

Lee  Kids  Series 

Town    Terrors,    2,000 Nov.   12 

The    Wise    Birds,    2,000 Dec.   17 

Mutt  and  Jeff   Cartoons 

The    Wishing    Duck,    1 .000 Nov.   12 

Bumps  &  Thumps,   1,000 Nov.  26 

Goldwyn  Dist.  Corp.,  465  Fifth  Avenue,  New  York 
Goldwyn    Graphic,    900 Twice    monthly 

Sport   Reviews 

Self-Dfeense,  900 Jan.     8 

Centaurs  of  the  Field,  900 Jan.   22 

Winter    Pep,    900 Feb.      5 

Rex    Beach    Week    End,    900 Feb.   19 

Taking    the   Air,    900 March     5 

By- Way     Champions,     900 ... March   19 

Fore!    900 : April     2 

Hook,    Line    and    Sinker,    900 April   16 

Split    Seconds,    900 April  30 

Play  the  Game,  900 May   14 

Record   Breakers,   900 May  28 

Seven  Ages  of  Fishing,  900 June   11 

Building    Up,     900 July  25 

Once    Upon    a    Time July     9 

Collegiate  Stuflf -July  23 

Western    Stuff    .. . 7...T..:.. .Aug.     6 


197 


THESE    ARE    THE 
RECORD  BREAKERS 


There  Are  12 


The  Floorwalker 
The  Fireman 
The  Vagabond 
The  Rink 
The  Count 
The  Pawnshop 
The  Immigrant 
Behind  the  Screen 
The  Adventurer 
The  Cure 
Easy  Street 
One  A.  M. 


Distributed  by 


Chaplin  Chaplin  Classics,  Inc. 

117  W.  46th  St. 

Classics  N.  Y.  c. 


198 


Title   and    Length    in    feet  Release  Date 

Red    Man    Sport     Aug.   20 

A     Vacation     Cocktail     Sept.     3 

Mass    Play     Sept.    17 

Trail    of    the     Stirrup     Oct.      1 

Northwest    Mounted     Oct.    1 5  • 

Chewing    Gum    Industry,    1.000 Dec.    10 

Jim    Jams,    1,000 Dec.  24 

Educationals 
Alligator   Hunting   and    Farming,    1.000.  ...  Sept.   24 

Thrills     and     Spills,     1,000 Sept.   24 

Volcanoes    of    the    World,    1,000 Sept.   24 

Water     Sports,     1 ,000 Sept.   24 

A     Story     of     Ice,     1,000 Sept.  24 

Ancient     Rome,      1 ,000 Sept.   24 

Old    Spain,    1 ,000 Nov.   26 

Pekin     Ducks,     1,000 Nov.   26 

Camphor.     1 ,000 Nov.   26 

Bird     Life,     1,000 Nov.   26 

Bits     of     Europe,     1,000 Nov.   26 

The    Runaway    Dog,    1,000 Nov.   26 

W.  W.  Hodkinson  Corp..  465   5th  Ave.,   Niw  York 

Faint    Heart,    2,000 Dec.     3 

The    Mystery    Box,    2,000 Dec.    10 

Heeza    Liar's    Treasure    Is'and,    2,000 Dec.    17 

A   Goose  Safari  on  the   Lower  Mississippi, 

2,000     Dec.   24 

The    Four    Orphans,    2,000 Dec.   31 

Triart  Prod. 

The    Voung    Painter,    3,000 Tan. 

Hope,    2,000 July 

Field   and    Stream 
Release  No.  2 
Decoying    Canadian    Geese 
Swordfishing  at  Catalina 
Turkey    Hunt    in    Maryland 
Mr.    B.    Bass    of    the    Potomac 
Moose   Hunting   in    New    Brunswick 
Duck   Hunt  at   Curies   Neck,   Va.     Total   5,000   feet 

Release  No.  3 
\Jp  the  Trout's   Broad   Highway 
Moose-back    Riding 

Harpooning    a    Giant    Herring    Hog    Fish 
Deep-Sea    Fishing    Ofl    the    Island    of    Bimini 
A    Florida    Fox    Hunt 
A    Quail    Hunt    in    Florida 

Rediscovering    the    French    River,    N.     B.       Totals 
6,000   feet. 

Release  No.  4 
Goat    Getting 

A    Duck    Shoot   in   the    Louisiana    Delta    Country 
Striped    Bass   off   Montauk's   Rocky    Point,   L.    I. 
A    Goose    Safari    on    the    Lower    Mississippi 
Salmon    Fishing   on   the   Restigouche,    New    Bruns- 
wick.     Totals,    5,000   feet. 

Release  No.   5 
Hrnting   Deer  in  the  Pelican   State 
A   Week-End  with  a  "Come-Cart"   Camp  Trailer 
Duck   Shooting   on   Waponoca   Lake,   Turrell    Ark. 
,  Lassoing    Live    Lions   in    Mexico 

With   "Bob"   White  in   the   Sedge  and   Pine  Woods 
of    Mississippi.      Totals,    5,000    feet. 

Releaje  No.  6 
Hunting    Deer   in   the   Pelican   State 
Goat    Getting 
Moose    Hunting 
A    Florida   Fox   Hunt 

Lassoing   Live   Lions  in   Mexico,   Tota's.   4  000   feet. 
Great  American  Author   Series 

John   Greenleaf  Whitt.er,    1,000 Feb.      5 

James    Fenimore    Cooper,     1,000 Feb.    12 

Washington  Irving,   1,000 Feb.    19 

Edgar   Allen    Poe,    1,000 Feb.   26 

James    Russell     Lowell.     1000 March      5 

Nathaniel    Hawthorne,    1,000 March    12 

Oliver  Wendell  Holmes,  1,000 March    19 

William   Cullen    Bryant,    1,000 March   26 

Mark  Twain,   1,000 April      2 

Walt  Whitman.   1,000 April     9 

Ralph  Waldo  Emerson.   1.000 April   16 

Henry    Wadsworth    Longfellow,    1,000 April   23 

Ofificial    LTrban    Movie    Chats,    1,000.  .  Issued    wee'<ly 
Pathe   Exchange   Inc.,    35   W.   45th   St.,   New   York 
Aesop's  Fables 

The  Cat  and  the  Mice,   650 Jan.      1 

The  Dog  and  the  Mosquito,  650 Jan.      8 

The   Dog  and  the   Flea,   650 Jan.    15 

The    Bear    and    the    Bees,    650 Jan.   22 

The    Miller    and    His    Donkey,    L    1 Jan.  29 


Title   and    Length    in    feet  Release  Date 

The  Fox  and  the  Grapes,  650 Feb.      5 

The    Villain    in    Disguise,    650 Feb.    12 

The   Dog  and  the  Thief,  650 Feb.    19 

The  Cat  and  the  Swordfish,  650 Feb.   26 

The  Tiger  and  the   Donkey,  650 Marcli      5 

The    Spendthrift,    650 March    12 

The    Farmer   and    the    Ostrich,    650 March   19 

The     Dissatisfied     Cobbler,     650 March   26 

The  Lion  and  the  Mouse,   650 April     2 

Rich   Cat— Poor   Cat,   650 April     9 

The    Wolf    in    Sheep's    Clothing,    650 April   16 

The    Wicked    Cat,    650 April   23 

The  Boy  and  His  Dog,  650 April   30 

The    Eternal    Triangle,    650 May      7 

The    Model    Dairy,    650 May    14 

Love  at    First   Sight,   650 May   21 

The   Hunter   and   His   Dog,   650 May  28 

The  Dog  and  the  Wolves,  650 June     4 

The  Maid  and  the  Millionaire.   650 June   11 

The   Farmer  and   His   Cat,   650 June   18 

The   Cat  and  the  Pig.   650 June  25 

The  Country  Mouse  and  the  City  Mouse, 

650 July     2 

Crime    in    a    Big    City,    650 July      9 

Brewing    Trouble.     650 July    16 

The  Mischievous  Cat,  650 July   23 

The  Worm   That  Turned.   650 July   30 

Adventures  of   Bill  and   Bob 

The  Canadian  Lynx,   1,000 Jan.     8 

Dangerous   Trails,    1 .000 Feb.      5 

Mysterious    Tracks,     1,000 March     5 

The    Opossum,    1,000 April     2 

Ballad  of   Fisher's    Boarding  House,   1,000  April     2 
Harris    Dixon's   Comedies 

The    Beauty    Contest,    2,000 Jan.      1 

Johnny   Jones    Comedies 

Supply    and    Demand.    2,000 July   30 

Making    Movies,    2.000 Aug.   27 

For    Rent    Haunted,   2,000 Sept.   24 

Broadcasting,    2,000 Oct.   22 

The  Big  Scoop,  2,000 Nov,    19 

Wanted— A    Story,    2,000 Dec.    17 

Lloyd   Reissues 

Before   Breakfast,   1.000 Jan.      1 

Take   a    Chance,    1,000 Jan.     8 

The  Non-Stop   Kid.    1,000 Jan.    15 

That's    Him,    1.000 Jan.   22 

She  Loves  Me  Not,   1 ,000 Tan.   29 

The     Lamb,     1,000 Feb.      5 

Look    Out    Below,    1.000 Feb.    12 

The  Big  Idea,  1,000 Feb.    19 

Here  Come  the  Girls,   1,000 Feb.   26 

On    the    Tump,    1,000 March      5 

On  the  Fire,    1.000 March    12 

Hey   There,    1,000 March   19 

Hit    Him    Again,    1,000 March  26 

Beat    It,    1,000 April     2 

Next    Aisle    Over,    1,000 April     9 

An    Ozark    Romance,    1.000 April   16 

Bride   and    Gloom,    1,000 Apri'   2  ! 

Pipe    the    Whiskers.     1.000 April   30 

Follow   the   Crowd,    1,000 May     7 

Sw  ng    Your    Partner,    1.000 May    14 

Why    Pick    On    Me,    1,000 May   21 

Ask    Father,    1,000 May   2  '. 

Nothing   But   Trouble,    1.000 lune     4 

Billy    Blazes,    Esq.,    1,000 Ture   11 

Be   My   Wife,    1,000 June   r> 

Wanted— 5.000,    1,000 June  25 

Just    Neighbors,    1,000 July     2 

A  Jazzed   Honeymoon,    1 ,000 I  uly     9 

Spring   Fever,    1,000 July    16 

Going— Going— Gone,   1,000 July   23 

A    Gasoline    Wedding.    1,000 iuly30 

The    City    Slicker,     1.000 Aug.     6 

Let's    Go,    1 ,000 Aug.    13 

It's    a    Wild    Life,    1.000 Aug.   20 

Hear     'Em     Rave,     1.000 Aug.   27 

OiT    the    Trolley,    1.000 Sept.      3 

Si    Senor,    1.000 , Sept.    10 

Count    the   Votes,    1.000 Sept.    17 

Two     Scrambled,     1,000 Sept.   24 

Pay     Your     Dues,     1,000 Oct.      1 

Never     Touched     Me,     1,000 Oct.     8 

Chop    Suev    &    Co.,    1.000 Oct.    15 

The    Rajah,    1.000 Oct.   22 

At    the    Old    Stage    Door,    1,000 Oct.   29 

His    Only    Father,    1,000 Nov.     5 

Bees   in    His    Bonnet,    1,000 Nov.    12 


199 


THE  TWO  BIG-LITTLE  FEATURES 


Pat  Sullivan's 


New  Series 


Felix  Cat 
Comics 

Twenty-Four  of  the  zippi- 
est single  reelers  in  the 
short  subject  field. 

Released  Twice  a  Month 


Max  Fleischer's 


New  Series 


Out  of  the 
Inkwell 

Comedies 

Thirteen  sparkling  and  orig- 
inal comedies  in  the  new 
series-  released  one  every 
month. 


Distributed  by 


M.  J.  WINKLER 


220  West  42nd  Street 


New  York,  N.  Y, 


200 


Title   and    Length    in    feet  Release  Date 

Vm   On   My    Way,    1.000 Nov.  19 

Don't    Shove,    1.000 Nov.  26 

Soft     Money,     1,000 Dec.  3 

Voung     Mr.     Tazz,     1,000 Dec.  10 

Heap     Big    Chief,     1,000 Dec.  17 

Sic    'Em    Towser,    1,000 Dec.  24 

Sammy     in    Siberia,     1,000 Dec.  31 

Pathe    News.    1.000 Issued    twice   weekly 

Range    Rider    Series 

His     Own     Law Sept.  3 

Come    and    Get    Me Sept.  17 

Deputized     Oct.  1 

Rough     Going     Oct.  25 

The    Bar    Cross    War    Oct.  29 

rhe    Drifter    Nov.  12 

His    Enemy's    Friend    Nov.  26 

One    Jump    Ahead    Dec.  10 

Here's  Your  Man   Dec.  24 

Specials 

The    Song   of   the    Lark,    1,000 Aug.  6 

Price   of   Progress,    1,000 Nov.  19 

Fleeced    for    Gold,     1,000 Dec.  17 

Roach   Kid   Comedies 

One    Terrible    Day,    2,000 Sept.  10 

Fire     Fighters,      2,000 Oct.  8 

Our    Gang.    2,000 Nov.  5 

Young    Sherlocks,   2,000 Nov.  26 

Saturday    Morning,   2,000 Dec.  3 

A    Quiet    Street,    2,000 Dec.  31 

Snub  Pollards 

365     Days,    2,000 Sept.  17 

The    Old    Seadog,    2.000 Oct.  15 

Hook,   Line  and   Sinker,   2,000 Nov.  12 

Xewly   Rich.   2,000 Dec.  10 

Will    Rogers 

The    Ropin'    Fol,    2,000 Oct.  29 

Fruits    of     Faith,     3,000 Dec.  24 

Lloyd    Special 

Dr.    Jack,    5,000 Nov.  26 

Pathe  Playlets   (Reissues) 

The    Midnight    Stage,    3,000 Jan.  29 

Convict    993,    3,000 Feb.  5 

Via   Wireless,    3,000 Feb.  12 

Hunting   the   Hawk,   3,000 Feb.  19 

At    Bay,    3,000 Feb.  26 

Sylvia  of  the  Secret  Service.  3,000 March  5 

Little  Mary  Sunshine,  3,000 March  12 

Loaded    Dice,    3,000 March  19 

The   Angel    Factory,    3,000 March  26 

The    Mark    of    Cain.    3,000 April  4 

Shadows    and    Sunshine    3,000 April  9 

More    Trouble,    3,000 April  16 

The    Mvsterious    Client,     3,000 April  23 

Told    at    Twilight,     3,000 April  30 

Vengeance  Is  IMine,   3,000 May  7 

Rulers  of  the   Road,   3,000 May  14 

Cry    of   the    Weak,    3.000 May  21 

A   Daughter  of  the  West,   3,000 May  28 

Kidder     &     Co.,     3,000 June  4 

Carolyn    of    the    Corners,    3,000 June  11 

The    Silver    Girl,    3,000 June  18 

A    Japanese    Nightingale,    3,000 June  25 

The  Ghost  of  the  Rancho,  3,000 July  2 

The    Little    Diplomat,    3,000 July  9 

Todd  of  the  Times,   3,000 July  16 

The    Hillcrest    Mystery,     3.000 July  23 

Twenty-One,    3,000 July  30 

Pathe    Review,     1,000 Issued     weekly 

The    Great    Adventure,    3,000 Aug.  6 

Cupid    by     Proxy,     3,000 Aug.  13 

Our     Better     Selves,     3,000 Aug.  20 

Hal   Roach  Comedies 

Try,    Try   Again,    1,000 Jan.  1 

Loose     Change,     1,000 Jan.  15 

Call  the  Witness,    1.000 Jan.  22 

Years   to    Come,    1,000 Jan.  29 

Blow    'Em    Up,    1,000 Feb.  5 

Stage  Struck,    1,000 Feb.  12 

Rich  Man,   Poor  Man,   1 ,000 Feb.  19 

Down  and  Out,    1,000 Feb.  26 

Pardon  Me,  1,000 March  5 

The    Bow-Wows,    1,000 March  12 

High   Tide,    1,000 March  19 

Hot   Off  the   Press,    1,000 March  26 

The  Anvil  Chorus,  1.000 April  2 

Jump    Your    Job,     1,000 April  9 

Stand    Pat,     1,000 April  16 

Full   O'   Pep,   1,000 April  23 

Kill    the    Nerve,    1,000 April  30 


Title   and    Length    in    feet  Release  Date 

Days    of    Old,     1 ,000 May     7 

Light    Showers,    1,000 May   14 

Do  Me  a  Favor,  1,000 May  21 

In    the    Movies,    1,000 May  28 

Punch  the  Clock,  1,000 June     4 

Strictly    Modern,    1,000 June   11 

Hale    and    Hearty,    1,000 June   18 

Some    Babv,    1,000 June  25 

Friday  the  13th,  1,000 July     2 

The    Stone    Age,    1,000 July     9 

A   Bed   of   Roses,    1,000 July   16 

The   Sleuth,    1,000 July   16 

The    Dumb-Bell,     1,000 July   16 

The    Bride-To-Be.    1,000 July  23 

Busy    Bees,    1,000 July  23 

Take    Next    Car,    1,000 July   30 

The    Stone   Age,    1,000 Aug.     6 

Touch   all   the    liases,    1,000 Aug.   13 

The    Truth    Jugglers,     1,000 Aug.   20 

Rough   on    Romeo,    1.000 Aug.  27 

Wet     Weather,     1 ,000 Sept.     3 

The    Landlubber,     1,000 Sept.   10 

Bone     Dry,     1,000 Sept.   17 

Soak    the    Sheik,    1,000 Sept.   24 

Face    the    Camera,     1 ,000 Oct.      1 

The   Uppercut,    1 ,000 Oct.     8 

Out  on   Bail,   1.000 Oct.    15 

Shiver    and    Shake.    1,000 Oct.  22 

The   Golf   Bug,    1.000 Oct.  29 

Shine    'Em    Up,     1,000 Nov.     5 

Washed    Ashore,    1,000 Nov.   12 

Harvest  Hands,   1,000 Nov.    19 

The    Flivver,    1,000 Nov.   26 

Blaze    Awav,     1,000 Dec.     3 

I'll    Take    Vanilla,    1,000 Dec.    10 

Fair    Week,     1,000 Dec.    17 

A   White   Blacksmith,    1.000 Dec.   24 

Rolin   Comedies 

The    Man    Haters.     1,000 June      2 

Non-Skid    Kid.     1,000 lunell 

Good     Morning.     Tudge,     1.000 June   18 

Many    Happy    Returns,    1.000 July  25 

The    Man    Haters,    1,000 July     2 

The    Late    Lamented,    1,(100 July     9 

Serials 

Go-Get-'Em    Hutch,    15    episodes April     9 

and  then  weekly 

The  Timber   Queen.    15   episodes July   16 

and  then  weekly 

The  White  Eagle,   15  episodes Jan.      1 

and  then  weekly 

Screen    Snapshots,    1,000 Twice   monthly 

Topics  of   the   Day,    500 Issued   weekly 

Speed,    1 5    episodes Oct.   22 

Pathe    News,    1,000 Issued    bi-weekly 

Truex   Comedies 

The  Bashful  Lover.  2.000 Jan.    IS 

Selznick    Pictures   Corp.,    729   7th   Ave.,    New   York 

Selznick    News,    1,000 Issued    twice    weekly 

Universal    Film    Exchanges,    Inc.,    1600    Broadway, 
New    York 

Century    Comedies 
Shipwrecked    Among    the    Animals,    2,000.  .  .Jan.      4 

The    Straphanger,    2.000 Jan.   11 

An   Idle   Roomer,   2.000 Jan.   18 

Circus   Clowns,  2,000 Ian.  25 

The    Touchdown.    2,000 Feb.      1 

Horse    Sense,    2,000 Feb.     8 

Little    Miss    Mischief,    2,000 Feb.    1 5 

Table   Steaks,    2,000 Feb.   22 

LTpper   and    Lower,    2,000 March      1 

A    One    Horse    Town,    2,000 March     8 

Peggy,     Behave  !    2.000 March   1 5 

Mutts,     2,000 March  22 

Two    of   a    Kind,    2,000 March  29 

The     Rubberneck,     2.000 April     5 

A    Dark    Horse.    2,000 April   12 

No    Brains.    2,000 April   19 

Cheerful    Credit,    2,000 April  26 

Red   Hot    Rivals,   2,000 May     3 

Sic    'Em    Brownie,    2,000 May   10 

Off   His    Beat,    2.000 May    17 

The    Little    Rascal,    2,000 May   24 

Three    Weeks    Off,    2.000 May   31 

Some    Class.    2,000 June     7 

Speed   'Em   Up.   2.000 lune   14 

Ten    Seconds.    2.000 lune  21 

Horse   Tears.    2.000 Tune  28 

Live   Wires.   2.000 July     5 


201 


HERBERT  L.  STEINER 

presents 

Arthur  Housman 

IN  A  SERIES  OF 
COMEDY  DRAMAS 


A.   D.  V.   STOREY 
Pres.   &    Genl.    Mgr. 


JULIUS    SINGER 
Vice  Pres.  &   Sales  Mgr. 


LESTER   SOMAN 
Secy.   &   Treas. 


STOREY  PICTURES,  Inc. 

729  Seventh  Avenue,  New  York 

Bryant  6745 

Quality  Short  Stuff  for  Independent  Exchanges 
and  Discriminating  Exhibitors 

"SHADOWLAND   "SHADOWLAFS"   "FEDERATED 
SCREEN  REVIEW,"  SCREEN  REVIEW" 

BURLESQUE  PHOTOPLAYS 

Two   Reel   Satires  on  Popular   Stories 
of      Screen,      Stsge      and      Literature 

"KID   PLAYLETS"  "KID   KOMEDIES" 

AL  HAYNES  COMEDIES 

Other  1  and  2  Reel  Productions  in  Preparation 


202 


I'itle   and    Length    in    feet  Release  Date 

Apartment    Wanted,    2,000 July   12 

You    and    Me,    2,000 Tuly   1<? 

Hello    Mars,    2,000 July  26 

International   News   Weekly,    1.000.  .  .Twice   weekly 

The   Leather    Pusher   Series,   2,000 Tan.   16 

Let's    Go,    2,000 Feb    13 

The   Meal    Ticket,   2,000 Feb.  27 

Payment  Through  the  Nose,  2,000 March    1,? 

A    Fool   and    His    Money,    2.000 March  27 

The    Taming    of    the    Shrewd,    2,000 April    10 

Whipsawed,    2,000 April   24 

Serials 

With    Stanley    in   Africa,    18    episodes Jan.   23 

and   then   weekly 
Adventures  of  R.    Crusoe,    18   episodes.  ..  March  27 

and   then   weekly 
Star  Comedies 

Westward    Whoa,     1,000 Jan.     2 

Almost   a    Rancher,    1,000 Jan.     9 

Penny     Ante,     1,000 Tan.   16 

The   News   Maker,    1,000 Tan    23 

The  Fake  Quake.   1,000 tan.   30 

Watch    Your    Wallet,    1,000 Feb       6 

Both    Booths,    1,000    Feb.   13 

Friday   the    13th,    1,000 Feb    20 

The    Bottle    Baby,     1,000 Feb.   27 

His   Inheritance  Tax,    1,000 March     6 

Gee    Whiskers,    1,000 March   13 

Panicky    Pullman,    1,000 March  20 

A   Movie   Mixup,    1,000 March  27 

The    Minute    Man,     1,000 April     3 

A   Golf   Insect,    1,000 April   10 

Society    Sailors,    1,000 April   17 

Taking   Things   Easy,    1,000 April  24 

Loose     Nuts,     1,000 May      1 

The  Gay   Deceiver,    1.000 May     8 

The  Shaky  Family  Tree,    1 ,000 May   1 S 

His    Prehistoric    Blunder,    1,000 May  22 

Easy    to    Cop,    1,000 May  29 

A    Powder    Romance,    1,000 June     5 

Should  Watchmen  Sleep,   1,000 June   12 

Cured  by   Radio.    1,000 Tune  19 

High   Fliers,    1,000 June  26 

All    Balled    Up,    1,000 July     3 

Society    Hoboes,     1,000 July   10 

A    Spirited    Affair,    1,000 July   17 

Unfermented    Bricks,     1,000 July  24 

Caesar's    Ghost,    1,000    July  31 

Caesar's    Ghost,    1,000 July  31 

The  House  of  a  Thousand  Trembles,   1,000  Aug.      7 

Simply    Shocking,    1,000 Aug.    14 

Accidents   Will   Happen,    1,000 Aug    21 

The  Wall   Nut,    1,000 Aug.  28 

Matinee    Idols,    1,000 Sept.     4 

Young     Ideas,     1,000 Sept.   11 

Off   the   Earth,    1,000 Sept.  18 

His   First   Job,    1,000 Sept.  25 

Love    Drops,    1,000 Oct.     2 

Once  to    Every    Boy,    1.000 Oct.     9 

Doing    'Em    Good,    1,000 Oct.  16 

A    Model    Messenger,    1,000 Oct.  23 

Accidental    Wealth,    1,000 Oct.  30 

A    Bully    Pair,    1 ,000 Nov.     6 

The  Speed   Boy,    1,000 Nov.  13 

Their     Steady,     1,000 Nov.  20 

Lot    O    Bull,     1,000 Nov.  27 

A   Rip   Snoring  Night.    1,000 Dec.     4 

Rail    Birds,    1,000 Dec.    11 

A   Dog  Gone   Day,    1,000 Dec.   18 

Where's     the    Parade,     1,000 Dec.  25 

Century   Comedies 

Short    Weight,     2,000 Aug      2 

Henpecked,     2.000 Aug      9 

Bath    Day,    2.000 Aug    16 

Kid    Love,    2,000 Aug.  22 

Hickville's   Romeo,  2,000 Aug.  30 

Cured,    2,000 Sept.     6 

Foolish     Wives,     2,000 Sept.   13 

The    Radio    Hound,    2,000 Sept    20 

The   Kickin'   Fool,   2,000 Sept.  27 

Some  Family,   2,000 Oct.     4 

The   Fresh    Kid,   2,000 Oct.    1 1 

Wedding   Pumps,   2,000 Oct     18 

The    Cabby,    2,000 Oct.  25 

Gmger    Face,    2,000 Nov.      1 

Just   Dogs,   2,000 Nov.     8 

Hello   Judge,    2.000 Nov    15 

True    Blue,    2,000 Nov.  22 

Rookies,    2,000 Nov    29 


Title   and    Length    in    feet  Release  Date 

Women    First,    2,000 Dec.     6 

A   Small  Town   Derby,  2,000 Dec.   13 

Me   and   My    Mule,   2,000 Dec.  20 

The   Tattle   Tail,    2,000 Dec.   27 

Westerns 

The    Deputy's    Double   Cross,   2,000 Tan.     7 

The    Night    Attack,    2,000 Jan.   14 

Capt'    Kidd's    Finish,    2,000 Tan.   21 

The    Phantom    Terror,    2,000 tan.  28 

The  Ranger's   Reward,  2,000 Feb.     4 

The    Open    Wire,    2.000 Feb.    11 

Fighting    Back,    2,000 Feb.    18 

A   Bluejacket's  Honor,  2,000 Feb.   25 

Matching    Wits,   2,000 March     4 

The  Trail  of  the  Wolf,  2,000 March    11 

Trickery,    2,000 March   18 

Desperation,    2,000 March  25 

The   Call   of   Courage,   2.000 April      1 

The   White   Mes-sensrer.   2  000 April      8 

A    Treacherous    Rival,    2,000 April   15 

The   Verdict,    2,000, April  22 

The  Big  Ranger,  2,000. April  29 

Squarin'    It,    2,000 May  6 

The  Getaway,  2,000 May   13 

A  Guilty  Cause,  2,000 May  20 

Never   Let    Go,   2,000 May  27 

It  Is  the  Law,  2,000 June     3 

Laws   of   Steel,    2,000 Tune  10 

Seeing   Red,   2,000 tune   17 

Plain   Grit,    2,000 June  24 

Daring  Dangers,  2,000 June  31 

Go  Get  'Em  Gates,  2,000 Tuly     8 

Two    Men,    2,000 Tuly   15 

Ridin'  Through,  2,000 July  22 

The  Hour  of  Doom,  2,000 July  29 

Unmasked,     2,000 Aug.      5 

At     Large,    2,000 Aug.   12 

Dead   Game,  2,000 Aug.   1<J 

Come    Clean,    2,000 Aug.  26 

Tracked     Down,     2,000 Sept.     2 

The    Gypsy    Trail,    2,000 Sept.     9 

The    Soul    Herder,    2,000 Sent.   16 

White    and    Yellow,    2,000 Sept.  23 

Giants  of  the  Open,  2,000 Sept.   30 

The   Wrong   Man,   2,000 Oct.     7 

The     Channel     Raiders,     2.000 Oct.    14 

Blue   Blood  and    Red,   2.000 Oct.   21 

A    44-Caliber   Mystery,   2,000 Oct.   28 

Pirates   of   the    Deep,   2,000 Nov.     4 

Rustlers    of    the    Redwoods,    2,000 Nov.    11 

The    Committee   on    Credentials,    2,000 Nov.    18 

The    Law    of   the    Sea,    2,000 Nov.  25 

Timberland     Treachery,     2,000 Dec.     2 

The    Texas    Sphinx,    2,000 Dec.     9 

The  Siege  of  the  Lancashire  Queen,  2, 000.. Dec.    16 

Kings    of    the    Forest,    2  000 Dec.   23 

The    Golden    Bullet,    2,000 Dec.   30 

Hallroom    Boys    Comedies 

Still   Going    Strong,   2,000 Sept.      1 

The    New    Mama,    2,000 Sept.   15 

A   Tailor   Made  Chauffeur,   2,000 Oct.     1 

The    Spirit    of    '23,    2,000 Oct.    15 

All    at    Sea,    2,000 Oct.  29 

The  Dumb  Waiters,  2,000 Nov.    13 

High    Flyers,    2,000 Nov.   27 

My    Mistake,    2,000 Dec.    1 1 

Vitagraph,  Inc.,  1600  Broadway,  New  York 
Jimmy  Aubrey  Comedies 

A  Charmed  Life,  2,000 No  definite  date 

The    Chicken    Parade,    2,000 Oct.      1 

Tenderfoot     Luck,     2,000 Oct.   29 

Larry  Semon  Comedies 

The  Bell  Hop,  2,000 No  definite  date 

The  Saw-Mill,  2,000 No  definite  date 

The  Show.  2,000 No  definite  date 

A  Pair  of  Kings,  2,000 No  definite  date 

Golf,     2,000 Sept.     3 

The    Agent,    2,000 Nov.    19 

Urban  Popular  Classics 

Pageantry    in    India,    1,000 Sept.     3 

U.  S.  Battle  Fleet  on  the  High  Seas,  1,000  Sept.   10 
"Roving  Thomas" — Seing  New  York  1,000    Sept.    17 

Alexander   Hamilton,    1,000 Sept.   24 

The     Manverick,     1,000 Oct.      1 

The  Towering  Wonders  of  Utah,   1,000 Oct.     8 

The    Alphabetical    Zoo,    1,000 Oct.    15 

"Roving  Thomas"^ — On   an   Aeroplane,    1,000 

Oct.   22 
Grandfather's     Clock,      1,000 Oct.  29 


203 


Title   and    Length   in   feet  Release  Date 

Better    Milk,     1,000 Nov.      5 

Natures    Wild    Babies,     1,000 Nov.    12 

Spending    Six    Million    a    Day,     1.000 Nov.    1^ 

Bending    the    Twig,     1,000 Dec.     3 

"Roving  Thomas"— On  a  Fishing  Trip,   1,000 

Dec.    10 

Abraham    Lincoln,   1,000 Dec.    17 

Dwellers    of    the    Deep,     1,000 Dec.   24 

Hunting  Ground  of  Hiawatha,    1,000 Dec.   31 

STATE     RIGHT     AND     OTHER 
RELEASES 

Anchor  Film  Distributors,  Inc.,   Los  Angeles,   Cal 

*12  Anchor  Comedies,  2,000 No  definite  dates 

12  "Little  Napoleon"   Comedies  2,000... 

No  definite  dates 
Arrow  Film  Corp.,  220  West  42nd  St.,  New  York 

Broadway  Comedies 

Tomale  O,   1,946 Jan.     4 

Sweet   Cookie,    1,892 .......Feb      3 

Koo  Koo  Kids,   1,971 '..'.'.'.'  Feb    20 

What   Next,    1,997 March   10 

Whose  Husband  Are  You,  2,011 March  23 

Rented    Trouble,    2,013 April     6 

But  a   Rufler,   2,000 April  27 

Crueljrwed  Comedies 
Husband   &    Strife,    1,609 March   16 

Eddie  Lyons  Comedies 

Do  You  Take,   2,084 Jan      4 

Just  a  Minute.  2,079 Feb       1 

Keep   Moving,  2,051 '.'.'.Feb.  25 

My  Mistake,   1,989 March  25 

Why  Not   Now,  2,118 April  25 

Follow    Me,    1,978 May  25 

All  Is  Fair,  1,623 June  25 

That's  It,  1 ,968 .July  21 

Mirthquake   Comedies 

Fresh    Pant,    1,740    AnrU      4 

Hands   Up,    1,903 April  24 

All  Wrong,  1,661 June     9 

(live    Him    Air     1,804 lune    ?(l 

No   Luck,    1,850 July  25 

Speed  Comedies 

Are  Husbands  Happy,   1,998 Jan     14 

Papa's  Night   Out,   1,95/ Feb.  23 

Janitor's   Wife,   1 ,927 March  26 

Aycie  Pictures  Corp.,   117  W.  46th  St.,  New  York 
*6  Charley  cartoons,  each  650.... No  definite  dates 

*10  Spur  Series,  each  1,500 No  definite  dates 

C.   B.  C.   Film  Sales  Corp.,   1600   Broadway,   New 

Carnival   Comedies         °^ 

Nell's    Busted    Romance,    1,800 Jan 

Why   Wives   Worry,    1,800 Jan 

Oh,    You    Sheriff    Nell,     1,800 Feb' 

Tell    'Em    Nothing.    1,800 Feb. 

Look   Before  You  Sleep,   1,800 March 

His   Mushinp    Bride.    l.^'OO March 

Moonshine    Madness,    1,800 April 

Fans  and  Flappers,   1,800 April 

She  Loved  Him   But — 1,800 May 

Telephone    Troubles,    1,800 May 

Star   Fanch   Western-^ 

The    Golden    Lure,    1,800 Jan. 

The  Outlaw's   Revenge,    1,800 Jan. 

The    Stranger,    1,800 Feb 

Tangled   Trails,    1 ,800 Feb. 

The    Scorpion's    Sting,    1,800 March 

Desperate  Chances,   1,800 March 

The    Fighter    of    Diamond    X,    1,800 April 

The  Border  Menace,   1,800 April 

Sunrise  Comedies 

You'd    Be   Surprised,    1,800 May 

Don't   Be   Foolish,    1 ,800 May 

Wedding  Dumb  Bells,   1,800 June 

Clark-Cornelius  Corp.,  117  W.  46th  St.,  New  York 

Texas    Ranger   Series 

Under   Orders,   2.000 No  definite  dates 

Sante  Fe  Mac,  2,000 No  definite  dates 

"8412",     2,000 No  definite  dates 

Flash  in  the  Dark,  2.000 No  definite  dates 

Heads  or   Tails,   2,000 No  definite  dates 

45    Calibre   Law,   2,000 No  definite  dates 

The    Test,    2,000 No  definite  dates 

Out  of  the  Storm,  2,000 No  definite  dates 

Out  of   My   Way,   2,000 No  definite  dates 

Man    Tracker.    2.000    No   definite   dates 

Larimee  and  Me.  2,000 No  definite  dates 

Ambushed,     2,000 No  definite  dates 


Chaplin    Classics,    Inc.,    117    W.    46th    St.,    New 

York 
Kasy    Street,   The  Adventurer,    One   A.    M.,   The 
Cure,    The    Fireman,    The    Pawnshop,    The    Count, 
The    Vagabond,    The    Immigrant,    The    Rink,    Be- 
hind  the   Screen,    The   Floorwalker. 
Dominant   Pictures,    Inc.,    135    W.   44th    St.,    New 

York 
*20   Western    Star    Dramas,   2, 000..  No   definite   date 

Federated    Film    Exchanges    of   America,    Inc.,    220 
West  48th   St.,    New   York 

Chester  "Snooky"  Comedies 
Birthday    Guests   &  Jungle    Pests,   2,000.. 

No  definite  date 
Snooky's    Home    Run,    2,000 No    definite    da;e 

Federated   Screen   Snapshots 
Xos.    16    to   26,    each    1,000 No  definite  date 

Hallroom  Boys  Comedies 

Nobody's   Baby,   1,800 Jan.     3 

From   Soup   to   Nuts,    1,800 Jan.  23 

Beware  of    Blondes,   1,800 Feb.   14 

Game   Birds,    1,800 March     4 

The  Dentist,   1,800 March  24 

Breaking    Into    lail,    l.'-'OO    '. A    ril      6 

Better   Late  Than,    1,800 May     5 

No  Money  to  Guide  Them,   1,800 May  25 

Joe   Rock   Comedies 

Pot    Roast,    2.000 No  definite  date 

Help    Yourself,    2,000 No  definite  date 

All    Wet,    2,000 No  definite  date 

Solid   Ivory,   2,000 No  definite  date 

His   Wedding   Daze,   2,000 No  definite  date 

Screen   Snapshots 

No.     18,     950 Jan.     9 

No.    19,   950 Jan.  23 

No.   20,  950 Feb.   14 

No.   21,   950 March     1 

No.  22,  950 March  25  • 

No.   23,   950 April     6 

No.   24,   950 April  21 

No.  25,  950 May   IS 

No.  26,  950 May  25 

Fidelity    Pictures    Corp.,     117    W.    46th    St.,    New 
York 

*12   Witwer   Stories,   2,000 Monthly 

Will-am  J.  Canz  Co..   507   5th  Ave.,   Npw  York 
Tropical    Fish    in    N.    Y.    Aquarium,    1,000 

No  definite  dates 

Skylines   of    Manhattan,    500 No  definite  date 

Europe,    Asia    and   Africa    in    N.    Y.,    500 

No  definite  dates 

Pen    and    Ink,    500 No  definite  dates 

Howrlls  Sales  Co.,  Inc.,  729  7th  Ave.,   New  York 
The     Hope     Diamond     Mystery,     30     reels 

No  definite  date 
The  Hope  Diamond  Mystery,  30  reels.  Sold  for 
a    Million,    Her    Royal    Love. 

Macdono     Cartoons,     Inc.,     135     West     44th     St., 
New  York 

Burr's    Novelty    Review 

No.    1.   1.000    March     1 

Xo.    2,    1 .000     Ai>ril      1 

No.   3,   1,000 May     1 

No.   4,    1,000 June     1 

No.  5,  1,000 July     1 

No.  6,   1,000 August     1 

Na  ioral  Fxchanges   Inc.,   398  £th  Av3.,   New  Yoik 

Kineto  Review 

Science  of  a   Soap   Bubble,   1,000 Jan.      1 

Kentucky    Thorobreds,    1,000 Jan.     8 

Rio    Dc    Taneiro,    1,000 Jan.   15 

Manhattan    Life,    1,000 Jan.  22 

Hiking    the    Alps    with    the    Boy    Scouts, 

1.000     Jan.  29 

Eccentricities  of  the  Wasp  and  Bee,  1,000.  .Feb.     5 

Victory    Pageants,    1,000 Feb.    12 

My    Adirondack's    Outing,    1,000 Feb.    19 

The   Chemistry  of  Combustion,   1,000 Feb.   26 

Furs    and    Feathers,    1,000 March     5 

Delta  of  the  Nile,  1,000 March  12 

A     Glimpse    Into    the    Animal     Kingdom, 

1  ^000    March   19 

Rejuvenated     Mexico,     1,000 March  26 

Childhood,     1,000 April     2 

(;''nsvlan(l     1000    Anril      9 

Giants  of  Industry,   1,000 April   16 

Willing    Captives,    1,000 April  23 

Friends  of  Man,   1,000 April  30 

Fortune   Builders,    1,000 May     7 


204 


Title   and    I.cngth    in    feet  Release  Date 

America's    Gateway,    1,000 May  14 

Game  of  Golf,   1,000 May  21 

Swiss    Boy    Scouts,    1,000 May  28 

Rambles  Round  Rio,   1,000 June  4 

Liquid  Air,  1,000 June  11 

Blackpool,     1,000 June  18 

King  Cole  Comedies 

Moonshiners,     1 ,000 March  1 

Strikes    to    Spare,    1,000 April  1 

Bars  and  Stripes,   1,000 May  1 

Jazz  Babies,   1,000 June  1 

General  Nuisance,   1,000 July  1 

National  Comedies 

Wanted  a   Girl,  2,000 Jan.  1 

A   Million  More  or   Less,  2,000 Feb.  1 

Charles  Ray  Reissues 

Saved   from  the   Depths,  2,000 Feb.  1 

African   Love,   2,000 Mar.  1 

After  the   Storm,   2,000 April  1 

Mystery  of  the  Mission,  2,000 May  1 

Double  Crossed,  2,000 June  1 

Other  Comedies 

Up  in  the  Air  About  Mary,   1,000 April  1 

Gymnastics.     1,000        April  15 

Flips   and   Flops,    1,000 April  29 

Shimmying  by  the  Sea,   1,000 May  13 

American   Quail,    1,000 May  27 

Tennis,     1,000 June  10 

Water   Sports  by   Water   Sprites,   1,000 June  24 

Juggling — A  La   Carte,   1,000 July  2 

National    Non-Theatrical    M.    P.    Inc.,    130    West 
46th  St.,   New  York 

Earth    and    Moon,    2.000 Jan.  S 

Eternal    Question,    1,000    Jan.  5 

God  Divided  the  Night  from  Day,   1,000 Jan.  5 

Mystery  of  Space,  2,000 Jan.  S 

Beginning  of  the  World,   1,000 Jan.  10 

Moses    in    Egypt,    1,000 Jan.  10 

Noah  and  the  Ark,   1,000 Tan.  10 

Passion   of   Christ.    1,000 Jan.  10 

Hawaii    (text    film),    1,000 Jan.  15 

Physiological   Study   of   Blood   Circulation,   600 

Jan.  20 

Storv  of  the   Seasons,   1,000 Jan.  20 

Time,    1 ,000    Tan.  20 

Building    Up    France,     1,000 Jan.  26 

Coal    Mining   in    France,    1,000 Jan.  26 

I^inen  Making  in  France,  1.000 Jan.  26 

Rebuilding  French  Industries,  1,000 Jan.  26 

Spirit    of   Joan    of   Arc.    2,000 Jan.  26 

Alaska    (text   film),    2,000 Jan.  30 

Beauty  Spots  in  Italy  and  Vatican,   1,000.. Feb.  2 

Pimgrimage  to   Lourdes,   2.000 Feb.  2 

Boxing  at  U.   S.   Naval  Academy,   2, 000... Feb.  5 

Hey    Diddle    Diddle,    600    Feb.  5 

Swimming  at  U.    S.   Naval   Acad.,    1,000... Feb.  5 

Wrestling   at  U.    S.    Naval   Acad.,    1,000... Feb.  5 

Alps    of    Sweden,     1,000 Feb.  10 

Athens  and  Its  Ancient  Temples,   1,000 Feb.  10 

Bee    Culture    in    Sweden,    1,000 Feb.  10 

Birds  of   the   Sea,    1,000 Feb.  10 

Copenhagen,  the  Capital  of  Denmark,  1,000  Feb.  10 

Day  With  the  Sea  Gull,   1,000 Feb.  10 

Dances    of    Many    Nations,    1,000 Feb.  10 

From   Flax  to  Linen,   1,000 Feb.  10 

Grisholm    Castle,    1,000    :...Feb.  10 

Holy    Land,    1,000    Feb.  10 

How   Birds   Build  Their  Nests,  "1,000.  ....  .Feb.  10 

How   Charcoal   is   Made.    1,000 Feb.  10 

How  Tar  is  Made,  1,000.  .  .  . Feb.  10 

The    Neapolitan,    1,000    Feb.  10 

Path    of    a-  Log,    1,000 Feb.  10 

Peregrine    Falcon,    1,000     Feb.  10 

.Sea   Birds'  Paradise,   1,000    Feb.  10 

Seeing  Sweden  With  Longfellow's  Eyes,  1,000 

Feb.  10 

The  Reindeer,   1,000   Feb.  10 

Twin   Isles  of   Limestone,    1,000 Feb.  10 

Web-Footed   Swimmers   of   Mountain   and 

Lake,    1,000    Feb.  10 

Winged  Hunters,   1,000   Feb.  10 

Volcanoes    (text   film) ,   1 ,000 Feb.  1 0 

A  Hot  Time  at  the  North  Pole,  1,000 Feb.  15 

A   Stormy   Voyage,    1,000 March  1 

Captain   at  Home,   1.000 .....'.  .March  1 

Captain's   Courtship,    1,000    March  1 

Captain   Goes  A-Hunting,    1,000 March  1 

Missing   Link,   1,000   March  1 

Seeing    Stars,    1,000    March  1 

Tale   of   a    Dog,    2,000 March  1 


Title   and    Length    in   feet  Release  Date 

Up  in  a  Balloon,   1,000 March     1 

With  the  Piggie  Wiggies,   1,000 March     1 

Elephant-Seal  Hunting,    1,000    March   IS 

Gravity,     1,000     May   10 

Kingdom   of   the    Storm,    2,000 May   10 

Adam's    Boys,     1,000     June   10 

Aunt    Tabitha,     1,000     June   10 

Gulf    Stream,     1,000     June   15 

Ocean    Currents,    1,000    June   15 

The  American  Fish  Hawk,   1,000. 

The  Evolution  of  Travel,   1,000. 

Creation. 

Adam  and  Eve 

Cain   and  Abel 

Before  Noah 

Noah   and   the  Ark — The   Deluge 

The  Tower  of   Babel 

Sodom  and  Gomorrah 

Abraham  and  Sarah 

Abraham,   Isaac  and   Rebecca 

Esau  and  Jacob 

Rachel  and  Jacob 

Selling    of    Joseph 

Imprisonment    of  Joseph 

Rehabilitation    of    Joseph 

First   Coming  of  Joseph's   Brethren 

Second    Coming    and    Peace-Making 

Moses    in    the    Bullrushes 

Moses'    Miracles 

Crossing  the  Red   Sea 

The    Ten    Commandments,    the    Golden     Calf    and 

Death  of  Moses 
The  Book  of  Ruth 
The  Judgments  of  Solomon 
The    Songs    of    Solomon 
The    Shularaite 

Bible   Pictures — New  Testament : 
The    Betrothal   of  Joseph    and    Mary 
The    Marriage    of    Joseph    and    Mary 
The  Nativity 

The   Adoration   of   the   Wise    Men 
The    Slaughter    of    the    Innocents 

Releases  of  short  subjects   planned   to   December 
31,    1923: 

Park   Popular   Science   Series : 
Reel    No.      9 — Gravity 

Reel    No    10. — Kingdom    of    the    Storm    No.    1 
Reel  No.   11 — Kingdom  of  the   Storm   No.  2 
Reel    No.    12 — Ocean    Currents 
Rule  No.    13— The  Gulf  Stream 

The  Parables  of  the  Bible  in  Motion  Pictures: 
The  Unjust  Stewart 

The    Sower  •» 

The    Lost    Piece    of    Silver 
The   Lost   Sheep  and   Shepherd 
The  Prodigal   Son 
The   Parable   of   the   Pounds 
The    Husbandman 
The  Pharisee  and  the  Publican 

The  Good   Samaritan  ^ 

The   Fig  Tree 

Pacific    Film    Co.,    Culver    City,    Cal. 

*26   Comedies,   1,000    Twice  monthly 

Post    Pictures    Corp.,    527    Fifth    Ave. 

20  Post  Nature  Pictures,  1,000... No  definite  dates 

Prizma,  Inc.,   110  W.  40th  St.,  New  York 

Neighbor    Kelly,    500    No  definite  dates 

So    This    Is    London,    500 No  definite  dates 

Sunbeams,    500    No  definite  dates 

Ruins  of  Angkor,  500.  .' No  definite  dates 

Magic    Gems,    500     No  definite  dates 

Away    Dull    Care,    500    No  definite  dates 

Seeing   the   Unseen,    500 No  definite  dates 

Nippon,    500    No  definite  dates 

The   Sno-Birds,    500    No  definite  dates 

Cape  of  Good  Hope,  500 No  definite  dates 

The  Glorious  Dead,   500 No  definite  dates 

The    Unselfish    Shell,    500 No  definite  dates 

Algeria   the   Ancient,    500 No  definite  dates 

Beethoven's    Moonlight    Sonata   and    Its 

Inspiration,    500     No  definite  dates 

Fashion   Hints,   500    No  definite  dates 

Wonderful    Water,    500    No  definite  dates 

Bird    Dogs   Afield 

The   Impi 

Time 

I   Know   a   Garden 

Old   Glory 

(Continued   on   page   307) 


205 


Second  National  Pictures  Corporation 

provides  a 

DEPENDABLE  BRIDGE 

between  independent  producers  and  wide  awake 
exhibitors.        Distributing      points      everywhere. 

CURRENT  RELEASES 

"WASTED  LIVES" — A  photoplay  of  strong  human  interest,  featuring 
the  efforts  of  a  young  physician  to  relieve  the  sufferings  of  stricken 
little  children  and  restore  hundreds  to  health,  and  his  devotion  to  this 
service  even  while  deeply  in  love  with  the  charming  heroine  whom 
another  man  is  trying  to  win. 

"ONE  MOMENT'S  TEMPTATION"— An  unusual  photoplay  of  rare 
charm  and  emotional  appeal,  with  Marjorie  Villis,  James  Knight  and 
Bernard   Dudley.     Scenes   laid   in   Maryland. 

"THE  NIGHT  RIDERS"— Thrilling  Northwestern  from  the  popular 
novel  by  Ridgewell  Cullum,  with  Alaudie  Dunham,  Albert  Ray  and 
Andre   Beaulieu. 

"HER  STORY" — Tense  human  interest  photodrama  featuring  Madge 
Titheradge,  speaking  stage  star  of  "The  Butterfly  on  the  Wheel." 

"DAVID  AND  JONATHAN"— Picturization  of  E.  Temple  Thurston's 
famous  novel  of  love  and  adventure  afloat  and  ashore,  with  Madge 
Titheradge. 

"BROKEN  SHADOWS"— Irish  love  story  from  the  novel,  "Nance,"  by 
Charles  Garvice,  featuring  Isobel  Elsom,  Mary  Forbes,  James  Lind- 
say and   Ivan  Sampson. 


SECOND  NATIONAL  PICTURES  CORPORATION 

140  WEST  42nd  STREET 
NEW  YORK  CITY 


206 


Independent  Exchanges 

(What  Pictures  They  Handle) 

Any  omissions  in  the  following  list  of  exchanges   and   the   product    they   distribute   are 
due  to  the  failure  of  concerns  to  supply  such  information. 


ARKANSAS 

PINE   BLUFF,  ARK.— 

Southern  Film  and  Supply  Co. 

lUK'  Mam  St. — State  League  Industrial  Reels 
issued  by  the  Motion  Picture  Exhibitors  of  Ar- 
kansas. 

LITTLE   ROCK,   ARK.— 

Arkansas    Specialty    Film    Company 

1122  West  Markham  St.— Warner  Bros.  Prod.; 
.■\rro\\'s  Ten  Nights  in  a  Bar  Room;  Federate 
features;  James  Oliver  Curvvood's  Man  from  Hell's 
River  and  The  Sage  Brush  Trail  five  reel  western 
Franklyn  Farnum  series ;  Jack  Hoxie  series ;  Wil- 
ham  Fairbanks  series;  Lester  Cuneo  series;  George 
Larking  series ;  two  reel  Hank  Mann  comedies  ; 
new  Joe  Rock  comedies ;  Monte  Banks  comedies 
and  Hallroom  Boys  comedies;  Charlie  Chaplins 
and  Chester  Snappy  comedies  one  reelers ;  Joe 
Rock  one  reelers ;  Celebrated  one  reelers ;  two 
reel  westerns;  Dick  Hatton ;  Copperhead;  Jack 
Halliday  ;  Grace  Cunard  and  Spur  series.  Ser:als  : 
Son  of  Tarzan;  Miracles  of  Tmigle ;  Vanishing 
Trails;  Thunderbolt  Jack;  Fatal  Fortune  and 
Mystery   of   13. 

CALIFORNIA 

LOS  ANGELES,   CAL. — 

Federated    Film    Distributors,    Inc.,    succes- 
sors  to   Consolidated   Film   Corp. 

738  S.  Olive  St. — Monte  Banks,  2;  Texas 
Guinan,  2;  Andy  Gump  Cartoons,  2;  Billy  Franey, 
1;  Star  Ranch  Westerns,  2;  Western  Star,  2; 
AI  Jennings,  2;  Neal  Harte,  2;  Hallroom  Boys,  2; 
Vod-A-Vil  Movies,  1;  Screen  Snapshots,  1;  Light- 
ning Bryce  Serial,  1;  Ford  Educational  Weekly, 
1;  Miracles  of  the  Jungle,  serial;  Lee  Kid  Come- 
dies, 2;  Midgets  Comedies,  2;  Celebrated  Come- 
dies, 1;  Irving  Cummings  Mounted  Police 
Dramas,  2;  Indian  Dramas,  1;  Chester  Comedies, 
1;  Chester  Globe  Trots,  1;  Chester  Animal  Come- 
d.es,  2 ;  Ben  Turpin  Comedies,  2 ;  Joe  Rock  Com- 
edies, Federated  Screen  Review,  Out  of  the  Ink- 
well Cartoons,  Funny  Face  Comedies,  Burr  Nov- 
elty Review. 

Sun  Films,  Inc. 

730  South  Olive  St.— For  California,  Oregon, 
Washington,  Idaho,  Montana,  Nevada,  and  Ari- 
zona. Red  Viper;  Daughter  of  the  Don;  Children 
Pay;  Your  Wife  and  Mine;  Masque  of  Life; 
Wolf  Bayne;  Carmen  of  the  Border;  Man  from 
Montana;  The  Renegrade;  Fighting  Mad;  The 
Fighting  Grin;  Heart  of  the  Desert;  The  Santa 
Fe  Terror;  Hero  of  the  Hour;  Sheriff  Jim;  The 
Old  West;  Five  Nights;  Six  High  Life  comedies; 
6  Double  Day  comedies,  1  reel  each;  7  Billie 
Rhodes  comedies;  15  2-reel  Shorty  Hamilton;  40 
1-ree!  Tom  Mix;  12  1-reel  Denver  Dixon  comedies; 
Mystery  13,  serials;  Hand  of  Vengeance,  serials; 
Hawk's  Trail,  serials. 
Thomas  S.  Wilson 

633  W.  42  Place— For  Cal.,  Ariz.,  New  Mexico, 
Nevada,  and  Utah.  Devils  Side  Door,  5;  Heart 
of  Texas,  5;  Lady  of  Dugout,  5;  A  Man  of  the 
Golden  West,  4;  Scenic,  Wildest  America,  3; 
Quo  Vadis,  3. 

Sanford  Prod. 

6046-48  Sunset  '  Blvd. — The  Better  Man  Wins; 
West  vs.  East;  Duty  First;  Fire!  Fire!;  Take 
a  Tip;  Don't  Monkey;  Dog  Gone  It;  Three 
O'clock    in   the    Morning. 

Progressive   Pictures   Corp. — 

Saved    by    Radio,    Barriers    of    Folly. 
Burr  Nickle — 

All  Hepworth  (English)  Productions  for  the 
United    States. 

Anchor    Film    Dist.,    Inc. — 

Arthur   Trimble   series  of  two-reelers. 
Western   Pictures   Exploitation   Co. 

5528  Santa  Monica  Blvd.— Man  from  Hell's 
River;     Flesh    and     Blood;     Sagebrush    Trail;    The 


World's  a  Stage ;  Chicago  Sal ;  Cactus  Series ; 
Lester  Cuneo  Series ;  Dick  Hatton  Series ;  David 
Butler  Series  ;  Irving  Cummings  Series. 
SAN  FEANCISCO,  CAL. — 
Clune  Film  Exchange 
802  South  Olive  St.  (also  49-55  Jones  St.,  San 
Francisco). — The  Clansman;  Ramona;  Eyes  of  the 
World;  Woman;  The  Toreador;  Sacred  Flame; 
His  Pajama  Girl;  The  Typhoon;  Luxury;  Mysteri- 
ous Mr.  Browning;  From  the  West  (Williar- 
Ru.s.sell);  Quick  Action  (William  Russell);  HigV 
Gear  Jeffrey  (William  Russell);  A  Rough  Sho^ 
Fighter  (William  Russell);  A  Virtuous  Outcast 
(Mary  Miles  Minter)  ;  Sally  Shows  the  Way 
(Mary  Miles  Minter);  Youth's  Melting  Pot  (Mary 
Miles  Minter);  The  Marriage  Bargain  (Mary  Miles 
Minter);  Man  from  Medicine  Hat  (Helen 
Holmes) ;  Moonshine  Menace  (Helen  Holmes) : 
A  Crook's  Romance  (Helen  Holmes) ;  Loggers  of 
Hell  Roarin'  Mountain  (Helen  Holmes);  10 
Charles  Chaplin  Essanay  reissues;  15  Mary  Pick- 
ford  Biograph  reissues;  15  D.  W.  Griffith  Bio- 
graph  Success  reissues;  15  Ben  Turpin,  1  reel 
comedy  reissues;  26  Mustang  Western  reissues; 
26  Vogue  1  reel  comedy  reissues. 
Federated  Film  Distributors,  Inc. 
298  Turk  St.,  also  S.  &  O.  Picture  Corp.— For 
Northern  Cal. ;  Nev.  and  Hawaiian  Islands :  Billy 
Franey,  1 ;  Alice  Howells,  2 ;  Original  Billy  West 
Comedies;  Gale  Henry  comedies;  Helen  Gibson, 
2  reel  railroad  dramas;  Al  Jennings  and  Neal  Hart 
2  reel  Westerns ;  International  cartoons ;  Illiterate 
Digest  Vod-A-Vil  ISIovies ;  Photoplay  Screen  Sup- 
plement ;  Globe  Trots ;  Gump  cartoons ;  Indian 
dramas,  1  ;  Celebrated  comedies,  1  ;  Monte  Banks, 
2;  (Comedies),  New  Hall  Room  Boys  Comedies, 
2  ;  Screen  Snap  Shots.  1  ;  Chester,  1  reel  comedies  ; 
Chester  Animal  comedies ;  Miracles  of  the  Jungle, 
serial,  15  episodes;  Northwest  Mounted  Police,  2 
reel  Western  ;  Star  Ranch,  2  reel  Western  ;  Western 
Star  2  reel  Westerns;  Midget  comedies.  2  reels; 
Lee  Kids  comedies.  2  reels ;  Federated  Witwer 
Comedies.  Federated  Comedies,  Federated  Joe 
Rock,  Federated  Star  Comedies,  Federated  Screen 
Review,  Funny  Face  Doll  Comedies,  Adventures 
of  Tarzan  Serial ;  Out  of  the  Inkwell  Cartoon 
Comedies,  1  reel;  School  Days,  Your  Best  Friend, 
Why  Girls  Leave  Home,  Rags  to  Riches,  Little 
Heroes  of  the  Street,  Main  Street,  Brass,  Beautiful 
and  Damned.  Little  Church  Around  the  Corner, 
Dangerous  Adventure. 

Co-Operative  Film  Exchange 
107  Golden  Gate  Ave. — Pioneer  releases,  series 
of  14  Neal  Hart  Western  productions;  12 
.Xmerican  Cinema  Super-Productions;  The  Mon- 
roe Salisbury  Celebrated  Players  "The  Barbarian"  ; 
12  Tony  Sarg's  Shadowgraph  comedies;  Prizma ; 
The  Mystery  Mind,  serial ;  26  one  reel  comedies, 
from  various  sources  but  13  of  them  from  Pioneer. 
12  Music  Intepretive  Films;  6  William  (Bill) 
Fairbanks  Western  Production  ;  Bali  the  Unknown, 
First  5  reel  Prizma  Feature;  26  Burlingham  Ad- 
ventures, Scenics;  Specials  before  Jan.  1,  1923, 
Judgment,  Nine  Seconds  from  Heaven.  Patsy, 
The  Man  Trap,  In  the  Web,  The  Money  Monster. 
Independent  Film  Exchange 
49-55  Jones  St. — The  Folly  of  a  Life  of  Crime; 
California  Rodeo;  Great  Western  Round-Up;  The 
Pageant  of  San  Francisco;  The  Life  of  Jesse 
James  (Exporters  to  Spanish-American  countries). 
Dealers  in  used  and  new  films  for  domestic  and 
foreign  trade.  Films  titled  in  any  language.  Non- 
Theatrical  Department.  Distributors  for  Cali- 
fornia, Arizona  and  Nevada  of  clean  instructive 
and  entertaining  films  of  all  lengths,  for  edu- 
cational   institutions    and    churches. 

AH    Star   Features    Distributors,    Inc. 
191    Golden    Gate    Ave    (also    514    West    8th    St., 
Los       Angeles). —Captivating       Mary       Carstairs ; 
When    Arizona    W'on ;    The   Pen    Vulture;    Strippe4 


207 


Independent  Pictures  Corporation 

Producers  and  Distributors 

Announces  to  the  Independent  exchange  owner  and  Independent  Theater  owner 
that  they  have  contracted  for  tlieir  entire  output  of  special  productions  for  dis- 
tribution during  the  year  1923. 

With  a  measure  of  pride  we  will  offer  the  following  subjects: 

FAVORITE  STAR  SERIES 

Twelve  revived  attractions  of  tw^o  reels  each,  entirely  re-edited  and  re-sub- 
titled. Ten  of  these  subjects  were  directed  by  the  master  of  the  screen,  David 
W.  Griffith,  and  the  stars  appearing  in  them  are, 

Lillian  Gish  Harry  Carey 

Henry  Walthall  Mae  Marsh 

Blanche  Sweet  Lionel  Barrymore 

The  interest  of  the  public  in  these  attractions  which  first  established  the 
world  wide  reputation  of  these  stars  will  be  revived  by  the  present  generation 
of  moving  picture  fans. 

NICK  CARTER  SERIES 

Twelve  subjects  of  two  reels  each  being  a  new  series  based  upon  the  de- 
tective story  exploits  of  Nick  Carter,  produced  upon  the  same  scale  as  special 
attractions. 

The  name  of  Nick  Carter  is  more  than  a  household  word.  Every  man, 
woman  and  child  of  whatever  generation  are  interested  in  the  sensational  ex- 
ploits of  Nick  Carter,  the  most  popular  figure  in  the  realm  of  fictional  crime 
solving. 

IROQUOIS    PRODUCTIONS 

Six  special  feature  productions  of  five  reels  each  being  adaptations  from 
stories  of  the  north  woods  and  open  country  produced  by  Iroquois  Productions 
under  the  direction  of  Caryl  S.  Fleming. 

The  entire  cast  in  each  production  is  made  up  of  motion  picture  favorites. 
The  attractions  are  released  one  every  two  months  on  a  franchise  basis. 

PREMIUM   PICTURES 

Twelve  five  reel  specials  produced  on  the  west  coast  with  a  superlative  cast 
headed  by  George  B.  Larkin. 

Human  interest  stories  staged  and  mounted  with  realism  and  beauty.  Red 
blooded,  whole  souled  features.     Released  on  a  franchise  basis  of  one  a  month. 


We   will   also   release   during    1923   two   super    special    productions   of   seven 
reels  each,  adaptations  from   stage  plays. 

These  attractions  are  billed  to  play  protracted  engagements  or  as  road  shows. 


INDEPENDENT 
PICTURES     ^ 


INDEPENDENT  PICTURES  CORPORATION 

Jesse  J.  Goldburg,  President 

1540  Broadway  Loew  State  Theatre  Bldg. 

New  York  City  Phone  Bryant  3993 


208 


for  a  Million;  Harry  Carey  two  reelers ;  The  Tiger 
Band  serial,-  Tillie's  Punctured  Romance ;  Tom 
Moore  two  reelers;  Souls  of  Men;  Sins  of  the 
World;  Neptune's  Bride;  Through  Eyes  of  Men; 
Frazee  comedies,  two  reelers;  Billy  West  comedies, 
two  reelers;  Mack  Swain  two  reel  comedies;  Ser- 
vant in  the  House;  Good  Bad  Wife;  Love's 
Battle;  Lester  Cuneo  Westerns — Lone  Hand  Wil- 
son and  Ranger  and  the  Law;  Son  of  Tarzan 
serial ;  Honeymoon  Ranch ;  W^est  of  the  Rio 
Grande;  Dangerous  Pastime;  Penny  of  Top  Hill 
Trail;  Welcome  Children;  Kineto  Review; 
Daughter  of  Devil  Dan ;  Daughter's  Strange  In- 
heritance; You  Find  It  Everywhere;  Klass  A 
comedies ;  Hope  Diamond  Mystery  serial  ;  The 
Parish  Priest;  Heritage;  Hearts  and  Masks; 
Women  Men  Love;  I  Am  the  Woman;  The  Stam- 
pede; The  Handicap;  Mad  Love;  Dangerous 
Toys;  That  Something;  Eyes  of  Youth 
(Clara  Kimball  Young);  Forbidden  Woman  (Clara 
Kimball  Young)  ;  Soul  of  Rafael  (Clara  Kimball 
Young) ;  Mid-Channel  (Clara  Kimball  Young) ; 
Hush  (Clara  Kimball  Young) ;  Straight  from  Paris 
(CUra  Kimball  Young);  Charge  It  (Clara  Kimball 
Young);  Isobel;  Kazan;  Fickle  Women;  Girls 
Don't  Gamble;  Smiling  All  the  Way;  The  Mid- 
landers;  Bonnie  May;  Western  Adventurer; 
Country  God  Forgot;  Whispering  Devils;  Up  In 
Mary's  Attic ;  The  Wolverine ;  Ghost  City 
Heart  of  the  Range;  The  Girl  with  a  Mil- 
lion; The  White  Rider;  The  Wakefield  Case, 
The  Problem  Eternal;  Whispering  Shadows;  False 
Brand;  Daughter  of  the  West;  The  Wolf  Pack; 
26  World  Film  Corp.  re-issues  including  The  Pit, 
The  Closed  Road,  Moontoone,  Hearts  in  Exile, 
with  Clara  Kimball  Young  and  other  Young  pro- 
ductions. Husbands  and  Wives;  When  the  Desert 
Smiled;  Heart  of  Texas  Ryan;  Once  to  Every 
Man;  New  De  Luxe  edition  of  The  Whip;  Th» 
Fall  of  Babylon;  Mother  and  the  Law;  The  Birth 
of  a  Race;  Parentage;  The  Married  Virgin;  Blind- 
ness of  Youth;  Hearts  of  Men;  the  Spoilers;  The 
Unpardonab.e  Sin;  Yankee  Doodle  in  Berlin; 
Mickey;  The  Days  of  Dp-ing;  God's  Man;  The 
Lone  Hand;  The  Square  Shooter;  Dangerous 
Trails;  Unknown  Ranger;  Al  St.  John  2  reel 
comedies;  26  Screen  Snap  Shot  series;  12  two 
reel  Sunbeam  comedies,  12  two  reel  Franklyn 
Farnum  subjects;  16  two  reel  Tom  Mix  subjects; 
12  one  reel  Arbuckle  comedies;  one  reel  Chaplin 
"Some  Nerve";  13  Williamson  scenics;  21  Roth- 
acker  Ecenics;  20  Helen  Holmes  subjects;  Chaplin 
in  Carmen;  By  the  Sea;  Work;  Jitney  Elope- 
ment and  The  Champion;  series  of  12  one  reel 
Sennett  comedy  re-issues;  7  one  reel  Triangle 
comedies;  2  two  reel  Triangle  comedies;  Pendleton 
Round-Up;  3  Hart  re-issues.  Also  Neglected 
Wives;  The  Italian;  Fool's  Gold;  Someone  Must 
Pay;  The  Price  of  Innocence;  Harry  Carey  re- 
issues, 2.     More   to  be  Pitied. 

Associated      First      National      Pictures      of 

Northern  California,  Inc. 
146    Golden    Gate    Ave. — Love's    Penalty;     The 
Lost    City    serial;    The    Jungle    Princess;    Greater 
Sinner;   Sport  of  Kings;   Price  of  Innocence;   The 
Man   Worth   While. 

Peerless  Film  Service,  Inc. 
94  Golden  Gate  Ave.  (also  862  S.  Olive  St., 
Los  Angeles). — Eddie  Lyons  Comedies;  Speed 
Comedies ;  Animal  Comedies ;  Mirthquake  Com- 
edies ;  Felix  the  Cat ;  Tom  and  Jerry  Comedies ; 
Kid  Comedies;  Animal  Comedies;  Paragon,  Tusun, 
and  Spotlight  Comedies.  Two  reel  comedies  :  Hank 
Mann;  Christie;  Jester;  Romayne ;  Chaplin;  Ar- 
buckle and  Keystone.  Single  reel  comedies : 
Christie ;  Hank  Mann  ;  Gayety  ;  Jolly  ;  Romayne  ; 
Chaplin ;  Arbuckle ;  Keystone  and  Griever  educa- 
tionals.  New  two  reel  comedies :  Broadway ;  Sun- 
Lite  and  Mirth.  New  single  reel  comedies :  Folly, 
and  Aladdin.  New  single  reel  Sport  Pictorial ; 
Charles  Urban's  Movie  Chats  ;  Educational.  2  reel 
Westerns.  Love,  Hate  and  a  Woman,  The 
Splendid  Lie,  Mother  Eternal,  The  Wrong 
Woman,  Wild  Youth,  Ten  Nights  in  a  Bar  Room, 
Pola  Negri  in  The  Polish  Dancer,  Watching  Eyes, 
The  Innocent  Cheat,  Pete  Morrison  Series,  The 
Better  Man  Wins,  They're  Off,  Thundering  Hoofs, 
Shadows  of  Conscience,  The  Golden  Trail, 
Woman's  Man. 


Peter  B.  Kyne  Stories. 
One  Eighth  Apache,  Motion  to  Adjourn,  Back 
to  Yellow  Jacket,  God's  Country  and  the  Law, 
The  Girl  from  Porcupine,  The  Broken  Silence. 
Tames  Oliver  Curwood  series  of  four  specials.  The 
Golden  Trail;  Woman's  Man;  Bitter  Fruit;  Jack 
Hoxie  series  of  8  pictures ;  Bachelor  Apartments ; 
Neva  Gerber  series  of  4  pictures ;  A  Child  for 
Sale ;  God's  Country  and  the  Law  ;  Headin'  North  ; 
The  Chamber  Mystery ;  Stranger  in  Canyon  Val- 
ley;  The  Tame  Cat;  The  Man  Who  Trifled;  and 
The   Deceiver.     The   Call   from   the  Wild. 

CANADA 

MONTREAL— 

Horsfall     Prod.     Ltd.,     also     Toronto     and 
Halifax 

All  the  Anglo-Canadian  Picture  Plays,  Ltd.  out- 
put including  Alf's  Button;  Anglo-Canadian  two 
reel  comedies;  Anglo-Canadian  one  reel  cartoons; 
Anglo-Canadian  one,  two,  three  and  four  reel 
scenics;  also  the  "Arrow"  productions  and  Hank 
Mann    one    and    two    reel    comedies. 

Ottawa  Dominion  Amusement  Co. 

Imperial  Theater  Bldg. — First  National  fran- 
chise for  Eastern  Canada  and  a  few  state  rights 
pictures. 

Euro  pa  Films,  Ltd. — 

Chantelouve,  Rose  of  Nice,  Red  Pin,  Garden 
of  Atonement,  Night  of  Sept.  11,  A  Narrow 
Escape,  Irene,  Duke  of  Reichstadt,  Sealed  Lips, 
Parvenue,  Phantom  Ship,  The  Dream,  Quest  of 
the  Absolute,  Columbia,  Girl  with  Millions,  De- 
termination. 

TORONTO — 

Regal  Films  Limited 

1205  Royal  Bank  Bldg.  (with  branches  at  Mon- 
treal, St.  John,  Winnipeg,  Calgary,  and  Van- 
couver).-— Entire  output  of  Metro,  Select  Pictures 
Corporation,  Selznick  Pictures,  Pathe  Exchange 
Inc.,  Associated  Exhibitors  Inc.,  Warner  Bros. 
Productions,  Film  Booking  Offices  of  America, 
Various    State-Right    Specials. 

S.   J.    Dunning— Ne'er-Do-Well,   The    Spoilers. 

Allen  Brothers — Hope  Diamond  Mystery,  Neal 
Hart    Series. 

Canadian  Exhibitors'  Exchange — In  the  Clutchej 
of  the  Hindu;  Billie  West  Comedies;  Woman  in 
Grey  Serial ;  Monkey  and  Squirrel  Comedies ;  U. 
P.  Trail;  Love  Madness;  Broken  Gate;  Partners 
of  the  Tide;  Breaking  Point;  Pagan  Love;  Un- 
conquered  Woman ;  In  Flesh  and  Spirit ;  De- 
termination. 

Amalgamated  Exhibitors'  Circuit — 15  Harry  Ca- 
reys. 

Stephenson  Attractions — 

Night  Life  in  Hollywood,  and  other  specials. 
son-Cole,    Buster   Keaton   comedies   and    Hallroom 
Boys    comedies. 

ST.  JOHN,   N.  B.— 

Famous  Flayers  Film  Serrlce  Ltd. 
87  Union  St.  (also  Toronto,  Montreal,  Winnipeg, 
Calgary  and  Vancouver). — For  Maritime  Prov- 
inces: Kazan;  Passion's  Penalty;  Shepherd  of 
Hills;  Riders  of  Dawn;  The  Spenders;  Woman's 
Business;  Son  of  Tarzan,  serial;  Isobel;  Welcome 
Children;  Desert  Gold;  Dwelling  Place  of  Light; 
Love  Without  Question;  Wings  of  Pride;  Hope 
Diamond  Mystery;  Canadian  National  Pictorial; 
Outing  Chester;  Christie  comedies;  Globe  Trots; 
Ditmar's  Living  Book  of  Nature  and  Cartoon 
comedy  (split  reel) ;  Bruce  Scenics  and  Educa- 
tionals;  Photoplay  Screen  Supplement;  Christie 
special;  Chaplin  Classics;  Capitol  comedies;  Car- 
ter de  Haven  comedies;  Canadian  Government 
scenic;  Upper  Ways  Under  Conquest;  Victorj 
Leaders;  Our  Boys  in  Germany;  Eyes  of  Youth; 
End  of  the  Road;  Hearts  of  the  World;  Birth  of 
a  Nation;  Intolerance;  Unpardonable  Sin;  Stolen 
Orders;  Sahara;  Better  'Ole;  Jack  Canuck 
in  Berlin;  Virtuous  Men;  Comradeship;  Life  of 
Lord  Nelson  ;  The  Westerners ;  Sagebrusher ;  Be- 
ware ;  Cavel  Case;  Mr.  Wu;  Superman;  Witness 
for  the  Defense;  Valley  of  Giants;  Blue  Blazes 
Rawdon;  Smart  Set;  Rocks  of  Valpre;  Ghosts  of 
Yesterday;    DeLuxe    Annie;    Moth;    By    Right    of 


209 


THE  BEST  PICTURES 
YOUR  MONEY 

CAN  BUY 


CHARLES   C.   BURR   PRODUCTIONS 

are  built  in  the  belief  that  there  is  no  sub- 
stitute for  quality. 

Somewhat  more  than  two  years  ago  this 
organization  began  with  the  making  of  a 
two  reel  comedy  series. 

Slowly,  steadily,  its  production  grew,  the 
staff  responsible  for  the  various  pictures 
being  increased  by  careful  selection  and 
thorough  training. 

"Entertainment  always  —  but  quality 
first"  has  been  the  principle  upon  which  this 
growth  progressed. 

In  features,  in  comedies,  in  cartoons,  in 
scenic  pictures,  that  slogan  reveals  itself. 

Independently  made  pictures  should  be 
quality  pictures.  We  believe  no  producing 
organization  puts  more  of  its  sense  of  re- 
sponsibility to  exhibitor  and  public  upon 
the  screen. 

THE  BEST  BUY 

FOR  YOUR 

MONEY 


CHARLES  C.  BURR   PRODUCTIONS 


210 


The 


Big6 


Features: 


Dell  Henderson's  Production 
SURE  FIRE  FLINT 

Johnny    Hines   with 
Doris    Kenyon  Edmund    Breese 

Effie   Shannon  J.    Barney    Sherry 

Robert   Edeson  Charles  Gerrard 

Matthew   Betts 
Directed    by    Dell    Henderson 

Johnny  Hines'  Production 
LUCK 

Johnny    Hines   with 
Violet   Mersereau    Edmund    Breese 
Mary  Carr  Warner    Richmond 

Robert    Edeson       and  little   Russell   Griffin 
Directed  by  Flesmih   Senih 

Edwin  Carewe's  Production 
I  AM  THE   LAW 

Gaston    Glass  Rosemary    Theby 

Kenneth    Harlan  Noah   Beery 

Alice    Lake  Wallace     Beery 

Directed  by    Edwin    Carewe 


Edgar  Lewis'  Production 
FIRE  OF  YOUTH 

with 
James    Kirkwood  Mary    Carr 

Doris   Kenyon  Edmund    Breese 

Robert    Edeson    and    little    Russell    Griffin 
Directed    by    Edgar    Lewis 

Edward  Sloman's  Production 
THE  LAST  HOUR 


Milton   Sills 
Carmel    Myers 
Walter  Long 
Directed 


by 


Alec   Francis 

Pat    O'Malley 

Jack   Mower 

Edward     Sloman 


Whitman  Bennett's  Production 
SECRETS  OF  PARIS 

Lew    Cody  Gladys    Hulette 

Montague    Love  Buster   Collier 

Effie   Shannon  Dolores   Cassinelli 

Walter  James  Jane  Thomas 

Directed   by  Kenneth    Webb 


Short  Subjects: 


EARL  HURD  COMEDIES 

sensation    to    the    trade — a    reel    combining    real 
people   acting   with   drawn   characters. 
Distributed    by    Educational 


ALL  STAR  COMEDIES 

with 
Raymond    McKee  Charlie   Murray 

Mary   Anderson 
Directed   by    Gregory    La    Cava 
Distributed    by    Hodkinson 


TORCHY  COMEDIES 

Adapted  from  the  famous   "Torchy"   stories 

by    Sewell    Ford. 

Distributed  by  Educational. 


BURR    SCENICS 

Photographed 

by 

Rollin  Lester  Dixon  and  W.  A.  Van  Scoy 


MASTODON  FILMS  INCORPORATED 


211 


The   box   office   winners   of 
1923  are  being  produced  by 

ABBEY  PICTURES,  Inc. 

1674  Broadway  New  York 


Features  of 

QUALITY 

MERIT  AND 

DISTINCTION 


Maurice  Kriger,  Prod.  Mgr. 
Lola  M.  Lee,  Scenario  Editor 
Frank  P.  Donovan  (M.  P.  D. 
A.),  Director 


JOHN  A.  MURPHY,  President 


A  Notice  of  the  Utmost  Importance  to  the  Independent  Producer 

RENOWN     PICTURES,    Inc. 

The  Exchange  Which  Serves  the  Independent  Producer  in  the 

Most  Lucrative  Field  in  America. 
Are  you  a  producer  or  a  prospective  producer?  If  so  you  are 
seriously  considering  the  distribution  of  your  pictures.  Get 
in  touch  with  us  and  talk  the  matter  over. 
The  territory  served  by  the  Renown  is  nearly  a  fifth  of  the 
entire  American  field,  and  Success  in  the  New  York  Terri- 
tory means  Nation  Wide  Success. 

The  Renown  Pictures,  Inc.,  has  an  unimpeachable  record  in 
the  marketing  of  big  and  worthwhile  productions.  We  have 
served  other  producers  and  we  can  serve  you.  If  you  have 
productions  already  made  or  in  the  process  of  production, 
our  friendly  advice  and  cooperation  are  offered  to  you  without 
obligation  on  your  part. 

RENOWN     PICTURES,    Inc. 

729  Seventh  Avenue,  New  York 

We  Buy  or  Distribute  Productions  of  Merit  inN.Y.and  N.J. 


212 


Purchafe;  Scandal;  Up  the  Road  with  Sally; 
Amanlly  of  Clothesline  Alley;  Stella  Maris;  Re- 
becca of  Sunnybrook  Farm;  Pride  of  the  Clan; 
^porting  Life;  Tom  Sawyer;  Huck  and  Tom; 
Revenge  of  Tarzan ;  The  Penalty ;  Madame  X  ; 
Milestones;  It's  a  Great  Life;  North  Wind's 
Malice;  Girl  with  the  Jazz  Heart;  Man  Who  Had 
Everything;  Officer  666;  The  Branding  Iron; 
What  Happened  to  Rosa;  Honest  Hutch;  His 
Own  Law;  Earthbound ;  Godless  Men;  The  Great 
Lover;  Just  Out  of  College;  Roads  of  Destiny; 
1  he  Highest  Bidder  ;  Prisoners  of  Love  ;  The  Con- 
cert;  Guile  of  Women;  Hold  Your  Horses;  Made 
in  Heaven  ;  Song  of  the  Soul ;  Voice  in  the  Dark  ; 
Boys  Will  Be  Boys;  Tale  of  Two  Worlds;  Un- 
willing Hero;  Snowblind;  Don't  Neglect  Your 
Wife;  Madonnas  and  Men;  Love's  Penalty;  Hell's 
Oasis;  Sky  Fire;  General  Post;  Lady  Audley's 
Secret;  Battle  of  Jutland;  Why  Girls  Leave  Home  ■ 
Adventures  of  Mr.  Pickwick;  Sonia ;  Woman  of 
No  Importance;  The  Old  Nest;  Beating  the 
Game;  Dangerous  Curve  Ahead;  All's  Fair  in 
Love;  Ace  of  Hearts;  For  Those  We  Love;  Th^ 
Invisible  Power;  Wet  Gold;  Poverty  of  Riches; 
Grand  Larceny ;  Hungry  Hearts ;  The  Grim 
Comedian;  The  Night  Rose;  The  Glorious  Fool; 
She  Got  What  She  Wanted;  The  Man  With  Two 
Mothers ;  From  the  Ground  Up ;  The  Man  From 
Lost  River;  A  Poor  Relation;  The  Wall  Flower; 
The  Ship;  Theodora;  The  Sin  Flood;  Beatrice; 
Doublmg  for  Romeo ;  The  Christian ;  Even  as 
Eve;  Pardon  My  French;  Mr.  Barnes  of  New 
\ork;  Head  Over  Heels;  Be  My  Wife;  Watch 
Your  Step ;  Riders  of  the  Dawn ;  Certain  Rich 
Man;  Heart's  Haven;  Grey  Dawn;  East  Lynne ; 
The  Man  of  the  Forest;  Lavender  and  Old  Lace; 
The  Journey's  End ;  The  Truant  Husband ;  Face 
of  the  World;  The  Other  Woman;  Keeping  Up 
With  Lizzie ;  Rip  Van  Winkle ;  Jane  Eyre ;  The 
Light  in  the  Clearing;  The  Mysterious  Rider; 
Fifty  Candles;  Cameron  of  the  Royal  Mounted; 
French  Heels;  God's  Crucible;  At  the  Sign  of  the 
Jack    O'Lantern;    Rise   of   Roscoe    Paine. 

COLORADO 

DEN-^TER — 

Liberty  Theaters  Corp. 
1712  Broadway. — Man  From  Hell's  River;  Sage- 
brush Trail;  Shadows  of  Conscience;  Heart  of 
the  North ;  David  Butler  Productions ;  Lester 
Cuneo  Productions;  A  Dangerous  Pastime;  The 
Stranger;  That  Something;  Souls  of  Men;  Sins 
of  the  World;  Neptune's  Bride;  Bible  pictures; 
Dick  Hatton  Westerns ;  Irving  Cummings,  2 
reel  Northwest  Mounted  series;  Helen  Gibson 
Westerns,  Fritzie  Ridgeway,  2  reel  Westerns ; 
Charles  (Chic)  Sale  in  His  Nibs;  Shadows  of 
Conscience  for  western  half  of  Missouri  and 
Kansas. 

Equity  Dist.   Co. 
Whispering    Devils. 

Merit  Film  Co. 
IS    Mary   Pickford,   2. 

Asso.   First   National   Pictures    of    Colorado, 
Inc. 

1732  Welton  St.  (also  60  Exchange  Place,  Salt 
Lake  City). — Asso.  First  National  Pictures  of 
Colorado,  Inc.,  1732  Welton  St.  and  60  Exchange 
Place,  Salt  Lake  City.  For  Colorado,  New  Mex- 
ico, Wyoming,  Utah  and  Southern  Idaho.  All 
First  National  Pictures  and  The  Price  of  Inno- 
cence, 5;  The  Sport  of  Kings,  5;  Love's  Penalty, 
S;  Isobel,  6;  County  Fair,  5;  Daughter  of  Devi! 
Dan,  5;  Blaze  Away;  Trail  of  Hate;  Mystery  of 
13    Serial. 

Arrow  Photo  Plays  Co. 

1735  Welton  St.:  Kazan,  The  Mask,  Golden 
Trail,  four  James  Oliver  Curwood's  Inner  Voice, 
five  Wm.  Fairbanks,  first  series;  Jack  Hoxie's, 
three  S-reel  Neal  Hart's,  Lone  Hand  with  Roy 
Stewart,  Welcome  Children,  Woman's  Man,  Man's 
Law  with  Irving  Cummings,  Dangerous  Love, 
Pete  Morrison;  Hearts  of  the  Range,  Out  of  the 
Darkness,  Through  Eyes  of  Men,  Sacred  Flame, 
Border  Raiders,  Wolverine,  The  Gold  City  and 
Western  Hearts.  Short  subjects :  Hall  Room 
Boys  series,  Al  St.  John's,  Billy  West,  Hank 
Mann's  single  and  doubles,  Christie  single  and 
doubles.  Screen  Snapshots.  Two  reel  westerns  : 
16   Texas    Guinan's,    15    Harry    Carey's,    12    Blazed 


Trails,  12  North  Wood  dramas,  12  Lone  Stars, 
26  Star  Ranch  westerns.  Dangerous  Love; 
16  Texas  Guinan's,  15  Harry  Carey's  12,  Blazed 
Trails,  12  North  Wood  dramas,  12  Lone  Stars, 
10  Star  Ranch  westerns,  When  Desert  Smiles; 
Skyfire;  Hell's  Oasis;  Handicap,  The  Stampede, 
I  Am  The  Woman,  Six  "Big  Boy"  Williams, 
Three  Snowy  Bakers,  Parish  Priest,  The  Deceiver, 
Ten  Nights,  Wandering  Boy,  Twelve  Eddie  Lyons 
Comedies,  Fourteen  Broailway  Comedies,  Twelve 
F.  Farnums,  Thirteen  Gale  Henrys,  Fifty-two 
Kineto  Reviews,  Houdini  Serial,  Nine  Hank  Mann, 
Sixteen  Mack  Swain,  Eight  Monkey,  Four  Car- 
toons,   Six    Ditmars,    Oh,    Louise. 

DISTRICT  OF  COLUMBIA 

WASHINGTON,    D.    C. — 

Federal  Features — In  the  Clutches  of  the  Hindu. 
District    Film    Co. — Below    the    Deadline. 
Electric  Theater  Supply  Co. — Paragon  Comedies. 
Excelsior    Film   Exchange — Mary    Pickford   short 
subjects. 

Exhibitors'  Film  Exchange — Franklyn  Farnum 
series.  Lone  Hand,  Pinnacle  Comedies,  Vanishing 
Trails. 

Liberty  Film  Exchange — Son  of  Tarzan,  10 
Screen  Art  Consolidated  Plan  Pictures. 
All  Star  Features  Distributors,  Inc. 
Great  Reward  Serial,  Jungle  Goddess  Serial, 
Series  of  Bible  subjects.  Series  of  Bob  Reeve  sub- 
jects ;  3  Scattergood  comedies ;  3  Philo  Gubb 
comedies ;  Money  Star  stampede ;  National  Com- 
edies ;  Irving  Cummings  2  reefers  ;  Mission  scenics  ; 
Sawing  a  Woman  in  Half;  12  one  reel  Sennett 
Comedies;  The  Ship;  County  Fair;  What  No 
Man  Knows;  Worldly  Madonna;  Daughter  of 
Eve;  Western  Hearts;  Hushed  Hour;  Confession; 
Justice  ;  Guilty  Women  ;  Crossing  Trails  ;  Should 
a  Wife  Work ;  Road  To  Arcady ;  For  Your 
Daughter's  Sake ;_  Man  Hunters;  Every  Man's 
Price;  Lotus  Blossom;  When  Destiny  Wills; 
Lonely  Heart;  Series  of  Dick  Hatton  subjects; 
Series  of  David  Butler  subjects;  Series  of  Richard 
Talmadge  subjects  ;  The  Common  Level ;  Vendetta  ; 
Intrigue;  Heart  of  the  North;  Heedless  Moths; 
Black  Panther's  (Tub;  My  Boy;  Trouble;  Series 
of  Jackie  Coogans ;  Where  Is  My  Wandering  Boy 
Tonight;  Sagebrush  Trail;  I  Am  The  Law;  Too 
Much  Married;  Any  Night;  Ashes;  The  Greater 
Duty;  Life's  Greatest  Question;  Living  Lies; 
Whispering  Women ;  George  Chesebro  Produc- 
tions:  Empty  Arms,  Burn  'Em  Up  Barnes;  Sure- 
fire Flint;  Hell's  River;  Rich  Men's  Wives; 
Flesh  and  Blood. 
Thomas   Film  Co. — J.    B.   Warner   Series. 

Moore's  Theatres  Corp. 
Rialto     Theatre     Building — For     Maryland,     Dis- 
trict of  Columbia  and  Virginia,  Lady  Diana   Man 
ners    (English    production). 

Reliance  Film  Exchange. — New  Series  of  8 
Jack  Hoxies — Sunset  Productions ;  Flame  of  the 
Yukon;  Series  15  George  Otiy  New  Comedies; 
Cowboy  Jazz ;  Curwood's  God's  Country  and  the 
Law;  Heart  of  the  North;  Triangle  Reissues; 
Up    In    Mary's    Attic. 

Seaboard  Film  Corp.,  Mather  Bldg.,  916  G  St., 
N.  W. :  All  Reelcraft  Pictures  Corp.  one  and  two 
reel  comedies,  including  Aladdin,  Mirth  and  Sun- 
Lite  comedies;  Star  Ranch  two-reel  westerns, 
Reelcraft  two-reel  westerns,  Muriel  Ostriche  two- 
reel  comedies,  Milburn  Moranti  two-reel  come- 
dies, Klass  A  two-reel  comedies.  Midget  two-reel 
comedies.  Spotlight  one-reel  comedies,  Franey  one- 
reel  comedies.  Hank  Mann  two-reel  comedies. 
Also  distributing  for  Arrow  Exchanges,  Inc.,  Jack 
Hoxie  features.  Thunderbolt  Jack  serial.  Fatal 
Sign  serial.  Ruby  de  Remer  features.  Love's  Pro- 
tege, The  Star  Reporter,  Stranger  in  Canyon  Val- 
ley, Headin'  North,  Wolves  of  the  Street,  Bitter 
Fruit,    Golden   Trail,   etc. 

Super  Film  Attractions,  Inc. 
Sidney  B.  Lust,  President,  905-917  Mather  Bldg. 
— For  Virginia,  Maryland,  Delaware,  and  the 
District  of  Columbia.  Christie  comedies;  Ambrose 
comedies;  Wilcox  series;  Ben  Turpin  comedies,  2; 
Buffalo  Bill;  2  reel  Westerns;  Silent  Mystery 
serial;  Wm.  S.  Hart;  Norma  Talmadge;  Frank 
Keenan;  Douglas  Fairbanks;  Mickey;  The  Whip; 
Just  a  Woman;  Crucible  of  Life;  Are  Passions 
Inherited;     Loyalty;     On    Trial;    Kaiser's    Finish; 


213 


Apollo  Trading  Corp. 

Distributing  Independent  American 
^  productions  throughout  all 
Foreign  Countries 

1600   BROADWAY 
NEW  YORK  CITY 


Cable   Address 
Apoltrade,  N.  Y. 


Apollo  Exchange,  Inc. 

Distributing    the    Best    Independent 

Productions  in  Greater  New  York 

and  Northern  New  Jersey 

1600   BROADWAY 
NEW  YORK  CITY 


214 


Kerensky;  Purity;  The  Confession;  The  Spoilers; 
The  Ne'er  Do  Well;  William  Fairbanks  produc- 
tions; Al  Hart  Westerns;  Pete  Morrison  series; 
Helen  Gibson  in  "The  Wolverine";  Franklyn 
Farnum,  Al  Hart  and  Shorty  Hamilton;  Charlie 
Chaplin  in  "The  Champion,"  "Work,"  "Jitney 
Elopement,"  "By  the  Sea,"  Richard  Talmadge 
productions. 

ATLANTA—  GEORGIA 

Wassman  &   Stephens 

121  Marietta  St.  (also  New  Orleans  and  Dallas). 
—Madonnas  and  Men;  The  Devil's  Angel;  The 
Fall  of  a  Saint;  Out  of  the  Darkness;  Ireland 
in  Revolt;  Husbands  and  Wives;  His  Pajama 
Girl;  A  Hoosier's  Romance;  The  Drifter;  Lady 
Windermere's  Fan;  Her  Greatest  Performance; 
Dombey  and  Son;  Lyon's  Mail.  Eleven  two  reel 
comedy  dramas  featuring  Tom  Moore;  ten  epi- 
sode serial  In  the  Clutches  of  the  Hindu;  Ex- 
ploits of  German  Submarine  U-3S  ;  The  Fourth 
Face;  Devil's  Angel. 
Eltabran  Film  Co. 

Hirsch  Building — Jungle  Goddess  Serial,  Mys- 
terious Pearl  serial.  Nan  of  the  North,  serial, 
The  Blue  Fox,  serial;  52  Arrow  Franchise  com- 
edies; 12  Eddie  Lyons  comedies;  26  Folly  com- 
edies. Clark  Cornelius  Corp.  Franchise. 
Enterprise  Dist.  Corp. 

Also  Dallas.  New  Orleans,  Oklahoma  City, 
Kansas  City,  Omaha  and  St.  Louis. — 6  Franklyn 
Farnum's;  Dustin  Farnum  in  The  Iron  Strain  (6); 
The  Midnight  Riders;  3  William  Desmond's;  9 
All  Star  Mostly  Westerns;  IS  Roy  Stewart  West- 
erns; IS  Wm.  S.  Hart's;  10  Douglas  Fairbanks; 
4  Ohve  Thomas';  4  Taylor  Holmes';  9  Dorothy 
Dalton's;  9  Assorted  Star  series  with  H.  B. 
Warner,  Jane  Gray,  May  Marsh,  Louise  Glaum. 
Dorothy  Dalton,  Dorothy  Gish  and  Florence 
Billings;  13  Charles  Ray's;  4  Enterprise  extra 
specials  with  Reid  and  Farrar,  Blanche  Sweet 
and  All  Star;  serial  The  Trail  of  the  Octopus; 
63  two  reelers  Keystone  comedies;  21  two  reelers 
Mack  Sennet  comedies;  9  Fatty  Arbuckle  come- 
dies; series  of  39  five  reel  features  including 
subjects  by  well  known  stars. 
Southern   States   Film   Co. 

1 1 1  Walton  St. — Pioneer  productions  ;  William 
Fairbanks  series ;  Neal  Harts  series ;  Burn  'Em 
Up  Barnes,  Johnny  Hines;  Out  of  the  Dust. 
P.  P.  Craft ;  Fightin'  Devil ;  Branded  Man  ; 
Guilty;  Defying  The  Law;  Fighting  Ranger; 
Pete  Morrisons  series  Fickle  Women  ;  Discarded 
Woman;  Love's  Battle;  White  Rider;  Smiling  All 
the  Way;  Girls  Don't  Gamble;  Honeymoon 
Ranch;  All  Dolled  Up;  Desperate  Youth;  Heart 
of  a  Woman;  Fighting  Kentuckians;  8  Texas 
Guinan  subjects;  Screaming  Shadow  serial;  In- 
visible Ray  serial;  Screen  Snapshots;  5  reel  Wm. 
(Bill)  Fairbanks  Westerns;  5  reel  Neal  Hart 
Westerns ;  I  Am  the  Woman ;  The  Stampede !  The 
Girl  from  Nowhere;  The  Long  Arm  of  Mannister ; 
The  Barbarian;  West  of  the  Pecos;  The  Better 
Man  Wins;  Serving  Two  Masters;  Big  Stakes; 
Branded;  West  vs.  East;  Way  of  a  Man;  Flam- 
ing Hearts;  In  Society!  Crimson  Cross;  The 
Boomerang;  Virtuous  Sinners;  Thoughtless  Wo- 
men; Finders  Keepers;  Dr.  Jekyll  and  Mr.  Hyde; 
The  Atonement  ;  The  Midnight  Gambol ;  Where  is 
My  Husband;  Mutt  and  Jeff  Series;  Sonny  Com- 
edies ;  Nick  Carter  Detective  Stories ;  Cowboy 
Jazz— A  2  Reel  Western  ;  The  Man  from  Hell's 
River;  Sage  Brush  Trail:  Burn  'Em  Up  Barnes; 
With  Johnnie  Hines;  Out  of  the  Dust,  7  reels; 
Luxury  ;  The  Way  Women  Love ;  Crimson  Gold  ; 
Duty  First;  Warner  Bros.  Series. 
Quality  Tilm  Service 

146  Marietta  St. — Are  You  Legally  Married? 
5;  Bitter  Fruit,  6;  The  Italian,  6;  The  Typhoon. 
5;  6  Neal  Hart  specials;  Western  specials:  Wolf 
Bayne,  5;  Heart  of  the  Desert,  5;  The  Fighting 
Grin,  S;  The  Old  West,  5;  Carmen  of  the  Border, 
5;  The  Sante  Fe  Terror,  5;  Fighting  Mad,  S; 
Sheriff  Jim,  5;  The  Renegade,  5;  The  Man  from 
Montana,  5;  The  Hero  of  the  Hour,  S;  Under 
Western  Skies,  5;  16  two  reel  Westerns  featuring 
Ruth  Clifford  and  Jack  Richardson  ;  30  one  reel 
comedies  featuring  Constance  Talmadge,  Smiling 
Bill  Parsons,  Fatty  Arbuckle  and  others;  18  two 
reel    fomedies    featuring    Muriel    Ostriche,    Charlie 


Jt)y  :  Why  Girls  Leave  Home.  8 :  School  Days,  7  ; 
Heart  of  The  North,  6;  The  Vigilantes,  7;  Boom 
erang  Justice,  5 ;  Chester  2  reel  comedies ;  Monty 
Banks  2  reel  comedies;  Burr's  novelty  reel; 
Lone  Hand  Wilson,  5  ;  Ranger  Law ;  Dangerous 
Love. 

Savini  Films,  Inc.,  also  Nat'l  Exchanges,  Inc. 
63  Walton  St. — 20  one  reel  Billie  Rhodes  come- 
dies; 52  one  reel  Ham  and  Bud  comedies;  20 
two  reel  Jester  comedies;  20  two  reel  Ben  Turpin 
comedies;  4  two  reel  Frazee  comedies;  20  one 
reel  Gumps  cartoons;  10  two  reel  Mustange  West- 
erns; 20  one  reel  Vogue  comedies;  IS  two  reel 
Stingaree  Westerns  (serial);  The  Great  Reward, 
fifteen  episode  (serial)  ;  16  two  reel  Tom  Mix 
Westerns;  15  two  reel  Shorty  Hamilton  Westerns; 
15  two  reel  Franklyn  Farnum  Westerns;  15  one 
reel  Ambrose  comedies;  30  one  reel  Pictorial 
magazines;  Jim  Cameron's  Wife,  2  (William  S. 
Hart);  His  Hour  of  Manhood,  2  (William  S. 
Hart);  Counted  Out,  2  (Fatty  Arbuckle);  Cus- 
ter's Last  Fight,  3;  4  five  reel  Helen  Holmes 
Westerns;    4   five   reel    William    Russell    Westerns; 

4  five  reel  Mary  Miles  Minter  features;  5  fire 
reel  William  Fairbanks  Westerns;  7  five  reel  Al 
Hart     Westerns;     Blindness     of     Youth,     5;     Lone 

Avenger,    5    (William   S.    Hart);    Days   of   Daring, 

5  (Tom  Mix);  Mother  Goose,  S,  fairy  tale;  6  five 
reel  Tex  detective  features;  Daughter's  Strange 
Inheritance,  5  (Norma  Talmadge);  Captivating 
Mary  Carstairs,  5  (Norma  Talmadge);  The  Con- 
fession, 7  (Henry  B.  Walthall) ;  Sport  of  Kings, 
5  (Mat  Moore);  Daughter  of  Devil  Dan,  5  (Irma 
Harrison);  Frivolous  Wives,  6  (Rudolpho  Di 
Valantino);  A  Woman's  Business,  5  (Olive  Tell); 
Love  Without  Question,  6  (Olive  Tell);  Wings  of 
Pride,  S  (Olive  Tell);  Human  Clay,  5  (Mollie 
King);  Thru  Eyes  of  Men,  S  (Frank  Mayo); 
Woman,  7  (Maurice  Tourneur) ;  Married  in 
Name  Only,  6  (Madeline  Traverse)  ;  Window 
Opposite,  7  (Milton  Sills) ;  Sins  of  Ambition,  7 
(Leah  Baird)  ;  Tex  series;  1  Mayo  Drama,  5 
(Frank  Mayo)  ;  1  Mix  Special — Heart  of  Texas 
Ryan — 5,  (Tom  Mix);  Confession,  7  (Henry  B. 
Walthall)  ;  Fairy  Tale  Specials— Little  Red  Rid 
ing  Hood,  5 ;  Twinkle  Twinkle  Little  Star,  5  : 
Cinderella  and  the  Magic  Slipper  5  ;  and  twenty 
others,  5;  Chas.  Ray  (Outdoor  Dramas,  10;  Spur 
Westerns,  2;  (Ruth  Clifford-Francis  Ford);  52 
Pictorial  Life  Magazine  reels ;  4  series ;  Urban's 
Kineto  Reviews,  one  reelers ;  8  King  Cole  two 
reel  comedies;  8  National  two  reel  comedies;  12 
Leo   White   two   reel   comedies. 

Arthur  C.  Bromberg  Attract. 

61  Walton  St. — 26  one  reel  Handscheiagel  Color 
Process,  released  every  other  week;  26  two  reel 
Mirth  comedies,  released  bi-weekly;  26  two  reel 
Sun  Lite  comedies,  released  bi-weekly;  52  one 
reel  Aladdin  comedies,  released  weekly,  featur- 
ing Budd  Duncan;  15  two  reel  Mary  Pickford 
dramas;  IS  two  reel  Success  Westerns;  20  two 
reel  Helen  Holmes  Westerns;  14  2  reel  Helen 
Gibson  Westerns;  26  two  reel  Hank  Mann  come- 
dies; 8  two  reel  Hall  Room  Boys  comedies — 1921 
series;  26  two  reel  Hall  Room  Boys  comedies — 
1920  series;  6  Essenay  Chaplin  comedies.  Fea- 
tures: 8  Jack  Hoxie  Westerns,  in  five  parts; 
Woman's  Man;  Isle  of  Destiny;  What  Becomes 
of  the  Children;  The  Spoilers;  Lady  of  the  Dug- 
out; House  Without  Children;  Common  Level; 
She  Played  and  Paid;  Keep  to  the  Right;  Whis- 
pering Devils  ;  Witches  Lure  ;  East  Lynne  ;  Klass 
A  Comedies,  2;  15  Harry  Careys  God's  Country 
and  the  Law ;  The  Broken  Silence ;  Girl  From 
Porcupine;   Jacqueline. 

The  Splendid  Lie;  The  Deceiver;  The  Prime 
of  Youth;  One  Eighth  Apache;  Bitter  Fruit; 
Batchelor  Apartments ;  Ten  Nights  in  a  Barrom ; 
The  Innocent  Cheat ;  Peaceful  Peters ;  The  Sheriff 
of  Sun-Dog ;  The  Drifter;  Cupids  Brand;  Broken 
Spur;  Mysterious  Mr.  Browning;  The  Barrier 
Between;  The  Red  Viper;  Back  to  Yellow  Jacket; 
A  Motion  to  Adjourn ;  A  Man  There  Was ;  Eyes 
of  Youth  ;  Forbidden  Woman  ;  Hush  ;  Charge  It ; 
The  Worldly  Madonna;  Dempsey-Carpentier 
Fight;  Persuasive  Peggy;  Rise  and  Fall  of  Con- 
federacy ;  Sky  Eye ;  Today ;  When  The  Deserts 
Smiled ;  Desert  Scorpion ;  Fools  Gold ;  Hearts  ot 
Men ;     Wakefield     Case ;     Daughter    of    the    West ; 


215 


Telephone  8696  Circle 

BRANCH     OFFICES 
Yokohama  -Japan 
London,  'W.  I.  -  England 
Montreal  -Canada 
Chicago  -  Illinois 
Indianapolis  -  Indiana 
Los  Angeles-  California 


Cable  Address   -    'AGECOB-NEW  YORK" 
Bentley's  Code 

Motion  Picture  Enterprises 

Suite  514  Earle  Building 

1674  Broadway,  New  York 

Executive    Offices 


Love,  Hate  and  the  Woman ;  Dangerous  Paths ; 
Stranger  in  Canyon  Valley;  A  Yankee  Go-Getter; 
Night  Life  in  Hollywood;  The  DoubleO  ;  Sparks 
of  Flint;  "Hoxie"  No.  3;  For  the  Soul  of  Rafael; 
Mid  Channel;  Straight  from  Paris;  What  No  Man 
Knows;  Lust  of  Ages;  Whispering  Shadows; 
Sunset  Princess;  Echo  of  Youth;  Great  White 
Trail;  Lone  Hand;  Ireland  in  Revolt;  Chamber 
Mystery;  Devil  Dog  Dawson;  Hills  of  Hate; 
Dream  of  Fair  Women;  Mad  Lover;  When  Men 
Betray ;  County  Fair ;  White  Rider ;  Sinners 
Three;  The  Greyhound;  Guilty  Woman;  Justice; 
Should  a  Woman  Divorce ;  Cyclone  Bliss ;  Dead 
or  Alive;  Man  from  Nowhere;  Speed  Comedies; 
Broadway;  Mirthquake;  Mirthquake;  Eddie 
Lyons;  8  XLNT;  Lightning  Bryce ;  Lurking 
Peril;  Vanishing  Trails;  Thunderbolt  Jack;  Blue 
Fox;    Man    of   the    North. 

W.  A.  Hart,  c/o  Bromberg  Attrac,  is  handling 
Mickey  in  Ala.  and  Ga. ;  Silver  Threads  Among  the 
Gold  and  Hart's  Caliope  Parade  in  Ala.,  Ga.,  N. 
and   S.    Car.   and   Fla. 

Sallee  Films. — Whispering  Devils,  She  Played 
and  Paid,   Keep  to  the  Right. 

National  Film  Dist.  Co. — West  of  Rio  Grande. 
Southeastern  Pictures   Corp. 

106-108  Walton  St.  (also  Charlotte,  N.  C,  and 
New  Orleans,  La.). — Whispering  Shadows;  Brute 
Island;  The  Wakefield  Case;  Daughter  of  the 
VVest;  18  Clara  Kimball  Young  super  specials;  26 
Pioneer  productions;  10  American  Cinema  specials; 
A  Man  There  Was  (Radisoul  Film);  4  Super 
Special  productions;  Persuasive  Peggy  (Peggy 
Hyland);  The  Red  Viper  (Garrett  Hughes);  Sus- 
picion (Grace  B.  Davison);  When  Men  Betray 
(Gail  Kane);  Echo  of  Youth  (Charles  Richard); 
The  Mad  Lover  (Elaine  Hammerstein) ;  Lust  of 
Ages  (Lillian  Walker) ;  When  the  Desert  Smiled 
(Neal  Hart);  The  Great  White  Trail  (Dorris 
Kenyon) ;  Desert  Scorpion  (Ed  F.  Cobb);  (Fools 
Gold  (Mitchell  Lewis);  Lone  Hand  (Roy 
Stewart);  Sky-Eye  (All  Star);  2  reel  Westerns; 
30     Lone     Star     and     Blazed     Trail;     8     Wallace 


Coburn;  2  reel  dramas;  30  Kay  Bee;  IS  Nick 
Carter  series;  2  reel  comedies;  1  A  Rag,  A  Bone, 
A  Hank  of  Hair;  1  Fatty's  Antique  Bride;  4 
Jolly  comedies;  10  Sunbeam  comedies;  2  Dooley 
comedies;  1  Dream  of  Fair  Women;  3  Al.  St. 
John  comedies;  10  Sonny  series  comedies;  3  Mack 
Swain  comedies;  1  reel  comedy  dramas;  40  Tom 
Mix;  1  reel  comedies;  11  Facts  and  Follies  come- 
dies; 14  Jolly  comedies;  10  Hank  Mann  comedies; 
22  Chaplin  comedies;  40  Keystone  comedies; 
Masked  Rider  serials — Demon  Shadows;  Light- 
ning Bryce;  Lurking  Perils;  Vanishing  Trails; 
Carter  Case;  Screen  Smiles — Topical  Tips;  Mono- 
logues. 

Capital  Fihn  Dist.  Co.,  146  Marietta  St.:  Some- 
one Must  Pay,  The  Sacred  Flame,  Blind  Love, 
The  Country  That  God  Forgot,  Doraldina  the 
Woman  Untamed,  The  Evolution  of  Man,  The 
Woman  of  Mystery,  The  Cycle  of  Fate,  The  Staf- 
ford Mystery,  Why  Leave  Your  Husband,  Roses 
and  Thorns,  The  Eternal  Penalty,  Mad  Love. 
Voices,  The  Snail,  The  Ranger,  The  Penn  Vul- 
ture, Denny  from  Ireland,  West  o.f  the  Rio  Grande, 
Love's  Plaything,  Man  and  Woman,  Broken 
Hearts,  Love  or  Justice,  The  Pretender,  The  Se- 
cret Code,  Beyond  the  Shadows,  Children  of  the 
Feud,  13  one-reel  Fatty  Arbuckle  comedies,  12 
two-reel  Mack  Sennett  comedies,  18  one-reel  Key- 
stone comedies,  12  two-reel  Ann  Little  and  Jack 
Richardson  subjects,  and  26  two-reel  Wild  Animal 
dramas. 

Consolidated  Film  Supply  Co. — All  Universal 
pictures  in  Florida,  Georgia,  Alabama.  Tennessee 
and    South   Carolina.     Love's   Battle  and   others. 

Southern  States  Film  Co.:  Serials,  The  Invisi- 
ble Ray,  The  Screaming  Shadow ;  Screen  Snap- 
shots;  Fickle  Women,  Girls  Don't  Gamble,  Smil- 
ing AH  the  Way,  The  Discarded  Woman,  The 
Fighting  Kentuckians,  The  Heart  of  a  Woman. 
Westerns:  The  White  Rider,  Love's  Battle,  Hon- 
eymoon Ranch,  All  Dolled  Up,  Desperate  Youth, 
I  Am  the  Woman,  The  Stampede,  The  Broadway 
Buckaroo,  Go  Get  Him. 


216 


\ 


IOWA 

DES    MOINES,    lA. — 

Greater  Productions  Co. 

,'0,1  2nd  St.  (also  Omaha,  Neb. — For  Iowa 
and  Neb.). — Serials — Lost  City;  Son  of  Tarzan  ; 
Clara  Kimball  Voimg  series;  9  Blue  Fox  Frank- 
!yn  Farnum  series;  6  Tex  series;  4  Houdini 
series;  5  Shorty  Hamilton  series;  two  reel  West- 
erns; two  reel  comedies;  Monte  Banks,  5;  Frazee, 
12;  Al.  St.  John,  4;  Gump  cartoons  (1) — 26; 
Kazan,  7;  The  Mask,  7;  Every  Woman's  Prob- 
lem; A  Man  Worth  While;  You  Find  It  Every- 
where; Silk  Husbands,  6;  Frivolous  Wives,  6; 
Married  Virgin,  6;  Love  Without  Question,  7; 
Capt.  Mary  Carstairs,  S;  Wives  of  Men,  6;  The 
Stranger,  5;  Heart  of  a  Woman,  5;  Daughter  of 
Devil  Dan,  6;  Confession,  7;  That  Something,  8; 
Souls  of  Men,  6;  Heart  of  Texas  Ryan,  5;  Still 
Alarm,  6;  Virtuous  Sinners,  S;  Once  to  Every 
Man,  6;  Miss  Arizona,  5;  Mysterious  Mr.  Brown- 
ing, 5;  Greater  Sinner,  5;  Desert  Scorpion,  6; 
Sport  of  Kings,  5-  Stripped  for  a  Million,  S; 
Strife,  5;  Square  Shooter,  5;  Lyon's  Mail,  S; 
Lady  Windermere's  Fan,  5;  Her  Greatest  Per- 
formance, 5;  Dombey  &  Son,  6;  Single  reel  spe- 
cials: Man  of  War;  Preciely  as  Polly  Legend  of 
the  Corn;  Story  of  a  Stick;  Threads  of  Romance; 
Fritzi  Ridgeway  series ;  4  Chaplin  comedies ;  66 
one  reel  Christie  comedies;  Heart  of  the  North, 
with  Roy  Stewart ;  The  Intrigue  and  The  Vendetta 
with  Pola  Negri;  Where  is  My  Wandering  Boy 
Tonight,  Cullen  Landis;  5  Dick  Hattons ;  4  Lester 
Cuneos  :  Felix  Cartoons. 
DAVENPORT — 

Reelcraft  Film   Co.,   Inc. 

418  Harrison  St. — Equity  productions:  She 
Played  and  Paid;  Keep  to  the  Right;  Whispering 
Devils,  and  Billy  West.  Arrow  productions:  Cur- 
woods;  Gerbers;  Sport  Pictorials;  Hoxies;  also 
Reelcraft  short  subjects  and  Pinnacle  features. 
Features:  Sky  Fire;  Hell  Oasis;  Danger  Valley 
(Neal  Hart);  Golden  Trail  (Jane  Novak);  Law  of 
Nature;  Wolves  of  the  Street  (Edmund  Cobb)- 
Woman  Man  (Romaine  Fielding) ;  Lone  Hand 
(Roy  Stewart) ;  Before  the  White  Man  Came 
(Indian  cast).  Specials:  Up  in  Mary's  Attic,  Eva 
Novak) ;  Whispering  Devils  (Conway  Tearle) ; 
Keep  to  the  Right  (Edith  Taliferro);  She  Played 
and  Paid  (Fannie  Ward) ;  Man  from  Nowhere 
(Jack  Hoxie.)  Comedies:  2  reelers — Howells; 
Moranti;  Billy  Van;  Max  Roberts;  1  reelers: 
One  a  Week;  Buds;  Geo.  Clarke;  Franey;  4 
Oliver  Curwood's  Black  Panther's  Cub;  Arrow 
Comedies,  Broadways,  Speeds,  Mirthquakes  and 
Cruellyweds;  New  Neal  Hart  Series,  Edyth  Sterl- 
ing and  Pete  Morrison. 

OHIOAGO—         ILLINOIS 

Celebrated  Players  Film  Corp. 

J.  L.  Friedman,  President,  810  S.  Wabash  Ave. 
— Novelty  and  scenics:  Prizma;  Sport  Pictorial; 
Federated  Screen  Snapshots;  Ford  Weekly;  Ford 
Educational.  Library;  Celebrated  Screen  News; 
Urban  Movie  Chats;  Chester  Outings;  Globe  Trots; 
Gaumont  Pictorial  Life;  Illiterate  Digest;  Topical 
Tips;  Depths  of  the  Sea;  Salisbury  Wild  Ani- 
mals; Baumer  Industrial  (M.P.T.O.A.) ;  Tony 
Sarg's  Almanac.  Features:  The  Black  Panther's 
Cub;  Dangerous  Toys;  The  Right  Way;  Bonnie 
May;  The  Midlanders;  Penny  of  Top  Hill  Trail; 
East  Lynne;  Servant  in  the  House;  That  Some- 
thing; The  Good-Bad  Wife;  Fall  of  a  Saint; 
Hearts  and  Masks;  Jungle  Princess;  Out  of  the 
Darkness;  Child  for  Sale;  Diana  of  Star  Hollow; 
Soul  of  Men;  Nobody's  Girl.  One  reel  comedies 
Chester;  Federated  Warner;  Gumps  (cartoon); 
Folly;  Hank  Mann;  Gaiety;  Celebrated;  Christie; 
Jungle;  Film  Specials;  Clare  Briggs.  Two  reel 
comedies:  Chester  (Snooky) ;  Monte  Banks  (Fed- 
erated Warner);  Hall  Room;  Hank  Mann;  Chris- 
tie; Film  Specials;  Muriel  Ostriche;  Clare  Briggi 
Two  reel  Westerns:  Irving  Cummings  (North- 
west Mounted  Police  Stories) ;  Northwood  dramas; 
Star  Ranch  Westerns;  Braidwood  Westerns. 
Serials:  Miracles  of  the  Jungle;  Vanishing  Trails; 
Million  Dollar  Reward;  Houdini;  Lost  City;  In 
the  Clutches  of  the  Hindu;  Fatal  Fortune;  Tiger 
Band,    Carter   Case. 

Commonwealth  Pictures  Exchange,  746  South 
Wabash  Ave. :      For  Illinois :   You  Find  It   Eycry- 


where,  A  Daughter's  Strange  Inheritance,  Janet 
of  the  Chorus,  The  World  and  the  Woman,  His 
Enemy's  Daughter,  Aching  Hearts,  The  Masked 
Marriage,  Her  Amazing  Decision,  Little  Shoes, 
The  Alster  Case,  Efficiency  Edgar's  Courtship. 
For  Northern  Illinois:  Gift  o'  Gab;  Western*, 
The  Land  of  Long  Shadows,  Men  of  the  Desert, 
Open  Places.  Short  Subjects,  Illinois  and  In- 
diana :  Spanuth's  Original  Vod-a-Vil  Moviet, 
Charles  Chaplin.  Nor.  Illinois  and  Nor.  Indiana : 
Screen  Smiles,  New  Wed  Comedies,  Denver  Dixon 
Comedies.  Illinois:  Midget  Comedies,  Evolution 
of  Man. ;  The  Romance  of  Art ;  The  Ladies  Home 
Screen    Magazine ;    Sacrifice. 

Pilgrim    Photoplay    Exchange 

736    S.    Wabash    Ave. — Distribute    non-theatrical 
pictures   to   churches,   schools,    Y.    M.    C.    A.'s,   etc. 
Reelcraft    Film    Exchanges,    Inc. 

810  S.  Wabash  Ave. — Series  of  Jack  Hoxie 
productions ;  series  of  William  Fairbanks  produc- 
tions ;  series  of  Franklyn  Farnum  productions 
produced  by  W.  M.  Smith;  The  Girly  from  Rocky- 
point  ;  The  Able  Minded  Lady  ;  The  Forrest  King ; 
Adventures   of  Tarzan   serial. 

Maurice  HeUman — 

For  Illinois  and  Indiana.     8  five  reel  Westerns 
with  Dorothy  Wood  and   Pete   Morrison. 
Greiver  Productions : 

The  Wakefield  Case,  (Herbert  Rawlinson)  ; 
Headin'  Home,  (Babe  Ruth)  ;  Whispering  Shad- 
ows, (Lucy  Cotton)  ;  Dangerous  Love,  (Pete 
Morrison)  ;  Shadow,  (Muriel  Ostriche)  ;  Eternal 
Two,  (Corles  Palmer)  ;  Brute  Island,  (Harry 
Carey)  ;  Geo.  M.  Cohan's  Young  America,  Liv- 
ing Lies,  Whispering  Women,  Heart  Of  The 
North,  (Roy  Steward)  ;  8  George  Chesebro 
Mounted  Police  Stories;  4  Eileen  Sedgwick  and 
Joe  Moore  Westerns;  12  Leo  Maloney  Westerns; 
26  Tales  Of  The  Tenements;  Sawing  a  Lady  in 
half  Exposed;  10  Essanay  Chaplins;  Second  Na- 
tional Pictures  output ;  Associated  Phofoplays  out- 
put ;  World  Film  Corp.  output ;  Oh  Mabel  Be- 
have, (Mabel  Normand)  ;  12  Essanay  Turpins ; 
26  Two-reel  Moranti  Comedies,  and  Clark-Cor- 
nelius  output. 

Exclusive  Film   Service 

730  S.  Wabash  Ave. — Blind  Love;  Boarder 
Raiders;  Unknown  Ranger;  Dangerous  Trails; 
Crimson  Shoals;  Jester  comedies;  Human  Pas- 
sions; Ashes  of  Love;  Heart  of  the  Jungle;  Sus- 
picion; The  Profiteer;  Miss  Arizona;  City  of  Pur- 
ple Dreams;  Lust  of  the  Ages;  Youth's  Desire; 
For  the  Freedom  of  Ireland;  Trooper  44;  Dombay 
&  Son;  Lady  Windemere's  Fan;  The  Lyons  Mail; 
Her  (Greatest  Performance;  The  Zip  comedies; 
The  Little  Orphan  ;  Tweedy  Dan  comedies :  The 
Love  Slave ;  The  Two  Orphans ;  The  Cowboys 
Frolic ;    Klass   A   comedies. 

Carl    Harthill — Wm.    Fairbanks    Westerns. 

Illinois  &  Indiana  Film  Exchange,  804  So.  Wa- 
bash Ave.:  8  Neal  Hart  features,  5  reels;  Pin- 
nacle Comedies.  2  reels;  Mickey,  Persuasive  Peg- 
gy, Woman  He  Chose,  Burlesque  on  Carmen, 
Some  One  Must  Pay,  Skinning  Skinners,  Love's 
Plaything,  Richard  Kipling  features.  Lone  Hand, 
Midnight  Riders,  Outlawed,  Reckless  Wives. 

Louis    Frank — Luxury,   The   Way   Women   Love. 
Tho  Lea  Bel  Co. 

806  S.  Wabash  Ave. — Long  list  of  features  and 
short  reels  distributed  chiefly  to  non-theatrical 
exhibitors. 

Pioneer  Film  Corp  of  Illinois 

810   S.  Wabash  Ave. — All   Pioneer  releases. 

Silee  Film  Exchange — The  Woman  of  Mystery, 
The   Woman   Above   Reproach. 

Milton  Simon — The   Son   of  Tarzan. 
Superior  Screen  Service,  Inc. 

25  E.  7th  St. — ^Madonnas  and  Men,  6;  When 
Dawn  Came,  6;  The  Price  of  Silence,  6;  Welcome 
Children,  6;  Hearts  O'  the  Range,  5;  Behind  the 
Mask,  5;  The  Star  Reporter,  6;  The  Handicap,  5; 
Voices,  S;  Mad  Love,  5;  The  Golden  Trail,  6; 
A  Woman's  Business,  5;  Wings  of  Pride,  S; 
The  Confession,  7;  The  Woman  Untamed,  S; 
Daughter  of  the  Don;  Bitter  Fruit,  6;  Bachelor 
Apartments,  5;  Before  the  White  Man  Came,  6; 
The  Daughter  of  Devil  Dan,  5;  Love's  Protege,  S; 
Woman's   Man,    5;    Mother,    I    Need   You,   6;   The 


217 


Edge  of  Youth,  5;  The  Witches  Lure.  5;  His 
i-ajama  Girl,  5;  Neglected  Wives,  6;  Infatuation 
of  Youth,  S;  Sport  of  Kings,  5;  The  Greater 
Sinner,  S;  The  Man  Who  Trifled,  5;  The  Tame 
5x?,V.  5;  Staking  His  Life,  5;  Straight  Road,  5: 
I  illie  s  Punctured  Romance,  6;  The  Country  God 
I-orgot,  5;  Kineto  Reviews,  1;  Pictorial  Life,  1; 
6  Fitzgerald  comedies,  2;  5  Frazee  comedies,  2- 
3  Swain  comedies,  2;  26  Moranti  comedies,  1: 
In  the  Days  of  Buffalo  Bill;  For  the  Freedom  of 
Ireland. 

Unity  Film  Corp. —  Bobbie  Ray  Tusan  Come- 
dies, Star  Ranch  Westerns,  Success  Series,  20 
Helen  Holmes,  2;  IS  Aubrey  Comedies,  2;  15 
Harry    Careys. 

Wabash  Film  Exchange — 20  Ben  Turpin  reis- 
sues. 

INDIANA 

INDLA.NAPOLIS — 

Doll-Van    Film    Co.— Fickle    Women. 

Maurice  Less  Attractions,  Inc. 
122  South  Capitol  Ave. — Honeymoon  Ranch; 
Man  of  Courage;  Evolution  of  Man;  Woman  of 
Mystery;  Cowboy  Jazz;  Border  Raiders;  Dan- 
gerous Trails;  Unknown  Ranger;  Man  Who  Came 
Back;  Wives  of  Men,  7;  Woman,  7;  Temptation, 
6;  Days  of  Daring,  5;  She  Pays,  5;  Unknown 
Ranger,  5;  Dangerous  Trails,  5;  Pyramid  come- 
dies, 2;  Adventures  of  Helen,  10;  Johnny  and 
Emma  Ray  comedies,  1;  U  35  Submarine  Special; 
The  Evolution  of  Man;  Th?  Woman  of  Mystery; 
When  Dr.  Quackel  Did  Hyde;  The  Woman  Above 
Reproach;  The  Man  of  Courage;  Honeymoon 
Ranch;  Cowboy  Jazz;  It  Might  Happen  to  You; 
Our    Next    President. 

State  Film  Service,  211  Wimmer  Bldg. :  Five- 
reel  westerns :  Wolf  Bayne,  Carmen  of  the  Bor- 
der, The  Fighting  Grin,  The  Renegade,  Fighting 
Mad,  Heart  of  the  Desert,  The  Old  West,  The 
Santa  Fe  Terror,  Hero  of  the  Hour,  Man  From 
Montana,  Sheriff  Jim,  Heart  of  a  Woman,  Fight- 
ing Kentuckians,  Fourth  Face,  Love's  Battle, 
Hearts  o'  the  Range,  Winding  Trail,  Under  West- 
ern Skies,  Law  of  the  North  Woods,  Men  of  the 
Desert,  Open  Places,  Land  of  Long  Shadows. 
Features:  Staking  His  Life,  Straight  Road,  La- 
fayette We  Come,  Tillie's  Punctured  Romance,  AI- 
6ter  Case,  Mickey.  Specials:  Spoilers,  Eyes  of 
the  World,  Up  in  Mary's  Attic,  Devil's  Angel. 
Two-reel  westerns:  Last  Shot,  Heart  of  a  Man, 
Desert  Mystery,  While  Restin'  My  Hoss,  Man  of 
Mystery,  Forbidden  Soil,  Darkening  Trail,  Texas 
Ed,  Mary  and  the  Punchers,  A  Mountain  Woman 
and  25  Billie  Rhodes  single  reel  comedies;  The 
Unconquered  Woman,  So  This  Is  Arizona,  White 
Mask,  Angel  Citizens,  Gold  Grabbers,  The  Lariat 
Thrower,  Cross  Roads,  What  Happened  Out 
West.  The  Man  Getter,  Trail's  End,  Challenge 
Of  Chance,  Keep  To  The  Right,  Daughter  of 
S.  Inher,  Someone  Must  Pay,  Persuasive  Peggy, 
Reckless  Wives,  Skinning  Skinners,  World  and 
Woman,  Fatal  Love.  His  Enemy's  Daughter. 
Unfortunate  Marriage,  Your  Daughter  and  Mine, 
Sacred  Flame,  St.  Road,  Arizona,  Hell's  Oasis. 
Skyfire,  Danger  Valley,  God's  Gold,  Black  Sheep, 
Kingfisher's   Roost. 

W.  I.  Film  Service — Love's  Battle,  Under  West 
ern  Skies,  Fourth  Face,  Tom  Moore  Dramas, 
Wallace   Coburn   Westerns. 

H.  Lieber  and  Co.,  24  Washington  St. —  Son  of 
Tarzan,  On  Trial.  The  Whip,  Woman  He  Chose, 
Wolves  of  the  Street.  Desert  Scorpion,  Isobel. 
Kazan,  The  Mask,  Trouble,  Aero  Nut,  Window 
Trimmers,  Fired  Again,  Twinkle  Twinkle,  Red 
Riding  Hood,  Blazing  Arrows,  Burn  'Em  Up 
Barnes,  The  Deceiver,  Courtship  of  Miles  Stan- 
dish,  Dog's  Life,  Sunnyside.  Shoulder  Arms,  Day's 
Pleasure,  Intrigue.  Give  Me  My  Son,  I  Am  the 
Law,  Man  From  Hell's  River,  Vendetta,  Women 
Men  Forget.  Cinderella,  Love's  Penalty,  Youth's 
Desire,  You'll  Find  It  Everywhere,  Dangerous 
Pastime,  Man  Worth  Wliile,  Son  of  Tarzan. 
Daughter  of  Eve,  Spinner  of  Dreams,  Making  the 
Grade,  Bing  Bang  Boom,  Blue  Blazes,  Masked 
Avenger,   Silver   Spurs,   Trapped   in   the  Air,  Across 


the  Border,  Rounding  Up  Law,  Cow  Boy  King, 
Fighting  Breed,  Shadow  of  Lightning  Ridge,  Bet- 
ter Man.  Flesh  and  Blood,  Milky  Way,  According 
to  Hoyle,  Sure  Fire  Flint,  The  Parish  Priest, 
Sage  Brush  Trail,  Jack  Riders,  Vengeance  Trail, 
Western  Firebrands,  Secrets  of  Paris,  Warner 
Bros.    I'rod. 

KENTUCKY 

LOUISVILLE — 

Louisville    Big    Feature    Eights    Corp. 

Film  Exchange  Bldg.  (For  Kentucky  and  Ten- 
nessee).— First  National  Productions  and  Clara 
Kimball  Young  in  Eyes  of  Youth;  Forbidden 
Woman;  Soul  of  Raphael,  Mid  Channel;  Hush; 
Straight  from  Paris,  Charge  It,  What  No  Man 
Knows,  The  Worldly  Madonna.  Ky.-Tenn.  A-l's; 
Accidental  Honeymoon ;  Alimony ;  Babbling 
Tongues;  Beyond  Law;  Brown  of  Harvard: 
Crisis :  Choosing  A  Wife ;  Daughter  Destiny ; 
Light  Within ;  Life  Mask ;  Panther  Woman ; 
Tempered  Steel;  Empty  Pockets;  Fall  Romanoffs; 
4  Years  in  Germany ;  Fighting  Roosevelts ; 
Heart  Texas  Ryan;  Hushed  Hour;  Kaiser's 
Finish;  Mad  Lover;  Marvelous  Mastiste ; 
Married  Nane  Only;  My  Husband's  Friend; 
One  Law  For  Both ;  On  Trail ;  Pass. 
Third  Floor  Back;  Price  Innocence;  Raffles;  Sign 
Invisible;  Silver  Threads;  Sins  of  Ambition; 
Struggle  Everlasting;  Skinner's  Dress  Suit;  To- 
day; Traitors  Within  Gates;  Trooper  44;  Two 
Men  and  a  Woman;  When  Desert  Smiled; 
Woman's  Law;  Whom  Gods  Destroy.  Shorty 
Hamilton  in  When  Arizona  Won;  Pen  Vulture; 
The  Snail,  The  Ranger.  Tex  Series:  Circumstan- 
tial Evidence;  The  Wall  Street  Mystery;  The 
Unseen  Witness;  Trail  of  a  Cigarette;  Bromley 
Case;  Sacred  Ruby;  Triple  Clue;  House  of 
Mystery.  Blue  Grass-Ky.  only:  Alster  Case; 
Border  Raiders;  Dangerous  Trails;  Edgar's  Court- 
ship; Garden  of  Allah;  Joan  the  Woman;  Little 
Shoes;  Men  of  the  Desert;  Neptune's  Daughter; 
Frivolous  Wives;  Open  Places;  Peggy;  Range 
Boss;  Shepherd  Bargain  Row;  Land  of  Long 
Shadows;  The  Misleading  Lady;  The  Man  Trail; 
Unknown  Ranger;  Whither  Thou  Goest;  Gift  O' 
Gab;  Lone  Hand;  She  Wolf.  Neal  Harts:  Hell's 
Oasis;  Sky  Fire;  Danger  Valley;  God's  Gold; 
Man  from  Montana.  Eagles  Series:  Auction  of 
Souls;  Even  As  Eve;  Chamber  Mystery;  The 
Still  Alarm;  Desert  Scorpion;  Fool's  Gold;  Greater 
Sinner;  Wolves  of  Street;  Husbands  and  Wives: 
Stolen  Orders;  Spoilers;  Silk  Husbands  and 
Calico  Wives;  Whip;  Sport  of  Kings;  Un- 
pardonable Sin.  Miscellaneous:  Grain  of  Dust; 
The  Stranger;  Window  Opposite;  Who's  To 
Blame;  Human  Clay;  Lyon's  Mail;  Her  Greatest 
Performance;  Domby  and  Son;  Lady  Windemere's 
Fan;  Lust  of  Ages;  Neptune's  Bride;  Sins  of  the 
World;  Souls  of  Men;  Golden  Trail;  Daughter 
of  Devil  Dan;  That  Something;  Ashes  of  Desire; 
Jungle  Princess;  When  Woman  Sins;  Conquered 
Hearts;  Isobel;  Love's  Penalty.  Jack  Hoxie:  Man 
from  Nowhere;  Cyclone  Bliss;  Dead  or  Alive; 
Sheriff  of  Hope  Eternal;  Cupid's  Brand;  Devil 
Dog  Dawson;  Broken  Spur;  Hills  Of  Hate; 
Double  O;  Sparks  Of  Flint;  Two  Fisted  Jeffer- 
son; Desert  Crucible;  Desert  Bridegroom; 
Marshall  Of  Money  Mint;  Barbed  Wire;  Wolf 
Bayne.  Wm.  Fairbanks :  Western  Adventure ; 
Fighting  Bill ;  Hearts  of  the  West  ;  West- 
ern Pep ;  Montana  Bill ;  Broadway  Buckaroo ; 
Go  Get  Him;  Western  Demon;  Hell's  Border; 
Fighting  Hearts;  The  Cleanup.  Record  Breakers: 
Back  to  God's  Country ;  Confession ;  Twin  Beds ; 
What  Women  Love;  IMickey;  Tarzan  of  Apes; 
Romance   of   Tarzan  :    Kazan  ;    The    Mask. 

Short  Subjects:  Serials  for  Ky.-Tenn.:  Fatal 
Fortune  In  Clutches  of  Hindu;  Son  of  Tarzan. 
Ky.  only:  Hawk's  Trail;  Invisible  Ray;  Fatal 
Sign.  Tenn.  only  :  Lost  City ;  Two  reel 
western  dramas.  Ky-Tenn.  Emmett  Dalton. 
Wallace  Coburn.  Two  reel  Westerns  Ky.  only: 
Tom  Mix,  Texas  Guinan,  Rex  Beach,  Dominants, 
Spurs,  Franklin  Farnums.  Ky.-Tenn.  two  reel 
comedy-dramas:  Essanay,  Tom  Moore.  Sing'e 
reel  comedies  Ky.  only:  Mack  Swain,  Jolly  come- 
dies, Ky.-Tenn.  Essanay,  Unique.  Billie  Rhodes, 
Slippery  Slim,  Snakeville.  Ky.  and  Tenn.:  Out- 
ing Chester  Scenic  Reels,  Movie  Magazines, 
Travologues,     Vodavil     Movies.       Ky.-Tenn.:     Two 


218 


and  three  reel  Essanay  dramas.  Ky.  only:  Helen 
Holmes  two  reel  railroad  dramas.  Ky.  only: 
Bronco  Billy  1  reel  Westerns.  Ky.  only:  Mona 
Darkfeather  in  single  reel  Indian  dramas.  Ky.- 
Tenn.:  Al.  St.  John  two  reel  comedies,  Chaplin 
reissues  two  reelers.  Educational  Subjects:  One 
and  two  reel  Vanity,  Gayety,  Chester,  Christie, 
Mermaid  and  Torchy  comedies.  Also  Bruce  and 
Chester  scenics,  screenics,  miscellaneous  short  sub- 
jects and  Sterospeeds,  Arrow's  William  Fairbanks' 
series,    one-eighth    Apache,    Little    Casino. 

Tack     Pickford,      Apperson's     Boy,      Burglar     Bv 
Proxy,     In    Wrong;     David     Butler,     Making    The 
Grade,    Bing    Bang    Boom,    The    Milky    Way,    Ac- 
cording   To     Hoyle;     Richard     Talmadge,     Taking 
Chances,      The     Unknown,      The     Cub      Reporter, 
Lucky    Dan,    Watch    Him    Step,    Putting    It    Over ; 
Dick    Hatton,    Fearless    Dick,    Hellhound    Of    The 
West,      Fighting      Fool,      Four      Hearts,      Golden 
Flame;      Lester      Cuneo,      Blue      Blazes.      Masked 
Avenger,     Silver     Spurs,     Trapped     In     The     Air ; 
Franklin      Farnum,      When      East      Comes      West, 
Smilin'    Jim,     Texas ;     Snowy     Baker,     Shadow     of 
Lightning     Ridge,      The      Better      Man,      Fighting 
Breed;    Big  Boy   Williams,  Jack   Rider,   Vengeance 
Trail,    Western    Firebrands,    Across    The    Border, 
Rounding    Up     The     Law,     Cowboy     King,     Black 
Sheep,    Kingfisher's   Roost ;    Dustin    Farnum,    Light 
Of     Western     Stars,     A     Man     In     The     Open,     A 
Man's    Fight;     Chas.     Eldridge,    Ashamed    of    His 
Parents,    Johnny    Hines,     Burn    'Em    Up    Barnes ; 
H.     B.     Walthall,     The     Confession,     Parted     Cur- 
tains;    Wesley    Barry,    The    County    Fair,     School 
Days ;     D.     W.     Griffith,    The    Greatest    Question  ; 
Pola      Negri,      The      Vendetta,      Intrigue ;      Hope 
Hampton,       Love's       Penalty ;       Ruby       DeRemer, 
Luxury,     Little     Red     Riding     Hood,      Cinderella, 
Twinkle,    Twinkle    Little    Star;    Anna    Q.    Nillson, 
Why    Girls    Leave    Home,    Women    Men    Forget, 
Ten    Nights    In    a    Bar-room ;     Irving    Cummings, 
The     Whip,     The      Greater     Sinner,      Man      From 
Hell's    River;     Roy     Stewart,    A    Motion    To    Ad- 
journ,    Back     To     Yellow     Jacket,     The     Innocent 
Cheat,     Hearts     Of     The     North,     God's     Country 
And    The     Law,     Sheriflf    Jim,     The     Lone     Hand, 
Sage-brush      Trail ;      Vera      Gordon,      Your      Best 
Friend;      Hilda      Walter,      The      Sacrifice;      Mar- 
guerite    Marsh,     Conquered     Hearts;     Lew     Cody, 
A  Dangerous  Pastime,  A   Daughter  Of  Eve;   Leah 
Baird,  Ambitious  Women  ;  Mrs.  Sessue  Hayakawa, 
Ashes     of      Desire,      The     Typhoon,     Auction      of 
Souls;     Gertrude    McCoy,    Out    of    the    Darkness; 
Billie    Rhodes,    Star    Reporter;    Romaine    Fielding, 
Man     Worthwhile;     Grace     Cunard,     Carmen     Of 
The    Border;     Monroe    Salisbury,    The    Renegade; 
Franklin    Farnum.    Fighting    Grin;    Wm      Stowell, 
Fighting    Mad;    Monroe    Salisbury,    Heart    Of   The 
Desert;     Jos.     Girard,     The     Old     West;     Frances 
Ford,    Santa    Fe    Terror;    Jack    Millhall,    Hero    Of 
The     Hour;     Catherine      Calvert,    You'll    Find    It 
Everywhere ;     Rubye     Deremer,     Wanda's     Aflfair ; 
Wanda     Hawley,    A     Woman's    Fate ;     Tom     Mix, 
Heart     Of     Texas     Ryan;     Kay     Laurell,     Lonely 
Heart ;       Taylor       Holmes,       Edgar's       Courtship ; 
Edythe     Sterling,     Stranger     Of     Canyon     Valley ; 
Mitchell     Lewis,     Sign     Invisible;     Robert     Elliott, 
The    Rancher;     Wm.     S.    Hart,    The    Cold    Deck; 
Ann     Little,     Chain     Lightning;     Carol     Halloway, 
The     Deceivers ;     Emmett     Dalton,     Beyond     The 
Law;     Harry     McLaughlin,     Honeymoon     Ranch, 
West    of    the    Rio    Grande,    Fighting    Kentuckians; 
Mirburn    Morante,    Hearts    Of   The    Range:    Harrv 
Myers,    On    The    High     Card,     When     Lad     Came 
Home;    Mignon    Anderson,    Heart    Of   A    Woman; 
Bilhe    Rhodes.    His    Pajama    Girl;    Russell    Hunter, 
Sky     Eye;     Jos.     Bennett,     Youth's     Desire;     Geo! 
Beban,      The      Italian.        Also      handling      Punch, 
Campbells,    Toonervilles,    Sherlock    Holmes,    Kino- 
grams,     Selig     Rorks     two-reel     dramas.     Battle    of 
Jutland.        Two-reel     comedies      Ky.      and      Tenn., 
Philo     Cubbs,     Scattergoods.       Two-reel     comedies! 
Tenn.  only,  Monty  Banks  ;  two-reel  westerns.     Ky! 
only;    Shorty    Hamiltons ;     Chaplin-reissues,    Tenn 
only.      New    subjects.      Serials,    Ky     &   Tenn.  ;    Ad- 
ventures  of   Tarzan,    Cap'n    Kidd :    Ky.    only,    Blue 
Fox;    Nan   of  North;    1   reel  Tonv   Sarg  Almanacs, 
1-reel  Turpm  comedies,   1-reel   Everet  True,   Ky.   & 
Tenn.;    Irving   Cummings,    Cactus;    Leo    Maloneys, 
Fritzie    Ridgeway    series;    Missions    of    Calif.,    Ky 
&  Tenn. 


LOUISIANA 

Pearco  Films,  Inc. 
1015    Common    St.,    New    Orleans. — 16    two    reel 
Tom    Mix    Western    subjects;     12    two    reel    Anna 
Little      Westerns;      29      Keystone      comedies;      32 
one     reel     Arbuckle     comedies;      15     episode     ser- 
ial     The      Mystery      of      13  ;      24      Al      Jennings 
two     reel     Westerns ;     24     Neal     Hart     two     reel 
Westerns ;      24      Helen      Gibson      two      reel      sub- 
jects;     12    Cuckoo    comedies;    26    two    reel    Jester 
comedies;    Her    Code    of    Honor;    Her    Game;    A 
Man's    Fight;    Adele;    Light    of    Western    Stars; 
Playthings   of   Passion;    Cleopatra;    Warfare   of   the 
Flesh;    Birth   of   Democracy;    Denny   from  Ireland; 
The  Snail;   The  Hell  Hound  of  Alaska;  The   Lone 
Avenger;   Woman;   The   Mormon   Maid;    Miss   Ari- 
zona;   Human   Orchid;   Zongar;    The   Bargain;   The 
Preacher    and    the    Bandit;    Today;     Eyes    of    the 
World;   Spreading  Evil;   Hushed   Hour;   Suspicion; 
Girl   from    Nowhere;    Raffles;    Why   the    Bullshivik; 
Alma,  Where  Do  You  Live?  Your  Wife  and  Mine; 
Reclaimed;    The    Heart    of   Texas    Ryan;    The    Law 
of  Nature;   Boots  and  Saddles;   Hands  of  the  Law; 
Virtuous   Sinners;    The   Power  of   Evil;    The   Lady 
of     the     Dugout;     The     Window     Opposite;     The 
Blindness  of  Youth;  The  House  without  Children; 
The    Confession;    Husbands    and    Wives;    Crimson 
Shoals;         Hearts        and        Masks;         Midlanders; 
Voices;     When     Arizona     Won;     The     Handicap; 
Danger     Valley;      She     Played     and     Paid;      Pen 
Vulture;      Sacred      Flame;      Women      Men      Love; 
Penny   of  Top  Hill  Trail;   The  Woman   Above   Re- 
proach;  The   Chamber   Mystery;    The   Desert   Scor- 
pion;   The   Typhoon;    Men   of   the   West;    Nobody's 
Girl;    The    Italian;    Wolves    of    the    Street;    The 
Birth   of   a   Race;    Marriage   Gamble;    Hell's   Oasis; 
Open    Your    Eyes;    Youth's   Desire;    Ramona;    Bon- 
nie   May;     Circumstantial    Evidence;    Wall    Street 
Mystery;    The    Devil's    Angel;    Woman    Untamed; 
The  Ranger;   Public  Defender;  The   Master  Crook; 
Burlesque    on    Carmen:    The    Torradode;    Skyfire; 
Mad    Love;    Yankee    Doodle    in    Berlin;     Servant 
in     the     House;     Good     Bad    Wife.       Serials:     The 
Evil   Eye;   The  Hawk's  Trail;   The   Son  of  Tarzan. 
4   Moranti   one  reel   comedies ;    52    Bill   Franey   one 
reel  comedies ;   26   Monte   Bank  two  reel  comedies ; 
14    Reelcraft    two    reel    comedies;    26    Hall    Room 
Boys    two    reel    comedies;    12    Comedyart    two    reel 
comedies;     5     Comic     Classic     two     reel     comedies; 
2  Chester  Conklin  two  reel  comedies;   6  Clay  Plays 
one    reelers;    8    Sunset    Burrud    one    reel    scenics; 
Tusan     comedies;     Unseen     Witness,     Blind     Love, 
Human    Clay,    A    Child    for    Sale,    Heritage,    Lone 
Hand    Wilson,   Dangerous   Toys,   Neglected   Wives, 
County    Fair,    Fruits   of   Passion,   The   Water    Lily, 
A     Western     Adventure,     The     Ranger     and     The 
Law,  Hearts  of  the  West,  The  Right  Way,   Polish 
Dancer,    Fighting    Bill,    Dante's    Inferno,    Western 
Pep.     Women     Men     Forget,     Battling    King,    The 
Glory     of     Youth,     Whispering     Women,     Living 
Lies,   The   Eternal   Two,    Pardners,   Love's    Battles, 
Adam    and     Eve,     The     Lone     Rider,     One     Empty 
Shell,    8.    N.    W.    Mounted    Police    Stories,    Soul    of 
Men,    When    Dawn    Came,    Diana    of    Star   Hollow, 
8    Apfel    Productions,    4     Macklyn    Arbuckle    Pro- 
duction,    Heedless     Moths,     Whispering     Devils.     4 
James     Oliver     Curwood     Stories,    20    Gump     Car- 
toons,    26     Joe     Rocks,     15     Fritzie     Ridgway,     15 
Texas    Guinan,     15     Star    Ranch,    26    Geo.     Ovey, 
26      Screen      Snapshots,      15      Chester      Comedies, 
Miracles    of    the    Jungle,    Adventures    of    Tarzan, 
Invisible   Ray.      Voices;    Tusan    comedies.    Country 
Flapper,    6    C.  B.    C.    melodramas    for    La.,    Miss., 
and    part    of   Florida. 

MARYLAND 

BALTIMORE— 

Commodore  Film  Co. — Why  Leave  Your  Hus- 
band? 

Federated  Film  Exchange — 12  Billy  West  com- 
edies. Whispering  Devils,  Witch's  Lure,  Lester 
Cuneo    series,    Fritzi    Ridgeway    series. 

Ind.  Film  Supply  Co. — Madonnas  and  Men,  A 
Woman's   Business,  Wings  of  Pride. 

Mozart    Film    Exchange^ — IS    Harry    Careys. 
Progress   Pictures,   Inc.— 

Night  Life  in  Hollywood,  12  Eddie  Lyons 
comedies,  4  Neva  Gerbers,  4  Peter  B.  Kynes, 
3    Curwoods,    2    Grace    Davison    features.    Innocent 


219 


Cheat  Western  Justice,  Lone  Horsenab,  Chain 
Lightning,   The   L)eceiver. 

Woman's  Business,  Wings  of  Pride,  Innocent 
Cheat,  Chain  Lightning,  The  Splendid  Lie, 
Streets  of  New  York. 

MASSACHUSETTS 

BOSTON — 

American  Feature  Film  Co. — 

37-41  Piedmont  St. — 12  Al  Lichtman  Products; 
12  Universal  Jewels;  36  Universal  Attractions; 
7  Hoot  Gibson;  7  Frank  Mayo;  7  Gladys  Wal- 
ton ;  7  Herbert  Rawlinson ;  8  All  Star  Specials ; 
6  Serials;  52  Century  comedies;  52  Star  comedies; 
52  2  reel  dramas;  26  Smiles — Ireel;  104  Inter- 
national News;  52  Arrow  comedies;  14  Broadway; 
12  Speed;  12  Cruelly  Wed;  14  Mirth  Quake. 
Boston  Photoplay  Co. 

SO  Broadway — 16  five  reel  Wm.  S.  Hart  sub- 
jects; 12  five  reel  Douglas  Fairbanks  subjects;  9 
five  reel  Frank  Keenan  subjects;  7  Norma  Tal- 
madge  subjects;  8  Wm.  Sherry  features;  Rafflles; 
The  Public  Defender;  Redemption;  20.000  Leagues 
Under  the  Sea;  Mother;  The  Mormon  Maid;  The 
Libertine;  Loyalty;  When  Destiny  Wills;  War's 
Women;  The  Dumb  Girl  of  Portici;  Where  Are 
My  Children;  The  Conquest  of  Canaan;  Fighting 
in  France;  The  Italian  Battlefront;  Peg  O'  the 
Sea;  Humility;  The  Waif;  Little  Sunset;  The 
Other  Girl;  Staking  His  Life;  The  Master  Crook; 
The  Straight  Road;  Mickey;  Hearts  of  Men; 
The  Lost  Battalion;  The  Unpardonable  Sin; 
Mother  and  the  Law;  The  Fall  of  Babylon; 
Youth's  Desire;  His  Pajama  Girl;  The  Fighting 
Kentuckians;  The  Uphill  Path;  Love's  Battle; 
The  Devil's  Angel;  The  Fourth  Face;  The  Call 
from  the  Wild;  90  single  reel  Outing-Chester 
subjects  5  two  reel  dramas  and  Westerns;  12 
Kay-Bee  two  reel  Westerns;  13  Shorty-Hamilton 
two  reel  subjects;  17  two  reel  Wm.  Hart  subjects; 
6  single  reel  Weakly  Indigestion  subjects;  8 
Zip  and  Arrow  comedies;  10  Keystone  comedies; 
34  Arbuckle  comedies;  33  five  and  six  reel  An 
dramas;  66  Christie  comedies;  6  single  reel  West- 
erns; David  Copperfield;  3  half  reel  Patriotic 
subjects. 

Church    Film    Co. 

28  Piedmont  St. — Educational  Films  for  Schools, 
New  England  Distributors  of  the  Argonaut 
Courses   for   High    Schools   and    Grades. 

Commonwealth  Photoplay  Corp. — Cowboy  Jarz, 
20    Western    Star    Dramas. 

Cosmopolitan  Film  Co. — Below  the  Deadline, 
Under  Western  Skies,  Every  Woman's  Problem, 
Dollars   and    Destiny. 

John  E.  Dunne  and  Samuel  Schultz — Parish 
Priest. 

Eastern  Feature  Film  Co. 

57  Church  St. — Blind  Love;  The  Key  to  Power; 
The  Common  Level;  Why  Tell;  Someone  Must 
Pay;  Virtuous  Men;  Yankee  Doodle  in  Berlin; 
Women;  Sky  Eye;  Beyond  the  Law;  Wives  of 
Men;  The  Still  Alarm;  The  Prodigal  Wife;  The 
Accidental  Honeymoon;  Nine  Tenths  of  the  Law; 
When  the  Desert  Smiled;  Carmen  of  the  Klon- 
dike; Stolen  Orders;  The  Lady  of  the  Dugout; 
Struggle  Everlasting;  Whispering  Shadows;  Wake- 
field Case;  A  Man  There  Was;  Problem  Eternal; 
False  Brands;  Wolf  Pack;  Headin'  Home;  Bar- 
barian; Cowboy  Age;  Rustlers  of  the  Night;  Trail 
to  Red  Dog;  Out  of  the  Clouds;  Range  Pirate; 
Flowing  Oil;  Birth  of  a  Race;  Stolen  Moments; 
Brother's  Keeper;  Inner  Voice;  Child  for  Sale; 
Heritage;  Common  Level;  What  Becomes  of  the 
Children;  Loves  Flame;  Blind  Love;  Key  to  Power; 
Why  Tell;  Woman;  Window  Opposite;  Burlesque 
on  Carmen ;  Cossack  Whip  ;  Innocence  of  Ruth ; 
Apple  Tree  Girl ;  Law  of  North ;  Lady  of  Photo- 
graph;  Beyond  the  Law;  Five  Nights.  Short 
subject  comedies :  Johnny  Dooley ;  Leo  White ; 
Frazee;  Coburn  Westerns;  Bobby  Burns;  Chaplin 
reissues ;  Kathleen  Williams  reissues ;  several 
serials.  Wives  of  Men,  Out  of  the  Dust. 
Love,  Hate  and  The  Woman,  The  Wonderful 
Lover,  The  Star  Reporter,  Stranger  in  Canyon 
Valley,  Headin'  North,  Should  a  Wife  Work?  For 
Your  Daughter's  Sake,  Dangerous  Love,  Idle 
Hands,  Empty  Arms,  Wise  Husbands,  His 
Brothers  Keeper,  The  Wandering  Jew,  David  and 
Jonothan,    Her    Story,   The    Night    Riders,    Broken 


Shadows.  Trail  to  Red  Dog,  Cowboy  Ace,  Rustlers 
of  the  Night,  Corsican  Brothers,  Her  Game,  Code 
of  Honor,  Geo.  Ovey  and  Vernon  Dent  comedies 
Folly  Series,  Sulmianne  Pirati-,  Hesh  and  I'.lood, 
The  Country  Flapper,  The  Man  from  Hell's 
River,  The  Sage  Brush  Trail,  The  Wolf's  Fang, 
Better  Man  Wins,  East  vs.  West,  Duty  First, 
The  Night  Riders,  Mr.  Pirn  Passes  By,  One 
Moments    Temptation,    Broken    Shadows. 

Federated  Film  Exchanges — 18  two  reel  Neal 
Harts,  Celebrated  Comedies,  Daughter  of  the  Don, 
14  Helen  Gibsons,  19  two  reel  Al  Jennings,  For 
the  Freedom  of  Ireland;  Notoriety;  Shadows 
of  Conscience;  How  Women  Love;  What's 
Wrong  With  the  Women;  The  Curse  ■  of 
Drink;  Boomerang  Justice;  Bulldog  Courage; 
Barriers  of  Folly;  The  Flash;  More  To 
Be  Pitied  Than  Scorned;  Only  a  Shop  Girl;  Lure 
of  Broadway;  Temptation;  Forgive  and  Forget; 
Pal  of  Mine;  12  Monty  Banks  two  reel  comedies; 
12  Federated  two  reel  comedies;  26  Hall  Room 
Boys;  12  Tweedy;  12  Joe  Rock  two  reel  come- 
dies; 26  Federated  Screen  Reviews;  12  Sacred 
Films. 

Franklin   Film    Co. 

78  Broadway — Warner  Bros,  product  and  o'her 
specials. 

Independent  Films,   Inc. 

16  Piedmont  St.,  also  130  Meadow  St.,  New 
Haven,  Conn. — 4  Curwood  specials.  Oh,  Mabel 
Behave;  2  Richard  Kipling  Prod..  i  1  e  Man 
Hunter,  6;  The  Battlin  Kid,  5;  Watching  Eyes, 
5  ;  3  Snowy  Baker  Prod.  ;  6  Big  Boy  Will  ams ; 
Nan  of  the  North;  The  Blue  Fox.  Comedies: 
12  Eddie  Lyons  and  12  Selected  Star  Comedies. 
Klein   Distributing   Co. 

41  Winchester  St. — American  Twin-Six  fea- 
tures: 4  Russells,  4  Minters.  4  Holmes.  Woman 
of  Mystery;  Evolution  of  Man;  Smiling  .Ml  the 
Way;  Girls  Don't  Gamble;  Seven  Tex  pictures; 
Tame  Cat;  On  the  High  Card;  When  the  Lad 
Came  Home;  Hearts  of  the  World;  The  Spoilers: 
Fickle  Women;  Heart  of  a  Woman;  26  Shadow- 
land  Screen  Reviews;  26  Al.  Haynes  single  reel 
comedies;  IS  Shorty  Hamiltons  2  reelers;  3  Mack 
Swain  comedies,  2  reels  each;  12  Chester  Conklin 
2   reel   comedies. 

Lightning  Photoplay  Corp. 

20  Melrose  St. — Serials:  Lightning  Bryce;  A 
Woman  in  Grey;  Thunderbolt  Jack;  Vanishing 
Trails;  12  Northwood  dramas,  2;  12  Lone  Star 
Westerns,  2;  12  Franklyn  Farnum  subjects,  2; 
8  Sunbeam  comedies,  2;  8  XLNT  comedies,  2; 
12  Blazed  Trail  Westerns,  2;  13  Sxar  Ranch 
Westerns,  2;  23  Sport  Pictorials,  1;  18  Spotlight 
Westerns,  2;  26  Sport  Pictorials,  1;  18  Spotlight 
comedies,  1.  Features:  Chamber  Mystery;  Wolves 
of  the  Street;  Country  God  Forgot;  Before  the 
White  Man  Came;  Bachelor  Apartments;  Desert 
Scorpion;  14  Hoxie  Features;  2  Rubye  DeRemers ; 
Deceiver;  Daughter  of  the  Don;  Bitter  Fruit; 
Man  Who  Trifled ;  Luxury ;  Way  Women  Love ; 
Every  Man's  Price;  4  Neva  Gerber  features;  4 
Peter  B.  Kyne  features. 
Major  Film   Corp. 

54  Broadway. — Neal  Hart  series:  Hell's  Oasis; 
Skyfire;  Danger  Valley;  God's  Gold;  Reckless 
Wives;  Italian;  Typhoon;  Devil's  Confession; 
Trailed  in  the  Storm;  Husband's  Folly;  Chas. 
Urban's  Movie  Chat's  series;  Sterospeed  series; 
Hank  Mann;  Mack  Swain  series;  Princess  Mona 
Darkfeather  series;  Texas  Guinan  series;  Anna 
Little  series ;  Helen  Gibson  series ;  Once  to  Every 
Man;  Circumstantial  Evidence;  Echo  of  Youth; 
Reclaimed;  She  Wolf;  Little  Shepherd  of  Bar- 
gain Row;  Man  Trail;  Open  Places;  Men  of  the 
Desert;  Knock-Na-Gow;  Soul  of  a  Child;  Are 
You  Legally  Married;  Power  of  Evil;  Boots  and 
Saddles;  Hands  of  the  Law;  Lion  of  the  Hills; 
Wizard  of  Oz;  Crisis;  Eyes  of  the  World;  1921 
series  Hallroom  Boys. 
Moscow  Films,  Inc. 

54   Broadway — Franklyn  Farnum  Subjects  ;   Burn 
'Em  Up   Barnes ;    Sure  Fire   Flint. 
Pioneer  Film  Corp. 

44  Church  St.— 6  Richard  Talmadges ;  7 
Franklyn  Farnums ;  6  William  Fairbanks;  11  Neal 
Harts;  6  J.  B.  Warners;  26  Pioneer  Attractions; 
i2  Big  Super  Specials. 

Peerless  Pictures — In  the  Clutches  of  the  Hindu, 


220 


&.  D.   Marson  Attraction   Co. 

26  Piedmont  St.— Billy  West,  2;  Gale  Henry,  2; 
Billy   Franey,    1;   Tuson,    1. 
Motion   Picture   Corp. 

28  Piedmont  St. — The  Lone  Hand ;  Frivolous 
Wives;  Midnight  Riders;  Ashes  of  Desire;  Honey- 
moon Ranch  ;  Woman  Untamed  ;  The  Handicap  ; 
The  County  Fair ;  The  Man  Trap ;  In  the  Web ; 
Tlie  Fighting  Ranger;  The  Movie  Revue;  Bali  the 
Unknown  (Natural  Color  5  reel ;  Persecution ; 
tempest  and  Sunshine;  Price  Woman  Pays; 
Yankee  Doodle,  Jr. ;  Western  Hearts ;  The 
Wolverine ;  The  Ghost  City  ;  Crossing  Trails ; 
Too  Much  Married;  West  of  the  Rio  Grande; 
Nine  Seconds  from  Heaven;  The  Money  Monster; 
Arrest  Norma  MacGregor ;  The  Fightin'  Devil ; 
Guilty;  Pfizma  Natural  Color  Pictures;  Annabel 
Lee,  (World  Rights) ;  Close  Shave  (2  reel 
comedy);  Doggone  jNIixup  (2  reel  comedy). 
Exploits  of  German  Submarine  U  35 ;  Lone 
Hand;  Springtime;  Ashes  of  Desire;  Friv- 
olous Wives ;  Midnight  Riders ;  Honeymoon 
Ranch;  Handicap;  Doraldina  in  "The  Woman  Un- 
tamed"; The  County  Fair;  New  England  Distribu- 
tors of  Prizma;  16  productions  of  Associated 
Photo-Plays. 

Popular  Film  Co. 

14  Piedmont  St. — Fatal  Love;  His  Vindication; 
His  Enemy's  Daughter;  Old  Fashioned  Dad; 
Fruits  of  Passion;  Monte  Cristo;  Martinache 
Marriage;  Feet  of  Clay;  Alien  Blood;  Water 
Lily;  East  Is  East;  One  Touch  of  Nature;  Girl 
of  My  Dreams;  Impossible  Susan;  Her  Husband's 
Honor;  S  two  reel  Chaplin  comedies;  Philip 
Holden- Waster;  \yho  Loved  Him  Best;  Guilded 
Youth ;  Captain  Jinks  ;  Fourteen  two  reel  dramas  ; 
3  two  reel  comedies  with  Marie  Cahill;  SO  one 
reel  comedies  of  Elinor  Fields;  10  one  reel  come- 
dies of  Billie  Rhodes,  and  a  serial  of  twenty  ejji- 
■odes  to  be  run  every  week  called  "Gloria's  Ro- 
mance" ;  7  one  reel  scenics ;  Mother  Eternal,  with 
Vivian  Martin ;  The  World  and  the  Woman, 
Love's  Redemption,  Pardners,  The  Secret 
Formula,  Irony  of  Fate,  Clover's  Rebellion,  Dust. 
Pioneer  Film  Corp.  of  New  England 

44  Church  St. — 6  Richard  Talmadges ;  7 
Franklyn  Farnums ;  6  William  Fairbanks;  11 
Neal  Hearts ;  6  J.  B.  Warners ;  26  Pioneer  At- 
tractions;   12  Big  Super  specials. 

Trimount    Film    Exchange — 15    Harry    Careys. 
Specialty   Film  Service   Co. 

11  Winchester  St. — The  Fountain  of  Youth, 
The  Hypocrites. 

MICHIGAN 

DETROIT — 

Detroit  nim  Co. 

304  Film  BIdg.— A  Child  For  Sale;  His  Pajama 
Girl;  Neglected  Wives;  Married  Virgin;  Smiling 
All  the  Way;  Girls  Don't  Gamble;  Sitting  on  the 
World;  all  of  the  William  Fairbanks  Westerns: 
Love's  Plaything;  Broken  Hearts;  Man  and 
Woman;  The  Shadow;  Hearts  O'  the  Range; 
Youth's  Desire;  third  series  of  the  Vod-A-Vil 
Movies;  Wolf  Bayne;  Carmen  of  the  Border; 
Fighting  Grin;  The  Renegade;  Fighting  Mad; 
Hearts  of  the  Desert;  The  Sante  Fe  Terror;  The 
Hero  of  the  Hour;  The  Man  from  Montana; 
Sheriff  Jim ;  The  Old  Nest ;  Whispering  Devils ; 
Fickle  Women,  and  others. 
Exclusive  Film   Co. — 

(For  Michigan)  Notoriety,  18  features  re- 
leased  by   Acorn. 

Favorite   Films — 

Series  of  Jack   Hoxie  Westerns. 
Merit  Films,   Inc. 

202  Film  Bldg. — County  Fair;  Devil's  Angel; 
Woman's  Man;  Love's  Protege;  Rich  Slave; 
Love's  Flame;  Infatuation  of  Youth;  Out  of  the 
Darkness;  Chamber  Mystery;  Luxury;  The  Way 
Women  Love;  Whispering  Devils;  Virtuous  Men; 
Wives  of  Men;  Fool's  Gold;  Hearts  of  Men;  Miss 
Arizona;  Penny  Philanthropist;  Once  to  Every 
Man;  When  the  Desert  Smiled;  Mother  Love  and 
the  Law;  Spreading  Evil;  The  Whip;  The  Law  of 
Nature;  In  the  Days  of  Buffalo  Bill;  Cowboy 
Jazz;  26  two  reel  Hank  Mann.  Short  subjects: 
Minter  United  Amusements 

Film  Exchange  Bldg. — Jans  Pictures,  Inc., 
Producers  Security  Corp :  Lee  &  Bradford- 
Howell    Sales    Co. :    Post    Nature ;    Anchor    Film ; 


Western  Feature  Prod.;  Independent  Producers; 
Adventures  of  Tarzan ;  Clark  Cornelius. 
American  Cinema  Corp.,  Pioneer  Film  Corp.  as 
well  aa  the  following:  Yankee  Doodle  in  Berlin; 
Birth  of  a.  Race;  Fall  of  Babylon;  Mother  and 
the  Law;  The  Unpardonable  Sin;  Hushed  Hour, 
When  Dawn  Came ;  Unconquered  Woman  ;  Heart 
of  North;  So  This  Is  Arizona;  Angel  Citizens; 
They're  Off;  Thundering  Hoofs;  Big  Stakes; 
Luxury ;  Every  Woman's  Problem ;  Stranger  of 
the  Hills ;  Another  Man's  Boots ;  Clean  Up ; 
Fighting  Hearts;  Hell's  Border;  Western  Demon; 
Fighting  Ranger :  Serving  Two  Masters ;  The 
Way  of  a  Man ;  The  Better  Man  Wins ;  Fightin' 
Devil ;  Western  Thoroughbred ;  Guilty ;  Ranger 
and  the  Law;  Stolen  Moments;  Big  Stakes;  I 
Am  The  Woman ;  Ashes ;  Heritage ;  Partners 
of  the  Sunset ;  The  Way  Women  Love ;  West 
of  the  Rio  Grande;  Glory  of  Youth;  The  Re- 
coil ;  Diamond  Carlisle ;  The  Branded  Man  ; 
The  Barbarian ;  The  Lone  Hand ;  A  Daughter's 
Strange  Inheritance;  New  Minister;  Things  Men 
Do;  Lotus  Blossom;  Welcome  Children;  Up  In 
Mary's  Attic;  The  Still  Alarm;  The  Country  God 
Forgot.  Serials :  Alventures  of  Tarzan ;  Vanish- 
ing Trails  ;  The  Hope  Diamond  Mystery.  Scenics  : 
Kineto  Review :  Post  Nature ;  Shadowland  Re- 
view ;  Vod-a-Vil  Movies.  Comedies :  Tweedy ; 
Bobby  Burns;  Jimmie  Aubrey;  Chaplins ;  Chas. 
Joy;  Adoloph  Phillips;  Geo.  (I^lark ;  (iumps ;  Bud 
Duncan;  Billy  Gilbert;  Billy  Franey.  4  reel 
Westerns:  Helen  Holmes;  Tom  Mix;  Shorty 
Hamilton ;  Spur  series. 
Progress    Film   Co. 

202  Film  Exchange  Building — Series  of  Jack 
Hoxie  5  reel  Westerns;  Stranger  in  Canyon 
V'alley ;  Headin'  North ;  The  Deceiver ;  God's 
Country  and  the  Law :  The  Girl  from  Porcupine ; 
Superstition :  Orphan  Sally. 
Rex  Film  Co. 

304  New  Film  Building— Hearts  Of  The 
World;    The    Vigilantes;    The    Unfortunate    Sex. 

Strand  Features,  Inc.,  201  Film  Exch.  Bldg.: 
Second  National :  Horizon  Pictures ;  Howell 
Sales;  C.  B.  C.  Film  Co.;  Myriad  Comedies; 
Russell  Clark;  National  Exchanges;  Aywon  Film 
and  Jimmie  Aubrey  Comedies ;  Joy  Comedies ; 
Philip  Comedies;  Juanita  Comedies;  Vanishing 
Trail  serial.  Single  reel  comedies,  Aladdin, 
one  a  week;  19  Ambrose,  15  Chaplins,  26 
Arbudkles,  Hank  Mann  and  Gumps.  Kineto 
Review,  one  a  week.  Serials,  The  Hope 
Diamond  Mystery  and  Great  Reward.  Two 
Reelers :  15  Shorty  Hamilton,  15  Harry  Carey, 
12  W.  S.  Hart,  17  Neal  Hart,  17  H.  Gib- 
son,  20  H.  Holmes,  15  Tom  Mix,  18  Al  Jennings, 
12  Texas  Guinan,  16  Kathlyn  Williams,  12  Lone 
Star,  12  Canadian  Northwest,  A.  C.  Series,  one 
a  week.  Comedies  (2  reels)  :  Mirth,  Sunlite, 
every  other  week ;  7  Ben  Turpins.  Features : 
Witch's  Lure  5,  Common  Level  6,  Up  in  Mary's 
Attic  6,  Thru  Eyes  of  Men  5,  Strife  5,  Cycle  of 
Fate  5,  Finger  of  Justice  7,  East  Lynne  6,  Man's 
Law  5,  Trailed  in  the  Storm  5,  Are  You  Legally 
Married?  5,  Under  Western  Skies  5,W  Icome  Chil- 
dren 5,  Man  Worth  While  5,  The  Isles  of  Destiny 
5,  You  Will  Find  It  Everywhere  5,  Great  White 
Trail  6,  Country  God  Forgot  5,  Honeynioon 
Ranch  5,  Cyclone  Bliss  5,  Dead  or  Alive  5,  Man 
From  Nowhere  5,  Headin'  North  5,  Stranger  of 
Canyon  Valley  5,  Forced  to  Wed  5,  Woman 
Pays    S,    4   Curwoods    featuring    Gladys    Leslie. 

MINNESOTA 

MINNEAPOLIS — 

Associated  First  National  Pict.  of  Minnesota. 
Inc.,  4th  floor  Loeb  Arcade  Bldg.:  All  Asso. 
First  Natl,  product  and  Keep  Right,  Whispering, 
Hush,  From  Paris,  Played-Paid,  Inv.  Ray,  Sor 
Tarzan,  Man-Woman,  Fall  Saint  Edge  Youtk, 
In  Clutches,  Isobel,  Danger  Love,  Whjtr  Trail, 
Madon.  and  Men,  W.  Business,  Wings  Pride,  W. 
Untamed,  Kazan,  Prizma,  Something,  Souls  Men, 
Pass.  Penalty,  Kineto,  Chamb.  Myst.,  Man  Tri- 
fled, Love's  Prot.,  Daught.  Dan,  Honey  Ranch, 
Find  E'where,  Hell's  (Dasis,  Skyfire  and  Dang. 
Valley.  Educational  Films  releases,  Franklyn 
Farnham  series. 

Elliott  Film  Corp. 

Produce  Exclianfie  Ride  (for  Minnesota.  North 
and  South  Dakota). — Birth  of  a  Nation,  12;  Crisis, 


221 


*!;  Ramona,  8;  Stolen  Orders,  8;  Submarine  Eye, 
8;  Garden  of  Allah,  8;  Birth  of  a  Race,  8;  Vir- 
tuous Men,  7;  Public  Defender,  7;  Cleopatra,  6; 
Five  Nights,  6;  Mothers  of  Liberty,  6;  Sala- 
mander, 6;  Corruption,  6;  Heart  of  the  Jungle,  6; 
Zoncar,  5;  The  Snail,  5;  Jenny  from  Ireland,  5; 
Whither  Thou  Goest,  5;  Cold  Deck,  5;  Legally 
Married,  S;  Stripped  for  a  Million,  5;  The  Witch- 
ing Hour,  S;  Soul  of  a  Child,  S;  Little  Orphan, 
5;  Crimson  Shoals,  6;  Alma  Where  Do  You 
Live?  6;  Heart  of  Texas  Ryan,  5;  His  Pajama 
Girl,  5;  From  the  West  (Russell),  S;  High  Gear 
JeiTery  (Russell),  5;  Quick  Action  (Russell),  S; 
Rough  Shod  Fighter  (Russell),  5;  Virtuous  Out 
cast  (Minter),  5;  Sally  with  a  Past  (Minter),  S, 
Youth's  Melting  Pot  (Minter),  5;  The  Marriage 
Bargain  (Minter),  5;  Man  from  Medicine  Hat 
(Holmes),  5;  Moonshine  Menace  (Holmes),  5; 
Crook's  Romance  (Holmes),  5;  The  Lodgers 
(Holmes),  5;  What  Becomes  of  the  Children,  5; 
His  Enemy's  Daughter,  5;  Fatal  Love,  5;  The 
Unfortunate  Marriage,  5;  A  Broadway  Woman, 
5;  14  two  reel  Helen  Gibson;  15  two  reel  Shorty 
Hamiltons;  15  two  reel  Harry  Careys;  4  two  reel 
Fritzie  Ridgeways;  20  two  reel  Ben  Turpin  come- 
dies; 15  one  reel  Mona  Darkfathers;  15  two  reel 
Success  series;  10  two  reel  Copperhead  series; 
I'or  the  P"reeclom  of  Ireland,  5;  Tame  Cat,  5; 
Bitter  Fruit,  5;  Lone  Hand  Wilson,  5;  Ranger 
and  the  Law,  5;  Law  of  Nature,  7;  Life  of  Jesse 
James,   4. 

For  Wisconsin — The  Law  of  Nature;  Bitter 
Fruit;  The  Tame  Cat,  and  all  of  the  above  ex- 
cepting Birth  of  a  Nation;  Birth  of  a  Race; 
Virtuous  Men;  Crimson  Shoals;  Alma  Where  Do 
You  Live?  Heart  of  Texas  Ryan  and  A  Broad- 
way   Woman. 

Friedman  Film  Corp. 

200-202  Film  Exchange  Bldg.  (for  Minn.,  Wis., 
No.  Dak. — Four  Oliver  Curwood  productions;  The 
County  Fair;  The  Ne'er-Do- Well;  The  Spoilers; 
The  Whip;  The  Unpardonable  Sin;  Peggy;  The 
Flame  of  the  Yukon;  Every  Woman's  Husband; 
More  to  be  Pitied  than  Scorned;  Girl  from 
Porcupine;  God's  County  and  the  Law  Wil- 
liam S.  Harts ;  Douglas  Fairbanks,  Norma 
Talmadges;  Constance  Talmadges;  Louise  Glaums; 
Charles  Rays;  Frank  Keenans;  Dorothy  Daltons; 
Dustin  Farnum;  Gloria  Swanson;  Roy  Stewart 
William  Desmonds;  Dorothy  and  Lillian  Gish; 
Olive  Thomas;  Taylor  Holmes;  Bessie  Barriscale; 
one  and  two  reel  Fatty  Arbuckle  comedies;  two 
reel  Mack  Sennett  comedies,  one  reel  comedies. 
Four  Peter  B.  Kyne  stories :  The  Innocent 
Cheat,  Five  Lester  Cuneos,  Five  Dick  Hattons, 
Man  From  Hell's  River,  The  Sage  Brush  Trail. 
F.  &  R.  Fihn  Exchange — 

Loeb  Arcade  Bldg :  Warner  Bros,  product ; 
Franklyn  Farnum  Westerns;  Burn  Em  Up  Barnes, 

1  am  the  Law,  Where  is  my  Wandering  Boy  To- 
night,   Prizma. 

Merit  Film  Corp. 

206  Film  Exchange  Bldg. — The  Good  Bad  Wife; 
Nobodys  Girl;  Bonnie  May;  The  Midlanders; 
Penny  of  Tophill  Trail;  Servant  in  the  House; 
Hearts  and  Masks;  Dangerous  Toys.  Short  reel: 
Monte  Banks  comedies,  2;  Hall  Room  Boy  come- 
dies, 2;  Chestfer  Sensations  with  Snooky,  2; 
Chester  Juniors,  1 ;  Animal  Serial  Life  "Miracles 
of  the  Jungle";  Screen  Snapshots,  1;  Nick  Carter 
series,  2,  and  Luke  McLuke  Film-osophy.  The 
Long  Arm  of  Mannister;  The  Boomerang;  Dr. 
Jeckyl  and  Mr.  Hyde;  Bubbles;  Atonement;  The 
Girl  from  Nowhere;  Suspicion;  Sins  of  the  Chil- 
dren; The  Hidden  Code;  The  Barbarian;  The 
Eternal  Mother;  Idle  Hands;  A  Good  Woman; 
Stolen  Moments;  Thoughtless  Women;  Finders- 
Keepers;  Out  of  the  Depths;  Beyond  the  Cross 
Roads;  The  Crimson  Cross;  In  Society;  What 
Women  Want;  The  Place  of  Honeymoons;  Liquid 
Gold;  His  Brothers  Keeper. 
First  Film  Co. 

305  Loeb  Arcade  Bldg.  (for  Minn.,  No.  and  So. 
Dak.). — Lightning  Bryce  (serial);  Eyes  of  Youth; 
Forbidden  Woman;   Soul  of  Rafael;   Mid-Channel; 

2  Wm.  Hart  subjects;  Custer's  Last  Fight;  Love 
Without  Question;  Some  One  Must  Pay;  Tillies 
Punctured  Romance;  The  Lone  Hand;  The  Mid- 
night Riders;  Outlawed;  The  Battling  Kid;  Wolf 
Bayne;     Carmen    of    the    Border;     The     Fighting 


Grin;  The  Show  Down;  Big  Jim;  Sante  Fe 
Terror;  Spirit  of  the  West;  Montana  Dan;  A 
Western  Hero;  Heart  of  the  Desert;  The  Old 
West;  Renegade;  Hero  of  the  Hour;  Man  from 
Montana;  Buffalo  Bill;  Jim  Cameron's  Wife,  and 
His  Hour  of  Manhood;  The  Isle  of  Destiny; 
Jungle  Flashlight;  Lion  Nemesis;  Arabs  Ven- 
ganct  ;  Siren  of  the  Jungles;  Woman,  Lion  and 
Man;  Martha  of  the  Jungles;  Star  of  India; 
Kajalis  Sacrifice;  Kafirs  Gratitude;  Terror  of 
the  Fold;  A  Daughter's  Strange  Inheritance; 
I'he  Polish  Dancer ;  Shadows  of  Conscience ; 
Serving  Two  Masters;  Eye  of  Envy;  Judge  Her 
Not;  Wolves  of  the  Range;  Kidnapped  in  New 
York;  The  Way  of  a  Man;  Branded;  Some 
Nerve;  Flesh  and  Spirit;  Suspicious  Wives;  How 
to  Make  a  Radio  for  60  cents;  The  Country 
Flapper. 

William  A.   Locliren   Film   &    Slide  Co. 

Film  Exchange  Bldg. — Manufacture  commer- 
cial and  industrial  subjects,  educational  films,  news 
pictures  and  scenics.  Distribute  Northwest  Weekly 
(news  reel),  special  industrial  and  educational 
subjects,  boy  scouts  pictures,  scenics,  etc. 
Midland  Films,  Inc. 

Film  Exchange  Bldg. — The  Fall  of  Babylon; 
The  Mother  and  the  Law;  Up  in  Mary's  Attic; 
.Silk  Husbands  and  Calico  Wives;  The  Golden 
Trail;  Woman's  Man;  The  Ranger;  Pen  Vulture; 
When  Arizona  Won;  Fickle  Women;  Girls  Don't 
Gamble  and  Smiling  All  the  Way. 
Theatre  Owners  Corp. 

319-320  Loeb  Arcade — The  Vigilantes;  Desert 
Scorpion;  Boots  and  Saddles;  Today;  "The  Mad 
r^over;  Women  Men  Love;  The  Devils  Angel; 
Frivolous  Wives;  Winding  Trail;  Love's  Battle; 
Hearts  of  the  Range;  Trooper  44;  Law  of  the 
North  woods;  The  Fourth  Face;  "The  Handicap, 
and    Youth's    Desire. 

Tri-State  Film  Exchange  and  Theater  Supply 
Co.,  321  Loeb  Arcade:  For  Minnesota,  Wisconsin 
and  Dakotas,  The  Lost  City  serial.  The  Jungle 
Princess,  The  Woman  He  (Those,  4  Joe  Moore- 
Eileen  Sedgwick  features.  For  Minnesota  and  the 
Dakotas,  William  Fairbanks  westerns,  Northwood 
dramas,  Sunbeam  comedies,  Keystone-Sennett 
comedies,    Essanay-Chaplins,    Ireland    in    Revolt. 

ST.  LOUIS-      MISSOURI 

Asso.    First   National    Pictures    of   Missouri, 
Inc. 

3319  Locust  St. — All  First  National  releases 
and  Clara  Kimball  Young,  second  series;  David 
Butler  productions,  first  series;  You'll  Find  It 
Everywhere;  Son  of  Tarzan,  and  The  Invincible 
Ray.  Lester  Cuneo  series  of  8  Jack  Hoxie  ser- 
ies of  8  Burn  'Em  Up   Barnes. 

Exhibitors   Direct    Service    Exchange 

Plaza  Hotel  Bldg.,  3314  Lindell  Blvd.— Stranger 
in  Canyon  Valley ;  Headin'  North ;  The  Golden 
Trail,  6;  Wolves  of  the  Street,  6;  Desert  Scorpoii 
6 ;  With  Wings  Outspread ;  Man  of  Courage ; 
Thorobred ;  Crimson  (ilue ;  Pals  of  the  W<  st ; 
Unconquered  Woman ;  Fighting  Devil ;  Women 
Men  Love;  Heritage;  Frivolous  Wives:  What  He 
comes  of  the  Children ;  Lonely  Heart  ;  Women 
Men  Forget;  Woman  of  Mystery;  East  Lynne : 
Lure  of  the  Orient ;  Rich  Slave :  Living  Lies ; 
Whispering  Women;  Snitching  Hour;  F'esh  and 
Spirit;  Things  Men  Do;  8  Jack  Hoxie;  6  Frank- 
lyn Farnum;  3  Snowy  Baker;  3  tJeorge  Larkin ; 
S  Jack  Gardner;  8  Pete  Morrison;  5  George  Chese- 
bro ;  2  Jack  Livingston  ;  5  Wm.  Fairbanks,  (^oni- 
edies :  (jeo.  Ovey  and  N'ernon  Dent;  Geo.  Clarke; 
Matty  Roubert ;  Billy  West;  Gale  Henry;  Jane 
and  Katherine  Lee;  Minta  Durfee;  Tweedy.  Two- 
reel  westerns  :  Texas  Guinan  ;  Northwood  Dramas  ; 
All  Star;  Franklyn  Fariium  ;  Buck  Jones;  Shorty 
Hamilton  ;  Frank  Braidwood ;  George  Larkin ; 
Fritzi  Ridgeway  ;  Enimett  Dalton  ;  .Adventures  of 
Tarzan;  Eddie  Polo  in  Cap'n  Kidd ;  3  James  Oli- 
ver Curwoods;  2  Peter  B.  Kyne;  2  Neva  Gerber ; 
Bible  Pictures;  The  Mysterious  Eyes  of  the  Ku 
Klux  Klan  ;  Sawing  a  Woman  in  Half.  Exposed; 
27  two  reel  .Arrow  comedies;  Nan  of  the  North; 
So  This  is  .Arizona ;  Love.  Hate  and  a  Woman  ; 
Keei)  to  the  Right;  She  Paid  and  Played;  His 
Nibs. 


222 


Fine   Arts   Pictures   Corp. 

3618  Olive  St.— Jack  Hoxie,  5;  Wm.  Fairbanks. 
5;  Tex,  5;  Golden  Trail,  6;  Desert  Scorpion,  6; 
Wo'ves  of  Street,  6;  What  Becomes  of  the  Chil- 
dren; Yankee  Doodle  in  Berlin;  Franklyn  Farnum 
Westerns,  2;  Comedys  (2  reels):  Billy  West; 
Gale  Henry;  Alt  &  Howell;  Romance  of  Youth 
series;  Jane  and  Katherine  Lee;  Spotlight,  1; 
Paragon,    1;    Billy    Ruge,    1. 

Independent  Film   Co.  of  Missouri 

3317  Olive  St. — Features:  Isobel  or  the  Trails 
End;  Whispering  Devils;  She  Played  and  Paid; 
Keep  to  the  Right;  For  the  Freedom  of  Ireland; 
The  Woman  He  Chose;  Open  Your  Eyes;  Vir 
tnoui'  Men;  From  the  West;  The  Virtuous  Out- 
cast; The  Man  from  Medicine  Hat;  Quick  Action: 
Sally  with  a  Past;  The  Moonshine  Menace;  High 
Gear  Jeffery;  Youth's  Melting  Pot;  A  Crook's 
Romance;  A  Rough  Shod  Fighter;  The  Marriage 
Bargain;  The  Lodgers  of  Hell  Roarin'  Mountain 
Serials:  Mystery  of  13;  Vanishing  Trails;  Thun 
derbolt  Jack;  Lightning  Bryce;  Stingaree.  Two 
reel  comedies:  52  Hall  Room  Boys;  12  Christie 
specials.  Two  reel  dramas:  16  Kathlyn  Williams; 
6  Harry  Myers;  15  Shorty  Hamiltons;  16  Fritzi 
Ridgeway.  One  reel:  26  Tsun  comedies;  25  Chris- 
tie comedies;  13  Ovey  comedies;  12  Arbuckle 
comedies;  62  Ham  and  Bud  comedies;  Sport  Pic- 
torials twice  a  month;  Screen  Snap  Shots  twice 
a  month;  Globe  Trots  scenic  weekly;  Vod  A  Vil 
Movies,   weekly. 

Pioneer  Film  Corp. 
3435  Olive  St — Out  of  the  Depths;  Indiscretion; 
A  Millionaire  for  a  Day;  Oh!  Mary  be  Careful; 
The  Forgotten  Woman;  In  Society;  Beyond  the 
Crossroads;  The  Leech;  The  Crimson  Cross;  Idle 
Hand;  Peeps  into  the  Future;  Wise  Husbands; 
Stolen    Moments. 

United  Film  Service  (Federated  Film  Ex- 
change) 
3628  Olive  St. — Single  reel  comedies:  Bill 
Franey;  Fatty  Arbuckle;  Charlie  Chaplin;  Hank 
Mann,  and  Keystone  comedies.  Two  reel  come- 
dies: Hank  Mann;  Genuine  Billy  West;  Alice 
Howell;  Ben  Turpin  and  Monte  Banks  comedies; 
Hall  Room  Boys:  Chester  comedies.  Two  reel 
Western  dramas:  Wallace  Coburn;  Helen  Gibson 
Railroad  dramas;  Texas  Guinan  Western;  Star 
Ranch.  Features:  Hearts  and  Masks;  The  Jungle 
Princess;  Geo.  Loane  Tucker's  "I  Believe"  7; 
Nobody's  Girl;  Dangerous  Trails,  5;  The  Un- 
known Ranger,  5;  The  Border  Raiders,  5;  The 
Heart  of  a  Woman;  Parentage;  That  Something, 
6;  Neptune's  Bride,  6;  Three  Bessie  Love  pictures; 
Dangerous  Toys;  Don't  Leave  Your  Husband; 
Infatuation  of  Youth;  Out  of  the  Dii'kness;  I Hf 
Good  Bad  Wife;  Edge  of  Youth;  The  Servant 
•n  tne  House;  Tiie  tall  of  a  Sa.nt;  en'^ut  fi'  e  vccl 
Neal  Hart  subjects;  one  five  reel  Roy  Stewan 
special.  Serials:  The  Lost  City;  The  Fatal  For- 
tune; The  Million  Dollar  Reward;  Miracles  of 
the  Jungle ;  School  Days ;  Why  Girls  Leave 
Home ;  Ashamed  of  Parents ;  Parted  Curtains ; 
Where  Is  My  Wandering  Boy  Tonight?;  12  Lee 
Maloney  2  reel  Westerns ;  8  Wm.  K.  Hackett 
5  reel  Westerns;  7  Ay  won  Pictures;  Evolution 
of  Man;  Woman  Above  Reproach;  When  Dr. 
Quackel  Did  Hide;  Fidelity;  Sons  of  the  West; 
Winning  Of  The  \«est;  Gold  Of  The  Desert; 
Guilty  ;  Defying  The  Law  ;  The  Fighting  Ranger  ; 
One  reel  Snappy  Comedies ;  one  reel  Screen 
Snapshots;  New  Neal  Hart  Productions;  Polish 
Dancer;   Young  America,   Heart  of  the  North. 

KANSAS    CITY,    MO. — 

Crescent  Film  Co.,  115  W.  17th  St.:  All  Fed- 
erated releases  and  the  following:  Features: 
Western  Hearts,  Wolverine,  Outlawed,  Hearts  o' 
the  Range.  Trooper  44,  Great  White  Trail,  Un- 
known Ranger,  Dangerous  Trails,  Border  Raid- 
ers, Hushed  Hour,  Deemster,  Spoilers,  Skinner'i 
Dress  Suit,  Parentage,  Country  God  Forgot,  Are 
You  Legally  Married,  Desert  Scorpion,  Heart  of 
a  Woman,  Twinkle  Twinkle  Little  Star,  Cinder- 
ella,   Little    Red    Riding    Hood,    That    Something, 


Window  Opposite,  Italian,  Typhoon,  Souls  o\ 
Men,  Heart  of  Texas  Ryan,  Custer's  Last  Fight, 
Infatuation  of  Youth,  Narayana,  Sins  of  the 
World,  Out  of  the  Darkness,  Edge  of  Youth.  Se- 
rials: Thunderbolt  Jack,  The  Lost  City.  Two 
Reel  Comedies :  Christie  Specials,  Hank  Mann, 
Alice  Howell,  Muriel  Ostriche.  Two  Reel  West- 
erns: Frank  Braidwood,  Neal  Hart,  Al  Jennings, 
Helen  Gibson,  Lone  Star  Ranch.  Fritzi  Ridge- 
ways.  Novelties:  Vod  A  Vil  Movies.  Movie 
Chats,  Ford  Weekly,  Danger  Valley,  Sky  Fire, 
Hushed  Hour,  Dangerous  Trails,  Hell's  Oasis, 
The  Lone  Hand,  Heart  and  Mask,  Servant  in 
the  House,  Nobody's  Girl,  God's  Gold,  Penny 
O'  Top  Hill  Trail,  Good  Bad  Wife,  Jungle  Prin- 
cess, Bonnie  May,  Outlawed,  School  Days, 
Memories,  Why  Girls  Leave  Home,  Burn  'Em  Up 
Barnes,  Heart  of  the  North,  Parted  Curtains, 
Ashamed  of  the  Parents,  Sawing  A  Woman  In 
Half,  Midlanders,  Ramona,  Straight  From  Paris, 
Black  Sheep,  Dangerous  Love,  Too  Much  Mar- 
ried, Hush,  King  Fisher's  Roost,  Battling  Kid, 
Crossing  Trails,  Diana  of  Star  Hollow,  The  Ghost 
City,  Tangled  Trails,  Ashes,  Jack  Rider,  Shadow 
of  Lightning  Ridge,  5 ;  Rangeland,  5 ;  Fighting 
Breed,  5  ;  Vengeance  rail,  5 ;  Better  Man,  5  ; 
Western  Firebrand,  5 ;  Heart  of  a  Texan,  5  ; 
West  of  the  Pecos,  5  ;  Lure  of  Gold,  5  ; 
Charlie  Chaplin  Revivals,  2-reels  each :  The 
Bank  Police,  His  Night  Out,  Night  in  the  Show, 
Tramp,  His  New  Job,  Woman  Shanghaied,  Triple 
Trouble,  In  the  Park,  Texas  Guinan's,  Scattergood 
Baine's,  Adventures  of  Tarzan,  Elmo  Lincoln, 
15  Episodes,  Miracles  of  the  Jungle,  Snappy 
Comedies,  Joe  Rock's  Tusinus,  Gump  Cartoons. 
All   Warner    Bros.    Prod. 


Equitable  Film  Corp.,  412  Ozark  Bldg. :  2  reel 
Mirth  comedies,  2  reel  Sun-Lite  comedies,  2  reel 
Billy  West  comedies,  2  reel  Royal  comedies,  2 
reel  Gale  Henry  comedies,  2  reel  Matty  Roubert 
pictures,  2  reel  Westerns,  serial  Woman  in  Gray, 
1  reel  Paragon  comedies,  1  reel  Aladdin  come- 
dies,   1    reel   Bun   Duncan   comedies,    1    reel    Scenics. 


Standard   Film   Corp. 

12  East  17th  St.— Features :  Six  Franklyn 
Farntmis,  Eight  Franklyn  Farnums,  Eight  Jack 
Hoxies,  Four  William  Fairbanks,  Eight  Pete 
Morrisons,  Eight  William  Russells,  Eight  Mary 
Miles  Minters,  Eight  Margarita  Fishers,  County 
Fair.  Isobel,  When  Dawn  Came,  Two  Jack  Rich- 
ardsons.  Loggers  of  Hell  Roaring  Mountain, 
Crooks  Romance,  23  Billy  Franey  single  reel 
Comedies  Bargain;  Hell  Hound  of  Alaska; 
Bandit  and  Preacher;  Law  of  the  North; 
Innocence  of  Ruth ;  From  the  West ;  Quick 
Action :  A  Virtuous  Outcast ;  Sally  Shows 
the  Way;  Man  from  Medicine  Hat;  Moonshine 
Menace;  High  Gear  JeiTery;  Rough  Shod  Fighter: 
Youth's  Melting  Pot;  Marriage  Bargain;  Crook's 
Romance;  Loggers  of  Hell  Roaring  Mountain; 
She  Played  and  Paid;  Five  Nights;  Just  a  Woman; 
Unpardonable  Sin;  7  Al.  Hart  Westerns;  The 
Fighting  Kentuckians.  Serials:  Lightning  Bryce; 
Stingaree;     Vanishinn-     Trails:     " '  y   t.-ry  i 

The  Great  Reward.  Two  reel  Westerns:  Wm.  S. 
Hart;  Kathlyn  Williams  Western  and  Jungle; 
Harry  Myer  border  Western;  Harry  Carey;  All 
Star  Westerns.  Two  reel  specials:  Ireland  In 
Revolt;  Real  Roosevelt;  Satan  on  Earth.  One 
reel  specials:  Pickford  classics;  Screen  Snap  Shots; 
Kineto  Reviews;  Prizmas  for  Kansas;  PictoriaJ 
Life,  Topical  Tips,  Globe  Trot  scenics.  Comedies. 
1  reel:  Jaxon;  Ham  and  Bud;  Vogue.  Come- 
dies, 2  reels:  Hall  Room  Boys;  Royal;  Pinnacle; 
Romayne. 

NEBRASKA 

OMAHA— 

Crescent-Federated  Exchange. 
Film  Bldg.,  15th  and  Davenport  Sts. — School 
Days;  Why  Girls  Leave  Home;  Parted  Curtains; 
Ashamed  of  Parents;  Isobel;  Out  of  the  Dust; 
Sawing  a  Lady  in  Half ;  Lone  Hand  Wilson ; 
Ranger  and  the  Law ;  Outlawed ;  Hearts  and 
Masks:     Dangerous    Toys;     Trooper     44;     Battlin' 


223 


kid;  Dangerous  Love;  Gold;  Western  Hearts; 
Wolverine;  Too  Much  Married;  Fighting  Breed- 
Crhost  City;  Diane  of  Star  Hollow;  Ashes-  Un- 
conquered  Woman;  Jack  Rider;  Shadows  of 
Lightning  Ridge;  Vengeance  Trails;  Better  Man; 
Western  Firebrands;  Women  Men  Love-  Who's 
to  Blame  2  Reel  Westerns:  Texas  Guinan ;  Star 
Ranch;  Fritzi  Ridgeway.  2  Reel  Comedies:  Hall 
Room  Boys;  Chesters ;  Monte  Banks;  New  Billy 
Wests;  Essenay  Chaplins ;  Scattergood ;  Sunlite 
and  Mirth.  1  Reel  Comedies:  Chester  Snappy; 
Joe  Rock;  Folly;  Tusun ;  Aladdni.  1  Reel  Nov- 
elties: Prizma;  Screen  Snapshots;  Tony  Sarg's 
Almanac.  Serials:  Miracles  of  the  Jungle - 
Thunderbolt  Jack;  Barbarian;  When  Dawn  Camel 
Stolen  Moments;  Inner  Voice;  Long  Arm  of 
Mannister;  Sms  of  Children;  Thoughtless  Wo- 
men;  What  Women  Want;  Girl  From  Nowhere; 
Dr.  Jekyl  and  Mr.  Hyde;  Atonement;  Bubbles; 
Out  of  Depths;  Beyond  the  Crossroad;  Oh!  Mary 
Be  Careful;  Finders  Keepers;  His  Brother's  Keep- 
er;   Handicap. 

Fontenelle  Feature  Film  Co. 
1324  Howard  St.  (for  Iowa  and  Nabraska).— 
features:  Woman;  Vigilantes;  Husband  and 
Wives;  West  of  the  Rio  Grande;  Hearts  of  the 
Range;  Hearts  of  the  World;  Unpardonable  Sin; 
Civilization;  Heart  of  Texas  Ryan  with  Tom  Mix, 
Texas  Guinan  series.  .4  William  Russell;  4  Mary 
Miles  Minter;  4  McGregor-Holmes;  5  Catherine 
Calvert;  Red  Blood  and  Yellow,  and  Son  of  a 
Gun  with  Broncho  Billy  Anderson;  Calibre,  38 
Comedies:  26  Hall  Room  Boys;  26  Hank  Mann  • 
Billy  West;  Gale  Henry;  13  Screen  Snapshots. 
Two  reel  Westerns:  12  Franklyn  Farnums;  18 
Neal  Harts;  18  Al  Jennings;  16  Helen  Gibson; 
6  Harry  Meyers;  12  Dakota  Lawrence.  Western 
serials;  Lightning  Bryce;  Vanishing  Trails;  Cap'n 
Kidd  Serial;  The  Sagebrush  Trail;  His  Nibs: 
Man  From  Hell's  River;  Mickey;  The  Masque 
of  Life;  Out  of  the  Darkness;  Chamber  Mystery; 
Fools  Gold;  Fruits  of  Passion;  Silent  Shelby; 
The  Wolf  Pack;  Arrest  Norma  McGregor;  6 
Irving  Cummings;  12  Blazed  Trails;  False 
Brands;  IS  Indian  Dramas;  Celebrated  Comedies; 
Gaumont  Screen  Magazine. 
Liberty  Enterprises 
214  South  14th  St.— The  Birth  of  a  Nation. 
The  Crisis,  The  Mother  and  the  Law,  A  Child 
For  Sale,  Sitting  on  the  World,  The  Red  Viper, 
Hearts  of  the  World;  Fall  of  Babylon;  Burn  'Em 
Up  Barnes,  The  County  Fair,  and  Ramona. 

NEW    YORK 

BUFFALO— 

Fakins  and  Murphy  Exchange — 

How  Women  Love — 3  other  B.  B.   Prod. 
Grand  and   North  Exchange — 

B.   B.   C.   melodramas.  The   Curse  of   Drink,   all 
Wm.    Nigh    prods..   Jungle   Goddess. 
Nu-Art    Pictures    Corp. 

505-509  Pearl  St.— Black  Panthers  Cub;  Mid- 
Channel  ;  For  the  Soul  of  Rafael ;  Eyes  of  Youth ; 
The  Forbidden  Woman ;  Hush ;  Straight  from 
Paris;  Charge  It;  Try  and  Get  It;  Fascinating 
Lucille  from  Manhattan;  Headin'  Home;  Why 
Women  Sin;  Love  Without  Question;  She  Played 
and  Paid;  Hidden  Light;  Whispering  Devils; 
The  Rich  Slave;  Voices  Within;  For  the  Free- 
dom of  Ireland;  Keep  to  the  Right;  When  Dawn 
Came;  Deliverance;  Short  subjects,  2  reels;  12 
Billy  West  comedies;  12  Fraze  comedies;  12 
Blazed  Trail;  Westerns;  Prizma  colored  scenics. 
Serial:  Invisible  Ray. 
SYRACUSE— 

Better   Service   Film   Co.,    Inc. 

551   S.   Salina  St. — Luxury;   Way  Women  Love, 
and   Courtship   of    Miles    Standish. 
Super  Distributing  Corp. 

445  S.  Warren  St.  (also  Buffalo  and  Albany). — 
5  Shorty  Hamiltons,  5  reels  each ;  When  the 
Desert  Smiled;  His  Daughter  Pays;  Miss  Arizona; 
The  Profiteer;  Once  to  Every  Man;  The  Window 
Opposite;  Stripped  for  a  Million;  Reclaimed;  The 
Unknown  Ranger;  Dangerous  Trails;  The  Border 
Itaiders ;  A  C^hild  for  Sale ;  Are  You  Legally 
Married;  Hells  Oasis;  Skyfire;  Danger  Valley; 
God's  Gold;  Black  Sheep;  Kingfisher's  Roost; 
Women  Men  Forget;  Love's  Battle;  A  Com- 
mon    Level ;     A     Woman's     Business ;      Luxury ; 


The  Way  Women  Love;  Heritage;  The  Isle  of 
Destiny;  Mad  Love;  The  Waterlily ;  Fruits  of 
Passion  ;  Bachelor  Apartments  ;  The  Trap  ;  Matern- 
nity;  The  Man  of  the -Hour;  The  Rack;  Souls 
Adrift;  Whims  of  Society;  The  Butterfly  on  the 
Wheel;  The  Almighty  Dollar;  His  Brother  s  Wife  ; 
The  Dollar  Mark ;  The  Struggle ;  The  Gilded 
Cage;  Forget-Me-Not ;  Friday  the  13th;  Human 
Driftwood;  The  Hidden  Scar;  The  Pawn  of  Fate; 
The  Closed  Road;  The  Velvet  Paw;  Should  a 
Wife  Forgive;  The  Yellow  Passport;  A  Woman  s 
Way;  Marriage  a  la  Carte;  Hearts  in  Exile;  The 
Rise  of  Susan;  Tillie  Wakes  Up;  The  White 
Rider;  Brute  Island;  A  Daughter  of  the  West; 
Moonstone;  The  Dancers  Peril;  The  Man  Who 
Forgot;  Minty;  The  Unfortunate  Marriage; 
Trailed  in  the  Storm;  The  Lonesome  Trail;  The 
World  and  the  Woman;  The  Woman  Untamed; 
The  Golden  Trail;  The  Country  God  Forgot; 
Captivating  Mary  Carstairs;  Wings  of  Pride; 
Madonnas  and  Men;  24  two  reel  Neal  Harts;  24 
two  reel  Al  Jennings;  12  two  reel  Texas  Guinans  ; 
12  two  reel  Ann  Littles;  42  two  reel  Billy  Wests; 
24  two  reel  Gale  Henrys;  10  two  reel  Alice 
Howells;  24  one  reel  Tom  Mix;  9  two  reel 
Jesters;  52  one  reel  Gaumonts ;  15  two  reel  Royals; 
10  one  reel  Monkeys;  52  one  reel  Franeys  ;  12  one 
reel  Clarkes;  52  one  reel  Ham  and  Buds;  Let  er 
Buck;  24  2-reels  Hank  Mann's;  26  Snapshots; 
26  Movie  Chats;  Pendleton  Round-up;  Cowboy 
Jazz ;  52  one  reel  Educationals ;  Lightning  Bryce 
(serial);  $1,000,000  Reward  (serial);  Vanishing 
Trails    (serial). 

Webster   Pictures,    Inc. 

551  South  Salina  St.— 6  Neal  Harts,  8  Jack 
Hoxies,  10  two  reel  Shorty  Hamiltons,  10  two 
reel  Ben  Turpin  comedies,  10  Sunbeam  comedies, 
H.  C.  Witmer  comedies,  "Along  the  Moonbeam 
Trail,  Branded,  Serving  Two  Masters,  Way  of 
a  Man,  Luxury,  The  Way  Women  Love,  In- 
visible Web,  Cloudburst,  Courtship  of  Miles 
Standish  Wolf  Bavne,  Carmen  of  tlie  Border, 
The  Fighting  Grin,  The  Renegade,  Fighting  Mad, 
The  Old  'West,  The  Sante  Fe  Terror,  Heart  of 
the  Desert,  Hero  of  the  Hour,  The  Man  From 
Montana,  Sheriff  Jim,  The  Ranchers  Glen  White 
Detective  Stories,  On  the  High  Card,  When  Lad 
Came  Home,  Men  of  the  West,  Thru  Eyes  of 
Men,  Ashes  of  Desire,  Wrath  of  the  Gods,  The 
Fighting  Kentuckians,  Daughter  of  the  Night, 
Great  White  Trail,  Watered  Stock.  Little  Miss 
Grown  Up,  Sunset  Princess,  My  Husband  Friend, 
and    Zollenstein. 

Qualtoplay  Film   Corp. 

Burt  and  Montgomery  Sts. — The  Unconquered 
Woman,  with  Ruby  DeRemer,  The  Arrow  Mirth- 
quake,  and  Arrow  Broadway  two  reel  comedies, 
Reelcraft  Tweedy  comedies,  Herbert  Rawlinson 
in  You  Find  It  Everywhere,  The  Woman  He 
Chose,  The  Edge  of  Youth,  The  Shadow,  and 
Every  Woman's  Problem. 
UTICA 

Great    Northern    Film    Corp.,    156    Genesee    St.: 
Heritage,    Mad    Love,    Ise    of    Destiny,    Batchelor 
Apartments,   Spell   Bound,  and  others. 
NEW  YORK  CITY— 

Adventures     of     Tarzan     Serial     Sales     Corp. 

1540    Broadway — Adventures    of    Tarzan    serial. 
Alexander    Film    Corp. 

134  W.  46th  St. — Entire  Triangle  product  for 
greater  New  York  and  Northern  New  Jersey  also  : 
The  Thinker,  5  ;  The  Woman  He  Chose,  5  ;  Days 
of  Buflfalo  Bill,  2 ;  Three  Musketeers,  5 ;  Co- 
burn  westerns,  5  ;  Fatal  30,  5  ;  Able  Minded  Lady, 
5  ;  Girl  From  Rocky  Point,  5  ;  Forest  King,  5  ; 
Marked  Cards,  5 ;  Rags  or  Silks,  5 ;  Wanted 
For  Murder,  5;  Alexander  Color  scenics;  Alex- 
ander   Reviews. 

Apollo   Exchange,   Inc. 

1600  Broadway,  (ffor  New  York  and  No.  New 
Jersey) — School  Days,  Your  Best  Friend,  Ashamed 
of  Parents,  'Why  Girls  Leave  Home,  I  Am  The 
Law,  The  Curse  of  Drink,  His  Nibs,  More  to 
be  Pitied  Than  Scorned,  Only  a  Shop  Girl,  Tem- 
ptation, Forgive  and  Forget,  Lure  of  Broadway, 
Pal  Of  Mine,  Four  William  Nigh  special  pro- 
ductions. Screen  Reviews,  Joe  Rock  2  reel  com- 
edies. New  series  Hallroom  comedies.  Federated 
Monty  Banks  comedies,  Billy  Franey  comedies. 
Federated   comedies. 

(Continued   on    page   387) 


224 


Films  Released  by  the  Department  of  Agriculture 

Available  for  Distribution  Out  of  the  shadows  ■■••••••• 2  reds. 

T         ,        ,  ,,       .         ,.          ,          .  ,           .     ^,  (Bureau  ot  Animal  Industry) 

In     the     followmg    hst     the     titles     ot     films     are  -pi^g  appearance  of  animal  tuberculosis  on  the 

arranged    under    the    names    of    the    bureaus    that  f^^^,^^    ^f    Henry     Benton    and    its    communica- 

are    authority    tor    the    subject    matter.  ti^^   to   hjs   daughter,   Mary,   through   the   milk 

.. J'''^,^   released    smce   April    1,    1920,    are   marked  of    ^    tuberculous    cow.      The    clean-up    of    the 

ISiew    ;     films     revised     since     that     date     are     so  ^^^^^    ^^^    Benton's    acquirement    of   a    herd   of 

designated.  cattle     accredited     as     free     from     tuberculosis. 

BUREAU     OF     ANIMAL     INDUSTRY  Mary's  departure  lor  a  sanitarium  and  her  re- 

T7TrnT7PAT      MT7AT     TWdPT^PTTOM  '""■"'    restored    to    health   after   three    years,    to 

FEDERAL     MEAT     INSPECTION  -^-.^^  ^  ,^^ppy   {^^;]y  ^j^^jg 

The  Honor  of  the   Little   Purple   Stamp 1    reel  r>r>TTT  t-dv 

A     housewife,     buying     meat,     inquires     the  POULTRY 

meaning  of  the  Federal  inspection  mark.     The  Selecting  a   Laying  Hen 1   reel. 

meat  man  explains,  and  the  picture  shows  how  Culling    the    flock.      Physical    characteristics 

the  meat   inspection   service   protects  American  by     which     the     good     egg    producer     can     be 

tables     from     diseased    meat.       The    picture    is  recognized, 

particularly  adapted  for  showing  to  agricultural  ,,,.„,'         x^                                                     <         i 

college    students,    countv    agents,    etc.  Making   Poultry   Pay.  .. Ireel. 

The    fundamentals   of   good   poultry   manage- 

SWINE  ment ;    designed    for   the   information    of   begin- 

Exit    Ascaris 2   reels  ners   in   poultry  keeping. 

Methods   of  controlling  roundworms  in  pigs,  tt     ,      o          t-,   •         t-,     i                          i         i 

which     annually     cause     heavy     losses     among  Where    Uncle    Sam    Raises    Poultry.........!   reel. 

swine;    sanitation   rules   worked   out   bv   labora-  ^  ^,  '^'*'$,  '°    '^^^    Department    ot    Agriculture 

tory  investigation   and   applied   successfully  un-  Poultry   Farm  near  Washington;   scenes  exem- 

der  Corn  Belt  conditions.     A  number  of  micro-  plifymg    approved    methods    ot    handling    poul- 

scopic   scenes  are   included   in  the   film.  try;   brooders,  pens,  houses,   use  of  trap  nests. 

Control  of   Hog   Cholera 1    reel  ^  ^' 

Causes  of  hog  cholera,  the  use  of  hog-cholera  Embryology  of  the  Egg ■•  •]/2  reel. 

serum,     methods     of     application     and     results.  How   the   hen's   fertile  egg  develops  into  the 
and  proper   sanitation  as  a   remedy   and  a  pre-  chick,  and  the  infertile  egg  does  not.     A  short 
ventive.  picturization    of   tlie   beginning   of   life. 
Health    for    Hogs                                    .                   1    reel  See  also   "Poultry   Parasites  and  Their   Con- 
How    portable  '  colony    hog'houses'hel'p    the  trol,"   described   under    Bureau  of   Entomology, 
hog    to    keep     himself    clean,    and     self-feeders  CATTLE    PARASITES 
keep    him    from    "making    a    hog    of    himself."  (g         ,         ^^^^^  B^^^^^  of  Entomology.) 
AdvaiTtages   of  portable  houses  and  self-feeders  v^^^ 

in    producing   fat.    healthy   hogs.  Making  the   South  Tick-Free   (new) 1   reel. 

Uncle  Sam's  Pig  Club  Work 1  reel  The  Federal  and  State  cooperative  campaign 

The    formation    of    pig    clubs    among    boys,  in  the  Southern   States  against  the  cattle  fever 

and   one  boy's   success   in   raising  a  prize   hog.  tick  ;    various   stages    of   the   destructive   insect, 

Best  Breeds  of  Swine 1  reel  and    how    it    is    being    eradicated   by   means    of 

Examples   of   hog   aristocracy   in    the   United  the  dipping  vat. 

States,    with   scenes   showing  the   extent   of   the  Charge  of  the  Tick  Brigade   (an  animated  cartoon) 

swine    industry ;    made    with    Spanish    titles    to  ^                                                                              1    reel. 

encourage  the  sale  of  American  breeding  stock  P^^tj^  attacked  by  ticks.     Mortalities  result, 

m    South   American   countries.  ^^^^_   j~-^^^   -^   illustrated  lecture,   thanks   cattle 

Sheep  and  Wool  owners  for  not  dipping  cattle. 

Lambs  from   Range  to   Market    1   reel.  DAIRYING 

Ewes    and    lambs    grazing    on    National    For- 
ests ;    lambs    separated    from    ewes    at    end    of  Swiss  Cheese — Made  in  America   (new)  ....    1  reel. 
season   and   taken    to   feeding   yards   for   fatten-  Dairy   Division   methods  as  they  are  used  at 
ing;     fattening    of    lambs     on     different    feeds,  the  Grove  City   (Pa.)   Creamery,  which  is  oper- 
and  loading   lambs   on    trains   for  market.  ated  by   the  Government.     Making  cheese  that 

This     reel     largely    dpulicates     "Grazing    In-  formerly  was  largely  imported. 

dustry   on   the   National   Forests."  ,         .            -n          r     •.     (-u„.,..»     iuro.ii>     t^r^rr^     Prim's 

r>           Tir     1    .      ^1   .L                                            /,         ,  American     Roquefort     Cheese — Made     trom     ».-ow  s 

From   Wool   to    Cloth 2    reels.  jyjill^    (new)                   1    reel. 

Reel    l^Wool   sorted  and  weighed  at   ware-  i,York    at    the    Grove    Citv    (Pa.)    Creamery, 

house.      Buyers   purchasing  wool   from   sample  „5i„g   methods    developed   by    the   Dairy    Divi- 

'^"R®'  1      ,      T          II      T     *•!        c  t.     1         M.7     ,  sion.       How    the    secret    of    Roquefort    cheese 

.  ^    t,^-T^T^"j  ^f''*''^    School.        Wool  making    has    been    solved    and   adapted    to    this 

sorted    by    hand    and    cleaned    and    washed    by  country 

machinery.       Wool     carded     and     wound     by  , 

machines.  Milk-Made   Products    (new) 1   reel. 

Reel   3. — Wool   twisted   into   yarn   of  various  Laboratory   and    factory   methods   of   making 

grades,    then    woven    into    cloth.      The    15    pro-  dairy      products,      developed      by      the      Dairy 

cesses    of    shrinking,     singeing,     etc.,     through  Division. 

.        which  the  cloth  is  passed  after  weaving.  j^jjjjj  g^j   Honey    2  reels. 

Sheep  on  the  Farm  series:  A   dairy   romance,   in   which  methods  of  con- 

A  Year  with  the  Flock 1   reel.  ducting    a    modern    dairy    are    shown    as    part 

Selecting    a    purebred    ram    and    good    grade  of  the  story. 

ewes    in    the    fall    to    start    the    flock;    winter  Why  Eat  Cottage  Cheese? Ireel. 

management;    shepherds    spring   duties— dock-  ^-^i^^     Brown    learns    how    cottage    cheese    is 

ing,     shearing,     dipping;     sheep     on     summer  rn^de   from    skim   milk   at   a  modern   creamery 

P^^t"''^-  and     marketed,     and     how     to     use     it     in     the 

Wool  and   Lamb   Marketing 1   reel.  home.     Serves  it  to  her  family. 

How    wool    is    handled,    graded,    and    sold  „                •          ,       ,-.           ^     c-i„                          i   r-»»i 

-          through  community  and  county  wool  growers'  Construction  of  a  Concrete  Silo.  ..........    1  reel. 

■        associations;    how    lambs    are    graded    by    co-  .^H  steps  in   the  construction   of  a  concrete 

^        operative  lamb  marketing  clubs.  silo.                                                                 .._ 

KiUing  and  Dressing  Mutton  for  Home  Use  1  reel.  Construction  of  a  Wooden  Hoop  Silo......    1  '■^*^- 

Showing   the   proper   way   to   kill,   dress,   and  Method  of  construction  of  a  silo   of  wooden 

cut  mutton  and  Iamb.  hoops  and  staves. 

225 


"//^^  Never  Disappoint" 


BARNES 

PRINTING 
COMPANY 

INC. 

Printers  of  this  Book 

Printing  that  is  Distinctively  Different 

Specialists  to  the  Motion 

Picture  Industry 


229  W.  28th  St.,  NEW  YORK 

Phone  IFatkins  1416-1417 


226 


Cooperative  Cow-Testing  in  Vermont 1  reel. 

Work  of  cooperative  cow-testing  associations 
in     increasing     profits     and     improving     dairy 
herds. 
Sir   Lacteus,  the  Good  Milk   Knight 2  reels. 

A  little  girl,  averse  to  drinking  milk, 
dreams  she  is  kidnapped  by  Sir  Disease.  Her 
parents  appeal  to  Sir  Lacteus,  who,  aided  by 
his  cohorts,  Sirs  Fat,  Sugar,  Lime,  Protein, 
and  Vitamine,  defeat  Sir  Disease's  men  and 
rescue  the  child.  Through  this  fanciful  story 
the  food  value  of  milk  is  emphasized.  The 
picture  is  available  only  for  showing  to  chil- 
dren. 
Great  Dairy  Sires  and  Their  Daughters .....  1   reel. 

For  use  primarily  in  connection  with  the 
Federal  and  State  "better  sires,  better  stock" 
campaign.  Some  of  the  greatest  dairy  sires 
in  America  and  their  high-producing  off- 
spring. 

MISCELLANEOUS 
High    Steepers 1   reel. 

Types  of  light  horses — for  saddle  and  driv- 
ing— that  won  prizes  at  a  horse  show  in  an 
eastern  city. 

BUREAU    OF    PLANT    INDUSTRY 

Production 
(See    also    under    Bureau    of    Markets.) 

The  How  and  Why  of  Spuds  (new) 1  reel. 

From  producer  to  consumer.  Commercial 
production  of  the  born-and-raised-in-America 
potato,  second  only  to  wheat  as  a  human  food, 
as  practiced  with  modern  methods  and 
machinery  in  Aroostook   County,  Me. 

Garden   Gold    1    reel. 

(Bureau   of    Plant   Industry) 

John  Jasper  changes  from  a  confirmed 
golfer  to  an  enthusiastic  gardener ;  com- 
munity gardens  maintained  for  public  use  by 
an  American  city  apd  the  benefit  they  gave 
the  health  and  pocketbook  of  the  Jasper 
family. 

Home    Gardening 1    reel. 

Formerly  entitled  Feeding  America  from 
Its  Own  Back  Yard.  Proper  methods  for 
city  and  suburban  vegetable  gardens,  and 
some  examples  of  successful  ones. 
Wheat  Harvest  in  the  Pacific  Northwest.  .  .  2  reels. 
Harvesting  and  thrashing  operations  on  a 
big  scale.  Various  types  of  labor-saving 
machinery,  binders,  headers,  thrashers,  and 
combined    harvester    thrashers. 

Strawberry  Industry  in  Kentucky 1    reel. 

Cultivation  of  berry  plants  and  picking  ber- 
ries. The  sorting  and  handling,  down  to  the 
time  the  fruit  reaches  the  market. 

Dates — America's   New  Fruit   Crop 1    reel. 

How  Determination,  applied  science,  and 
irrigation  water  have  transformed  desert  land 
of  the  Southwest  into  productive  date  gardens  ; 
methods  of  date  culture  and  insect  control ; 
establishment  of  a  new  industry  through 
Government    efifort. 

Sweet  Potatoes  from  Seed  to  Storage 1   reel. 

Approved  methods,  as  worked  out  through 
Government  experiments,  of  sweet-potato 
growing ;  the  care  that  must  be  taken  against 
disease  in  this  crop.  This  reel  connects  with 
the  picture.  Sweet  Potatoes  from  Storehouse 
to  Market. 
Sweet  Potatoes  from  Storehouse  to  Market .  .  1  reel. 
See  description  under  Bureau  of  Agricultural 
Economics. 

Potatoes — Early  and   Late 1    reel. 

How  the  potato — unknown  to  the  Old 
World  until  the  discovery  of  the  Western 
Hemisphere — came  to  be  called  "Irish''  ; 
methods  of  growing  and  harvesting  early  and 
late  potatoes  in  the  Norfolk  district  of  Vir- 
ginia   and    New    Jersey. 

King  Apple's   Enemies 1   reel 

Insects  and  fungi  that  attadc  the  "king  of 
fruits" ;  mobilization  of  the  foes  for  attack 
on  King  Apple ;  their  defeat  by  the  light 
and  heavy  artillery — various  types  of  spraying 
a:  d    dusting    apparatus. 


"Leak  Disease"  of  Potatoes 1  red 

The  "Leak  disease"  in  the  California  Delta 
region.  Its  cause  and  its  prevention.  The 
leak  disease  under  the  miscroscope.  A 
technical  microscopic  study  of  the  parasitic 
fungus  Pythium  de  Baryanum. 
The    Barbarous    Barberry    (an   animated    cartoon). 

1    reel. 

Common  barberry  the  cause  of  wheat  rust. 
Science  magnifies  the  rust  germs  and  explains 
cause  and  effect. 

White  Pine  Blister  Rust  series : 
The   Story  of  White  Pine   (new) 1   reel. 

Eastern  white  pine  from  virgin  forest  to 
finished  products;  second  growth;  nursery 
planting;  with  special  reference  to  the  white 
pine  blister  rust,  a  serious  disease  introduced 
from  Europe. 
Logging  Eastern  White  Pine  (new) 1  reeL 

Methods   of   logging  and   lumbering   as   prac- 
ticed   in    Pennsylvania.      Portable   saw   mills   in 
New    England;    old-fashioned    water-power   mill 
of  colonial  days. 
Nature's  Crop  of  White  Pine  (new) 1  reeL 

Second  growth  of  white  pine,  which  is 
largely  replacing  virgin  timber  in  the  East. 
White  pine  reclaiming  waste  lands,  sandy  soil 
and  rocky  pastures.  A  valuable  crop  made 
more  valuable  by  care  and  cultivation. 
White  Pine — A  Paying  Crop  for  Idle  Lands  (new) 

1  reel. 

Reforestation  of  idle  lands  with  white  pine, 
showing  nursery  practice,  field  planting,  and 
care  of  plantations. 

A  Plant  Disease  and  How  it  Spreads 1   reeL 

(Bureau   of   Plant    Industry) 

A  microscopic  and  field  study  of  rhubarb 
blight,  used  as  an  example  to  show  the  work- 
ings of  the  minute  organisms  that  cause  plant 
diseases ;  about  half  of  the  scenes  were  photo- 
graphed through  a  high-powered  microscope; 
despite  the  technical  subject  the  picture  is 
suitable  for  use  before  non-technical  spectators. 
White  Pine,  the  Wood  of  Woods  (new)  ....    1  reel. 

Eastern  white  pine  from  log  to  lumber, 
illustrating  its  wide  range  of  usefulness.  Lum- 
ber yards,  stave  and  box  factory ;  making 
screen  doors,  window  screens,  boxes,  barrels,, 
and   buckets. 

STATES  RELATIONS  SERVICE 

Apples   and  the   County  Agent 2   reels. 

The  true  story  of  a  farmer  who,  unprogres- 
sive  and  unsuccessful  at  first,  is  later  enabled 
through  the  assistance  of  the  agricultural  ex- 
tension service  to  introduce  modern  methods 
in  production  and  marketing  of  apples,  and 
thereby  becomes  successful  and  prosperous. 
Extension  methods  and  progressive  practices 
as  applied  to  the  apple  industry  are  shown  in 
the  course  of  the  story. 

A    Matter  of   Form i    reel. 

How  the  home  demonstration  agent,  work- 
ing through  the  farm  bureau,  helps  the  women- 
of  Pleasant  View  Community  to  do  their  own 
sewing;  the  making  of  dress  forms;  Mrs. 
Little's  new  clothes  and  the  praise  they  won 
at    the   community   style   show. 

Layers  and  Liars i  reel. 

The  'historic  hen"  brings  a  new  rug  to 
Mrs.  Little's  home  and  unites  two  communi- 
ties in  a  work  worth  while ;  culling  and  other 
good  poultry  practices  as  explained  by  exten- 
sion  workers;   community  canning  of  the  culls. 

The    Happier    Way i    reel. 

Shows  how  the  women  of  Pleasant  View 
got  in  touch  with  labor-saving  devices  for 
household  use;  how  a  farm  water  system  gave 
Mrs.  Little  time  for  real  enjoyment  of  country 
life;  and  how  other  conveniences  made  farm 
life   more   attractive. 

Food  for   Reflection 3  reels 

The  need  for  a  hot  school  lunch  in  the 
school  at  Pleasant  View  and  how  the  women 
of  the  community  raised  money  to  buy  and 
install    the    equipment.      The    operation    of    the 


227 


w  tv.      °u      ""f^.^"''    ''s    beneficial    results 
for  the  school  children ;  weighing  and  measur- 
mg   demonstrations;    with   the   conclusion   that 
children  are  the  best  crop  the  farm  produces." 
The   Home   Demonstration  Agent.  . .  3   reels 

^ff?/fc  "'°''\,with  vvomen  and  girls 'and  its  ' 
ettects  on  the  whole  community,  but  par- 
ticularly upon  Mrs.  Meade  and  her  daughter. 
Mabel,  who  have  known  none  of  the  benefits 
°^HvT.'  f^«"°"f''^*'°"  ^V°rk;  the  new  agent's 
arrival;  how  she  organizes  the  countyT  she 
demonstrates    home    conveniences;     the    girl's 

tZT^  ".^u^'  "'^  ^^^  ^'^'='^;  the  community 
Mtcnen,    the   county   encampment   and   picnic- 

mlhtf^'^'V^  '='"''  ^°'^  *t  the  county  fair; 
Mabel  finally  wins  first  prize,  a  trip  to  thi 
college  short  course;  activities  at  the  short 
com-se;    several    years    later.    Mabel    a    home 

American  Home   Canning  in   France   (new)    1   reel 

Demonstrations   of   American    home   canning 

S  af  r^;"""    '"   i'^   ^'   *ll^   agricultural    col^ 

thf  TJi;t?r[%°'/'    ^n^"'^^'    ^y   specialists    from 

the    United    States    Department    of   Agriculture 

ricukure.''"''   '°^  *'"   ^^^^"^^   *^'"«*^^   °"  Ag' 

Fresh  Fish-Can  It   (new i^   ^eel 

Fish  freshly  caught  is  canned  in  a  stream 
pressure  canner  on  the  banks  of  the  stream  ■ 
the  Ideal  way-taking  the  canner  to  the  fish 
drying  F  ruits  and  Vegetables  in  the  Home  1  reel 
Types  of  dners,  methods  of  drying,  packing 
conditioning,  and  lal,eling  tomatoe!  '^arrotl' 
and   other    root    vegetables,    corn,    berries     and 

SA'  r^^^  '""'=^^°'J  °f  dried'delicac4s  at 
tended   by   the  wives   of  cabinet   officers. 

Club  Champions  at  Camp  Vail 2  reels 

heM     Jn^/'    a    boys'    and    girls'    encampment    ' 
Held    in    connection    with    an    interstate    fair 
featuring    exhibits,    demonstrations,    and    judg! 
ing  contests   by   teams   which   have   won   State 
championship    honors. 

Cured    by    Canning j         , 

How  films  and  idleness  in  "a  '  Middle'  West 
rural  community  were  banished  by  the  firit 
mother-daughter  canning  club,  which  con 
verted   products   formerly^  wasted   h^t^  canned 

(State     Relations  '  Service) ^^^" 

Showing    the    operation    of    the    agricultural 

ex  ens:on   system   among  negro   farmfrs   of   the 

fnH   /i/"k    "'ir  .f^™!"^s;    how   it   was   begun! 
and   the   benefits   it   gives. 

'^^r%f'^    o^V'P-  f"""  ^°ys  and  Girls 1  reel 

(State    Relations    Service)  

Work  and  play  at  one  of  the  camps  where 
club    boys   and   girls   learn    better    farmfng   and 

n^lrt^H^,^"''/'^   T^^"'"^   °f   4.H-flead, 
•ntart,    tland   and   Health. 

The  Farm  Bureau  Comes  to  Pleasant  View  2  reels 

ihis  picture  and  the  four  following  picturize 
the  organization  of  a  rural  community  for 
farm  bureau  work  and  some  of  the  good  re- 
3ults  obtamed.  especially  for  the  farm  women. 
...„^he  first  picture  of  the  series  shows  how 
Grandpa  Little  got  in  touch  with  the  exten- 
-3ion  agents  _  and  interested  Pleasant  View 
Community  in  the  farm  bureau  organization; 
the  prepara  lon  of  a  program  of  communit^ 
work  and  the  organization  meeting,  followed 
by  a  renewal  of  the  community  social  life. 

FOREST    SERVICE 
„„  Game   Protection 

When   Elk   Come   Down 2   reels 

The  pursuit  of  an  elk  poacher  by' W'forest  ' 
ranger  through  the  great  mountains  in  the 
Absaroka  National  Forest,  Mont.;  the  poach- 
er s  capture  and  punishment ;  need  for  protect- 
mg  the  elk  from  poachers  and  starvation : 
cooperation    with    the    State   game   department! 

Scenery  and  Recreation 
For?s?'("nJw'^  Through  the  Washington  National 

A  trip  with  mules,  a  tent. 'and 'a'c'an'o'e  kcross' 
the    northern     Cascades.       Fording    mountain 
streams   and   crossing   glaciers. 


Summer      Fun     on     Western     National     Forests 
(revised)     1    rgeL 

Formerly  National  Forests  as  Recreation 
Grounds.  Fishing,  boating,  riding  and  motor- 
ing in  some  of  the  National  Forests  of  the 
West.  Restocking  the  lakes  and  streams  with 
fish   fry   from   the   State  hatcheries. 

Summer    Home    on    the     Sierra    National    Forest 

("(^■w)     1    reel. 

Anybody  can  rent  land  from  the  Government 
and  build  a  summer  home  on  one  of  151  Na- 
tional Forests.     How  it  is  done. 

Combined   with — 

Water  for  Cities  from  National  Forests   (revised). 
Formerly    Bull    Run — Portland    Water    Sup- 
ply.     How    the    water    supply    of    Portland    is 
protected    on    the    Oregon    National    Forest. 

Trails  that  Lure    (new) 1   reel. 

Over  the  Columbia  Highway,  with  its  view 
of  mountains  and  river,  into  the  gorge  of  the 
Columbia  with  its  many  waterfalls ;  leaving  the 
highway  at  Eagle  Creek  Camp  G  rounds  for 
a  hike  up  the  Eagle  Creek  trail  to  Wahtum 
Lake,  in  the   Oregon  National  Forest. 

Camera      Hunting     on     the      California      National 
Forests    1   reeL 

An  early  spring  deer  hunt — with  a  camera. 

Vacation  Days  on  the  National  Forests 1  reel. 

Camping  on   the   Crater  and  Wasatch;   Boy 
Scouts'   summer   camps   on   the   Santa   Fe  and 
Oregon ;   a  summer  school  on  the   Sierra. 
Wichita     National     Forest     and     Game     Preserve 

See   description   under    "Biological   Survey." 

Sentinels  of  the  Sunset  (new) 1  reel. 

Scenes  near  and  on  Mount  Lowe  and 
Mount  Wilson,  Calif.;  views  of  the  Mount 
Wilson   Observatory. 

Also   includes — 

Summer  Camps  for  Cities   (revised). 

Showing  a  municipal  camp  maintained  in 
the  Angeles   National   Forest. 

National  Forests  of  Colorado  series : 

Little     Journeys     in     the      National     Forests      of 
Colorado  (new)   1  reel. 

Scenic     trips     from     Denver     and     Colorado 
Springs   into  some  of  the   16   National   Forests 
of  Colorado.       Pike's  Peak,  the  Garden  of  the 
Gods,   Mount   Manitou,   and   Carroll   Lake. 
Outdoor    Life    in    the    Rockies — National    Forests 
of  Colorado   (new)    1  reel. 

Through  Glenwood  Canyon  in  the  Holy 
Cross  and  White  River  National  Forests. 
Hanging  Lake;  Glenwood  Springs;  pack  trip 
to  SnoA-mass  Lake;  by  auto  to  Big  Thompson 
Canj'on. 
A  Sportsman's  Paradise — National  Forests  of 
Colorado  (new)    1  reel. 

Fishing  in  Trappers  Lake,  Cache  La  Poudre 
Canyon,    and    the    North    Fork    of   White    River ; 
a  bear  hunt.     A  visit  to  the  Twin  Sisters  fire 
lookout. 
Wonderland  of  Canyons  and  Peaks     (new     1   reel. 

The  Royal  Gorge  trip ;  Leadville,  Lake 
Creek ;  across  the  Continental  Divide  to  the 
Mount  of  the  Holy  Cross. 

National   Forests  of   New  Mexico  series: 

Old   Santa  Fe,   the   Gateway  of  the   Santa   Fe  Na- 
tional Forest    1   reel. 

Points   of  historic   interest   in   Old   Santa    Fe. 

De  Vargas  Day  in  Santa  Fe,  N.  Mex 1  reel. 

Religious  festivals  celebrating  historic  events. 
Types  of  Spanish  architecture. 

The  Santa  Fe  National  Forest 2  reels. 

A  trip  by  horseback  to  points  of  interest  in 
the  Santa  Fe  Forest.  Fishing  in  the  Pecos; 
a  visit  to  the  Panchuela  ranger  station  ;  skiing 
in  June ;  a  trip  to  Spirit  Lake  and  to  the  Con- 
tinental Divide. 
The   Prehistoric    Bandelier 2   reels. 

The  Bandelier  National  Monument  in  the 
Santa  Fe  National  Forest,  where  the  ruined, 
silent  cities,  containing  more  than  20,000  cliff 
dwellings,  give  evidence  of  a  high  type  of 
civilization.  Visits    to    ancient    and    modern 

Indian    pueblos. 


228 


When  Cowboys  Get  Together 1  reel. 

A  reproduction  of  sports,  of  f  rentier  days 
by  cowboy  s  of  to-day,  showing  some  of  the 
sports  that  have  made  western  horsemanship 
famous  the  world  over  and  that  furnish 
material  for  many  tales  when  the  cowboys  get 
back   on    the    ranges   of   the    National    Forests. 

Up  to  Hyalite   1   reel. 

Adventures  of  a  p  arty  of  tenderfeet  in  Mid- 
dle Creek  Canyon,  Gallatin  National  Forest, 
Montana;  the  search  for  them,  headed  by  For- 
est Service  men,  and  some  of  the  scenic 
beauties  observed  by  the  searchers. 

Tumbling  Waters    1   reel. 

Waterfalls  and  other  scenic  wonders  in  one 
of  "nature's  last  stands."  Middle  Creek  Can- 
yon,   Gallatin   National   Forest,   Mont. 

Meadows    and    Mountains 1    reel. 

Elk  feeding  grounds,  mountains,  waterfalls, 
and  other  points  of  interest  and  beauty  in 
West  Gallatin  Canyon,  Gallatin  National  For- 
est, Mont. 

Cloud-Busting    1   reel. 

Adventures  of  an  automobile  touring  party 
in  the  White  Mountain  National  Forest,  N.  H. 

Hitting  the  High  Spots 1  reel. 

Tramping  and  camping  amid  the  scenic 
wonders  of  the  White  Mountain  National 
Forest,   N.    H. 

Under  the  Great   Stone  Face 1   reel. 

Tramping  to  points  of  interest  in  the  White 
Mountain  National  Forest,  N.  H.,  including 
the  famous   "Old  man  of  the  mountains." 

King    Snow   Holds    Court 1    reel. 

Ski  jumping,  skating,  and  other  winter  sports 
at  a  winter  carnival  in  the  White  Mountain 
National  Forest,  N.  H. 

When  North  Winds  Blow 1  reel. 

A  steam-heated  flat  dweller  finds  new  vigor 
when  he  travels  to  the  White  Mountain  Na- 
tional   Forest    and   joins    in    a    winter    carnival. 

She's  Wild   1   reel. 

Cowboys  on  the  western  ranges;  with 
broncho-busting,  roping,  and  tying,  and  other 
exhibitions  of  range  prowess  at  a  cowboy 
gathering. 

FOREST  FIRE  PREVENTION 
Winged  Guardians  of  the  Forest  (new) ....  1  reel. 
Patrolling  for  forest  fire  with  airplanes  and 
balloons ;  also  used  in  spotting  fires.  Scout- 
ing for  fires  from  March  Field,  Calif.  Fire 
is  discovered.  Soldiers  and  forest  rangers  to 
the  rescue.     Methods  of  fire  fighting. 

Trailing  Forest  Fires    (new) 1  reel. 

Auto  tours  and  detours  through  the  Na- 
tional Forests ;  across  the  Continental  Divide 
over  the  Cochetopa  Pass  Road ;  enjoying  the 
scenic  views  until  a  forest  fire  is  discovered ; 
some  of  the  causes  of  forest  fires. 
What   a    Careless    Hunter   in   the   Woods    Can   Do 

1  reel. 
A   forest    fire   started   by   a   careless   hunter, 
the  methods  of  the  Government's  fire  fighters, 
and  the  destruction  of  a  town  by  the  fire. 

LUMBERING    AND     GRAZING 
(See  also  under  Bureau  of  Plant  Industry) 

Pines  That   Come  Back 1   reeL 

How  timber  will  give  a  profitable  return  on 
farm    lands    not   suitable   for   field    crops;    good 
forestry    practices   and   uses    of    timber.    (Par- 
ticularly  applicable   in   the   South.) 
Winter  Logging  in  the  White  Mountains...!  reel. 
Utilization  of  timber  in  the  White  Mountain 
National    Forest,    N.    H.      How    the    lumber- 
jacks   live    and    work. 
Lumbering  Pine  on  the  Arapaho   National  Forest, 

Colo 1  reel. 

Formerly  Lumbering  Lodgepole  Pine.     How 
Government    timber    is    cut    under    regulation. 
Making    Railroad    Ties    on   the    Wasatch    National 

Forest.    Utah 1    reel. 

Formerly  Lodgepole  Pine  for  Railroad  Ties. 
Pines    cut    into    railroad    ties. 

Grazing  on  National  Forests 1   reel. 

Cattle  and  sheep  grazing  on  the  National 
Forests   of   the   West. 


FOREST     PRODUCTS     WORK 
Work  of  the  Forest  Products  Laboratory..    1  reel. 
Work   at   the    Forest    Products    Laboratory, 
Madison,    Wis.,    in    timber    testing;    the    pre- 
servative treatment  of  timber,  the  manufacture 
of  paper  from  wood  waste ;  methods  of  service 
to  manufacture. 
War    Work    of    the    Forest    Products    Laboratory 

2  reeu 
War  discoveries  useful  now  to  farming  and 
industry.      Wood    tests    for    airplane    construc- 
tion.    Waterproof  glues  and  laminated  wooden 
construction  developed. 

MISCELLANEOUS 
The  Work  of  a  Forest  Ranger 1  reeL 

The  varied  life  and  duties  of  forest  rangers 
on    the    National    Forests. 

Future  Forest  Giants 1  reeL 

Reforestation  on  the  National  Forests. 
Planting  seedlings  and  sowing  tree  seeds  in 
denuded    areas    of   national    forests. 

Work  of  the  Forest  Products  Laboratory 1  reel. 

Work  at  the  Forest  Products  Laboratory, 
Madison,  Wis.,  in  timber,  testing;  the  preserv- 
ative treatment  of  timber,  the  manufacture  of 
paper  from  wood  waste ;  methods  of  service 
to   manufacture. 

BUREAU  OF  ENTOMOLOGY 

Insects  Attacking  Plants 

Good-by,  Boll  Weevil  2  reels. 

Shows  the  calcium  arsenate  method  of  com- 
bating the  boll  weevil;  various  types  of 
poisoning  machinery  ;  methods  of  application  ; 
tests  of  poisoning  material  made  by  the  Fed- 
eral Government,  and  seizures  of  material 
condemned  as  unsafe  for  use;  a  story  of  the 
experience  of  four  cotton  growers  runs  through 
the   picture. 

How  to  Poison  Boll  Weevils 1  red 

At  a  meeting  arranged  by  the  county  ag- 
ricultural agent,  a  lecturer  explains  the  proper 
methods  of  poisoning  cotton  to  control  the 
boll  weevil;  methods  of  poisoning  are  shown; 
this  film  treats  in  detail  matters_  mentioned 
generally    in    Goodbye,    Boll    Weevil. 

Cotton's    Worst    Enemy — The    Pink    Boll    Worm 

1  reeL 
Shows  clean-up,  under  the  direction  of  the 
Federal  Horticultural  Board,  of  10,000  infested 
acres  in  Texas.  Sweeping  of  fields  and  burn- 
ing of  plants.  Fumigation  of  imported  cot- 
ton. Distinction  between  pink  boll  worm  and 
boll   weevil. 

An  Undesirable  Alien 1   reel. 

The  European  corn  borer's  menace  to  the 
great  American  corn  crop ;  quarantines  and 
control  methods  used  in  New  England  to  pre- 
vent  the   spread   of   this   dangerous   pest. 

Fighting  Western   Pine   Beetles 1    reel. 

Insects  are  contrasted  with  fire  as  enemies 
of  the  great  forests  of  the  Pacific  Coast ;  how 
the  pine  beetles  destroy  valuable  stands  of 
timber,  and  how  the  beetles  may  be  controlled 
through  methods  worked  out  by  Government 
entomologists. 

Dangerous    Invaders 1    red. 

How  the  gipsy  and  brown-tail  moths  gained 
a  foothold  in  New  England,  their  damage  to 
trees,  and  how  they  are  being  fought  to  pre- 
vent  their   spread   over    the   country. 

King   Apple's   Enemies 1    reeL 

See  description  under  Bureau  of  Plant  in- 
dustry. 

The  Most  Wonderful  Insect  in  the  World...  1  reeL 
The    periodical     cicada,     or     17-year    locust. 
Its   long   disappearance  under  the   ground,  and 
its     appearance    after     17     years    for     a     short 
period   of   aerial   life. 

Safeguarding    the    Citrus    Fruit 1    reel. 

Fumigation  of  citrus  fruit  trees  in  southern 
California.  Methods  used  in  preventing 
damage   to   orange   and   lemon   trees. 

Apples  and  Other   Crops 1   reeL 

Progress  of  apples  from  the  orchard  to  the 
cannery ;  glimpses  of  truck  crop  production, 
including  celery,  cabbage,  carrots,  lettuce, 
and   beets. 


229 


Uncle  Sam,  World  Champion  Farmer 1  reel. 

How  the  United  States  leads  the  world  in 
food  production  ;  revised  one-reel  version  of 
picture  formerly  called  Agricultural  Resources 
of  the  United  States. 

BUREAU    OF    MARKETS 

Cotton 

(See  also   under   Bureau  of  Entomology.) 

Cotton — Planting   and   Cultivation 2   reels. 

How   the   South  grows  its  great  crop. 

Cotton — Ginning   and    Marketing 2   reels. 

Types  of  cotton  and  bales. 

Cotton  Manufacture   4  reels. 

Carding  and   weaving  cloth. 

WHEAT 

(See  also  under  Bureau  of  Plant  Industry.) 

Wheat — Sack    Handling    1    reel. 

Various  steps  in  handling  sacked  grain  in 
the    Pacific    Northwest. 

This  and  the  next  two  films  show  methods 
of  handling  from  the  time  the  great  wheat 
fields  of  the  Pacific  Northwest  are  harvested 
until  the  wheat  leaves  an  eastern  port  for 
shipment   overseas. 

Wheat — Bulk    Handling    1    reel. 

Showing  the  rapidity  with  which  great  quan- 
tities of  grain  can  be  handled  by  this  new 
and  more  economical  method  and  the  vastness 
of  the  operations. 

Wheat — Transportation    and    Storage 1    reel. 

From    the    northwestern    plains    to    Duluth, 
from    there    by    water    to    Buffalo,    thence    to 
Baltimore   for   shipment   overseas. 
Wheat   Grading   Under   Federal  Supervision  1    reel. 
Tests    to    which    wheat    is    subjected    when 
graded  under  Federal  supervision. 

BUREAU     OF     CHEMISTRY 
Dust  Explosions  in  Mills  and  Elevators...   2  reels. 

Some  of  the  causes,  results,  and  means  of 
preventing  grain  dust  explosions  in  mills  and 
elevators ;  laboratory  tests  showing  the  in- 
flammability of  grain  dusts  and  the  velocity  of 
propagation ;  results  of  five  dust  explosions 
which  occurred  during  the  summer  of  1919; 
suction  sweeps,  revolving  dampers,  and  other 
preventive  devices. 
Explosive   Dusts    (new) 1    reel. 

A  brief  presentation,   in   less  technical  form, 
of  the  same  subject  covered  in   "Dust  Explo- 
sions in  Mills  and  Elevators." 
Dust  Explosions  in  Thrashing  Machines...   2  reels. 

Explosions  and  fires  in  thrashing  machines, 
their  causes  and  results.  Use  of  preventive 
devices — suction  fans,  fire  extinguishers,  wire 
systems.  Experiments  with  dust  from  starch, 
flour,  sugar,  coal,  and  sulphur  made  by  Bureau 
of   Chemistry  and   Bureau  of  Mines. 

BUREAU  OF  AGRICULTURAL  ECONOMICS 

Production's   Pulse 2   reels. 

How  Government  crop  reports  are  made  by 
the  work  of  215,000  crop  reporters,  and  how 
they  are  released  to  the  public,  placing  the 
farmer  on  a  par  with  the  speculator  in  farm 
products;  the  crop  report  is  followed  from  the 
field   to   the   newspaper. 

The  Golden  Fleece 1  reel. 

Jason,  a  progressive  farmer,  learns  that 
clean  handling  of  wool,  grading,  and  co- 
operative selling  will  bring  success  in  his 
search  for  "the  golden  fleece." 
Swreet  Potatoes  from  Storehouse  to  Market  1  reel. 
Approved  methods  of  storing,  grading,  and 
shipping  sweet  potatoes;  how  to  prevent  losses 
in    storage    and    transportation. 

Western  Cantaloupe  Industry 1   reel. 

Harvesting    and     marketing    cantaloupes     in 
the_  Turlock    and    Imperial    Valley    regions    of 
California. 
Potato    Indrrtry    in    'h'    California    Delta    Region 

1    reel. 
Potato     harvesting     and     marketing     in     the 
California    Delta    region. 

Cooperative    Berry    Growing 1    reel. 

Cooperative  growing,  purchasing,  market- 
ing, and  canning  in  a  communitv  in  the  North- 
west. 


To    Market!      To    Market 1    reel. 

Types  of  public  markets  in  the  United 
States,  and  how  the  housewife  may  economize 
by  going  to   them  with  a  market  basket.       _____ 

Best  Breeds  of  Swine 1  reel. 

See  description  under  Bureau  of  Animal 
Industry. 

BUREAU    OF    PUBLIC    ROADS 
Modern  Concrete  Road  Construction........!  reel 

Approved  methods  of  highway  building  by 
the  use  of  concrete ;  some  of  the  modern 
machinery  and  practices  used  in  this  work ; 
a  contrast  is  drawn  between  old-fashioned  mud 
roads  and  modern  highways ;  the  ending  is  a 
race  between  a  railway  train  and  a  motor 
truck   on   a   concrete   road. 

Mixed    Asphalt    Pavements 1    reel. 

Construction  of  asphaltic  concrete  and  sheet 
asphalt  roads  as  approved  by  the  Bureau  of 
Public  Roads  in  administering  the  Federal  aid 
road  act,  from  asphalt  plant  to  finished  road. 

Building  Bituminous  Roads 1  reel. 

How  Uncle  Sam,  as  the  world's  greatest 
road  builder,  constructs  surface  treated  and 
penetration  macadam  pavements.  The  intro- 
ductory scenes  show  sources  of  bituminous 
materials,  and  laboratory  tests  to  determine 
quality. 

Brick — From  Clay  to  Pavement 1  reel. 

The  progress  of  clay  through  the  factory 
until  it  is  laid  on  the  road  as  vitrified  paving 
brick  ;   some  finished  brick  roads. 

"What   About    Macadam?" 1    reel. 

Approved  methods  of  building  macadam 
highways   on    Federal   aid   projects. 

Granite  Block  Paving 1   reel. 

From  the  quarry  to  the  finished  pavement  in 
large  cities. 

Highroads  and   Skyroads 1   reel. 

Building  Government  roads  through  the  Na- 
tional Forests ;  obstacles  overcome  and  scenic 
beauties    reached. 

Around  the  West  by  Forest  Roads 1  reel. 

Examples  of  forest  roads  built  by  the  Bureau 
of  Public  Roads  in  Colorado,  Oregon,  Califor- 
nia, and  Arizona. 

Building  Forest   Roads 1   reel. 

Men  and  machinery  at  work  in  the  Na- 
tional Forests,  pushing  good  highways  through 
the   great   mountains   and   woodlands. 

BIOLOGICAL    SURVEY 
Anne's  Aigrette 1  reel. 

Anne  shows  her  new  hat  to  her  husband, 
who  notices  the  plume,  explains  it  is  an 
aigrette — the  nuptial  plume  of  the  egret — and 
tells  how  the  egrets  have  been  almost  ex- 
terminated by  plume  hunters ;  egrets  are 
shown  in  a  Federal  bird  refuge,  a  great 
cypress  swamp  in  Arkansas ;  Anne  decides 
she  will  not  wear  the  plume. 
National  Bird   Refuges 1   reel. 

A  trip  on  a  Government  patrol  boat  to 
Federal  bird  refuges  on  islands  in  the  Gulf 
of  Mexico,  off  the  coast  of  Louisiana ;  brown 
pelicans,  royal  terns,  laughing  gulls,  black 
skimmers,  and  other  birds. 
Last  Days  of  the  Prairie  Dog 1  reel. 

The  prairie  dog  in  Arizona,  the  damage  he 
does  to  farming,  and  the  work  of  the  Biological 
Survey   toward   the  extermination   of  the  pest. 


Illuminating  Electrical  Engineers  Society 
Los  Angeles 

Officers — G.  E.  McCormac,  President ;  H.  Ew 
ing,  Vice-President ;  J.  C.  Reynolds,  Secretary 
Treasurer;    R.    Hostetter,   Publicity. 

Members — H.  Brown,  Ed.  Brewer,  Ed  Christ 
F.  G.  Carpenter,  H.  E.  Collins,  P.  Coats,  R 
Daggy,  A.  C.  Helvey.  R.  E.  Houck,  W.  L.  Har 
men,  L.  Johnson,  L.  Kolb,  W  Linahan,  L.  Myers 
F  S.  Mills,  W  L.  McPheeters,  E.  V.  Morris 
F.  N.  Murphy,  W.  McClearn,  R.  E.  Naumen,  H 
Sylvester,  G.  Shour,  W.  Whistler,  A.  Wayne,  T 
Thompson,  W.  Johnson,  Geo.  Hager,  Leo  Green 
A.  Reed,  Geo.  Breslin,  honorary  member  and 
attorney  at  law. 


230 


Statistics  of  the  Motion  Picture  Industry 

(Published  by  Courtesy  of  The  Motion  Picture  News) 

In  November  The  Motion  Picture  News  published  the  result  of  the  investigation 
which  was  made  by  the  News,  Babson's  Statistical  Organization  and  Columbia  Uni- 
versity, and  furnished  the  following  statistics  relative  to  the  industry.  These  figures 
are  based  on  the  result  of  a  questionnaire  sent  to  10,000  exhibitors  in  the  United  States. 


Taking  up  first  the  matter  of  seating  capac- 
ity, tabulation  of  the  questionnaires  showed  the 
following  percentages  of  houses  of  various  sizes: 

0    to    250    seats 26.88% 

251   to   500   seats 36.91% 

501    to    1,000    seats 27.44% 

1,001   to   1,250   seats 3.20% 

1,251    to    1,500    seats 2.37% 

1,501    to    2,000    seats 2.23% 

More    than    2,000    seats 0.97% 

Applying  these  figures  to  a  total  of  14,000 
theatres,  (which  figure  is  being  used  pending 
final   data),   we    have   the   following: 

0    to    250    seats 3,763 

251    to   500   seats 5,167 

501    to    1,000    seats 3,842 

1,001    to    1,250    seats 448 

1,251    to    1,500    seats 332 

1,501    to    2,000    seats 312 

More     than     2,000     seats 136 

The  next  set  of  figures  relates  to  the  number 
of  days  each  week  which  the  theatre  is  open, 
and   gives   the   following   results: 

Open    1    day 6.87% 

Open    2    days 13.01% 

Open    3    days 10.38% 

Open    4    days 5.42  % 

Open    5    days 2.33  % 

Open    6    days 30.13% 

Open    7    days 31.87% 

Applying  these  figures  to  the  total  number  of 
theatres,  as  in  the  former  instance,  develops 
the    following: 

Open    1    day 962 

Open    2    days 1,821 

Open    3    days 1,453 

Open    4    days 758 

Open    5    days 326 

Open    6    days 4,218 

Open    7    days 4,462 

The  total  number  of  people  employed,  includ- 
ing manager,  musicians,  and  others,  resulted 
in    the    following    percentages: 

1  person    1.20% 

2  persons    3.15% 

3  persons    9.28% 

4  persons     16.62% 

5  persons    14.97% 

6  persons     13.92% 

7  persons    8.09% 

8  persons    5.24% 

9  persons     4.94% 

10  persons    4.79% 

11  persons    2.10% 

12  persons    1.95% 

13  persons     1.04% 

14  persons    1.95% 

15  persons     1.94% 

More   than    15    persons    8.83% 

Reducing  this  to  terms  of  theaters  gives  the 
following  number  with  the  various  numbers 
of    employes: 

1  person    168 

2  persons    441 

3  persons    1,299 

4  persons    2,327 

5  persons    2,096 

6  persons    1,949 

7  persons    1,133 

8  persons    734 

9  persons    692 

10  persons    671 

11  persons    294 

12  persons    273 

13  persons    145 

14  persons    271 

15  persons     271 

More    than    15    persons     1,236 


The  next  question  asked  was:  "Have  you 
exhibitor  competition?"  The  replies  were  as 
follows: 

Exhibitor    competition     47.68% 

No   exhibitor  competition    52.32% 

In    terms    of    theaters,    this    would   be: 

Exhibitor    competition     6,675 

No    exhibitor    competition     7,325 

The  following  question  related  to  the  type  of 
theater;  whether  city,  first  run,  city,  second 
run,  neighborhood  or  small  town.  For  some 
reason,  however,  less  than  half  of  those  sending 
in  questionnaires  checked  this  question  and 
since  the  conclusions  based  on  this  might  be 
misleading,  this  is  being  deferred  until  it  can 
be  checked  further. 

With  regard  to  admission  prices,  very  com- 
plete returns  were  obtained.  First,  as  regards 
matinee  prices,  the  following  averages  were 
arrived    at: 

10   to  24  cents 83.79%, 

25   to  49  cents 15.24% 

60   to  99  cents 0.73%o 

$1.00    and    more    0.24% 

This,   in   terms  of  theaters,  is: 

10  to  24  cents 11,731 

25   to  49  cents 2,134 

50   to   99   cents 102 

$1.00    and    more 88 

On  evening  prices,  the  following  average  fig- 
ures   were   tabulated: 

10    to    24    cents 56.44% 

25    to    49    cents 40.30%, 

50    to    99    cents 3.07% 

$1.00     and     more 0.19% 

Or,    in    terms    of    theaters: 

10    to    24    cents 7,901 

25    to    49    cents 5,642 

50    to    99    cents 430 

$1.00     and     more 27 

It  will  be  noticed  that  the  number  rising 
above  the  25-cent  level  is  greatly  increased  in 
the  evening,  with  a  considerable  increase  also 
shown  in  the  50  to  99  cent  range.  The  num- 
ber over  one  dollar  appear  as  slightly  less  in 
the  evening  than  in  the  afternoon,  due  to  the 
fact  that  several  of  these  theaters,  operating 
on  one  scale  only  checked  these  prices  only 
against  this  matinee.  This,  however,  does  not 
materially    affect    the    major    items. 

One  of  the  most  significant  items  in  the 
entire  survey,  that  relating  to  the  number  of 
theaters  which  have  lowered  their  admission 
prices    recently,    follows.      The    results    are: 

Have   lowered   prices    recently 32.55% 

Have    not    lowered   prices    recently 67.45% 

Or,   in   numbers   of  theaters: 

Have    lowered   prices    recently 4,557 

Have   not    lowered    prices    recently 9,443 

Another  much  debated  question,  that  of  rais- 
ing prices  on  special  attractions,  was  also  in- 
cluded.     This    showed    the    following: 

Raise    on    specials 55.80% 

Do    not    raise 44.20% 

Or,   again,    reduced   to  number  of   theaters: 

Raise    on    specials 7,812 

Do    not    raise 6,188 

The  next  group  of  figures,  relating  to  the 
number  of  paid  admissions  daily,  as  reported 
by  these  theaters,  is  particularly  interesting 
when  compared  with  the  seating  capacity  of 
these  same  theaters.  The  figures  are  as  fol- 
lows: 

0   to    100   patrons    daily     15.63% 

101    to   200    patrons     33.89% 

201    to   300    patrons     16.23% 

301    to   400    patrons     7.82% 

401    to   500    patrons     8.62% 


231 


'ENEMIES  OF 
WOMEN" 

"CAQOICAN" 


"the 

3ECRE"ra 


PAR\S" 

"THE 
HEART 

OF  MARYLAND" 


232 


ij 


501    to   600    patrons     4.61% 

601    to   750    patrons     1.80% 

751    to    1,000     patrons     4.01% 

1,001    to    1,500    patrons     2.80% 

1,501    to    2,000    patrons     2.41% 

More    than    2,000    patrons     2.20% 

This,    in    terms    of    theaters,    gives: 

0   to   100    patrons    daily    2.188 

101    to    200    patrons     2,742 

201    to   300    patrons     2,272 

301    to   400    patrons     1,095 

401    to    500    patrons     1,207 

501    to   600    patrons     646 

601    to   750    patrons     252 

751    to    1,000    patrons    561 

1,001    to    1,500    patrons     392 

1,501    to   2,000    patrons     337 

More   than   2,000   patrons    308 

The  proportions  of  tlieaters  making  from  one 
to  seven  changes  of  program  each  week  proved 
to  be  as  follows : 

1  change      per   week 9.90% 

2  changes    per   week 21.54% 

3  changes   per   week 24.60% 

4  changes   per   week 17.76% 

5  changes    per   week 7.28% 

6  changes   per   week 15.43% 

t   changes    per   week 3.49% 

It  will  be  seen  that  the  largest  nvimber  change 
three  times  weekly,  with  the  two  change  houses 
only  a  bit  behind.  Four  changes  and  six 
changes  follow,  with  one,  five  and  seven  changes 
at   the   end   of  the   list. 

The  following  question  bears  an  intimate  re- 
lation to  that  just  analyzed — the  number  of 
shows  given  daily.  This  developed  some  rather 
surprising  facts,  and  showed  that  comparatively 
few  houses,  taking  the  country  as  a  whole, 
run  continuously,  a  large  number  running  but 
two    and    three    shows. 

The  tabulated   figures   are  as   follows: 

1  show      daily    24.74% 

2  shows    daily    33.58% 

3  shows    daily     11.93% 

4  shows    daily    7.81% 

5  shows    daily     10.16% 

6  shows    daily    6.04% 

7  shows    daily    3.39% 

8  shows    daily    1.03  % 

9  shows    daily    0.15% 

10  shows    daily     0.29% 

11  shows    daily     0.29% 

'  12    shows    daily    0.59% 

Arranging  these  in  order  of  size,  we  find  that 
more  than  one-third  of  all  theaters  run  only 
two  shows  daily,  with  a  fourth  running  one. 
Following,  in  order  are:  Three,  five;  four,  six: 
seven,   eight;    twelve,    ten;   eleven,   nine. 

The  number  of  reels  to  a  program  constituted 
the  next  question  to  be  filled  in,  and  unusually 
complete  returns  were  obtained  on  this,  hardly 
a    theater    failing    to     answer    the    question. 

As  might  be  expected,  the  majority  of  thea- 
ters are  grouped  in  the  zone  between  six  and 
ten  reels  to  the  program.  The  detailed  figures 
are: 

1-reel    program     0.13% 

2-reeI    program     0.65% 

3-reel    program     0.13% 

4-reel    program     0.39% 

5-reel    program     4.30% 

6-reel    program     10.03% 

7-reel    program     25.39% 

8-reel    program     26.43% 

9-reel    program     14.33% 

10-reel    program     12.63% 

11-reel    program     1.82% 

12-reel    program     2.86% 

13-reel    program     0.39% 

14-reel    program     0.39% 

15-reel    program     0.13% 

As  will  be  seen,  the  eight-reel  program  is  in 
the  lead,  with  the  seven-reel  program  but  a 
step  behind.  There  is  then  a  considerable  gap 
between  these  and  the  next  figure,  th  nine- 
reel  program,  closely  followed  by  the  ten  and 
six.  The  remainder,  in  order,  rank:  Five, 
twelve,  eleven,  two,  four,  thirteen,  fourteen, 
one    and    fifteen. 


Ranged  in  order  of  their  relative  strength, 
the  percentage  of  theaters  using  various  aux- 
iliary   attractions    is    as    follows: 

Two-reel   comedy    .  .' 72.78% 

News    weekly    58.72% 

One-reel   comedy    46.22  % 

Serial      34.76%, 

Animated    cartoon    22.72 % 

Scenic    or    travel 22.00% 

Screen    magazine    21.09% 

Two-reel     drama     13.54% 

Vaudeville      5.99% 

Prologue     2.47% 

Two-reel  comedies  lead  the  field  strongly, 
with  the  news  weekly  also  making  an  excellent 
showing.  The  one-reel  comedy  falls  consider- 
ably   below    the    two-reel. 

The  item  concerning  vaudeville,  it  must  be 
remembered,  does  not  indicate  that  only  5.99% 
of  all  the  theaters  in  the  country  run  vaude- 
ville, since  this  survey  covers  only  those  thea- 
ters which  are  primarily  picture  houses,  with 
vaudeville    as    a    side    line. 

The  sort  of  music  used  in  the  theater  was 
the    subject    of    the    next    two    questions. 

The  first  of  these  related  to  whether  the 
theater  used  a  piano,  an  organ  or  an  orchestra. 
Many  theaters,  of  course,  have  more  than  one 
of  these.  The  question  regarding  this  was  an- 
swered by  85.28%  of  the  theaters  returning 
questionnaires,  the  balance  leaving  the  ques- 
tion blank,  leading  to  the  assumption  that  a 
considerable  portion,  at  least,  of  the  other 
14.72%    run    without    music. 

Among  the  theaters  listing  music,  the  fol- 
lowing   percentage    prevailed: 

Organ     4  5.95% 

Orchestra     29.47% 

Piano      24.58% 

Thus  it  will  be  seen  that  nearly  half  of  the 
theaters  reporting  have  organs  of  one  sort  or 
another,  slightly  more  than  one-fourth  have 
orchestras,  and  nearly  one-fourth  rely  upon  a 
piano. 

The  second  question  regarding  music  related 
to  the  number  of  pieces  in  the  orchestra, 
where  the  theater  had  one.  Practically  every 
exhibitor  stating  that  he  had  an  orchestra  an- 
swered this  question,  so  the  replies  correlate 
closely   with  the   preceding  table. 

Tabulated  in  groups,  the  theaters  having 
orchestras  of  various   sizes  line  up  as   follows: 

2  pieces      11.05% 

3  pieces      22.09% 

4  pieces      13.26% 

5  pieces      18.24%, 

5    to    10     pieces     28.73% 

11    to   15     pieces     3.32% 

16    to   25    pieces     2.21% 

25   to   50     pieces     1.10% 

The  five  to  ten-piece  orchestra,  it  will  be 
seen,  is  the  ruling  favorite,  with  the  three- 
piece  orchestra  following.  The  others,  in  order 
of  greatest  frequency,  rank:  Five,  four,  two, 
eleven  to  fifteen,  sixteen  to  twenty-five,  twenty- 
five    to    fifty. 

This  completes  the  first  two  sections  of  the 
questionnaire,  and  makes  it  possible  to  go  a 
step  further  and  present  a  statistical  picture 
of  the    "average   American    picture   theater." 

The  news  made  the  following  interesting 
calculation  of  the  "average"  American  picture 
house    based    upon    the   foregoing    figures: 

Number   of    seats     507 

Number   of   days    open    weekly 5 

Number   of    people    employed     7 

Matinee   price     scale     12-28    cents 

Evening   price    scale     17-36    cents 

Average    daily    patronage 364 

Program     changes    every    two    weeks 7 

Number   of    shows    per    day 3 

Number    of    reels    to    program 8 

One  of  the  most  important  and  significant 
parts  of  the  questionnaire,  that  headed  "Your 
Box-Office    Results,"    follows: 

The  first  question  to  be  asked  under  this 
heading  was:  "Can  you  count  on  a  good  aver- 
age business,  regardless  of  the  feature  you  are 
playing?" 


233 


JAMES    YOUNG 

Directed  the  following  releases 
PICTURES  THAT  LIVE  IN  YOUR  MEMORY 

CURRENT    PRODUCTIONS 

"OMAR  THE  TENTMAKER" 
"THE  MASQUERADER" 

STARRING  GUY  BATES  POST 

"WITHOUT  BENEFIT  OF  CLERGY" 

OTHER    RELEASES 

"Oliver  Twist"  "Sweet  Kitty  Bellairs" 

"My  Official  Wife"  "Thousand  Dollar  Husband" 

"Hearts  in  Exile"  "Missing" 

"On  Trial"  "Curtain" 

"The  White  Man's  Law"  "A  Daughter  of  Two  Worlds" 

"The  Temple  of  Dusk"  "The  Devil" 


RICHARD  WALTON  TULLY 

presents 

GUY  BATES  POST 

In  His  Two  Great  Stage  Interpretations 

"OMAR  THE  TENT  MAKER" 

and 

"THE  MASQUERADER" 

Transferred  to  the  Screen  With  Masterful  Artistry 
and  Lavish  Production 

Directed  by  James  Young 
RELEASED  BY  FIRST  NATIONAL 


234 


No  little  interest  attached  to  this,  since  it 
has  long  been  a  disputed  point  as  to  whether 
a  theater,  or  any  great  number  of  theaters, 
could  build  up  a  steady,  week  in  and  week 
out  clientele,  regardless  of  special  attractions. 
This  question  was  answered  by  practically  every 
theater  manager  filling  in  the  questionnaire, 
and  the  tabulated  result  shows  the  following 
percentages: 

Good   business  regardless    23.98% 

Not    good   unless   feature   is    good 76.02% 

Three  out  of  four  theaters,  it  will  be  seen, 
find  that  business  falls  oflf  noticeably  when 
the  attraction  is  mediocre  or  poor,  thus  indi- 
cating strongly  that  the  prosperity  of  the  in- 
dustry  depends,   first  of  all,  upon   good  pictures. 

Next,  in  order,  was  a  closely  related  ques- 
tion: "Do  you  find  that  an  attraction  that 
draws  extra  large  business  hurts  attendance 
on    pictures    immediately     following?" 

This  has  been  the  subject  of  more  conten- 
tion than  has  the  first  question,  since  it  has  a 
highly  important  bearing  upon  the  ever  present 
"super  special"  attraction,  and  its  real  desir- 
ability. 

Tlie  tabulated  answers,  representing  the  judg- 
ment and  experience  of  the  theater  managers 
in     sending    in    questionnaires,    are     as    follows: 

Hurts    business     following 68.77% 

Does    not    hurt   business    following 31.23% 

Again,  it  will  be  seen  a  considerable  ma- 
jority of  exhibitors  agree  that  an  unusual  at- 
traction has  an  effect  upon  business  imme- 
diately    following. 

In  considering  these  figures,  of  course,  it 
rnust  be  brone  in  mind  that  a  special  attrac- 
tion is  usually  exploited  heavily,  and  imme- 
diately following  it,  advertising  and  exploita- 
tion usually  fall  temporarily  below  the  normal 
lever,  and  this  may  account  for  some  of  the 
depression. 

Generally  speaking,  however,  the  axiom  niay 
be  safely  laid  down  that,  in  the  majority  of 
theaters,  good  pictures  are  vitally  necessary 
to  insure  good  business,  but  that  business 
must  be  expected  to  fall  a  bit  below  normal 
following  an  attraction  that  draws  unusually 
large     receipts. 

The  third  question  under  this  head  has  also 
been  the  bone  of  frequent  contention  among 
those  connected  with  motion  pictures.  This 
question  was:  "Taking  the  total  box-office 
attraction  as  100%,  how  would  you  divide  it 
among  the  following?  (Give  your  opinion)." 
Then  followed  space  to  fill  in  the  estimated 
percentages  on  the  feature,  short  subjects,  music 
and     vaudeville. 

The    results    of    this    are    as    follows: 

Feature      68% 

Short    subjects 17% 

Music     15% 

As  shown,  only  5.99%  of  the  theaters  an- 
swering played  vaudeville,  so  this  was  tabulated 
separately.  Among  these  theaters,  the  fore- 
going figures  were  reduced  proportionately,  with 
vaudeville  given  the  following  rating: 
Vaudeville     33% 

These  percentages  represent,  in  each  case, 
an  average  of  the  percentages  assigned  by  all 
of  the  managers.  While  such  figures,  of  course, 
can  only  represent  managerial  judgment,  and 
can  neVer,  perhaps,  be  a  matter  of  definite 
knowledge,  this  represents,  as  far  as  is  known, 
the  first  broad  consensus  of  opinion  ever  ob- 
tained on  this  subject.  It  is  a  matter  of  opinion 
at  best,  and  that  of  the  theater  manager 
is   most    likely  to   be   accurate. 

Great  economic  i:nportance  attaches  to  the 
following  question:  "How  does  present  busi- 
ness compare  with:  1914?  1918?  1919?  1920? 
1921?"  Then  followed  space  in  which  to  check 
"Better,"    "Same"    or    "Worse." 

The    tabulated    percentages    are: 

Better    than    1914 25.54% 

Same    as    1914 19.68% 

Worse    than    1914 54.78% 

Better    than     1918 17.28% 

Same    as    1918 15.71% 


Worse    than    1918 67.01% 

Better    than    1919 14.25% 

Same   as    1919 10.7 4  of„ 

Worse    than    1919 75.01% 

Better   than    1920    12.16% 

Same    as    1920 10.98% 

Worse    than    1920 76.86  cj^ 

Better    than    1921 11.21% 

Same    as    1921 17.26c);, 

Worse    than    1921 71.53% 

Practically  three-fourths  of  the  theaters,  it 
will  be  noted,  reported  business  as  worse  than 
either  1919,  1920  or  1921,  while  only  about 
one-eighth  report  it  better.  These  questions, 
however,  were  filled  out  a  few  months  ago, 
and  it  is  to  be  assumed  that  some  improvement 
has    come    about    since    that    time. 

A  fairly  optimistic  note  was  sounded  in  the 
replies  to  the  following  question:  "What  do  you 
expect  for  the  remainder  of  1922?"  on  which 
the     following     replies     were     received: 

Better   expected    34.99% 

Same   expected    50.30% 

Worse   expected    14.71% 

The  close  relation  between  general  prosperity 
and  the  prosperity  of  the  motion  picture  in- 
dustry was  established  in  the  answers  to  the 
next  question:  "Do  you  get  a  much  larger 
attendance  in  years  when  there  is  full  employ- 
ment and  business  is  good  generally?"  The 
sentiment  on  this  is  overwhelming,  as  seen  in 
the    following: 

Yes     97.29% 

No     2.71% 

"What  is  you  best  season?"  followed.  This 
is  not  a  matter  regarding  which  there  has  been 
any  great  uncertainty,  but  the  answers  re- 
vealed a  somewhat  surprising  diversity  in  this 
regard.  In  a  considerable  number  of  cases, 
managers  checked  more  than  one  season,  in 
which  case  the  vote  was  split.  The  totals  are 
as    follows: 

Spring    best     20.16% 

Summer    best    7.20% 

Fall    best     48.29% 

Winter    best    24.34% 

Following  this,  and  closely  allied  to  it,  was  the 
question:  "What  is  your  poorest  season?"  The 
results    on    this    are: 

Spring  poorest 16.05% 

Summer    poorest     61.09% 

Fall   poorest    3.35% 

Winter     poorest      19.51  % 

Thus  it  will  be  seen  that  fall  is  the  best 
season  with  the  greatest  number  of  theaters, 
with  winter,  spring  and  summer  following,  in 
order,  and  that  summer  is  the  poor  in  a  large 
majority  of  cases,  with  winter,  spring  and  fall 
following. 

Also  economic  in  nature  was  the  next  ques- 
tion: "How  do  most  of  your  patrons  get  their 
money?"  with  spaces  to  fill  in  under  agricul- 
ture, mining,  livestock,  manufacturing  indus- 
tries   and    miscellaneous. 

The  replies  to  this  question  reveal  the  fol- 
lowing percentages  among  the  theaters  an- 
swering: 

Agriculture      10.60% 

Mining      10.33% 

Livestock     12.63% 

Manufacturing    industries     34.10% 

Miscellaneous      32.34% 

Manufacturing  industries,  it  will  be  seen,  are 
well  in  the  lead,  with  agriculture,  mining  and 
livestock    rather    evenly    divided. 

The  following  question  is  of  interest  to  almost 
everyone  in  the  industry,  presenting,  as  it 
does,  the  types  of  features  which  make  the 
best  box-ofSce  attractions.  These,  ranged  in 
order  of  highest  to  lowest,   are: 

Westerns      18.16% 

Feature    comedies     18.04% 

Famous    books    and    plays    15.41% 

Society     15.06% 

Northwoods     14.62% 

Light     farce     7.35% 

Melodrama     7.27% 

Heavy     drama     8.07% 

Costume     1.02  % 

(Continued  on   Page  241) 


235 


WM.  A.  SEITER 

DIRECTOR 

Recent  Releases 
Starring  Doris  May 

"EDEN  AND  RETURN" 
"FOOLISH  AGE" 
"BOY  CRAZY" 
"GAY  AND  DEVILISH" 
"THE  UNDERSTUDY" 
"UP  AND  AT  'EM" 

Warner  Bros.'  Specials 

"BEAUTIFUL  AND 

DAMNED" 
"THE  LITTLE  CHURCH 

AROUND  THE  CORNER" 
Now  Directing  Madge  Bellamy 
for  Thomas  H.  Ince     . 


Al  Semels 


Lou  Semels 


Sample  Films  and  Sketches 
Submitted 


236 


Supply   Dealers 


The  letters  after  each  name  indicate  that  such 
firms  distribute  the  following  projection  machines : 
B.D.-Baird,   M-Motiograph ;    P-Powers;    S-Simplex. 

Alabama 
Queen    Feature    Film    Co.,     1916J^     Morris    Ave., 
Birmingham. 

Arizona 
Arizona   Film    Supply    Co.,    323    Morley  Ave.,   No- 
gales. 
Arizona   Film   Supply   Co.,   P.    Q.    Box   1017,  Tuc- 
son. 

Ensor  &  Co.,  215  West  2d  St.,  Little  Rock. 

Longacre     Distributing     Co.,     24     South     6th     St., 
Fort    Smith. 

Southern  Film  &  Supply  Co.   (M)   Pine  BlufT. 
California 

Alta    Slide    &    Film    Co.,    1028    Market    St.,    San 
Francisco. 

Argus   Enterprises,    Inc.,    836   South   Elm    St.,    (S), 
Los  Angeles. 

Breck  Photoplay  Supply  Co.,  98  Golden  Gate  Ave., 
San   Francisco. 

Davis  Bros.,  187  Golden  Gate  Ave.,  San  Francisco. 

Electrical  Products  Co.,  1128  West  164th  St.  (U), 
Los  Angeles. 

G.  Gennert,  208  South  Spring  St.,  Los  Angeles. 

G.   Gennert,  S3  Fourth  St.,  San  Francisco. 

Ed.    H.    Kemp,   833    Market    St.,    (M),    San   Fran- 
cisco. 

Los  Angeles   Motion   Picture  Co.,   215   East  Wash- 
ington St.,  Los  Angeles. 

Los  Angeles  Slide   Co.,   122  West  3d  St.,  Los  An- 
geles. 

G.  A.  Metcalf,  307  Turk  St.,  San  Francisco. 

Miles    Bros,    of    California,    1149    Mission    St.,    San 
Francisco. 

Pacific    Amusement    Supply    Co.,    800    South    Olive 
St.,    (P),    Los  Angeles. 

Pacific    Motion    Picture    Supply    Co.,    1536    Frank- 
lin   St.,    Oakland. 

W.  _G.   Preddy,   187   Golden   Gate  Ave.,   San   Fran- 
cisco. 

M.    S     Stewart,    1470   Thirteenth    St.,    Oakland. 

J.   Slipper  &  Co.,  728  Olive   St.,  Los  Angeles. 

Southern     Electrical     Co.,     Third     &    E     Sts.,     San 
Diego. 

Theater    Equipment    Supply    Co.,    134    Golden    Gate 
Ave.    (P).    San    Francisco. 

Turner    &    Dahnken,    134    Golden    Gate    Ave.    (P), 
San  Francisco. 

Western   Theater   Supply   Co.,   Golden  Gate  Avenue 
(S),    San    Francisco. 

Colorado 

Argus   Enterprises,    Inc.,    1514   Welton    Street    (S), 
Denver. 

Denver    Theater    Supply    Co.,    1436    Welton    Street 
(P)    (M),   Denver. 

Universal     Film     &     Supply     Co.,     304     Mclntyre 
Bldg.,   Grand  Junction. 

Connecticut 

Boston    Motion    Picture    Supply    Co.,    139    Meadow 
St.,    New    Haven. 

Independent    Movie    Supply    Co.,    131    Meadow    St., 
(P),  New  Haven. 

District  of  Columbia 

Film     Bureau     (Department     Agriculture),     Wash- 
ington,  D.   C. 

Southern  Moving  Picture  Corp.,  315   McGill  Bldg., 
Washington,   D.   C. 

E.  B.  Thompson,  741  Eleventh  Street,  Washington, 
D.   C.  .  6       , 

Washington    Theater    Supply    Co.,   908   "G"    Street, 
N  .W.    (P),  Washington,  D.   C. 

Webster   Electric    Co.,    719   Ninth    St.,    (S),    Wash- 
ington,  D.    C. 

Florida 

Consolidated    Film    &    Supply    Co.,    330    West    For- 
syth  Street,  Jacksonville 

Tampa  Photo  &  Art  Co.,  312i^   Twigg  Street  (M), 
Tampa. 

Georgia 

Consolidated     Film     &     Supply     Co.,     Ill     Walton 
St..   Atlanta. 

Lucas   Theater   Supply   Co.,    158   Marietta   St.,   At- 
lanta. 


Lucas  Theater  Supply   Co.,   Savannah. 

Southern  Theater  Equipment   Co.,   9   Nassau   Street 

(P),  Atlanta. 
Eugene   Wilder,    P.    O.    Box    102,   Atlanta. 

Illinois 
American   Projecting  Co.,   Chicago. 
Amusement   Supply   Co.,   740   South  Wabash  Ave., 

Chicago.  .  . 

Bass    Camera    Co.,    109    North    Dearborn    St.,    Chi- 
cago 
Capital    Merchandising    Co.,    536    South    Dearborn 

St.,    Chicago.  „.   ,    ,     _ 

Central   Theater    Supply    Co.,    30    East   Eighth    St., 

Chicago.  . 

Cooperative    Amusement     &     Supply     Co.,     Gaiety 

Theater   Bldg.,   Soringfield. 
C    G.    Demel,   845   S.    State   St.,   Chicago. 
Exhibitors'    Supply   Co.,   825    South   Wabash   Ave., 

(8)    Chicago.        ,  .  ^,  ■ 

Fulton    Co.,    E.    E.,    3208    Carroll    Ave.,    Chicago, 

Fulco  Schaffer  Sales  Co.,  24  East  Eighth  St.,  (P), 
Chicago. 

G    Gennert   Co.,   139   North   Wabash   St.,   Chicago. 

C    A    Hein,   1167  West  Eldorado  St.,  Decatur. 

Hoi.ke    Theater    Supply    Co.,    845    South   State    St., 
Chicago. 

Joseph    Hopp,    57    E.    Jackson    Blvd.,    Room    604, 
Chicago.  „         „  ,     o» 

Midwest  Theater   Supply   Co.,  9  East   Seventh  St., 
Chicago  .^       , 

Monarch  Theater  Supply  Co.,  537  South  Dearborn 
St.  Chicago. 

Movie    Supply    Co..    844    South   Wabash   Ave.,    Chi- 
•cago. 

Peoria    Theater    &    Supply     Co.,     505     Fulton    St., 
Peoria. 

Royal    Theater    &    Supply    Co.,    180    East    x\venue, 
Kankakee.  r-         r^^.- 

Rutledge     &     Co.,     35     South     Dearborn     St.,     Chi- 
cago. 

Society     Visual     Education,     80S     ^^  ashington     St., 
Chicago 

United     Theater      Equipment      Corp.,      514      South 
Wabash   St.,   Chicago. 

Universal    Film    &    Supply    Co.,    Eighth    &    Wash- 
ington Ave.,   Cairo. 

Indiana 

Exhibitors'    Supply    Co..    128    West    Ohio    (S),.  In- 
dianapolis. . 

Fort  Wayne  Engineering  &   Supply   Co.,  Sixth  and 
North   Harrison    Sts.,    Fort   Wayne. 

H.    Lieber    Co.,   24    West    Washington    St.,    Indian- 
apolis. 

Lyric    Film   &   Supply    Co.,    Fifth    &    Big   Four    R. 
R..    Terre   Haute. 

Muncie   Film   S.    Co.,   202J/    East   Main    St.,   Mun- 
cie. 

W.   M.  Swain,  11   South   Capitol  Ave.,   (P),   Indian- 
apolis. 

Iowa 

\V.    F.    Blackmore,    .il5    Brad   St.,   Davenport. 

A.     C.     Derr,     408     Ycungerman     Boulevard,     Des 
Moines. 

Des    Moines    Film    &    Supply    Co.,    609    Mulberry 
St.,  Des  Moines. 

General    Sales    Co..   2858   Jackson    St.,    Dubuque. 

Visual    Educational     Equipment     Co.,    415     Fourth 
St.,    Des    Moines. 

Seth     E.     Barnes,     Miller     Theater     Bldg.      (BD), 

Wichita, 

Kentucky 
Blake   Amusement    Co.,    435    S.    3rd    St.,    Louisville, 

Ky. 
Great  Southern  Film  Corporation,  624   South   Sixth 

St.,    Louisville. 
Garrell    Film    &    Supply    Co.,    418    West    Green    St., 

Louisville. 
Owl    Feature    Film    Exchange,    209    Fifty-ninth    St., 

Louisville. 
S.    &   P.   Film   &   Supply   Co.,  418   West   Green   St., 

Louisville. 

Louisiana 
Consolidated    Film    &    Supply    Co.,   914    Graver    St., 

New    Orleans. 


237 


PHILADELPHIA 


Aldine,    19th   &  Chestnut. 
Alhambra,  12th  St.  and  Passyunk  Ave. 
Allegheny,  Frankford  and  Allegheny. 
Arcadia,    Chestnut   St.   below    16th. 
Auditorium,  1219-21  N.  8th  St. 
Broadway,  Broad  St.  and  Snyder  Ave. 
Capitol,  724   Market   St. 
Colonial,     Germantown     and     Chelten 

Ave.. 
Crosskeys,  60th  and  Market  Sts. 
Empress,  4422  Main  St.,  Manayunk. 
Family,    1311    Market    St. 
Globe,    Juniper    and    Market    Sts. 
Great  Northern,  Broad  St.  and  Erie  Av. 
Harrowate,  N.  E.  cor.  Kensington  Av. 

and  Russel  St. 
Imperial,  219   S.  60th   St. 


Iris,  3146  Kensington  Ave. 
Karlton,   Chestnut,  above  Broad  St. 
Lafayette,    2914    Kensington    Ave. 
Lehigh  Palace,  937  W.  Lehigh  Ave. 
Orient,   63rd   St.   and   Woodland   Ave. 
Palace,   1214   Market   St. 
Plaza,  Broad  and  Jackson. 
Princess,  1018  Market  St. 
Regent,   1632-34  Market  St. 
Ruby,   Marshall  and  Market  Sts. 
Savoy,    1211    Market   St. 
Stanton,   1614  Market  St. 
Stanley,   19th  and  Market   Sts. 
Star,  2640  Kensington  Ave. 
333   Market   St.— 333   Market. 
Victoria,  917  Market  St. 


OUTSIDE  OF  CITY 


Broadway,  Camden,  N.  J. 
Colonial,   520   Market   St.,   Camden. 
Grand,    1104    Broadway,    Camden. 
Princess, 

Broadway  and  Mickel,  Camden. 

Towers, 

Broadway  and  Pine  St.,  Camden. 

Washington,   Chester,    Pa. 

Darby,   Main   St.,   Darby,   Pa. 

Colonial,  1520  Atlantic  Ave.,  Atl.  City. 

Globe,  Boardwalk  and  St.  Charles,  At- 
lantic City. 

Virginia,  Virginia  Ave.  and  Boardwalk, 
Atlantic  City. 


Woods.    St.    Charles    and    Boardwalk, 

Atlantic  City. 
Grand  Opera  House,  West  Chester,  Pa. 
Rialto,  East  Gay  St.,  W.  Chester,  Pa. 
Victoria,   Harrisburg,   Pa. 
Capitol,  Harrisburg,  Pa. 
Grand,    Harrisburg,    Pa. 
Hippodrome,  Reading,  Pa. 
Orpheum,    Reading,    Pa. 
Regent,    Allentown,    Pa. 
Colonial,   Allentown,   Pa. 
Hippodrome,  Pottsville,  Pa. 
Grand  Opera  House,  South  Bethlehem. 


238 


Ccneral    Theater    Supply    Co.,    300    Dauphine    St., 

(.M),    New    Orleans. 
Harcol    Film    Co.,    608    Canal    St.,    New    Orleans. 
Saenger    Amusement    Co.,    1401    Tulane    St.,    New 

Orleans. 
George    Vivirito,    318    Batonno    St.,    New    Orleans. 

Maine 
Howe  Theater  Supply   Co.,   Portland. 
Maryland 

J.  F.  Dusman,  213  North  Calvert  St.,  (BD),  Balti- 
more. 

N.   C.  Haefele,  412  East  Lexington  St.,  Baltimore. 
Moving    Picture    Supply    Co.,    15    South    Gay    St., 

Baltimore. 
Palmore    &    Homand,    412    West    Lexington    St., 
Baltimore. 

Massachusetts 

S.  R.  Chisholm,  24  Vassar  St.,  Dorchester. 

Eastern    Theater   Equipment   Corporation,   43   Win- 
chester St.,   Boston. 

Exhibitors'   Supply  Co.,   60   Church  St.,    (P),   Bos- 
ton. 

J.  F.  Gately,  33  Lyman  St.,  Springfield. 

New  England  Baird  Co.,  47  Winchester  St.,  (BD) 
Boston. 

United   Theater   Equipment    Corporation,   26    Pied- 
mont  St.    (U),   Boston. 

B.  O.  Wetmore,  2  Park  Square,  Boston. 
Michigan 

American  Theater  Service,  Madison  Theater  Bldg., 
Detroit. 

Central    Film    Supply,     117    South    Franklin    St., 
Saginaw.  _ 

Century    Photo    View    Co.,    1119    Wealthy    S.    E. 
Grand   Rapids. 

Detroit    Exhibitors'    Supply    Co.,    149    East    Eliza- 
beth   St.,    Detroit. 

E.  H.  Forbes,  57  Elizabeth  St.,  Detroit. 

Ideal    Electric    &    Motion    Picture   Theater    Supply 
Co.,    128    Division    Ave.    S.,    Grand    Rapids. 

Michigan    Motion     Picture    Supply    Co.,    20    Jos. 
Mack  Bldg.,   Detroit. 

Service    Theater    Supply    Co.,    2115    R.    St.,    (P), 
Detroit. 

Theater  Equipment  Co.,  New  Film  Bldg.,  Detroit. 

United    Theater    Equipment    Corporation,    145    Eli- 
zabeth St.,   (U),  Detroit. 

Minnesota 

Exhibitors'   Supply    Co.,   612   Producers'   Exchange 
Bldg.    (S),   Minneapolis. 

Feature    Film    &    Supply    Co.,    321    Loeb    Arcade 
Bldg.,   Minneapolis. 

Lochran  Film  &  Slide  Service,  706  Film  Exchange 
Bldg.,   Minneapolis. 

National   Equipment   Co.,   409   Michigan  Ave.,    Du- 
luth. 

Rialto    Theater    Supply    Co.,    731    Hennepin    Ave., 
(M),    Minneapolis. 

Standard     Theater     Equipment     Corporation,     507 
Producers'    Exchange   Bldg.    (P),    Minneapolis. 

Teco  Products  Mfg.  Co.,  248  Loeb  Arcade,  Minne- 
apolis. 

The   Huntleys,   Winona,   Minn. 

United   Theater   Equipment   Corporation,    509    Pro- 
duce   Exchange    Bldg.     (U),    Minneapolis. 
Missouri 

Amusement    Supply    Co.,    1627    Chestnut    St.,    St. 
Louis. 

Cole  Theater  Supply  Co.,  928  Main  St.,  (P),  Kan- 
sas  City. 

S.   R.   Connor,   Snower   Building,   Bellevue  Avenue, 
Kansas   City. 

Erker     Bros.     Optical     Co.,     608     Olive     St.,     St. 
Louis. 

Exhibitors'     Supply     Co.,     3316     Lindell     St.,     St. 
Louis 

Fulco-Schaffer    Sales    Co.,    3301     Olive    St.,     (P), 
St.   Louis. 

Kansas    City    Machine   &    Supply    Co.,    813    Walnut 
St.,    Kansas    City. 

Kansas    City    Slide   Co.,    2449    Charlotte    St.,    Kan- 
sas  City. 

Lear's     Theater     Supply     Company,     420     Market 
Street,   St.    Louis. 

A.  W.   Lee,  813  Walnut  Street,  Kansas  City. 

Missouri  Slide  Company,  36  Schutte  Bldg.,  Kansas 
City. 

Monarch    Theater    Supply    Company,    420    Market 
Street,  St.  Louis. 


Opera    Supply    Company,    601    Shukert    Bldg.,    St. 

Louis. 
R.  S.  Renco  Theater  Supply  Company,  St.  Louis. 
Star  Film  &  Supply  Company,  413  Edward  Street, 

St.  Joseph. 
Charles     M.     Stebbins     Picture    Supply     Company, 

1208   Main    Street    (M),    Kansas    City. 
A.  L.  Stone,  1320  North  Grand  Avenue,  St.  Louis. 
United      Theater      Equipment      Corporation,     3334 

Olive  Street   (UTE),  St.  Louis. 
Universal  Film  and  Supply  Company,  2116  Locust 

Street,   St.  Louis. 
Western    Theater    Supply    Co.,    15th    &    Davenport 

Streets    (P),    Omaha. 
Yale    Theater    Supply     Co.,    Film    Bldg.,    Kansas 

City. 

Montana 
Universal   Film   Exchange,   52   Broadway,    Butte. 
Western     Theater     Equipment     Corporation,     Bill- 
ings. 

Nebraska 
Argus     Enterprises,     423     South     Fifteenth     Street 

(S),  Omaha. 
Omaha     Repair    &     Service     Shop,     1304    Farnam 

St.,    Omaha. 
United  Theater  Equipment  Corporation,  323  South 

Fifteenth   Street    (U),   Omaha. 
U.    S.    Theater   Supply    Co.,   24th    &   Harney    Sts., 

(M),    Omaha. 
Western     Supply     Co.,     2581     Kansas    Ave.,     (P), 

Omaha. 

New   Jersey 
Metropolitan     Motion     Picture     Co.,     116     Market 

Street,   Newark. 

New   Mexico 
Eastern  New  Mexico  Theater  Supply  Co.,  Lyceum 

Theater,  Clovis. 

New    York 
American    Exchange,    630    Halsey    Street,    Brook- 
lyn. 
Auburn   Film    Co.,    Auburn. 
A-Z  Motion  Picture  Supply  Co.,  266  East  Houston 

Street,   New  York   City. 
Becker    Theater    Supply    Co.,    184    Franklin    Street 

(S),  Buffalo. 
Behrend    Motion    Picture    &    Supply    House,    729 

Seventh  Avenue,  New  York  City. 
George  Bender,  28  Centre  Street,  New  York  City. 
Better  Service  Film  Co.,  Inc.,  551  S.  Salina  Street, 

Syracuse. 
Birkholm    &    De   Hart,    111    West   42d   Street    (B) 

New   York   City. 
W.  B.  Brinkman,  116  West  49th  Street,  New  York 

City. 
Capitol  Motion  Picture  Supply  Co.,   142  West  46th 

Street,   New   York    City. 
Crouse,  Hinds  Co.,  Wolf  &  Seventh  Sts.,  Syracuse. 
Crown  Motion  Picture  Supplies  Co.,  138  West  46th 

St.,  N.  Y.   City. 
Duwico    Motion    Picture    Supplies,    142    West    44th 

St.,  New  York  City. 
Eastern    Theater    Equipment    Co.,     126    Lawrence 

St.,   Brooklyn. 
Exhibitors'   Poster   &   Supply    Co.,    209   West   28th 

St.,   New   York   City. 
M.    G.    Felder,    103    West    46th    St.,    N.    Y.    City. 
Carol   Fenywessey,  Rochester. 
G.  Gennert,  24  East  13th  St.,  New  York  City. 
Otto    Greenbaum,    436    Cornelius    St.,    Brooklyn. 
Frank   J.   Heigel,    440   State    St.,    Schenectady. 
Howells  Cine  Equipment  Corporation,  729  Seventh 

Avenue   (S),   N.   Y.   City. 
Independent    Movie    Supply    Co.,   464    Pearl   Street 

(P),   Buffalo. 
Independent    Movie    Supply    Co.,    42    Orange    St., 

CP),  Albany. 
Independent  Movie  Supply  Co.,  729  Seventh  Ave., 

New  York  City. 
Industrial     Department     of     Y.     M.     C.     A.,     347 

Madison  Avenue,   New   York   City. 
International    Cinema   Equipment    Center,    729    Sev- 
enth Ave.,   New  York   City. 
Inter     Ocean     Film     Corporation,     220     West     42d 

Street,   New  York   City. 
Sam   Kaplan,   729   7th  Ave.,   N.   Y.    City. 
Lang    Manufacturing    Co.,    Olean. 
Chas.   E.   Mason,   67   Main   St.,   Rochester. 
H.   Mestrum,    134   West  46th  St.,   New   York   City. 
Modern    Electrical    Machine   Co.,   2927   Third   Ave., 

New    York    City. 


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240 


Motion    Picture    Appliance    Corporation,    316    West 

124th   Street,   New  York    City. 
Motion  Picture  Apparatus   Co.,   118   West  44th   St., 

New    York    City. 
M.  J.  Ostrowsky,   119   St.  Louis  St..   Buffalo. 
Syracuse     Supply     Co.,     314     West     Fayette     St., 

Syracuse. 
United    Theater    Equipment    Corporation,    25    West 

4Sth  St.,    (UTE),  New  York  City. 
Van    Arnam    E.    Rental    &    Theater    Supplies,    551 

S.   Salina  Street,  Syracuse. 
Variety   Film   Co.,    126   West  46th   St.,   New   York 

City. 
R.    Wetter,   Jr.,    International   Cinema   Center,   729 

Seventh  Avenue,  New  York  City. 
E.   J.    Wilson,    111    East    120th    Street,   New   York 

North    Carolina 

A  &  B  Moving  Picture  Supply  Co.,  Raleigh. 

Ettabran   Film   Co.,    Charlotte. 

Exhibitors'   Supply  Co.,   Charlotte. 
Ohio 

American  Theater  Equipment  Co.,  Coltunbia  Bldg., 
Columbus. 

Argus    Enterprises    Co.,    Inc.,    Film    Bldg.,    Payne 
&  21st   Sts.,   Cleveland. 

Central  F.  F.  Co.,  60  Public  Square,  Lima. 

Dwyer   Bros.   &  Co.,   520  Broadway,   Cincinnati. 

Motion   Picture  Supply   Co.,   208   Market   St.,   So., 
Canton. 

Motion  Picture  Equipment   Co.,   1136  Tusc  Street, 
West  Canton. 

Oliver    Motion    Picture    Supply    Co.,    Film    Bldg., 
Cleveland. 

Peerless    Feature    &    Supply    Co.,    406   Ohio    Bldg., 
Toledo. 

Post  Glover  Electrical  Co.,  Cincinnati. 

L.  M.   Price  Co.,  108  West  Fourth  Street,   Cincin- 
nati. 

Standard  Film  &  Service  Co.,  Cleveland. 

Theater  Supply  Co.,  Film  Bldg.,  Cleveland. 

Theater   Supply   Co.,  215   Main  Street,  Akron. 

United  Theater  Equipment  Corporation,  524  Broad- 
way, Cincinnati. 

United  Theater  Equipment  Corporation,  714  Huron 
Bldg.   (U),  Cleveland. 

Oklahoma 

W.   R.    Howell,    Palace  Theater  Bldg.    (B),   Tulsa. 

Southern    Theater    Equipment    Co.,    328    California 
Ave.,   (P),  Oklahoma  City. 

United  Theater  Equipment   Corporation,   116   South 
Hudson   Street,    Oklahoma. 

Yale   Theater   Supply  Co.,   Oklahoma. 
Oregon 

General   Supply  &  Repair   Co.,  392   Burnside  Street 
(P),    Portland. 

Portland     Moving     Picture     Machine     Co.,     Rivoli 
Theater    Bldg.,    Portland. 

Service   Film    &   Supply    Co.,    64   Broadway,    Port- 
land. 

Service  Film  &  Supply   Co.,  393   Oak   Street   (M), 
Portland. 

Washington    Slide   Co.,    351    Washington    St.,    Port- 

'^"'^-  Pennsylvania 

Atlas   Supply    Co.,    108   Ring   St.,   Philadelphia. 
Consolidated  Film   Co.,   1237   Vine  Street,   Philadel- 
phia. 
Electric    Theater     Supply     Co.,    1309    Vine    Street, 

Philadelphia. 
Abe      Gompertz,      315      North     Thirteenth      Street, 

Philadelphia. 
J.  G.  Hannson,  Tenth  &  Spring  Sts.,  Reading. 
Hollis,     Smith     &     Morton,     1201     Liberty     Street, 

Pittsburgh.       , 
Lewis   M.    Swaab,    1327   Vine    Street    (S),    Philadel- 
phia. 
Motion  Picture  Equipment   Corporation,   1301   Vine 

Street    (P),    Philadelphia. 
Philadelphia    Theater    Equipment    Corporation,    261 

North  Thirteenth  St.,  Philadelphia. 
S.    &    S.    Film    &    Supply    Co.,    414    Penn    Avenue 

(P),  Pittsburgh. 
United  Theater  Equipment   Corporation,   1233   Vine 

Street   (U),   Philadelphia. 
United    Projection    &    Film    Co.,    11    North    Second 

Street,  Harrisburg. 
United      Theater      Equipment      Corporation,      1006 

Forbes   Street    fU),   Pittsburgh. 
Williams,    Browne   &    Earle,    1208    Chestnut    Street, 

Philadelphia. 


Rhode   Island 
H.    O.    &    E.    S.    Taylor,    76    Dorrance    Street    (P), 

Providence. 
James    McKenna,    Providence    Stage    Lighting    Co., 

12    Moulton    St.,    Providence. 

South    Carolina 
Imperial    Film    Service.    Greenville. 

Tennessee 
Consolidated   Film   &   Supply   Co.,  226  Union  Ave., 

Memphis. 
East   Tenntssee   Electrical    Co.,    Knoxville. 
Monarch    Theater    Supply    Co.,    228    Union    Ave., 

Memphis. 
Paramount     Film     Cement     Co.,     Hamilton     Bank 

Bldg.,    Chattanooga. 

N.     K.     Barnett    Supply    &    Film    Co.,    1888    Main 
Street,   Dallas. 

Consolidated    F.    &    S.     Co.,    608    North    Oregon 
Street,   Dallas. 

General  Theater  Equipment  Co.,  201 1^  Main  Street, 
Dallas. 

Lucas    Theater     Supply     Co.,     1816    Mam    Street, 
Dallas. 

Southern     Film     Service,     811     Franklin     Avenue, 
Houston. 

South   Texas   Film   Exchanges,   408   N.   Flores   St., 
San  Antonio,  Tex. 

Southern  Theater  Equipment   Co.,    1815    Main   St., 
Dallas 

R    D    Thrash  Co.  Theater  Supplies  (M),  Dallas. 
Utah 

Alhambra  Theatrical  Co.,  Hudson  Ave.,   Ogden. 

Argus     Enterprises     Co.,     Inc.,     132     East     Second 
South   (S),  Salt  Lake  City. 

Community     Motion     Picture     Bureau,      14     Post- 
office    Place,    Salt    Lake    City. 

Salt  Lal<e  Theater  Supply  Co.,  48  Exchange  Place 
(P),   Salt  Lake  City. 

Universal  Film   &  Supply   Co.,   56  Exchange  Place, 
Salt   Lake   City.        Vermont 

Hicks  &  Price,  97   State   Street   (S),   Montpelier. 
Virginia 

N.   &  T.   Supply  Company,   714   Paula   Quala,   Nor- 
folk. 

Southern  Theater   Supply   Co.,  25   Old   St.,   Peters- 
burg. 

United  Theater   Supply   Co.,   Petersburg. 
Washington 

W.    S.    Brewster,  2016  Third  Avenue,   Seattle. 

Film    Supply    Co.,    217    Virginia    St.,    Seattle. 

G.   Gennert,  2102   First  Ave.,   Seattle. 

H.    N.   Johnson   Co.,  2016  Third  Ave.,   Seattle. 

Spokane  Theater   Supply    Co.,    1927   Third   Avenue 
(P),   Seattle. 

Universal   Film   &   Supply   Co.,   16   South  Washing- 
ton   Street,    Spokane. 

Western     Theater     Equipment     Corporation,     2028 
Third  Avenue,   Seattle. 

West    Virginia 

Charleston  Electrical   Supply   Co.,    (P),   Charleston. 

McRay  &  McCray  Co.,  329  Main  St.,  Fairmont. 

West     Virginia     Amusement     &     Film     Co.,     113J^ 
Capitol   Street,   Charleston. 
Wisconsin 

Exhibitors'    Supply    Co.,    128    West   Grand   Avenue 
(E),    Milwaukee. 

Ray   Smith   Co.,   174   Second  Avenue,   Milwaukee.  _ 

Wisconsin  Film  Corporation,   134  Grand  Ave.,  Mil- 
waukee. 

Wisconsin    Theater    Supply    Co.,    174    2nd    Street, 
(M),    Milwaukee^ 

Statistics  of  the  Motion  Picture  Industry 

(Continued    from    Page   235) 
Foreign     pictures     fared     rather     badly     at     the 
hands     of     those     answering     the     questionnaire. 
On   German    made   pictures,    the   results   reported 
are : 

Good     2.20% 

Fair    15.43% 

Poor      82.37% 

On    French   made   films: 

Good     1.22% 

Fair     11.47% 

Poor      87.31% 

On    Italian    made    films: 

Good     1.72% 

Fair    8.94% 

Poor 89.34%. 


241 


John  W.  Noble 

Director- Producer 


Ward  Lascelle  Productions 

Current  Releases 

"RIP  VAN  WINKLE" 
"AFFINITIES" 
"MIND  OVER  MOTOR" 
With  Trixie  Friganza  as  "Tish" 
By  Mary  Roberts  Rinehart 

Other  Big  Ones  to  Come 

DIRECTOR,  WARD  LASCELLE 
BUSINESS  MANAGER,  LILIAN  LASCELLE 


242 


Music  Publishers — Tax  Free  and  Otherwise 

Following  is  a  list  of  music  publishers  who  are  not  members  of  the  Society  of 
American  Authors  and  Composers,  whose  music  can  be  played  by  either  orchestra  or 
music  roll,  tax  free: 

Arthur     Bros Detroit,    Michigan 

Asher,    Emil    115S   Broadway   New  York  City 

Ballinger,   Edward   L.,    Music    Pub.    Co Los    Angeles,    Cal. 

Belwin  Music   Co.,  Inc 701    Seventh  Ave New  York  City 

Bond,   Carrie  Jacobs  t 746    S.    Michigan   Ave Chicago,    111. 

Boosey    &•    Co 9  East  17th  St New  York   City 

Boston   Music   Company    26  West   St Boston,   Mass. 

Browne    Music    Co Waterloo,   N.   Y. 

Browne,    Ted,    Music    Co.,    Inc 323    Madison    St Chicago,    111. 

Cameo   Music   Publishing   Co.,    Inc 112  West  44th   St New  York   City 

Carlson,    M.    L.    &    Co 1131     Masonic     Temple Chicago,     111. 

Cary   &    Co     London,    England 

Church.    John,    Co 318   West  46th  St New   York    City 

Craig   &   Co 14S    North    Clark   St Chicago,    111. 

Curtis,    L.    B 1658   Broadway   New  York   City 

Ditson,    Oliver    &    Co 178    Tremont    St Boston,    Mass. 

Fisher,    Carl    48   Cooper   Square New   York    City 

Fox,   Sam,   Publishing   Co 340-346   The   Arcade Cleveland,    O. 

Gilbert,  L.  Wolfe,  Music  Corporation 165   West  47th   St New  York  City 

Graham,    Roger    143  North  Dearborn  St Chicago,  111. 

Hinds,    Hayden    &    Eldredge,   Inc 11-15    Union    Square New  York  Citj 

Holcomb,    Sidney    B Erie,    Kas. 

Hutzinger    &    Dilworth    505   Fifth   Ave New   York    City 

Jacobs,    Walter    8  Bosworth  St Boston,   Mass. 

Jenkins,  J     W.,   Sons   Music   Co Kansas    City,    Mo. 

Jungnickle    Bros IS   Whitehall  St New  York   City 

Kondas    Music    Publishing    Co 52    Harbor   Ave Ashtabula,    O. 

Krey   Music   Company    361    Washington   St Boston,  Mass. 

Manning,    Clarice    &    Co 967    Beachwood   Drive Hollywood,    Cal. 

Mid   West   Music   Publishing  House 407  N.  Osage  St Sedalia,  Mo. 

Morris.   Joseph    &    Co 119   N.   Clark   St Chicago,   111.,  and 

1599   Broadway    New  York   City 

Murphy,   Jordan    S 135    State   St Auburn,   N.   Y. 

Palmetto    Music    Publishing    Co ^ Charleston,    S.    C. 

Paull,    E.    T.,    Music    Co 243  West  42nd  St New  York  City 

Peiffer,    Arthur    Co 127    Maine   St Quincy,    111. 

Rosey,    George    Publishing    Co 24  East  21st  St New  York  City 

Schirmer,    G 3  East  43rd  St New  York  City 

Schuberth,   Edward,   &   Co 11  East  22nd  St New  York  City 

Schwartz,    Ben,    Music    Co 1591   Broadway   New  York  City 

Siebrecht,  Arthur  M.,   &  Co Lexington,    Ky. 

Smith,   Billy,   Music   Co 423  W.  Walnut  St Louisville,  Ky. 

Southern    California    Music    Co 332   S.    Broadway Los  Angeles,   Cal. 

Stasny,   A.   J.,    Music   Co Strand   Theater    Building New   York    City 

Summy,    Clayton   F.,    Co 64    E.    Van    Buren    St Chicago.    111. 

Sunshine    Music    Co El    Paso,     Texas 

Taylor,   Tell    Grand    Opera    House    Building Chicago,    111. 

Victor    Music    Co 1132    Masonic    Temple Chicago,    111. 

Volkwein   Bros Pittsburgh,     Pa. 

West   Coast  Music   Co Los   Angeles,    Cal. 

Wilier  Music  Co.    Cincinnati,    O. 

White-Smith  Music   Publishing  Co 62-64  Stanhope  St Boston,  Mass. 

Wilson    Bros Greenville,    O. 

Publishers  of  Music  on  Which  Tax  is  Charged 

Berlin,    Irving,    Inc 1607   Broadway    New  York   City 

Broadway    Music    Corporation    723  Seventh  Ave New  York   City 

Chappell-Harms,     Inc 62  West  45th  St New  York  City 

Enock    &    Sons    56  East  34th  St New  York  City 

Feist,    Leo,    Inc 235  West  40th  St New  York  City 

Fisher,    Fred,    Inc 224   West  46th   St New  York   City 

Forster,    F.   J.   A 

Goodman   &    Rose,    Inc 222  West  46th  St New  York  City 

Gordon,    Hamilton    S 141  West  36th  St New  York  City 

Handy  Brothers  Music  Co.,   Inc 165   West  47th   St New   York   City 

Harms,   T.    B.    Company    62  West  45th  St New  York  City 

Harms,    Inc 62  West  4Sth  St New  York  City 

Harris,    Charles    K 7th  Ave.  and  47th  St New   York   City 

Kendis,    Brockman   Music    Co.,    Inc 145   West  45th   St New  York   City 

Marks,   Edward   B.,   Music   Co 223  West  46th  St New  Yo  k  City 

McKinley   Music   Co 1658   Broadway    New   York   City 

Mills,  Jack,   Inc 152   West  4Sth   St New   York   C  ty 

Mittenthal,   Joe,    Inc 1591    Broadway    New  York  C  ty 

Remick    &    Co.,    Jerome    H 219  West  46th  St New  York  City 

Richmond,    Robbins,    Inc 1658   Broadwav    New  York   City 

Ricordi,    G.    &    Co.,    Inc 14  East  43rd  St New  York  City 

Rossiter,    Will    

Shapiro,    Bernstein    &   Co.,    Inc 1567   Broadway    New   York  City 

Skidmore    Music    Co.,    Inc 

Sherman,    Clay   &   Co 56  West  45th  St New  York  City 

Stark    &   Cowan,    Inc 234  West  46th   St New  York   City 

243 


ZJhc  Oscar  C 
Buchhcister  Co. 

ART  TITLES 

130W.4btliSt 
New^ij^rlc  City 

The  Proof  of  Quality 

Some  of  our  recent  productions 

Marion  Davies  in   "When  Knighthood  was  in  Flower"       D.    W.    Griffith's  "One 

Exciting    Night"       Thomas    Dixon's    Masterpiece   "The  Beast" 

Irene  Castle  in  "Slim  Shoulders"     Will  Nigh's  "Notoriety." 

A    Special     Service     Department 
For  the  Independent  Producer 

Editing,  cutting  and  titling  under  the  personal  attention 
of  a  recognized  expert. 


OLLYWOOD  RRANC 


tl 


OF  LOS  ANGELES 

SAVINGS  COMMERCIAL  TRUST 

H  O  LLVWO  O  D ,  CALI  F. 

Hollywood    Boulevard    and    Cahuenga    Avenue 


TheJBan/c  for  those  of  the". Profession 
engaged  in  ivork  on  the  West  Coast.' 


244 


Tama   Publishing   Co 

Triangle    Music    Publishing    Co 

Van   Alstyne    &    Curtis    

Victoria    Publishing    Company     

Von  Tilzer,  Harry,   Music  Publishing   Co. 

Waterson,   Berlin  &  Snyder   Co 

Witmark,    M.    &   Sons    


.1430   Broadway   New  York   City 

.1658   Broadway    New  York  City 

.1658   Broadway    New  York  City 


.  1658   Broadway    New  York  City 

,1571    Broadway    New  York  City 

.1560  Broadway   \ New  York   City 


Exhibitors  who  do  not  desire  to  pay  music  tax 
should  remember  the  following : 

1st.  Absolute  instructions  should  be  given  to 
those  in  charge  of  the  theater  music  as  to  just 
whose  music  should  be  made  use  of  and  that  if 
there  is  any  doubt  the  music  should  not  be  used 
until   the   facts   are   known. 

2nd.  Cue  sheets  and  scores  offered  for  sale  or 
distributed  should  not  be  used  by  those  who  do 
not  wish  to  pay  the  tax  unless  the  statement  is 
made  and  guaranteed  that  the  music  recommended 
is  not  subject  to  tax.  Where  scores  are  sold  or 
rented  a  guarantee  should  go  with  each  copy  that 
all  liability  is  assumed  by  the  publisher  should 
trouble  arise. 

3rd.  Every  theater  _man  not  wishing  to  pay  the 
tax  should  see  that  his  library  of  music  contains 
only  selections  which  are  issued  by  those  compa- 
nies whose  music  is  tax  free  and  are  nou-members 
of  the  society. 

4th.  When  those  in  charge  of  the  music  supply 
the  music  for  the  theater  the  theater  owner  should 


instruct  and  demand  that  non-taxable  music  only 
should  be  played,  and  when  cues  are  supplied  see 
to  it  that  the  musicians  substitute  non-taxable 
music  wherever  taxable  music  is  specified.  The 
theater  owner  is  liable  if  this  is  not  done. 

Trouble  and  lawsuits  may  result  from  the  use 
of  music  inadvertently  used  which  is  taxable,  three- 
fore  too  much  care  cannot  be  used.  Spotters  may 
be  in  the  audience  or  other  methods  used  for  lo- 
cating  houses   using   taxable   music. 

Some  houses  believe  that  the  tax  is  so  small 
that  it  is  better  to  pay  it  than  Pght  and  go  to  the 
trouble  of  inspecting  all  music  This  is  an  open 
question  to  be  settled  by  each  theater  owner  indi- 
vidually or  by  the  united  action  of  the  theater 
owners'  organization.  If  the  tax  is  to  be  fought 
it  must  be  done  by  united  action  of  theater  in- 
terests. 

A  warning  should  be  given  to  every  maker  of 
cue-sheets  and  every  maker  of  scores  that  he  owes 
it  to  the  theater  to  label  every  cue — stating  wheth- 
er or  not  it  contains  taxable  music  and  if  so  each 
of   the  selections  should  be  so  labeled. 


10  Year  Comparison  of  Operating  Costs 

Frank  J.  Rembusch,  who  operates  a  chain  of  theaters  in  Indiana,  prepared  an  inter- 
esting chart  in  March,  showing  how  the  operative  costs  of  a  theater  have  caried  since 
1912.  Rembusch  took  as  his  model  a  theater  representing  an  investment  of  $75,000  in 
a  town  of  10,000  population.  He  compared  a  week's  business  during  February,  1912, 
and  February,  1922,  and  used  the  same  house,  operating  under  fixed  conditions,  such  as 
seating  capacity,  population  and  management,  and  on  that  basis  ascertained  the  ap- 
pended information: 


Showings 
1912  1922 

6   days    (no    Sundays)    7    days 

Box    Office    Receipts — Gross 

$364  $506 

Film    Service    Expense 

Gen.    Film    Co.,    per    week,    1912 $50 

Several   Companies,    1922 $225 

General   Expense 

1912  1922 

Water    $     .25  $  1 

Light  and  Heat 10.00  35 

Rent    30.00  30 

License     3 

Express   and   Inc 4.00  8 

Total    $44.25  $77 

Competition 
1912  1922 

1   Pic.    Theater    1   Pic  Theater 

1   Op.    House    Basketball 

Attendance 
1912  _  1922 

Weekly  paid  admissions 

at  5  cents  at  20  cents 


7,280 


Labor  Expense 


1912 


Musician     $12 

Cashier     6 

Accounting 

Operator     (Projectionist)     12 

Manager    18 

Ticket    Taker    

Usher    

Janitor     12 

Singer    (illustrated   songs) 25 

Totals     $85 


2,530 

1922 

$35 

12 

8 

25 

30 

4 

4 

18 


$136 


Advertising 

1912  1922 

$12     ■  $52 

Weekly    Profits — Gross 

1912  1922 

$170  $12 

(One  dollar  in  1912  perhaps  equal  to  two  of 
1922.  Depreciation,  insurance  and  taxes  not  in- 
cluded. 

Summary    of    Percentages 
Increases  Per  ct. 

Box    Office    increase 45 

Film    Cost    increase 350 

Labor   increase    60 

General     Expense     increase 80 

Advertising     increase     300 

Length    of    Program    increase 200 

1922 — Open   one   day    more. 

Decreases 

Number    Paid    Admissions 

Profits    decreased    

1912 — Owner  works  one  hour  daily. 
1922 — Owner  works  unceasingly. 

In   discussing  the  chart,   Rembusch  says  : 

"The  report  tells  a  story  more  eloquently  than 
words,  because  figures  don't  prevaricate.  This, 
I  find,  reflects  the  general  conditions  everywhere, 
only  some  are  worse. 

"Sometimes  I  have  made  myself  unpopular  with 
exhibitors  by  telling  the  truth,  because  they  would 
rather  hear  a  'dream  tale.'  Far  be  it  from  me  to 
give  advice,  but  one  thing  is  certain — No  one  can 
take  more   water   out   of  a  pail   than   it   contains. 

'T  have  been  in  the  business  for  17  years,  and 
the  times  are  the  toughest  in  my  experience.'' 


Per  ct. 
,  ...200 
.  . .1300 


245 


11 


SCENARIO 
EDITOR 

^^  B.  P.  SCHULBERG'S  = 
PREFERRED   PICTURES 


ADAPTATIONS 


The  Hero 
Are  You  a  failure? 


^=DIST  RI  BUTED    BY    THE 

AL  LICHTMAN  CORPORATION 


M6 


N.Y.  Theatre  Owners'  Chamber  of  Commerce  Membership 


Editor's  Note: — While  the  following  members 
of  the  Theatre  Owners'  Chamber  of  Commerce 
number  one  hundred  and  twenty-five,  the  number 
of  houses  represented  by  these  members  in  Great- 
er New  York  and  vicinity  exceeds  SIX  HUN- 
DRED THEATRES.  Some  of  these  members 
control   from   five   to   seventy  theatres. — 

Adains,    Peter,    U.     S.     Photoplay,    254    Main     St., 

Patersoii,    N.   J. 
AckerJ   Emanuel,"  First  Ave.,   5   First  Ave.,   N.   Y. 

City. 
Annis,    Leo,    Janis,    345    Belmont    Ave.,    Newark, 

N.   J. 
Antler,    Benj.,    New    Grand,    279    Main    St.,    Pater- 
son,   N.  J. 
Anderson,  William,  New  Grand,  Paterson,  N.  J. 
Auditore,  M.,  Seneca,  211  Columbia  St.,  Brooklyn, 

N.   Y. 
Block,    N.    E.,    Orpheum,    126    Second   Ave.,    New 

York    City. 
Barr,  Adolph,  315  Montague  St.,  Brooklyn,  N.  Y. 
Barr,  Max,  215  Montague  St.,  Brooklyn,  N.  Y. 
Behrend,    E.    H.,    729    Seventh    Ave.,    New    York 

City. 
Bernstein,   Elias,   Etude,   5406  Third  Ave.,   Brook- 
lyn, N.  Y. 
Bimberg,    B.    K.,    Standard,    90th    St.    &    B'way, 

N.   Y.   City. 
Binkow,   Jas.   Temple,   Union   Hill,   N.  J. 
Berman,  Sam,  Motion  Picture  Exch.,  Times  Bldg., 

N.   Y.   City. 
Bishop,  Henry,  Bishop,  Hoboken,  N.  J. 
Blumenthal,    Louis,    1600    Broadway,    New    York 

City. 
Brandt,  Harry,   Bunny,  314  Flatbush  Ave.,  Brook- 
lyn,  N.    Y. 
Brandon,    J.    W.,    Olympia,    107th    &    Broadway, 

N.  Y.  City. 
Brandt,  William,  900  Eastern  Parkway,   Brooklyn, 

N.  Y. 
Brecher,    Leo,    Plaza,    59th    St.    &    Madison,   Ave., 

N.   Y.    City. 
Brenan,    George,    Orpheum,    Five    Corners,    Jersey 

City,   N.  J. 
Brown,   H.    C,   Strand,   276   Fairmount  Ave.,  Jer- 
sey  City. 
Burns,   Edward,   Monticello,   Monticello   Ave.,   Jer- 
sey City. 
Bologinino,    Lawrence,    Con.    Amuse.    Corp.,    623 

Eighth  Ave.,  N.  Y.  C. 
Blank,      David,      Evergreen,      926      Seneca      Ave. 

B'klyn,  N.  Y. 
Bigall,  William,  Irving,   1525   Myrtle  Ave.,   Brook 

lyn,   N.   Y 
Binkow,   A.,  347   W.    5Sth   St. 

Bannon,   Anthony,    9   Ann    St.,    Morristown,    N.   J 
Bleendes,  Morris,   State,  DeKalb  &  Franklin  Ave. 

B'klyn,   N.    Y. 
Bock,   Samuel,   G.,   Heights,   ISO  Wadsworth  Ave. 

N.  Y.   City. 
Borten,    Samuel,    New    Albany,    281    Albany    Ave. 

B'klyn,    N.    Y    . 
Bradbury,  J.  Alton,   Olympia,   107th   St.   &   Broad 

way,   N.   Y.   City. 
Breiman,     Samuel,     Lucky     Star,     79     First    Ave. 

N.    Y.    City. 
Brill,     Sol,   1540  Broadway,  N.   Y.   City. 
Britwar,     Hyman,     H.,     West     End,     5128     New 

Utrecht,    B'klyn,    N     Y. 
Bush,  A.,  Electra,  7418  Third  Ave.,  B'klyn,  N.  Y. 
Brown,   Maurice,   Electra,    1160   Broadway,   B'klyn 

N.   Y. 
Carey,  John  W.,   Harbor,   Mariners  Harbor,   S.   I. 
Cohen,    Lester,   Arcade,    B'way    &   65th    St.,    New 

York    City. 
Coleman,  Sol,  Regent,  86  Main   St.,  East  Orange, 

N.  J. 
Cohen,  Sydney,  1482  Broadway,  New  York  City. 
Calderone,   S.,   Strand,   Hempstead,   L.   I. 
Chetkin,    M.   M.,    587   Monroe   St.,    B'klyn,   N.    Y. 
Chrystmos,      Mathew,      N.,      Hamilton,      Yonkers. 

N.  Y. 
Corn.    A.   J.,    Bayside,   Bayside,    L.   I. 
Craft,    Lloyd,   L.,    Playhouse,    Cedarhurst,   L.   I. 
Cranides,    Charles. 
Crystal,   S.,  Fulton,  Union   Hill,   N.  J. 


Doniger,  Harry,  W  . 

Edelhertz,  D.,  31  East  27th  St.,  New  York  City. 

Eisenstadt,    A.    H.,    New    Atlantic,    205    Flatbush 

Ave.,  Brooklyn,  N.  Y. 
Elpern,     J.      E.,      Crescent,     1175      Boston     road, 

Bronx,   N.    Y. 
Ebenstein,   H.   R.,   25   West  43rd   St.,   N.   Y,   City. 
Eccleston,   Wm.   D.,   Bayshore,   L.   I. 
Edenbauni,  Geo.  D.,  905  Foster  Ave.,  B'klyn,  N.  Y. 

Fabian,    Abraham,    759    Seventh   Ave.,    New    York 

City. 
Falkner,  F.  W.,  117  W.  46th  St.,  New  York  City. 
Falter,  Edward,  Webster,  400  E.   167th  St.,  N.  Y. 

City. 
Fink,    Louis,    Select,    1671    Pitkin   Ave.,    Brooklyn, 

N.   Y. 
Friedman,   M.,   New   Strand,   71    E.   Broadway,   N. 

Y.   City. 
Friedlander,  A.,   Garden,  4601   New  Utrecht  Ave., 

B'klyn. 
Forma,     Benj.,     Windsor,     412     Grand     St.,     New 

York   City. 
Fanchi,  A.,  623  Eighth  Ave.,  New  York  City 
Fox,  William,  W.  S5th  St.,  New  York  City. 
Ferber,   Barney,   Ferber's,   Lakewood,   N.  J. 
Finger,    Joseph,    Eastside    Beauty,    235    Ave.    A., 

N.    Y.    City. 
Flum,  A.,   Grand   Opera  House,  265   Eighth  Ave., 

N.   Y.    City. 
Frankenthal,     A.,     DeKalb,     1155     DeKalb     Ave., 

B'klyn,   N.   Y. 

Gainsboro,  Hy.,   1545   Broadway,  New  York   City. 
Geller,  Louis,  86th  St.    Wintergarden,  160  E.  86tb 

St.,    N.    Y.    City. 
Glynne,    M.,    Astoria,    Steinway    &    Grand    Aves., 

Astoria 
Gold,    Max,    Lyric   Theatre,    213    Main    St.,    Pater- 
son. N.  J. 
Goldreyer,     Chas.,     Concourse,     207     E.     Fordham 

Rd.,   Bronx. 
Goodman,   Morris,    1420   Carroll   St.,   Brooklyn.    N. 

Y. 
Grobe    Bernard,    U.    S.,    Webster    Ave.    &    195th 

St.,  N.  Y.   C. 
Goldschein,     H.,     Evergreen,     926     Seneca     Ave., 

B'klyn,    N.    Y. 
Ginsburg,    Morris,    King's,    4048    Third    Ave.,    N. 

Y.   City. 
Gladstone,    Samuel,    Metropolitan,    168    Manhattanp 

Ave.,   B'klyn,  N.  Y. 
Gold,    Louis,    H.,    City    106    Second    St.,    Passaic, 

N.  J. 
Goldberg,  A.   S.,  Atlantic  Garden,   50   Bowery,   N. 

Y.   City. 
Goldberg,   Jacob,    Park,    Rockaway    Park,    L.    I. 
Gordon,     Ellis,     Venice,     209     Park     Row,     N.     Y. 

City. 
Greenberg,    Max,    Lewis,    5    Lewis    Ave.,    B'klyn, 

N.  Y. 
Greenfield,      Leon,      Eden,      201      Atlantic      Ave., 

B,klyn,   N.   Y. 
Haring,    Chas     F.,    1658    Broadway,    New    York 

City. 
Haring,  Henry,   1658   Broadway,  New  York  City. 
Harris,   M.   D.,   Palace  Garden,   Passaic,   N.   J. 
Harstn,  Al,  137  W.  110th  St.,  New  York  City. 
Hecht,  H.  K.,  Garden,  Passaic,  N.  J. 
Hennessey,  D.  J.,  29  Melrose  Ave.,  East  Orange, 

N.  J. 
Hirschthal,    Michael,    American,    Main    St.,    Free- 
port,    L.    I. 
Holly,  John,  New  Meriden,  Astoria,  L.  I. 
Hatten,    Joseph,    Marcy,    Marcy    Ave.,    Brooklyn, 

N.  Y. 
Harris,    Harry    A.,    B    lue    Bird,    Amst.    Ave.    & 

147th    St.,   N   .Y.    City. 
Hirsch,     J.     Arthur,     Harlem     Grand,     119     East 

125th   St.,  N.  Y.   City. 
Hays,  Walter,  407  roquis  Bldg.,  Buffalo,  N.  Y. 

Jenell,  J.,  Concord,  3208  Fulton  St.,  B'klyn,  N.  Y. 

Juitkovitz,  A.,   Far   Rockaway,   L.   I. 

Jame,   Abraham,    B   ronx   Plaza,   2408   Washington 

Ave.,   N.   Y.    City. 
Jame,  Jos.,    Bronx   Plaza,   2408   Washington   Ave.^ 
N.  Y.  City. 


247 


HELLO! 


Yes!    This  is 

Alexander  Alt 

Talking 

Fm  Now  Playing 

"Percy"  in 

"TH[  HALL  ROOM  BOYS'' 


Crimen  J.  Zeidler 

{Billy  Joy) 

DIRECTOR 


Hollywood 


248 


^ 


Katz,   I.,  National,   720  Washington  Ave.,   B'klyn, 

N.  Y. 
Kizerstein,    D.,    Strand,    511    Broadway,    Bayonne, 

N.  J. 
Knebel,    Benjamin,    Valentine,    Valentine    Ave.    & 

Fordham   Road,   New   York   City. 
Keeney,     Frank,     Keeney's     Brooklvn,     Livingston 

St.,    Brooklyn,  N.   Y. 
Kridel,    M.    H.,    869    S.    15th    St.,    Newark.    N.    J. 
Katz,  Max.  I.,  Acme,  56  E.  14th  St.,  N.  Y.  City. 
Kleinfield,  Lyric,  Summit,  N.  J. 
Kutinsky,    Morris,    Academy    of    Music,    York    & 

Gregory   St.,  Jersey   City,   N.   J. 

Landau,    W.    A.,    Heights,    150    Wadsworth    Ave., 

N.   Y.   City. 
Lederer,    Otto,    Colonial,    B'way    &    Chauncey    St., 

B'klyn. 
Levey  Bros.,  189  Montague  St.,  Brooklyn,  N.  Y. 
Loew,   Marcus,    1493    Broadway,   New   York    City. 
Lesselbaum,    Samuel,    Stadium,     102    Chester    St., 

B'klyn. 
Leventhal,   M.,   375   Stone  Ave.,   Brooklyn,   N.    Y. 
Levine,    Chas.,    Court,    Smith    &    3rd    St.,    B'klyn, 

N.  Y. 
Levine,    Max,    Coleseum,    4th    Ave     &    S2nd    St., 

B'klyn,  N.  Y. 

Manheimer,  John,   Park,  4322  5th  Ave.,   Brooklyn, 

N.   Y. 
Moroso,   S.  A.,   Globe,   2184   3rd  Ave.,   New   York 

City. 
Moses,    Chas.,    Liberty,    70    Beach    St.,    Stapleton, 

L.  I. 
Moss,   B.  S.,   1564  Broadway,  New  York  City. 
Muller,    Oscar,    Oxford,    552    State    St.,    Brooklyn, 

N.  Y. 
Motta,    Manuel,   215    Montague   St.,    Brooklyn,   N. 

Y. 
Mertens,    F.    H.,    Danforth,    142    Danforth    Ave., 

Jersey   City. 
Mausert,    G.   E.,   Rialto,   268    Fulton    St.,  Jamaica, 

L.    I. 
Mangini,    Chas.,    Consolidated   Amus.,    623    Eighth 

Ave.,   N.  Y.   City. 
Manheimer,    S.    S.,    304    East    Broadway,    N.    Y. 

City. 
Mayer,  Herman,  Electra,  7418  Third  Ave.,    B'klyn, 

N.  Y. 
Miller,    Isaac,    Capitol,    Saratoga    Ave.    &    Dean 

St.,   B'klyn,  N.  Y. 
Miller,    Max,    Manhattan-Nassau,    1065    Manhattan 

Ave.,  B'klyn,  N.  Y. 
Muller,    Herbert,    Garden,    Richmond      Hill,    L.    I. 
Mumbrauer,   Henry    C,    Park  west,    103   West   99th 

St.,  N.  Y.  City. 

Nussbaum,    A.,    Colonial,    Summer    &    Bloomfield 

Aves.,   Newark,    N.   J. 
Naughton,    Michael,    Yorkville    Casino,    210    East 

86th  St.,  N.   Y.   City. 
Needle,   Morris,   Lyric,   172   West  23rd   St.,   N.   Y. 

City. 
Nelson,  L.,  Plaza,  246  Broadway,  B'klyn,  N.  Y. 

O'Reilly,  Chas.,  708  Times  Bldg.,  N.  Y.  City. 
Ochs,   Lee  A.,   Cestello,  23   Ft.   Washington  Ave., 
N.  Y.   City. 

Peyser,    Samuel,    2094    Richmond    Terrace,    Port 

Richmond,  S.  I. 
Pear,  Max,  Avon,  289  Ninth  St.,  B'klyn,  N.  Y. 
Pollak,  Herman,  Arion,   Middle  Village,   L.  I. 

Rachmil,    Hyman,     Supreme,    530    Livonia    Ave., 

B'klyn,    N.   Y. 
Rapf,     Arthur,     Montauk,     Bath     &     20th    Arcs., 

B'klyn,   N.   Y. 
Riley,  R.  E.,   599  9th  Ave.,  Astoria,   L.  I. 
Rhonheimer,   Samuel,   Normandy,    1927   Fulton  St., 

B'klyn. 
Robinson,    Harry    DeG.,    Monticello,    Jersey    City, 

N.   J. 
Rosenblatt,   Leon,   Star,   503   Richmond  Ter.,   New 

Brighton. 
Rosenthal,     Louis,     1482     Broadway,     New    York 

City. 
Rossasey,    B.,    Manor,    Willard   &  Jamaica   Aves., 

Woodhaven,    L.    I. 
Rosenson,    Philip,    Garden,    740    Manhattan    Ave., 

Brooklvn. 
Raives,   S.,  Acme,   S6  E.   14th   St.,   N.  Y.   City. 


Rinzler,    Samuel,    Stone,    389    Stone    Ave.,    B'klyn, 

N    Y 
Robinson,  Harry  De,  Monticello,  Jersey  City,  N.  J. 
Rosensweig,  David,  208  Pulaski  St.,  B'klyn,  N.  Y. 
Sanders,   R.,   Marathon,   188   Prospect   Park  West, 

SaphSf'Sol.  J.,  Empress,  544  W.   181st  St.,  New 

York    City. 
Schneider,  Louis,  31  2nd  Ave.,  New  York  City. 
Schwartz,    A.     H.,     Linden,     815     Flatbush    Ave., 

Schw°artzy"jack,    New    14th   St.,    235    E.    14th    St., 

N    Y     City. 
Schwartz,   Samuel,   Oxford,   552    State   St.,    Brook- 
lyn   N    Y. 
Seider,  Jos.,  727   Seventh  Ave.,  New  York   City. 
Shapiro,  Harry,  158  Adelphi  St.,  Brooklyn,  N.Y. 
Steiber,    Chas.,    New    14th    St.,    235    E.    14th    St., 

N.   Y.   City.  ^  ,  ^^    _ 

Sobelson,   S.,  Empire,  Rahway,  N.  J. 
Sheer,    Samuel,    Palace,    Corona,    L.   I. 
Silverman,    M.,    Windsor,    412    Grand    St.,     New 

York   City.  „    ,,      ,    .  ti       i 

Sonin,    Sam,    Lincoln,    1519    Bedford  Ave.,    Brook- 
lyn   N    Y. 
Stern',    Joseph,    City,     125    N.    7th    St.,    Newark, 

N    J 
Spiegel",  Max,  Strand,  1579  Broadway,  New  York 

City 
Salkin,'  William,    Eagle,    1852   Third   Ave.,    N.    Y. 

C. 
Schoenbach,     Herman,     New     125th     St.,     165     E. 

125  St.,  N.  Y.   C.  ,     ^ 

Schork,    Wm.    F.,    Crystal    Hall,    48    E.    14th    St., 

N.   Y.   C. 
Schwartz,    Chas.,    Oxford,    552    State    St.,    B  klyn, 

N    Y 
Schwartz,     Morris     D.,     Garden,     Richmond    Hill, 

L.  I.  .„     , 

SelikofJ,  David,  New,  Hammels  Station,  Rockaway 

Beach,   L.   I.  ,      .      .  t,„  , 

Shahan,  Morris,  Irving,  1525  Myrtle  Ave.,  B  klyn, 

N    Y. 
Sherman,    Benj.,   Stadium,   119th    St.,    &   3rd   Ave., 

N    Y     City. 
Singer,    Louis,    Peekskill,    Peekskill.    N.    Y 
Small,  Wm.,  215  Montague  St.,  B'klyn    NY 
Snaper.    David,    Strand,    New    Brunswick.    N.   J. 
Spiro,  Max,  Palace,   133   Essex   St.,  N.  Y    C. 
Steinman,    Jack    H.,    Cosmo,     170    E.     116th    St., 

N.   Y.    C.  ^     ^ 

Suozzo,   Chas.,  Arcade,  Astoria,  L.   1. 
Suchman,   Henry,   600   West    165th    St.,   N.   Y.    C. 
Super,   David,   Broadway   Lyceum,   837   Broadway, 

B'klyn,  N.  Y. 
Traub.    H.,    Olympic,    342    Adams    St.,    Brooklyn, 

N    Y. 
Tamler.    H.,    Colonial,    7415    Third    Ave.,    B'klyn, 

N.  Y. 
Traub.    Louis,   American   Movies,   238   E.    3rd   St., 

N.  Y.  C. 
Uneerfeld,   T.   E..   Lyceum,  Nyack,  N.   Y 
Unger.    Jacob,    Crescent,    1175    Boston    Road,    N. 

Y.  C. 
Wellenbrinck.  H.  H.,  Mt.   Clair,  Mt.   Clair,  N.  J. 
Weinstock,    David,    City    Hall,    31    Park    Row,    N. 

Y    City 
Wilson,   Fred,  727   Seventh  Ave.,  New  York  City. 
Wolf,     Abram,     Adelphi,     2409     Broadway,     New 

York  City.  ,    ,         „        _,„  , 

Weiss,    Meyer,    Meeker,    186    Meeker    St.,    B  klyn, 

N    Y 
Walsh,  M.  J.,  Strand,  53   So.  Broadway,  Yonkers, 

N    Y 
Weinberg,    Alex.,    Playhouse,    Mt.    Vernon,    NY. 
Weinberg,  Leopold.  854  54th  St.,  B'klyn,  N.  Y. 
Weinberg,    Samuel,    St.    Marks,    132    Second   Ave., 

NYC 
Weingarten!    H.,    Parthenon.    329    Wyckoflf    Ave., 

B'klvn,  N.   Y.  ^,  _ 

Weltner,     Sigmund,     Stadium,     102     Chester     St., 

B'klyn,  N.  Y.  „       .  .,      _ 

Whitestone,    Irving,    Palace,    Huntington,    L.    1. 

Young,  W.  W.,  The  Playhouse,  Ridgewood,  N.  J. 
YaiTa,  Harmon,  Majestic,  1493  St.  Nicholas  Ave., 
NYC 

Yoost,  '  William,      Amphion,      614      Ninth      Ave., 
N.    Y.    C. 


249 


Live  Wire  Exploitation 


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AG  EN  C  V 

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New  York 


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250 


f 


Exhibitor's  Accessory  Buying  Guide 


Architects 
Ahlschlager,    Walter,    65    E.    Huron    St.,    Chicago, 

111 
Allen,    Paul    R.,    Grand    Central    Terminal,    N.    Y. 

City. 
Bair,  H.  S.,  Vandegrift  Bldg.,  Pittsburgh,  Pa. 
Bates,  R    M.,   Cammock   Watts   Bldg.,   Huntington, 

W.  Va. 
Beall,    Frederick    E.,    1335    N.    Gilmore    St.,    Balti- 
more,  Md. 
Breitman,  Joseph  T.,   117  W.  63rd   St..   N.   Y.   City. 
Braun,    Wm.    T.,    189    W.    Madison    St.,    Chicago, 

111. 
Broadhurst,    John,    Meigs    Bldg.,    Lawrence,    Mass. 
Brok   &   Sackheim,   26   Court   St.,    Brooklyn,   N.    Y. 
Carlson,     Arthur     G.,     226     Henry     St.,     Brooklyn, 

N.  Y. 
Cassidy,    S.    W.,    Old    Herkimer    Bank    Bldg.,    Her- 
kimer,  N.   Y. 
Cavanaugh  &  Baer,  2725  Prospect  Ave.,  Cleveland, 

Ohio. 
Clark,     C.    W.,     Savings    Bank     Bldg.,     Cortlandt, 

N    Y. 
Clark,   Harlan   M.,   3115    Mapledale  St.,    Cleveland, 

Ohio. 
Colton,    Bond   &   Knecht,   Houseman   Bldg.,   Grand 

Rapids,   Mich. 
Cook,  Harold  J.,  Dun   Bldg.,   Buffalo,   N.   Y. 
Crane,    C.    Howard,    Detroit,    Mich 
De  Hart,  John,   1039  Fox  St.,   N.  Y.  City. 
Discoerman,    E.    W.,    People's    Trust    Bldg.,    Bing- 

hamton,    N.   Y. 
Dempwolf,  J.  A.,   Casset   Bldg.,   York,   Pa. 
Deserly,  Alex.,   110  W.  34th  St.,  N.  Y.  City. 
Deutsch,  M.,  50  Church  St.,  N.  Y.  City. 
De   Ro-,a,   Eugene,   110   W.   40th   St.,   N.   Y.   City. 
Eads,   E.   H.,   Chickasha,    Okla. 
Eberson,  John,  212  E.  Superior  St.,  Chicago,  111. 
Eisendrath,  Simeon  B.,  500  5th  Ave.,  N.  Y.  City. 
Elliott,  Fred,  Chamber  of  Commerce,  Columbus,  O. 
Farber,   Abraham,    1746   Pitkin   Ave.,    Brooklyn,   N. 

Y. 
Finkel,    Maurice    H.,    333    Majestic    Bldg.,    Detroit, 

Mich 
Fisher,     Fred     W.,     1240     Harden     St.,     Hoboken, 

N.  J. 
Fridstein  &  Co.,   Ill   W.   Washington   St.,   Chicago, 

111. 
Frye,   E.    G.,   McBain   Bldg.,   Roanoke,   Va. 
Fugard  &   Knapp,  64  E.   Van   Buren  St.,   Chicago, 

111 
Garry    &   Sheffey,    Bluefield,   W.    Va. 
Geilser,   Charles,   Apollo   Bldg.,   Pittsburgh,  Pa. 
Gerhardt,   Paul,   64  W.   Randolph   St.,   Chicago,   111. 
Germa,    Howard,    Schwind    Bldg.,    Dayton,    Ohio. 
Goldberg,    Carl   I.,   347    Broadway,    Bayonne,    N.   J. 
Greene,   Giles   P.,   Endicott,   N.   Y. 
Harnian,  John  B.,  48  N.  Queen  St.,   Lancaster,  Pa. 
Haug  &  Sons,  Carl,  Little  Falls,  N.   Y. 
Haskill,  Harry  M.,  Elmira,   N.   Y. 
Hennon    &    Boyle,    409    Fuller    Bldg.,    Philadelphia, 

Pa. 
Hill,  Wm.  D.,  Ulmer  Bldg.,  Pottsville,  Pa. 
Hoffman   Co.,   Wm.,   166  Columbia  St.,  West   New 

Brighton,    S.    I.,    X.    Y. 
Hoffman   Henon    Co.,    Finance   Bldg..    Phila.,    Pa. 
Horn  Sons,  E.  C,  1476  Broadway,  N.  Y.  City. 
Houghton,      E.      W.,      Lumber      Exchange      Bldg., 

Seattle,  Wash. 
Howard,  E.  A.,   Bastable  Bldg.,  Syracuse,  N.   Y. 
Hradiiek,   Henry,   Park    Bldg.,    Cleveland,    Ohio. 
Hyde,    Robt.   M.,   8    S.    Dearborn   St.,    Chicago,    111. 
Jamison  &  Katsaris,  Home  Savings  Bldg.,  Youngs- 
town,    Ohio. 
Janowitz,   A.    F.,   323    Parmanent   Bldg.,    Cleveland, 

Ohio. 
Johnson,    Emil,    Fayette    Title    Bldg.,    Uniontown, 

Pa. 
Kees  &  Colburn,  246  Plymouth  Bldg.,  Minneapolis, 

Minn. 
Kelster,  George,  56  W.  45th  St.,  N.  Y.  City. 
Kennerly   &   Stiegmeyer,   Title   Guaranty    Bldg.,    St. 

Louis,  Mo. 
Kinsila,  E.  B.,  39  W.  27th  St.,  N.  Y.  City. 
Kohner    &    Sealer,    1402    Kresge    Bldg.,    Detroit, 

Mich. 


Kline,    H.   H.,    1612   S.   Fourth   St.,   Phila.,    Pa. 
Krapp,  Herbert,    116   E     16th   St.,  N.   Y.    City. 
Lamb,  Thos.  W.,  644  Eighth  Ave.,  N.  Y.  City. 
Lansburgh,  P.  A.,  San  Francisco,  Cal. 
Lansing  &  Green,   Sherman  Bldg.,  Watertown,  N. 

Y. 
Latenser    &    Sons,    John,    630    Bee    Bldg.,    Omaha, 

Xeb. 
Lee,  Wm    H.,  32  S.  17th  St.,  Phila.,  Pa. 
Lehman,    W.   E.,   738    Broad    St.,    Newark,   N.   J. 
Leibert,   H.   T.,   47   Mack    Bldg.,   Milwaukee,   Wis. 
Lempert,    Leon    &    Son,    Cutler    Bldg.,    Rochester, 

N.   Y. 
Lembke,     Charles    F.,     304     N.    Morgan     St.,    Val- 
paraiso,  Ind. 
Le    Quornik,    Salvati,    367    Fulton    St.,    Brooklyn, 

N.  Y. 
Levy,   David,    116   Real   Estate  Trust   Bldg.,   Phila., 

Pa. 
Lewis,    I.    M.,   503    Congress    Bldg.,    Detroit,   Mich. 
Link   &   Haire,    Helena,    Mont. 
Lubroth    &    Lubroth,    64    Court    St.,    Brooklyn,    N. 

Y. 
Luzius,  P.  H.,  419  Erie  Bldg.,  Cleveland,  Ohio. 
Margon,  Irving,  355  E.   149th  St.,  N.  Y.  City. 
Mark-ley,  R.  R.,  418  Market  St.,  Harrisburg,  Pa. 
Marshall  &  Fox,  Chicago,   111. 
McDowell,  J.  Harold,  Insurance  Bldg.,  Glens  Falls, 

N.  Y. 
Meader,  Herman  Lee,  2  W.  33d  St.,  N.  Y.  City. 
Meanor    &    Handcloser,    Robson    Pritchard    Bldg., 

Huntington,  W.   Va. 
Meyer,  J.  H.,  City  Hall,  Wapakonetta,  Ohio. 
Millard,  J.,  Hutchinson  Bldg.,  Altoona,   Pa. 
Miller,   James,    505    Erie    Bldg.,    Cleveland    Ohio. 
Mitchell    &   Gredig,    108    Spring    St.,   Johnson   City, 

Tenn. 
Moore   &   Landsidel,    148th    St.    &   3rd  Ave.,    N.   Y. 

City. 
Moss,  T.  H.   &  Co.,  Rochester,  Minn. 
Mowell  &  Rand,  50  Bromfield  St.,  Boston,  Mass. 
Newhouse,    Henry    L.,   4630   Prairie  Ave.,    Chicago, 

111. 
Nirdinger,    M.,    Empire    Bldg.,    Pittsburgh,    Pa. 
Osterhage,    Louis    H.,    Citizen's    Trust    Bldg.,    Vin- 

cennes,    Ind 
Overdorf,  W.  H.,  23  Long  St.,   Du   Bois,  Pa. 
Owens,   H.    W.,    Xenia,    Ohio. 
Pember    &    Campaigne,    24  James   St.,   Albany,    N. 

Y. 
Phillips,  J.  H.,  681  Fifth  Ave.,  New  York  City. 
Polcyn,   W.,   3231    W.    62nd   St.,   Chicago,   111. 
Post  &  Sons,  Geo.   B.,   101   Park  Ave.,   N.  Y.  City. 
Porter,  E.  B,,  6170  Plymouth  Ave.,  St.  Louis,  Mo. 
Preacher,  G.   L.  &  Co.,  Augusta,  Ga. 
Pridmore,  J.    L     O.,   38   S.   Dearborn   St.,    Chicago, 

111. 
Priteca,   P.   E.,   Seattle,  Wash. 
Rapp,  C.  W.  &  Geo.  L.,  190  N.  State  St.,  Chicago, 

111. 
Rasmussen,  Robert  T.,  999   Bergen   St.,    Brooklyn, 

N.  Y 
Reilly  &  Hall,  405   Lexington  Ave.,  N.  Y.   City. 
Reimer,   H.   E.,    Kibby   Bldg.,   Marshalltown,    Iowa. 
Rossello,    Peter    R.,    407    Congress    Bldg.,    Detroit. 

Mich 
Sandblum,    C.   A.,    19   West   45th   St.,   N.   Y.    City. 
Seeburger   &  Rabenold,    1524   Chestnut   St.,   Phila., 

Pa. 
Shampan  &  Shampan,  SO  Court  St.,  Brooklyn,  N. 

Y 
Shiveley,   Richard  J.,  Trenton,  N.  J. 
Short,    R.   Thos.,   370   Maxon   St.,   Brooklyn,   N.   Y. 
Simonson,     Otto     G.,     Maryland     Casualty     Bldg., 

Baltimore,    Md. 
Sleight,    Albert    E.,    Romaine    Bldg.,    Paterson,    N. 

.Smith    &   May,    Calvert   Bldg.,    Baltimore,    Aid. 
Span,     Henry,     52     West     Chippewa     St.,     Buffalo, 

N.    Y. 
Sparklin   &   Zink,   Munsey   Bldg.,   Baltimore,   Md. 
Spigc'l,   B.   B..   112   Main   St.,   Norfolk,   Va. 
Swasey,  Wm.  A.,  1819  Broadway,  N.  Y.  City. 
Temple,    H.     R.,    304    Lincoln     Bldg.,     Champaign, 

111. 
Tocha,  Anton,   1064   Milwaukee  Ave.,   Chicago,   111. 


251 


Toltz,  King  &  Day,  Pioneer  Bldg.,  St.  Paul.  Minn. 
Vivaritas,    P.  A.,    110   Fourth   St.,   Union  Hill,    N. 

J. 

Vonnegut,     Bohn    &    Mueller,     State    Life     Bldg., 

Indianapolis,   Ind 
Vreeland,  Jr.,  J.   J.,    16   W.    Blackwell   St.,   Dover, 

N.  J. 
Webb,  G.   B.,  1358  Broadway,  N.  Y.   City. 
Wendell,  H.   E.   Ocean   City,   N.  J. 
Wentworth,    F.    W.,     140    Market    St.,    Paterson, 

N.  J. 
Whitney     &     Williams,     122     S.     Michigan     Ave., 

Chicago,   111. 
Winters,  Wm.  C,  106  Van  Siclen  Ave.,  Brooklyn, 

N.  Y. 
Wilson,  E.  Allen,  1208  Chestnut  St.,  Phila.,   Pa. 
Wiseman,    Harrison    G.,    507    Fifth    Ave.,    N.    Y. 

City. 
Zink,  Jno.   J.,    700    10th    St.,   N.   W.,   Washington, 

D    C 

Balloons,   Toy   Advertising 

Barr  Rubber  Produtcs  Co.,  Lorain,   Ohio. 

Brazel    Novelty   Mfg.    Co.,    1700    Ella    St.,    Cincin- 
nati, Ohio. 

Faultless  Rubber  Co.,  Ashland,  Ohio. 

Howe    Baumann    Balloon    Co.,    187    Murray    St., 
Newark,   N.  J. 

Maple   City   Rubber   Co.,   Norwalk,    Ohio. 

Mohican  Rubber  Co.,  Norwalk,  Ohio. 

Mohican    Rubber    Co.,    250    Miller    St.,    Ashland, 
Ohio. 

Novelty   Rubber   Sales   Co.,  Akron,   Ohio. 

Reed  Rubber  Co.,   1156  Dorr  St.,  Toledo,   Ohio. 

Shure  Co.,  N.,  Madison  &  Franklin  Sts.,   Chicago, 
111. 

Advertising   Novelties 

The     Weshner-Davidson     Agency,      117     W.     46th 
St.,    N.    Y.    City. 

Banners 

Arkay   Display   Service,  409   Film   Exchange   Bldg., 
Cleveland,   Ohio. 

Chicago   Flag  &  Decorating   Co.,    1345   S.   Wabash 
Ave.,  Chicago,  111. 

Eagle  Regalia  Co.,   115  Nassau  St.,  N.  Y.   City. 

Enkeboll  Art  Co.,  Omaha,  Neb. 

Hayden    &    Co.,    Inc.,    106    Broadway,    Brooklyn, 
N.  Y. 

Hennegan  &  Co.,  311  Genesee  St.,  Cincinnati,  Ohio. 

Humphreys   Co.,   D.    C,   909   Filbert    St.,    Philadel- 
phia,  Pa. 

Markendorfif,  S.,  1S9  W.  23d  St.,  N.  Y.  City. 

National   Poster   Co.,    518  Mailers    Bldg.,    Chicago, 
111. 

Playhouse   Advertising    Co.,    49th    St.    &    7th    Ave., 
N.    Y.    City. 

Sampliner   Adv.    Co.,    1600    Broadway,   N.    Y.    City. 

United     Decorating     Co.,     421      Washington     St., 
Hoboken,   N.   J. 

Bells  and  Buzzers 
Ansonia   Electric   Co.,  Ansonia,   Conn. 
Automatic    Appliance    Co.,     162     Colimibus    Ave., 

Boston,  Mass. 
Bryant    Mfg.    Co.,   456   W.    Ontario    St.,    Chicago, 

111. 
Edwards    &    Co.,    140th    &    Exterior    Sts.,    N.    Y. 

City. 
Ericson  Mfg.   Co.,   Buffalo,  N.   Y. 
Holtzer- Cabot  Co.,   125  Armory  St.,  Boston,  Mass. 
Keil    &    Son,    Francis,    401    E.    163d    St.,    N.    Y. 

City. 
Manhattan  Electrical  Supply  Co.,   17  Park   PI.,  N. 

Y.    City. 
Ostrander    &    Co.,    W.    R.,    371    Broadway,    N.    Y. 

Citv. 
Partrick    &   Wilkins   Co.,   51    N.    7th    St.,    Philadel- 
phia,  Pa. 
Stanley    &   Patterson,   23   Murray    St.,    N.    Y.    City. 
Stuart-Howland   Co.,   Boston,   Mass. 
Western   Electric   Co.,   195   Broadway,  N.   Y.   City. 

Billboards 
Aultman,  Inc.,   St.    Paul,   Minn. 
Birch,  F.  H.,  Co.,  The,  Boston.  Mass. 
Bond  Outdoor  Adv.   Co.,  The,  Toledo,   Ohio. 
Cook  Sign  Co.,  Fargo,  S.  D. 
Cusack  Co.,  Thos.,  Chicago,  111. 
Donnelly   Adv.,    Boston    (11),    Mass. 
Funk-Waltman   Co.,  Lancaster,   Pa. 
Gantner   Co.,   H.   W.,    Columbus,   Ohio. 


Hessler,   Inc.,  Wilmington,   Del. 
Interstate   Adv.    Service,    Omaha,    Neb. 
Johnstown    Poster    Adv     Co.,    Johnstown,    Pa. 
Gude    Co.,    The,    O.    T.,    550   W.    57th    St.,    N.    Y. 

City. 
Kimball   System,   The,   Lowell,   Mass. 
Maxwell    Co.,   R.    C,   The,   Trenton,   N.  J. 
Munn  Sign  &  Adv.   Co.,  Atlanta,  Ga. 
Myers-Leiber  Adv.   Service,   Phoenix,  Ariz. 
Reichard,   R    W.,  Allentown,  Pa. 
Rich   Poster   Adv.    Co.,    St.    Clair,   Mich. 
Rogers     Co.,     George     W.,     205     Michigan    Ave., 

Jackson,    Mich. 
Rosenthal  Sign  Co.,  Cleveland,  Ohio. 
Shean   Adv     Co.,    Springfield,    Mass. 
St.    Louis    Poster    Adv.    Co.,    2920    Olive    St.,    St. 

Louis,  Mo. 
United  Advertising  Corp.,  New  Haven,   Conn. 
United   Adv.    Corp.,   Newark,   N.  J. 
United   Advertising    Corp.,    1    W.    34th   St.,   N.    Y. 

City. 
United    Adv.    Co.,    2021    Terry    St.,    Fort    Worth, 

Tex. 
Western    Display   Co.,    St.    Paul,   Minn. 

Booths,    Projection 
A.  G.  Mfg.  Co.,  Seattle,  Wash. 
Anchor   Corrugating   Construction   Co.,   140  Wash- 
ington St.,   N.  Y.   City. 
Atlas   Metal  Works,  2601   Alamo   St.,   Dallas,  Tex. 
Edwards    Mfg.    Co.,    724    Eggleston    Ave.,    Cincin- 
nati, Ohio. 
Erker  Bros.  Optical  Co.,  608  Olive  St.,  St.  Louis, 

Mo. 
Fulton   Co.,   E.   E.,  3208   Carroll  Ave.,   Chicago. 
Goldberg   Bros.,    1431    Lawrence   St.,   Denver,   Col. 
Harry    Steel    Co.,    O.    K.,    2333    Papin    Ave.,    St. 

Louis,  Mo. 
Howells  Cine  Equipment  Co.,  740  7th  Ave.,  N.  Y. 

City. 
J.   M. — See  Johns-Manville  Co. 
"Tohns-Manville   Co.,    H     W.,    Madison   Ave.    &   41st 

St..    \.    V.   City. 
Keasbey   &   Mattison    Co.,    Dept.   N,   Ambler,    Pa. 

"Century." 
Laaes'ow     Co..     H.     R..     2i2     Tav     St.,     Rochester, 

N"  Y, 
Leland    Theater    Supply    Co.,    97    State    St.,    Mont- 

pelier,   Vt. 
McAuIey    Mfg.    Co.,    J.    E.,    32    N.    Jefferson    St., 

Chicago,    ID 
Menger,  Ring  &  Weinstein,  304  W.  42d  St.,  N.  Y. 

City.  ^ 

Milwaukee   Corrugating   Co.,   36th   &   Burnham   St., 

^lilwaukee.  Wis. 
Moeschi-Edwards  Corrugating  Co.,  Covington,   Ky. 
Newman    Mfg.    Co.,    416-418    Elm    St.,    Cincinnati, 

Ohio. 
O.    K.   Metal   Box   Co.,   209   Greenwich  St.,   N    Y. 

City. 
Pruden  Co.,  C.  D.  Warner  &  Dock  Sts.,  Baltimore, 

Md. 
Rialto   Theater   Supply   Co.,   Minneapolis,   Minn. 
Riverside    Mfg.    Co.,    162    Riverside   Ave.,    Newark, 

N.  J. 
S.   &  S.   Film  &  Supply   Co.,   414  Penn  Ave.,   Pitts- 
burgh,  Pa. 
Sharlow    Bros.    Co.,   442   W.   42d   St.,   N.   Y.    City. 
Souther  Iron   Co.,  E.   E.,  2206   N    Second   St.,   St. 

Louis,  Mo. 
Staandard  Iron  &  Wire  Works,  Chattanooga,  Tenn. 
Steel     Roofing     &     Stamping     Works,     506     S.     W. 

Second    St.,    Des    Moines.    Iowa. 
Williams.   Browne  &   Earle,   Inc.,  918  Chestnut  St., 

Philadelphia,   Pa. 

Booths,  Ticket 

Decorators'   Supply   Co.,  Archer  Ave.,   Chicago,  111. 

Flour    Citv    Orn.    Iron    Co.,    Minneapolis.    }\Iinn. 

Markendorfif,  S.,   159  W.  23d  St.,  N.  Y.   City. 

Menger,   Ring  &  Weinstein,  306  W.  42d  St.,  N.  Y. 
City. 

Stanley  Frame  Co.,  729  7th  Ave.,  N.  Y.  City. 

National   Plastic   Relief   Co..   416   Elm   St.,    Cincin- 
nati, Ohio. 

Brokers,   Theater 

Elvin,    R.    C,    852    Plymouth    Bldg.,    Minneapolis, 
Minn. 

Krawitz,  M.   M..   1735  Welton  St.,  Denver,   Col. 

Kriger   &  Aarons,   1482   Broadway,   N.   Y.    City. 


252 


Motion  Picture  Adv.  Co.,  261  N.  12th  St.,  Phila- 
delphia,  Pa. 

Theater    Sales    Co.,    414    S.    loth    St.,    Omaha,    Neb. 

Theater  Service  Co.,  341  Loeb  Arcade,  Minne- 
apoHs,    Minn. 

Theater  Trading  Exchange,  67  Church  St.,  Boston, 
Mass. 

United  Theater  Exchange,  Pacific  Bldg.,  San 
Francisco,  Cal. 

Brushes,     Dynamo,     Generator,     Motor 

American  Carbon  &  Battery  Co.,  E.   St.   Louis,  111. 

Barkelew    Electrical   Mfg.    Co.,    Middletown,    Ohio. 

Baylis   Co.,   Bloomf^eld,   N.  J. 

Becker   Bros.,   25    N.   Jefferson    St.,   Chicago,   111. 

Corliss   Carbon   Co.,   Bradford,   Pa. 

Crown   Woven   Wire   Brush   Co.,   Salem,   Mass. 

Dixon   Crucible   Co.,   Joseph,   Wayne   &   Monmouth 

Sts.,   Jersey   City,   N.  J. 
Drew    Electric    &    Mfg.    Co.,    Indianapolis,    Ind. 
Eureka   Co.,   North  East,   Pa. 
General    Electric    Co.,    Schenectady,    N.    Y. 
Gol(ln:ark   Co.,    Tames,   8J!   Warren   St.,   New    York, 

N.   Y. 
Hart   &   Co.,   Fostoria,   Ohio, 

Holmes   Febre  Graphite  Co.,    (Germantown)    Phila- 
delphia, Pa. 
Le   Valley    Vitae    Carbon    Brush    Co.,    521    W.    23d 

St.,   N.  Y.   City. 
Morganite    Brush    Co.,    Inc.,    519    W,    38th    St., 

N.  Y.  City. 
National    Carbon    Co.,    Madison    Ave.,    N.    W.,    & 
_  117th   St.,   Cleveland,   Ohio. 
Nungesser    Carbon    &    Battery    Co.,    27    King    St., 

Cleveland,  Ohio. 
Ohio    Electric    Specialty    Mfg.    Co.,    Trov,    Ohio. 
Perfection  Supply  Co.,  98  Park  PI.,  N.  Y.  City. 
Philadelphia  Electric  &  Mfg.  Co.,  2011   Market  St., 

Philade'phia,    Pa. 
Salem  Ekctric    Supply   Co.,   Salem,   Mass. 
Spcer  t  arbon  Co.,   St    Mary's,   Pa. 
Stafford   Co.,   N.,  67   Fulton   St.,   N.  Y.   City.     ' 
Thonipson-Bonney     Co.,     45     York     St.,     Brooklyn, 

A.    \. 
United    States    Graphite    Co.,    1430    Holland    Ave., 

Saginaw,  Mich. 
Walsh   Co.,  J.   F.,   Pittsfield,  Mass. 
VVestinghouse  Electric  &  Mfg.   Co.,  E.  Pittsburgh, 
Pa. 

Buckets — Fire 
Atlantic    Stamping   Co.,    Rochester,    N.    Y 
Clay.  Jol-n  H.,   1320   Uidge  Ave.,  Philadelphia,  Pa. 
Cordley   &  Hayes,   7  Leonard   St.,   N.   Y.   City. 
Fcamite    Firefoam    Co.,   200   5th  Ave.,   N.   Y.   City. 
Gender,    Paeschke   &    Frey    Co.,    St.    Paul   Ave.    & 

15th    St.,    Milwaukee,    Wis 
Gutta   Percha  &  Rubber  Mfg.    Co.,   126   Duane  St., 

N.   Y.    City. 
Hayward   &   Co.,   S.   F.,   250   W.    S4th   St.,   N.   Y. 

City. 
Lisk    Mfg.    Co.,   Canandaigua,    N.   Y. 
Wilson    &    Co.,    F.    Cortez,    323    W.    Lake    St., 
Chicago,    111. 

Burlap,   Wall 
Cott-a-lap  Co.,   Somerville,  N.  J. 
Du    Pont    de    Nemours    Powder    Co.,    E.    I.,    Wil- 
mington, Del. 
HolHston    Mills,    Norwood,    Mass. 
Richter    Mfg.    Co.,    Tenafly,    N.    J. 
Wemple    Co.,   J.    C,    35    E.    20th    St.,    N.    Y.    City. 
Wiggins   Sons   Co.,  H.   B.,   Bloomfield,  N.  J. 

Cabinets,    Safety   Reel 

A.  G.  Mfg.  Co.,  Seattle,  Wash 

American  Film  Safe  Co.,  604  W.  Pratt  St.,  Balti- 
more, Md. 

Columbia  Metal  Box  Co.,  226  E.  144th  St.,  N.  Y 
City. 

Darby  &  Sons  Co.,  Edward,  233  Arch  St., 
Philadelphia,  Pa.,  "Pen-Dar." 

Erker  Bros.  Optical  Co.,  608  Olive  St.,  St  Louis, 
Mo. 

Fulton,    E.    E.,    3208    Carroll   Ave..    Chicago,    111 

Peterson  Co.,  C.  J.,  723  Fulton  St.,  Chicago,   111. 

Shadow    Bros.    Co.,    442    W.   42d    St.,    N.    Y.    City. 

Teco   Products   Mfg.    Co.,   Minneapolis,    Minn. 

Williams,  Brown  &  Earle,  Inc.,  918  Chestnut  St., 
Philadelphia,    Pa. 


Carbons,  Arc  Lamp 

Continental    Drug:   &    Chemical   Works,   371    Wythe 
Ave.,   N.   Y.    City. 

Menkes    Electric    Co.,   J.,    853    B'way,    N.    Y.    City. 

National   Carbon  Co.,   Madison  Ave.,   N.   W.   &  W. 
117th    St.,    Cleveland,    Ohio,    "Silvertip." 

Reisinger,   Hugo,    11    Broadway,    N.    Y,    City. 

Speer    Carbon    Co.,    St.    Mary's,    Pa. 

Swaab    &    Son,    Lewis    M.,    1327    Vine    St.,    Phila- 
delphia,  Pa. 

Carpet,    Theater 

Baker-Lockwood    Mfg.     Co.,    Kansas    City,    Mo. 

Bridgeport     Coach     Lace     Co.,     813     Wood    Ave., 
Bridgeport,    Conn. 

Cochrane   Mfg.   Co.,   East   Dedham,   Mass. 

Dobson,   John   &   James,   809    Chestnut   St.,    Phila- 
delphia,  Pa. 

Hirst-Roger  Co.,   Philadelphia,   Pa. 

Mantell    &    Taylor,    Detroit,    Mich. 

Midland  Fabrics  Co.,  228  W.  58th  St.,  New  York, 
N.  Y. 

Poulscn  &   Co.,   Charles  W.,   133   Fifth  Ave.,   New 
York,    N.    Y. 

Schofield,    Mason    &    Co.,    Fairhill,    Reese    &    Cum- 
berland  Sts.,   Philadelphia,   Pa. 

Sloane,    W.    &    J.,    575    Fifth    Ave.,    New    York, 
N    Y. 

Strong  Textile   Co.,   245   W.    55th   St.,   New   York, 

N    Y 

Ceiling,    Metallic 

Acme    Sheet    Metal    Co.,    Martins    Ferry,    Ohio. 
Badger    Steel   Roofing    &    Corrugating   Co.,    214    S. 

Second    St.,    La    Crosse,    Wis. 
Berger    Mfg.    Co.,    11th    &    Belden    Ave.,    Canton, 

Ohio. 
Boston    Metal    Ceiling    &    Mfg.    Co.,    514    Atlantic 
Ave.,    Boston,    Mass. 

Brier    Hill    Steel    Co..    521-23    W.    23d    St.,    N.    Y. 

City. 
Brooklyn     Metal     Ceiling     Co.,    287     Greene    Ave., 
Brooklyn,  N.   Y. 

Burton    Co.,    W.   J.,    164   W.    Lamed    St.,    Detroit, 
Mich. 

Canton  Art  Metal  Co.,  Canton,  Ohio. 

Canton    Metal    Ceiling    Co.,    1957    Harrison    Ave., 
Canton,    Ohio. 

Chattanooga    Iron    &    Wire    Works,    Chattanooga, 
Tenn. 

Dowman-Dozler    Mfg.    Co.,    20    Trinity    Ave.,    At- 
lanta,   Ga. 

Duluth   Corrugating  &  Roofing  Co.,  Duluth,  Minn. 

Edwards    Mfg.    Co.,    724    Eggleston    Ave.,    Cincin- 
nati,  Ohio. 

Eller   Mfg.    Co.,    Canton,    Ohio. 

Foster    Sheet    Metal    Co.,    Tenth    &    Carpenter    Sts., 
Springfield,    111. 

Friedley-Voshardt    Co.,    725    S.    Halsted    St.,    Chi- 
cago, 111. 

Hopson    &    Co.,    W.    C,    Grand    Rapids,    Mich. 

Indianapolis     Corrugating    Co.,    Indianapolis,     Ind. 

Kanneberg    Roofing   &    Ceiling   Co.,    Canton.    Ohio. 

Keighley     Metal     Ceiling     &     Mfg.     Co.,     Kevstone 
Bank    Bldg.,    Pittsburgh,    Pa. 

Kinnear    &    Gager   Mfg.    Co.,    Mt.   Vernon    Ave.    & 
Sixth   St.,   Columbus,   Ohio. 

Klauer   Mfg.    Co.,   Dubuque,   Iowa. 

Mesker    &    Co.,    Geo.    L.    Evansville,    Ind. 

Milwaukee  Corrugating  Co.,  36th  Ave.  &  Burnham 
St.,    Milwaukee,    Wis. 

Miner  &  Peck   Mfg.   Co.,   New  Haven,   Conn. 

National    Cornice    &    Ceiling    Co.,    Cleveland,    Ohio. 

New    York    Metal    Ceiling    Co.,    537    W     24th    St., 
N.    Y.    City. 

Penn     Metal     Co.,     201     Devonshire     St.,     Boston, 
Mass. 

Penn   Metal   Ceiling.  &  Roofing   Co.,   23d   &  Hamil- 
ton   Sts.,    Philadelphia,    Pa. 

Porter     Iron     Roofing     &     Corrugating     Co.,     418 
Culvert  St.,   Cincinnati,  Ohio. 

Schoedinger,  F.   O.,  Columbus,  Ohio. 

Scott    Roofing   &   Mfg.    Co.,    420    Culvert    St.,    Cin- 
cinnati,  Ohio. 

Smith   &   Co.,  J.,  2755   W.  22d   St.,   Chicago,   111. 

Souther   Iron   Co.,   E.   E.,   2206   N.    Second   St.,    St. 
Louis,   Mo. 

Titifin  Art  Metal  Co.,  Tiffin,  Ohio. 

Watson    Co.,    Inc.,  James   H.,   Bradley,   I'l. 

Wheeling   Metal  &   Mfg.    Co.,   Wheeling,   W.   Va. 

VVh^taker-Glcssner       Co..      Wheeling      Corrugating 
Dept.,    Wheeling,    W.    \'a. 


253 


Cement,   Film 
Atlas   Supply   Co.,  Manayunk,   Pa. 
Bell    &    Howell    Co.,    1801    Larchmont    Ave.,    Chi- 
cago,   111. 
Berlin  Aniline  Works,   213   Water  St.,   N.   Y.   City. 
Dennis     Motion     Picture      Supply     Co.,     L.,     232 

Ottawa   Ave.,    N.    W.,   Grand    Rapids,    Mich. 
Eastman    Kodak    Co.,   Rochester,    N.    Y. 
Erker   Bros.   Optical   Co.,  608   Olive   St.,   St.   Louis, 

Mo. 
Exhibitors'    Supply    Co.,    67    Church    St.,    Boston, 

Mass. 
Exhibitors    Supply    Co.,    Mailers    Bldg.,    Chicago, 

111. 
Fil-Trim    Mfg.     Co.,     1964    Fulton     PL,    Cleveland, 

Ohio. 
Fulton    Co.,    E.    E.,    3208    Carroll    Ave.,    Chicago, 

111. 
Golden   Co.,    1913   Harrison    St.,   Chicago,   111. 
Hakilu   Mfg.    Co.,   Atlanta,   Ga. 
Hewes     Laboratories.     No.     13th    and    Berry    Sts., 

Brooklyn,    N.    Y. 
Hornbeck,    Harley    H.,    Monticello,    Ind. 
Howells    Cine.    Equipment    Co.,    740    7th   Ave.,    N. 

Y.    City. 
Independent  Movie   Supply   Co.,   729   7th  Ave.,   N. 

Y.  City. 
N.  j.   Chemical  Co.,  New   &   Center   Sts.,   Orange, 

N.   T. 
Porter,   B.    F.,    729   7th  Ave.,   N.   Y.    Citv. 
Royal     Flush     Products     Corp.,     1964     F'ulton     PI., 

Cleveland,   Ohio. 
Sticktite    Cement    Co.,    Turners   Falls,    Mass. 
Van    Cleef    Bros.,    7707    Woodlawn    Ave.,    Chicago, 

111.    "Dutch." 
Weldon     Film     Cement     Co.,     301      Loeb     Arcade, 

Minneapolis,   Minn. 
Williams,   Brown   &  Earle,   Inc.,  918   Chestnut   St., 

Philadelphia. 

Chairs 
American    Seating   Co.,    14    E.   Jackson    Boulevard, 

Chicago,   111. 
Andrews  Co.,  A.  H.,  107  S.  Wabash  St.,  Chicago, 

111. 
Howells    Cine    Equipment    Co.,    740    7th    Ave.,    N. 

Y.    City. 
Hey  wood   Bros.   &  Wakefield   Co.,    141 S    S.    Michi- 
gan Ave.,   Chicago,   111. 
Kundtz,  Co.,  Theo.,  Cleveland,  Ohio. 
Midland     Chair     &     Seating     Co.,     Michigan     City, 

Ind. 
Monarch    Theat.     Supply    Co.,     228    Union    Ave., 

Memphis,  Tenn. 
Motion    Picture    Chair    Co.,    823     Prospect    Ave., 

Cleveland,    Ohio 
Partridge    &    Sons    Co.,    Josiah,    47    W.    34th    St., 

N.  Y.  City. 
Peabody    School    Furniture    Co.,    N.    Manchester, 

Ind 
Peter    &  Volz   Co.,   Arlington   Heights,    111. 
Readsboro   Chair   Co.,   Readsboro,   Vt. 
Stafford    Mfg.    Co.,    E.    H.,   218    S.    Wabash   Ave., 

Chicago,    111. 
Stanley   Frame  Co.,  729  7th  Ave.,   N.   Y.  City. 
Steel   Furniture    Co.,    S.   W.,    Grand    Rapids,    Mich. 
United   Seating   Co.,   Dallas,   Tex 
Wisconsin   Cabinet  &  Panel   Co.,  'l05  W.   40th    St., 
N.    Y.    City. 

Chair  Covers 
Baldwin  Bros.,  16  W.  46th  St.,  N.  Y.  City. 
Cleveland-Akron    Bag    Co.,    40th    &    Perkins    Sts., 

Cleveland,    Ohio. 
Dubltex,  14  E.  Jackson  Boul.,  Chicago,  111. 
Dwyer    Bros.    &    Co.,    The,    Broadway    Film    Bldg., 

Cincinnati,    Ohio. 
Greater   N.   Y.    Export   House,   N.   Y.    City. 
Textile  Specialties  Co.,  Cincinnati,  Ohio. 

Cleaners,  Vacuum 

American  Radiator  Co.,  816  Michigan  Ave.,  Chi- 
cago, 111. 

Birtman  Electric  Co.,  12  S.  Clinton  St.,  Chicago, 
111. 

Bissell  Motor  Co.,  350  Huron  St.,  Toledo,  Ohio. 

Brookins  Co.,  Euclid  Ave.  &  18th  St.,  Cleveland, 
Ohio. 

Cyclone  Vacuum    Cleaner   Co.,   Bradford,   Pa. 

Duntley  Pneumatic  Sweeper  Co.,  82  W.  Broadway, 
N,   Y.   C:ty. 


Everybodys    Vacuum     Cleaner    Co.,    58    W.     15th 

St.,  N.  Y.  City. 
Federal  Sign  System  Co.,  Chicago,  111. 
Frantz   Premier  Co.,  The,   Plate  &  Ivanhoe  Road, 

Cleveland,    Ohio. 
Gray  Iron   Foundry   Co.,  Reading,  Pa. 
Hoover    Suction    Sweeper    Co.,    New    Berlin,    Ohio. 
Hutchinson   Mfg.    Co.,   Wilkinsburg,   Pa. 
Innovation    Electric    Co.,    585    Hudson    St.,    N.    Y. 

City. 
Invincible    Vacuum     Cleaner     Mfg.      Co.,     Dover, 

Ohio. 
Leasure  Vacuum   Cleaner  Co.,  Bradford,  Pa. 
Magic     Vacuum     Cleaner    Co.,     587     Hudson    St., 

N.    Y.    City. 
Menominee    Electric    Mfg.    Co.,    Menominee,    Mich. 
Muenzer    Specialty    Co.,    131    W.    42d    St.,    N.    Y. 

City. 
Perfection    Vacuum    Cleaner    Co.,    25    N.    Jeflerson 

St.,    Chicago,    111. 
Rex   Vacuum   Cleaner   Co.,   429   Kent  Ave.,    Brook- 
lyn,  N.   Y. 
Richmond    Radiator    Co.,    1430    Broadway,    N.    Y. 

City. 
Santo   Electric   Appliance    Co.,   820    Sixth  Ave.,    N. 

Y.    City. 
Scott    &    Fetzer,    W.     114th    St.,    &    Locust    Ave., 

Cleveland,    Ohio. 
Spencer    Turbine    Cleaner    Co.,    Hartford,    Conn. 
Sturtevant    Co.,    B.    F.,    Damon    St.,    Hyde    Park. 

Mass. 
Thurman    Vacuum    Cleaner    Co.,    St.    Louis,    Mo. 
United    Electric    Co.,    Canton,    Ohio. 
Vacuum   Cleaner  Construction   Co.,   417  Fifth  Ave., 

N.  Y.  City. 

Construction,    Theater 
Almitall   &   Co.,   Inc.,    1   Dominick   St.,  N.   Y.   City. 
Bader   &   Co.,  J.   A.,  923   Market    St.,    Wilmington, 

Del. 
Chapman,  Paul,  1482  B'way,  N.  Y    City. 
Elvin    &   Co.,    R.    C,    852    Plymouth    Bldg.,    Minne- 
apolis,   Minn. 
Fleishman   Construction   Co.,   531    7th  Ave.,   N    Y. 

City. 
Fuller   Co.,   Geo.  A.,   175   5th  Ave.,   N.   Y     City. 
Jardin   Co.,  The,  507  5th  Ave.,   N.   Y    Citv. 
Hopper  &   Sons,   Isaac  A.,   15   E.   40th  St.,   N.   Y. 

City. 
Lippe    Contracting     Co.,    52    Vanderbilt    Ave.,    N. 

Y.   City. 
Margolies,   Edward,    19   E.   33d   St.,   N.   Y.    City. 
McClintic    Marshall    Co.,    Pittsburgh,    Pa. 
Stewart    &    Co.,    Inc.,    James,    30    Church    St.,    N. 

V.    City. 
Thompson-Starrett   Co.,   660    1st   Ave.,   N.   Y.    City. 

Converters,  Electric 

Bell  Electric   Motor  Co.,   Garwood,   N.  J. 

Electric  Products  Co.,  1067  E.  152d  St.,  Cleveland, 
Ohio. 

Herlner    Electric     Co.,    W.     114th    St.,     Cleveland, 
Ohio. 

Major    Equipment    Co.,    2518    Cullom    Ave.,    Chi- 
cago,  111. 

Northwestern     Electric     Co.,     412     S.     Hoyne     St., 
Chicago,  111. 

Northwestern    Mfg.    Co.,    480   Clinton    St.,    Milwau- 
kee, Wis. 

Wagner   Electric   Mfg.    Co.,   6400    Plymouth  Ave., 
St.  Louis,  Mo. 

Westinghouse    Electric    &    Mfg.     Co.,    East     Pitts- 
burgh,   Pa. 

Cooling    Systems 

American    Blower    Co.,    6004    Russell    St.,    Detroit, 
Mich. 

Blizzard    Sales    Co.,    1810    Commerce    St.,     Dallas, 
Tex. 

Monsoon  Cooling  System,  71  N.  6th  St.,  Brooklyn, 
N.   Y. 

Typhoon  Cooling  System,  345  W.  39th  St.,  N.  Y. 
City. 

Costumes 

Arlington,    Paul,    118   W    48th   St.,    N.   Y.    City. 

Beck  &  Sons  Co.,  Wm.,  1115  Vine  St.,  Cincinnati, 
Ohio. 

Brooks  Thea.  Costume  Co.,  143  W.  40th  St.,  N.  Y. 
City. 

Chicago  Costume  Works,   116-120  N.  Franklin  St., 
Chicago,    111. 


254 


Chicago    Theatrical    Costume    Co.,    24    W.    Wash- 
ington  St.,    Chicago,   111. 

Chrisdie  &   Co.,   Chas.,  562   7th  Ave.,  N.  Y.   City. 

Eaves  Costume  Co.,  110  W.  46th  St.,  N.  Y.   City. 

Fisher,    T.    C,  255   S.    Ninth   St.,   Philadelphia,   Pa. 

Havden,"  Frank,  56  W.  45th  St.,  N.  Y.  City. 

Hazel-Rene,    State    Lake    Bldg,    Chicago,    111. 

Kampmann     Costume     Works,    237     S.     High     St., 
Columbus,   Ohio. 

Lester,   612   State  Lake  Bldg.,   Chicago,   111. 

Mahieu   &   Halaire    Co.,   243    W.    47th    St.,    N.    Y. 
City. 

Maybelle,    :MlIe.,    Inc.,    American    Bond    &    Mort- 
gage  Bldg.,   Chicago,   111. 

Miller-Costumier,    236     S.     11th     St.,     Philadelphia, 
Pa. 

New    York    Costume    Co.,    137    N.    Wabash   Ave., 
Chicago,    111. 

Orange   Mfg.    Co.,   729   7th  Ave.,  N.   Y.    City. 

Russell   Uniform   Co.,   1600   B'way,   N.   Y.   City. 

Schneider,   Anderson    Co.,    16   W.    46th    St.,    N.    Y. 
City 

Spencer,    Anna,    Inc.,    229    West    42d    St.,    N.    Y. 
City. 

Tarns,   Arthur   W.,    1600   Broadway,   N.   Y.    City. 
United     Decorating     Co.,     421     Washington     St., 
Hoboken,    N.  J. 

Van    Horn    &    Son,    919    Walnut    St.,    Philadelphia, 
Pa. 

Cups,    Sanitary 

American  Paper  Goods  Co.,  171  Duane  St.,  N. 
Y.    City. 

Boston  Drinking  Cup  Co.,  1000  Wash.  St.,  Boston, 
Mass 

Individual  Drinking  Cup  Co.,  220  W.  19th  St.,  N. 
V.   City. 

Knight,  Allen  &  Clarke,  177  High  St.,  Boston, 
Mass.    "Tulip." 

Lily — See    Public    Service    Cup    Co. 

Public  Service  Cup  Co.,  Bush  Terminal,  Brook- 
lyn,  N.   Y.      "Lily." 

Rochester  Germicide  Co.,  Rochester,  N.  Y 

Royal  Drinking  Cup  Co.,  11  S.  9th  St.,"  N.  Y. 
City. 

Curtains,   Fireproof 

Brunton  Studios,  John,  226  W  41st  St.,  N.  Y. 
City. 

Campha,   Wm.,   1540   Bway,   N.   Y.   City. 

Grain,  Amelia,   819   Spring  Garden,   Philadelphia. 

Gebl.ardt,    H.    L.,    433    W.    42d    St.,    N.    Y.    City. 

Htnderson-Ames   Co.,   Kalamazoo,  Mich. 

Humphreys  Co.,  D.  C,  909  Filbert  St.,  Phila- 
delphia. Pa. 

Tohns-Manville  Co.,  H.  W.,  Madison  Ave.  &  41st 
St.,   N.  Y.  City.  ".T.   M." 

Joy  &  Cannon,  Scenic  Co.,  St.  Paul,  Minn. 

Keasbey    &    Mattison    Co.,    Dept     N.,    Ambler,    Pa. 

Kuhn    Studio,    Louis,   293   8th   Ave.,    N.   Y.    City. 

Lash   Studios,  Lee,   Longacre   Bldg.,  N.   Y.   City. 

McVickers  Fireproof  Curtain  Co.,  2437  Sheffield 
St.,    Chicago,    111. 

Parmer  Studios,  Inc.,  201  W.  49th  St.,  N.  Y. 
City. 

Sheck  &  Co.,  O.,  Metropolitan  Theater,  Cleve- 
land,   Ohio. 

Story  Scenic  Co.,  O.  L.,  21  Tufts  St.,  Somer- 
ville    Sta.,    Boston,    Mass. 

Decorators 

Architectural  Decorating  Co.,  1600  S.  Jefferson 
St.,    Chicago,    111. 

Architectural  Woodworking  Co.,  3029  Chestnut 
St.,   Philadelphia,   Pa. 

Baumgarten    &    Co.,   238   E.    34th   St.,    N.    Y.    City. 

Battiste.  A.,  68  75th  St.,  Union  Course,  L.  I.,  N. 
Y. 

Bazille  &  Partridge,  33  E.  Sixth  St.,  St.  Paul, 
Minn. 

Bodine  Spanjer  Co.,  1160  Chatham  Court,  Chi- 
cago,   111. 

Brand  &  Co.,  Gustave  A,  1428  Michigan  Ave., 
Chicago.   111. 

Brunton  Studios,  John  226  W.  41st  St.,  N.  Y. 
City. 

Chapman  Decorative  Co.,  1502  Walnut  St.,  Phila- 
delphia,  Pa. 

Decorators  Supply  Co.,  Archer  Ave.  &  Leo  St., 
Chicago,    111. 

Dewar   &   Clinton.   435    Penn   .•\ve.,   Pittsburgh,   Pa. 


Doty   Scrimgeour   Sales   Co.,   30   Reade   St.,   N.   Y. 

City. 
Duchemin,   Geo.    W..   i7  Wainwright   St.,   Newark, 

N.  J. 
Enkeboll  Art   Co.,   Omaha,   Neb. 

Gibelli    &    Co.,    147    N.    62d    St.,    Philadelphia,    Pa. 
Gebhardt,  H.   L.,  433  W.  42d  St.,  N.   Y.   City. 
Herts    Bros.    Co.,    507    Fifth    Ave.,    N.    Y.    City. 
Irving  &  Casson,  573   Boylston   St.,    Boston,  Mass. 
Mandell    Bros.,    Chicago,    111. 

Marcotte  &  Co.,  L.,  12  W.  36th  St.,  N.  Y.  City. 
McHugh    &    Son,   Jos.    P.,    3    E.    48th   St.,    N.    Y. 

City. 
Merg    &    Schwelkert,    Syracuse,    N.    Y. 
Moorman  &  Co.,  A.,  St.  Paul,  Minn. 
Nelson    Co.,    W.    P.,    614    S.    Michigan    Ave.,    Chi- 
cago,   111. 
Parmer    Studios,    Inc.,    201    W.    49th    St.,    N.    Y. 

City. 
Sloane,    W.    &   J.,    Fifth   Ave.    &    47th    St.,    N.    Y. 

City. 
Smith   &   Co.,  Jos.,  428  E.  23d  St.,   N.  Y.   City. 
Stulen   &  Son,  J.,   101   Market  St.,   Pittsburgh,   Pa. 
Tiffany    Studios,    46    W.    23d    St.,    N.    Y     City. 
United    Flower    &    Decorating    Co.,    238    W.    48th 

St.,    N.    Y.    City 
Voigt  Co.,   1743  N.  12th  St.,  Philadelphia,  Pa. 
Warring- Boehm   Co.,   252    First   Ave.,    Minneapolis, 

Minn. 
Wright    Co.,    Wm.,    54    Fort    St.,    Detroit,    Mich. 

Dimmers,  Electric  Light 
Cirtler-Hammer    Mfg.    Co.,    Milwaukee,    Wis 
Display    Stage    Lighting    Co.,    Inc..    314    W".    44th 

St.,    N.    Y.    City. 
Major  Equipment  Co.,  2518  Cullom  Ave.,  Chicago, 

HI. 
Newton,  Chas.  I.,  305  W.  15th  St.,  N.  Y.  City. 
Ward  Leonard  Electric  Co.,  Mt.  Vernon,  N.  Y. 

Disinfectants  and  Sprays,  Theater 
(See  also   Purifiers,  Air) 
Accident    Cabinet    Co.,    Kalamazoo,    Mich. 
American    Oil   &    Disinfectant    Co.,    196    Water    St.,. 

N.   Y.    City. 
Arco   Co.,   6408  Euclid  Ave.,   Cleveland,   Ohio. 
B.    G.    Disinfecting    Co.,    316    W.    42d    St.,    N.    Y. 

City. 
Baum's    Castorine    Co.,    Rome,    N.    Y. 
Bruch   &   Co.,    F.    S.,   64   W.    Illinois    St.,    Chicago, 

111. 
Chamberlin    Co.,    Pittsburgh,    Pa. 
Chemical    Mfg.    Co.,    417    S.    7th    St.,    Minneapolis^ 

Minn. 
Chemical  Supply  Co.,  1565  Merwin  Ave.,  Cleveland,. 

Ohio. 
Cleaner   Mfg.    Co.,   2842   Olive  St.,   St.   Louis,  Mo. 
Cremolin    Mfg.    Co.,    17    S.    Main    St.,    St.    Louis, 

Mo. 
Continental   Drug  &   Chemical   Works,   371    Wythe 

Ave.,    Brooklyn,    N.    Y. 
Delaney    Oil    &   Lubricant    Co.,    Milwaukee,    Wis. 
Dolge  Co.,  C.   B.,  Westport,  Conn. 
Eagle    Oil    &    Supply    Co.,    104    Broad   St.,    Boston,. 

Mass.    "Eagleine." 
Egyptian   Chemical   Co.,  255  Atlantic  Ave.,   Boston, 

Mass. 
Exhibitors  Supply  Co.,  Mailers  Bldg.,   Chicago,  111 
Fil-Trim     Mfg.     Co.,     1946    Fulton     Pi.,     Cleveland! 

Ohio. 
Frank    Disinfecting    Co.,    P.    M.,    91    Bleecker    St., 

N.   Y. 
Fulton     Co.,     3208     Carroll     Ave.,      Chicago,     111. 

"Fulco." 
G.    G.   Chemical   Co..   91    Bleecker   St.,   N.   Y.    City. 
Globe    Disinfecting    Co.,    316    W.    42d    St.,    N.    Y. 

City. 
Golden    Co.,    Inc.,    Chicago,    HI 

Great    Western    Oil    Co.,    2855    E.    37th    St.,    Cleve- 
land,   Ohio. 
Harral    Soap    Co..    136    Havemeyer    St.,    Brooklyn. 

NY. 
Heaney   Mfg.  Co.,   164  State  St.,   Boston,  Mass. 
Hewes     Laboratories,     N.     13th     and     Berry     Sts., 

Brooklyn. 
Houghton    &    Co.,    E.    F.    240    Somerset    St.,    Phila- 
delphia,   Pa. 
Hydro-Pneu     Disinfecting     Co.,     221     Me  cer     St. 

N.  Y.  City. 
Hygienic    Specialty   Co.,   Greensburg,    Pa. 


25.5 


Indianapolis     Chemical     Co.,     1440    Madison    Ave., 

Indianapolis,    Ind. 
International    Metal    Polish    Co.,    Quill    St.,    &    Belt 

R.    R.,    Indianapolis,    Ind. 
Kleanal  Mfg.   Co.,  528  W.  34th  St.,  N.  Y.  City. 
Masury,     Young     &     Co.,     198     Milk     St.,     Boston, 

Mathies     Sales    Co.,    91    St.     Paul    St.,    Rochester, 
N.  Y. 

JMontanin  Co.,  81   Fulton  St.,  N.  Y.   City. 

National   Disinfecting   Co.,   306   E.    59th    St.,   N.   Y. 
City. 

New  York  Disinfecting  &  Exterminating  Co.,   1155 
Broadway,    N.    Y.    City. 

Noyes    Bros.    &    Cutler,    Sixth    &    Sib'.ey    Sts.,    St. 
Paul,    Minn. 

Perolin  Co    of  America,   1090  W.  37th  St.,  Chicago, 
111. 

Phinotas  Chemical   Co.,  237   Front  St.,   N.   Y.   City. 

Pioneer   Mfg.    Co.,   Harvard   &   E.    103d    St.,    Cleve- 
land,   Ohio. 

Piatt,   Henry   R.    B.,   42    CHfif   St.,   N.    Y.    City. 

Preservaline  Mfg.   Co.,   854  Lorlmer   St..    Brooklyn, 
N.   Y. 

Rath    Mfg.    Co.,    Hed'.ey    &    Richmond    Sts.,    Phila- 
delphia, Pa. 

Rochester    Germicide    Co.,    Inc.,    Rochester.    N.    Y. 

Sanitas   Disinfectant    Co.,    33    Keap    St.,    Brooklyn, 
N.   Y. 

Sanitation   &   Supply   Co.,   70   E.    4Sth   St.,   N.   Y. 
City. 

Soudan    Specialty    Mfg     Co.,    Milwaukee,    Wis. 

Specification    Soap    &    Oil    Co.,    427    W.    13th    St., 
N.   Y.   City. 

Van  Tilburg  Oil   Co.,  2424  University  Ave.,   S.  E., 
Minneapolis,   Minn. 

West   Disinfecting    Co.,   411    5th   Ave.,    N.   Y.    City. 

White  Tar   Co.,  2   Cliff  St.,   N.   Y.   City. 

Wolff     Laboratories,     230     Greenwich     St.,     N.     Y. 
City. 

Doors,    Fireproof 

Art     Metal    Fireproof     Door     &     Trim     Co.,     2752 
Wentworth  Ave.,   Chicago,   111. 

Berger  Mfg.  Co.,   1038   Belden  Ave.,   Canton,  Ohio. 

Brooklyn    Fireproof    Sash    &    Door    Co.,    101    Rich- 
ardson  St.,   Brooklyn,    N.   Y. 

Coburn    Trolley    Track    Mfg.    Co.,    Holyoke,    Mass. 

Consolidated   Sheet   Metal   Wks.,   661    Hubbard    St., 
Milwaukee,    Wis. 

Dahlstrom    Metallic    Door    Co.,   Jamestown,    N.    Y. 

Dowman-Dozier    Mfg.     Co.,    20    Trinity    Ave.,    At- 
anta.  Ga. 

Edwards     Mfg.     Co.,     724     Eggleston    Ave.,     Cin- 
nati,    Ohio. 

Genera!    Fireproofing   Co.,    Youngstown,    Ohio. 

Gr  r.den    Art    Metal    Co.,    427    Marcy    Ave.,    Brook- 
lyn. N.  Y. 

Harris   Co.,   S.   H.   3323    Grand  Ave.,    Chicago,   111. 

Heimann     &     Grace,     673     Bergen     St.,     Brooklyn, 
N.   Y. 

Howell,  Field  &  Goddard,  Long  Island  City,  N.  Y. 

Keystone    Fire   Door    Co.,    1231    Irwin   Ave.,    Pitts- 
burgh,  Pa. 

Kinnear   Mfg.    Co.,   Columbus,    Ohio. 

Leonard     Sheet     Metal     Works,     219     Grant     St., 
Hoboken    N.  J. 

Lupton's     Sons     Co.,     David,     Allegheny     Ave.     & 
Tulip    St.,    Philadelphia,    Pa. 

Lyster  Sheet  Metal   Co.,   1220  Filbert   St.,  Philadel- 
phia, Pa. 

McFarland-Hyde    Co.,    2701     S.    Fifth    Ave.,    Chi- 
cago,  III. 

McFarland,   Wm.    T.,   3209   Harrison   St.,    Chicago, 
111. 

Merchant    &    Evans    Co.,    2019    Washington    Ave., 

Philadelphia,   Pa. 
Missouri    Fire    Door    &    Cornice    Co.,    St.    Louis, 

Mo. 
Mocschl-Edwards      Corrugating      Co.,      Covington, 

Ky. 
National    Fireproof    Sash    &    Door    Co..    Stagg    & 

Varick  Sts.,   Brooklyn,  N.  Y. 
National  Skylight  &  Ventilating  Co.,  207  York   St., 

Rochester,  N.  Y 
Peelle  Co.,   123  Liberty  St.,  N.  Y.  City. 
Pitt    Composite    Iron     Works,    Wm.     R.,    219    W. 

26th   St.,   N.   Y.   City. 
Prudcn    Co.,   C.    D.,   Warner   &   Bayard   Sts.,    Balti- 
more,  Md. 


Pursell-Grand     Co.,     414     Walnut     St.,     Cincinnati, 

Ohio. 
Pyrono   Process  Co.,   Columbus,   Ohio. 
Reliance     Fireproof     Door     Co.,     47     Milton     St., 

Brooklyn,    N.    Y. 
Riester    &    Thesmacher    Co.,     1514    W.    25th    St., 

Cleveland,   Ohio. 
Ross   Mfg.   Co.,  R    J.,  4241   Ogden  Ave.,  Chicago, 

111. 
St.     Louis    Fire    Door    &    Sheet    Metal    Co.,    St. 

Louis,  Mo. 
Saino  Fire  Door  &  Shutter  Co.,  2025  Elston  Ave., 

Chicago,    111. 
Solar    Metal    Products    Co.,    470    E.    Starr    Ave., 

Columbus,    Ohio. 
.Stowell   Mfg.   &   Foundry   Co.,    S.   Milwaukee,   Wis. 
Thorp     Fireproof    Door     Co.,     1600     Central    Ave., 

Minneapolis,    Minn. 
Underwriters'   Hatch   Door   Co.,    1741    Walnut   St., 

Chicago,    111. 
Yan    Kannel     Revolving    Door    Co.,    250    W.    54th 

St.,    N.    Y.    City. 
Variety   Mfg.   Co..  2958   Carroll  Ave.,    Chicago,    111. 
Voigtmann   &   Co.,   Chicago,   111. 
V^ulcan    Co.,    Clarkston,    Mich. 
Weson  Mfg.   Co.,  Jas.   G.,  N.   Y.    City 
Westergren,   M.   F.,  433   E.   144th   St.,   N.   Y.   City. 

Doors,    Revolving 

Atcliison   Revolving  Door   Co.,   Independence,    Kan. 

Harris   Co.,   S.   H.,   3323   Grand  Ave.,    Chicago,   111. 

Pitt  Composite  Iron  Works,  Wm.  R.,  219  W.  26th 
St.,  N.  Y.  City. 

Doors,    Safety 

Dahlstrom   iMetallic    Door    Co.,  Jamestown,    N.    Y. 

Edwards  Mfg.   Co.,  724  Eggeston  Ave.,   Cincinnati, 
Ohio. 

Harris    Co.,     S.    H..    3323    Grand    Ave.,     Chicago, 
111. 

Kinnear   Mfg.    Co..   Columbus,   Ohio. 

National     Automatic     Door     Co.,     Insurance     Ex- 
change,   Chicago,   111. 

Peters    &    Son,   Jas.,    1934    N.    Front    St.,    Philadel- 
phia,  Pa. 

Vonnegut    Hardware    Co.,   43    S.    Meridian    St.,    In- 
dianapolis,   Ind. 

Drops,  Velvet  Stage 

Beaumont    Velvet     Scenery     Studios,     T.     H.,     245 

W.   46th   St.,   N.   Y.    City. 
Camph,  Wm.,  1540  Bway,  N.  Y.  City. 
Cleveland    Decorative   Works,    1120    Prospect    Ave., 

Cleveland,    Ohio. 
Fredericks   Scenic    Studio.    642   W.    42d    St.,    X.    Y. 

City. 
Henderson-Ames  Co.,   Kalamazoo,   iMich. 
Lash    Studios,    Lee,    Longacre    Bldg.,    X.    Y.    City. 
Law  Scenic  Studios,  502  W.  3Sth   St..  X'    Y.   City. 
McHugh    &    Son,   Jos.    P.,    9    W.    42d    St.,    X.    Y. 

City. 
Sheck  &  Co.,   O.,   Metropolitan  Tiieater,   Cleveiand, 

Ohio. 
Story   Scenic    Co.,    O.    L.,   21    Tufts    St.,   Somerville 

Sta.,    Boston,    Mass. 
Twin    City   Scenic   Co.,   2819   Nicollet   Ave.,   iMinne- 

apolis,   iMinn. 

Easels,    Brass,    Picture 

Commercial     Mfg.     Co.,     13th     &     Appleton     Sts., 
Philadelphia,  Pa. 

iMcKenna    Brass    &    iMfg     Co.,    1st   Ave.    and    Ross 
St.,    Pittsburgh,    Pa. 

Manhattan    Brass     Co.,    332    E.     28th    St..    N.     Y. 
City. 

Menger,  Ring  &  Weinstein,  306  W    42d  St.,  X.   Y. 
City. 

Midland    Metal    Co.,    1427    Catherine    St.,    Philadel- 
phia,   Pa. 

Newman    Mfg.    Co.,    146-418    Elm    St.,    Cincinnati, 
Ohio. 

Extinguishers,   Fire 

American    Chemical    Co.,    113    N.    9th    St.,   Lebanon 
Pa. 

.American    La    France    Fire   Appliance   Co.,    Elmira, 
N.  Y. 

Badger   Chemical   Mfg.    Co.,   Milwaukee,   Wis. 
Pioyce    iNIotometer    Co..    Long    Island    City,    X     Y. 

Dovd  &   Bro.,  James,   25th   &  Wharton   Sts.,   Phila- 
delphia.  P? 


256 


Columbia    Fire    Extinguisher    Co.,    174    Centre    St., 

N.  Y  City. 
Ever  Ready  Mfg.  Co.,  44  Pearl  St.,  Buffalo,  N.  Y. 
Fire  Fly  Pump  Type — See  Foamite  FireToam  Co. 
Foamite  Firefoam  Co.,  151  5th  Ave.,  N.  Y.  City. 
Fyr-Fyter  Co.,  32  S.  Jefferson  St.,  Dayton,  Ohio. 
Fyro  Extinguisher  Co.,  Syracuse,  N.  Y. 
General  Fire  Extinguisher  Co.,  Providence,  R.  I. 
Hayward   &   Co.,   S.    F.,   250   W.   54th   St.,   N.   Y. 

City. 
Howard  Mfg.  Co.,  H.  J.  M.,  148  Pierce  St.,  N.  W., 

Washington,   D.   C 
Johns-Manville   Co.,   H     W.,   Madison   Ave.   &   41st 

St.,   N.  Y.   City. 
Knickerbocker  Supply   Co.,   149   Church  St.,   N.   Y. 

City. 
Knight  &  Thomas,  Boston,   Mass. 
Liquid  Carbonic  Co.,  3100  S.  Kedzie  Ave.,  Chicago, 

111. 
National    Metal    Stamping    &    Mfg.    Co.,    Newark, 

N.  J. 
Nevermyss     Fire     Extinguisher     Co.,     Middletown, 

N.  Y. 
Northern     Fire     Apparatus     Co.,     2422     University 

Ave.,   S.   E.,    Minneapolis,   Minn. 
Phoenix   Fire   Extinguisher   Co.,    Norwich,    Conn. 
Pittsburgh — See   Bentley   Mfg.    Co. 
Pittsburgh  Lamp,    Brass  &  Glass   Co.,   130  Seventh 

St.,   Pittsburgh,  Pa. 
Pyrene   Mfg.   Co.,   52  Vanderbilt  Ave.,   N.  Y.   City. 
Rex-Harris    Fire    Appliance    Co.,    36    E.    23d    St., 

N.    Y.    City. 
Stemple     Fire     Extinguisher     Co.,     4250     N.     20th 

St.,    St.    Louis,    Mo. 
Woodhouse  Mfg.   Co.,  35  Warren   St.,  N.  Y.   City. 

Fans,    Electric 

Eck   Dynamo   &   Motor   Co.,    Belleville,   N.   J. 

Ideal     Heating     Co.,     915     Gates     Ave.,     Brooklyn, 
N.  Y. 

National   Stamping  &  Elect.   Wks.,   Chicago,   111. 

Westinghouse     Electric     &     Mfg.     Co.,     E.     Pitts- 
burgh,  Pa. 

Flashers,  Electric  Sign 

A.    &   W.    Electric   Sign    Co.,    Cleveland,    Ohio. 

Betts  &  Betts  Corp.,  511   W.  42d  St.,  N.  Y    City. 
"Vacu."   "Thermo  Wynk,"   "New  York." 

Federal   Sign   System   Co.,   Chicago,   111 

Norden  Electric  Sign  Co.,  112  E    125th  St  ,  N    Y 
City.  ■  -      •      ■ 

Novelty^  Electric     Sign     Co.,     165     Eddy     St.,     San 

Francisco,    Cal. 
Reco — See  Reynolds  Electric  Co. 
Reynolds   Electric    Co.,   2651    W.    Congress    St. 
Valentine  Electric   Sign   Co.,  Atlantic   City    N    J 
Cusack    Co.,    Thos.,    Chicago,    111. 
Ryan    Corp.,    The,    Phoenix,    N.    Y. 
Cramer  &  Co.,  R.  W.,  116  Liberty  St.,  N.  Y.  City. 

Flashlights,    Pocket  and   Lantern 

(See    Batteries) 

American    Carbon   &    Battery    Co.,    East    St     Louis, 

Mo. 
American    Ever    Ready   Works,    Long    Island    City, 

N  .Y. 
Anglo-American   Co.,  Crystal  Theater   Bldg.,   Pitts- 
burgh,   Pa. 
Beadon     Miniature     Electric     Co.,     108     Dean     St., 

N.  Y.  City. 
Bright   Star  Battery   Co.,   430  W.    14th   St.,   N.   Y. 

City. 
Electro     Importing    Co.,    235     Fulton    St.,    N.     Y. 

City. 
Import  Sales  Co.,  19   E.  21st  St.,  N.  Y    City. 
Interstate  Electric  Novelty  Co.,  29  Park  PI.,  N    Y 
,  City. 
National    Carbon    Co.,    Madison  Ave.,    N.    W.,   W. 

117th    St.,    Cleveland,    Ohio. 
Shepherd  Dry  Battery  Co.,  S    S.,  Boston,  Mass. 
Stanley    &   Patterson,    Co.,   23    Murray    St.,   N     Y. 

City, 
Universal    Novelty     Co.,     1193     Broadway,     N.     Y. 

City. 
C.    D.    Wood   Electric   Co.,   441    Broadway,    N.    Y. 

Flowers,  Artificial 
Adler-Jones     Co.,     The,     206     So.     Wabash     Ave., 

Chicago,    III. 
Art    Flower   &   Plant    Co.,    355    W.    Chicago   Ave., 

Chicago,    111. 


Baumann   &   Co.,   L.,   357   W.    Chicago  Ave.,    Chi- 
cago, III. 
Borgenski,  J.   S.,   62   N.   13th  St.,   Philadebhia,   Pa. 
Botanical     Decorating     Co.,    208     W.    Adams     St., 

Chicago,    111. 
Chicago    Artificial    Flower    Co.,    28    S.    Fifth    Ave., 

Chicago,    111. 
Chicago    Flag  &   Decorating   Co.,    1345    S.   Wabash 

Ave.,   Chicago,   111. 
Decorative   Plant    Co.,    230    5th   Ave.,    N.    Y.    City. 
Doty     &     Scrimgeour     Sales     Co.,     30     Reade     St., 

N.    Y.    City. 
General    Flower    &    Decorating    Co.,    228    W.    49th 

St.,  N.  Y.  City. 
Lash  Studios,   Lee,   Longacre  Bldg.,  N.   Y.   City. 
McCallum    Co.,   The,    137    7th    St.,    Pittsburgh,    Pa. 
National  Decorating  Co.,  35   6th  Ave.,  N.  Y.   City. 
Netschert,  Frank,  61    Barclay   St.,   N.   Y.   City. 
Randall    Co.,    A.    L.,    Lake    St.    &    Wabash    Av°., 

Chicago,    111. 
Schack    Artificial    Flower    Co.,    63    E.    Adams    St., 

Chicago,  111. 
Schneider,  L.,  6  Second  St.,  N.  Y.  City. 
Schroeder    Artificial    Flower    Mfrs.,    6023    Superior 

Ave.,   Cleveland,  Ohio 
Stern  Co.,  Jos.  M.,   120-122  High  Ave.,   Cleveland, 

Ohio. 
United    Flower    &    Decorating    Co.,    238    W.    48th 

St.,  N.  Y.  City. 

Fountains,  Sanitary  Drinking 
Ashton  Valve  Co.,  271  Franklin  St.,  Boston,  Mass. 
Central   Brass  Mfg.   Co.,   Cleveland,   Ohio. 
Chicago     Faucet     Co.,     2712     N.     Crawford    Ave., 

Chicago,   111. 
Clow     &     Sons,     Jas.     B.,     544     S.     Franklin     St., 

Chicago,    111. 
Douglas     Co.,    John,    906     Poplar    St.,     Cincinnati, 

Ohio. 
Edwardsville   Brass   Co.,   Edwardsville,   111. 
Ejer    Co.,    Ford    City,    Pa. 
Fiske    Iron    Works,    J.    W.,    66    Park    PL,    N     Y. 

City. 
Glauber     Brass     Mfg.     Co.,     4917     Superior     Ave., 

Cleveland,    Ohio. 
Haines,    Jones    &    Cadbury    Co.,    1130    Ridge   Ave., 

Philadelphia,  Pa. 
Kohler    Co.,    Kohler,    Wis. 
Kretschner  Mfg.  Co.,   Dubuque,  Iowa. 
M.    H.    Foundry    &   Mfg     Co.,    Belleville,    111. 
Maddock's  Sons  Co.,  T.,  Trenton,  N.  J. 
Mott   Iron   Works,  J.    L.,    118   Fifth   Ave.,   N.    Y. 

City. 
Nason   Mfg.    Co.,   71    Beekman   St.,   N.   Y.    City. 
National    Plastic    Relief    Co.,    416    Elm    St.,    Cin- 
cinnati, Ohio. 
Puro     Sanitary    Drinking    Fountain    Co.,    Hayden- 

ville,   Mass. 
Rochester    Germicide   Co.,    Inc.,   Rochester,    N.    Y. 
Rundle-Spence    Mfg.     Co.,     Milwaukee,    Wis. 
Sanitas    Mfg.    Co.,    105    Washington    St.,    Boston, 

Mass. 
Trenton    Potteries    Co..    Trenton,    N.    J. 
Twentieth    Century    Brass    Wks.,    Belleville,    111. 
Watrous    Co.,    524    S.    Racine,    Chicago,    111. 
West     Disinfecting     Co.,     411     5th     Ave.,     N.     Y. 

City. 
Western     Plumbing     Supply     Co.,     119     N.      Des- 

plaines    St.,    Chicago,    111. 
Wolff  Mfg.   Co.,  L.,  601   Lake  St.,   Chicago,  111. 

Frames,     Poster    and    Lobby    Display 

American    Slide    &    Poster    Co.,    First    Natl.    Bank 

Bldg.,   Chicago,   111. 
Chicago    Metal    Covering    Co.,    2833    W.    Lake    St., 

Chicago,    111. 
Commercial     Mfg.     Co.,     13th     &     Appletree     Sts., 

Philadelphia,    Pa. 
Dahlstrom    Metallic    Door    Co.,    Jamestown,    N.    Y. 
Erker   Bros.   Optical  Co.,  608   Olive  St.,   St.   Louis, 

Mo. 
Flour    City     Ornamental    Iron    Co.,    27th    Ave.    & 

27th   St.,   Minneapolis,   Minn. 
Friedman,    I.    M.,    219    W.    Lake    St.,    Chicago,    111. 
Fulton   Co.,  E.   E.,  3208  Carroll  Ave.,  Chicago,   111. 

"Fulco." 
Galindo   Mfg.    Co.,   26   W.    Broadway,    N.   Y.    Citv. 
Illinois   Moulding    Co.,    2411    W.   23d    St.,    Chicago, 

III. 
Kettler    Brass    Mfg.    Co.,    Houston,    Tex. 


257 


Keystone     Picture     Frame     Co.,     629     Fifth     Ave. 

Pittsburgh,    Pa. 
Kraus   Mfg.   Co.,  220  W.  42d   St.,   N.  Y.   City. 
I^awrence,  F.   W.,  3201   Wabansia  St.,  Chicago,  111 
Jvibman-Spanjer,   1600   Broadway,  N.   Y.   City. 
McKenna    Brass   &   Mfg.    Co.,    Pittsburgh,    Pa. 
Markendorfif,  S.,   122  W.  23d  St.,   N.  Y.  City. 
Menger  Ring  &  Weinstein,  306  W.  42d  St.,  N.   Y 

City. 
Midland    Metal    Co.,    1427    Catherine    St.,    Philadel 

phia,  Pa. 
National     Picture     Frame     &     Art     Co.,     61st     St. 

Brooklyn,    N.    Y. 
Newman    Mfg.    Co.,    416-418    Elm    St.,    Cincinnati 

Ohio. 
Ohio    Picture   Frame   Co.,   31    S.   Third   St.,   Minne 

apolis,   Minn. 
Reuben     Studios,     812     Prospect    Ave.,     Cleveland 

Ohio. 
Stanley   Frame   Co.,    729    7th  Ave.,   N.    Y.    City. 
Theater   Equipment    Co.,    Inc.,   Minneapolis,    Minn 

"Teco." 
United   States  Frame  &  Picture   Co.,   46  Vesey   St. 

N.  Y.  City. 

Fronts,    Ornamental    Metal 

Berger  Mfg.  Co.,  1038  Belden  Ave.,  Canton, 
Ohio. 

Brier  Hill  Steel  Co.,  521   W.  23d  St.,  N.  Y.   City. 

Canton  Metal  Ceiling  Co.,  1957  Harrison  Ave., 
Canton,   Ohio. 

Edwards  Mfg.  Co.,  724  Eggleston  Ave.,  Cincin- 
nati, Ohio. 

Friedly-Voshardt  Co.,  735  S.  Halsted  St.,  Chicago, 
111. 

Kanneberg  Roofing  &  Ceiling  Co.,  Canton,  Ohio. 

Milcor — See    Milwaukee    Corrugating    Co. 

Milwaukee  Corrugating  Co.,  36th  Ave.  and  Bum- 
ham    St.,    Milwaukee,   Wis. 

Newman  Mfg.  Co.,  416-418  Elm  St.,  Cincinnati, 
Ohio. 

Porter  Iron  Roofing  &  Corrugating  Co.,  418  Cul- 
vert St.,   Cincinnati  ,   Ohio. 

Scott  Roofing  &  Mfg.  Co.,  420  Culvert  St.,  Cin- 
cinnati,  Ohio. 

Solar  Metal  Products  Co.,  470  E.  Starr  Ave., 
Columbus,    Ohio. 

Globes,   Arc  Lamp 

Alba — See    Macbeth-Evans    Glass    Co. 

Fostoria   Glass   Specialty   Co.,   Fostoria,    Ohio. 

Gill  &  Co.,  E.  York  &  Thompson  Sts.,  Phila- 
delphia, Pa. 

Gill  Bros.,   Co.,   Parian  Bldg.,  Steubenville,  Ohio. 

Gillender  &  Sons,  135  Oxford  St.,  Philadelphia, 
Pa. 

Gleason-Tiebout  Glass  Co.,  71  W.  23d  St.,  N.  Y. 
City. 

Holophane  Glass  Co.,  342  Madison  Ave.,  N.  Y 
City. 

Libbey    Glass    Co.,   Toledo,    Ohio. 

Eippincott    Glass    Co.,   Alexandria,    Ind. 

Macbeth,  Evans  Glass  Co.,  Chamber  of  Com- 
merce  Bldg.,   Pittsburgh,   Pa. 

Phoenix   Glass   Co.,   230   Fifth  Ave.,   N.   Y.    City. 

Wellington  Glass  Co.,  Cumberland,  Md. 

Hose,   Fire 

Acme    Rubber    Mfg.    Co.,    E.    State    St.,    Trenton, 

N.  J. 
Allen  Mfg.  Co.,  W.  D.,  133  W.  Lake  St.,  Chicago, 

111. 
Boston   Belting   Co.,   84   Linden   Park   St.,    Boston, 

Mass. 
Bowers    Rubber    Works,    68    Sacramento    St.,    San 

Francisco,    Cal. 
Boyle  &  Co.,  John,   112  Duane  St.,  N.  Y.   City. 
Carpenter  &  Co.,  Geo.  B.,  436  Wells  St.,  Chicago, 

111. 
Clay,  John  H.,   1320  Ridge  Ave.,  Philadelphia,   Pa. 
Consolidated    Rubber    Co.,    Trenton,    N.   J. 
Empire   Rubber   Mfg.    Co.,   Trenton,   N.   J. 
Fabric    Fire   Hose   Co.,    Duane   &    Church    Sts..   N. 

Y.   City. 
Gutta  Percha  &  Rubber  Mfg.   Co.,   126  Duane  St., 

N.   Y.    City. 
Howard    Mfg.    Co.,    H.    J.    M.,    148    Pierce    St., 

N.    W.,    Washington,    D.    C. 
Johns-Manville   Co.,   H.    W.   Madison  Ave.,    &  41st 

St.,  N.  Y.  City. 


Mechanical    Rubber     Co.,     307    W.     Randolph     St., 

Chicago,    111. 
Mechanical    Rubber    I'o.,    ft.    Lisbon     Rd.,    S.    E., 

Cleveland,   Ohio. 
Multiple    Woven     Hose    &    Rubber    Co.,    Walpole, 

Mass. 
Neider's   Sons   Co.,   C.,   Maiden,   Mass. 
Republic     Rubber     Co.,     Albert     St.,     Youngstown, 

Ohio. 
Rosendale-Reddaway     Belting    &    Hose    Co.,    New- 
ark,  N.   J. 
Salisbury    &    Co.,    W.    H.,    308    W.    Madison    St., 

Chicago,    111. 
Thermoid    Rubber    Co.,    Trenton,    N.    J. 
Voorhees    Rubber    Mfg.    Co.,    Jersey    City,    N.    J. 
Woodhouse    Mfg.    Co.,    64    W.     Broadway,    N.    Y. 

City. 

Inks,    Slide 

Continental  Drug  &  Chemical  Works,  371  Wythe 
Ave.,    Brooklyn,    N.    Y. 

Davids  Co.,  Thaddeus,  95  Van  Dam  St.,  N.  Y. 
City. 

Erker  Bros.  Optical  Co.,  608  Olive  St.,  St. 
Louis,   Mo. 

Fulton  Co.,  E.  E.,  3208  Carroll  Ave.,  Chicago, 
111. 

Greater  New  York  Slide,  209  W.  48th  St.,  N.  Y. 
City. 

Higgins  &  Co.,  Chas.  M.,  271  Ninth  St.,  Brook- 
lyn, N.  Y. 

Litholia   Color   Co.,  75   W.  23d  St.,   N.  Y.   City. 

Novelty    Slide   Co.,   209   W.   48th   St.,   N.    Y.   City. 

Rialto    Theater    Supply    Co.,    Minneapolis,    Minn. 

Stafford   Co.,   N.,   67   Fulton   St.,   N.   Y.    City. 

Standard  Slide  Corp.,  209  W.  48th  St.,  N.  Y.  City. 

Lath,     Metal 

American  Rolling  Mills  Co.,  Middletown,  Ohio. 
"Imperial." 

American  Sheet  Metal  Lath  Co.,  426  Third  Ave., 
Brooklyn,   N.   Y. 

American  Steel  &  Wire  Co.,  208  S.  La  Salle 
St.,   Chicago,  111. 

Boles    Iron   &   Wire   Works,   J.    E.,    Detroit,    Mich. 

Bostwick   Steel  Lath  Co.,  Niles,  Ohio. 

Brier  Hill  Steel  Co.,  521   W.  23d  St.,  N.  Y.   City. 

Buffalo  Expanded  Metal  Co.,  D.  S.  Morgan  Bldg., 
Buffalo,  N.  Y. 

Buffalo  Wire  Works  Co.,  320  Terrace,  Buffalo, 
N.  Y. 

Cannonsburg  Steel  &  Iron  Works,  Cannonsburg, 
Pa. 

Clinton  Wire  Cloth  Co.,  Clinton,  Mass. 

Consolidated  Expanded  Metal  Co.,  101  Park  Ave., 
N.   Y.   City.   "Steelcrete." 

Corr-Mash — See    Corrugated    Bar   Co. 

Corrugated  Car  Co.,  Mutual  Life  Bldg.,  Buffalo, 
N.    Y.    "Corr-Mash." 

Darby  &  Sons  Co.,  Edward,  233  Arch  St.,  Phila- 
delphia,   Pa. 

Eastern  Expanded  Metal  Co.,  201  Devonshire  St., 
Boston,   Mass. 

Edwards  Mfg.  Co.,  724  Eggleston  Ave.,  Cincinnati, 
Ohio. 

Estey  Wire  Works  Co.,  59  Fulton  St.,  N.  Y.  City. 

Fraud  &  Co.,  Martin  J.,  Camden,  N.  J. 

General  Fireproofing  Co.,  Youngstown,  Ohio. 
"Herringbone." 

Goff-Honer  &  Co.,   Olive   Bldg.,  Pittsburgh,  Pa. 

Herringbone — See     General     Fireproofing     Co. 

Kansas  City  Roofing  &  Corrugating  Co.,  218  W. 
Third  St.,   Kansas   City,   Mo. 

Landon  Iron  &  Wire  Works,  E.  R,  166  N.  May 
St.,   Chicago,  111. 

Merit  &   Co.,   Camden,  N.  J. 

Meurer  Bros.  Co.,  575  Flushing  Ave.,  Brooklyn, 
N.  Y. 

Michigan  Wire  Cloth  Co.,  500  Howard  St.,  De- 
troit,  Mich. 

Milwaukee  Corrugating  Co.,  36th  Ave.  &  Burn- 
ham   St.,   Milwaukee,   Wis. 

National  Mfg.   Co.,  Worcester,  Mass. 

National    Metal   Fabric   Co.,    Plainville,    Conn. 

New  Jersey  Wire  Cloth  Co.,  210  Fulton  St.,  N.  Y. 
City  . 

North  Western  Expanded  Metal  Co.,  407  S.  Dear- 
born  St.,  Chicago,  111. 

Penn.  Metal  Co.,  201  Devonshire  St.,  Boston, 
Mass. 


258 


Penn  Metal  Ceiling  &  Roofing  Co.,  23d  &  Hamilton 

Sts.,   Philadelphia,   Pa. 
Porter     Iron     Roofing     &     Corrugating     Co.,     418 

Culvert  St.,  Cincinnati,  Ohio. 
Roebling    Construction     Co.,    Metropolitan    Tower, 
N.    Y.    City. 

Scott   Roofing  &   Mfg.    Co.,   420   Culvert   St.,   Cin- 
cinnati,   Ohio. 

Sharon    Steel   Hoop    Co.,    Sharon,    Pa. 

Southern  Expanded  Metal   Co.,  Washington,  D.   C 

Sykes   Metal   Lath   &   Roofing  Co.,   Niles,   Ohio.    * 

Trussed    Concrete    Steel    Co.,    58    Lafayette    Blvd., 
Youngstown,    Ohio. 

Tyler    Co.,    W.    S.,    3618    St.    Clair    Ave.,    N.    E., 
Cleveland,   Ohio. 

Voss,    Frederick,    Chicago,    111. 

Whitaker     Glessner      Co.,      Wheeling     Corrugatine 
Dept.,  Wheeling,  W.   Va. 

Lenses,   Projection 

Bausch    &    Lomb    Optical    Co.,    635    St.    Paul    St., 
Rochester,    N.    Y. 

Brenkert   Light   Projection   Co.,   Detroit,   Mich. 

Burke  &  James,  240  E.   Ontario  St.,   Chicago,  111. 

Crown  Optical  Co.,  297  State  St.,  Rochester,  N.  Y, 

DeVry    Corp.,    1250    Marianna    St.,    Chicago,    111. 

Goerz  American  Optical  Co.,   317   E.   34th  St.,  N. 
Y.    City. 

Gundlach-Manhattan  Optical  Co.,  761   Clinton  Ave. 
S.,  Rochester,  N.  Y. 

Johnston    Co.,    Geo.    S.,    4101    Ravenswood    Ave., 
Chicago,   111. 

Movie   Supply   Co.,   729   7th  Ave.,   N.   Y    City. 

Kollmorgen  Optical  Corp.,  35  Steuben  St.,  Brook- 
lyn,  N.   Y. 

Paramount  Lens  Corp.,  2059  Fulton  St.,  Brooklyn, 
N.   Y. 

Projector    Optical    Co.,    293    State    St.,    Rochester, 
N.  Y. 

Spencer  Lens  Co.,  442  Niagara  St.,  Buffalo,  N.  Y. 

Swaab    &    Son,    Lewis    M.,    1327    Vine    St.,    Phila- 
delphia, Pa. 

Wollensack   Optical   Co.,   Rochester,  N.  Y. 
Lights,   Aisle 

Brook  ins   Co.,  Euclid  Ave.   &   18th   St.,   Cleveland, 
Ohio 

Display    Stage    Lighting    Co.,    314    W.    44th    St., 
N.    Y.    City. 

Frink,    I.    P.,   24th   St.    &   10th  Ave.,   N.   Y.    City. 

Kansas   City  Scenic  Co.,  N.   E.   Cor.  24th  &  Har- 
rison Sts.,  Kansas  City,  Mo. 

Major  Equipment  Co.,  2518  Cullom  Ave.,  Chicago, 
111. 

Universal    Electric    Stage    Lighting    Co.,    321     W. 
50th   St.,   N.   Y.   City. 

Lights,   Bunch  and  Strip 
A.  G.  Mfg.  Co.,  Seattle,  Wash. 
American  Reflector  &  Lighting  Co.,  517  W.  Jack- 
son  Blvd.,   Chicago,   111. 
Bailey     Reflector     Co.,     619     Second     Ave.,     Pitts- 
burgh,  Pa. 
Brenkert    Light    Projection     Co.,     Cortland    Ave., 

Detroit,   Mich. 
Chase-Shawmut   Co.,   Newburyport,   Mass. 
Capitol    Theater    Equipment    Co.,    626    10th    Ave., 

N.   Y.   City. 
Display    Stage    Lighting    Co.,    314    W.    44th    St., 

N.    Y.    City. 
Fricker,   Frederick,   428    11th  Ave.,   N.   Y.    City. 
General   Electric  Co.,   Schenectady,  N.   Y. 
Kansas     City     Scenic     Co.,     N.     E.     Cor.     24th     & 

Harrison  Sts.,   Kansas   City,   Mo. 
Kliegl — See  Universal   Electric    Stage   Lighting   Co. 
Large-Dail  Mfg.  Co.,  114  N.  13th  St.,  Philadelphia, 

Pa. 
Major  Equipment  Co.,  2518  Cullom  Ave.,  Chicago, 

111. 
Menkes    Electric    Co.,    J.,    853    Broadway,    N.    Y, 

City. 
Newton,   Chas.  I.,  305  W.  15th  St.,  N.  Y.  City. 
Sun-Light  Arc  Corporation,  1600  Broadway,  N.  Y. 

City. 
Sunlight   Reflector   Co.,   226   Pacific    St.,    Brooklyn, 

N.  Y. 
United   Electric   Mfg.    Co.,   New   Orleans,   La. 
Universal    Electric    Stage    Lighting    Co.,    321     W. 

50th    St.,   N.    Y.    City. 

Lights,   Calcium 
Capital    Merchandise    Co.,    525    S.    Dearborn    St., 

Chicago,   111. 


Indianapolis    Calcium    Light    Co.,    Ill     S.     Capital 

St.,   Indianapolis,   Ind. 
Mestrum,   Henry,    166   W.   48th   St.,   N.   Y.    City. 
Moore,    Hubble    &    Co.,    Masonic    Temple    Bldg., 

Chicago,   111. 
Twin    City    Calcium    &    Supply    Co.,    706    st   Ave. 

N.,  Minneapolis,  Minn. 

Lights,    Exit 
A.   G.  Electric  &  Mfg.   Co.,  905  Howard  Ave.   N., 

Seattle,   Wash. 
American     Reflector     &     Lighting     Co.,     517     W. 

Jackson    Blvd.,    Chicago,    111. 
Chicago  Stage  Lighting  Co.,   112  N.  La  Salle  St., 

Chicago,   111. 
Crouse-Hinds    Co.,    Syracuse,    N.    Y. 
Display    Stage    Lighting    Co.,     314    W.    44th     St., 

N.  Y.  City. 
E-J     Electric    Installation     Co.,    221     W.    33d     St., 

N.  Y.   City. 
Erker  Bros.  Optical  Co.,  608  Olive  St.,  St.  Louis, 

Mo. 
Flexlume    Sign    Co.,    1439    Niagara    St.,    Bufifalo, 

N.   Y. 
Frink,   I.   P.,   24th   St.    &   10th  Ave.,   N.   Y.    City. 
Fulton  Co.,  E.  E.,  3208  Carroll  Ave.,  Chicago,  111. 
K.    H.    Sign    Mfg.    Co.,    530    Fernando    St.,    Pitts- 
burgh,   Pa. 
Kelley  &  Kelley,  3193  Boulevard,  Jersey  City,  N.  J. 
Large-Dail    Mfg.     Co.,     114    N.     13th    St.,    Phila- 
delphia,  Pa. 
Newman    Mfg.    Co.,    416-418    Elm    St.,    Cincinnati, 

Ohio. 
Novelty     Electric     Sign    Co.,     103     Eddy    St.,    San 

Francisco,    Cal. 
Rawson    &    Evans    Co.,    711    W.    Washington    St., 

Chicago,   111 
Standard    Slide    Corp.,    209    W.    48th    St.,    N.    Y. 

City. 
Sunlight    Reflector    Co.,    148    Court    St.,    Brooklyn, 

N.  Y. 
Universal    Electric    Stage    Lighting    Co.,    321    W. 

50th  St.,   New  York   City. 
Valentine  Electric  Sign  Co.,  Atlantic  City,  N.  J. 
Western  Reflector  Co.,  1053  W.  Lake  St.,  Chicago, 

111. 

Lights,   Foot 

A.    G.    Mfg.    Co.,   Seattle,   Wash. 
American  Reflector  &  Lighting  Co.,  517  W.  Jack- 
son Blvd.,  Chicago,  111. 
Bailey     Reflector     Co.,     619     Second    Ave.,     Pitts 

burgh.    Pa. 
Brenkert    Light    Projection     Co.,     Cortland    Ave. 

Detroit,    Mich. 
Capitol    Theater    Equipment    Co.,    626    10th    Ave. 

N.   Y.   City 
Display    Stage    Lighting    Co.,    314    W.    44th    St. 

N.  Y.   City. 
General  Electric  Co.,  Schenectady,  N.  Y. 
Kansas   City  Scenic   Co.,  N.   E.   Cor.  24th  &  Har 

rison    Sts.,    Kansas    City,    Mo. 
Major  Equipment  Co.,  2518  Cullom  Ave.,  Chicago 

111. 
Menkes,   J.,    Electric    Co.,    853    Broadway,    N.    Y 

City. 
United    Electric    Mfg.    Co.,    New    Orleans,    La. 
Universal    Electric     Stage    Lighting    Co.,    321     W 

SOth    St.,   N.   Y.    City. 
Western    Reflector    Co.,    1053    W.    Lake    St.,    Ch 

cago.   111. 

Lights,   Orchestra 
Eastern  Theater  Equipment  Co.,  41-43  Winchester 

St.,    Boston,    Mass. 
Flagg,  I.  J.,  33  Norris  St.,  No.  Cambridge,  Mass. 

"Lightright." 

Lights,  Spot 
Brenkert  Light  Projection  Co.,  Cortland  Ave.,  De- 
troit,   Mich. 
Chicago    Cinema    Equipment    Co.,    820    S.    Tripp 

Ave.,   Chicago,   111. 
Franklin     Electric     Products     Co.,     750     Prospect 

Ave.,  S.  E.,  Cleveland,  Ohio. 
General    Electric    Co.,    Schenectady,    N.    Y. 
Major  Equipment  Co.,  2518  Cullom  Ave.,  Chicago, 

111. 
Mestrum,  Henry,   166  W.  48th  St.,   N.  Y.   City. 
New    York    Calcium    Light    Co.,    451    W.    43d   St., 

N.  Y.  City 
Standard  Slide  Corp.,  209  W.  48th  St.,  N.  Y.  City. 


259 


Sun-Light  Arc  Corp.,  1600  Broadway,  N.  Y.  City. 
Universal    Electric    Stage    Lighting    Co.,    321    W. 

50th   St.,  N.   Y.   City. 

Linoleum 
Armstrong  Cork  &  Insulating  Co.,  Pittsburgh,  Pa. 
Blabon    Co.,    Geo.    W.,   21st    St.    &   Hunting   Park 

Ave.,    Philadel^jhia,    Pa. 
Congoleum    Co.,    Phila.,    Pa. 
Cook's  Linoleum   Co.,  Trenton,  N.  J. 
Monarch    Rubber    &    Oil    Cloth    Co.,    596    Drexel 

Bldg.,  Philadelphia,  Pa. 
Nairn  Linoleum  Co.,  179  Belgrove  Drive,  Kearney, 

N.   J.      "Lin-Rhuber." 
Potter,    Sons   &    Co.,   Thomas,   Second   St.   &  Erie 

Ave.,   Philadelphia,   Pa. 
Wild,  Joseph   &   Co.,   336  Fifth  Ave.,  N.  Y.   City. 

Lithographers 
Acme    Lithographing    Co.,    601    W.    47th    St.,    N. 

Y.    City. 
Erie    Lithographing    Co.,    8th    &    Perry    St.,    Erie, 

Pa. 
Erie    Lithographing    &    Ptg     Co.,    10    W.    4th   St., 

Erie,   Pa. 
Goes    Lithographing    Co.,    17S    W.   Jackson    Blvd., 

Chicago,    111. 
Greenwich    Lithographing    Co.,    406    W.    31st    St., 

N.   Y.   City. 
Hennegan    Co.,    The,    311-321    Genesee,    Cincinnati, 

Ohio. 
Morgan   Lithograph   Co.,    Cleveland,   Ohio. 
Otis    Lithographic    Co.,    Cleveland,    Ohio. 
Penn    Show    Print    Co.,    605    Sansom    St.,    Phila- 
delphia,  Pa. 
Philadelphia    Show    Print    Co.,   31    N.    Second    St., 

Philadelphia,    Pa 
Ritchey   Litho   Co.,   406  W.   31st   St.,  N.  Y.    City. 
Schmidt    Lithograph    Co.,    San    Francisco,    CaL 
Strobridge   Lithographing   Co.,    108   W.   Canal   St., 

Cincinnati,  Ohio. 
United   States   Printing  &   Lithographing  Co.,  701 

7th  Ave.,  N.  Y.  City. 

Lobby  Displays 
American   Slide  &  Poster   Co.,  Mailers   Bldg.,  Chi- 
cago,  111. 
Arkay  Display  Service,  409  Film  Exchange   Bldg., 

Cleveland,    Ohio. 
Barbeau,    Frank,    Oswego,    N.    Y.. 
Blancke-Harris    Studio,    602    West    Lake,    Chicago, 

111. 
Brown  Art   Co.,   504   Leonard  Bldg.,   Indianapolis, 

Ind. 
Campbell  Art  Co.,  Flatiron  Bldg.,  N.  Y.  City. 
Kassel  Studios,  220  W.  42nd  St.,  N.  Y.   City. 
Keystone  Picture  Frame  Co.,  629   Sth  Ave.,   Pitts- 
burgh,   Pa. 
Kraus  Mfg.   Co.,  220  W.  42d  St.,  N.  Y.  City. 
Markendorff,    S.,    159    W.    23d    St.,    N.   Y.    City. 
Menger  Ring  &  Weinstein,  306  W.  42d  St.,  N.  Y. 

City. 
Moise-Klinker  Co.,  369  Market  St.,  San  Francisco, 

Cal. 
Murray,  F.  R.,   1033  Forbes  St.,  Pittsburgh,  Pa. 
National   Picture   Frame  &  Art   Co.,  947   61st  St., 

Brooklyn,   N.    Y. 
Newman    Mfg.    Co.,    416-418    Elm    St.,    Cincinnati, 

Ohio. 
Onken    Co.,    Oscar,    8872    Fourth    St.,    Cincinnati, 

Ohio. 
Reuben    Studios,     812     Prospect    Ave.,    Cleveland, 

Ohio. 
Rialto  Theater  Supply   Co.,  Minneapolis,   Minn. 
Stanley   Frame    Co.,   729    7th  Ave.,   N.    Y.    City. 
U.   S.   Frame  &  Picture   Co.,  46  Vesey  St.,  N.  Y. 

City. 

Machines,  Ticket  Vending 
Arcus  Ticket  Co.,  352  N.  Ashland  Ave.,   Chicago, 

111. 
Automatic  Ticket  Register   Corp.,   1780  Broadway, 

N.    Y.    City. 
Mills    Novelty    Co.,    221    S.    Green    St.,    Chicago, 

111. 
National    Electric    Ticket    Register    Co.,    1511    N. 

Broadway,   St.  Louis,   Mo. 
Simplex  Ticket  Co.,  Chicago,  111. 

Marble,  Artificial 
American  Art   Marble   Co.,   609   N.   American    St., 
Philadelphia,    Pa. 


Art  Marble  Co.,  2608  Flournoy  St.,  Chicago,  III. 

Carthage  Marble  &  White  Lime  Co.,  3900  Chou- 
teau Ave.,  St.  Louis,  Mo. 

Cassini  &  Co.,  C,  2  E.  Clinton  Ave.,  Cincinnati, 
Ohio, 

Cousins,  H.  A.,  524  W.  25th  St.,  N    Y.  City. 

Drake  Marble  &  Tile  Co.,  58  Plato  Ave.,  St.  Paul, 
Minn. 

Eastman  &  Johnston  Mfg.  Co.,  Dallas,  Tex. 

Henry  Marble  Co.,  3208  Shields  Ave.,  Chicago, 
111. 

Marblecrete   Product   Co.,   Akron,   N.   Y. 

Machines,    Change    Making 
American   Coin  Register   Co.,   Emeryville,   Ca. 
Argus    Enterprises,     Inc.,    21st    and     Payne    Ave., 

Cleveland,    Ohio. 
Brandt   Mfg.    Co.,   Watertown,    Wis. 
Caille  Bros.   Co.,   1300  Second  Ave.,   Detroit,  Mich. 
Coin  Machine  Mfg.  Co.,  984  E.  17th  St.,  Portland, 

Ore. 
Lightning   Coin   Changer,    4401    Ravenswood   Ave., 

Chicago,  111. 
McGill    Metal    Products     Co.,     1640    Walnut     St., 

Chicago,  111. 

Marquees,  Theater 
Dow    Co.,   The,   201    N     Buchanan    St.,    Louisville, 

Ky. 
Edwards  Mfg.  Co.,  724  Eggleston  Ave.,  Cincmnati, 

Ohio. 
Flour    City    Ornamental    Iron    Co.,    27th    Ave.    & 

27th    St.,    Minneapolis,    Minn. 
McFarland,   Wm.   T.,  3209   Harrison   St.,   Chicago,- 

111. 
Milwaukee  Corrugating  Co.,  36th  Ave.  &  Burnham 

St.,   Milwaukee,  Wis. 
Newman    Mfg.    Co.,    416-418    Elm    St.,    Cincinnati, 

Ohio. 
Pitt    Composite    Iron    Works,    Wm.     R.,    219    W. 

26th  St.,  N.  Y.   City. 
Pro-Bert  Sheet  Metal  Co.,  21   W.  Sth  St.,  Coving- 
ton, Ky. 
Schreck    &    Waelty,    27    Hague    St.,    Jersey    City, 

N.  J. 
Tyler    Co.,    W.    S.,    3618    St.    Clair    Ave.,    N.    E., 

Cleveland,    Ohio. 
Vulcan    Co.,    Clarkston,    Mich. 

Mirrors,     Decorative 

Bache  &  Co.,  Semon,  Morton  &  Greenwich  Sts., 
N.   Y.    City. 

Cincinnati  Silvering  &  Beveling  Co.,  Cincinnati, 
Ohio. 

Conroy   Prugh   Co.,   Western  Ave.,   Pittsburgh,   Pa. 

Keystone  Picture  Frame  Co.,  629  5th  Ave.,  Pitts- 
burgh,   Pa. 

Menger,  Ring  &  Weinstein,  306  W.  42d  St.,  N.  Y. 
City. 

Mirror   Screen   Co.,    Shelbyville,   Ind. 

National  Picture  Frame  &  Art  Co.,  947  61st  St., 
Brooklyn,   N.   Y. 

Pittsburgh  Plate  Glass  Co.,  Frick  Bldg.,  Pitts- 
burgh,   Pa. 

Shelbyville    Mirror    Works,    Shelbyville,    Ind. 

U.    S.    Frame  &   Picture  Co.,   46   Vesey    St.,   N.   Y. 

City 

Motors,    Electric 

Alls-Chalmers   Mfg.    Co.,    Milwaukee,   Wis. 

Barnes   Mfg.    Co.,    Susquehanna,    Pa. 

Bell  &  Howell  Co.,  1801  Larchmont  Ave.,  Chi- 
cago,   111. 

Bell   Electric   Motor   Co.,   Garwood,   N.   J. 

Century  Electric  Co.,  19th  &  Pine  Sts.,  St. 
Louis,    Mo. 

Chicago  Cinema  Equipment  Co.,  820  S.  Tripp 
Ave.,    Chicago,   111. 

Crocker- Wheeler   Co.,   Ampere,   N.  J. 

Diehl  Mfg.   Co.,  Elizabeth,  N.  J. 

Dilg  Mfg.  &  Trading  Co.,  401  E.  163d  St.,  N.  Y. 
City. 

Eck    Dynamo   &   IVfotor   Co.,    Belleville,   N.   J. 

Emerson    Electric    Mfg.    Co.,    St.    Louis,    Mo. 

Fidelity   Electric   Co.,  Lancaster,   Pa. 

General    Electric    Co.,    Schenectady,    N.    Y. 

Holtzer-Cabot   Co.,   125  Amory   St.,   Boston,   Mass. 

Imperial    Electric    Co.,    Ira    Ave.,    Akron,    Ohio. 

Kimble  Electric  Co.,  634  N.  Western  Ave.,  Chi- 
cago,   111. 

Langstadt-Meyer  Co.,  Appleton,  ^Vis. 

Master    Electric    Co.,    Dayton,    Ohio. 


260 


Mechanical  Appliance  Co.,  133  Stewart  St.,  Mil- 
waukee,  Wis. 

Xorthvvestern  Mfg.  Co.,  480  Clinton  St.,  Mil- 
waukee, Wis. 

Power   Co.,   Nicholas,   90  Gold   St.,   N.   Y.   City. 

Reynolds  Electric  Co.,  2651  W.  Congress  St., 
Chicago,    111. 

Robbins   &   Myers   Co.,    Springfield,    Ohio. 

Sprague  Electric  Works,  527  W.  34th  St.,  N.  Y. 
City. 

Stecker   Electric   &   Machine   Co.,   Detroit,   Mich. 

Sturtevant  Co.,  B.  F.,  Damon  St.,  Hyde  Park, 
Mass. 

Victor  Electric  Co.,  Jackson  Blvd.  &  Robey  St., 
Chicago,   111. 

Western   Electric   Co.,   195    Broadway,   N.   Y.    City. 

Westinghouse  Electric  &  Mfg.  Co.,  E.  Pittsburgh, 
Pa. 

Wisconsin   Electric    Co.,   Racine,   Wis. 

Musical   Instruments,    Orchestra 
Conn    Co.,    Inc.,     The    New    York,    233    W.    47th 

St.,    N     Y.    City. 
Conn.   Ltd.,    C,    C,    Conn    Bldg.,   Elkhart,   Ind. 
Domage,  E.,  216  N.  9th  St.,  Philadelphia,  Pa. 
Fischer,   Carl,    Cooper   Square.   N.    Y.    City. 
Gretsch    Mfg.     Co.,     Fred.     64     Broadway,    N.     Y. 

City. 
Haynes,   W.    S.    Co.,    135    Columbus   Ave.,    Boston, 

Mass. 
Henning,    Gustav    K.,    2424    Gaylord    St.,    Denver, 

Colo. 
Holton  &  Co.,  Frank,   Elkhorn,  Wis. 
Keefer  Mfg.    Co.,   Brua  C,   Williamsport,   Pa. 
Ludwig  &  Ludwig,   1611    N.   Lincoln   St.,   Chicago, 

111. 
Lyon  &  Healy,  61-82   Jackson  Boulevard,   Chicago, 

111. 
Martin    Band    Instrument    Co.,    401     Baldwin    St., 

Elkhart,  Ind. 
Peate's  Music  House,  Utica,  N.  Y. 
Players'    Company,   The,   211    S.    Broad    St.,    Phila- 
delphia,   Pa. 
Selmer,  117  W.  46th  St.,  N.  Y.  City. 
White,  H.   N.  Co.,  5225   Superior  Ave.,   Cleveland, 

Ohio. 
Wurlitzer    Co.,    Rudolph,    Cincinnati,    Ohio. 

Musical   Instruments,   Automatic 

Aeolian   Co.,  29  W.   42d   St.,   N.   Y.    City. 

American  Photoplayer  Co.,  109  Golden  Gate  Ave., 
San  Francisco,   Cal. 

Bartola  Musical  Inst.  Co.,  E.  Madison  St.,  Chi- 
cago, 111. 

Coburn  Organ  Co.,  220  N.  Washtenaw  St.,  Chi- 
cago, 111. 

Jenkins  Music  Co.,  1015  Walnut,  Kansas  City, 
Mo. 

Lyon  &  Healy,  57-89  Jackson  Blvd.,  Chicago,  111. 
"Empress." 

Marr  &   Colton,   Warsaw,   N.   Y. 

Mills  Novelty  Co.,  221   S.   Green   St.,   Chicago,  111. 

Smith  Unit  Organ  Co.,  413-19  W.  Erie  St.,  Chi- 
cago, 111. 

Wheelan  Pipe  Organ  Co.,  J.  D.,  1819  Main  St., 
Dallas,   "Rand." 

Wing  &   Son,  9th   Ave.   &   13th   St.,   N.  Y.    City. 

Wurlitzer   Co.,   Rudolph,    Cincinnati,    Ohio. 

Novelties,   Exploitation   and   Advertising 

Adams  Co.,   S.   S.,   Plainfield,  N.  J. 

American   Rule   &   Block   Co.,    Menominee,   Mich. 

Argus    Mfg.    Co.,    128   Honore    St.,    Chicago,    111. 

Bastian   Bros.   Co.,    150  Nassau   St.,   N.   Y.    City. 

Bayer  &  Pretzfelder  Co.,  5  E.  17th  St.,  N.  Y. 
City. 

Beers-Keeler-Bowman   Co.,  Inc.,  Norwalk,   Conn. 

Berger  Co.,  L.   D.,   58  N.  2d  St.,  Philadelphia,   Pa. 

Bernhardt,   M.   E.,    157   Chambers   St.,   N.   Y.    City. 

Brazel  Novelty  Mfg.  Co.,  1710  Ella  St.,  Cincinnati, 
Ohio. 

Briggs   Co.,   D.   F.,   Attleboro,   Mass. 

Bruml    Co.,    Henry,    110    Liberty    St.,    N.    Y.    City. 

Cahill-Igoe  Co.,  Inc.,  119  W.  Harrison  St.,  Chi- 
cago,   111. 

Cellotex    Co.,    Inc.,    220   W.    19th    St.,    N.    Y.    City. 

Chicago  Flag  &  Decorating  Co.,  1345  S.  Wabash 
Ave.,   Chicago,   111. 

Coe-Yonge  Mercantile  Co.,  907  Lucas  Ave.,  St. 
Louis,  Mo. 


Cory  &  Reynolds  Co.,  92  Niagara  St.,  Providence, 

R    I. 
Davton    Felt    Products    Co.,    Dye    Bldg.,    Dayton, 

Ohio. 
Dorfman    Bros.,   83   49th    St..    Corona,   N.   Y. 
Erker   Bros.   Optical   Co.,   608   Olive  St.,   St.  Louis, 

Mo. 
Gerber,   M.,   727   South   St.,    Philadelphia,   Pa. 
Grand    Lake    Co.,    Inc.,   280   Madison    Ave.,    N.    Y. 

City. 
Hahn,    Ed.,    358    W.    Madison    St.,    Chicago,    111. 
Hennegan     &     Co.,     311     Genesee     St.,     Cincinnati, 

Ohio. 
Herald    Printing    &    Pub.    Co.,    East    Moline,    111. 
Homer,   Geo.   E.,   45   Winter   St.,    Boston,   Mass. 
Jung-Kans    Mfg.    Co.,    1390   Green    Bay   Ave.,    Mil- 
waukee,  Wis. 
Kelley  Novelty   Co.,   151   E.  23d  St.,  N.  Y.   City. 
Kraft   Attractions.    1476    Broadway,    N.    Y.    City. 
Laurence   Radio-Electric   Co.,   852   Locust   St.,   Cin- 
cinnati,  Ohio. 
Lewald    Co.,    330    S.    Franklin    St.,    Chicago,    III. 
Lord  &  Co.,  C.  C,  Long  Beach,   Cal. 
Lott   &   Schmitt,   68   E.    131st   St.,   N.   Y.   City. 
Messmore,   Herbert,    1540    Bdwy.,    N.    Y.    City. 
Metal   Cast  Products   Co.,   1696   Boston   Rd.,   N.  Y. 

City. 
Mink      Novelty      Corp.,      Ellicott      Square      Bldg., 

Buffalo,   N.   Y. 
Morgan     Bryan    Art     Studios,     110    W.    40th     St., 

N.   Y.    City. 
Novelty  Rubber  Sales  Co.,  Akron,  Ohio. 
Old  Glory  Mfg.  Co.,  212  Van  Buren  St.,  Chicago, 

111. 
Pacific   Pennant   &  Advertiser   Co.,   244   New   High 

St.,  Los  Angeles,  Cal. 
Patent    Novelty    Co.,    Fulton,    111. 
Peerless    Mfg.    Co.,    Norwalk,    Conn. 
Pollyanna   Co.,    1120   W.    35th    St.,    Chicago,   111. 
Puptoys,    Co.,    71    W     Monroe    St.,    Chicago,    111. 
Randall    Co.,    A.    L.,    Lake    St.    and    Wabash   Ave., 

Chicago,    111. 
Robbins   and    Son,    I.,    627    Penn   Ave.,    Pittsburgh, 

Pa. 
Sterling  Metal    Novelty   Mfg.    Co.,    174   Worth    St., 

N.   Y.    City. 
Taunton    Casting    Co.,    Taunton,    Mass. 
Terre   Haute   Advertising    Co.,    Terre   Haute,    Ind. 

"Thadco." 
Tipp   Novelty   Co.,   Tippecanoe   City,    Ohio. 
Victor   Sparkler   Co.,   Elkton,   Md. 
Weshner     Davidson     Agency,     117     W.     46th     St., 

N.  Y.  City. 
Winkler,  M.  J.,  220  W.  42d  St.,  N.  Y.   City. 

Organists,     Employment     Bureau    for 

(Also  Conductors  and  Artists) 

Chicago    Musical    Service    Bureau,    20    E.    Jackson 

Blvd.,  Chicago,  111. 
Kraft   Attractions    1476    Broadway,    N.    Y.    City. 

Organs 

American  Photo  Player  Co.,  109  Golden  Gate 
Ave.,    San   Francisco,    Cal. 

Austin    Organ    Co.,   Hartford,    Conn. 

Bartola  Musical  Inst.  Co.,  57  E.  Madison  St., 
Chicago,   111. 

Berni   Organ    Co.,   216   W.    20th    St.,   N.   Y.    City. 

Berry-Wood  Piano  Player  Co.,  Inc.,  973  Market 
St.,   San   Francisco,    Cal. 

Coburn  Organ  Co.,  220  N.  Washtenaw  Ave.,  Chi- 
cago, 111. 

Estey    Organ    Co.,    Brattleboro,    Vt. 

"Gem" — See    Coburn    Organ    Co., 

Gottfried  Co.,   A.,   Erie,   Pa. 

Hillgreen  &  Lane  Co.,  Alliance,  Ohio. 

Hook    &    Hastings,    Kendall    Green,    Mass. 

Kimball  Co.,  W.  W.,  300  S.  Wabash  Ave.,  Chi- 
cago,  111. 

Link    Piano    Co.,    Binghamton,    N.    Y. 

Marquette  Piano  Co.,  1608  Canal  St.,  Chicago, 
111. 

Marr  &  Colton  Co.,  Warsaw,  N.  Y. 

Mason    &   Hamlin,    313    Fifth   Ave.,    N.    Y.    City. 

Moller,  M.  P.,  Hagerstown,  Md. 

Morris    Co.,    L.    D.    Steinway   Hall,    Chicago,   III. 

North  Tonawanda  Musical  Instrument  Works, 
N   Tonawanda,    N.    Y. 

Pilchers  Sons,  Henry,  914  Mason  Ave.,  Louis- 
ville,  Ky. 


261 


Schueike    Organ    Co.,    Max,    522    16th    Ave,    Mil- 
waukee,   Wis. 

Smith  Unit  Organ  Co.,  419  W.  Erie  St.,  Chicago, 
III. 

Steere  &   Son,   G.   W.,   Springfield,   Mass. 

Symphony    Player    Co..    Cincinnati,    Ohio. 

U.    S.    Pipe   Organ   Mfg.    Co.,   8105   Tinicum  Ave., 
Philadelphia,    Pa. 

Votteler-Holtkamp-Sparling       Organ       Co.,        1404 
Abbey   Ave.,    Cleveland,   Ohio. 

Wangerin-Weickhardt    Co.,    114    Burrell    St.,    Mil- 
waukee,  Wis. 

Welte  &  Sons,   M.,  667  Fifth  Ave.,   N.  Y    City. 

Wurlitzer    Co.,    Rudolph,    121    E.    Fourth    St.,    Cin- 
cinnati,   Ohio. 

Paints,    Screen 

Erker   Bros.   Optical   Co.,  608   Olive  St.,   St.   Louis, 
Mo. 

Golden     Co.,     Not     Inc.,     1913     W.     Harrison     St., 
Chicago,  111.  _ 

Hakilu   Mfg.    Co.,   Atlanta,   Ga 

Lawrence    &    Co.,    W.    W.,    W.    Carson    St.,    Pitts- 
burgh,   Pa. 

Leland    Theater    Supply    Co.,    97    State    St.,    Mont- 
pelier,    Vt. 

Lowe   Bros.    Co.,   450  E.   Third   St.,   Dayton,   Ohio. 

Sonneborn    Bros.,    L.,    262    Pearl    St.,    N.    Y.    City. 

Strand    Screen    Coating    Co.,    441    Jefferson    Ave., 
Brooklyn,   N.   Y. 

Theater     Equipment     Co.,     Inc.,     Film     Exchange 
BIdg.,    Minneapolis,    Minn. 

Thomas,    A.    G.,    Crystal    Theater,    Pittsburgh,    Pa. 

Veico    Screen     Co..    Not    Inc.,    1535    S.    Ridgeway 
Ave.,   Chicago,   III. 

Wilhelm   &    Co.,   A.,    Reading,    Pa. 

Pennants,   Advertising  and   Souvenir 

American   Art    Production    Co.,   90    Manhattan    St., 
N.    Y.    City. 

Annin   &  Co.,   99   Fulton   St.,   N.   Y.   City. 

California    Reproduction    &    Advertising    Co.,     107 
N.  Spring  St.,   Los  Angeles,  Cal. 

Chicago    Pennant    Co.,    6142    Cottage    Grove    Ave., 
Chicago,    111. 

Fine    Art    Novelty    Co.,    39    W.    Adams    St.,    Chi- 
cago,   111. 

Hanington    &   Co.,   A.   W.,   161    Grand    St.,    N.   Y. 
City. 

Kosmos-Art    Co.,    120    E.    Sixth   Ave.,    Cincinnati, 
Ohio. 

Langrock    Bros.     Co.,    35    Ormond    PI.,    Brooklyn, 
N.   Y. 

National    Pennant    Co.,    Palmyra,    Pa. 

Shure    Co.,    N.,    Madison    &    Franklin    Sts.,    Chi- 
cago, 111. 

Sternthal,    Felix,    358    W.    Madison    St.,    Chicago, 
III. 

Triangle    Pennant    Co.,    160    N.    Fifth    Ave.,    Chi- 
cago,  111. 

Whitehead    &    Hoag,    272    Sussex    Ave.,    Newark, 
N.  J.  „. 

Pianos,  Automatic 

American    Photo    Player     Co.,     109    Golden     Gate 
Ave.,    San   Francisco,    Cal. 

Berry-Wood    Piano    Player    Co.,    Inc.,    973    Market 
St.,   San    Francisco,    Cal. 

Doll   Co.,  .Tacob,   118  Cypress  Ave.,   N.   Y.   City. 

Kimball    Co.,   W.   W.,    300   S.    Wabash   Ave.,    Chi- 
cago,   111. 

Link    Piano    Co.,    Binghamton,   N.    Y. 

Lyon     &    Healy,     57-89    Jackson     Blvd.,     Chicago, 
111. 

Marquette    Piano    Co.,     1608    Canal    St.,    Chicago, 
111. 

Mason  &  Hamlin,  313  Fifth  Ave.,  N.  Y.  r;ity. 

Operators   Piano    Co.,    16    S     Peoria    St.,    Chicago, 
111. 

Ricca  &  Son,  99  Southern  Blvd.,  N    Y.  City. 

Seeburg   Piano    Co.,  J.    P.,   419   W."  Erie  St.,   Chi- 
cago,  III. 

Welte  &  Sons,  M.,   667  Fifth  Ave.,  N.  Y.   City. 

Wurlitzer    Co.,    Rudolph,    121    E.    Fourth    St.,    Cin- 
cinnati,   Ohio. 

Program   Covers 

Hennegan    Co.,    The,    311-321    Genesee,    Cincinnati, 

Ohio. 
Star   Program    Co.,   201    W.   49th    St.,    N.    Y.    City. 

Program    Printers 
Cahill-Igoe,    119    W.    Harrison    St.,    Chicago,    111. 


Erie  Lithographing  Co.,  8th  &  Perry  Sts.,  Erie, 
Pa. 

Exhibitors'  Program  Co.,  1006  Forbes  St.,  Pitts- 
burgh,  Pa. 

Hennegan  &  Co.,  1311  Genesee  St.,  Cincinnati, 
Ohio. 

Kleine  Poster  Co.,  1423  Vine  St.,  Philadelphia,  Pa. 

Krauss   Mfg.    Co.,   220   W.    42d   St.,    N.    Y.    City. 

Reeland,   727  Seventh  Ave.,  N.  Y     City. 

Star  Program   Co.,  201   W.  49th  St.,   N.  Y.  City. 

Theater  Program  Co.,  Journal  Bldg.,  Detroit, 
Mich 

Water   Color   Co.,   450  Fourth  Ave.,   N.   Y.    City. 

Projectors 
Baird  Co.,  C.  R.,  24  E.  23d  St.,  New  York  City. 
Bardy    Projector    Co.,    729    7th    Ave.,    N.    Y.    City. 
Capital     Merchandise    Co.,     525     S.     Dearborn    St., 

Chicago,    111. 
Continental    Sales    Co.,    Wilkes-Barre,    Pa.     "Bur- 
wood." 
Enterprise  Optical  Mfg.  Co.,  564  W.  Randolph  St., 

Chicago,   111. 
Helios    Machme    Co.,   Auditorium   Tower,    Chicago, 

111. 
Master  Machine  Tool  Co.,  2623  Park  Ave.,  N.  Y. 

City. 
Motion    Picture   Apparatus    Co.,    110    W.    44th    St., 

N.    Y.    City. 
Porter,    B     F.,    729   7th   Ave.,   N.   Y.    City. 
Power  Co.,   Nicholas,  90  Gold  St.,  N.  Y.  City. 
Precision     Machine     Co.,     Inc.,     319     E.     34th     St., 

N.    Y.    City. 
Superior    Projector,    Inc.,    17    W.    60th    St.,    N.    Y. 

City 

Rails,    Brass 

Baldwin  Brass  Works,  411  S.  Clinton  St.,  Chi- 
cago,   111. 

Buffalo  Wire  Works  Co.,  320  Terrace,  Buffalo, 
N.   Y. 

Dearborn    Brass    Co.,    Cedar    Rapids,    Iowa. 

Dow  Co.,  The,  201  N.  Buchanan  St.,  Louisville, 
Ky. 

Fiske  Iron  Works,  J.  W.,  56  Park  PI.,  N.  Y. 
City. 

Flour  City  Ornamental  Iron  Co.,  27th  Ave.  & 
27th   St.,   Minneapolis,   Minn. 

Gilbert  &  Sons  Brass  Foundry  Co.,  A.,  4015 
Forest    Park    Blvd.,    St.    Louis,   Mo. 

Howell-Melville  Co.,  1223  Spring  St.,  Philadelphia, 
Pa. 

Hungerford  Brass  &  Copper  Co.,  80  Lafayette 
St.,    N.    Y.    City. 

Ketler    Brass    Mfg.    Co.,    Houston,   Tex. 

McKenna    Brass    Co.,    Pittsburgh,    Pa. 

Michaels  Art  Bronze  Co.,  230  Scott  St.,  Coving- 
ton, Ky. 

Midland  Hotel  Co.,  1427  Catherine  St.,  Phila- 
delphia,   Pa. 

Newman  Mfg.  Co.,  416-418  Elm  St.,  Cincinnati, 
Ohio. 

Pittsburgh  Brass  Mfg.  Co.,  32d  St.  &  Penn  Ave. 
Pittsburgh,    Pa. 

Rochester   Brass  &  Wire  Works,  Rochester,   N.   Y 

Smith  Wire  &  Iron  Works,  F.  P.,  56  W.  Lake 
St.,    Chicago,    111. 

Standard  Iron  &  Wire  Works,   Chattanooga,  Tenn. 

Stolp  Wire  Works,  25-27  Fletcher  St.,  N  Y. 
City. 

Taylor  &  Dean,  Penn  Ave.  &  25th  St.,  Pitts- 
burgh,  Pa. 

Weatherby  Co.,  218  Pearl  St.,  Grand  Rapids, 
Mich. 

Western  Brass  Mfg.  Works,  2007  Marshall  Blvd., 
Chicago,    111. 

Raw    Stock 

Ansco    Co.,    Binghmton,   N.   Y. 

Bay  State  Film  Sales  Co.,  Inc.,  220  W.  42d  St., 
N.    Y.    City 

Burke  &  James,  240  E.   Ontario   St.,   Chicago,   III. 

Eastman    Kodak    Co.,    Rochester,   N.   Y. 

Gevaert  Co.  of  America,  117-119  W.  46th  St., 
N.   Y.   City. 

Powers  Film  Products,  1600  Broadway,  N.  Y. 
City. 

Sensitized   Products   Co.,    Rochester,   N.   Y. 

Rectifiers,  Alternating  Current 
American    Battery    Co.,    1132    Fulton    St.,    Chicago, 
111. 


262 


Chicago   Rectifier   Sales   Co.,   343   S.   Dearborn   St., 

Chicago,  111. 
Edison    Storage    Battery    Co.,    131    Lakeside    Ave., 

Orange  N.  J. 
Electric    Economy     Co.,    1529    Col.    Ave.,    Boston, 

Mass. 
Electric    Products    Co.,    1067    E.    lS2d    St.,    Cleve- 
land.   Ohio.    "Wotton." 
General    Electric    Co.,    Schenectady,    N.    Y. 
Hertner    Electric     Co.,    W.     114th    St.,     Cleveland, 

Ohio. 
Hirch    Electrical    &    Testing   Laboratories,    126    W. 

Third  St.,  J^os  Angeles,  Cal. 
Hobart  Bros.  Co.,  Troy,  Ohio. 
V'ictor    Electric    Co.,   Jackson    Blvd.,    &   Robey    St., 

Chicago.    111. 
Wagner    Electric    Mfg.    Co.,    6400    Plymouth    Ave., 

St.    Louis,    Mo. 
Globe    Machine   &    Stamping   Co.,    Cleveland,    Ohio. 
Westinghouse   Electric   &   Mfg.   Co.,   E.   Pittsburgh, 

Pa. 

Record    Books 
Exhibitors   Trade   Review,    152    W.   42d   St.,   N.    Y. 

City. 
Green,    P.    A.,    52    Rumford   Ave.,    Waltham,    Mass. 
Rialto    Theater    Supply    Co.,    Minneapolis,    Minn. 
Theater   Record   Co.,   Conneaut,    Ohio. 

Regulators,    Film   Speed 
Baird  Co..  C.   R..  24  E.  23d  St.,  N.  Y.   City. 
Preddey,     W.     G.,     187     Golden     Gate     Ave.,     San 
Francisco.   Cal. 

Regulators,    Temperature 
American     Radiator    Co.,    816    S.     Michigan    Ave., 

Chicago,    111. 
Andrews    Heating    Co.,    Minneapolis,    Minn. 
Meers      Bros.,      Thermostat      Co.,      20      Elm      St., 

Rochester,    N.    Y. 
Chaplin-Fulton   Mfg.    Co.,   28  Penn  St.,   Pittsburgh, 

Pa 
Chicago   Heat   Regulator   Co.,   1801   Diversey   Park- 
way,   Chicago,    111. 
Cradon    Mfg.    Co.,    Bellows   Falls,   Vt. 
Deniara    &    Closson,    Addison,    N.    Y. 
d'Este  Co.,  Julian,  24  Canal  St.,  Boston,  Mass. 
Electric      Heat      Regulator     Co.,     Phoenix     Bldg., 

Minneapolis,    Minn. 
Halsev    Mfg..    Co.,    1211    Filbert    St.,    Philadelphia, 

Pa. 
Howard    Thermostat    Co.,    Oswego,    N.    Y. 
Ideal     Heating     Co.,     913     Gates    Ave.,     Brooklyn, 

N     Y. 
Jewell   Mfg.   Co..  Auburn,   N.  Y. 
Johnson     Service     Co.,     Milwaukee,    Wis. 
Kielev    &    Mueller,   34    W.    13th    St.,   N.    Y.    City. 
Klipfel   Mfg.    Co.,   2651    W.   Harrison   St.,    Chicago, 

111. 
M  nneapolis     Heat     Regulator     Co.,     Minneapolis, 

Minn. 
National     Regulator     Co.,    208    S.    Jefferson    Ave., 

Chicago,    111. 
Powers  Regulator  Co.,  5  S.  Wabash  Ave.,  Chicago, 

111. 
Roys    Heat    Control    Co.,    915    Gates    Ave.,    Brook- 
lyn,  N.   Y. 
Simplex    Heating    Specialty    Co.,    Inc.,    Lynchburg, 

Va. 
Standard   Regulator   Co.,   90   West   St.    N.   Y.    City, 
Tagliabue   Mfg.    Co.,    C.    T.,    32   33d    St.,    Brooklyn, 

.\.   Y. 
Weld   Co.,   Geo.   A.,   41    Lincoln   St.,   Boston,   Mass. 

Rewinders 

Automatic    Film    Rewinder,    Harrisburg,    Pa. 

Bell  &  Howell  Co.,  1803  Larchmont  Ave.,  Chi- 
cago,  111. 

Capital  Mdse.  Co.,  525  S.  Dearborn  St.,  Chicago, 
,  Ill- 
Chicago  Cinema  Equipment  Co.,  820  S.  Tripp 
Ave.,    Chicago,   111. 

Duhem  l\Iotion  Picture  Mfg.  Co.,  985  Market 
St.,    San    Francisco,    Cal. 

Duplex  Machine  Co.,  316  75th  St.,  Brooklyn, 
N.  Y. 

F2mory  Co.,  R.  J.,  Sherman  Ave.,  &  Runyon  St., 
Newark,    N.    J. 

Enterprise    Optical    Co.,    564    W.    Chicago,    111. 

Feaster   Mfg.    Co.,    16   W.   46th    St.,    N.    Y.    City. 


Howells  Cine  Equipment  Co.,     Inc.,   740   7th 
Ave.,    N.   Y.    City. 

Imsco — See   Independent   Movie   Supply    Co. 

Independent  Movie  Supply  Co.,  729  7th  Ave.,  N. 
Y.    City. 

Lang   Mfg.    Works,    Olean,   N.    Y. 

Los  Angeles  Motion  Picture  Co.,  215  E.  Wash- 
ington   St.    Los    Angeles,     Cal. 

Power    Co.,    Nicholas,   90   Gold    St.,    N.    Y.    City. 

Precision  Machine  Co.,  Inc.,  319  E.  14th  St.,  N. 
Y.   City. 

Ria'.to  Theater  Supply  Co.,  Minneapolis,  Minn. 

Royal — See   Capital   Merchandise   Co. 

Smith  Co.,  L.  C,  440  State  St.,  Schenectady, 
N.  Y. 

Williams,  Brown  &  Earle.  Inc.,  918  Chestnut  St., 
Philadelphia,    Pa. 

Rheostats 

Bell  &  Howell  Co.,  1803  Larchmont  Ave.,  Chi- 
cago,    111. 

Brenkert    Light    Projection    Co.,    Detroit,    Mich. 

Capital  Mdse.  Co.,  525  S.  Dearborn  St.,  Chi- 
cago,   111. 

Chicago  Cinema  Equipment  Co.,  820  S.  Tripp 
Ave..    Chicago,    111. 

Cutler-Hammer  Mfg.  Co.,  Milwaukee,  Wis.,  "Sim- 
plicity." 

Duplex  Machine  Co.,  316  75th  St.,  Brooklyn, 
N.    Y. 

P'nterprlse  Optical  Mfg.  Co.,  764  W.  Randolph 
St.,    Chicago. 

General    Electric    Co.,    Schenectady,    N.    Y. 

Industrial    Controller    Co.,    Milwaukee,    Wis. 

Leonard  Electric  Mfg.  Co.,  3907  Perkins  Ave., 
Cleveland,    Ohio 

Mestrum,  Henrv,  166  W.  48th  St.,  N.  Y.   City. 

Newton,   Chas.   I.,   305   W.    15th   St.,   N.   Y.   City. 

Power    Co.,    Nicholas,    90    Gold    St.,    N.    Y.    City. 

S  mplicity — See    Cutler-Hammer    Co. 

Un'versal  Electric  Stage  Lighting  Co.,  321  W. 
50th   St.,   N.    Y.   City. 

Ward    Leonard    Electric    Co.,    Mt.    Vernon,    N.    Y. 

Screens 

Acme    .Screen    Co.,    New    Washington,    Ohio. 

American  Lux  Products  Co.,  50  E.  42nd  St.,  N.  Y. 
City. 

Caoital  Mdse.  Co.,  525  Dearborn  St.,  Chicago, 
111. 

Ci-ystal  Light  Screen  Co..  411  W.  Depot  St., 
Knoxville,    Tenn. 

Danish  Diamond  Screen  Co.,  98  Woodward  Ave., 
Detroit,    Mich. 

Da-Lite  Scenic  Co..  922  West  Monroe  St.,  Chi- 
cago,   111. 

Enkeboll  Art   Co.,   5305   N.  27th  St..  Omaha,  Neb. 

Erker  Bros.  Optical  Co.,  608  Olive  St.,  St.  Louis, 
Mo. 

Eureka  Cinema  Corp.,  193  Trumbull  St.,  Hartford, 
Conn 

Gardiner,  L.  G.,  1021  West  Goodale,  St.,  Colum- 
bus,  Ohio. 

Henderson-Ames     Co.,     Kalamazoo,     Mich. 

Hettrick    Mfg.    Co..   Toledo,    Ohio. 

Humphreys  Co.,  D.  C,  909  Filbert  St.,  Phila- 
delphia,   Pa. 

Jacobson  Mfg.  Co.,  3718  Woodland  Ave.,  Cleve- 
land,  Ohio. 

Kansas  City  Scenic  Co.,  N.  E.  cor.  24th  &  Harri- 
son   Sts.,    Kansas    City,    Mo. 

Lash    Studios,    Lee,    Longacre    Bldg.,    N.    Y.    City. 

Law  Scenic  Studios,  502  W  38th  St.,  N.  Y. 
City. 

Ludcke  Screen  Co.,  ISO  Minn.  Ave.,  St.  Peter, 
Minn. 

Magee  &  Sons,  M.,  147  Fulton  St.,  N.  Y.   City. 

Magic  Crystal  Screen  Co.,  500  Fifth  Ave.,  N.  Y. 
City. 

Minusa  Cline  Screen  Co.,  Bomont  &  Morgan 
Sts.,  St.  Louis,  Mo. 

Mirror    Screen    Co.,    Shelbyville,    Ind. 

Oliver  Bead  Screen,  IZl  Prospect  Ave.,  Cleveland, 
Ohio. 

Ornate  Mfg.  Co.,  200  Fifth  Ave.,  N.  Y.  City. 

Post.   Amos,    Church    St.,    Catskill,    N.    Y. 

Radiant  Screen  &  Dec.  Co.,  812  Finance  Bldg., 
Cleveland,    Ohio. 

Raven   Screen  Co.,   165   Broadway,  N.  Y.   City. 

Rembusch   Screen   Co.,    Shelbyville,   Ind. 


263 


St.    Louis    Float    &    Scenic    Co.,    513    Elm    St.    St. 

Louis,  Mo. 
Story    Scenic    Co.,    O.      L.,    21    Tufts    St.,    Somer- 

ville    Sta.,    Boston,    Mass. 
Universal    Picture    Screen    Corp.,     14     N.    Seventh 

St.,   Richmond,  Va 
Werstner    C.    S.,    llt'h    &    Race    Sts.,    Philadelphia, 

Pa.,    "Superlite." 
Williams,    Brown    &   Earle,   Inc.,  918   Chestnut   St., 

Philadelphia,    Pa. 

Scenery 
Acme  Scenic  Artists'  Studios,  36  W.  Randolph  St., 

Chicago,  111. 
Armbruster  &  Sons,   M.,  249   S.   Front   St.,   Colum- 
bus,  Ohio. 
Atlanta  Scenic   Co.,  Atlanta,   Ga. 
Baker   &    Lockwood   Mfg.    Co.,    Kansas   City,   Mo. 
Beaumont     Velvet     Scenery     Studios,     J.     H.,     225 

W.   46th   St.,   N.    Y.   City. 
Beck  &   Sons  Co.,  The,  Wm.,   Cincinnati,   Ohio 
Bradley    Studios,    Wm.,    318    W.    43d    St.,    N.    Y. 

City. 
Camph,  William,   1540  Broadway,  N.  Y.   City. 
Cox    Scene   Painting   Studio,   Eugene,    1734   Ogden 

Ave.,   Chicago,   111. 
Davis,     Geo,     Scenic     Studio,    Arch     St,     Theater, 

Philadelphia,    Pa. 
Enkeboll  Art  Co.,  5313  N.  27th  St.,  Omaha,  Neb. 
Excelsior    Studios   &   Theater   Supply    Co.,   816   W. 

Vine   St.,    Kalamazoo,    Mich. 
Fabric   Studios,   177  N.   State  St.,   Chicago. 
Fetters    &    Fisher,    432    N.    3rd    St.,    Philadelphia, 

Pa 
Fredericks   Scenic   Studio,   643   W.   42d   St.,   N.   Y. 

City. 
Gates  &  Morange,   155  W.  29th  St.,  N.  Y.  City. 
Hamilton   Studios,   W     F.,    1425   Broadway,   N.   Y. 

City. 
Humphreys   Co.,   D.    C,   909   Filbert   St.,   Philadel- 
phia, Pa. 
Irwin    &   Sparks   Scenic    Studio,    432   N.   Third   St., 

Philadelphia,   Pa. 
Joy    &    Cannon    Scenic    Co.,    378    Wabash    St.,    St. 

Paul,  Minn. 
Kahn  &   Bowman,   155  W.  29th  St.,  N.  Y.   City. 
Kansas   City   Scenic   Co.,   N.   E.  cor.  24th  &  Harri- 
son  Sts.,   Kansas  City,   Mo. 
King  Scenic  Co.,  311  S.  Harwood  St.,  Dallas,  Tex. 
La  Touche,  J.   B.,  Clearfield,   Iowa. 
Lash  Studios,  Lee,  Longacre  Bldg.,  N.  Y.  City. 
Law    Scenic    Studios,    502    W.    38th    St.,    N.    Y. 

City. 
McHugh  &  Son,  Jos    P.,  9  W.  42d  St.,  N.  Y.  City. 
Manhattan  Scenic  Studios,  324  W.  3Sth  St.,  N.  Y. 

City. 
Messmore  Co.,  Herbert  L.,  1540  Broadway,  N.  Y. 

City. 
Murray  Hill  Scenic  Studios,  488  Sixth  Ave.,  N.  Y. 

City. 
New  York  Studios,  328  W.  39th  St.,  N.  Y.  City. 
Platzer,   Frank,   533  W.  43d  St.,  N.  Y.   City. 
^ieising  &  Co.,  Theo.,  625  E.  15th  St.,  N.  Y.  City. 
St.    Louis    Float   &    Scenic    Co.,    513   Elm    St.,    St. 

Louis,   Mo. 
Schroeder  Artificial  Flower  Co.,   Cleveland,  Ohio. 
Schells  Scenic  Studio,  581   S.  High  St.,   Columbus, 

Ohio. 
Servas,  Jno.  A.,  Rochester,  N.  Y. 
Sheek   &  Co.,  D.,   Metropolitan  Theater,   Cleveland, 

Ohio. 
Star  Scenic  Studio,  Inc.,  Omaha,  Neb. 
Story    Scenic    Co.,    O.    L.,   21    Tufts    St.,    Somerville 

Sta.,   Boston,  Mass. 
Turner,  Allan  J..  266  W.  41st  St.,  N.  Y.   City. 
Twin    City    Scenic    Co.,   2819    Nicolet  Ave.,    Minne- 
apolis,  Minn. 
Unique  Papier  Mache  Co.,  331   W.  44th  St.,  N.  Y. 

City. 
Universal    Scenic  Artist   Studios,    190  N.    State   St., 

Chicago,   III. 
Werbe    Scenic    Studio,    1713    Central   Ave.,    Kansas 

City,   Kan. 
Young  Bros.,  536  W.  29th  St.,  N.  Y.  City. 

Signs,    Electric    Roof 

A.     &     W.     Electric     Sign     Co.,     Cleveland,     Ohio. 

Advance  Sign  Co.,  567  W.  Harrison  St.,  Chicago, 
111. 

American  Sign  Co.,  Willard  &  Cooley  Sts.,  Kala- 
mazoo, Mich. 


Atlas  Electric  Sign  Corp.,  540  W.  45th  St.,  N.  Y. 

City. 
Brilliant   Mfg.    Co.,    1035    Ridge  Ave.,    Philadelphia, 

Pa. 
Brilliant  Sign  Co.,  3531  Washington  St.,  St.  Louis, 

Mo. 
Brumfield   Electric    Sign    Co.,    18    Seventh    St.,    San 

Francisco,    Cal. 
Century    Mfg.    Co.,    Elizabethtown,    Pa. 
Cusack     Co.,     Thos.,     Harrison     &     Loomis     Sts., 
Chicago,   111.  ^       ^,  . 

Federal   Electric    Sign   Co.,   8700   S.    State   St.,   Chi- 
cago, 111. 
Federal  Sign  System  Co.,  Chicago,  111. 
Greenwood  Advertising   Co.,   Knoxville,  Tenn. 
Gude  Co.,  O.  J.,  220  W.  42d  St.,  N.  Y.  City. 
Haller     Consolidated     Co.,     213     W.     Austin    Ave., 

Chicago,    111. 
K-H     Sign    Mfg.     Co.,     530    Fernando     St.,     Pitts- 
burgh, Pa. 
Martin,   P.  J.,  302  W.   52d  St.,  N.   Y.   City. 
Rice    Co.,    Geo.    H.,    481     Sterling    PI.,    Brooklyn, 

N.  Y 
Rosenfeld    &    Co.,    Eugene    I.,    325    W.    Balto.    St., 

Baltimore,  Md. 
Strauss  &  Co.,  209   W.   48th   St.,   N.   Y.   City. 
Valentine    Electric    Sign    Co.,    Atlantic    City,    N.    J. 
Western   Display  Co.,   St.   Paul,  Minn. 
Signs,    Luminous    Exit 
Newman    Mfg.    Co.,    416-418    Elm    St.,    Cincinnati, 

Ohio. 
Radium     Dial     Co.,     Forbes     and     Meyran     Aves., 

Pittsburgh,  Pa. 
Radium   Luminous   Material    Corp.,   55   Liberty    St., 

N.  Y. 

Slides 
Advertising   Slide  Co.,  86   Chestnut   St.,   St.   Louis, 

Mo. 
American  Slide  Co.,  44   Columbia  Bldg.,   Columbus, 

Ohio. 
Briggs,    C.    W.,    628    Callow    Hill    St.,    Philadelphia, 

Pa. 
Cardinell-Vincent    Co.,   San    Francisco,    Cal. 
Catty   Silde   Co.,   Pittsburgh,   Pa. 
Chicago    Transparency    Co.,    143    N.    Dearborn    St., 

Chicago,    111. 
Cochems    the    Photographer,    323    E.    Chestnut    St., 

Santa  Ana,   Cal. 
Columbia    Slide    Co.,    Chicago,    111. 
Commercial    Slide    &    Film    Co.,    211    W.    48th    St., 

N.    Y.    City. 
Economy  Slide  Co.,  213  W.  48th   St.,  N.  Y.   City. 
Erker  Bros    Optical  Co.,  608  Olive  St.,  St.  Louis, 

Mo. 
Excelsior   Illustrating    Co.,   213    Sixth   Ave.,   N.    Y. 

City. 
Felder,   M.   C,   103   W.   46th   St.,   N.   Y.    City. 
Greater    New    York    Slide    Co.,    213    W.    48th    St., 

N.    Y.    City. 
Hawkes,  Joseph,   108  Fulton  St.,  N.  Y.   City. 
Heady,  Joseph  T.,  208  W.   Madison  Ave.,  Chicago, 

111. 
Kansas    City    Slide    Co.,    1015    Central    St.,    Kansas 

City,   Mo. 
Lochren    Film    &    Slide    Co.,    Wm.    A.,    706    Film 

Exchange  Bldg.,  Minneapolis,  Minn. 
Liistig     Film     Laboratory,     2147     Prospect     Ave., 

Ohio. 
Mcintosh    Stereopticon    Co.,    30    E.    Randolph    St., 

Chicago,    111. 
Milwaukee  Slide  Co.,  414  Alhambra  Theater   Bldg., 

Milwaukee,   Wis. 
Monogram    Slide    Co.,    704    Film    Exchange    Bldg., 

Minneapolis,    Minn. 
Moore,     Hubble    &     Co.,     Masonic     Temple     Bldg., 

Chicago,    111. 
Motion    Picture    Products,    3238    W.    Harrison    St., 

Chicago,   111. 
Nelson  Motion   Picture  Studios,  H.  N.,  Film  Bldg., 

Detroit,  Mich. 
Niagara   Slide  Co.,  Lockport,   N.  Y. 
xNTorth     American     Slide     Co.,     122     N.     13th     St., 

Philadelphia,   Pa. 
Novelty  Slide  Co.,  209  W.  48th  St.,  N.  Y.  City. 
Perfection  Slide  Co.,  79  Fifth  Ave.,  N.  Y.   City. 
Quality    Slide    &    Photo    Makers,    6    E.    Lake    St., 

Chicago,   111. 
Radio-Mat-Slide   Co.,    121   W.   42d   St.,   N.   Y.   City. 


264 


Riley   Optical   Co.,    Ill    Fifth  Ave.,   N.   Y.   City. 
Sam    Leon,   207    W.   48th    St.,    N.    Y.    City. 
Scott  Studio  SHdes,  24  E.  55th  St.,  N.  Y.  City. 
Standard    Slide    Corp.,    209    W.    48th    St.,    N.    Y. 

City. 
Superior   Slide   Co.,   812    Prospect   Ave.,    Cleveland, 

Ohio. 
Superior  Slide  Service,  Inc.,  34  W.  46th  St.,  N.  Y. 

City. 
Troy    Slide   &   Sign    Co.,   Troy,    Ohio. 
Underwood   &   Underwood,   417   Fifth  Ave.,   N.   Y. 

City. 
Victor      Animatograph      Co.,      Davenport,      Iowa. 

"Viopticon." 
X-L   Slide  Co.,  Film  Exchange  Bldg.,   Minneapolis, 

Minn 
Williams,   Brown   c&  Earle,  918   Chestnut  St.,  Phila- 
delphia, Pa. 

Stereopticons 
Bausch     &     Lomb     Optical     Co.,     St.     Paul     St., 

Rochester,  N.  Y. 
Beseler    Co.,    Chas.,    131    E.    23d    St.,    N.   Y.    City. 
Brenkert    Light    Projection    Co.,    Detroit,    Mich. 
Chicago  Stage  Lighting  Co.,   112   N.  La  Salle  St., 

Chicago,   111. 
Chicago   Transparency    Co.,    143    N.    Dearborn    St., 

Chicago,   111. 
Enterprise    Optical    Co.,     564    W.     Randolph    St., 

Chicago,    111. 
Erker  Bros.  Optical  Co.,  608  Olive  St.,  St.  Louis., 

Mo. 
Greater  New  York  Slides,  203  W.  48th  St.,  N.  Y. 

City. 
Kineto    Machine    Co.,    329    Plymouth    St.,    Chicago, 

111. 
McAllister    Keller     Co.,     176     Fulton     St.,    N.    Y. 

City. 
Mcintosh    Stereopticon    Co.,    30    E.    Randolph    St., 

Chicago,  111. 
Mestrum,  Henry,    166   W.   48th  St.,   N.  Y.   City. 
Moore,    Hubble    &    Co.,    Masonic    Temple    Bldg., 

Chicago,    111. 
Newton,  Chas.  I.,  305  W.  ISth  St.,  N.  Y.  City. 
Riley  Optical  Co.,  40  W.  20th  St.,  N.  Y.  City. 
Standard    Slide    Corp.,    209    W.    48th    St.,    N.    Y, 

City. 
Universal  Elect.   Stage  Lighting  Co.,  321  W    50th 

St.,  N.  Y.  City. 
Victor      Animatograph      Co.,      Davenport,      Iowa. 

"Viopticon." 
Williams,     Brown     &     Earle,     918     Chestnut     St., 

Philadelphia,   Pa. 

Switchboards 
A.  J.  Mfg.  Co.,  Seattle,  Wash. 
Adam   Electric    Co.,    Frank,   3650   Windsor    PI.,    St. 

Louis,  Mo. 
Baird  Co.,  C.  R.,  24  E.  23d  St.,  N.  Y.  City. 
"Bulldog"^ — See   Mutual   Electric   &  Machine  Co. 
Cleveland     Switchboard     Co.,     2025     E.     70th     St., 

Cleveland,   Ohio. 
Crouse-Hinds   Co.,    Syracuse,   N.   Y. 
Cutler-Hammer    Mfg.    Co.,    Milwaukee,    Wis. 
Dearborn  Elect.   Co.,  25  Kinzie  St.,  Chicago.,  111. 
Display     Stage    Lighting    Co.,     314    W.    44th     St., 

N.  Y    City. 
Drendeli  Electrical  &  Mfg.   Co.,   169  Erie  St.,   San 

Francisco,    Cal. 
Electric  Apparatus  Co.,  127  S    Green  St.,  Chicago, 

111. 
|_  General   Electric    Co.,   Schenectady,   N.   Y. 

Hub  Electric   Co.,  2219  W.   Grand  Ave.,    Chicago, 

HI. 
Industrial    Controller    Co.,    Milwaukee,    Wis. 
Kliegl — See     Universal     Electrical     Stage     Lighting 

Co. 
Krantz  Mfg.    Co.,   H.,   160   Seventh   St.,    Brooklyn, 

N.  Y. 
Large-Dail  Mfg.   Co.,   606  Cherry   St.,  Philadelphia, 

Pa. 
Major  Equipment  Co.,  2518  Cullom  Ave.,  Chicago, 

111. 
Menkes   Electric    Co.,    853    Broadway,    N.    Y.    City. 
Metropolitan  Electric   Mfg.   Co.,   East  Ave.   &   14th 

St.,    Long    Island    City. 
Mutual   Electric    &   Machine    Co.,    Detroit,   Mich. 
New    York    Calcium    Light    Co.,    451    W.    53d    St., 

N     Y.    City. 
Pringle  Electric  Mfg.  Co.,  1906  N.  Sixth  St.,  Phila- 
delphia,  Pa. 


k 


Safety    Rite    Electric     Products     Co.,     56     Baldwin 

Ave.,   Jersey   City,   N.   J. 
Sterling  Switchboard  Co.,  537  S.  Seventh  St.,  Cam- 
den,  N.   J. 
Trumbull  Electric  Mfg.   Co.,   Plainville,   Conn. 
United    Electric    Mfg     Co.,    New    Orleans,    La. 
Universal  Electric  Stage  Lighting  Co.,  321  W.  50th 

St.,   N.   Y.   City. 
Walker   Electric   Co.,  2336  Noble  St.,   Philadelphia, 

Pa. 
Westinghouse  Electric   &  Mfg.   CO.,  E.   Pittsburgh, 

Pa. 
Wisconsin  Electrical   Mfg.   Co.,  453   E.  Water   St., 

Milwaukee,    Wis. 
Wurdock   Electric   Mfg.   Co.,  Wm.,  21    S.   11th   St., 

St.    Louis,    Mo. 

Tapestries 
Attleboro     Mfg.     &     Importing    Co.,    20    N.    Fifth 

St.,   Philadelphia,   Pa. 
Cheney   Silk   Co.,  215   Fourth  Ave.,  N.  Y.   City. 
Davenport  Co.,  A.  H.,  601  Fifth  Ave.,  N.  Y.  City. 
Fechtman    &    Co.,    L.    Foreman,    48    E.    21st    St., 

N.   Y.    City. 
Gays   Sons,  John,   Trenton  Ave.   &  Ann  St.,  Phila- 
delphia,   Pa. 
Hess  &  Co.,  D.  S.,  453  Fifth  Ave.,  N.  Y.  City. 
Huber   Co.,   H.    F.,    13    E.   40th   St.,   N.   Y.    City. 
Lowenbein's   Son,   A..   586   Fifth  Ave.,  N.  Y.    City. 
Neuman   &   Co.,   417    Madison  Ave.,   N.   Y.    City. 
Penn  Tapestry  Co.,  Philadelphia,  Pa. 
Primrose    Tapestry    Co.,   Josephine    &   Oxford    Sts., 

Philadelphia,    Pa. 
Thorp   Co.,  J.  H.,  230  Fourth  Ave.,  N.  Y.  City. 
Tiffany    Studios,   Madison   Ave.   &  45th    St.,    N.   Y. 

City. 

Telephones,    Inter-communicating 
Automatic    Electric    Co.,    Chicago,    111. 
Central  Telephone  &  Electric  Co.,  310  N.   11th  St., 

St.    Louis,    Mo. 
Couch   Co.,   S.   H.,   Norfolk   Downs,   Mass. 
De    \'eau   Tel.    Mfg.    Co.,    23    Murray    St.,    N.    Y. 

City. 
Dictaphone  Products  Corp.,  1819  Broadway,  N.  Y. 

City 
General   Electric   Co.,   Schenectady,   N.   Y. 
Partrick     &     Williams     Co.,     51     N.     Seventh     St., 

Philadelphia,    Pa. 
Pettes  &  Randall  Co.,  150  Nassau  St.,  N.  Y.  City. 
Stromberg    Carlson    Co.,    Rochester,    N.    Y. 
Western  Electric   Co.,    195   Broadway,  N.  Y.   City. 

Tents,    Airdome 

Carpenter  &  Co.,  Geo  B.,  436  Wells  St.,  Chicago, 
111. 

Chicago  Flag  &  Decorating  Co.,  1345  S.  Wabash 
Ave.,   Chicago,   111. 

Columbus    Tent    &    Awning    Co.,    Columbus,    Ohio. 

Des  Moines  Tent  &  Awning  Co.,  913  Walnut  St., 
Des   Moines,    Iowa. 

Dougherty  Bros.  Tent  &  Awning  Co.,  116  S. 
Fourth  St.,   St,   Louis,  Mo. 

Fulton    Bag    &    Cotton    Mills,   Atlanta,    Ga. 

Hettrick   Mfg.    Co.,    Toledo,    Ohio. 

Kerr  Mfg.  Co.,  D.  M.,  1007  Madison  St.,  Chi- 
cago,   111. 

Murray    &    Co.,    625    W.    Fulton    St.,    Chicago,    111. 

Scherz  Sons,  John,  1006  Freeman  Ave.,  Cincin- 
nati,  Ohio. 

Thompson  &  Vandiveer,  816  E.  Pearl  St.,  Cin- 
cinnati,  Ohio. 

Tucker   Duck   &  Rubber  Co.,  Ft.   Smith,  Ark. 

United  States  Tent  &  Awning  Co.,  225  N.  Des- 
plaines  St.,  Chicago,  111. 

Terra    Cotta,    Architectural 
American     Terra     Cotta     &     Ceramic     Co.,     2010 

Peoples  Gas   Bldg.,    Chicago,  111. 
Atlantic  Terra  Cotta  Co.,  350  Madison  Ave.,  N.  Y. 

City. 
Brick  Terra  Cotta  &  Tile  Co.,  Corning,  N.  Y. 
Clark   &  Sons,  N.   116  Natoma  St.,  San  Francisco, 

Cal. 
Conkling-Armstrong  Terra   Cotta   Co.,    (Nicetown), 

Philadelphia,  Pa. 
Denny-Renton  Clay  &  Coal  Co.,   1007  Hoge  Bldg., 

Seattle,    Wash 
Denver   Terra   Cotta   Co.,   W.    1st  Ave.   &  Umatilla 

St.,  Denver,  Col. 


265 


Duffy    Co.,   J.    P.,    Park   Ave.    &    138th    St.,    N.    Y. 

City. 
Federal    Terra    Cotta    Co.,    Ill    Broadway,    N.    Y. 

City. 
Galoway  Terra  Cotta  Co.,  3210  Walnut  St.,  Phila- 
delphia, Pa. 
Gladding,   McBean  &  Co.,  Rialto  Bldg.   San  Fran- 
cisco,  Cal. 
Indianapolis  Terra  Cotta  Co.,  Indianapolis,  Ind. 
Kansas    City-Terra    Cotta    &    Faience    Co.,    19th    & 

Manchester  Aves.,   Kansas   City,   Mo. 
Ketcham,    O.    W.,   24    S.    Seventh   St.,    Philadelphia, 

Pa. 
Maryland  Terra  Cotta  Co.,  North  Ave.  &  Oak  St., 

Baltimore,    Md. 
Midland     Terra     Cotta     Co.,     Lumber     Exchange 

Bldg.,   Chicago,   111. 
New  Jersey  Terra  Cotta  Co.,  Singer   Bldg.,  N    Y. 

City. 
New     York     Architectural    Terra     Cotta     Co.,     401 

Vernon  Ave.,   Long  Island   City,  N.   Y. 
Northern   Clay    Co.,   Auburn,    Wash. 
Northwestern  Terra-Cotta  Co.,  2S2S  Clybourn  Ave., 

Chicago,    111. 
Pursell-Grand     Co.,     414     Walnut     St.,     Cincinnati, 

Ohio. 
SoutTi    Amboy     Terra     Cotta    Co.,     South    Amboy, 

N.  J. 
St.   Louis  Terra   Cotta  Co.,   5801   Manchester  Ave., 

St.   Louis,  Mo. 
Washington    Brick    &   Lime   Mfg.    Co.,   Washington 

St.   &   Pacific  Ave.,   Spokane,  Wash. 
Western   Terra   Cotta   Co.,   Franklin   Ave.    &   M.   P. 

Ry.,    Kansas  City,   Kan. 
Winkle  Terra  Cotta  Co.,  Century   Bldg.,  St.  Louis, 
Mo. 

Ticket    Choppers 
Brewster    &    Co.,    Long    Island    City,    N.    Y. 
Caille     Bros.,     1300     Second    Ave.,     Detroit  '  Mich. 
Erker  Bros.,  Optical  Co.,  608  Olive  St.,  St.  Louis, 

Mo, 
IngersoU-Rand  Co.,   11   Broadway,  N.  Y.   City. 
Langslow    Co.,    H.    R.,    232    Jay    St.,    Rochester, 

N.   Y. 
Menger,  Ring  &  Weinstein,  306  W    42d  St.,  N.  Y. 

City 
National  Ticket  Co.,  205  St.  Clair  Ave.,  Cleveland, 

Ohio. 
Newman    Mfg.    Co.,    416-418    Elm    St.,    Cincinnati, 

Ohio. 
Schaffer,   S.   E.,   &   Co.,  24-26  E.  Eighth  St.,   Chi- 
cago,  111.     "Badger." 
Swaab  &   Son,  Lewis  M.,   1327  Vine   St.,  Philadel- 
phia, Pa. 
Wisconsin    Theater    Supply    Co.,    174    Second    St., 
Milwaukee,    Wis. 

Ticket  Holders 
Arcus   Ticket   Co.,   352   N.   Ashland   Ave.,    Chicago, 

III. 
Erker   Bros.   Optical   Co.,  608   Olive  St.,  St.   Louis, 

Mo. 
Fulton    Co.,    E.    E.,    3208    Carroll   Ave.,    Chicago, 

111. 
Globe  Ticket  Co.,  112  N.  12th  St.,  Philadelphia,  Pa. 
Leland    Theater    Supply    Co.,    97    State   St.,    Mont- 

pelier,   Vt. 
McCaskey   Register   Co.,  Alliance,   Ohio. 
Rialto  Theater  Supply   Co.,  Minneapolis,  Minn. 
Robertson,  Frank,   Colorado  Springs,  Col. 
Standard  Ticket  Co.,  150  W.  10th  St.,  N.  Y.  City. 
Williams,     Brown     &     Earlc,     918     Chestnut     St., 

Philadelphia,  Pa. 

Tickets 
Ansell  Ticket   Co.,   154-166  E.   Erie   St.,   Chicago. 
Arcus  Ticket  Co.,  352   N,  Ashland  Ave.,   Chicago, 

111. 
Caille     Bros.     Co.,     1300     Second    Ave.,     Detroit, 

Mich. 
Donaldson    Lithographing    Co.,    Newport,    Ky. 
Elliott  Ticket  Co.,  1619  Sansome  St.,  Philadelphia, 

Pa. 
Empire  Ticket  Co.,  16  Beach  St.,  Boston,  Mass. 
Erker  Bros.,  Optical  Co.,  608  Olive  St.,  St.  Louis, 

Mo. 
Globe   Ticket    Co.,    112    N.    12th   St.,    Philadelphia, 

Pa. 
Harrison,   B.   H.,  New  London,   Ohio. 
International      Ticket      Co.,      SO      Grafton      Ave., 

Newark,   N.   J. 


International  Time   Recording   Co.,   337   W.   Madi- 
son  St.,   Chicago,   111. 

Keller  Printing  Co.,  297  Lafayette  St.,  N.  Y.  City. 

Keystone   Ticket   Co.,   Shamokin,   Pa. 

National  Ticket  Co.,  205   S.  Clair  Ave.,  Cleveland 
Ohio. 

National   Ticket    Co.,    Shamokin,    Pa. 

Oppenheimer    Printing    Co.,    Power    Bldg.,    Cinci- 
natti,    Ohio. 

Pioneer    Ticket    Co.,    722    Broadway,    N.    Y.    City. 

Poole   Bros.,   85   W.   Harrison   St.,   Chicago,   111. 

Rand,    McNally    Co.,    536    S.    Clark    St.,    Chicago, 
111. 

Rees  Ticket  Co.,  406  S.  10th  St.,  Omaha,  Neb. 

Shoener,   J.   T.,   Shamokin,   Pa. 

Simplex  Ticket  Co.,   1801    Berenice  Ave.,  Chicago, 
111. 

Standard    Ticket    Co.,    150    W.    10th    St.,    N.    Y. 
City. 

Swaab,    Lewis    M.    &    Son,    1327   Vine    St.,    Phila- 
delphia,  Pa. 

Triangle     Ticket     Co.,     Jasper     &     Westmoreland 
Sts.,   Philadelphia,   Pa. 

Trimount  Press,  113-121  Albany  St.,  Boston,  Mass. 

Weldon,  Williams   &  Lick,  Ft.   Smith,  Ark. 

Treads,    Stair 
American  Mason  Safety  Tread  Co.,  Lowell,  Mass. 
Asbestolith    Mfg.    Co.,    1    Madison    Ave.,    N.    Y. 

City. 
Boston   Belting  Co.,  84  Linden  Park  St.,  Boston, 

IMsss 
Concrete  Steel  Co.,  32  Broadway,  N.  Y.  City. 
Crescent    Belting   &   Packing    Co.,   Trenton,   N.   J. 
Dauchy  Iron  Works,  233  W.  Illinois  St.,  Chicago, 

111. 
Globe  Mfg.   Co.,  Painesville,  Ohio. 
Goodyear    Rubber     Co.,     1972    Broadway,    N.    Y. 

City. 
Gutta  Percha  &  Rubber  Mfg.   Co.,  126  Duane  St., 

N.   Y.   City. 
Kennedy,    D.    E.,    53    Fifth   Ave.,   N.    Y.    City. 
Keystone   Steel   Co.,   Warren,   Pa. 
Knapp    Rubber    Binding    Co.,    31    E.    17th    St.,    N. 

Y.   City. 
Manhattan    Brass    Co.,    332    E.    28th    St.,    N.    Y. 

City. 
Manhattan    Rubber    Mfg.    Co.,    18    Vescy    St.,    N. 

Y.   City. 
Mechanical    Rubber    Co.,    ft.    Lisbon    Rd.,    S.    E., 

Cleveland,    Ohio. 
National  Electric   Controller  Co.,   154  Whiting  St., 

Chicago,   111. 
Newman    Mfg.    Co.,    416-418    Elm    St.,    Cincinnati, 

Ohio. 
New   York    Belting   &   Packing    Co.,   91    Chambers 

St.,  N.  Y.   City. 
Peerless   Rubber  Mfg.    Co.,    16  Warren   St.,  N.  Y. 

City. 
Phoenix    Soapstone    Co.,    71    Murray    St.,    N.    Y. 

City. 
Revere    Rubber    Co.,    300    Devonshire    St.,    Boston, 

Mass. 
Stokes   Rubber  Co.,  J.,  Trenton,  N.  J. 
Trussed    Concrete    Steel    Co.,    58    Lafayette    Blvd., 

Youngstown,    Ohio. 
Universal   Safety   Tread    Co.,   Waltham,    Mass. 
Victor  Rubber   Co.,   Springfield,   Ohio. 
Voorhees   Rubber  Mfg.   Co.,  Jersey   City,  N.  J. 
Woonsocket    Machine    &    Press    Co.,    Woonsocket, 
R.   I. 

Uniforms 
Armstrong     Mfg.     Co.,     E.     A.,     434     S.     Wabash 

Ave.,    Chicago,    111. 
Brooks    Uniform    Co.,    143    W.    40th    St.,    N,    Y. 

City. 
De  Moulin  Bros.  &  Co.,  1075  S.  Fourth  St.,  Green- 
ville,  111. 
Ford  Uniform  Co.,  229  W.   42nd  St.,  N.  Y.  City. 
Henderson-Ames    Co.,    Kalamazoo,    Mich. 
Henderson  &  Co.,   11th  &  Race  Sts.,  Philadelphia, 

Pa. 
Hirsch    &    Co.,    James    H.,    205    W.    Monroe    St., 

Chicago,    111. 
Ihling    Bros.,    Everard    Co.,    Kalamazoo,    Mich. 
Klein  &  Bro.,   D.,  717  Arch  St.,  Philadelphia,  Pa. 
Lilley  &  Co.,  M.   C,  Columbus,  Ohio. 
National    Uniform     &     Cap     Co.,    461     Gold     St., 

Brooklyn,    N.    Y. 
Pettibone    Bros.    Mfg.    Co.,    626    Main    St.,    Cinci- 
natti,    Ohio. 


266 


Reed's  Sons,  Jacob,  1424  Chestnut  St.,  Phila- 
delphia, Pa. 

Russell  Uniform  Co.,  1600  Broadway,  N.  Y. 
City. 

Square  Uniform  Co.,  10  W.  23rd  St.,  N.  Y.  City. 

Stockley  &  Co..  R.  W.,  8th  &  Walnut  Sts., 
Philadelphia,    Pa. 

Western  Uniform  Co.,  218  S.  Clark  St.,  Chicago, 
111. 

Ventilating    System 

American    Blower    Co.,    Detroit,    Mich. 

American  Foundry  &  Furnace  Co.,  Bloomington, 
111. 

Johnson  Service  Co.,  118  E.  28th  St.,  N.  Y. 
City. 

Monsoon  Cooling  System,  71  N.  6th  St.,  Brooklyn, 
N.   Y. 

Reynolds  &  Co.,  B.  F.,  412  N.  Dearborn  St., 
Chicago,    111. 

Robert  Gordon,  Inc.,  1357  W.  Washington  St., 
Chicago,    111. 

Roberts-Hamilton  Co.,  413  S.  Fourth  St.,  Min- 
neapolis,   Minn. 

Typhoon  Cooling  System,  34S  W.  39th  St.,  N.  Y. 
City. 

Ventilators,    Roof 

American   Blower   Co.,   Detroit,   Mich. 

Arex   Co.,    1581    Conway    Bldg.,    Chicago,    111. 

Baldwin  Co.,  703  Finance  Bldg.,  Philadelphia,  Pa. 

Consolidated  Sheet  Metal  Wks.,  66  Hubbard  St., 
Milwaukee,  Wis. 

Dowman-Dozier  Mfg.  Co.,  20  Trinity  Ave,  At- 
lanta,   Ga. 

Edwards  Mfg.  Co.,  724  Eggleston  Ave.,  Cin- 
cinnati,   Ohio. 

Farquhar    Furnace    Co..   Wilmington,    Del. 

Globe  Ventilator  Co.,  Troy,  N.  Y. 

Kernchen    Co.,   McCormick    Bldg.,    Chicago,   111. 

Larsen  Bros.,  Johnsonburg,  Pa. 

McDonald    Bros.    Co.,    Cleveland,    Ohio. 

Merchant  &  Evans  Co.,  2019  Washington  Ave., 
Philadelphia,    Pa. 

Meurer  Bros.  Co.,  575  Flushing  Ave.,  Brooklyn, 
N.   Y. 

Milwaukee  Corrugating  Co.,  36th  Ave.  &  Bum- 
ham   St.,   Milwaukee.   Wis. 

Moeschi-Edwards  Corrugating  Co.,  Covington, 
Ky. 

Monsoon  Cooling  System,  Brooklyn,  N.  Y. 

Ohio  Blower  Co.,  5125  Perkins  Ave.,  N.  E., 
Cleveland,  Ohio. 

Pullman  Ventilator  &  Mfg  Co.,  York  Ave.  & 
R.   R.,  York,   Pa. 

Royal  Ventilator  Co.,  Fourth  &  Locust  Sts., 
Philadelphia,    Pa. 

Silver  Sheet  Metal  Works,  Saul,  336  Canal  St., 
N.  Y.  City. 

Sturtevant,    B     F.,    Hyde   Park,    Mass. 

Typhoon  Fan  Co.,  Box,  406,  345  W.  39th  St., 
N.  Y.  City. 

Warmers,   Electric  Foot 

American  Electrical  Heater  Co.,  Burroughs  St. 
&  Woodward  Ave.,  Detroit,  Mich. 

Baldwin   Co.,   703   Finance  Bldg.,   Philadelphia,^  Pa. 

Butte  Engineering  &  Electric  Co.,  San  Francisco, 
Cal. 

General   Electric   Co.,    Schenectady,   N.   Y. 

Rochester   Stamping   Co.,   Rochester,   N.   Y. 

Simplex    Electric    Heating    Co.,    Cambridge,    Mass. 

Westinghouse  Electric  &  Mfg.  Co.,  E.  Pitts- 
burgh,   Pa. 


Hoy   Settlements 

Total  claims  filed  with  Hoy  Reporting  Service 
by  New  York  State  Exchange,  from  September, 
1921    to    March,    1922,    inclusive: 

Total  number  of  claims  entered 2,307 

Total  number  of  claims  settled 2,052 

Total  number  of  claims  still  pending 255 

Total  amount  of  claims  entered  (dollars 

and  cents) $480,637.26 

Total  amount   of   claims   settled    (dollars 

and   cents) 419,911.19 

Total  amount  of  claims  still  pending. . . .     60,726.17 
314      Theater      claims      vs.      exchanges 

totaling   74,518.25 

314      Theater      claims      vs.      exchanges 

settled   74,518.25 


MOTION    PICTURE    THEATER 
OWNERS  OF  AMERICA 

Officers — President,  Sydney  S.  Cohen,  New  York, 
N.  Y.  ;  Vice  Presidents :  Glenn  Harper,  Los 
Angeles,  Calif.  ;  Joseph  Mogler,  St.  Louis,  Mo. ; 
C.  A.  Lick,  Ft.  Smith,  Ark.;  Joseph  G.  Rhode, 
Kenosha,  Wis.;  Treasurer:  J,  T.  Collins,  Ruther- 
ford, N.  J. ;  Recording  Secretary :  M.  Van  Praag, 
Kansas  City,  Kan.;  General  Manager:  A.  J. 
Moeller. 

Board  of  Directors:  A.  R.  Pramer,  Omaha, 
Neb.  ;  W.  A.  Steffes,  Minneapolis,  Minn.  ;  G.  G. 
Schmidt,  Indianapolis,  Ind. ;  M.  E.  Comerford, 
Scranton,  Pa. ;  W  A.  True,  Hartford,  Conn. ; 
W.  D  Burford,  Aurora,  111.  ;  Claude  Cady,  Lan- 
sing, Mich.;  R,  F.  Woodhull,  Dover,  N.  J.;  E.  M. 
Fay,  Providence,  R.  I.;  H.  B.  Varner,  Lexington, 
N.  C. ;  I.  W.  McMahan,  Cincinnati,  Ohio;  A. 
Julian    Brylawsky,   Washington,   D.    C. 

Executive  Committee  at  Large:  L.  J.  Dittmar, 
Louisville,  Ky.  ;  Harry  Davis,  Pittsburg,  Pa.  ; 
Jacob  Lourie,  Boston,  Mass.;  J.  C.  Ritter,  Detroit, 
iVIich. ;  C.  E.  Whitehurst,  Baltimore,  Md. 

Executive  Committee :  Joseph  A.  Walsh,  Hart- 
ford, Conn. ;  W.  S.  McLaren,  Jackson,  Mich.  ; 
W.  W.  Watts,  Springfield,  111.;  A.  J.  Bethancourt, 
Houma,  La. ;  Fred  Seegert,  Milwaukee,  Wis.  ; 
W.  W.  Whitson,  San  Diego,  Calif.;  T.  L.  Hays, 
Minneapolis,  Minn. ;  M.  Harzberg,  Providence,  R. 
I.;  Harry  Crandall,  Washington,  D.  C. ;  E.  H. 
Bingham,  Indianapolis,  Ind. ;  D.  J.  Hennessy, 
Newark,  N.  T. ;  R.  G.  Liggett,  Kansas  City,  Kan.  ; 
Charles  H.  Bean,  Franklin,  N  H. ;  W.  J.  Slimm, 
Cleveland,  Ohio;  Ralph  Talbot,  Tulsa,  Okla. ; 
Howard  Smith,  Buffalo,  N.  Y.  ;  D.  A.  Harris, 
Pittsburg,  Pa.;  J  E.  Kirk,  Omaha,  Neb.;  C.  C. 
Griffin,  Oakland,  Calif. ;  William  McPhee.  Oldtown, 
Me.;  C.  H.  Burkey,  Kansas  City,  Mo.;  I.  C. 
Hauber,  Pine  Bluff,  Ark. ;  Louis  M.  Boas,  Boston, 
Mass.;  John  Manheimer,  New  York,  N.  Y. ;  C. 
T.  Sears,  Brookfield,  Md. ;  G.  A.  Roberts,  Albany, 
N.  Y. ;  M.  C.  Kellogg,  Lead,  S.  D. ;  James  A. 
Estridge,  Gastonia,  N.  C. ;  J.  C.  Quinn,  El  Paso, 
Tex.  ;  V.  A.  Anderson,  Gulfport,  Mirs.  ;  Thomas 
Arthur,  Mason  City,  la. ;  C.  M.  Stringham,  Price, 
Utah. 


THE   IMPORTANT  TWELVE 

In  December,  the  Motion  Picture  News  secured 
from  over  one  hundred  producers,  distributors, 
exhibitors  and  other  of  importance  in  the  industry, 
their  views  as  to  the  twelve  men  who  had  accom- 
plished the  most  for  the  motion  picture  industry 
from   an   artistic,   economic   viewpoint. 

The  result  up  to  December  16,  showed  the  fol- 
lowing : 

Votes 

Adolph    Zukor    106 

S.  L.  Rothapfel  82 

D.  W.  Griffith   81 

Mary    Pickford    62 

Charles    Chaplin    57 

George    Eastman     43 

Douglas    Fairbanks    41 

Will  H.  Hays   34 

Thomas  A.  Edison    31 

Wm.  A.  Johnston   29 

T.    D.    Williams    27 

Cecil    B.    DeMille 27 


1923  Best  Year  for  Independents 
John  A.  Murphy,  President  Abbey  Pictures,  Inc., 
says:  "From  any  angle  you  take  it  the  new  year 
will  be  better  than  the  one  just  gone.  New  pro- 
ducers of  quality  pictures  will  make  money  and 
become  established  in  the  industry.  It  will  be  an 
independent  year  and  a  banner  one  at  that.  The 
trend  of  things  all  favor  the  independent  market. 
Better  times  are  predicted,  prosperity  will  be  a 
reality,  theaters  will  do  better  than  ever  they  did, 
and  many  new  stars  will  be  created  by  the  inde- 
pendent producers  and  distributors.  We  have  de- 
cided to  produce  six  super  features  during  the  new 
year  which  means  a  big  outlay  of  real  money, 
but  we  are  not  worried  over  the  outcome  in  the 
least,  and  undoubtedly  no  one  else  is,  and  if  they 
are  they  should  wake  up." 


267 


Important  First  Run  Houses 


ALABAMA 
Anniston 

Lyric 

New  Queen 

Theato 

Savoy 
Bessemer 

Grand 

Princess 

Frolic 
Birmingham 

Alcazar 

Strand 

Rialto 

Trianon 

Loew's 

Royal 

Majestic 

Frolic 
Florence 

Princess 

Rialto 

Majestic 
Gadsden 

Belle 

Alamo 

Strand 

Liberty 
Huntsville 

Grand 

Lyric 

Jefferson 
Mobile 

Empire 

Bijou 

Crown 
Montgomery 

Empire 

Strand 

Colonial 

Grand 

ARKANSAS 
Ft.   Smith 

Victory 

Palace 

New 
Helena 

Jewel 

Palace 

Crystal 
Hot    Springs 

Royal 

Princess 

New   Central 
Little    Rock 

Palace 

Royal 

Gem 

Crystal 
Pine   Bluff 

Best 
Russellville 

Community 

ARIZONA 

Globe 

Martin 

Globe 

Union 
Phoenix 

Strand 

Columbus 

Rialto 

Romono 

Amusu 

Plaza 
Yuma 

Casino 

Rialto 

CALIFORNIA 

Alameda 
Strand 
Rialto 
Neptune    Palace 


Bakersfield 

Hipp 

California 

Groggs 

Bakersfield 
Berkeley 

T.  &  D. 

U.  C, 

Berkeley 
Coalingo 

Liberty 
El  Centre 

Palace 

Eureka 

Rialto 

State 

Orpheus 
Fresno 

Kinema 

Liberty 

Strand 
Hanford 

T.   &  D. 

Universal 
Long  Beach 

Liberty 

Laughlin 

Palace 

State 

Empire 

Hoyts 
Los  Angeles 

Grauman's 

Clune's  Broadway 

Auditorium 

Superba 

Tally's    Broadway 

Alhambra 

California 

Kinema 

Rialto 

Miller's 

New   Symphony 

Mission 

Hillstreet 

Pantages 

Loew's  State 

Grauman's    Metropolitan 

Grauman's  Hollywood 
Monterey 

Strand 
Oakland   ■ 

Kinema 

American 

Ye  Liberty 

T.  &  D. 

Franklin 

State 

Pantages 

Century 

Fox    (building) 
Pasadena 

Florence 

Strand 

T.   &  D. 

New   Raymond 

Pasadena 
Pomona 

Belvedere 

American 

Lyric 
Sacramento 

T.   &  D. 

Godard's  J   St. 

State 

Liberty 
Santa  Anna 

West   End 

Yost 

Temple 
Santa  Barbara 

California 

Mission 


San  Bernardino 

Strand 

Opera    House 

Temple 
San  Diego 

Plaza 

Superba 

Cabrillo 

Pickwick 

Broadway 

Rialto 

Colonial 
San  Francisco 

Strand 

California 

Imperial 

Tivoli 

Portola 

Pantages 

Hippodrome 

Rialto 

Golden   Gate 

Frolic 

Granada 

Loew's   Warfield 

Francesca 
San  Jose 

T.   &  D. 

Hippodrome 

Liberty 

Beatty's  American 
San  Pedro 

Victoria 

California 

Globe 

Stockton 

T.  &  D. 

Rialto 

Lyric 
Stamford 

Alhambra 

Strand 

Rialto 
Vallejo 

Virginia 

New   Vallejo 
Waterbury 

Strand 

Princess 

Rialto 

Palace 

CANADA 

Montreal 

Allen 

Capitol 

Imperial 

New  Grand 

Midway 

Century 
Ottawa 

Regent 

Imperial 

Francais 

Loew's 

Centre 
Toronto 

Regent 

Allen 

Strand 

Loew's 

Pantages 

Hippodrome 
St.   John,    N.   B. 

Imperial 

Unique 

Queen's    Square 

Opera    House 
Halifax 

Casino 

Orpheus 

Acker's  Palace 


268 


Quebec 

Emprie  _ 

Auditorium 

Canadian 

Classic 
Hamilton 

Loew's 

Savoy 

Allen 

Pantages 
Winnipeg 

Capitol 

Lyceum 

Allen 

Garrick 

National 

Strand 
Calgary 

Capitol 

Regent 

Allen 
Edmonton 

Empress 

AUen 

Leach 
Vancouver 

Capitol 

Dominion 

Rex 

Allen 

Colonial 
Victoria 

Dominion 

Capitol 

Royal  Victoria 

COLORADO 

Colorado  Springs 

Burns 

America 

Princess 

Liberty 

Odeon 
Denver 

Strand 

American 

Princess 

Rialto 

Fox  Rivoli 

Fox  Isis 

Colorado 
Durango 

Gem 
Ft.  Collins 

Empress 

Lyric 
Leadville 

Liberty  Bell 
Pueblo 

Majestic 

Palm 

Rialto 
Sterling 

American 

Lyric 

CONNECTICUT 
Bridgeport 

Palace 
Danbury 

Empress 

Taylor 

Opera   House 
Derby 

Starling 
Hartford 

Strand 

Palace 

Majestic 

Princess 

Rialto 

Parson's 

Grand 

Capitol 
Meriden 

Poli's 

Life  Community 
Middletown 

Grand 

Middlesex 


New  Britain 

Palace 

Lyceum 

New  Haven 

Palace 

Olympia 

Bijou 
New  London 

Crown 

Capitol 

Empire 

Rialto 
NorwaUc 

Regent 
Putnam 

Bradley 

Victory 
Lewiston 

Paramount 

New  Theatorium 
Moscow 

Liberty 
Nampa 

Majestic 

Liberty 

Strand 
Wallace 

Grand 

Liberty 

DELAWARE 
Wilmington 

Majestic 

Queen 

Arcadia 

Playhouse 

Savoy 

DIS.    COLUMBIA 

Crandall's   Metropolitan 

Loew's  Palace 

Loew's   Columbia 

Moore's   Rialto 

Strand 

Cosmos 

FLORIDA 
Dajrtona 

Crystal 
Jacksonville 

Imperial 

Arcade 

Casino 

Republic 

Frolic 

Palace 

Rialto 

Strand 
Key  West 

Monroe 

Strand 
Miami 

Paramount 

Strand 

Lyric 

Hippodrome 

Fairfax 
Orlando 

Beacham 

Grand 

American 

Phillips 
Palm  Beach 

Fashion   Beau  Arts 

Garden 
Pensacola 

Isis 
St.  Augustine 

Jefferson 

Orpheum 
St.  Petersburg 

Grand 

Phiel 

Rex 

Dream 
Tallahassee 

Daffin 
Tampa 

Strand 

Grand 

Alcazar 

Victory 

269 


Bonita 
Prince 
Maceo 
Sanford 
Princess 
Star 
Ybor  City 
Casino 
Rivoli 

GEORGIA 
Albany 
Princess 
Galax 
Bijou 
Hippo 
Liberty 
Americus 
Rylander 
Alcazar 
Anniston 
Theato 
Strand 
Imperial 
Atlanta 

Metropolitan 
Rialto 
Howard 
Tudor 

Loew's  Grand 
Strand 
Vaudette 
Fulton 
Athens 
Elite 
Strand 
Palace 
Aug^usta 
Rialto 
Modjeska 
Dreamland 
Lenox 
Palace 
Columbus 
Grand 
Bonita 
Home 
Rialto 
Macon 
Capitol 
Criterion 
Palace 
Princess 
Rialto 
Rome 

EHte 
Savannah 
Odeon 
Arcadia 
Savannah 
.  .ew  Lucas 
Folly 
Star 
Bijou 

IDAHO 
Boise 
Majestic 
Pinney 
Strand 
Rialto 
Idaho  Falls 
American 
Rex 

Colonial 
Taft 

Hippodrome 
Sunshine 
Lyric 
VaUejo 
Virginia 
Vallejo 

ILLINOIS 
Alton 

Hippodrome 
Princess 
Grand 
Aurora 
Fox 
Rialto 
Strand 


Bloomington 

Majestic 

Irvin 

Castle 
Chicago 

Chicago 

Pantheon 

Woodlawn 

Central    Park 

Alcazar 

Band   Box 

Tivoli 

Randolph 

Barbee's  Loop 

Castle 

Casino 

Riviera 

State-Lake 

Orpheuni 

Pershing 

Lake    Side 

Roosevelt 

Coyent  Garden 

Chicago 

Astor 

Senate 

Rialto 
Decatur 

Lincoln  Square 

Avon 

Bijou 
East  St.  Louis 

Erber's 

Erco 

Grand 

Home 

Liberty 

Majestic 

Neighborhood 

St.   Clair 

Odeon 

Waverly 
Elgin 

Rialto 

Star 
Galesburg 

Orpheum 

West 

Colonial 
Jacksonville 

Scott's 
Joliet 

Princess 
Lincoln 

Grand 
Moline 

Mirror 

Bio 
Paris 

Majestic  Court 

Shean's    Opera    House 
Peoria 

Apollo 

Majestic 

Princess 

Palace 

Madison 
Quincy 

Erbers 

Princess 

Orpheum 

Belasco 

Star 
Rockford 

Midway 

Palm 

Orpheum 
Rock   Island 

Spencer   Sqtiare 

Majestic 

Fort   Armstrong 
Springfield 

Gaiety 

Lyric 

Vaudette 

Princess 

Empress 
Waukegan 

Academy 


INDIANA 

Anderson 

Starland 

Riviera 

Crystal 
Bloomington 

Harris   Grand 

Liberty 
Bluffton 

Gaiety 

Grand 
Clinton 

Wonderland 

Rivoli 

Capitol 
Columbus 

American 

Grump 
Connersville 

Auditorium 

Lyric 

Vaudette 
Crawfordsville 

Strand 

Ark 

Joy 
E.  Chicago 

Hartley 
Evansville 

Orpheum 

Criterion 

Victory 

Majestic 
Fort  Wayne 

Orpheum 

Strand 

Jefferson 

New   Wayne 

Majestic 
Gary 

Gem 

Casino 

Gary 
Goshen 

Goshen 

Jefferson 
Hammond 

Parthenon 
Huntington 

Perfect 

New  Huntington 
Indiana   Harbor 

Columbia 
Indianapolis 

State 

Ohio 

Rialto 

Circle 

Palace 

Colonial 

Mr.   Smith's 

Apollo 

English  O.   H. 
Kendallville 

Colonial 

Princess 
Kokomo 

Isis 

Strand 

Victory 
Lafayette 

Luna 

Ark 
La  Porte 

Princess 
Logansport 

Paramount 

Colonial 
Marion 

Lyric 

Orpheum 

Luna  Lite 
Martinsville 

Grace 

Maxine 
Michigan  City 

Starland 

270 


Muncie 

Grand 

Strand 

Columbia 
New  Castle 

Starrette 

Princess 
Noblesville 

Wild's    Opera   House 

Olympic 
Peru 

Victoria 
Richmond 

Murette 

Murray 
Salem 

Washington 
Shelbyville 

Strand 

Alhambra 
South  Bend 

Auditorium 

Blackstone 

La  Salle 
Terre  Haute 

Liberty 

American 

Orpheum 

Indiana 
Vincennes 

Moon 

Alice 

Strand 
Wabash 

Eagle 
Washington 

G.  Opera  House 

Liberty 

IOWA 
Ames 

Twin- Star 

Princess 

Ames 
Boone 

Princess 

Rialto 

Virginia 
Burlington 

Rialto 

Palace 
Cedar  Rapids 

Strand 

Crystal 

Isis 

Palace 

Clarinda 

Armory 
Clarinda 

Armory 
Clinton 

Strand 

Amusu 

Rialto 

Orpheum 
Council  Bluffs 

Creston 

Strand 

Broadway 

Garden 
Creston 

Strand 
Davenport 

Garden 

Family 

Capitol 
Des  Moines 

Royal 

Palace 

Rialto 

Casino 

Garden 

Des  Moines 

Strand 

Majestic 
Dubuque 

Strand 

Grand 
Fairfield 

Victory 


Ft.  Dodge 

Strand 

Rialto 

Majestic 

Fairfield 

Victory 

Grinell 

Strand 

Hamburg 

Colonial 
Grinnell 

Strand 
Hamburg 

Colonial 
Iowa  City 

Pastime 

Strand 

Englert 

Garden 
Keokuk 

Keckuk 

Colonial 

Dodge's 

Grand  Opera  House 

Mt.  Pleasant 

Auditorium 

Julien 
Marshalltown 

Strand 

Casino 
Mason  City 

Palace 

Regent 

Bijou 

Garden 
Mt.  Pleasant 

Auditorium 

Julien 
Muscatine 

Palace 

Amusu 
Newton 

Rialto 
Oelwein 

Gem 

Orpheiun 

Oskaloosa 

Rivola 
Ottumwa 

Rex 

Circle 

Strand 

Empire 

Princess 

Perry 

Opera   House 

Red    Oak 

Bearsley 

Shenandoah 

Empress 
Oskaloosa 

Rivola 
Perry 

Opera   House 
Red  Oak 

Bearsley 
Sioux  City 
Princess 
Royal 
Plaza 
Rialto 
Shenandoah 

Empress 
Washington 

Fox 
Waterloo 
Palace 
Strand 
Crystal 
Plaza 

KANSAS 
Beloit 

Grand 
Chanute 

Peoples 
Coffeyville 

Coliunbia 

Odeon 

Tackett 


Dodge  City 

Beeson 

Rath 
El  Dorado 

Royal 

El  Dorado 

Belmont 

Gem 
Emporia 

Electric 

Royal 

Strand 
Ft.  Scott 

Liberty 

Empress 
Great  Bend 

Echo 
Hutchinson 

Royal 

De  Luxe 

Midland 
lola 

Grand 
Independence 

Quality 
Kansas  City 

Electric 

New  Art 

Newman 

Liberty 

Royal 

Regent 

Twelfth   St. 
Leavenworth 

Hippodrome 

Lyceum 
Manhattan 

Marshal 

Wareham 
Ottawa 

Crystal 

Pastime 

Star 
Parsons 

Liberty 

New  Elks 

Best 
Pittsburg 

New    Grand 

Klock 

Mystic 

Colonial 
Salina 

Strand 

Grand 

Palace 
Topeka 

Cozy 

Crystal 

Orpheum 

Isis 
Wichita 

New  Wichita 

Wichita 

Palace 

Regent 

Holland 

Kansas 

Miller 

Princess 
Winfield 

Zimm 

Novelty 

KENTUCKY 
Ashland 
Grand 
Bowling  Green 
Diamond 
Princess 
Covington 

Lyric 
Danville 
Stout's 
Colonial 
Frankfort 
Grand 
Capitol 
Fulton 
Grand 
Orpheum 

271 


Hopkins  villo 

Princess 
Henderson 
Princess 
Grand 

Opera   House 
Lexington 
Kentucky 
Ben  Ali 
Ada    Meade 
Strand 
Louisville 
Rialto 
Palace 
Walnut 

Mary  Anderson 
Alamo 

Keith's   Strand 
Keith's    National 
Majestic 
Olympia 
Madisonville 

Garrick 
Newport 
Colonial 
Temple 
Middlesboro 
Brownie 

LOUISIANA 
Baton  Rouge 
Louisiana 
Columbia 
Crowley 
Acadia 
Donaldsonville 

Grand 
Franklin 

Opera   House 
Jennings 

Princess 
Lafayette 

Jefferson 
Lake  Charles 

Arcade 
Minden 
Scout 
Monroe 
Lyceum 
Saenger 
Morgan  City 
Evangeline 
Natchitoches 

Amusu 
New  Iberia 
Elks 

Franklin   Op.   House 
New  Orleans 
Strand 
Globe 
Liberty 
Tudor 
Trianon 
Palace 
Crescent 
Plaquemine 

Wilbert 
Ruston 
Astor 
Shreveport 
Saenger 

MAINE 
Augusta 
Colonial 
Opera   House 
Bangor 
Park 
Bijou 

Opera  House 
Graphic 
Olympia 
Bath 

Opera   House 
Liberty 
Columbia 
Biddeford 

Opera  House 
Central 
Gardner 
Strand 
Opera  House 


Lewiston 

Lowell 

Duluth 

Empire 

Crown 

Lyceum 

Strand 

Merrimac 

Escanaba 

Music    Hall 

Strand 

Delft 

Portland 

New  Jewel 

Flint 

Empire 

Royal 

Regent 

Strand 

Rialto 

Strand 

Keith's 

Leominster 

Orpheum 

Rockland 

Gem 

Globe  . 

Park- 

Music    Hall 

Majestic 

Empire 

Lynn 

Garden 

Rumford 

Olympia 

Grand   Rapids 

Cheney   Opera   House 

Capitol 

Majestic   Gardens 

Majestic 

Mark-Strand 

Strand 

Waterville 

Waldorf 

Temple 

City  Opera  House 
Haines 

Comique 
Dreamland 

Orpheum 
Idle  Hour 

Mcdden 

Isis 

MARYLAND 

Orpheum 

Hancock 

Baltimore 

Mystic 

Kerredge 

Boulevard 

Strand 

Jackson 

Wizard 

New  Bedford 

Family 

Century 

Olympia 

Rex 

Hippodrome 

Colonial 

Capitol 

Garden 

Orpheum 

Kalamazoo 

New 

Capitol 

Elite 

Strand 

Newton 

Fuller 

Parkway 

Olympia 

Majestic 

Blue    Mouse 

Community 

Palace 

Rivoli 

Oljrmpia 

Orpheum 

Nixon-Victoria 

Cambridge 

New 

Cumberland 

Pittsfield 

Lansing 

Strand 

Union   Square 

Strand 

Empire 

Colonial 

Bijou 

Capitol 

Colonial 

MASSACHUSETTS 

Majestic 

Gladmer 

Boston 

Sommerville 

Capitol 

State 

Union   Square 

Empress 

Boston 

Highland  Avenue 

Plaza 

Park 

Springfield 

Regent 

Bowdoin    Sq.                              '^ 

Bijou 

Marquette 

Modern 

Palace 

Opera   House 

Beacon 

Capital 

Muskegon 

Keith's    Boston 

Broadway 

Regent 

Gordon's   Olympia 

Fox 

Majestic 

Gordon's    Scolley    Sq. 

Poli's 

Rialto 

Gordon's  Washington  St. 

Taunton 

Garden 

Cambridge 

Gordon's    Central    Sq. 
Chelsea 

Park 
Strand 
Worcester 
New   Park 

Lion 
^            Chateau 
Owasso 
Strand 

Olympia 

Mark   Strand 

Lincoln 

Strand 

Poli's 

Pontiac 

Broadway 

Olympia 

Howland 

Dorchester 

Eagle 

Dorchester 

MICHIGAN 

Strand 

Strand 

Ann  Arbor 

Oakland 

Codman  Sq.,  E.  Boston 

Wuerth 

Pt.   Huron 

Central   Square 

Arcade 

Family 

Gem 

Majestic 

New    American 

Everett 

Orpheum 

Majestic 

Strand 

Washington 

Desmond 

Broadway 

Bay  City 

Regent 

Home 

Regent 

Sault  Ste.  Marie 

Fall   River 

Washington 

Temple 

Bijou 
Rialto 
Empire 
Music  Hall 

Majestic 

Dreamland 

Columbus 

Saginaw 

Orpheum 
Victory 

Franklin 
Mecca-Palace 

Strand 

Battle   Creek 

Regent 

Plaza 

Bijou 

Ypsilanti 

Palace 

Regent 

Wuerth 

Gloucester 

Post 
Garden 

Martha    Washington 

North    Shore 

Rex 

MINNESOTA 

Strand 
Olympia 

Calumet 

Brainerd 

Calumet 

Park 

Greenfield 

Royal 

Best 

Lawler 

Detroit 

Crookstom 

Victoria 

Ambassador 

Grand 

Holyoke 

Miles 

Lyric 

Suffolk 

Capitol 

Duluth 

Lawrence 

Central 

Zelda 

Empire 

Adams 

Sunbeam 

Rialto 

Orpheum 

Lyceimi 

Strand 

Fox's    Washington 

New  Lyric 

Modern 

Broadway   Strand 

Astor 

Victory 

Madison 

Garrick 

Palace 

Regent 

Strand             ' 

Broadway 

Colonial 

Grand 

272 


Hibbing 

State 

Plaza 

Majestic 
Minneapolis 

Strand 

Palace 

New   Garrick 

Garden 

Lyric 

New   Unique 

New  Astor 

State 

Lagoon 

Loring 

Blue   Mouse 

7th  St. 

Hennepin   Orphcum 

Pantages 
Rochester 

Rochester 

Empress 

Garden 

Lawler 
St.  Cloud 

U.  of  A.   Minor 

Sherman 

United 
St.  Paul 

New    Palace 

Orpheum 

Princess 

Tower 

Capitol 

Blue  Mouse 

Garrick 

Liberty 

Astor 

State 

Starland 

Alhambra 

Strand 
Virginia 

Lyric 

Royal 

Grand 

Rex 

Garrick 
Winona 

Colonial 

Opera   House 

Strand 

MISSISSIPPI 
Biloxi 

Crown 
Clarksdale 

Marion 
Columbus 

Princess 
Greenville 

Grand 
Greenwood 

Greenwood 
Gulfport 

Dixie 
Hattiesburg 

Strand 
Jackson 

Majestic 
Meridian 

Princess 

Strand 
McComb    City 

Jacobs 
Natchez 

Baker 

Grand 
Picayune 

Arcade 
Shreveport 

Saenger 

Majestic 

New   Hipp 

Queen 

Strand 
Vicksburg 

Alamo 
Yazoo   City 

Yazoo 


MISSOURI 
Columbia 

Consolidated 
Hannibal 

Star 
Independence 

Electric 
Joplin 

Electric 

Hippodrome 
Kansas   City 

Doric 

Newman 

12th   St. 

Liberty 

Regent 

Royal 

Loew's   Garden 

Victory 

Pantages 

Mainstreet 
Moberly 

Grand 

Fourth  St. 
St.  Joseph 

Electric 

Palace 

Regent 

Alhambra 

Orpheum 

Colonial 

Royal 

Tootles 
St.    Louis 

Missouri 

Kings 

Capitol 

Liberty 

West  End  Lyric 

New  Grand  Central 

Columbia 

Strand 

Delmonte 

Rivoli 
Springfield 

Electric 

Landers    Orpheum 

Princess 
Sedalia 

New    Sedalia 

Liberty 

Electric 
Webb  City 

Blake 

MONTANA 
Anaconda 

Imperial 

Bluebird 
Butte 

American 

Ansonia 

Broadway 

Orpheum 

Rialto 
Billings 

Babcock 

Regent 

Strand 
Great   Falls 

Capitol 

Grand 

Liberty 

Imperial 
Helena 

Marlow 

Antlers 
Lewiston 

Judith 

Myrtle 
Miles   City 

Iris 

Liberty 

Strand 

NEBRASKA 
Aurora 

Sconover 
Beatrice 

Gilbert 

Monroe 

Rialto 

273 


Columbus 

Swan 
Falls   City 

Empress 
Fremont 

Empress 

Wall 
Grand  Island 

I^yda 

Majestic 

Empress 
Hastings 

Strand 

Empress 
Holdrege 

Crescent 
Kearney 

Empress 

Crescent 
Lincoln 

Colonial 

Lyric 

Rialto 

Liberty 
McCook 

Jack  Tiller 
Nebraska   City 

Paramount 

Overland 
NorfoUc 

Lyric 

Auditorium 
North  Platte 

Keith's 
Omaha 

Strand 

Muse 

Rialto 

Sun 

Moon 

World 

Empress 
Scotts    Bluff 

Orpheum 

Star 
York 

Sun 

Dean 

Black 

NEW  HAMPSHIRE 
Keene 

Scenic 
Manchester 

Eagle 

Star 

Crown 

5trand 
Nashua 

Tremont 

Colonial 
Portsmouth 

Olympia 

NEW   JERSEY 
Atlantic   City 

Criterion 

Capitol 

Virginia 

Colonial 

Cort 

Bijou 

City  Square 
Bayonne 

Opera    House 
BurUngton 

Auditorium 
Camden 

Towers 

Lyric 

Grand 

Colonial 
Dover 

Playhouse 
East   Orange 

Palace 

Regent 

U.  S. 
Elizabeth 

Proctors 

Capitol 


Hackensack 

Lyric 

Eureka 
Hoboken 

Ideal 

Lyric 

U.    S. 

Strand 

Casino 

Bishop's 

Lincoln 

National 
Jersey   City 

National 

Strand 

Keith's 

Orpheiun 

Monticello 

Tivoli 

Central 
Montclair 

Montclair 
Morristown 

Palace 
Newark 

Newark 

Colonial 

Fox  American 

Strand 

Branford 

Goodwin 
New  Brunswick 

Opera   House 
Passaic 

Montauk 

Playhouse 

Rialto 

Baker 
Paterson 

Fox's  American  U.    S. 

Regent 

Garden 

Colonial 

Virginia 

Lyceum 

Lyric 
Plainfield 

Proctor's 
Trenton 

Orpheum 

St.    Regis 

Capitol 

Strand 

Trent 

State  St. 

Rialto 
Union  Hill 

Lincoln 

Pastime 

Temple 

NEW  MEXICO 

Albuquerque 
Lyric 
Bee 

Pastime 
Ideal 

NEW   YORK 

Albany 

The    Albany 

Samuel  Suckno 

Leland 

Regent 

Proctor's 

Harmanus    Bleecker 
Hall 

Mark    Strand 

Clinton   Square 
Auburn 

Universal 

Burtis    Grand 

Jefferson 
Batavia 

Family 

Grand 
Binghamton 

Strand 

Temple 


Star 

Symphony 

Stone's   Opera   House 
Buffalo 

I^oew's 

Lafayette 

New   Olympic 

Strand 

Shea's   Hippodrome 

Palace 
Brooklyn 

Loew's   Metropolitan 

Mark    Strand 
Canandaigua 

Liberty 

Playhouse 
Cohoes 

Opera   House 

Majestic 
Dunkirk 

Drohen 

Empire 

Regent 
Elmira 

Regent 

Colonial 

Mozart 

Amusu 

Majestic 
Far   Rockaway 

Strand 
Glens   Falls 

Empire 

Rialto 

Park 
Gloversville 

Hippodrome 

Glover 

Family 
Herkimer 

Liberty 

Richmond 
IHon 

Big   Ben 
Jamestown 

Opera    House 

Biiou   &  Mozart 

Winter    Garden 
Kingston 

Keeney's 

Opera    House 

Orpheum 

Y.  M.   C.  A. 
Little  Falls 

Hippodrome 

Lintonian 
Lockport 
Temple 

Hiart 
M  alone 

Grand 

Strand 
Mt.    Vernon 

Proctor's 
Newburg 

Cohn's 
New    Rochelle 

La    Rochelle 
Niagara   Falls 

T^umberg 

International  ] 

Strand 

Belleview 
New  York 

Capitol 

State 

Strand 

Rialto 

Rivoli 

Criterion 

Broadway 

Loew's  New  York 

Cameo 
Oneida 

Madison 
Oneonta 

Strand 

Oneonta 

274 


Plattsburgh 

Clinton 

Plattsburgh 

New    Wonderland 
Port    Chester 

Proctor's 

Strand 
Port    Richmond 

Palace 
Poughkeepsie 

Cohen's 

Cohen's   Rest 

Cohen's  Rialto 

Liberty 

Stratford 

Duchess 
Richmond   Hill 

Garden 
Rome 

Carroll 

Star 

Regent 
Rochester 

Eastman 

Family 

Strand 

Rialto 

Victory 

Regent 

Gordon 

Fay's 

Piccadilly 

Murray 
Syracuse 

Plaza 

Strand 

Crescent 

Eckel 

Toy 

Savoy 

Empire 

Rivoli 

System 
Salamanca 

Andrews 

Strand 
Saratoga 

Congress 

Broadway 
Schenectady 

State 

Proctor's 

Palace 

Albany 

New    Strand 
Troy 

Troy 

American 

Proctor's    Griswold 

Strand 

Keith's 
Utica 

Criterion 

Lumberg 

Alhambra 

Majestic 

Avon 

Colonial 

De   Luxe 

Hippodrome 
Waterford 

Casino 
Watertown 

Olympic 

Avon 

Palace 

Strand 
White   Plains 

Strand 
Yonkers 

Hamilton 

Broadway 

Orpheum 

Proctor's 

NORTH    CAROLINA 
Asheville 
Princess 
Grove  Park 

Strand  is 


Charlotte 

Imperial 

Broadway 

Ottway 

Strand 

Piedmont 
Durban 

Paris 

Broadway 

Orpheum 
Greensboro 

Bijou 
Newbern 

Athers 

Masonic 
Raleigh 

Superba 

Almo 
Washington 

New    Washington 

Strand 
Winston-Salem 

Broadway 

Pilot 

Amuzu 
Wilmington 

Victoria 

Grand 

NORTH  DAKOTA 
Bismarck 

Bismarck 

Eltinge 

Orpheum 
Devils  Lake 

Grand 

Unique 
Fargo 

Liberty 

Garrick 

Strand 

Isis 

Princess 
Grand  Forks 

Orpheum 

Grand 

Strand 

Foto   Play 

Apollo 

OHIO 

Akron 

Waldorf 

Allen 

Empress 

Orpheum 

Strand 

Colonial 
Cincinnati 

Walnut 

Lyric 

Family 

Palace 

Capitol 

Strand 

Gifts 

Keith's 
Cleveland 

Stillman 

Standard 

Strand 

Knickerbocker 

Orpheum 

Miles 

Mall 

Allen 

Reade's 

Hippodrome 

Park 
Columbus 

Colonial 

Majestic 

Alhambra 

Eastern 

Grand 

Southern 

Pastime 

Dreamland 

James 


Chillicothe 

Sherman 

Majestic 

Queens 
Canton 

Mozart 

Orpheum 

Strand 

Liberty 

Valentine 

Alhambra 
Dayton 

Rialto 

Columbia 

Strand 

Loew's   Dayton 
E.    Liverpool 

Ceramic 

American 

Diamond 

Strand 
Heimilton 

Grand 

Rialto 

Jewel 

Palace 

Jefferson 
Lima 

Sigma 

Regent 

Lyric 

Faurot 
Lancaster 

Lyric 

Hippodrome 
Lorain 

Elvira 

Opera  House 

Pantheon 

Temple 
Marion 

Marion 

Grand 

Opera   House 

Orphetmi 
Mansfield 

Majestic 

Opera   House 

Park 

Whitway 
Newark 

Auditoritim 

Alhambra 

Grand 
Portsmouth 

Columbia 

Lyric 

Eastland 

Exhibit 
Steubenville 

Strand_ 

Olympic 

Victoria 

Rex 

Herald   Square 
Springfield 

Regent 

Majestic 

Princess 

Fairbanks 
Toledo 

Loew's  Valentine 

Temple 

Princess 

Pantheon 

Alhambra 

Colonial 

Rivoli 

World 

Ohio 
Warren 

Opera  House 

Dutchess 

Hippodrome 
Youngstown 

Dome 

Liberty 
Strand 
Park 
Capitol 

275 


Zanesville 
Imperial 
Quimby 
Liberty 

OKLAHOMA 

Ardmore 

Palace 

Princess 

Adolphus 

Theatorium 

Dreamland 
Oklahoma  City 

Empress 

Palace 

Folly 

Criterion 
.    Capitol 

Liberty 

Orpheum 

American 

Yale 

Isis 

Rialto 

OREGON 
Eugene 

Castle 

Eugene 

Rex 
Portland 

Rivoli 

Liberty 

People's 

Majestic 

Columbia 

Star 
Pendleton 

Arcade 

Alta 
Salem 

Liberty 

Oregon 

PENNSYLVANIA 

Altoona 

Olympic 

Strand 

Mishler 

Boyer 

Lyric 

Capitol 

Colonial 

Victoria 
Allentown 

Hippodrome 

Strand 

Pergola 

Colonial 

Rialto 
Beaver  Falls 

Regent 
Bethlehem 

Grand    Opera  House 

Kurtz 

Lorenz 
Braddock 

Braddock 

Family 

Grand 

Colonial 
Brownsville 

Strand 
Chester 

Bijou 

William    Penn 

Washburn 

Washington 

Grand 

Edgemont 
ConneUsville 

Orpheum 

Arcade 

Paramount 

Easton 
3rd  Street 
Colonial 
Strand 


Erie 

Majestic 

Perry 

Strand 

Columtiia 

Greesburg 

Rialto 
Harrisburg 

Victoria 

Columbia 

Regent 

Colonial 

Majestic 
Hazelton 

Feeley's 

Grand 
Homestead 

Palace 
Johnstown 

New   Park 

Cambria 

Nemo 

Parkview 

Grand 
Lancaster 

Hippodrome 

Hamilton 

Grand 
Lebanon 

Strand 

Jackson 
McKeesport 

Victor 

Liberty 

Grand 

Lyric 
New    Castle 

Penn 

Opera  House 

Regent 

Star 
Oil   City 

Cameo 
Philadelphia 

Stanley 

Stanton 

Aldine 

Karlton 

Palace 

Victoria 

Arcadia 

Regent 

Capitol 

Fay's 

Carman 
Pittsburgh 

Blackstone 

Cameraphone 

Liberty 

Lyceum 

Olympic 

Regent 

Capitol 

Market  St. 

Aldine 

Karlton 

State 
Pottsville 

Garden 

Hippodrome 

American 
Reading 

Colonial 

Arcadia 

Princess 

Capitol 

Lyric 
Scranton 

Strand 

Poli's 

State 

Miles 

Capitol 
Shamokin 

Victoria 

Majestic 
Warren 

Strand 

Library 

Washington 


Capitol 

Globe 

Palace 
Williamsport 

Majestic 

Hippodrome 

Keeney 
Wilkes-Barre 

Orpheum 

Poli's 

Capitol 
Westchester 

Rialto 

Opera  House 

Wyoming 
Williamsport 

Hippodrome 

Keeney 

Majestic 
York 

Jackson 

Orpheum 

Hippodrome 

RHODE    ISLAND 
Newport 

Strand 

Bijou 

Colonial 

Newport 
Providence 

Emery 

Victory 

Modern 

Strand 

Rialto 

Liberty 

Empire 

Royal 

Keith's 
Pawtucket 

Bijou 

Imperial 

Star 

Music  Hall 
Woonsocket 

Park 

Laurier 

Strand 

SOUTH    CAROLINA 
Anderson 

Bijou 

Liberty 

Strand 
Charleston 

Garden 

Academy 

Majestic 
Columbia 

Ideal 

Rivoli 

Imperial 

Pastime 
RockhiU 

Palmetto 

SOUTH    DAKOTA 
Sioux  Falls 
Princess 
Strand 
Colonial 
Jewel 
Liberty 
Orpheum 
Olympia 

TENNESSEE 
Bristol 

Bristol 

Columbia 

Isis 
Chattanooga 

Rialto 

Criterion 

Alcazar 

Fine    Arts 

Superba 

York 

Amusu 

Royal 

Tivoli 

276 


Johnson   City 

Majestic 
Knoxville 

Loew's    Vaudeville 

Rex 

Strand 

Bijou 

Crystal 

Gem 

Majestic 

Riviera 
Memphis 

Princess 

Loew's 

Majestic 

Empire 

Strand 

Savoy 

Pantages 
Nashville 

Strand 

Bijou 

Fifth  Ave. 

Knickerbocker 

Colonial 

Crystal 

Dixie 

Vendome 

TEXAS 
Abilene 

Queen 

Gem 
Amarillo 

Mission 

Olympic 

Sullivan's 

Fair 
Austin 

Queen 

Majestic 

Crescent 

Hancock  Op.  House 
Beaumont 

Peoples 

Trivoli 
Brownsville 

Queen 
Cleburne 

Palace 

Rex 
Corpus    Christi 

Amuzu 

Queen 
Corsicana 

Grand 

Palace 
Dallas 

Washington 

Hippodrome 

Queen 

Old  Mill 

Palace 

Blue  Bird 

Rialto 

Colonial 

Columbia 

Ideal 

Melba 
Del  Rio 

Texas 
Denison 

Arcade 

Queen 

Rialto 

Star 
El  Paso 

Grecian 

Rialto 

Ellaney 

Palace 

Unique 

Wigwam 

Alhambra 
Ft.  Worth 

Hippodrome 

Phillips  Egypt 

Palace 

Queen 


Galveston 

Strand 

Dixie    No.    1 

Opera    House 

Queen 
Greenville 

Opera    House 

Colonial 
Houston 

Zoe 

Liberty 

Queen 

Key 

Isis 

Crown 
Laredo 

Royal 

Strand 

Rialto 
Marshall 

Palace 
Palestine 

Gem 

Best 
Paris 

Grand 
Pt.   Arthur 

Holten 
Ranger 

Lamb 

Majestic 

Temple 
San  Angelo 

Lyric 

Crystal 
San  Antonio 

Grand 

Princess 

Royal 

Empire 

Rialto 

Pearl 
Sherman 

Queen 

King 

Gem 
Temple 

Crescent 

Gem 
Texarkana 

Saenger 
Tyler 

Queen 

Broadway 
Waco 

Hipp. 

Royal 

Victor 

Orpheum 

Crystal 

Strand 
Wichita  Falls 

Empress 

Wichita 

Majestic 

Palace  _ 

Olympic 

Strand 

^    ^  UTAH 

Ogden 

Alhambra 

Lyceum 

Rex 

Orpheum 

Ogden 
Provo 

Columbia 

Strand 
Satl   Lake  City 

American 

Cozy 

Empire 

Photoplay 

Paramount-Empress 

Isis 

Pantages 

State 

Kinema 

Gem 

Broadway 


VERMONT 
Burlington 
Orpheum 

Majestic 
Strong 
Rutland 
Grand 
Strand 
Colonial 
St.   Johnsbury 
Please 
Globe 

VIRGINIA 
Alexandria 
Richmond 
Ingomar 
Idle   Hour 
Charlottesville 
Jefferson 
Lafayette 
Fredericksburg 

Leader 
Lynchburg 
Trent 
Academy 
Isis 
Norfolk 
Well's 
Granby 
Strand 
American 
Newport  News 
Palace 
Imperial 
Rialto 
Petersburg 
Palace 
Bluebird 
Colonial 
Portsmouth 
Olympic 
New   Orpheum 
Rialto 
Richmond 
Colonial 
Isis 
Bijou 
Broadway 
Odeon 
Rex 
Roanoke 
American 
Rialto 
Park 

WASHINGTON 
Albany 
Globe 
Rolfe 
Aberdeen 
Rialto 
Bijou 
Rex 
Weir 
Dream 
Bellingham 
Liberty 
Star 

American 
Bell 
Grand 
Bremerton 
Rialto 
Dream 
Centralia 
Liberty 
Grand 
Rialto 
Dallas 

Maiestic 
Ellensberg 
Colonial 
F;ilensberg 
Everett 
Orpheum 
Everett 
Star 
Hoquiam 
Dream 
Arcade 
Liberty 

2Ti 


KelscJ 

Vogue 
Medford 

Liberty 

Rialto 

Page 

Star 
Olympia 

Roy 

Rex 
Seattle 

Winter     Garden 

Clemmer 

Strand 

Coliseum 

Liberty  Rex 

Blue    Mouse 

Columbia 
Spokane 

Clemmer 

Liberty 

Hippodrome 

Casino 

Class  A 
Tacoma 

Rialto 

Liberty 

Colonial 

Victory 

Strand 

Tacoma 

Apollo 

Orpheum 
The  Dalles 

Grand 

Empress 

Casino 
Wenatchee 

Liberty 

Wenatchee 

Gem 
Walla  WaUa 

American 

Arcade 

Liberty 

Strand 
Yakima 

Liberty 
Empire 
Majestic 

•WEST   VIRGINIA 
Charlestown 

Capitol 

Rialto 

Virginia 

Burlew 

Strand 
Clarksburg 

Opera    House 

Orpheum 

Robinson 

Grand 

Bijou 
Fairmont 

Dixie 

Nelson 

Princess 
Huntington 

Orpheiun 

Lyric 
Martinsburg 

Apollo 
Morgantown 

Arcade 

Strand 
Wheeling 

Liberty 

\'irginia 

Rex 

Plaza 

Virginia 

WISCONSIN 

Amigo 

Palace 
Appleton 

EHte 

Opera   House 

Bijou 

Majestic 


Beaver  Dam 

Davison 

Odeon 
Beloit 

Rex 

Majestic 
Eau  Claire 

Eau  Claire 

Lyric 

Unique 
Fond  du  Lac 

Idea 

New    Garrick 

Orpheum 

Bijou 
Green  Bay 

Colonial 

Bijou 

Strand 
Hancock 

Kerridge 
Janesville 

Majestic 

Beverly 

Apollo 
Kenosha 

Majestic 

Burke 

Virginian 

Orpheum 
La  Crosse 

La   Crosse 

Rivoli 

Majestic 
Manitowoc 

Capitol 

Rialto 

Orpheum 
Marinette 

Strand 

New    Cozy 


Milwaukee 

Stevenspomt 

Butterfly 

Majestic 

Rialto 

New   Lyric 

Palace 

Superior 

Merrill 

New  Palace 

Alhambra 

Palace 

Princess 

Savoy 

Strand 

Grand 

Garden 

Broadway 

Madison 

Two   Rivers 

Majestic 

Opera   House 

Palace 

Empire 

Grand 

Rivoli 

Strand 

Watertown 

Fuller  Opera  House 

Classic 

Marshfield 

Wausau 

Adler 

Grand  Opera  House 

Trio 

Bijou 

Neenah 

Stuart 

Doty 

Wisconsin  Rapids 

Neenah 

Ideal 

Oshkosh 

Opera   House 

WYOMING 

Rex 

Cheyenne 

Majestic 

Amuse 

Orpheimi 

Atlas 

Plattville 

Princess 

Gem 

Casper 

Prairie  du  Chien 

Casper 

Regent 

America 

Racine 

Iris 

Bijou 

Wyoming 

Palace 

Rialto 

Rex 

Lusk 

Rialto 

Garden 

Richland  Center 

Rock   Springs 

Orpheum 

Oracle 

Rochester 

Rialto 

Lawler 

Grand 

Empress 

Sheridan 

Sheboygan 

Gem 

Majestic 

Grand 

Rex                              , 

Orpheum 

Theater  Chains 

Some  of  the  larger  and  Tnore  important  theaters  not  given  here  will  he  found 
in  the  list  of  First  Run  houses. 


Alabama 

Albany — H.   B.   Cagle:     Masonic,  Princess. 

Anniston — Sou.  Enter. :  Lyric,  Savoy,  Theato 
and  others. 

W.   L.   Bryan,  A.   L.  Thomas:     Lyric,   Savoy. 

Bessemer — John  A.    Snider,   3   houses. 

Birmingham — Mudd  &  CoUey  Amuse.  Co.:  Tri- 
anon and  Rialto.  Marvin  Wise:  Alcazar  and 
Odeon.  Also  Royal.  Sou.  Enter. :  Strand,  Ga- 
lax and   Princess. 

Demopolis — Sinon  Theater  Co. :  Operates  in 
Eutaw,   Uniontown   and   Greensboro. 

Ensley — Joseph  Steed:  Franklin,  Bell;  Gary, 
Fairfield. 

Florence — Louis  Rosenbaum  :  Majestic,  Rialto, 
Wilson  and  Princess. 

Gadsden— Will  B.  Wood:  Belle,  Lyric.  Sa- 
voy and  Pastime,  Alabama  City.  Alama,  Strand, 
Liberty. 

Sou.  Enter. :     Imperial,  Gadsden,  Strand. 

Huntsville — Crute:  Elks,  Lyric,  C.  L.  Hack- 
worth  :     Grand  Jeflferson. 

Mobile — Bijou  Amusement  Co.,  M.  Luckel,  Mgr. : 
Bijou,  Empire  and  others.  King  Bros.,  Crown 
and   others. 

Sou.    Enter. :      Colonial,   Grand,    Plaza,    Strand. 

Selma — Alfred  Butler:  Academy  of  Music, 
Walton. 

Talladega— T.    F.    Ware:     Star   and    Palace. 

Womack  &  Johnson:     Talladega,  Jasper,  Ala. 

Tuscaloosa — Sou.    Enter. :      Diamond,    Belvedere. 

Arizona 

Bisbee— Wright  &  Evans:     Central,  Eagle. 
Clifton — George  Martin:     Princess,  Royal. 


Douglas — S.  D.  Brown :     Colvimbia,  Majestic. 

Jas.  Xalis  :     Grand,  Lyric. 

Hope — F.    S.   Horton  :     Alice,   New   Grand. 

Mesa — Wm.  Menhenriet:  Majestic;  Chandler 
Chandler;    Opera   House,  Tempe ;    Gilbert,    Gilbert. 

Nogales — Frank  Diaraos:  Lyric,  Nogales,  Royal. 

Phoenix — Rickard  &  Nace  :  Columbia,  Amusu  ; 
Rex,  Hayden ;  Isis,  Florence;  Iris,  Ray;  Litch- 
field, Goodyear,  Rialto,  Tucson,  Strand,  Lamara, 
Hippodrome,  Ramona  and  Riverside  Park,  Phoenix 
and   Rialto,    Phoenix. 

Tucson — Lyric  Amusement  Co. :  Lyric ;  Lyric 
and  Grand,  Douglas ;  Nogales,  Nogales ;  Grand 
and  Lyric,  Bisbee;   Liberty,  Yuma. 

Yuma — ^J.  J.  Johansen :  Casino,  Yuma;  Gads- 
den, Gadsden ;    Somerton,  Somerton. 

Arkansas 

Alix — Nat  Weishaupt:  Alice  and  Electric, 
Altus. 

Atkins — Gibson  &  Wren :  Comet,  Gem,  Ber- 
ryville. 

Camden — Wray  &  Brooks:  Dixie,  Gem,  Calico 
Rock. 

Clarendon — Bruce  Garrett :  Jewel,  Dunlap, 
Clarksville. 

Egypt — J.  W.  Inman :  Princess,  Grand,  Black 
Oak. 

Ft.  Smith— A.  M.  Malone:  Victory,  Ft.  Smith; 
Victory,   Van    Buren. 

Hoyt  Kirkpatrick :  Imperial,  Joie  and  Princess. 
Royal  and   Crystal ;   Grand,  Marked  Tree. 

Fayetteville — E.  C.  Robertson :  Victory  and 
Lyric. 

Harrison — D.  E.  Fitton :  Lyric  and  Grand, 
Searcy ;    Gem,    Springdale,  Ark. 


278 


Helena— V.  J.  Haydell :      Grand,  Jewel. 

Jonesboro — Jonesboro  Amuse.  Co.:  3  in  Jones- 
boro. 

W.  L.  Mack:     Empire,  Grand. 

Little    Rock — Sou.    Enter. :        Kempner,      Gem, 

Paragould^Mrs.  H.  J.  Whitsitt:  Liberty,  Ma- 
jestic. 

Pine  BluflF — O.  C.  Hauber:  1  in  Conway;  1  in 
England. 

Springdale — L.  C.  Gelling:  Gem;  with  E.  C. 
Robertson,   Lyric,  Rogers. 

California 

Alameda — J.  Kaliski :  Alameda,  Strand,  Rialto, 
Neptune. 

Anaheim — C.    L.    Head. 

Burlingame — E.  J.  Arkush :  Garden,  Sequoia; 
Redwood  City ;  Varsity,  Redwood  City ;  Varsity 
Stanford,   Palo  Alto. 

Calexico— J.  E.  O'Neill:  Capitol,  Rialto,  Ca 
lexico. 

Chico — Henry  Daly :  Airdome,  Broadway,  Lyric 
Majestic. 

Clifton — -Martin  Bros. :  Princess  and  Royal 
Clifton  ;    Empire,   Morenci. 

El    Centre — James  Cook:     Palace,  Topic. 

Elsinore-;-Mr.  Lamphere:  Star,  Elsinore;  Cali 
fornia.    Majestic,   Corona. 

Eureka — Clark,  Roberts  and  Clark :  Orpheum 
Pastime. 

Fort  Bragg — J.  E.  Trignera :     Union,  Liberty. 

Fruitvale — Houses  in  Casino,  Park,  Fruitvale 
Fremont,    Globe. 

Gilroy — Reynolds  &  Parker  :     Orpheum,^  Strand 

Hanford — Lewis    &    Bryd :      T    &    D,    Pastime. 

Hemet — Wm.  Martin  :  Hemet,  Hemet ;  San  Ja 
cinto,    San    Jacinto. 

Hollywood — Hollywood  Theaters,  Inc.:  Wind 
sor,  Los  Angeles;  Hollywood,  Apollo  and  New 
Hollywood,   Hollywood. 

Los  Angeles — West  Coast  Theaters,  Inc.,  209 
Knickerbocker  Building:  Kinema,  Alhambra, 
Burhank,  Optic,  Regent,  Liberty,  Lyceum, 
Capitol,  Rosebud,  Strand,  Casino,  New  Tivoli, 
Grand,  Shamrock,  Circle,  Hippodrome,  Cres- 
cent and  Rivoli,  Los  Angeles;  Chotiner's, 
Wilshire,  Cal. ;  Rialto,  Kinema,  California,  Plaza, 
San  Diego  ;  Fairyland,  Anaheim  ;  Pastime,  Bakers- 
field  ;  Orpheum,  Riverside;  American,  Belvedere, 
Pomona ;  New  Hippodrome,  Pastime,  Bakersfield, 
California,  Bakersfield ;  New  Hollywood,  Apollo, 
Windsor,  Wilshire,  Paramount,  Granada,  Rivoli, 
Hollywood,  Hollywood;  California,  Nepttme,  Ven- 
ice ;  Capitol,  Art,  Pavilion,  Redondo ;  Dome,  La 
Petite,  Ocean  Park;  Liberty,  Long  Beach;  Sun- 
shine, Hippodrome,  Taft ;  Palace  Grand,  Glen- 
dale  ;  Huntington  Park,  Huntington  Park  ;  Califor- 
nia, Fairyland,  Grand,  Anaheim ;  California,  San 
Pedro ;  California,  Potter,  Mission,  Palace,  Santa 
Barbara. 

G.   T.   Smith :     Dayton,   Euclid. 

B.  Lustig:  Dreamland,  La  Tosca  (part  own- 
ership  with  Gore's). 

J.  Lustig:  Starland,  Meralta  (part  ownership 
with  K.  C.   Manny). 

F.   Miller  and  Goldwyn :      California,   Millers. 

L.    Bard:      Bard's  and   College. 

Monterey — F.  G.  Beagley :  Monterey,  Star 
Strand. 

N.eedles — Mr.  Simons  :  Liberty,  Needles ;  Oat 
man,  Oatman. 

Niles — H.  J.  Richards:  Niles,  Newark,  New 
ark. 

Oakland — Beach  &  Krahn  Amuse  Co. :  Kehr 
lein's ;  Kinema  and  Franklin,  Oakland ;  Kinema 
Fresno ;    Strand,   Lorim,    Berkeley. 

A.   E.   King:     Crown,   Gem,  Lincoln. 

Killinger  &  Davis :  Fremont,  Park,  New  Globe, 
Casino,    Fruitvale. 

S.   Frankel :      Best,   Haywards. 

S.    Berlin  :      Clareniont,   Strand. 

Oxnard — Guy    Douthwaite. 

Petaluma — J.  A.  McNear,  Jr. :     Hill,  Mystic. 

Pomona — E.   M.  Smith:     American,  Belvidere. 

Redondo    Beach — Gore    Bros.  :     Art,    Pavilion. 

Riverside — Howe  &  Merrill:     Loring,  Regent. 

Sacramento — H.    Heber  :      Sequoia,    Mjestic. 

Santa  Ana — C.   E    Walker:     Lyric,   Princess. 

Santa   Barbara — California  Theater   Co. 


San  Luis  Obispo — W  .B.  Martin :  El  Monterey, 
Elmo. 

Santa  Monica — A.  Flynn:  Majestic,  Santa  Mo- 
nica ;  Crown,  Sawtelle ;  Pico,  Sunset,  Los  An- 
geles. 

San  Bernardino — Donald  Knapp :  Strand  and 
Temple. 

Santa  Rosa — T.  C.  Reavis:     Cline,  Rose. 

Johnson  &  Wellman :  California,  Mission,  Pal- 
ace,   Potter. 

San  Diego — Gore  Bros,  and  Lesser :  Superba, 
Broadway  and  Silver  Strand,  J.  B.  Mason,  L. 
Stutz :  Palace,  San  Diego;  Garden,  La  JoUa; 
Ocean   Beach,    Ocean   Beach. 

San  Jose — Jas.   Beatty:     Liberty,  Jose. 

San  Francisco — Calif.  Fam.  Play.-Lasky  Corp. : 
Coliseum,  New  Mission,  New  Fillmore,  Lincoln, 
Progress,  Realart  San  Francisco ;  Alameda,  Strand, 
Neptune  Palace,  Alameda;  Unique,  Santa  Cruz; 
Hollywood,    Metropolitan. 

A.    Wobber :      Odeon,   Unique. 

North  Beach  Theaters  Co. :  Verdi,  Crescent, 
Washington   Sq.,   Broadway. 

Levy   &   Karski :      Royal,   Polk. 

Phil   Frease  :      Princess,  Garrick. 

Goirey   &   Sacks :     Haight   St.,   Superba. 

Nasser   Bros.  :      Castro,   Palace. 

Mrs.  Delia  Mohr :  Grand  View,  Winters,  Daly 
City. 

Robert  McNeil :     Five  houses  here  and  Oakland. 

T.  &  D.  Circuit:  T  &  D,  Oakland;  Tivoli 
Opera,  San  Francisco;  T  &  D,  Berkeley;  T  & 
D,  San  Jose;  T  &  D,  Sacramento;  T  &  D,  Stock- 
ton; T  &  D,  Salinas;  T  &  D,  Watsonville;  T  & 
D,    Richmond;    Merced,    Merced. 

T  &  D  Jr.  Circuit:  Park,  T  &  D  Jr.,  Paso 
Robles ;  Selma,  Selma ;  T  &  D  Jr.,  Lodi ;  Grand 
and  Majestic,  Rialto,  Reno,  Nev. ;  (joddard's,  Sac- 
ramento. 

Kahn  &  Greenfield :  New  Filmore,  New  Mis- 
sion, Realart,  Progress,  San  Francisco,  New  Santa 
Cruz,   Santa   Cruz. 

E.  Kehrlein  &  Sons :  Franklin,  Kinema,  Kinema, 
Oakland,  Fresno. 

R.  Techerassy :  Point,  Pt.  Richmond.  Bay 
Point,  Bay  Point,  Pinole,  Pinole. 

J.  Triguerrio :  Liberty,  Ft.  Bragg,  Mendocino, 
Mendocino. 

Ackerman  &  Harris :  Hippodrome,  Casino, 
Loew's  State,  San  Francisco ;  State,  Oakland ; 
Hippodrome,  State,  Stockton;  State,  Hippodrome, 
Sacramento;  Hippodrome,  Fresno;  Hippodrome, 
San    Jose. 

Maurice   Klein :     Washington,    Broadway,    Verdi. 

Samuel  Levin:  Coliseum,  Alameda;  Strand, 
Alameda. 

Stockton — Frank    C.    Parker  :     Lyric,    Lincoln. 

Susanville — E.    B.    Buckevalter:      Liberty. 

Vallejo — P.    T.    Hanlon  :      Virginia,    Strand. 

Willcox— I.  G.  Long:  Liberty,  Willcox ;  K.  P. 
Hall,    Benson. 

Canada 

Black  Lake — Bey  :  Houses  at  Thetford  Mines 
and    Black    Lake. 

East  Angfus — R.  L.  Vallee :  Houses  at  East 
Angus,   Windsor   Mills. 

Ft.  William.  Ont. — Famous  Players  Canadian 
Corp.  :    Royal,    Orpheum. 

Halifax — L.  R.  Acker:  Orpheus,  Family,  Hali- 
fax ;  Palace,  Sydney.  J.  M.  Franklin ;  Strand, 
Halifax;  Strand,  Sydney.  R.  J.  McAdam:  Ca- 
sino,  Halifax;    Casino,    Sydney. 

Montreal— H.  B.  Miller:  Canada,  Model  Pal- 
ace.  Globe. 

H.    Heller:      Perron   Hall,    Majestic. 

Independent  Amuse.  Co. :  Strand,  Regent,  Mou- 
lin  Rouge,    Belmont   and  Papeneau,   Plaza. 

S.    St.   (jermain :      Crystal   Palace,    Montreal. 

Lawand  Bros.  :  Massioneuve,  Laurier  Palace, 
Dominion,    King    Edward. 

N.  Lazanis :  Lord  Nelson,  Napoleon,  Alhambra, 
Palace. 

Berzansky :      Lux,    Boulevardoscope. 

DeWolfe :      Verdun   Palace,   Centre  Palace,   Gem. 

New  Glasgow — N.  W.  Mason:  Academy  of  Mu- 
sic, Roseland,  Itzit,  New  Glasgow;  Jubilee,  Stel- 
larton ;   Crescent,  Westville ;   Scotia,  Trenton. 


279 


Quebec — E.   Drapeau;    Crystal  Palace,   Imperial, 

Empire. 

M.  Derne:     Empress,  Classic,  Francais. 

E.  Beaumont:  Empire,  Classic,  Canadian- Fran- 
cais. 

S  .Dunning:     Park,  Century. 

Renfrew — Ottawa  Valley  Amuse.  Co. :  Princess, 
Smith  Falls;  Orpheum,  Almonte;  New  Casino, 
Arnprior;  O'Brien,  Renfrew;  Grand,  Pembroke, 
E.  Cato :  Ottawa  Valley  Amuse.  Co. 

St.  John — Opera  House,  Frederickton;  Bijou, 
Woodstock ;  Opera  House,  Imperial,  Campbell- 
ton ;  Opera  House,  Dalhousie ;  Empress,  Gem, 
Amherst ;  Princess,  Strand,  Truro ;  Prince  Ed- 
ward,  Strand,    Charlottetown. 

Sarnia — United  Theaters,  Ltd. :  Imperial,  Cres- 
cent and  Sarnia. 

Sydney — E.  R.  Lynn :  Casino,  Strand,  Sydney, 
N.  S.;  Casino,  Glace  Bay,  Strand,  New  Waterford, 
N\  S.  Griffin  Amuse.  Enter. :  Operate  houses  in : 
Belleville,  St.  Catharines,  Woodstock,  Chatham, 
Owen  Sound,  Harleybury,  Sault,  Ste.  Marie,  Port 
Arthur. 

Alexander,  Lester  and  Mentol :  Operate  Park 
and  Doric. 

Toronto— H.  J.  &  Max  Allen:  Sterling  Thea- 
ters, Ltd. 

Famous  Players  Canadian  Corp.  (holding 
("o.)  :  Operating  Regent,  Strand,  Alhambra, 
Garden,  Teck,  Family,  Toronto ;  Strand,  King- 
ston;  Regent,  Gait;  Regent,  Guelph ;  Savoy,  Ham- 
ilton ;  Royal,  Port  Hope ;  Regent,  Oshawa ;  Strand, 
Hamilton;  Temple,  Brantford;  Capitol,  Kitchener; 
Capitol,  Peterboro ;  Algoma,  Soo.  Also  Strand, 
Hamilton;  Capitol,  Montreal;  Capitol,  Winnipeg; 
Capitol,  Regina ;  Capitol,  Calgary;  Empress,  Ed- 
monton; Capitol,  Dominion,  Victoria;  Capitol, 
Dominion.       Broadway,       Vancouver;       Dominion, 

naimo ;  Capitol,  Pantages,  Savoy,  Hamilton, 
Ont. 

Vancouver — W.  P.  Nicholls :  Colimibia,  Maple 
Leaf,  Princess,  Vancouver;  houses  in  Victoria, 
New  Westminster,  Nanaimo,  North  Vancouver, 
and  the  Majestic,  Winnipeg.  United  Theaters, 
Ltd. :  Vancouver,  Victoria,  New  Westminster, 
Victoria. 

Winnipeg — F.   R.  Hyde :      Crescent,  Wonderland. 

K.  M.  Leach:  Starland,  Lyceum,  Winnipeg; 
also  houses  in  Calgary,  Moose  Jaw  and  Edmon- 
ton. 

Colorado 

Boulder — K.  &  F.  Amuse.  Co. :  Curran,  Boul- 
der; West  and  Rialto,  Trinidad;  Coronado,  Mutual, 
Las   Vegas,   N.   M.,   Princess,   Roswell,   N.   M. 

Cannon   City — Jesse  Jones  :  Jones,   Opera   House. 

Cheyenne — Ray  Amusement  Co. :  Princess,  At- 
las, Amuse,   Lyric. 

Colorado  Springs — J.  E.  Tompkins :  Liberty, 
.•\merica. 

Denver-^-Mountain  States  Theater  Corp. : 
Princess,  Queen  and  Rialto,  Denver ;  Rialto,  Peub- 
lo ;    Sterling,    Greeley;    Princess,    Colorado    Springs. 

William   Fox :      Isis,   Rivoli,   Strand  and   Plaza. 

Bishop  Cass  Co. :  America,  and  with  Goldwyn 
owns  The  Colorado,  Iris,  Hub  and  America.  Cas- 
per,  Wyo. 

J.  J.  Goodstein :  Palm,  Denver;  Palm,  Pueblo 
and  Annex,  Denver,   Majestic,  Pueblo. 

H.  E.  Hoffman:  Bluebird,  Bide-aWee,  Den- 
ver. 

Folly    Amuse.    Co.  :      Folly    and    Jazz,    Denver. 

Internatl.  Amuse.  Co. :  Ogden,  Denver,  and 
Liberty    Bell    Leadville. 

Fort  Collins — M.  C.  Gerhart :  Empress  and 
Lyric. 

Mae  Kravatz :  America,  Ft.  Collins;  Loveland, 
Loveland ;   Pixie,   Golden;   Isis,   Green   River,  Wyo. 

Ft.  Moran — Midwest  Theaters  Co.,  also  own 
Cover  The,  Ft.  Morgan,  America,"  Sterling, 
Colo.  U.  S.  A.;  U.  S.  A.  at  Sidney,  Neb.;  Lyric, 
Sterling. 

Gypsum — R.  McHatton  :  Paramount  at  Eagle 
and   Gypsum. 

La  Junta — C.  VV.  Wonderly ;  Wonderly  and 
O'Rourke. 

La  Veta — W.  J.  Berry:  Crystal,  Picture  Show, 
Ojo. 

Montrose — Ray  Duncan:  Dreamland,  Em- 
press. 


l*ueblo — Nolan  Theater  Circuit  also  own  Colo- 
nial, Pueblo,  Colo.;  Majestic,  Grand  Junction; 
Rex,  Greeley. 

Rocky  Ford — Carlin  &  Ellinson  :  Opera  House, 
Rocky   Ford. 

Salida — F.  R.  Kelley:  Empress,  Isis,  Alamosa, 
Colo.  I 

Trinidad — B.    B.    Hinman  :      Strand,   Palace. 

Kohn  &  Fairchild  Amusement  Co. :  West,  Ri- 
alto, Trinidad;  Curran,  Boulder;  Coronado,  Mu- 
tual,  Duncan   O.   H.,   Los  Vegas,   N.   M. 

Walsenburg — Sarah  &  Yoeman:  Rex,  Walsen- 
burg,  and  Princess,  Aguilar. 

Connecticut 

Bridgeport — Saperstein      &      Schwartz:  Hip- 

podrome.    Gilbert  Freedman :  Liberty,  West  End. 

Bristol — Lewis  Prown:  Palace,  Rockville;  Or- 
pheum,  Danielson. 

Derby— M.  A.  Hoffman:  Sterling,  Derby;  Pal- 
time,  Ansonia, 

Lakeville — E.  J.  Stewart:  Best  and  Town  Hall, 
Canaan. 

Manchester — Dr.    Sullivan:      Circle, 

New  Haven — Nathan  H.  Gordon  and  William 
P.  Gray :     Olympia.     See  Massachusetts. 

S  Z.  Poli:  Bijou,  Palace,  Hyperion;  Poll's, 
Strand  and  Waterbury;  Poll's  Palace,  Grand,  Hart- 
ford; Poll's  Plaza  and  Lyric,  Bridgeport;  Poll's 
and  Life,  Meriden. 

New  London — W.  T.  Murphy:  Crown,  Ly- 
ceum, Capitol. 

Walter    Murphy:      Crown,    Lyceiun. 

Putnam — Jacob  Apert:  Victory,  Central,  Prin- 
cess, Westerly,   R.  I. 

South  Norwalk — A.  J.  Collins:  Empress,  Dan- 
bury. 

Stafford  Springs — ^Joseph  Wood:  Paramount, 
Town  Hall. 

Stamford — Weiss  Bros. :     Alhambra. 

Mrs.    Charles   D    Vuono :      Strand. 

Taftville— A.  Benoit:  Hillcrest ;  Lily,  Plain- 
field;    Best,   Moosup;   Atwood's  Hall,  Wauregan. 

Torrington — R.   Cabol :      Park,   Strand. 

Waterbury — Waterbury  Theater  Co.,  subsidiary 
of  interests  operating  Strand,  New  York. 

Delaware 

Middletown — J.  E.  Lewis:  Armory  Audito- 
rium,   Plaza,    Milford;    Opera    House,    Middletown. 

Wilmington — Ginns-Topkis  Corp. :  Rialto,  Ma- 
jestic,    Queen,    Arcadia,     Strand,    and    Playhouse, 

Wilmington. 

District  of  Columbia 

Washington — J.  Brylawski:  Palace,  Cosmos  and 
Happyland,  Washington;  Empire,  Liberty,  Cum- 
berland  and  other   houses   in   Western   Maryland. 

Harry  M.  Crandall :  Ambassador  (building), 
Knickerbocker,  Savoy,  Avenue  Grand,  Apollo, 
York,  Washington;  Strand,  Cumberland,  Md. ; 
Rialto,  Roanoke,  Va. ;  Century,  Petersburg ; 
Apollo,    Strand,   Martinsburg,   W.   Va, 

Raymond    H.    Murray :      Dunbar,    Foraker. 

Dave   Biron  :      Liberty,  American. 

Chas.  Linkins  :      Strand,   Empire. 

Florida 

Jacksonville — L.  J.  Joel. 

Miami — H.  A.  Leach:  Airdome,  Fotosho,  ^Hip- 
podrome,  Paramount,   Strand. 

Palm  Beach — Stanley  Warwick :  Beaux  Arts, 
Palm    Beach.      Karl    Kettler :      Bijou,    Rialto. 

Pensacola — J.  A.  Jones;     Bonita,  Isis, 

Sanford — O.    Herndon  :      Princess. 

Tampa — Sou.  Enter. :  Bonita,  Strand  and  Vic- 
tory. 

Ybor   City — Ybor  City  Theater  Co.:   Operates   1. 

Georgia 

Athens — J.  B.  Joel:  Strand  and  Elite,  Athens; 
Strand,   Elberton. 

Atlanta — Sou.  Ent. :  Several  hundred  houses  op- 
erating in  Anniston,  Ala. ;  Gadsden,  Ala.  ;  Bir- 
mingham, Ala. ;  Tuscaloosa,  Ala. ;  Huntsville,  Ala, ; 
Montgomery,  Ala, ;  Selma,  Ala, ;  Jacksonville,  Fla.  ; 
Orlando,  Fla. ;  St.  Augustine,  Fla, ;  Tampa,  Fla,  ; 
St,  Petersburg,  Fla. ;  Miami,  Fla, ;  Ft.  Myers, 
Fla. ;   Atlanta,  Ga, ;   Columbus,  Ga. ;  Augusta  Ga. ; 


280 


Gainesville,  Ga. ;  Rome,  Ga. ;  Newman,  Ga. ;  Griffin, 
Ga.  ;  Greenwood,  S.  C. ;  Greenville,  S.  C. ;  Spartan- 
burg, S.  C. ;  Sumter,  S.  C. ;  Charlotte,  N.  C.  ; 
Asheville,  N.  C. ;  Memphis,  Tenn. ;  Chattanooga, 
Tenn. ;  Knoxville,  Tenn. ;  Marysville,  Tenn. ;  So. 
Pittsburg,  Tenn.,  and  other  points. 

Sig    Samuels :      Metropolitan    and    Alpha. 

Bainbridge — Walter  J.  Brackin  :  Callahan,  Bain- 
bridge    Brackin,    Cairo ;    Strand,    Tifton,    Ga. 

Cordele — John       Cain,      Jr. :      Palace,       Cordele ; 

Cuthbert — Lee  Amuse.  Co.  :  Victoria,  Vaudette, 
Cuthbert ;   \'audette,   Eufaula,   Ala. 

Dalton — Manning  &  Wink — Crescent,  Dalton  ; 
Gem,  Calhoun ;  Strand,  Athens,  Tenn. ;  Gem, 
Etowali,    Tenn. ;    Dixie   and   Strand,   Marietta. 

Macon — Sou.  Enter.  :  Capitol,  Palace  and 
Grai;d,    Macon. 

J.  A.  Flournoy,  Criterion.  C.  H.  Douglas  (Col.) 
operating    3    colored    houses. 

Pelham— H.  M.  Mitchell:  Dixie,  Pelham ;  Pal- 
ace,  Dawson. 

Rome — Sou.    Enter.  :     Elite    and    Amusu,    Rome. 

Savannah — Savannah  Photoplays  Theater  Co. : 
.'\rcadia  and   Star,   Marion    Lucas,   Odeon,   Folly. 

Thomasville — F.  H.  Smith;  Grand,  Thomas- 
ville  ;   Rex  and  Alamo,  Valdosta. 

Waycross — A.  E.  Johnson :  Orpheum  and 
Star,   Waycross. 

Idaho 

Blackfoot — Paul   Demordaunt :    Rialto,   Orpheum. 

Boise — Majestic  Amusement  Co.,  B.  W.  Bick- 
ert :  Empress,  Strand,  Majestic,  Boise;  Orpheum, 
Majestic,  Nampa;  New,  Caldwell;  New,  Ontario; 
Majestic,  Benley.  W.  A.  Mendenhall :  Strand, 
Pinney,    Majestic,    Rialto. 

Kimberly — Garl  Ridgway  :  Star,  Kimberly  ; 
Star,    Hazleton ;    Star,    Oakley. 

Nampa — C.  R.  Potter:  Liberty,  Strand,  Majes- 
tic. 

Parma — N.  E  Leigh :  Liberty,  Parma ;  Lib- 
erty, Nysa ;  W.  A.  Mendenhall :  Strand,  Pinney, 
.Majestic,   Rialto. 

Pocatello — Carrothers  &  Archibald  :  Orpheum, 
Strand,  Princess. 

Preston — George  Paull :  Isis ;  Opera  House, 
Dayton ;    Opera    House,    Whitney. 

Twin    Falls — A.    R.    Anderson :    Orpheum,    Gem. 

Illinois 

Areola — ^J.  S.  Quirk:  Olympia,  Areola;  Strand, 
Tuscolia. 

Aurora — Aurora  Theaters  Co.,  Inc. :  Palm, 
Princess,  Orpheum,  Crystal,  Juliet ;  Rialto,  El- 
gin;  Orpheum,  Galesburg ;  Majestic,  Blooming- 
ton  ;  Gaiety,  Ottawa ;  Rivoli,  Majestic,  La  Crosse, 
La    Crosse. 

Carbondale — A.  W.  Barth:  Yale,  Carbondale; 
Maine,   Anna. 

Chicago — Fischer       Theaters :  Colonial,       La 

Salle,  La  Salle;  Grand,  Jacksonville;  Rialto, 
Majestic,  Grand,  Willard,  Garden,  Kewanee ; 
Majestic,  Madison,  Wise. ;  Appleton,  Appleton, 
Wise. 

H.  Schoenstadt  &  Sons :  Atlantic,  Archer, 
Ashland,  Boulevard,  Perdi,  Brighton  Park,  Hal- 
field. 

Joseph  Hopp :  Fort  Armstrong,  Majestic,  Rock 
Island,    Ideal,    Chisago. 

Marks  &  Goodman :  Broadway  Strand,  Illing- 
ton,  Marshall  Square,  Marshfield  and  Orpheus. 

Jones,  Linick  &  Schaefer:  McVicker's,  Rialto, 
Lyric,  Orpheum,  Randolph  and  Bijou  Dream. 

Gumbiner  Bros. :  Bertha,  DeLuxe,  Star, 
Paulina,  New  Regent,  Bell,  DeLuxe,  Orpheum, 
Hamilton,  Parkside  Villas,  Bryn  Maur  and 
Argyle. 

Balaban  &  Katz :  Control  Park,  Rivera,  Wal- 
lace,   Circle,    Ambassador   and    Tivoli,    Chicago. 

Ascher  Bros. :  Chateau,  Terminal,  Rosewood, 
Adelphi,  Milford,  Calo,  Lane  Court,  Oakland 
Square,  Metropolitan,  Kenwood,  Frolic,  Cosmo- 
politan, Columbus,  West  Engelwood,  Forest 
Park,  Crown,  Peerless,  Commercial ;  Midway, 
Rockford ;  Dayton,  Dayton,  O. ;  Capitol,  Cin- 
cinnati, O. ;  Merrill,  MilwaiUtee;  Capitol,  Mani- 
towoc, Wis. 

Lubliner  &  Trinz :  Crawford,  Covent  Garden, 
Paramount,     Lakeside,     Knickerbocker,     Biogrraph, 


Vitagraph,  Pershing,  Michigan,  Wilson,  West 
End,  Ellantee,  Oak  Park,  Pantheon,  Madison 
Square. 

Fitzpatrick  McElroy  Co. :  Rex  and  Vau- 
dette, Three  Rivers,  Mich.;  Caldwell,  St.  Jo- 
seph ;  Bell,  Princess  and  Bijou,  Benton  Har- 
bor ;  Colonial,  Big  Rapids ;  Lyric  and  Dreamland, 
Cadillac ;  Lyric  and  Dreamland,  Travers  City ; 
Lyric,  Manistee;  Lyric,  Ludington ;  Maltz  and 
Lyric,  Alpena ;  Grand  and  Lyric,  Blue  Island, 
111.;  Strand,  Bijou  and  Marinette,  Marinette; 
Rhode  Opera  House,  Kenosha,  Wis.,  Mattoon, 
Mattoon. 

Harry    Gramp :      Number   of   houses   in   state. 

Decatur — Charles    M.    Spray  :      Crystal,    Mecca. 

Dixon — Dixon    Theater    Co. :      Operate    several. 

Du  Quoin — A  combination  booking  proposition 
headed  by  Reed  and  Yemm  of  Du  Quoin,  taking 
in  the  following  towns :  Du  Quoin,  Christopher, 
Sesser,  West  Frankfort,  Salem,  Mt.  Vernon  and 
Beton,  all   in   Illinois. 

East  St.  Louis — Joseph  Erber :  Erber's,  East 
St.  Louis ;  Washington,  Belleville ;  Strand,  Col- 
linsville. 

Eldorado — Colonial  Amusement  Co. :  Grand 
and  Orpheum,  Harrisburg;  Grand  and  Casino, 
Eldorado. 

Granite  City — Lillian  Amuse.  Co. :  Washington, 
Rialto   and   Garden. 

Harrisburg — Orpheum  Amuse.  Co. :  2  in  Har- 
risburg and  2  in  Eldorado. 

Herrin — John  Marlow :  Annex,  Hippodrome, 
Herrin ;     Liberty,    Hippodrome    Murphysboro. 

Jerseyville — S.  E.  Pirtle:  Houses  in  Jerseyville, 
Carrollton  and   McLeansboro. 

Johnston  City — R  Jones  :  American,  Majestic, 
Palace. 

Mattoon — B.  F.  Uran :  Grand  and  "K,"  Mattoon. 

Newman — T.  B.  Mathews :  Illinois,  Newman ; 
Pastime,   Kansas. 

Oconto — A.  L.  Robarge :  Gem ;  Grand,  Merril ; 
Lyric  and  Majestic,  Wausau. 

Olney — Mrs.  Gould:  Theaters  in  Olney,  Mt. 
Carmel.   Lawrenceville   and   Phoenix. 

Ottawa — Clarence  Hartford :  Star  and  Ruby- 
Palace. 

Panama,  111. — ^J.  D.  Williams :  Grand ;  also 
house   in    Hillsboro. 

Paris — M.  Metcalf :  Theaters  in  Paris,  Areola, 
Casey   and   Marshall. 

I.  Stein :  Houses  in  Paris,  Clinton  and  Jason, 
Ind. 

Paxton — Stern  Theater  Co. :  Scenic,  Blooming- 
ton,  and  Royal,  Minonk. 

Peoria — -Dee    Robinson:      Apollo,    Madison. 

Salem — Bob  Chester:  Houses  in  Pinckney- 
ville   and    Salem. 

Springfield— W.  W.  Watts:  Gaiety,  Princett, 
Lyric. 

Indiana 

Anderson— N.  M.  McCuUough:  Starland,  Ri- 
viera. 

Bedford — United  Exhibitors  Productions  Corp.: 
Rialto,  Broadway,  Gayety,  and  Lenwood,  Indian- 
apolis, r-       J 

Switow  Amuse.  Co. :  Opera  House,  Grand, 
Crystal,  Lawrence,  Bedford;  Opera  House,  Al- 
hambra,  Orleans;  Washington,  Salem;  La  Rose. 
Jefferson  ville. 

Bloomington — H.  P.  Vonderschmidt :  Liberty 
and   one   building. 

Brazil — Brazil   Theater    Co. :      Arc.    Sourwme. 

Clinton — J.  B.  Stine:  Gem,  Wonderland,  Clin- 
ton ;     Swan    and    Victory,    Terre    Haute. 

Majestic  and  Shoff's  Opera  House,  Pans,  111. ; 
Crescent,    Jasonville,    Ind. 

Connersville — E.  F.  Stanley:  Vaudette,  Audi- 
torium. 

Crawfordsville — Strand  Theater  Co.:  Strand 
Kokomo. 

Evansville — A.  F.  Brentlinger:  Houses  in 
Evansville,  Terra  Haute,  Ft.  Wayne,  Richmond, 
Clinton. 

Standard   Amuse.    Co. :      American,    Strand. 

John  Handleomanis :  Houses  here  and  at  South 
Bend.  , 

Indianapolis — Central  Amusement  Co. :  Lyric, 
Isis  and  Alhambra. 

E.  H.   Bingham  :     Colonial,  Regent, 


281 


EVERY  DAY 

in 

EVERY  WAY 


our 


PRINTS 

get 

BETTER 

and 

BETTER 

and 

BETTER! 


REX  FILM  LABORATORIES,  Inc. 

CLIFFSIDE,  N.  J. 

W.   K.   HEDWIG  Telephone  GUS  BARTH 

President  Cliffside  74  Sales  Manager 

With  Apologies  to  M.  EMILE  COUE  and  ERNEST  SHIPMAN 


282 


United  Exhibitors'  Productions:  Rialto,  Broad- 
way, Gayety  and  Lenwood. 

Renwood    Amuse.     Co.:       Rialto,     Indianapolis. 
Central   Amuse.    Co.:      Lyric,    Isis   and   Alham- 
bra. 

Sourbier  Amuse.   Co.:     Keystone,  Bijou,  Palms. 
Olson- Sourbier    Enter.:      Rivoli,    Lyric,    Indian- 
apolis ;   Rivoli,  Toledo. 

Frankfort — Louis  B.  Goulden  :  Princess,  Blinn, 
Royal. 

A.    C.    Zaring:      North    Star,    Garrick,    Behnont, 
Consolidated     Realty     &     Theaters     Co.:       Or- 
pheum,  Ft.  Wayne;   Murrette,  Murray,  Richmond; 
Victory,    Evansville ;    Liberty,   Terre   Haute ;    Cap- 
itol, Clinton, 

Knightstown — E.  W.  Hoover:  Strand  and 
Alhambra. 

Kokomo — Kokomo  Grand  Theater  Co.:  Isis  and 
Grand,  Kokomo. 

Celebrated  Theaters:  Seven  houses  including 
the    Strand. 

La    Porte — Princess    Theater    Co.    operate    3. 
Lafayette — Luna    Amuse.    Co. :      Luna,    Family, 
Mars,    Lafayette ;    Luna,    Logansport ;    Luna,   Kan- 
kakee ;   Lyric,   Ft.   Wayne. 

Hornbeck  Amuse.  Co. :  Lyric,  Orpheum,  La- 
fayette; Strand,  Monticello ;  Princess,  Thorntown; 
Alhambra,    Midway,    Knightstown. 

Logansport — E.  L.  McDermott:  Grand  and 
Ark. 

Marion — Marion  Theater  Co. :  Luna,  Marion 
Lyric,    also    Royal-Newcastle. 

Muncie — Andrews  Bros. :  Lyric,  Star  and 
Columbia. 

Peru — Loomis  Realty  Co. :  Victoria,  Colonial, 
Isis  and  Wallace. 

Shelbyville — F.  J.  Rembusch :  Alhambra,  Shel- 
byville ;  American,  Columbus ;  Grace  Maxine,  Mar- 
tinsville; Ohio,  Gem,  Manhattan,  Irving,  Len- 
wood, Indianapolis.  Directing  Orpheum,  Lyric, 
Royal-Grand,  Marion,  Ind. ;  Wild  Opera  House, 
Olympic,  Noblesville,  Ind. ;  Why-Not,  Lyric, 
Greenfield,    Ind. 

South  Bend^Ezra  Rhodes :  La  Salle,  Black- 
stone. 

Terre  Haute — B.  Van  Borssiun:  Savoy,  Majes- 
tic,  Crescent. 

Tipton — Clyde  Wilson  :      Grand,   Martz. 
Vincennes — Wilkerson-Lyons  Enterprises:  Lyric, 
Pantheon,  Rialto,  Princess  and  Alice. 

Wabash — Dickson  Bros. :  Eagle  and  Hartcr'i 
Opera  House. 

Iowa 

Boone — George  B.  Flint:  Virginia.  To  build 
another. 

Cedar   Rapids — A.   J.   Diebold:      Strand,   Palace, 
Cedar   Rapids ;    Strand,    Palace,   Waterloo ;   Palace, 
•^  Vinton  ;   Garden,  Marion. 

Council  Bluffs — Strand   Theater  Co. 

Des  Moines — A,  H.  Blank :  Des  Moines,  Ri- 
alto, Strand,  Garden,  Palace,  Casino,  Majestic, 
Des  Moines ;  Strand,  Rialto,  Omaha ;  Swan,  Co- 
lumbus, Neb. ;  Garden,  Council  Bluffs,  la. ;  Strand, 
Marshalltown ;  Rialto,  Boone;  Princess,  Twin 
Star,  Ames;  Palace,  Bijou,  Mason  City;  Pas- 
time,  Englert,   Garden,   Iowa   City. 

Adams  Theater  Co. :  Olympic,  Knoxville ;  Iris, 
Lincoln,  Chariton ;  Comet,  King,  Albia ;  Graham, 
Washingrton ;  Auditorium,  Mt,  Pleasant ;  Willard, 
Creston. 

Dubuque — ^John  Maclay:  Grand,  Strand,  Du- 
buque. 

MarshalltovTn — J.  E.  Hostettler:  Casino,  Mar- 
shalltown ;  Royal,  Sioux  City ;  Gem,  Charles  City ; 
Rialto  and  Lyric,  Lincoln,  Neb. ;  Vrystal  and 
Plaza,  Waterloo ;  Isis,  Cedar  Rapids ;  Strand, 
Hastings,  Neb. 

Sioux  City — Scenic  Amuse.  Co. 

Kansas 

Augusta — Jack    Johnson  :     Mecca,    Isis. 

El  Dorado — H.   G.   Ramsey:      Royal,  Palace. 

Galena — N.  W.  Huston:  Palace;  also  oper- 
ates houses  at  Columbus  and  Pittsburg. 

Holton— J.  W.  Wendel:  Perlkin's,  Holton; 
Victoria,   Hiawatha. 

Hutchinson — M.  B.  Shanberg:  Midland,  Hutch- 
inson ;   Columbia,  Junction   City ;   Palace,   Salina. 


Kansas  City-Greubel  Bros. :  Electric.  Sprmg- 
fied  Mo  :  Electric,  Joplm,  Mo.;  len^ii.  »J;» 
Kansas   Ciiy;   Electric.   Kansas   CUy;   Electric  St. 

^°Pitt^sbu^g-Bess  &  Klock:  Klock  Mystic, 
Co!S?Grand"pittsburg;  Liberty,  Picher.  P.cher. 

°|?^S^on^li»^usSi^^::  ^hita. 
Palace,    Miller,    Prmcess. 

Kentucky 

AUen— H.    H.    Durkee:      McKinney    Steel    Co., 
AlU-a    (Pike    Co.)  ;    Allen.   Allen. 
Ashland-lv      G.     Bryan:       Arcadia.     Ashland; 

''BeTt^tl^^TcQuire    &    Phillips:       Lyric.    Ma- 

^°Btch  cS-T.  L.  Kirkpatrick:  Beech  Creek. 
Beech    Creek;    Alcazar,    Bellevue.  . 

Bowling  Green-Tony  Sudekum:  Pr'ncess, 
Cao°tol     Bowling    Green;    Princess.    HopkinsviUe. 

J^     P.     Master^s:       Capitol     and     State     Normal 
Srhool     Bowling    Green;    Picto,    BradfordsviUe. 
^Crescent   Amlse.    Co.':      Aso    operates    m   Hop- 

^'cHnlon-Dewey     S.     Lamkin:       Star.     Clinton; 

Bushman,   Cloverport.  c.^nrl 

Covington— Godfrey     Kotzm:       Lyric,     Strand, 

"^n'^BeTle:  Rialto  Covington;  Monarch,.  Corydon 
Dan  Worth:   Rialto,   Covington;   Colonial,  New- 

^°Dkwson  Springs-E.  W.  Dozier  and  F.  M.  Hole- 
man   control   four  local  houses. 

Dekoven— J.  E.  Boetege:  Dekoven,  Dekoven . 
Princess,    Dixon;    Black    Mountain,    Dizney. 

Dry   Ridge— R.   M.    Lucas:      Ideal,   Dry   Ridge. 

Electric,  Dunlap.  ,    t7  i»         wr^v^r, 

Fulton— Guy  B.   Snow:    Grand,  Fulton;  Wallen 

Jtre°em-ini-^Car?Difncan:      Queen.    Greenville; 

''SdiSrg-J.  C.  Sills:  Dreamland,  Hardins- 
burg  ;  Picture,  Hardin.  j  .   w. 

Hazard— C.  H.  Humphrey:  New.  Hazard ,  He- 
bron Amusement  Co  Hebron;  Beechwood  Sem- 
inary,   Heidelburg;     Superba,    Highland    Park 

Henderson— Louis  Hayes:  Princess  and  a  col- 
ored house,  Henderson.  PrJncMS 

HopkinsviUe— Crescent  Amuse.  Co..  Princess. 
HopkinsviUe;    Lynn    Amuse.    Co.,    Hodgensville 

Independence— T.  M.  Stephenson:  Star,  Inde- 
pendence;   Blackey,    Indian    Bottom. 

Knottsville— Father  F.  J.  Timoney:  St  W,i. 
Hams  Parsonage,  Knottsville;  Orion,  Kuttawa; 
Peoples,  La  Centre.  .         ,      .       ^ 

Lawrenceburg-Thos.  Peek:  Lyric.  Lawrence- 
burg;    Delbee   and   Grand,   Latonia.  c^       j 

Lexington— Phoenix  Amusement  Co  :  Strand, 
Ben  Ali;  Ahambra,  Richmond;  Capitol,  Frank- 
fort; Colonial,  Winchester;  Alamo    Paris. 

J.  H.  Stamper:  Orpheum,  Strand  and  btar 
(colored),    Lexington.  ^    ,       ^  ■o,.,!;,,. 

Lowes-^G.    M.    Peck:      Peck,    Lowes;    Pauline, 

^°]£nt'icello— C.  W.  Simmons:  Gem,  Monticello; 
Dixie,  Mt.  Peasant;   Gem,  Mt.   Olivet. 

Osage  City— William  Coding.     ...    „»,.. 

Paducah— Leo  Keiler:  Cozy,  Arcade  and  Star. 
Paducah;  Savoy,  Princeton;  Princess,  Henderson; 
Empress,   Queen,   Owensboro.  ,  .   ,   ;„   m=.v 

Strand  Theater  Co.:  4  in  Paducah;  2  in  May- 
field:    1    in    Princeton.  _    ,        ,        ,,-..• 

Leo    F.    Keiler:      Arcade,    Paducah;    Majestic, 

Pekin 

Sturgis— E.    S.    Curtis:      The    Curtis,    Sturgis; 

Liberty,    Sulphur.  tt   •      *    .,„ . 

Uniontown— Edgar  Duncan:     Gem,  Uniontown  . 

Strand,  Vanceburg.  ,      ,  .  „r      j  ■  t,    ■<r-„ 

Vine  Grove— F.  L.  Woodnng :  Woodrich,  Vine 
Grove;   Picture,  Viper. 

Wallsend— Elbert  McDonald:  Picture,  Wall- 
send;   Royal,  Walton.  t      ■        iir 

Warsaw— L.  N.  Bradley:  Lyric,  Warsaw; 
Dixie,  Water  Valley;  Wallace,  West  Louisvile; 
West  Liberty,  West  Liberty;  Whitesburg  Amuse. 
Co.,   Whitesburg.  .^  „^.„. 

Williamsburg— J.  W.  Baird:  Paace,  Williams- 
burg;  Lincoln   (coored),  Winchester. 


283 


Sh 


annon 


r 


Day 


l^e  c  en  t    'Productions 

"All   the   Brothers  Were 
Valiant*' 

''Captain    Fly -By -Night'* 

"North  of  the  Rio  Grande" 


LEWIS  S.  STONE 


"Trifling  Women" 

"The  Prisoner  of 
Zenda" 

"The  Child  Thou 
Gavest  Me" 

"The  Dangerous  Age" 

"The  World's  Ap- 
plause" 

"You  Can't  Fool  Your 
Wife" 

(Now  in  production) 


284 


Louisiana 

Baton  Rouge — Louisiana  Amuse  Co. 

Homer — Slack    Amuse.    Co. 

New  Orleans— J.  J.  Shimkowitz:  Queen  and 
Trymore,    Mobile. 

Sobel-Richards — Shear  Enterprises:  Washing- 
ton, Carollton  Fine  Arts,  Arcade,  Rivoli,  Capitol, 
Fern   and   National. 

Saenger  Amusement  Company,  operating  the- 
aters in  the  following  towns :  Baton  Rouge, 
Ruston,  Donaldsonville,  Thibodaux,  Franklin, 
Eunice,  Jennings,  Crowley,  Lafayette,  Homer, 
Lake  Charles,  Minden,  Morgan  City,  Houma,  Nat- 
chitoches, Ale.xandria,  New  Iberia,  Monroe, 
Plaquemine,    New    Oreans    and    Shreveport. 

Shreveport — Liberty  Amuse.  Co.,  Chas.  F. 
Gordon. 

Maine 

Augusta — Nathan  H.  Gordon  &  Wiliam  P. 
Gray :  In  Maine :  Colonial  and  Opera  House,  Au- 
gusta; Pastime  and  Cumberland,  Brunswick; 
Strand,  Opera  House  and  Coliseum,  Gardiner; 
Empire,  Strand,  Music  Hal  and  Mystic,  Lewis- 
ton  ;  Dreamland,  Livermore  Fals ;  Rex,  Norway ; 
Opera  House  and  Majestic,  Rumford ;  Bijou, 
Wilton.  In  N.  H. :  Albert  and  Princess,  Ber- 
lin ;  Colonial,  Olympia,  Scenic  and  Portsmouth, 
Portsmouth;    Majestic,    Burlington. 

Bangor — Kursen  &  Epstein :  Graphic,  Bangor ; 
Park,    Dexter;    Chic,    Milo ;    Star,    Dover. 

Charles    Sterne:      Park,    Bijou. 

O.    F.    Hall,    Lincoln :      Lee,    Passadumkeag. 

Bangor  Theaters,  Inc. :  Park  and  Bijou  Thea- 
ters   (Bangor),   Me. 

Bethel — Bragdon's  Circuit:  Odeon  Hall,  Bethel; 
Hal,    Oxford;    Perkin's   Hall,    Mechanic's    Falls. 

Bridgton — Davis      &      Dow :         Opera      House, 

J.    F.    Bardsley — Riverside,    Bridgton. 

Brownfield — W.  W.  Johnson:  Town  Hall, 
Brownfield ;  Hal,  Denmark ;  Town  Hall,  Cornish ; 
Stanley,    Keezar   Falls 

East  Hiram— Evans  &  York:  K.  of  P.  Hall, 
East   Hiram,   and   Motor   Hall,   Brownfield,   Me. 

Eastport— Wilbur  A.  Shea:  St.  Croix  Opera 
House,  Calais;  Acme  and  Toy,  Eastport;  Eagle, 
Lubec. 

Farmington— Fred  Johnson:  Music  Hall,  Farm- 
ington. 

Greenville — Pero  Morris :  Shaw's  Hall,  Green- 
ville  and    Spencer   Hall,   Monson. 

Kennebunk  —  Acme,  Kennebunk ;  Kennebunk- 
port ;  Acme,  Belgrade  Lakes,  and  Acme,  Vin- 
alhaven. 

Libson  Falls — H.  E.  Gustin :  Bijou,  Libson 
falls;    Empress,    Libson. 

Portland — Abraham  Goodside  :  Empire,  Capitol, 
Springfield. 

Richmond — H.  E.  Gustin :  Opera  House,  Rich- 
mond;   Your    South    Berwick. 

Searsport — Chas.  Green :  Union  Hall,  Sears- 
port,  and  Union  Hall,   Thomaston. 

South  Portland — Uogo  Theaters,  Inc. :  Strand 
and  Town  Hall,  Kittery ;  Pastime,  Yarmouth ; 
Town    Hall,    Gray. 

Winterport — W.  G.  Crocket:  Winterport,  Union 
Hall,  Town  Hall,   Orrington. 

Maryland 

Baltimore — Stanley  Co.  of  America  interested  in 
Victoria. 

Fred  G.  Nixon-Nirdlinger :  Academy  of  Music, 
Victoria,  Baltimore;  Maryland,  Colonial,  Acad- 
emy, Hagerstown;  Opera  House,  Temple,  Dover, 
Del. 

Century  Amuse.  Co.  (C.  E.  Whitehurst)  :  New, 
Garden,   Parkway,   Peabody,    Century,   Baltimore. 

Bernard  Depkin,  Jr. :  Wizard  (for  Para- 
mount), Strand,  New  Pickwick;  Forest  (for 
Ford),    West    End. 

J.  Morris  Rome :  Broadway,  Rialto,  Capitol, 
Apollo,  Goldfield,   Popular. 

Massachusetts 

Beverly — Ware  Bros.:  Larcom  and  Regent; 
Strand,   Peabody. 

Boston — A.    B'.  C.    Theater    Co.;    Olympic    and 

Roxbury  ;  Strand,  Pittsfield ;  Rialto  at  Naugatuclc, 
Conn. 

Tony    Nelson :  Hippodrome,    Creighton. 


B  F  Keith:  Keith's,  Boston  and  Keiths  Bijou 
Dream ;  Keith's  at  Lowell.     See  New  York^ 

Elm  Amusement  Co. :  Magnet ;  Opera  House  »i 
Milrod;  Marlboro  at  Marlboro;  Sharkey  s,  North 
Attleboro,  Orpheum,  Canton. 

Empire  Circuit:  13  houses,  operated  by 
Joseph   Lawren,   N.   Y.    City. 

■  Marcus  Loew ;  Loew's  Orpheum,  Loews  Olobe, 
Loew's    Columbia,    and    Loew's    State,      faec    iNcw 

Giles  Circuit:  Operates  chain  in  New  Engjand 
Nathan  H.  Gordon:  Washington  Street  Olym- 
pia, Scollay  Square  Olympia,  Upham  s  Cor- 
ner Strand;  Gordon's  Central  Square,  Cambridge , 
Harvard,  North  Cambridge;  Gordon  s  Olympia, 
Chelsea;  North  Shore  and  Olympia,  Gloucester. 
Gordon's  Olympia,  Lynn;  Olympia^  New  Bed- 
ford; Park  and  Family,  Worcester;  Olympia,  New 

New  England  Theaters,  142  Berkeley  St.— See 
Famous  Players-Lasky  list  of  theaters. 

Ernest  H.  Horstmann:  Olympia,  Worcester, 
Princess  and  Wakefield,  Wakefield;  Park  and 
Lyric,  Middleboro;  Olympia,  Reading;  Webster, 
Franklin,  N.  H.  ,  „  ti     ^      . 

Jake  Lourie:  Park,  Modern,  Beacon,  Boston. 
Criterion,    Roxbury    Crossing. 

Fall  River— John  C.  Bills:  Empire,  Rialto, 
Academy  of  Music,  Bijou,  Fall  River;  Central 
Sq.,  Waltham.  o,.     .      t      • 

Fitchburg — Toomey  &  Demara :  Shea  s,  Lyric, 
Cummings. 

Framingham— George       Giles:  St.       >^eorge, 

Gorman's,  Princess:  St.  James,  Bostoii;  Gardner 
and  Orpheum,  Gardner;  Waltham  and  Rex,  Walt- 
ham;   Stoneham,   Stoneham.  «   a-  „       it  i 

Holyoke— George  Hammond:  Suffolk,  Uoiy- 
oke;    Bijou,   Springfield. 

Mr.  Radcliflfe:  Sufifolk,  Holyoke;  Bijou, 
Springfield.  . 

Lynn— Moe  Mark:  Strand  and  Comique;  Strand 
and   Crystal  at  Worcester.      See  New  York. 

Northbridge— Walker  Circuit;  Walkers  Hall; 
Town  Hall,  Uxbridge;  Prospect,  WhitinsviUe . 
Jacques    Hall,    Farnumsville ;    Hall,    Linwood. 

Marlboro— Julius  Meyers:  Marlboro;  Elm, 
Hudson;  Elm,  Milford ;  Orpheum,  Canton ;  Mag- 
net, Dorchester;  Elm,  Waverly ;  Ehn,  N.  Attle- 
boro ;    Elm,   Danvers.  .      „  ,  m 

Salem— Koen  Bros.:  Federal,  Salem;  Plaza, 
Olympia,    Newton.  . 

SomerviUe— R.  W.  Brown:  Union  Square 
Olympia,  Day  St.  Olympia,  Somerville ;  Opera 
House,  Newton;   Olympia,  Everett. 

Springfield— Goldstein  Brothers  Amusement  Co. : 
Broadway  and  Plaza;  Plaza,  Northampton;  Strand 
and  Opera  House,  Westfield ;  Colonial,  Pittsfield. 
Casino,    Hampton    Beach,    N.    H.         „  ..  .         c 

Wm.  Fox:  Fox's;  Fox's  at  New  Britain,  bee 
New  York.  t,    ,      r-     ■ 

Taunton— James   Donovan:      Park,   Casino. 

Wareham— E.     C.     Warr :       Warr.     Wareham; 

Colonial,   Onset.  „.       .  ^     .   .      _,  j 

Webster— Steinberg  Circuit:  SteinbergTa  and 
Music  Hall;  Opera  House,  Athol.  „        .       . 

Winchendon— Carter's  Circuit :  Monadnock ; 
Monadnock,  Troy,  N.  H. 

Worcester— S.  Z.  Poh:  Poir«,  ,  Palace,  and 
Grand,  Poll's  and  Palace  Springfield.  PrinceM 
Theater  Co. :  Olympia,  Worcester,  PrinceM, 
Wakefield,  Wakefield;  Park,  Middleboro. 

Michigan 

Ann   Arbor— J.    F.    Wuerth— Wuerth,    Orpheum. 
Battle     Creek — Lipp     &    Crosse    Co.:       Regent, 

Strand,  Post,  Garden,  Rex.  . 

Bay  City— W.  C.  Watson:  Regent,  Washington, 
Columbus.  .  .      „     ,,  T-,  c 

Benton  Harbor — Fitzpatrick  &  McElroy:  See 
Chicago,  111.  T   t.     » 

Bessemer — D.  J.  Kulaszequez:  Rex,  Liberty, 
Strand.  „  ,,., 

Detroit— C.  H.  Miles:     Orpheum,  Regent,  Miles. 

lack    Cairnes:       Fun,    Brooklyn. 

Phil  Gleichman:   Broadway,  Strand,  Ferry  Field. 

D.  W.  Muns,  B.  R.  Williams  and  H.  E.  Ap- 
plegate:    Palace,   La   Salle,   Tuxedo. 

J.  H.  Kunsky,  Inc.:  Madison,  Adams,  DeLuxe, 
Alhambra,  Linwood,  La  Salle,  Empress,  Royal, 
Capitol,    Strand. 


285 


OEORQE 
STEWART 

Theodore 
Lorch 


-w 


HEAVIES 


286 


Warren  &  Cohen :  Colonial,  Rex,  Globe,  Col- 
iseum. 

Geo.    F.    Koppin    Amuse.    Co.:      Woodward    1, 

Woodward  2,  Koppin,  Comique,  Rosebud,  La 
Salle,    Garden. 

Escanaba — Delft  Amuse.  Co.:  Strand,  Delft, 
Escanaba;    Delft,    Marquette;    Delft,    Munising. 

Flint — Butterfield  Circuit :  Majestic,  Arcade, 
Ann  Arbor;  Orpheum,  Bay  City;  Franklin  and 
Regent,  Saginaw;  Bijou,  Battle  Creek;  Majestic, 
Regent,  Kalamazoo;  Regent,  Lansing;  Palace, 
Regent,  Garden,  Flint;  Majestic,  Family,  Port 
Huron. 

Grand  Rapids — Consolidated  Theaters,  Inc.: 
Orpheum,   Majestic  and   Strand. 

Beechers,  Inc. :  Alcazar,  Burton  Heights,  Co- 
lonial,  Crestonette,   Division,   Madison. 

J.  W.  Goodspeed:     Isis,  Idle  Hour. 

Hancock — Vance  Amuse.  Co. :  Hancock,  Calu- 
met;  Houghton,  South  Range. 

Iron  River — Iron  River  Co. :     Cozy,  Empire. 

Ishpeming — E.  J.  Butler:      Butler.  Ishpeming. 

Jackson — Harold  Frank :  Capitol,  Dawn,  Ar- 
cade,   Hillsdale,    Charlotte. 

Colonial  Theater  Co. :  Majestic,  Colonial,  Ri- 
alto,    Dawn. 

Lansing — Claude  E.  Cady :  Colonial,  Gladmer, 
Empress,   Lansing. 

Kalamazoo — Kalamazoo   Amusement    Co. :    Elite, 

Fuller. 

Marquette — Delft  and  Opera  House;  New 
Strand  and  Delft,  Escanaba;  Delft,  Munising. 

Muskegon — P.  J.  Schlossman,  Inc. :  Majestic, 
Regent,   Rialto,   Elite,   Strand. 

Newport— A.  L.  Picker:  Newport,  Newport; 
Rex  and  Rialto,  Ironwood ;   Hurley,   Hurley,  Wis. 

Pontiac — A.  J.  Kleist:     Strand,  Howland. 

Minnesota 

Albert  Lea — V.  B.  Valleau:  Broadway  and 
Idle  Hour,  Albert  Lea;  Colonial,  Osage,  Iowa; 
Eltinge,    Bismarck,   N.   D. 

Baudettp — Northern    Theater    Co. : 

Cass  Lake — Chas.  Perrizo:  In  Cass  Lake  and 
Deer    River. 

Duluth — Clinton,  Myers  Investment  Co. :  Ly- 
ceum, Strand,  Sunbeam,  Doric,  Diamond,  Alham- 
bra,    Duluth. 

Graceville — J.  L.  Hasbrouck :  In  Graceville, 
Ortonville  and  Wheaton. 

International   Falls — Grand   Theater   Co. 

Mankato — Dan  Chamberlain  (American  Amuse. 
Co.):  In  Mankato,  Faribault,  Minn;  Fargo,  N. 
D. ;    Surburban   House   in   Minneapolis. 

Minneapolis — Twin  City  Amst.  Trust  Estate: 
State,  Blue  Mouse,  Lyric,  Grand,  Aster,  Unique, 
Garden,  Garrick,  Strand,  Palace,  Calhoun,  La- 
goon, Loring,  Lyndale,  Shubert,  Minneapolis; 
Capitol,  Garrick,  Aster,  Starland,  Shubert,  Prin- 
cess, Majestic,  Blue  Mouse,  Cozy,  Alhambra, 
Park,  Victoria,  Faust,  Verdi,  Como,  St.  Paul; 
Best,  Brainerd;  Lyric,  New  Garrick,  Grand,  Vir- 
ginia; Princess,  New  Garrick,  Hibbing ;  New  Gar- 
rick, Lyric,  Grand,  Aster,  Duluth;  Palace,  Su- 
perior, Wis. 

Rowe  &  Sobelman:  Blue  Mouse,  and  Blue 
Mouse,  St.  Paul. 

New  Lake — H.  P.  Greene  (Mgr.  Lake  Amuse. 
Co.):  New  Lake,  Lake;  Minneapolis,  Hamiline; 
St.   Paul  4  theaters 

Pine  City— H.   N.  Turner. 

Pipestone — L.  V.  Feldman  :     Gem,  Orpheum. 

Stillwater — Frank  Nemec :  (Mgr.  United  The- 
aters  of  America).     In   Stillwater  and    St.    Cloud. 

Virginia — W.   J.    Rezac :    Virginia   and    Hibbing. 

Winona — Colonial  Amuse.   Co. : 

Missouri 

Cape  Girardeau — Park  Amusement  Co. :  Park, 
Orpheum,  Cape  Girardeau;  Gem,  Jackson,  Pull- 
man,  ChafTee. 

Chillicothe — W.    P.    Cuflf:      Strand,   Empire. 

Hannibal — Price  Theaters  Co.:  Star,  Broad- 
way, New  Orpheum. 

Kansas  City — Frank  L.  Newman :  Newman, 
Royal,  12th  St.;  Butterfly,  Milwaukee;  4th  St., 
Moberly,    Mo. 

Joe  Cooper:  Cooper,  Oklahoma  City;  Wichita, 
Wichita. 


M.  B.  Shanberg:  Palace,  Salina ;  Royal,  Hutch- 
inson;  Columbia,  Junction  City. 

Capitol  Theaters :  Liberty,  Doric,  Linwood, 
Gladstone,   Admiral,    Summit,    Benton.  • 

Archie  Josephson  Amusement  Co. :  Victory, 
Dunbar,  Empire,  Penn.  Valley,  American,  New 
Diamond. 

Bull  &  Fite:  Holland,  Novelty,  Wichita,  Eris, 
Eldorado. 

Grubel  Circuit :  Electric  Theaters,  Kansas 
City,     Kan. ;    Joplin,    Springfield    &    St.    Joseph. 

Reinke  Amusement  Co. :  Orpheum,  Columbia, 
Royal,    Crystal,    St.    Joseph. 

Leadwood — Norwine  Amuse.  Co. :  Houses  in 
4  towns. 

Milan — G.    B.    Woolridge :      Harmon    and    Trio, 

Moberly— Jack      F.      Truitt :        Grand,      Sedalia, 
Sedalia. 
Gait. 

Nevada — Sears    &   Tones  :      Star   and   Liberty. 

Poplar  Bluff— I.  W.  Rogers:  Criterion,  Lib- 
erty, Carruthersville ;  Tokio,  Morehouse,  Gem  and 
Kimmel,  Cairo,  111.,  and  several  houses  in  Ar- 
kansas. 

St.  Joseph — Hostettler  Amusement  Co. :  Colo- 
nial, Orpheum,  Royal,  St.  Joseph ;  Orpheum,  At- 
chison,  Kan. 

St.  Louis — Skouras  Bros. :  New  Grand,  West 
End,  Lyric,  Capitol,  Down  Town,  Lyric  Pageant, 
Shaw,  Arsenal,  Empress,  Crystal,  Skydome,  West 
End,    Lyric    Skydome. 

St.  Louis  Amusement  Co. :  Pershing,  Show, 
Arsenal,  Juniata,  Grand  Shenandoah,  Lindell, 
Grand  Florissant,  Lafayette,  Manchester,  Gra- 
vois.  Novelty,  Lowell,  Maffit,  St.  Louis,  Air- 
dome,  Montgomery,  Webster,  Arco,  Royal,  New 
Shenandoah,  Russell,  Compton,  Criterion,  Shenan- 
doah  Airdome,    Pershing   Airdome. 

Famous    Players-Miss.     Corp. :      Missouri. 

H.    Pazmazoglu :      Delmar,    Congress,    Criterion. 

Sears  &  Jones:     Operate  4. 

Harding   Bros. :      Operate  2. 

Joe  Mogler:     Bremen,  Excello  and  Mogler. 

Eugene  Freund :      Cinderella  and  Woodland. 

M.  Reichmann :  Peerless,  Broadway-Family  and 
Palace. 

John  Karzan :  Olympia,  Casino,  Majestic,  Lin- 
coln and   Star. 

Cella  State :      Columbia,   Strand. 

Fred   Wehrenberg :      Cherokee,   Melba. 

W.    O.    Reeves:      Eighteenth    St.,    Maryland. 

Rex  Amusement  Co. :  Palace,  Peerless,  Broad- 
way,   Family. 

W.    A.    &   C.   A.    Diefenbach :      Monroe,    Monroe 

Airdome. 

Montana 

Anaconda^D.  C.  Scott :  Margaret  and  Im- 
perial. 

Billings— A.  H.  West:  Babcock,  West's  27th 
St.,   Billings. 

Bozeman — O.  E.  Schmidt :  Ellen,  Gem,  Lyric, 
Bozeman. 

Butte — Ansonia  Amusement  Co. :  Broadway, 
Ansonia,    Orpheum,    Butte;    Marlow,    Helena. 

Fred  Teufel  (Jensen  Von  Herberg  interests)  : 
American.    Rialto,    Butte. 

Rowe  &  Drehellis :  Rilato,  Butte ;  Imperial, 
Anacanda. 

Great  Falls — W.  Waldo  Freeman :  Imperial, 
Palace,  Gem,  Great  Falls.  Wm.  Steege:  (}rand. 
Sexton,   Great   Falls. 

Jensen-Von    Herberg :      Liberty,    Capitol. 

Hamilton  —  Hartwig  &  Sutton:  Liberty, 
Ravallix. 

Kalispell — McDaniel  &  Anderson  :  Princess, 
Orpheum,    Kalispell. 

Libby — W.  F.  Kienitz :  Kootenai,  Libby ;  Prin- 
cess,   Troy. 

Manhattan — S.  L.  Young:  Kid  No.  1,  Man- 
hattan; Kid  No.  2,  Willow  Creek;  Kid  No.  3, 
Trident. 

Miles  City — Hyde  &  Knutson  :     Liberty,   Strand. 

Missoula — Northwest  Theaters,  Inc.  (Simons 
&  Turner)  :  Wilma.  Rialto,  Empress,  Liberty, 
Isis  and  Bijou,  Missoula  ;  Liberty  and  Grand,  Wal- 
lace, Idaho ;  Liberty,  Mullen.  la. ;  Liberty  and 
Princess,  Kellogg,  Ida. ;  Liberty,  Coeur  d'Alene, 
Idaho. 

Ryegate — G.  F.  Rediske :  Star,  Ryegate ;  Star, 
Clayton. 


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Nebraska 

AtUutio — R.  U.   Steen  :     Atlantic  Garden. 

Central  City — Mrs.  Goodham  Donnellson:  Hou^e 
Jiere  and  at  Holdredge. 

Chadron— J.  W.  .Pace:  Pace,  Rex;  Empres~S, 
Gordon. 

Culberson — Benkelman  Circuit :  Opera  Hous^, 
•Culberson;  Opera  House,  Benkelman;  Opera 
House,  Imperial;  Opera  House,  Palisade;  Opera 
House,   Trenton ;    Opera   House,   Gilberson. 

Nebraska  City— D.  F.  Thornburp,  3. 

Omaha — George  Munroe :  Odell  Opera  House ; 
Rogers  Opera  House,  De  Witt ;  Jewel,  Gilbert 
and   Lyric,    Beatrice. 

A.  H.  Blank:  Rialto  and  Strand,  Omaha; 
'Garden,  Casino  and  Family,  Davenport,  la. ;  Des 
Moines,  Rialto,  Casino,  Garden,  Unique,  Palace 
and  Majestic,  Des  Moines,  Iowa  :  Swan  and  North, 
Columbus,  Neb.:  Regent,  Palace  and  Bijou,  Mason 
•City,  la.;  Princess.  Sioux  City,  la.;  Strand,  Mar- 
shalltown,  la.;  Rialto,  Boone,  la.  (in  course  of 
^■onstruction)  :      Happy   Hour,    Princess,   Ames,   la. 

World  Realty  Co. :  Sun,  Moon,  Muse  and 
Princess,   Omaha. 

S.   &  L.   Epstein :   Majestic,   Bessie,   Omaha. 

Hostettler  Amuse.  Co.  :  Lyric.  Rialto,  Sun. 
Colonial,  Liberty,  Lincoln ;  Strand,  Empress,  Hast- 
ings;  Majestic,  Rex,  Fairbury ;  Gilbert,  Beatrice; 
Majestic,  Grand  Island  ;Auditorium,  Lyric,  Nor- 
folk ;  Liberty,  Paramount,  Overland,  Nebraska 
City;  Parmele,  Lyric,  Plattsmouth ;  Colonial,  Or- 
pheum,  Royal,  Crystal,  St.  Joseph,  Mo. ;  Grand, 
Lexington,  Mo. ;  Orpheum,  Atchison,  Kans. ; 
Royal,  Plaza,  Sioux  City,  la.  ;  Crystal,  Plaza, 
Waterloo,  la. ;  Family,  Orpheum,  Clinton,  la. ; 
Isis,  Cedar  Rapids,  la.;  Gem,  Charles  City,  la.; 
Royal,  LeMars,  la. ;  Casino,  Marshalltown,  la. ; 
Opera  House,  Garden,  Atlantic,  la. ;  Lyric,  Os- 
ceola, la.;  Majestic,  Missouri  Valley,  la.;  Rivola, 
Strand,   Lyric,    Oskaloosa,    la. 

Pawnee  City — King's  Amusements  :  Houses  in 
Pawnee,     Lewiston,     Du     Bois,     Neb.,     and     Barn, 

New  Hampshire 

Lebanon — H.  A.  Graves:  Lyric,  Lebanon; 
Globe,    St.   Johnsbury. 

Whitefield — ^J.  B.  Fames:  Star,  Groveton ; 
Star,   Littleton. 

Nevada 

Reno — T.  &  D.  Jr.  Circuit:  Rialto,  Grand  and 
Majestic. 

New  Jersey 

Atlantic  City — Stanley  Co.  of  America:  Cen- 
tral, City  Square,  Colonial,  Cort,  Criterion,  Globe, 
Virginia,  Steel  Pier,  Keith's  Garden  Pier ;  Pal- 
ace, Gloucester;  Broad,  Pennsgrove ;  State  St.; 
Trenton ;  Towers,  Broadway,  Temple,  Colonial, 
Forest  Hill,  Garden,  Grand,  Lyric,  Plaza  and 
Princess,  Camden ;  Auditorium,  Burlington.  See 
Philadelphia. 

E.  J.   O'Keefe:     2;  J.  HafTner.     2. 

Camden — ^A.    J.    Rovner:    3.      B.    Schindler:      2. 

Keystone  Leather  ("o.  :  .\uilitorium,  Collings- 
wood;   Highland,  .\udobon. 

Haddonfield — N.  Johnson  :   3. 

Newark — Fabian  Enterprises  :  Rialto,  Goodwin, 
Paramount,  Newark.  Alexander  Hamilton  (under 
construction)     Paterson.  New     Montauk     (under 

construction).  Regent,  Passaic,  Colonial,  Pomp- 
on  Lakes. 

Perth  Ambov — A.  J.  Sabo :  Ditmas ;  Clinton 
Square,   Newark. 

Trenton — Hildinger  Amusement  Enter. :  White 
City  Park,  Strand,  Bijou,  Rialto,  Princess,  Victory, 
Globe,  American,  Center  Street,  Garden,  Wilbur, 
Palace,  City  Square,  Trenton ;  Rialto,  Belmar ; 
Strand,  Lambertville ;  Colonial,  Bristol ;  Army, 
Wrightstown ;  Hope,  Hopewell.  M.  Moses,  I; 
W.  J.  Vernon,  2. 

Haring  &  Blumenthal  Enterprises,  1658  Bway. : 
National,  Central,  Tivoli,  Eureka,  Jersey  City; 
Palace,  Palace  Annex,  Classic,  Belmont,  New 
York  City ;  Airdome  and  Utica,  Brooklyn ;  Lin- 
coln, Union  Hill. 

New  Mexico 

Albuquerque — Barnett  Amuse.  Co. :  Bee,  Crys- 
tal,   Lyric. 

Gallup — Jadk    Garrett :      Rex,   Empress. 


Hurley — Chino  Copper  Co. :  Hurley,  Hurley ; 
Orpheum,    Sta'nta   Rita. 

Santa  Fe — N.   Salmon :  Paris,   Mission,   Rialto. 

Navajo     Amus^.     Co.:  Navajo,     Las     Cruces ; 

Gasino,   Ma'gdalena ;   Gem  Socorro. 

New  York 

Albion — W.  H.   Robson :     Temple,  Family,     i 

Albany — William  Berinstein  :  Colonial,  Hud- 
son ;    Majestic,    Mozart,    Elmira. 

Auburn — M.  A.  Shea:  Jefferson,  Auburn;  Op- 
era  House,  Jamestown. 

Batavia — Nikitas  T.  Dipson  :  Family  and  GraYid, 
Richmond    Hill,    L.    I. ;    Haneus,    Olean. 

Buffalo — General  Theater  Corp. :  Ellen  Terry, 
Allendale,  Arcadia,  Marlowe,  Circle,  Star,  Central 
Park,  Buffalo. 

United  Theatrical  Enterprises :  Colonial,  Co- 
lumbia,    Buffalo;     Cataract,     Niagara     Falls. 

Hale   &  Hanney :      Maxine  and   Capitol. 

Max    Levine:      Elk,   Abbott. 

Carthage — J.  M.  Schine :  Hippodrome,  Colli- 
gan  ;   Strand,  Watertown. 

Jamestown  —  Peterson  &  Woods :  Mozart, 
Wintergarden,    Palace. 

Malone — Kernato  Amusement  Co. :  Regent,  St. 
Regis  Falls;   Opera  House,  Brushton. 

Kirk  &  McMeihan  :      Grand  and  Malone,  Malone. 

Olean — Allied  Theaters,  Inc. :  Gem,  Palace, 
Haven,    Strand. 

Rochester — Eastman  Theater  Corp. :  Eastman, 
(and  Rogerson  Corp. ;  Regent,  Gordon,  Pic- 
cadilly.) 

Schenectady — William  F.  Benton:  Congress, 
Saratoga   Springs,    Barcli. 

Syracuse- — A.    F.    Met.* gar :    Acme,   Lincoln. 

Fred  A.  Font:  Plaza,  Geddes,  Midland,  Model, 
Colonial.    Syracuse,    Palace,    Olympic. 

Jas.  Kernan :  Kernan,  Capitol,  Burnet  Pk., 
Liberty,    Starland. 

Fitzer   Bros. :      Rivoli,   Happy  Hour. 

Jas.    Roe :      Turnhall,    Arcadia. 

Troy — Illium  Amusement  Co. :   American,   King. 

Ben    Appel,    several   houses. 

Utica — W.  H.  Linton:  Hippodrome,  Utica; 
Hippodrome,  Lintonian,  Little  Falls.  Deluxe, 
Majestic,   Avon,    Colonial,    Gaiety-Eckel. 

Watertown — Robbins  Amuse.  Co. :  Olympic, 
Palace,  Strand,  Antique,  Avon,  Gaiety,  Lyric, 
Eckel,   DeLuxe,   Utica. 

Waverly — H.  W.  Merrill:  Amusu,  Waverly ; 
New  Sayre,  Happy  Hour,  Sayre,  Pa.,  Morley, 
Athens. 

New  York  City 

New  York  City — Gotham  Amusement  Co.  : 
Gotham,   Harlem   Grand. 

Keith — Manhattan — 81st  St.,  Hamilton,  Jeffer- 
son, Broadway,  Regent,  Flatbush,  Coliseum,  Tivoli, 
Dyckman,  Harlem  Opera  House.  Brooklyn — 
Prospect,  Greenpoint,  Monroe,  Madison  Halsey, 
DeKalb.     Jersey  City — Keith's. 

Proctor — (Book  out  of  Keith  office) — Manhat- 
tan—12Sth  St.;  58th  St.,  23rd  St.  _  Albany— 
Harmanus  Bleecker  Hall,  Annex,  Bijou,  Park. 
Troy — Proctor's,  Griswald.  Schenectady — Proc- 
tor's. Mt.  Vernon — Procetor's.  Yonkers — Proc- 
tor's. Elizabeth — Broad  St.,  Jersey  St.  Plainfield 
—Proctor's.  Newark — Palace.  Port  Chester — 
Proctor's. 

Charles  O'Reily :  68th  St.  Playhouse,  68th  St. 
and  3rd  Ave.;  Rex,  211  E.  67th  St. 

Rachmill,  Warschauer  and  Rinzler :  Sheffied, 
308  Sheffield  Ave.,  Penn.,  621  Sutter  Ave.:  Cleve- 
land, 2386  Pitkin  Ave.,  Miller,  251  Saratoga  Ave., 
all    in    Brooklyn. 

Maurice  Goodman :  Willoughby,  260  Knicker- 
bocker  Ave. ;    Broadway    Lyceum,    837    Broadway. 

William  Yoost — Amphion,  614  Ninth  Ave. : 
Chelsea,  312  Eighth  Ave.;  Superior,  443  Third 
Ave.,  and  Royal,  650  Tenth  Ave.;  34th  St.  The- 
ater,   34th      St.    at    Third   Ave. 

Schwartz  and  Miller— Oxford,  552  State  St.; 
and  Halsey   St.,   Brooklyn. 

Sheer  Brothers — Palace,  Corona;  Victoria, 
Elmhurst ;  Hyperion,  Corona,  and  Coonial,  Co- 
rona. 

Grobe  &  Knoble:  U.  S.,  •  Webster  Ave.  ai.d 
196th. 


289 


Wiliam  Fox  Circuit — New  York :  Academy 
of  Music,  14th  St.  and  Irving  PL;  Audubon,  16Sth 
St.  and  Broadway;  City,  114  E.  14th  St.;  Cro- 
tona,  Tremont  and  Park  Ave.;  Nemo,  104th  St. 
and  Broadway;  Star,  107th  St.  and  Lexington 
Ave.;  Washington,  149th  St.  and  Amsterdam  Ave. 
Japanese    Garden,    Bway    and    97th    St. 

Brooklyn:  Bay  72nd  and  3rd  Ave.;  Bedford, 
Bedford  Ave.  and  Bergen  St.;  Comedy,  194  Grand 
St.;  Folly,  12  Graham  Ave.;  Ridgewood,  Myrtle 
and   Cypress  Aves. 

Lynbrook,    L.     I.  :      Lynlirook. 

Philadelphia :      Philadclpliia. 

Oakland,    Cal.  :      Oakland. 

Newark,  N.  J. :  American,  Clinton  and  Pe- 
shine  Aves. ;   Terminal,  84   Park   PI. 

Paterson,    N.    J.:      American,    150    Ellison    St. 

Jamaica,  L.   I.:     Jamaica,  314  Fulton  St. 

Elizabeth,   N.   J.:      Liberty,    1123    Elizabeth  Ave. 

St.  Louis,  Mo. :  Liberty,  Delmar  and  Grand 
Aves. 

New  Britain,   Conn. :    New   Britain. 

Springfield,    Mass.  :      Springfield,    Main    St. 

Denver,    Col. :     Plaza,    Rivoli,    Isis    and    Strand. 

Detroit,    Mich.  :      Washington. 

Sydney  S.  Cohen :  Empire,  McKinley  Square, 
Tremont,     Bronx    Strand,    North    Star. 

Maier  &  Schneider — Roebling,  Hopkinson,  Clin- 
ton   Star,   Palace,   Waco,   M.    &   S.,   Delancey. 

Consolidated  Amuse.  Co. — Arena,  Times,  Ideal, 
York,  Village  Movies,  Regent,  Morningside,  72nd 
St.    Playhouse,    Clermont. 

J.    A.    Bradbury — Majestic,    Bunny,    Olympia. 

B.  K.  Bimberg — West  End,  Standard,  Schuyler, 
103rd    Street,    Market,    Astor    Airdome. 

Weiss  Bros. — Fifth  Ave.,  Meeker,  Manhattan, 
Hendersons    (L.    I.) 

Wolfe,  Hamburger  &  Springer — 77th  St., 
Adelphi,    Symphony. 

Leo    Brecher^Plaza,    Odeon. 

S.   S.   Suchman — Bronx,   Golden    Rule,    King. 

Chas.   Steiner — New   14th    St.,   Sunshine,   Casino, 

B.  Edelhurtz-^Metropolis,  Colonial,  Wonder- 
land. 

Mr.   Peters — Osceolo,   Port  Morris. 

Jack   Hatton — Marcy,   Varities. 

Abe  Schwartz — Linden,  Farragut,  Kingsway, 
Merrick     (Bk.). 

Rubin   &  Heilbron — Reed,   Grand. 

Sol   Brill — Summer  and   Strand,   Far   Rockaway. 

Billy   Brandt — Carlton,    Bunny. 

L.  Rosenblatt — Lyceum,  Plaza,  (Bayonne), 
Star  (Brighton). 

S.  Crystal — Strand,  W.  Hohoken  ;  U.  S.  Temple, 
Union    Hill,    N.    J. 

Walter  Read :  Taylor,  Trenton,  Trenton,  N. 
J. ;  Savoy,  New  York  City,  and  theaters  in 
Asbury    Park,    N.    J. 

Wilmer  &  Vincent,  1451  Bway:  Orpheum,  Co- 
lonial, Regent,  Hippodrome.  Reading,  Hippo- 
drome, Orpheum,  Capitol.  Easton,  Colonial, 
Orpheum,  Opera  House.  Harrisburg,  Colonial, 
Victoria,  Majestic,  Orpheum,  Grand,  Capitol. 
Altoona,  Ofpheum.  Norfolk,  Va. ;  Colonial, 
Acodemy  of  Music,  Wells,  Granby,  American, 
Strand.  Richmond,  Colonial,  Academy  of  Music, 
Lyric,  Odeon,  Isis,  Bijou,  Victor,  Strand. 
Savannah,  Ga.,  Bijou. 

Levin    Bros. — Parkview,    WyckofT    (Bk.). 

Loew's :  In  Greater  New  York  —  State, 
Broadway;  American,  260  W.  42nd  St.; 
Orpheum,  87th  St.  and  Third  Ave.;  Na- 
tional, 149th  St.  and  Bergen  Ave.;  Metropolitan, 
Fulton  and  Smith  St. ;  Greeley  Square,  30th  St. 
and  Sixth  Ave. ;  Delancey  St.,  Delancey  and  Suf- 
folk ;  Victoria,  125th  St.  and  Seventh  Ave. ;  Lin- 
coln Square,  66th  St.  and  Broadway ;  Fulton,  Ful- 
ton and  Nostrand;  Boulevard,  S.  Boulevard  and 
Westchester;  Theater,  New  Rochelle,  N.  Y. ; 
Lyric,  Hoboken,  N.  J. ;  Avenue  B,  Ave.  B  and 
5th  St.;  WarwiA,  Fulton  St.  and  Jerome;  Pal- 
ace, E.  N.  Y.  Ave.  and  Douglass,  Bklyn. ;  Seventh 
Ave.,  124th  St.  and  Seventh  Ave.;  Bijou,  Smith 
and  Livingston  Sts.,  Bklyn. ;  Broadway,  Broad- 
way, near  Myrtle,  Bklyn. ;  Burland,  985  Prospect 
Ave.:  Circle,  60th  St.  and  Broadway;  Forty-Sec- 
ond St.,  42nd  St.  and  Lexington  Ave. ;  New  York, 
44th  St.  and  Broadway;  116th  St.,  116th  St.  be- 
tween Lenox  and  7th  Ave. ;  Brevoort,  Brevoort 
PI.  and  Bedford  Ave.,  Bklyn.;   Rio,  160th  St.  and 


Broadway;  86th  St.,  86th  St.  near  Third  Ave.; 
Spooner,  S.  Boulevard  and  Westchester  Ave. ; 
Victory,  156th  St.  and  Third  Ave.;  Elsmere,  Cro- 
tona  I'arkway  and  Elsnu-re  PL;  Century,  Nostrand 
Ave.;  Alhambra,  Knickerbocker  Ave.,  Astoria 
Garden,    Richmond    Hill. 

Throughout  the  States — Loew's  Orpheum,  Bos- 
ton, Mass. ;  Yonge  St.,  Toronto,  Can. ;  Theatre, 
Montreal,  Can.;  King  St.,  Hamilton,  Ont. ;  Hip- 
podrome, Baltimore,  Md. ;  Grand,  Atlanta,  Ga. ; 
Bijou,  Birmingham,  Ala. ;  Theatre,  Knoxville, 
Tenn. ;  Lyceum,  State,  Palace,  Memphis,  Tenn. ; 
Vendome,  Nashville,  Tenn. ;  Empress,  Garden, 
Kansas  City,  Mo. ;  Garrick,  St.  Louis,  Mo. ;  Mc- 
Vickers,  Chicago,  Hi. ;  Liberty,  Alhambra,  Eu- 
clid, Mall,  Park,  Stillman,  State,  Cleveland,  C; 
Lyceum,  Pittsburgh;  Dayton,  Dayton,  O.; 
Casino,  Salt  Lake  City,  Utah ;  Hippodrome,  Port- 
land, Ore. ;  Casino,  Hipp,  San  Francisco ;  Pal- 
ace-Hippodrome, Seattle,  Wash. ;  Hippodrome, 
Fresno,  Cal. ;  Hippodrome,  State,  Sacramento, 
Cal. ;  Hippodrome,  San  Jose,  Cal. ;  Hippodrome, 
State,  Stockton,  Cal.;  Hippodrome,  Los  Angeles; 
Hippodroine,  San  Diego,  Cal. ;  Columbia,  Globe, 
Boston ;  State,  Oakland ;  Piccadilly,  Regent,  Star, 
Rochester ;  Columbia,  Palace,  Washington.  Also 
theaters  in  Eureka;  Hamilton,  Ont.;  Indianapolis; 
London,  Ont.;  Long  Beach,  CblL;  Montreal,  Can.; 
New  Orleans;  Ottawa,  Can.;  Tacoma,  Wash.; 
Toledo,  O.  ;  Windsor,  Can.;  Yakima,  Wash.,  State, 
Newark,   and  others. 

A.  Rapf — Montauk,  Park,  Plaza,  Bath  Beach. 

Mitchell  H.  Mark  Corp. — Mark-Strand  in 
Albany,  Brooklyn  and  Buffalo.  Booking  connec- 
tion with  the  Moe  Mark  houses  in  Lynn  and 
Worcester,  Mass. ;  Syracuse,  N.  Y.,  Spiegel-Mark 
Corp.,  owning  the  Sheridan  Square,  N.  Y.,  and 
houses  in  Allentown  and  Schenectady  as  well  as 
the  Spiegel  properties  in  Newark,  the  Strand  and 
New  Rialto. 

North    Carolina 

Burlington — Wm.  C.  Mclntire:  Crystal,  Vic- 
tory, Burlington;  Majestic,  Mebane;  Alco,  Gra- 
ham. 

Charlotte — R.  D.  Craver :  Broadway  and  Rex  in 
Winston-Salem.  Otto  Hass :  Ottoway  and  Ideal. 
Sou.   Enter.  :      Imperial. 

Durham— F.  K.  Watkins:  Wonderland  (Col), 
Rex,    Durham ;   Dixie,   High  Point. 

Greensboro — Southern  Enter. :  Operate  in 
Greensboro,  Gaffney,  Union  and  Chester  S.  C.  G. 
W.    Pryor:    Bijou  and  others. 

W.  H.  Hendrix  :     Central,  Fairview,  Greensboro. 

Goldsboro — Mason  &  Stallings:  Wilson,  Wil- 
son;  Acme,   Goldsboro;   Grand,   Kinston. 

Hamlet — H.    H.   Anderson    operates   2. 

Henderson — S.  S.  Stevenson  :  Liberty  and  others. 
C.  M.   Cooper,  2. 

Hendersonville — Glenn:  Queen,  Rialto,  New 
Queen. 

Hickory — J.    H.    Miller:    Hub   and    others. 

High  Point — A.  B.  Huff:  Broadway,  Rose,  High 
Point. 

Kenmare — L.    G.    Darling. 

Lamberton — J.   W.   Griffith:      Pastime. 

Lexington — H.  B.  Varner :  Lyric,  Lexington  ; 
Badin,  Badin,  Strand,  Salisbury. 

Lincolnton — R.  L.  Ford :  Bijou,  Lincolnton ; 
Grand,   Newton. 

North  Wilkesboro — G.  W.  Mitchell :  Amnzu, 
N.    Wilkesboro   and    Elkin. 

Raleigh — Aranson  &  Brown  operate  3.  M. 
Allen,   Superba. 

Burgess  &  Joyner:  Alkrama,  Gaiety,  Raleigh; 
Rex,   Hertford. 

McCabe    &    Rufifin :      Colonial    and    others. 

Rockingham — Rickingham  Theater  Co.  :  Garden, 
Rockingham ;  Playhouse,   Bennettsville,   S.   C. 

Wilmingfton — Howard  Wells  Amuse.  Co. ; 
operates    3. 

Winston-Salem — Piedmont  Amuse.  Co. :  Op- 
erates 3. 

Aronson  &  Browne :  Almo,  Grand,  Raleigh.  Bur- 
gess &  Joyner:  Royal,  Raleigh;  Alkrama,  Gaiet/, 
Elizabeth  City;   Rex.  Hertford. 

North  Dakota 

Grand  Forks — A.  J.  Kavanagh :  Grand,  Grand 
Forks ;    Opera   House,   Jamestown. 

Minot — Phil   W.    Meyers:      Strand,   Arcade. 


290 


Ohio 

Akron — Botzum  Bros. :  Strand,  Canton ;  Dream- 
land,  Orpheum. 

Feiber  &  Shea  :  Colonial,  Akron  ;  Opera  House, 
Canton. 

Stadler  &  Stayer:      Nixon,   Spicer. 

Ashtabula — H.   W.  Johnson  :      Caste,   Majestic. 

Avondale — "L"  circuit :  Columbia,  Nordland. 
Corryville;  Liberty,  Park,  Cumminsville,  Foitst, 
Avondale. 

Barberton — H.  L.   Hamilton  :      Gem,  Park. 

Bellaire — Spragg  Amusement  Co. :  Elk,  Grand 
Olympic. 

Bellefountain — Daniel  Gutilla:     Majestic,  Strand 

Bellvue — G.  R.  Moore:  Lion,  Royal  Southern 
and    Majestic,    Bucyrus. 

Bryan — J.    S.    Cangney :      Northside,    Temple. 

Cincinnati — I.  Libson  :  Strand,  Walnut,  Fam 
ily.  Star,  Bijou,  Cincinnati;  Strand,  Louisville 
Ky.  ;  Strand,   Dayton  ;   Colonial,  Columbus,  Gifts. 

I.  Frankel:  Alhambra,  ^Lubin,  Hippodrome 
Cincinnati;  Temple,  Hippodrome,  Newport,  Ky. 
Majestic,   Columbus. 

Dr.  C.  E.  Kolb:  Woodward,  Empire,  Imperial 
Norwood. 

Wm.  Gerber:     Aragon  Nos.   1,  2,  3,  4  and  5. 

Frank  Huss:  Avenue,  Gem,  Rex,  Ohio,  Gifn 
and   Royal. 

Thomas  A.  Rieley  :     Heucks,  Peoples,  Centre. 

Mrs.  Shakespeare:  National,  Freeman,  Queer 
Anne. 

Henry  Levey :  Columbia,  Park,  Liberty,  Wood 
land   Plaza,   Clifton. 

Mr.   Schaengold :     Forrest,  Norwood,  Plaza. 

Cincinnati — Nick  McMahon  :  Southside,  Grand 
Ironton ;    Regent,   Russel,   Ky. 

Cleveland — -Henry  H.  Lustig:  Waldorf,  Camera- 
phone   Cleveland. 

Cleveland — M.  B.  Horwitz  :  Southern,  Amphion 
Fountain,   Haltnorth,   Shaw-Hayden,   Virginia. 

Max  Lefkowitz:  Bronx,  1770  E.  9th  St.; 
Gaiety,    1746    E.   9th    St.;    Alvin,    Ontario    St. 

Charles  Miles:     Miles,  E.   9th  and   Huron   Rd.  : 

S.  W.  Manheim  and  B.  Todd  control  Utopia, 
Painesville,  O. ;  Liberty,  Geneva,  O. ;  McKinley, 
Canton,    O.  ;    Priscilla,    Bandbox,    Cleveland. 

A.  Kaplan:  Alpha,  3206  Central  Ave.;  Grand 
Central,   3543   Central  Ave. 

E.  F.  Flanegan :  Crescent  and  together  with 
Frank  Nolan,  Terminal. 

H.  E.  Horowitz:  Olympia,  Broadway  and  55th 
St. ;   Rialto,  Akron. 

Feer  Amusement  Co.:  Haltnorth,  E.  S5th  St.; 
Fountain,  4800  Woodland  Ave. ;  Family,  5800 
Quincy   Ave. ;    New   Heights. 

J.  A.  Schwartz:  Homestead,  11816  Detroit 
Ave.;    Manhattan,    E.    105th   St.;    Crown. 

Loew's  Circuit :  Stillman,  Euclid  Ave. ;  Mall, 
Euclid  Ave.;  Alhambra,  Euclid  Ave.  and  105th 
St.;  Liberty,  Superior  Ave.  and  E.  lOSth  St.; 
State,    Park,    Allen    and    Metropolitan. 

Paul  Gusdanovic:  Strand,  Orpheum,  Norwood, 
Cortlett. 

Essicic  &  Reif:  Rialto,  Jennings,  Stork,  Ridge 
Scoville,    Ezella,    Sunbeam,    Madison,    Lucier. 

Zoffer    Bros:      Reel    Corona. 

Ohio  Amusement  Co. :  Savoy.  Jewel,  Yale. 
Dennison   Sq.,   Five   Points,   Windamere. 

Deutsch    Bros. :    Sun,    Glenside,    Regent. 

Polcar    &    Ptak  I     Empress,    Lyceum,    Lakeview. 

Columbus — Mrs.  M.  Amoroso :  New  Elk,  Co- 
lumbus. 

James    Bratziano:    Superba   and    Wilmar. 

C.    A.    King:      Parsons    and    Liberty. 

I.  Frankel:  Majestic.  Frankel  also  owns  11 
houses    in    Cincinnati   territory. 

Fred     Postle :      Victor     Avondale. 

Coshocton — C.    G.    Chacos  :      Pastime,   Utahna. 

Dayton — A.    F.    Kinzeler :     Elite    and    Muse    Us. 

Ciil    Burroughs;    Majestic,    Ideal 

Dennison — S.  C.  Vale:  Pictorium,  Dennison, 
\  ale's   Urichsville. 

Dillonvale — K.  Olszeski :  Olszeski,  Palace,  Dil- 
lonvale. 

Fostoria — Buck  Bros. :  Colonial,  new  house 
building. 

Ironton — Nick  McMahon  :  Southside,  Grand, 
Marlowe,    Ironton ;    Regent,    Russel,    Ky. 

Lockland — A.     J.     Holt:      Pendrola,     Emmary. 


Mansfield — W.  A.  Partello :  Grand  and  Majes- 
tic. 

Marietta — C.  &  M.  Amusement  Co. :  Hippo- 
drome,   Marietta ;    Strand,    Cambridge. 

Marion — Marion  Photoplay  Co.:  Marion,  Or- 
pheus,  Marion. 

Martin's    Ferry — L.    F.    Eick :    Fenray,    Pastime. 

Mt.  Vernon — Harris   &   Smots  :     Vine,   Motosho. 

Newark — G.  M.  Fenberg:  Alhambra,  Audito- 
rium,   Opera    House,    Granvile. 

LaMotte  Smith:      Columbia  and   Ideal,   Alliance; 

N.    Baltimore — Mrs.    Gibson :    Crown,    Rex. 

Norwalk — W.  H.  Price:  Linwood  Square,  Erie, 
Vermillion,    Gilger. 

Oxford — Wm      E.     Keen:      Criterion,    Oxford. 

Salem — P.  C'  Calleges :  Grand  Opera  House, 
Royal.  i 

Sandusky — Geo.    Schade:     Plaza,    Schade. 

Sebring — H.  W.  Lundgren :  Globe,  Columbi- 
ana ;    New    Belmar. 

Springfield — Gus  Sun  Amusement  Co. :  Fair- 
banks, Alhambra,  Sun,  Regent  and  new  theaters 
not  named  and  now  building  in  Uortsmouth,  Iron- 
ton,    Toledo    and    Columbus. 

Steubenville — A.  G.  Constant :  Strand,  Olym- 
pic,   Steubenville;    American,    East    Liverpool. 

Struthers — Tigue  and  Kelley :  Amuse-U,  Struth- 
ers. 

Toledo — H.  C.  Horater:  Alhambra,  Pantheon, 
Toledo. 

T.    H.    Gardner:      Ivanhoe,    Sylvan,    Bijou. 

East  Side,  Amusement  Co. :  Eastwood  and  East 
Auditorium. 

H.  V.  Price:     Linwood  Sq.,  Norwalk. 

Dixon :       Metro,    Dragon,    Empress,    Regent. 

Youngstown — Robbins  Bros. :  Bijou,  Rex, 
Youngstown :      Duchess,  Warren. 

The   Dome   Co.  :      Dome   and   Victory. 

Zanesville — Imperial  Theater  Co.,  Sam  E.  Lind, 
Pres. :      Imperial    and    Quimby. 

Oklahoma 

Ardmore — Lowtnstein  &  Cox :  Palace,  Prin- 
cess,   Queen,    Theatorium,    Adolphos. 

Chandler — Hoover  and  Stettmund :  Odeon, 
Building   another. 

Enid — Roy  Abernathy  :  Royal,  Enid  ;  Odeon, 
Fairview. 

Walter    Billings:       Billings,    American. 

Muskogee — Southern  Enter:  Palace;  Palace, 
McAlester;  Rialto,  Chickasha ;  Capitol,  Oklahoma 
City. 

L.  W.  Brophy :  Yale,  Muskogee ;  Pastime,  Wag- 
oner ;  Yale  and  Lyric,  Claremore ;  Vinita,  Yale, 
Lyric,    Parsons,    Kan. 

Dan    Myers :      Broadway,    Orpheum,    Strand. 

Oklahoma  City — Tom  Boland  :  Empress,  Lyric 
Orpheum   and    Folly. 

Shawnee — A.   B.  Momand:     Odeon,  Savoy. 

Oregon 

Astoria — S.    Danz :    Star,    Liberty,    Astoria. 

Astoria   Amusement    Co. 

Albany — Globe  Theaters  Co.  (Hill  &  Hudson): 
Globe  and  Liberty,  Albany;  Antlers  and  Majestic, 
Roseburg;    Gem,    Sutherland;    Bungalow,    Oakland. 

Baker — K.  L.  Burke:  Orpheum,  Empire  and 
Baker,    Baker. 

Bend — J.    B.   Sparks:   Liberty,   Grand,   Bend. 

Condon — W.  B.  Sparks :  Liberty,  Condon ;  Lib- 
erty,   Seppner. 

Eugene — Progressive  Theaters  Co.  :  Rex,  Castle, 
Eugene,   Eugene. 

McMinviUe— T.  E.  O'Neill:  Rainbow,  Star, 
one   building.  '  =4 

Pendleton — C.  G.  Matlock  :  Arcade.  Pendleton 
Amusement    Co.  •       Pastime,    Alta,    Pendleton. 

Portland — Portland  Amusement  Co.,  D.  S.  Conn, 
Mgr.,   Union,   Burnside  and  American. 

North  Powder — McCurry  &  Dahlstrom  :  Bun- 
galow, North  Powder ;  Liberty,  Haines ;  Cove, 
Cove. 

Roseberg — Globe  Theater  Co. :  Antlers,  Rose- 
berg  ;    Globe,  Albany. 

The  Dalles — W.  T.  Styles:  Grand,  Empress, 
The  Dalles. 

Medford— Geo.  A.  Hunt  &  Co.:  Rialto,  Page 
and  Liberty,  Medford;  Star  and  Liberty,  Grant's 
Pass ;    Rialto,  Ashland. 


291 


Pennsylvania 

Altoona — A.  Notopoulos:  Palace,  Olympic, 
Capitol,    Altoona ;    Palace,    Johnstown. 

Barnesboro — J.  T.   Smith:     Grand,  Strand. 

Bethlehem — Heilberger  Interests :  Lorenz,  Or- 
pheum,   Broad. 

Blairsville — F.  McGowan  :  Grand,  Regent, 
Blairsville;  Rex,  Iselin;  Rex,  Lucerne  Mines; 
Rex,   Ernest. 

Braddock — Crystal  Amuse.   Co.  :   Crystal,  Family. 

Brookville — Brown  Picture  Co.:  Columbia; 
Wick,    Kittanning ;    Grand,   Orpheum,    Clarion. 

Brownsville — T.  S.  Wriglit :  Bison,  Plaza, 
Brownsville. 

Butler — Tri  State  Theater  Corp. :     Lyric,  Grand. 

Carbondale — Luke  Farrell :  Grand,  Archbald, 
Neutral,  Simpson,  Plaza,  Forest  City,  Victoria, 
Majestic,    Carbondale. 

Chester — G.    Bernstein,   2. 

Clearfield — M.  Driggs  :  Thompson,  Opera  House, 
Globe. 

Connellsville — C.  A.  Wagner :  Paramount, 
Soisson. 

Du   Bois — A.    P.    Way:      Avenue,    Carlton. 

Easton— Third  St.  Theater  Co.:  Star  and  Third 
St.,    Easton. 

C.  D.  Budd:  Strand.  Opera  House,  East 
Stroudsburg. 

H.    E.    Woehrle:    ^. 

East  Pittsburgh — P.  Antonapolis:  Frederick, 
Loyal,    Lyric. 

Ellwood   City — Frank    Biordi :      Majestic,   Strand. 

Erie — Columbia  Amusement  Co.  :  Columbia, 
Majestic ;    Library,    Columbia,    Warren. 

Glassport — F.     Smith:     New    Palace*,    Glassport. 

Greenville — -W.  J.  Silverberg :  Olympic,  Mer- 
cer   Square. 

Greensburg — W.  J.  Silverberg:  Mercer  Square, 
Olympic. 

Harrisburg — Victoria  Theater  Co. :  Capitol, 
Grand,    Victoria. 

National    Theater    Co.  :      National,    Royal. 

Hazleton— Family  Theater  Co.  :  Family,  Hazle- 
ton,   Hersker,   Savoy,   Palace,   McAdoo 

Homestead— J.  E.  Stahl :  Elite,  Palace,  Grand 
Crescent. 

Johnstown — Grand  Amuse.  Co. :  Nemo,  Park 
View,   Grand. 

Scherer  &  Kelly  :  Cambria,  New  Park,  John- 
stown. 

V.    P.    Scott :      Ideal,   and  Amusu,   Cinemaugh. 

Lancaster — Novelty  Photoplay  Co. :  Audi- 
torium, Mnheim;  Opera  House,  Parkesburg; 
Opera    House,    Quarryville. 

Geo.  Krupa :  2. 

Lansdale — Mr.    Weierman  : 
Music    Hall,    Lansdale. 

Latrobe — W.  Lampropolis  : 

Lock    Haven — Excel    Amusement    Enter. : 
den.   Lock   Havne ;    another  in   Williamsport. 

Luzerne  —  Marions  Theater  Co.  :  Marinos, 
Luzerne;  Marios,  Wyomig;  Alpha,  Kingston; 
Liberty,    Exeter;     Sterling,    Edwardsville 

McKees  Rocks — M.  Engleberg:  Mars,  Castle, 
Superior,    Regent. 

McMechen — M.  A.  Sybert :  Midway,  McMech- 
cn,   W.   Va. ;    Park,    Moundsville,   W.   Va. 

Minersville — Lyric  Theater  Co.":  Cressonia, 
Cressonia,  Browndale,  Browndale,  Opera  House, 
Minersville. 

New  Castle — West  Penn  Photoplay  Co. :  Re- 
gent,  Star,   Penn,   New   Castle. 

New  Kensington — M.  Dattola :  Strand,  Impe- 
rial,   Victoria,   Johnstown,    New    Kensington. 

Norristown^Xorristown  Amusement  Co.  :  Em- 
pire,   Grand    Opera    House. 

Oil  City — Stahl  Bros:  Amusement,  Max  Stahl, 
Lyric,   Rex,   Capitol. 

Patton — W.    A.    Dinsmore :   Majestic,   Grand. 

Philadelphia — Fred  D.  &  Maurice  E.  Felt: 
Aldine,  Ambassador;  Duquesne,  Pittsburgh;  Al- 
dine,    Wilmington. 

Hunt  Theaters:  Logan,  Auditorium;  Auditor- 
ium, Hunts,  Jenkintown;  Haddon  Heights, 
Haddon  Heights,  N.  J.;  Park,  Pitman,  N. 
J. ;  Regent,  Blaker's,  Casion,  Strand,  Comique, 
L  Avenue,  Wildwood,  N.  J. ;  Crest  Pier,  Wild- 
wood  Crest,  N.  J.;  Cox's  Old  Pier,  Cox's  Palace, 
Cape  May,  N.  J.;  Cox's  New  Pier  (now  in  course 
of   construction). 


Electric,    Souderton, 

Paramo_unt,  Olympic. 
Gar- 


Mike  Lessy :  Diamond  Collingswood,  Colling;;- 
wood,    N.    J. 

Louis    Hirsh  :      Forrest    and    .Spruce. 

Stanley  Co.  of  America:  Alhambra,  Allegheny, 
Appollo,  Arcade  Palace,  Arcadia,  Baltimore,  Bel- 
mont, Benn,  Bluebird,  Broad  St.  Casino,  Broad- 
way, Brimswick,  Capitol,  Century,  Cross  Keys, 
Colonial,  Gem,  Darby,  Empress,  Fairmount,  Fam- 
ily, 56th  St.,  58th  St.,  Franklin,  Germantown, 
Globe,  Great  Northern,  Imperial  60th  St.,  Impe- 
rial, 2nd  St.,  Jumbo,  Leader,  Lehigh  Palace,  Lib- 
erty, Lincoln,  Locust,  Logan,  Auditoriuin,  333 
Mavket  St.,  Model,  New  Broadway,  Nixon,  On- 
tar:o,  Gverbrook,  Orient,  Palace,  Paschall,  Wm. 
Penn,  Plaza,  Point  Breez«,  Princess,  Regent,  Rialto, 
Auditoriuin,  Globe,  Stanton,  Star,  Iris,  Harrowgate 
Ridge,  Rivoli,  Ruby,  Savoy,  Sherwood,  Somei- 
set,  Stanley,  Strand,  Victoria,  Karlton ;  West  Alle- 
gheny, Wishart,  Auditorium ;  Opera  House 
and  Palace,  Berwick ;  Opera  House,  Con- 
shohocken ;  Grand  and  Washburn,  Chester; 
Colonial  and  Third  St^  Easton ;  Colonial  and  Vic- 
toria, Harrisburg ;  Grand,  Lancaster ;  Academy 
and  Strand,  Lebanon;  Bijou  Dream,  Milton;  Gar- 
rick  and  Grand,  Norristown ;  Broad,  Plymouth; 
Garden,  Pottsville;  Roman,  Pittston ;  Arcadia, 
Colonial,  Lyric  and  Princess,  Reading ;  Strand, 
Scranton ;  Arcade,  Shenandoah ;  Grand  Opera 
House  and  Palace,  South  Bethlehem ;  Grand,  Ri- 
alto and  Idle  Hour,  West  Chester;  Hippodrome 
and  Keeney's,  Williamsport;  Savoy,  Wilkes- Barre; 
Majestic  and  Queen,  Wilmington;  Colonial,  Globe, 
Keith's  Virginia,  Steel  Pier,  Atlantic  City,  N.  J. 
Geo  Carey,  2 ;  Wm.  Weisbord,  3 ;  Albert  Fis- 
cher, 2;  C.  Stamper,  4;  M.  A.  Benn,  2;  J. 
Schwartzman,  2 ;    Earle  Forte,  2. 

Fred  G.  Nixon  Nirdlinger :  Nixon,  Grand, 
Rivoli,  Belmont,  Coliseum,  Cedar,  Jumbo, 
Locust,  Phila. ;  Victoria,  Balto. ;  Opera  House, 
Dover,  Del. ;  Milford,  Milford,  Del. ;  two  in  Hag- 
erstown,   Md. 

Green  &  Altman :  Jefiferson,  Park,  Aurora, 
Phila. 

John  S.  Evans,  442  Heed  Bldg.,  Dreamland, 
Drury,   Tioga. 

Steifel  Amusement  Co.,  110  N.  Broad  St.: 
Palace,  Glassboro,  N.  J. ;  Montgomery,  Roxo- 
borough,  Girard  Palace,  Olney  and  Jackson,  Grand, 
Vineland,   N.  J. 

John    C.    Hayes :      York    Palace,    Columbia. 

Wm.    Buttler:      Clearfield,    Apollo,    Edgemont. 

Sam    Hyman — Dazzleland,    Rittenhouse. 

G.  W.  Bennethum:  Felton,  Overbrook,  Lyric, 
Hippodrome,  Opera  House,  Pottstown ;  Picture- 
land,  Reading;  Victor,  Allentown ;  Scenic,  Hip- 
'podrome,    York;    Strand,    Lancaster. 

M.    Resnick :      Grand,    Pastime,    Premier. 

Mr.    Hirsh:      Spruce,    Forest,    Pike. 

Dave    Morris:       Franklin,    Hippodrome. 

Ben   Browsky:     Gladstone,   Gem,   Rex,   Southern. 

Jake  Wolf:  New  Empress,  Ideal,  Strand,  At- 
lantic   City,    N.    J. 

Jack    Ridgway — Lindley,    Wishart,    Ontario. 

Sam    Kantnor:      Susquehana,    Morris. 

Paschall  Theater  Co. :  Paschall,  58th  St.,  Bell, 
64th    St. 

Chas.    Segall:      56th   St.,  Apollo. 

J.  Rosenthal:  Astor,  Imperial,  Model,  Crystal 
Palace. 

Jake    Becker :    Beckers,    Empire,    Richmond. 

Mr.    Wexler :      Bellevue,    Stradfrod. 

A.  Wax:  Royal,  Stratford,  Keystone,  Bellevue, 
National,    Phila. 

Fineman  &  Seltzer:  Amber,  Bell,  Star,  Phila. 

Wm.  Cohen  &  associates:  Model,  Crystal 
Palace,   Imperial,  Astor,   Phila. 

Herbert  Efifinger:  Strand,  Leader,  69th  St., 
Tuxedo,    Phila. 

Rovner  &  Handel :  Garden,  Lyric,  Forest  Hill, 
Plaza,    Camden;    Peoples,    Levoy,    Millville,    N.   J. 

B.  Wox :  Royal,  .Keystone,  Bellevue,  Strat- 
ford. 

Pittsburgh — Rowland  &  Clark  :  Liberty,  Savoy, 
Regent,  Arsenal,  Belmar,  Plaza,  Strand,  Pitts- 
burgh; Strand,  Erie;  Star,  Liberty,  New  Kensing- 
ton. 

West.  Penna.  Amuse.  Co. :  Avenue,  Pittsburgh ; 
Regent,  Grand,  Beaver  Falls;  Grant,  Millvale; 
Braddock,    Braddock ;    Main,   Sharpsburg. 


292 


Harry  Davis:  Grand,  Lyric,  Wonderland, 
Wm.  Penn,  Harris,  Sheridan,  Square,  Pittsburgh; 
Strand,    Morgantown.    W.    Va. 

N.    Freidberg:     Alhambra,   Triangle,   Garden. 
Sam  Gould:     Gould,  Arradia,  Atlas. 
Brighton   Amuse.    Co.:      Park,   Model,   Brighton. 
M.    Browarskey :       Centre    Square.    Kenyon. 
F.  Smith:     New  Palace,  Palace,  Glassport 
Punxsutawney— W.     P.     McCartney:      Majestic, 
Alpme,   Jefferson,    Punxsutawney.      Strand,    Ridge- 
way. 

Reading — Royal  Theater  Co. :  Palm,  Rex 
Royal. 

Carr  and  Schad :  Strand,  Colonial,  Arcadia, 
Prmcess   and    San    Toy. 

M.  Werner:  Rialto,  Royal,  Rivoli,  Victoria, 
Rex. 

Scottdale — Scottdale  Amuse.  Co. :  Opera  House, 
Arcade. 

Scranton — Comerford  Amusement  Co. :  Bell, 
Family  Garden,  Gem,  Green  Ridge,  Hipp,  Jack- 
son, Leader,  Manhattan,  Orpheum,  Palace,  Park, 
Period,  Scranton;  Alhambra,  Bijou,  Liberty,  Ma- 
jestic, Capitol,  Hazel,  Wilkesbarre ;  Bell,  Fergu- 
son, Olyphant,  Alyphant ;  Dreamland,  Hawley ; 
Dreamland,  Gem,  Pittston ;  Garden,  Grand, 
Avoca;  Garden,  Dunmore;  Hipp,  Palace,  Ply- 
mouth ;    Lyric,    Honesdale ;    Pastime,    Duryea. 

Shamokin — Chamberlain  Amusement  Co. :  Valen- 
tine, Mt.  Carmel;  Victoria,  Bloomsburg;  The- 
atorium;    Victoria,    Shamokin. 

L.  J.  Chamberlain:  Operating  10  theaters 
in  Shamokin,  Tamaqua,  Carbondale  and  Mt. 
Carmel. 

Sharon — Sam  Friedman  :  Alpha,  Luna ;  Colo- 
nial, Sharpsville;  Gem,  Jamestown;  Family, 
Grove   City. 

State  College — Maurice  Baum :  Nittany,  Pm- 
time. 

Titusville — Titusville  Amuse.  Co. :  Grand,  Or- 
pheum. 

Uniontown — Penn  Theater  and  Amusement  Co. : 
Penn,   Imp,   Lyric. 

Verona — Rudolph  Navary  :  Liberty,  Pleasant 
Hour. 

Washington— H.  S.  Wheatley :  Idle  Hour, 
Court,  Washington. 

Waynesboro — C.  F.  Silveris :  Opera  House, 
Eclipse. 

Wilkes-Barre— F.  E.  Devlin:     2. 
Wilkinsburg — Colonial    Amusement    Co.:      Row- 
land,   Colonial. 

Williamsport — Jack  C.  Myers:  City,  Williams- 
port  ;  Crawford,  Canton ;  Palace,  Montoursville ; 
Garden,    Lock    Haven;    Family,    York. 

York — Jackson  Amuse.    Enter.:    Jackson,   York; 
Jackson,    Hippodrome   and   Theatorium,    Lebanon. 
N.   Appell:    3. 

South   Carolina 

Charleston — Pastime  Amuse.  Co. :  Victory, 
Academy  of  Music,  Garden,  Princess  and  Ma- 
jestic.     Building  another. 

Columbia— L.  T.  Lester:  Rivoli,  Ideal,  Rialto 
and  Broadway.  Lincoln,  Royal  (Col.).  Sou. 
Enter. :     Imperial. 

Greenville— W.   G.    Carter:      Princess,   Liberty. 

Lancaster— Geo.  W.  Parr:  Star,  Majestic, 
Lancaster. 

Orangeburg— J.  H.  Ziegler:  Reliance  and 
Bluebird. 

Rockhill — Max  Bryant:  Palmetto,  Imperial, 
Rockhill. 

South  Dakota 

Aberdeen  —  McCarthy  Bros  :  Rialto,  Or- 
pheum and  Lyric,  Aberdeen;  Grand  and  Orpheum, 
Fargo ;  Lyric,  Watertown ;  Lyric  and  Orpheum, 
Grand   Forks,   N.   Dak. 

Deadwood— M.  C.  Kellogg:  Deadwood,  Dead- 
wood;    Homstake,   Opera   House. 

Grand  Forks— A.  J.  Kavanagh :  Grand  Forks 
and  Jameston,  N.  D. ;  suburban  house  in  Min- 
neapolis. 

Tennessee 

Alamo — H.  L.  Couyers:  Scout,  Alamo;  Alcea, 
Alcea;   King  Sylvis,  Allen   Creek. 

Bristol — Central  Amuse.  Co. :  2  house*.  Mr. 
Gobel :     2  houses. 

Ben  Air— Frank  Bogle:  Ruppert,  Ben  Air: 
Royal,   Big  Sandy. 


Bradford — Boon  &  Hedgecock :  Royal,  Brad- 
ford ;    Liberty,    Briceville. 

Butler — Curtis  &  Smith:  Lucky,  Butler;  Prin- 
cess,   Camden. 

F.  H.  Dowler,  Jr. :  Tennessee  Enter. :  York, 
Lincoln,    Chattanooga. 

Chattanooga — Signal  Amusement  Co.  (now 
under  control  of  Southern  Enterprises)  :  Operate 
in  Chattanooga,  Knoxville  and  Maryville.  York 
Amusement   Co. :      2   houses. 

S.    H.    Borsky:      York.    Strand.    Liberty. 

Clarkesville — Joe  Goldberg:  Lillian  and  Ma- 
jestic. 

Coal  Creek — J.  F.  Nelson:  New  Grand.  Rex, 
Coal  Creek. 

Copper  Hill — F.  M.  Jones:  Bonita  and  Ocoee, 
Copper   Hill ;   Alhambra,   Cornersville. 

Dayton — D.  B.  Price :  Lyric,  Dayyton ;  Prin- 
cess,  Decherd. 

Ducktown— B.  R.  Ashby:  Y.  M.  C.  A.,  Duck- 
town  ;   New  Liberty,  East  Chattanooga. 

Greenville — Princess  Amuse.  Co. :  Lyric,  Lou- 
den ;  Jefferson,  Jefferson  City ;  Blue  Mouse, 
Jonesboro. 

Independent  Theaters  Corp. :  Star  (and  4 
others). 

Harrogate — L.  G.  Bailey :  Lincoln  Memorial 
Univ.    and    Dreamland,    Hartford.  ,( 

Hartsville— L.  P.  Stublefield:  Hartsville,  Harts- 
ville ;    Empire,   Henderson. 

Iron  City — B.  W.  Donley :  Court,  Iron  City ; 
Nelda,   Isabella. 

Jackson — W.  H.  Harmon :  Lyric,  Jackson ; 
Strand,  Kingsport ;  Picto,  Kingston ;  Gem,  Dixie, 
Crystal  and  Strand   (Col.),  Knoxville. 

Lavwrenceburg — Geo.  Ragan  :  Princess,  Law- 
renceburg ;    Liberty,   Liberty. 

Lenoir   City — L.    E.    Denton :      2   houses,   Amusu. 

Livingston — Smith  &  Bohannan :  Dixie,  Liv- 
ingston ;   Lyric,  London. 

Martin — E.  L.  Drake :  Lillian,  Martin,  Palace, 
Maryville;  Strand,  McKenzie;  Strand,  Beauty 
Daisy,    Desoto   and   Rex,   Memphis. 

Memphis — W.  Roberts :  Princess  and  1  more. 
Lynch  Enterprises :  7  and  2  in  Dyersburg.  Pan- 
tages   1.     Loew   Enter.   3. 

Zerilla    &    Macrir :      Strand,    Daisy. 

Monteagle — Monteagle  S.  S.  As'y :  High 
School,  Monteagle;   Castle,  Monterey. 

Morristown — H.  H.  Kirkpatrick :  Princess,  Mor- 
ristown ;  Dixie,  Mt.  Pleasant. 

Murfreesboro — Oscar  Altman  :  Princess,  Mur- 
freesboro ;    Central   Amuse.    Co.,    Nashville. 

Nashville — Crescent   Amuse.    Co. :    9   houses. 

Newbern — W.  J.  Houston :  Dixie,  Newbern ; 
Pine   Mountain,   Newcomb. 

Portland — Polk  E.  Moore:  Portland,  Portland; 
Prendergast,    Prendergast. 

Ridgely — L.  V.  Peacock :  Crystal,  Ridgely ; 
Lyric,    Rockwood. 

Sevierville — John  Chandler  :  Airdome,  Sevier- 
ville ;    Sewanee  Union,   Sewanee. 

Smithville — Howard  S.  Windham :  City,  De 
Kalb    Amuse.    Co.,    Smithville. 

Tiptonville — C.  P.  Tipton:  Classic,  Tipton- 
ville ;   Monroe,  Tellico  Plains. 

Union  City — A.  L.  Cox :  Reynold's,  Union 
City;    Rex,    Watertown. 

Waverly — J.  C.  Shannon :  Lyric,  Waverly ; 
Waynesboro  Co.  High  School,  Waynesboro ;  Y. 
M.  C.  A.,  Westbourne;  Idle  Hour,  White  Pine; 
Opera   House,   Whitewell. 

Wilder — Walter  Hornby :  Wilder  Amuse.  Co., 
Wilder ;    East    Side,    Woodburg ;    Lyric,    Yorkville. 

Texas 

Amarillo — Southern  Enterprises  :  Mission,  Ama- 
rillo ;  Olympic,  Wichita  Falls ;  Olympic,  Plain- 
view ;    Olympic,   Canyon   (Sou.   Ent.   control). 

Austin — C.  W.  A.  McCormack:  Crescent,  Lin- 
coln. \ 

Beaumont — John   I.   Pittman. 

Corpus   Christ! — H.  H.  Elliott :     Amuzu,  Queen. 

Cuero — E.   T.    Peter:      Queen,   Victoria. 

Dallas — W.  D.  Neville :  Washington,  Princess, 
Gayety.  i 

Ed  Foy:  Blue  Bird,  Rialto,  Colonial,  Colum- 
bia, Ideal. 


Z93 


Dallas — Southern  Enterprises:  Old  Mill,  Queen, 
Hippodrome,  Crystal,  Dallas;  Queen,  Liberty,  Zee, 
Prince,  Houston;  Queen,  Tremont,  Galveston; 
Hippodrome,  Rex,  Washington,  Victory,  Waco; 
Crescent,  Temple ;  Star,  Denison ;  Opera  House, 
Greenville ;  Empire,  Princess,  Royal,  Strand, 
Queen,  Palace,  San  Antonio;  Hipp,  Palace,  Ft. 
Worth. 

Eastland — Tom   Harrell. 

El  Paso — Lewis  &  Andres :  Grecian,  Ellaney, 
El    Paso. 

Denison — Peebles   &   Campbell :     Arcade,   Queen. 

Galveston — A.    Mendel:      Strand,    Princess. 

A.  Martini:  Dixie  No.  1,  Dixie  No.  2,  Crys- 
tal  No.    1,   Crystal   No.  2,   Lincoln. 

Greenville — F.    R.    Newman:      Crystal,    Queen. 

A.   W.   Lilly :      Colonial,   Savoy. 

Henrietta — H.  L.  Bear:  Dorothy;  to  build  an- 
other. 

Houston — H.  Schulman :  Texas,  Union,  Na- 
tional,   Odeon,   Pastime. 

Paul  Barrace:  Best,  Northside,  American,  St. 
Elmo,   Washington. 

Jacksonville — Bolton's  Theatres:  Park,  Jack- 
sonville;   Queen,   Rusk;    Majestic,  Alto. 

Lubbock — Robb  &  Rowley :  Lyric,  Strand, 
Ralls. 

Mart— Robb  &  Rowley  Theater  Ent.  :  R.  &  R. 
Queen,  Mart;  Odeon,  Ft.  Worth;  R.  &  R.  Queen, 
Sweetwater;  R.  &  R.  Queen,  Big  Springs;  R.  & 
R.    Queen,    Winters. 

McAllen — Valley  Amusement  Co. :  Queen,  Mc- 
Allen;  Pastime,  San  Benito;  Pastime,  Mercedes; 
Crown,    Donna :    Electric,    Mission. 

Orange — Orange  Amuse.   Co. 

Paris — C.  J.  Musselman:  Cozy,  Grand,  Parii- 
ian,    Paris ;    Grand,   Corsicana. 

Ranger — Cole  Bros. :  Lamb,  Ranger ;  Grand, 
Marshall. 

San  Antonio — Lytle  &  Christopher :  Pike,  Lib- 
erty. 

L.  Santikos :  Rialto,  San  Antonio ;  Royal, 
Waco. 

Lucheese  &  Lytle :  Juarez,  National,  Azestaca, 
Hidalgo. 

Sherman — Wm.    Batzell :      Queen,    King. 

Temple — F.     O.     Engelbrecht :       Gem,     Crescent. 

Wichita  Falls — Dye-Ford  &  Rogers  :  Majestic, 
Olympic. 

Utah 

Bingham^Brisk  &  Chesler :  Princess,  Hyland 
Boy. 

Brigham  City — C.  E.  Pierce :  Liberty,  Brig- 
ham    City;    Liberty,   Garland;    Liberty,   Tremonton. 

Logan — B.    G.    Thatcher:      Oak,    Lyric. 

Ogden — S.    B.    Steck  :      Cozy-Lyceum,   Ogden. 

Prove — John    B.    Ashton :       Columbia,    Princess. 

Richfield— A.  L.  Stalling:  Rex,  Richfield;  El- 
sinore,  Elsinore;  Opera  House,  Salina ;  Elite,  Mt. 
Pleasant ;    Empire,    Monroe. 

Spanish  Fork — Isaac  Swenson :  Angelus,  Wi- 
nona. 

Sunnyside — Bert  Martin :  Martin,  Sunnyside ; 
Martin,    Castle    Gate;    Martin,    Clear    Creek. 

Virginia 

Alexandria — Reid    &    Steel :      Operate   3. 

Cumberland — Tom    Burke:      Liberty,   Empire. 

Danville — Pryor  Bros.  &  Leitch :  Broadway, 
Bijou,  Danville.  New  house  under  construction 
in  Greensboro,  N.  C. ;  Paris,  Bijou,  Durham,  N. 
C. ;  Strand,  Rose,  Fayetteville,  N.  C. ;  Broad- 
way, Richmond,  Va.  New  house  under  construc- 
tion  in   Norfolk,   Va.,   not  named. 

Harrisonburg — D.  B.  Wine:  New  Virginia, 
Harrisonburg;  New  Virginia,  Elkton ;  New  Vir- 
ginia,  Timberville. 

Lynchburg — Mr.    Casey  :      Operates   2. 

Newport    News — E.   T.    Crall :      Operates  4. 

Petersburg — Frank  Harris  :  Palace  and  Century 
here,     Broadway,    Hopewell. 

Richmond — Wells  Amuse.  Co. :  Colonial,  Bijou, 
Isis,  Odeon,  Victor,  Richmond;  Wells,  Strand, 
American,  Grandy,  Academy  of  Music,  Colonial, 
Norfolk.  Bluebird  Amuse.  Co. :  Bluebird,  Rich- 
Mond;  Bluebird,  Petersburg.  John  Pryor:  One  in 
Richmond;   one   in    Danville. 

Roanoke — E.    D.    Hinds:      Operates    6. 


Frank  Durkee :  Palace,  Belwood,  Schantz,  Com- 
munity, Electra,  Metropolitan,  and  m  connection 
with  Charles  Nolte,  the  Linwood,  Belvedere,  Fre- 
mont   and    Aladdin. 

Washington 

Aberdeen— Western     Circuit:       Rex    and     Bijotl, 
\berdeen  •      Rialto,    Liberty    and   Grand,    Centralia. 
B.      Vivian :       Empire, 


Anacortes — B. 

Aiiacortes. 

Ballard — Geddes 
mont,   College. 

Battleground — S 
ground ;  Peoples, 
Field. 

Buckley— O.  E. 
Liberty.    Enumclaw  ; 


&     Geddes : 


Grand, 
Majestic,     Fre- 


Lerouge :       Wonder,     Battle- 
Yacolt;     Ridge     Field,     Ridge 

Groesbeck:  Cosmo,  Buckley; 
Cosmo,   Wilkinson. 

Chehalis— J.  D.  Rice:  Dream,  Chehalis ;  Dream, 
Onolaska.  ^.  ,,..  _, 

Cle  Elum— Dunn's  Theater  Cir. :  Victory,  Cle 
Elum  ;    Maliton,   Mabton  ;   Rose,   Roslyn.  , 

Ellensburg— C.  E.  Farrell :  Colanial,  Ins, 
Ellensburg.  t-         ^ 

Everett — Star  Amuse.  Co. :  Star,  Everett, 
Broadway,   Princess,   Rialto,   Rose,   Everett. 

Hoquiam — R.   E.   Connell :     Arcade,  Dream. 

Kelso — Vogue    Amusement    Co. :    Vogue,    Kelso. 

Little    Falls — Hippodrome,    Lintonian. 

Lynden— B.  Hollenbeck :  Liberty,  Lynden ; 
Opera  House,  Everson. 

Montesano — Gem  Theater  Circuit:  Gem,  Mon- 
tesano;   Gem,   Elma ;   Gem,   McClery. 

Mt.  Vernon — R.  K.  Dunham:  Mission,  Mt. 
Vernon ;    Rex,    La   Connor. 

Newport— W.  L.  Casey:  Rex,  Newport;  Rex, 
Bonners  Ferry;  Empress,  Priest  River;  Casey. 
Opera   House,    Laclede,    Ida,   Amazon,    Ida. 

Olympia— E.  Zabel  and  W.  Bowman:  Rex, 
Ray. 

Pasco — J.  E.  Reynolds:  Liberty,  Pasco;  Prin- 
cess,   Kennewick. 

Seattle — Michael   Lyons:      Union  Victory. 

Jos.  Danz :  Imperial,  Rialto,  Ins,  Dream, 
Seattle.  „    ,^        „     , 

Greater  Theaters  Co.  (Jensen  &  Von  Herberg, 
Inc.):  Liberty,  Coliseum,  Strand,  Seattle; 
Liberty.  Star,  Columbia,  Majestic,  People's,  Port- 
land; Rialto,  Strand,  Colonial  and  Sunset,  Ta- 
coma ;  Rialto,  Butte;  Liberty,  Yakima;  Rialto, 
Dream  and  Rex,  Bremerton ;  also  Majestic,  Em- 
pire.  Yakima.   Ya'<ima,  and  others. 

Snohomish — J.  E.  Beardsley :  Orpheum,  Sno- 
homish;   iSlonroe,   Monroe;   Rex,   Sultan. 

Spokane — J.  W.  Allender:  Majestic  and  Lyric, 
Spokane;  Orpheum,  Moscow;  Liberty,  Colfax; 
Liberty,  Pullman;  Liberty,  Dayton;  Liberty, 
Pomery. 

Stillwell  Theaters:  Casino,  Unique,  Class  A, 
Spokane. 

Sunnyside — Sunnyside  Amuse.  Co. :  American, 
Suniivside;    Colonial,    Grandview. 

Wenatchee — N.  W.  Theaters  Co. :  Liberty, 
Gem. 

Vador — R.   W.    Charles    (also  in    Castle   Rock). 

Vancouver — Capt.  Kiggers :  U.  S.  A.  and 
Liberty.  .      . 

Yakima — Mercy  Amusement  Co. :  Majestic,  Em- 
pire and  Yakima. 

West  Virginia 

Bluefield — Colonial  Amusement  Co. 

Clarksburg^ — Jack  Marx :  Orpheum,  Opera 
House. 

C.   L.   Gillis:      Odeon,   Bijou. 

Charleston — T.  L.  Kearse :  Burlew,  Strand,  Hip- 
podrome, Colonial,  Elk  and  Alhambra.  Also  books 
Civic  Center  Theater,  Nitro,  Gem,  South  Charles- 
ton. I^illi 

Grafton — J.    L.    Bush:      Grand,    Strand. 

Holden — Fred  Middleberg :  Logan,  Holden ;  De- 
hue,   Ethel. 

Huntington — Lyric  Amusement  Co.:  Lyric 
and    Orpheum,    Huntington.      Hyman    Brothers. 

United  Theater  Enter.  :  Operating  Hunting- 
ton, Hippodrome,  Lyric,  Orpheum,  Huntington; 
Capital,  Charleston;  Midelburg,  Logan;  Midel- 
burg,  Omar;  Midelburg,  Ethel;  Midelburg, 
Holden;  Cinderella.  Williamson;  Colonial,  Rialto, 
Elks,    Bluefield;    and    Plaza,    Hazard.    Ky. 

Moundsville— M.  A.  Sybert :  Strand,  Park. 
Midway. 


294 


Parkersburg — Smoot  Amusement  Co. :  Camden 
and    Lincoln,    Parkersburg. 

St.  Mary's — H.  H.  Robey :  Auditorium,  Lyric, 
Spencer. 

Wheeling — C.    A.    Feinler  :      Virginia-Colonial. 

J.Velas:       Liberty,     Lyric,    Wheeling. 

C.  Fennler  :     Colonial,  Virginia. 

Wisconsin 

Antigo — H.  Hanson  :  Opera  House,  Antigo ; 
Palace,  Opera  House,  Mattoon ;  Opera  House, 
Birnamwood. 

Chilton — Mr.  Pfeiffer :  Princess ;  Elite,  New 
Holstein. 

Chippewa  Falls — Chippewa  Theater  Co.,  Inc. : 
Palace,  Rex  and  Empire. 

Eau  Claire — H.  A.  Schwahn :  Grand,  Unique, 
Orpheum,    Lyric. 

Green   Bay — Henry    Goldman  :      Colonial,    Grand. 

Hillsboro — Rose  &  Worden  :  Midget,  Opera 
House. 

Janesville — Janesville  Am.  Co. :  Beverly,  Opera 
House. 

La  Crosse — H.  H.  Burford,  La  Crosse  Thea- 
ters Co.  :      Rivoli,  Majestic,   La  Crosse. 

A.  J.   Cooper :      Revere,   Strand,   Casino. 

Kenosha — Kenosha. 

Orpheum    Theater    Co.  :      Orpheum,    Majestic. 

Oconomowoc — Geo.     Hubner:      Crystal,     Strand. 

Oshkosh — Roy    Cummings  :       Oshkosh,    Wausau. 

Chas.  Baunian  :  Star,  Oshkosh ;  Rex,  North 
Fond    Du    Lac. 

Port  Washington — Wm.  Roob :  Grand,  Opera 
House. 

Menominee — Fred   Smith  :      Grand,   Orpheum. 

Milwaukee — Chas.  Washicheck  :  Rose,  Layton 
Park,    Pearl,   Greenfield. 

J.    J.    Wecherek:      Washington,    Pastime. 

Schwartz  &  Rice:  Kosciusko,  Riveria,  Lib- 
erty. 


Atlas  Amusement  Co.^  Venus,  Atlas,  Violet, 
Iris. 

Otto   Anders  :      Peerless,   Grand. 

J.    Bartell:      Eighth  Ave. 

"Saxe       Amuse.        Enter. :  Strand,        Princess, 

Theatorium.  Miller.  Savoy.  Modjeska,  Rialto, 
Tivoli ;  Rose,  Park,  Auditorium,  Waukesha ; 
St-and,  Green  Bay ;  Majestic,  Strand,  Kenosha ; 
Orpheum,    Majestic,    Oshkosh. 

Monroe — Monroe  Thea.  Co. :  Monroe,  Opera 
House. 

Racine- — Rialto    Am.    Co. :      Palace,    Rialto. 

Sheboygan — Mr.  Von  der  Vaart:  Majestic,  Op- 
era  House. 

Viroqua — Ben    Brown :      Opera    House,    Temp'e. 

Watertown — Wm.  H.  Norton:  Classic,  Ma- 
jestic. 

Whitewater — Mr.      Uglow  :  Strand,      White, 

Palmyra,   Palmyra. 

Wausau — Robarge  Am.  Co. :  Majestic,  Wau- 
sau;   Cosmo,   Merrill;   Movie,   Silver  Lake. 

Waukesha — Sare  Amuse.  :  Auditorium,  Co- 
lonial. 

Wyoming 

Cheyenne — Carl  Ray  Amuse.  Co. :  Amuse, 
Atlas,    Lyric,    Princess. 

Worland— J.  W.  Corder :  Elk,  Worland;  Tem- 
ple,   Cody. 

Kemmerer — Davis  Bros.  :  New  Kemmerer.  Kem- 
merer;  Opera  House,  Diamondville ;  Opera  House, 
Frontier;    Opera   House,    North   Kemmerer. 

Rock    Springs — Thomas    Berta :      Grand,    R'alto. 

Sheridan — Ben  Collier:  Orpheiun,  Gem,  Sheri- 
dan ;    Isis,   Gillette. 

Thomas    Kirby :      Gem,    Orpheum. 

Superior— Thos.  Love:  Opera  House,  Hanna ; 
Superior  and  Bungalow,  Reliance,  Winton,  Wy- 
oming, Winton. 


Important  Incorporations 


(From  Oct.  1,  1921,  to  Dec.  10,  1922) 


ALABAMA 
Jefferson  Amusement  Co 


CALIFORNIA 

Ambassador   Theater   Co 

Apollo  Producing  Co 

Bear  Film  Co 

Children's  U.    S.   History   &  Film   Co. 

Christie  Realty  Co 

Denny    Film   Co.,    Orrin 

De  Recat  Corp 

Exhibitor's    Assoc,    of    So.    California 
Gene-Straf ton-Porter    Productions.  .  .  . 

Hawks- Morosco  Productions 

Kyne  Producing  Co.,  P.  B 

Lincoln  Theater   Co 

Nat'l    Motion    Picture    Finance    Corp. 

North   Beach   Theaters,   Inc 

Pickford-Fairbanks   Studios    

Powhattan    Productions,    Inc 

Regent    Pictures    Co 

Rellimeo    Film    Syndicate    

Ridgewood  Film  Corp 

Sacramento   Pictures   Corp 

Scottish   Chief's   Picture   Corp.    

Watsonville  Theater  Co 

West    Coast    Films    

CONNECTICUT 

Arts    Theater    Co      


Fine 

DELAWARE 

Affiliated   Theaters    Corp 

Aldine   Theater   Co 

All  American   Photoiilays    

Allied    Enterprises     

Allied     Prod.     &     Distributing    Co. 

Ambassador  Theater   Co 

American    Home   Picture   Corp.    .  . 

America    In    Its    Making    

American    Prod.    &    Dist.    Corp.    . 


15,000 


1,250,000 

300,000 

5,000 

75,000 


500,000 
500,000 


100,000 
25.000 

1,000.000 
200,000 
250,000 

1,000,000 


200,000 
500  000 
500.000 
30.000 
250,000 


2.000,000 
200,000 
200,000 
750,000 
500,000 
350,000 
200,000 
1,000,000 
5,000,000 


American  Releasing  Corp 250,000 

Amusement   Builders   Corp 50,000 

Animation   Studios  of  Amer.,   Inc.    .  .  .  500.000 

Anglo-American  Amusement   Co 200.000 

Artex   Pictures   Corp 1,000,000 

Ascher   Capitol   Theater   Co.    250,000 

Atlanta    Studio    Corp 1,500.000 

Atlantic    City    Pictures    Corp 500.000 

Auburn  Amusement  Co.    88,000 

Baker    Amusement    Co 150,000 

Bardy    Projector    Corp 11,000  000 

Beach  Haven  Theater   Corp 220,000 

Beaver    Film    Co 1,000  000 

Beyer  Film  &  Prod,  Corp 100,000 

Blackburn    Vilde    Pictures     330,000 

Blue    Ridge   Motion    Picture   Co 500,000 

Bradley     Photoplay     Corp 1.000  000 

Broadway    Productions,    Inc 10,500,000 

Bunnv    Film    Productions    100,000 

Burden   of   the   Strong   Film    Co 100,000 

Caladino  Amusement   Corp 100,000 

Callahan   Motion   Picture   Corp 1,000,000 

Capitol    Photoplays    2,000 

Carlisle    Prod.    Corp 350,000 

Century  Theaters,   Inc 4,000,000 

Chelsea   Pictures  Corp     500,000 

Chester   Productions,    G,    R '..  100,000 

Church    Motion   Picture   Corp.    ......  6.000,000 

Classical    Cinematograph    Corp 1,000,000 

Consolidated   Enterprises,    [nc 1,250,000 

Constellation   Film   Corp 250,000 

Continental    Photoplays,    Inc 300,000 

Cosmograph    Co 500,000 

Cri'sader    Film    Corp 500,000 

Defendem    Motion    Picture    League    of 

America    5,100.000 

De  Luxe  Film  Co 36,000 

Dc    Waltoff    Amus.     Enterprises 1,250,000 

Dilks    Ir,,    James    J . '. 100,000 

Distinctive    Picture    Corp 7,500,000 

Edited  Pictures  System,  Inc 100,000 


295 


■ 

i^^ 

1^ 

Norma  Shearer 

I^kT; 

Just  Completed 

"BLUE  WATER" 

^^H|.. 

f  '^ 

^ 

1 

1 

Ernest   Shipman    Production 

:, 

Jr 

1 

1 

1 

L-^iii^       '^^^^B 

iL'  : 

ippr 

ROBERT  KENYON 

Leads 

"The  Power  Within" 

"Silas  Mariier" 

"The  Love  Nest" 

"Midnight" 

(Working  Title) 

Smith -Cad  well  Prod. 


296 


Ehlers  Film   Corp 250,000 

Eili    Eli    Picturized,    Inc 1,000,000 

Elevated    Amusement    Co ,  5,000 

Emmons   Film    Corp.    500,000 

Envoy    Pictures    Corp 800,000 

Fabiola    Photoplays,    Inc 1,000,000 

Far  East  Players,  Inc 100,000 

Federal   Photoplays,   Inc 2,500,000 

Garrick    Operating    Co 100,000 

Gentiles   Picture   Corp 1,000,000 

Gotham   Amusement    Corp 500,000 

Graphic  Film  Exchange  of  Calif 5,000 

Graphic  Film  Exchange  of  N.  Orleans  5,000 

Graphic  Film  Exch,  of  Michigan 5,000 

Graphic  Film  Exch.  of  Minnesota 5,000 

Graphic  Film  Exch.  of  St.  Louis 5,000 

Graphic  Film  Exch.  of  New  York,  .  .  .  5,000 

Graphic  Film  Exch.  of  Ohio 5,000 

Graphic  Film  Exch.  of  Dallas 5,000 

Graphic    Productions,    Inc 1,000,000 

Hart     Picture    Corp.,     Roe 100,000 

Hodkinson    Corp.,    W.    W.    10,000 

Houston  Amusement  Co 100,000 

Houts   &   Chase,   Inc 100,000 

Ince    Productions,    Inc.,    John    1,150,000 

Ince    Corp.,    Thos.    H 3,000,000 

India    Pictures    Corp 1,000,000 

International  Motion  Picture  Co 100,000 

International    Trade    Extension 100,000 

Kellum    Syndicate,    The 100,000 

Kenma    Corp 3,300,000 

Knickerbocker    Photoplay    Corp 1,000,000 

Las   Alamitos    Commercial    &   Amuse- 
ment   Co 500,000 

Liberator   Film   Corp 100,000 

Liberty  Theater  Co 1.000,000 

Master  Educator  Film  Co 1,500,000 

Maytan    Pictures    150,000 

Mesco    Pictures    1,000,000 

Metropolitan    Picture    Corp 1,000,000 

Motion   Picture   Advertising   Co.    ....  250,000 
Motion    Picture    Exchange    Construc- 
tion   Corp.    150,000 

Motion    Picture   Univ.    of  Amer 12,000,000 

Movie  Corp.  of  America,  The   500,000 

National   Picture   Finance   Co .  2,500,000 

National    Theater    Syndicate   of    Calif.  1,000,000 

New  England  Film  Land  Assoc 500,000 

Olney   Theater   Co.,   Inc 30,000 

Orient  &  India  Picture  Cor^) 

Ozark    Studios    100,000 

Pan-American    Films,    Inc 3,500,000 

Parthenon  Productions,  Inc 100,000 

People's    Amusement    Corp 250,000 

Phonokinema    Corp 20,000,000 

Photoplay    Program    Productions    .  .  .  750,000 

Poto-Color  Corp 150,000 

Progressive  Amusement  Co 100,000 

Pullen  Theater   Corp 100,000 

Rapley   Theater    Co 50,000 

Rembrandt  Pictures  Corp     2,100,000 

Rockett-Naylor    Prod.,    Iiic 1,000,000 

Royal   Players,    Inc 1,000,000 

Russian    Pictures    Corp 1,000,000 

Screen  Art  Productions    250,000 

See-All   Enterprises    12,000 

Sellers   Photo   Service,    Inc 50,000 

Simeral  Enterprises,  H.   C 150,000 

South   Church   St.    Co.,   Inc 1,500,000 

Southern      Motion      Picture      Finance 

Corp 3,000,000 

State   Photoplays    300,000 

Stereoscopic    Productions,    Inc 5,000,000 

Sunlight    Arc.    Co 22,000,000 

Takome    Theater    Corp 100,000 

Thorite  Film   Process   Co.,  Inc 1,250,000 

Three  Arts  Picture  Corp.,  The 

Turnstall  Film  Exchange 50,000 

United  Federation  Service,  Inc.    250,000 

United   Film    Productions,    Inc.'    500,000 

United  Theaters  Corp.  of  Wash,  D.  C.  2,000,000 

Universal  Amusement  Co 25,000 

Utopian     Productions     100,000 

Vimy    Film    Corp 100,000 

Visugraphic    Pictures,    Inc 

Vita   Films,   Inc 1,000,000 

Vocal   Educational   Film   Corp 10,500,000 

Wandering  Cross  Photoplays,  Inc.   ...  

Washington    Theater    Supply    Co.    ...  50,000 

Wheelers    Corp.    of   America    100,000 


DISTRICT  OF  COLUMBIA 

Blamy   Film   Productions    100,000 

Community  Cinema  Equip.   Co 100,000 

Federated   Theaters,   Inc 

Picorial    Feature    Service    200,000 

Preferred  Pictures   Corp 100,000 

FLORIDA 

Brunton    Productions,    John     50,000 

ILLINOIS 

Adelphia  Theater   Corp 10,000 

Ascher    Washington    Theater     Co.    of 

Chicago     50,000 

Barrett    Co.,    Lemie    

California   Theaters    Corp 50,000 

Graves   Brothers   5,000 

Palais  Amusement   Co 300,000 

S   &  H   Film   Co 5,000 

INDIANA 

Goldwyn  Distributing   Corp 10,000 

Laporte  Theater  Co .' 400,000 

Mid-Continental   Films,   Inc 1,000 

Neilson   Amusement    Co 20,000 

IOWA 

Frankel  Theaters   Co 25,000 

Grand  Amusement   Co 150,000 

KANSAS 

National    Theaters,    Inc 75,000 

KENTUCKY 

Elless   Realty    Co 90,000 

Lafayette  Amusement   Co 250,000 

MAINE 

Powhattan   Producing  Co 

MARYLAND 

Ambassador    Theater     Co 1,250,000 

Progress    Pictures,    Inc 

Southern    Motion    Picture    Corp 100,000 

MASSACHUSETTS 

Ambassador   Theaters,   The    100.000 

Athol   Amusement    Co 90,000 

Bradley   Productions,    W.   H 25,000 

Clarendon  Theaters,   Inc 

Dorchester  'Hieater   Co 100,000 

Franklin   Film   Corp     50,000 

Greater    Pictures    Co 1,000,000 

Highland     Theater,     Inc 10,000 

Iris    Film    Corp 125,000 

Liberty  Film  Co.,   Inc 10,000 

Metropolitan  Film  Sales  Corp 50,000 

Morton  Theatrical  Amusement  Co.    .  .  200,000 

Point  Amusement  Co 15,000 

Popular    Film    Co 50,000 

Ross    Players,    Inc.,    Betsy    50,000 

Royal  Theater  Co.,  The 12,000 

Screen  Art  Pictures 25,000 

Whaling  Film   Corp 200,000 

MINNESOTA 

International  Film  Corp 50,000 

Merit   Federated   Film    Co 150,000 

MISSOURI 

Allied  Amusement   Co 20,000 

Capitol    Enterprises 1,000,000 

Holden    Auditorium,    The 15,000 

Illmo   Amusement    Co 20,000 

Mid- West  Producing  Co 

New  Diamond  Theater  Co.,  Inc 6,000 

Rivoli   Theater   Co.,   The 30,000 

Southwest    Exhibitors'    Assoc,    Inc...  2,000 

NEW    JERSEY 

Academy  Theater  Corp.,  The 10,000 

Affiliated    Newark    Theaters    Corp 10,000 

Boiling  Springs  Amusement   Co 

Century   Amusement   Co 200,000 

Chaplin     Classics,     Inc 500,000 

Coleman    Theaters,     Inc 1,000,000 

Crystal     Amusement     Co 100,000 

Di.xon     Corp.,     Thomas 500,000 

East    Orange    Amusement    Co 250,000 

Gabriel    Productions,    Jean 200,000 


297 


Independent    Pictures   Exhib 

Jabour  Amusement  Co.,  George 

JuboMoiitgomcry    Theater    Co 

Lafat    Comedies    

Mansfield     Amusement     Co 

New    Brunswick   Theater   Corp 

Nixon-Apollo    Theater    Co 

Nixon-Chester    Theater    Co 

Nixon-Forrest    Theater    Co 

Roosevelt    Pictures,    Inc 

Shucco    Amusement     Co 

Springfield    Amusement    Co 

State    Amusement    Co 

State    Pictures    Corp 

Sterling    Pictures    Corp 

Summit     Amusement     Co 

Walnut    Theater,    Inc.    .  ; 

Washington    Theaters    Corp 

Westfield    Amusement    Corp 

NEW    YORK 

Acosta    Picture    Co 

Affiliated   Jamaica    Theaters    Corp.... 

African    Jungle     Films 

A.    &   L.   Amusement    Corp 

Albany    Theater    Corp 

Aldon      Corp 

A.   G.   S.  Theaters,  Inc 

All   Nations   Features,    Inc 

Alma    Productions,    Inc 

Alton    Corp 

Amalgamated  Exchanges  of  Amer. ... 

Amalgamated    Producing    Co 

American    Comedies    

American    Comedies    Dell'Arte 

American   Drama  Producing  Corp.... 

American     Film     Alliance 

American    Photoplays,    Inc 

American    &    Southern    Europe    Kino, 

Film    Corp 

Amron    Enterprises,     Inc 

Animated    Outdoor   Advertising 

Annalema    Realty     Corp 

A.  &    P.   Amusement    Corp 

Ara-Bee    Film     Exchange 

Arawak    Amusements    

Arax    Amusement    Corp 

Arman    Producing   Co 

Art    Productions,    Inc 

Artistic     Film     Co 

Assistant   Director's  Assoc 

Associated    Booking    Corp 

Astoria   Photoplay  &  Amus.   Corp.... 

Athens    Film    Corp 

Atlas   Film   Distributing   Co 

Autopitcon,    Inc 

Ajax  Amusement   Co 

Baron    Productions    

Bartlett    Productions,    Chas.     E 

Batavia    Theater     Corp 

B,  B.    Productions    

Belleclaire  Import  &  Export  Trading 

Corp 

Belle   Harbor   Amusement   Corp 

Bell   Studios,    Inc 

Belmont     Theater     Corp 

Bertan   Pictures    

Bernice    Amusement    Co 

Bessel    Theaters     

Beyer    Brothers    

Blackburn    Photoplay    Corp 

Blanding    Sloan,    Inc 

Bon,    Bon,    Buddy    

Boyce   Amusement    Co.,    Leo 

Boysen   Bay   Amusement   Co 

Brabin    Productions,    Inc 

Bramson    Co.,    The 

B.  R.    B.    Photoplay    Corp 

Broadway  Attractions  Corp.,  The.  .  .  . 

Bronx   Capitol   Amusement   Corp 

Brooks    Productions     

Brown    Place   Theater,    Inc 

Buckley-Ferguson     Productions 

Cameo  Productions    

C.  &    v.,    Inc 

Capitol  Educational   Films  of   Eastern 

New   York    

Caravan,   Inc.,   The 

Carlson    Film    Co 

Cartis     Corp 

Castle's  Long   Beach  Amuse.    Co 


75,000 

25,000 

2,000 

150,000 

100,000 

100,000 

2,000 

2,000 

2,000 


50,000 

250,000 

7,500 

'  45,666 
10,000 

'2bb]6oo 


150,000 

10,000 

20,000 

5,000 

24,000 

5,000 

20,000 

250,000 

1,500 

5,000 

200,000 

5.000 

2.000 

50,000 

200,000 

100,000 


5.000 
10,000 
10,000 
10,000 
15,000 
50,000 

5,000 

50,000 

500 

20,000 

6,000 

Vo,666 

250,000 
5,000 

1,000,666 

50,000 
1,000 

50,000 

500 

1,000 

25,000 
20,000 
10,000 
75.000 

200.000 
50,000 
15,000 
50,000 

250,000 
10,000 
10,000 
5,000 
50,000 
50,000 
5.000 
15,000 

Vo',666 

5,000 

250,000 

125,000 

20,000 

10,000 

3,000 
25,000 

5,000 

75,000 

100,000 


Castleton    Theater    Co 

Central   N.   Y.  Amusement   t"o 

(Certified    Picture    Corp 

Champion    Distributing   Co.,   E.    R. .  .  . 

Children's    Matinee    Service,    Inc 

Chronicles  of  America  Picture  Corp... 

City    Motion    Picture   Syndicate 

Claremont    Film    Laboratory,    Inc.... 

(Commodore  Theater   Corii 

Community    Players     

Community   Theater    Co 

Consolidated  Amusement   Corp 

Consolidated    Camera    Exchange 

Continental    Screen    Service   Corp 

Cosmopolitan     Corp 

County-Seal    Theater    Corp 

Coyle  Prod.,  Walter  V 

Creston    Feature   Pictures,    Inc 

Criterion    Operating    Corp 

Cynthia    Producing    Co 

Davidow  Productions,  Inc.,  E.  D 

Davidson-Kranz,    Inc 

Delfaro    Importing    Co 

Delf    Prod.,    Harry 

Dependable    Picture    Corp 

Dependable    Sales    Corp 

Diller    Theater    Corp 

Di   Lorenzo,   Inc 

Douglas  Motion  Picture  Corp 

Du  Art   Film    Laboratories 

Duffield    Theater,    Inc 

D,  &   W.    Productions,   Inc 

Ealt    Pictures    Corp 

Earle    Pictures,    Wm.    P.    S 

Eastman     Stock     House 

Kffanem    Photoplays,    Inc 

Eflkay   Amusement    Corp 

E.  H.   C.   Amusement   Co 

Elm  wood  of  Pen  Yan,  Inc.,  The 

Elvin    Theater    Co 

Emessen      Picture     Corp 

Empire   Film    Vaults 

Endicott   Theater   Co 

Equitable   Play   Producing  Co 

Equity  Players,  Inc 

Equity    Theater    Corp 

Ercole  Film  Co 

Erdil     Theater     Corp 

Esperanto     Service    Corp 

Ethical    Film    Service   Co.,   Inc 

Exhibitor's    Delivery    Co 

Faljian    Bond    &    Mortgage    Corp 

Faness    Amusement    Corp 

Feaster    Manufacturing    Co. 

Federation    Producers    Service 

Fermac    Corp 

Film,    Inc 

Film  Guild,  Inc.,  The 

Filmless   Motion    Picture   Portrait   Co. 
Film    Storage   &    Forwarding,    Inc.... 

First   Graphic    Exchanges,    Inc 

Florence    Photoplay    Corp 

Fluoro-Cinemic  Surgery,  Inc 

Fly   Brothers    

Foreign    Pictures   Corp 

Fox    Film    Realty    Corp 

Frederick    Producing    Co 

Fullertoti   Phonograph    Prod.,    Inc.... 

Garrson.    Murray    W 

Genius    Film    Productions 

Glen  Island  Hotel  Corp 

Gloria    Productions,    Inc 

Goodman   Corp.,   Daniel  Carson 

Grady    Productions,    Inc 

Grand   &  Warner  Exchange,   Inc 

Graphic     Cruising    Co 

Great    Lakes   Film   Corp 

Greenbell  Amusement   Corp 

Grotto  Land,   Inc. 

Gunning   Corp.,  Wid. 

H.  H.  F.  Theater  Co 

H.  W.   Productions,   Inc 

Halberg   Contracting   Co 

Hamilton,  Inc.,  George  H 

Hamilton    Corp.,    Lloyd 

Hamlin,    Tom    

Hiller  Enterprises,  L.   L 

Herbert  Amusement   Corp.,  Henry... 
Highclass  Motion  Picture  Theaters... 

Highstone   Co..    Inc 

His  Nibs  Syndicate,  Inc 


20,000 

100,000 

10,000 

10,000 

100,000 

Vo',666 

375,000 
5,000 

'3,566 

20,000 
30,000 
100,000 
10,000 
10,000 

'  100,666 

1,000 
20,000 
25,000 
50,000 

5,000 
50,000 

5,000 
10,000 
10,000 
25,000 
60,000 
10,000 
10,000 
100,000 

5,000 
500,000 
250,000 
100,000 

5,000 

5,000 
50,000 
50,000 

10,666 

2,s66 
1,000 

50,000 

100,000 
10,000 

100,000 
10,000 
10,000 

500,000 

500 

750,000 

100,000 

10,000 

5,000 

50,000 

"  300,666 

10,000 

11,000 

20.000 

10,000 

200,000 

100,000 

10,000 

500,000 

5.000 

10,000 

10,000 

1,400,000 

500 

10,000 

20,000 

25,000 

10,000 

20,000 

10,000 

200,666 

500 

Vo',666 
200,000 

5,000 
10,000 
10,000 
20,000 

3,000 
10,000 


298 


Histro  Dramatic  Amusement  Co 10,000 

Hogenbeck   Brothers  Co.,  Inc 250,000 

Sherlock   Hohiies    Series,    Inc 50,000 

Hoosier    Motion    Picture    Co 20,000 

Housman    Comedies     40,000 

Howard  Beach  Amusement  Co 50,000 

Hudson   Falls  Theater  Corp 30,000 

Hunt,   Inc.,   Carl 2,500 

Ince   Producing   Corp 1 0,000 

Inkwell   Distributing   Corp 15,000 

Inland   Amusement   Corp 20,000 

International   News   Reel   Corp 10,000 

International  Pictures  of  A 1,000 

Irmy    Amusement    Co 

Iroquois     Productions     40,000 

Irous    Corp.,    The 10,000 

Irving    Productions 20,000 

Isaacs  Cinema  Equipment  Co.,  C.   R.  2,500 

Jacron  Amusement   Co 25,000 

Jans   Productions 5,000 

Jerome  Film   Corp 15,000 

Jester  Productions 

Jones  Productions,  A.   L 10,000 

Jump    Steady    Corp 100,000 

Jupiter    Film    Corp 25,000 

K.  &  B.  Amusement  Corp 15,000 

K.  E.  &  L.  Amusement  Corp 25,000 

Keaton    Productions,    Buster 10.000 

Kings   Park  Theater   Corp 15,000 

Kmokraft   25,000 

Kirdan  Film    Co 500 

Kneer   Amusement    Corp.,   Joseph...  125,000 

Lafayette  Theaters    Corp 50,000 

Lark  Amusement  Corp 5,000 

Lee-Bradford    Corp 5^000 

Lee  Film   Corp lO.'oOO 

Leland   Theater    Co 100,000 

Leona   Lamier   Productions,    Inc 1,000,000 

Lee- Vic    Pictures,    Inc 100,000 

Lichtman  Distributing  Corp.,  Al 

Life  Like  Film  Co 50,000 

Lightning   Film    Corp lOOioOO 

Lincoln  Theater  Corp '5OO 

Loew's  Boulevard   Corp 1,000 

London   Amusement   Co 15,000 

Louis,    Inc 50^000 

Love  Lace  Productions 5,000 

Mac   Dougall  Amusement  Co 100000 

Mallie    Theater    Co 10^000 

Medbury,   Inc 5  000 

Melody   Pictures,    Inc 5000 

Mempico   Co.,   Inc lOO.'oOO 

Merhock  Productions,  Inc 25,000 

M.  &  H.  Amusement  Corp 100000 

Millen   Bay   Park  Assoc '5OO 

Milton     Products 10  000 

Mims  &  Co.,  F.  C lO'oOO 

Mingold  Prod.,   Inc 20^000 

Model  Film  Exchange  Corp 5^000 

Monopol    Pictures 20^000 

Monra  Productions,  Inc 5,000 

Morosco    Sales   Co 10^000 

Motion  Picture  Poster  Co 10^000 

Moura   Productions S[000 

Movo-Picto-Ad    Organization 1^500 

Motion  Picture   Salesmen,   Inc 

Mystery  Pictures  Corp 50,000 

Mystic     Enterprises,     Inc 8,000 

Nassau   County  Amusement   Corp 150  000 

Nassau  Play   Corp 25,000 

Needle  Rhonheimer  Amusement  Co... 

Newark    Screen    Corp lo" 666 

New  Chester  Theater  Corp 20'000 

Newcome,  Inc 20  000 

New  Law  Theater  Corp .'.  5  000 

New  Strand  Theater  Corp '.  s'ooo 

Newton  Amusement   Co 15,000 

Ninth  Avenue  Amusement  Co '.  5o!oOO 

Nora  Amusement  Corp 30^000 

Norman   Productions,    Inc 5000 

Noted   Dramas    3o!oOO 

Novel  Film  Co 100  000 

Nyack  Theater  Realty   Corp 50,000 

O.  &  L.  Amusement  Corp 20000 

O..  P.   Co.,   The i;000 

Olio   Producing  Co.,   Inc 10000 

O'Loughlin,    Inc.,    C 6*000 

One  Hundred   &   Seventieth   St.   Corp  s',000 
One-thirty   eight.   West  Forty-Second 

On  the  Stairs 5  OOO 


Oroa     Pictures 50,000 

Oswego   Orpheum   Corp 5,000 

Oswego    Strand    Corp 5,000 

Paciiic    Film    Exchange 10,000 

P.   A.   D.   Corp 50,000 

Page    Cape    Producing   Co 25,000 

Paladin    Pictures    Corp 20,000 

Paramount   Pep    Club,   Inc 

Park  Amusement   Corp 50,000 

Park    Enterprises    25,000 

Park   Music   Hall 10,000 

Patchogue   Theater    Corp 125,000 

Patuwa    Pictures    20,000 

Pearl  Film  Corp 6,000 

Pearl    River   Amusement    Co 25,000 

"Photo"    Amusement    Corp 16,000 

Picker,    Inc.,    James 250,000 

Pictorial  Club  of  New  York 500 

Pilgrim    Pictures    100,000 

Phenix   Projector   Corp 250,000 

Phillips,  Murray 5,000 

Photo   Play   Corp.   of  America 100,000 

Plage    Screen    Corp 30,000 

Players   Co.,   The 5,000 

Plays    &    Pictures,    Inc 50,000 

Police    Feature    Films 80.000 

Po'o   Corp.,   Edd:e 10,000 

Pra  rie    Pictures 7,500 

Price,    Inc.,   Oscar 10,000 

Primrose    Pictures    Corp 

Principal     Pictures,     Inc 

Progress   Productions,   Inc 52,000 

Projection    Rooms 5,000 

Prudential    Film    Service    Corp 100,000 

Publicity    Exhibitors,    Inc 10,000 

Oualtoplay    Film    Corp 25,000 

Raritan    Bay   Amusement   Corp 200,600 

Ratonah     Productions 500,000 

Raymond's  Garden  of  Toy,  Inc 10,000 

Redson    Holding    Corp 20,000 

Regent    Enterprises 25,000 

Rialto    Productions,    Inc 40,000 

Richton     Corp 100,000 

Ridgfield    Park    Amusement    Corp....  1,000 

Reis   Audioscope    Co.,    Inc 200,000 

Rivoli  Club   Operating   Co 25,000 

Roamax   Films,    Inc 500 

Rosen  Productions,  Louis 

Roslyn   Theater    Co 100,000 

Royal    Family    Players 150,000 

Same  Day   Photo   Service,   Inc 15,000 

Sawyer,   Inc.,    Chester   E 10,000 

Schaefler  &  Hogan,  Inc 5,000 

Schenck   Productions,  Joseph   M 10,000 

Schubert  Picture   Corp 500,000 

Science  Research   Films,   Inc 500.000 

Sea  Coast  Operating  &  Holding  Corp.  250,000 
Seiden  Industrial  &  Educational  Film 

Corp      10,000 

Selig-Kalem  Features,  Inc 60,000 

Selznick   News.   Inc 1,000 

Seminole  Film  Productions,  Inc 

Sept  Cinema  Camera  Dist 50,000 

Shea's,  Inc 100,000 

Shipman-Luporini   Films,    Inc 

Shubert  Albany  Theater   Corp 50,000 

Sills   &   Co 50,000 

Silverton  Amusement   Corp 18,000 

Singer    Pictures 500 

S.  K.  S.  Motion  Picture  Co 10,000 

Smart  Films,  Inc 20,000 

Smith,    Paul    Gerard 5,000 

Society    Circuis,    Inc 30,000 

S.   R.   F    Amusement   Co 5,000 

Ssta    Films,    Inc 10,000 

Stanep   Amusement   Corp 10,000 

Star     Productions 200,000 

Star  Serial  Corp 20,000 

State   Poster   Co 1,000 

Steadylite     Motion     Picture     Madiine 

Corp 1,000,000 

Stratfield  Amusement  Co 50,000 

Suchman    Corp.,    Israel 500 

Suffern     Amusement 500 

Summer  Gardens,  Inc 1,500 

Sunrise     Comedies 20,000 

Superior    Projector    Co 270,000 

T.  &  A.  Film  Producing  Co 500,000 

Talmadge    Producing    Corp 16.660 

Tarrytown  Music  Hall  Co 15,000 

Tec- Art    Studios,    Inc 10,000 


299 


Technicolor,   Inc 33,000,000 

Teleview   Corp 120,000 

Tellman   Amusement   Corp 50^000 

Temple    Pictures,    Inc 200,000 

Theater    Foundation,    Inc I'OOO 

Theater   Vittorio  Allieri,   Inc 100]000 

Thespis    Theater,    Inc 150,000 

Third   Ave.    Motion    Picture   Theaters, 

Inc 20,000 

Thomas    Film    Co 25,000 

ThoHiashefsky-Saks-GoIdberK       Theat- 
rical    Corp 20,000 

Three   G   Amusement    Co 15,000 

Three-ten  West  Eighty-tiflh   St.   Corp.  1,000 

Thunderbolt   Amusement    Co 50,000 

Times    Plaza   Theater    Corp 250,000 

Tore,    Inc 1,000 

Torino    Films,    Jnc 1,000,000 

Tower  Theater   Corp 50,000 

Townsend   Studios,    Inc.,   E.    F 5,000 

Troy  Lincoln  Theater  Corp 100,000 

Tuscan    Theater    Corp 5,000 

Tyndal  Stero   Kinema   Corp 5,000 

Unique    Theater    Co.    of    Boston,    Inc.  20,000 

Unit    Producing    Co 25,000 

United    States    Cinema    Corp 500 

Unity   Pictures,   Inc 50,000 

Variety    Sales    Corp 10,000 

V.    D.    Productions,    Inc 100,000 

Virginia     Productions 20,000 

Visual    Symphony    Productions 30,000 

Visual  Text   Book   Publishing  Co 100,000 

Von   Tilzer,    Inc.,   Albert 200,000 

Walter   Picture   Corp 35,000 

Wassartz  Amusement   Co 10,000 

Wave   Crest   Amusement    Co 2,000 

W.   B.   Film   Exchange,   Inc 100,000 

Welcome    Amusement    Co.,    Inc 10.000 

Westminister  Amusement  Co 50,000 

Westminister    Film    Corp 100,000 

West   Photoplays,    Inc.,    Lionell 100,000 

White    Corp.,    Jack 200,000 

Wiley,     George 10,000 

Williamsburg    Photoplay    Corp 100,000 

Winmark    Producing  Co 50,000 

Wolff,    Henry    E 60,000 

Winthrop    Theaters,     Inc 60,000 

Worth   While   Pictures   Corp 10,000 

Yale  Theater  Ticket   Co 1,500 

Yonkers    Strand   Theater   Co 50,000 

Zierler   Photoplay   Corp.,   Samuel 100,000 

NORTH     CAROLINA 

Continental    Pictures 10,000 

OHIO 

Allen-Cleveland   Co 

Alpha    Theater    Co 

Buckeye   Photoplays   Co 25,000 

Franco   American    Film    Co 50,000 

Geographic    Equip.    Co 100,000 

Second  Nat'!  Picture  Corp.  of  Ohio..  250,000 

Statler    Producing   Co.,   Deane 50,000 

OKLAHOMA 

Grand    Central   Amusement    Co 5,000 

Ideal   Theater   Co 25,000 

Oklahoma  Comet  Amusement  Co 50,000 

Pitchford    Amusement    Park 50,000 

Ponca   City  Amusement   Co 100,000 

OREGON 

Kiser   Studios,   Inc 100,000 

PENNSYLVANIA 

Imperial    Pictures,    Inc 

Nixon-Nirdlinger      Corp 10,000 

TENNESSEE 

Moore  Feature  Film  Co 50,000 

Standard  Productions,   Inc 100^000 

TEXAS 

Alamo   Amusement    Co 75,000 

Dallas    Amusement    Co. ..."". 50  000 

Floresville  Amusement   Co 3^800 

General   Theater   Equipment    Co loioOO 

Happyland    Theater,    Inc 50.000 

Merkel   Amusement    Co 15,000 

Musicians     Protective    Association     of 

A.   F.  of  M.  Loc.  65 

Princess  Amusement  Co 5,000 

Ranger   Theater    Co 1 0,000 

Remile  Amusement   Co 7,000 

Royal   Amusement    Co 4^000 


Texarkana    Amusement    Co ; 

Travis     Theater    Co 

Victory    Theater    Co 

UTAH 

Eldred  Co.,  L.  J 

VIRGINIA 

First  National  Amusement  Corp 

WASHINGTON 

West    Coast   Distributing,   Inc 

WEST    VIRGINIA 
Eureka  Amusement   Co 

WISCONSIN 

Cheyenne    Amusement    Co 

Rex   Theater   Co 

FOREIGN 

CANADA 

Canuck   Film   Co 

Canadian    Exhibitor's   Exchange,    Ltd. 

Canadian   Theater    Supply   Co 

Crescent    Films,    Ltd 

Laval     Photoplays,     Ltd 

New   Brunswick   Films,  Ltd 

Ottawa  Film  Productions,  Ltd 

Saulte   Ste  Marie  Films,   Ltd 

ENGLAND 
British    Cinematograph    Assoc,    Ltd.. 
Rose   Film   Co.,  Ltd 


10,900 

10,000 
6,800 

1,000 

500,000 

100,000 

150,000 

50,000 
100,000 


150,000 
100,000 
300,000 

V5b',666 


Los   Angeles   Affiliated   Picture   Interests, 

Inc.         407    Chamber  of   Commerce   Bldg. 
Officers 

Chairman,  Frank  A.  Garbutt ;  Vice-Chairman, 
William  Smith,  Sol  M.  Wurtzel,  Joseph  W.  Engel, 
Frank  E.  Woods,  William  D.  Taylor,  Edward 
Roberts ;  Secretary,  Ted  Taylor ;  Treasurer,  W.  J. 
Reynolds;  General  Manager,  Edward  Roberts. 
Directors 

Actors,  Ralph  Lewis;  Art  Directors,  Charles 
H.  Kyson  ;  Artisans,  Frank  S.  Brown;  Assistant 
Directors,  Scott  R.  Beal ;  Authors  and  Writers, 
Rob  Wagner,  Frank  E.  Woods ;  Cinematograph- 
ers,  Philip  E.  Rosen ;  Directors,  Reginald  Bar- 
ker, William  D.  Taylor ;  Exchange  Managers,  J. 
H.  Goldberg;  Producers,  Charles  Christie,  Joseph 
Engel,  Frank  A.  Garbutt,  Abraham  Lehr,  W.  J. 
Reynolds,  W.  S.  Smith,  Sol  Wurtzel ;  Projection- 
ists, Edwin  A.  Keller ;  Publicity  Writers,  Ted 
Taylor;  Scenario  Schools,  Frederick  Palmer; 
Theater  Managers,  Fred  A.  Miller,  F.  R.  E.  Wood- 
svard;  Theater  Owners,  Glenn  Harper;  Clergy- 
men, Rev.  Neal  Dodd;  Trade  Journalists,  Edward 
Roberts. 

"Scandinavia    Overestimated" — Bouveng 

Nils  C.  Bouveng,  of  Swedish  Biograiih,  in  a 
statement  covering  film  conditions  in  Scandinavia 
says,   in  part: 

"The  him  buymg  capacity  of  Scandinavia  has 
been  rather  overestimated.  A  glance  at  the  map 
shows  Scandinavia  as  a  rather  large  area  com- 
prising the  three  well  known  kingdoms  of  Sweden, 
Norway  and  Denmark,  but  it  is  not  always  re- 
membered that  a  large  portion  of  this  area  is 
situated  beyond  the  Polar  Circle  and  is  very 
sparsely  populated. 

'To  get  a  correct  impression  of  Scandinavia's 
position  in  the  film  market  it  is  absolutely  necessary 
to  remember  that  the  number  of  motion  picture 
houses  never  reached  more  than  700,  a  number 
which  is  decreasing  every  day  on  account  of  pre- 
vailing low  conjunctures.  Also  a  great  many  of 
these  theaters  are  to  be  found  in  small  villages 
and  communities  with  a  small  number  of  in- 
liabitants;  furthermore,  half  of  the  theaters  are 
not  able  to  play  more  than  two  or  three  times  a 
week. 

"Economical  conditions,  coupled  with  the  pres- 
sure of  ta.xation,  heavier  than  ever  before,  Itave 
been  very  unfavorable  for  the  film  business.  A 
very  good  illustration  of  this  fact  is  afforded  by 
the  motion  picture  theaters  of  Stockholm  show  a 
decrease  of  27',(  during  1921  as  against  the  pre- 
ceding year."' 


300 


Contents  of  Year  Book,  1920 


Page 

Americanization    Idea    in    Films 383 

A.   M.   P.    A.    Officials    and    Membership.  .  ..    491 
Australian    Theaters    and    Number    of    Play- 
ing   Days 491 

Advertising    and     Salesmanship 299 

Age   Limit    of    Minors    in    Theaters 327 

American    Films    in    Czecho-Slovakia 285 

Argentine      269 

Assistant     Directors     Association     Member- 
ship         213 

Australia    251 

Belgium    269 

Belgian   Renters    251 

Belgian    Manufacturers     251 

Belgian    Importers     251 

British    Studios     243 

Best  Sellers   of   Year 495  . 

Buyers   in    India    251 

Burma     275 

Bulgaria    275  and  491 

Bibliography — Books  and  Articles  Regard- 
ing  the    Industry    288b 

China     271 

Copyright     305 

Canadian   Ordinances    327 

Censorship — Conditions    by    States 333 

Companies    Making    Industrial    Pictures ....  390 

Directors    and    Their    Productions 377 

Dutch    Producers    251 

English    Exchanges     241 

English    Producers     241 

Egypt   (Cario)    271 

Efccise  Taxes    307 

Far  East    275 

Federal    Laws    and    Regulations 305 

Film    Exports    for    Year    Ending    June    30, 

1920    241 

Foreign    Market    239 

French   Customs   Tariff    245 

French    Censorship     245 

French  Renters   (Exchanges)  and  Dealers.  .    247 

French    Producers     247 

French     Syndicates     247 

French    Film    Publications 247 

French   Productions    247 

Films    Sent    by    Mail 305 

Film    Exchange    Associations     with     Offices 

and    Addresses     335 

Federal    Tax    and    Gross    Business 335 

First  Film   Made   in   U.   S 399 

Germany     265 

Independent        Exchanges        and        Product 

Handled    147 

Important    Industrial    Films 167 

Italian    Producers     249 

Italy 271 

Industrial-Carter     Cinema    Co.     Releases .  .  .  288a 

Important    First   Run    Houses 295    and  481 

Immoral    Films     305 

Industrial    and   Advertising    Film   Producers   493 

Internal   Revenue   Taxes    309 

Important     'Legal     Decisions 329 

Important    English    Theater    Circuits 251 

Import   and    Export    Statistics 253 

Important  Incorporations  of  the  Year 227 

Japan     269 

Japanese    Censorship     335 

Legal    Holidays    in    U.    S 213 

List    of    Educational    Institutions    Equipped 

with     Projection     Machines     105 

Leading  Distributors'  Exchange  Address.  ..    139 

London    Film    Importers     243 

London     Film     Exporters     245 

Loan,    Rental    or    Sale    of    Films 305 

Lessees   Tax   Obligations 309 

Laboratories,    East    and    West 399 

Membership  American  Society  of  Cinemato- 

graphers      187 

Membership  Theater  Owners  Asso.  of  Cali- 
fornia        189 

Membership  Independent  Exhibitors  Corp. 
of     Washington     189 


Page 

M.    P.   T.    O.   of  America    191 

M.   P.    D.   A.   Membership    211 

M.    P.    Art   Directors    Association 215 

Most    Important    Event   of   the   Year    (Com- 
ment  of    Important   Film   Folk) 227 

Mediterranean        Conditions — Report        from 
British    Department    of    Overseas    Trade, 

London      275 

Membership    Theater    Owners    Chamber    of 
Commerce   of   Greater   New    York 491 

N.   A.   M.  P.   1 293 

National    Board   of    Review    Selections 383 

National  Motion  Picture  League — Purposes 
and    Officials    177 

Opinions    on    Foreign    Outlook 257 

Other     Proposed     Legislation      309 

Ordinances     of     Principal     Cities      of     This 

Country     313 

Outlook     Regarding     Serials      285 

Publishers    of   Tax   Free    Music 215 

Photographs     180 

Percentage    Tables    of    Distribution    (Amer- 
ican   and    Foreign)     255 

Paramount's    Foreign    Offices     265 

Bureau  of   Commerce   Reports: 

Peru     269 

Prize    Fight    Films     305 

Protection      of      the      Uniform — Army      and 

Navy     307 

Proposed     Federal     Legislation — Censorship  309 
Productions    of    the    Year,     Including    Title, 
Name    of    Releasing     Company,     Date     of 
Release,    Star,    Director   and   Date    of   Re- 
view         337 

Productions  of  the  Year  by  Company  Re- 
lease        489 

Parcel     Post     Rates     489 

Resume    and    Outlook     64d 

Regarding  Pictures    in    General    288b 

Regarding  History  and  Early  Experiments   288b 

Regarding   Laws     and     Regulations 288b 

Regarding  Plays      289 

Regarding   Morals    and    Censorship 289 

Regarding  Acting     291 

Regarding  Photography     291 

Regarding   Projection     291 

Regarding   Music     291 

Regarding   Art     293 

Regarding   Education     293 

Regarding   Biographies     293 

Regulations   Regarding  Shipment  of   Films.    307 
Raw    Stock     399 

Seating  Capacity  Broadway  Picture  Houses  189 

Spanish   Producers    249 

Switzerland     269 

State    Laws     309 

State    Rights    Releases 375 

St.    Louis    Theater    Capacities 383 

Stars  and   Their  Productions 385 

Studios,    East    and    West 397 

The    Short    Reel    Outlook 1 79 

Theater    Chains     193 

Towns    Booked    from    Exchange    Centers .  .  .    225 

Turkey     (Constantinople)     271 

Tariff    Schedule     307 

Taxes    on    Films 307 

United    Kindgom    (with    Import    Table) ....    271 

What  of  the  Coming  Year?  (Ideas  of  pro- 
ducers. Distributors  and  Others  as  to 
What    1922-23    Has    in    Store) 217 

What  of  Prohibition  ?  (Impressions  on  a 
Most   Important  Topic)    233 

Women's     Clubs 383 

Work   of  Cameramen    391 

Year    in    Headlines     65 

Too    Late    to    Classify 493 

Farley   Decision 

Additional     Independent     Exchanges     and 

Productions    Handled 
Additional    Theater    Chains 
Additional    Comment    on    Outlook 


301 


Contents  of  Year  Book^  1921 


Page 

Accessory    Buying    Guide    399 

American    Society   of    Cinematographers 282 

A.   M.   P.  A.   Officers  and   Members 177 

Asst.    Directors'    Asso.    Membership 281 

Australia's    Theaters    191 

Authors'    League  of   America 282 

Best  Sellers  of  the   Year 289 

Blue   Law  Legislation  by   States 191 

Bureau    of    Foreign   and    Domestic    Commerce 
Reports     375 

Cameramen   and   Their    Productions 329 

Capacity  of  Broadway   Theaters 289 

Casting    Agents    398 

Censor   Board   Standards: 

Censorship     Legislation    by    States 191 

Censorship — What    of    It?     203 

Children's    Matinee    Asso 273 

Children's   Week   Films    419 

Churches  Showing  Pictures   (by  States) 115 

Days  of  '49  in  California  Moving  Picture  His- 
tory         69 

Director   of    1922    280 

Directors   and   Their    Productions 320 

Distribution    Percentage    Table    (including 

Foreign)     181 

Dramas  Touching  on  American  Customs,  Life 
and   Ideals    318 

Editorial  Contents  of   1920  Year  Book 279 

Editors   and    Cutters    (New   York) 201 

English  Theater   Circuits    273 

Exchange  Addresses  of  Leading  Distributors.  .261 
Exports   and    Imports   of   Films 347 

Federal    Trade    Commission   Work 113 

F.   I.    L.    M.    Clubs 413 

Foreign    Buyers    343 

Foreign  Exchanges  of  American  Cos 345 

Foreign     Invasion     (Comment     of     prominent 

film  folk   on  a  most  important  subject) 207 

Foreign   Market — ' 

Forty   Best   Photoplays  of    1920 — Selections  of 

National  Board  of   Review 227 

Freight    Rates   for   Film   Shippers 227 

Golf    Tournament     398 

Gross  Business  of  Year   (see  Rental  Tax) 121 

Gross  of   "The   Miracle   Man" 279 

Headlines    of    the    Year 87 

Hoy   Settlements   for   Year 177 

I.  A.  T.  S.  E 396 

Important   First   Run   Theaters 249 

Important    Legal    Decisions    290 

Incorporations     285 

Independent  Exchanges  and  Product  Handled.  127 
Independent  Prod.  &  Dis.  Assn.  Membership.  113 
Industrial    Film    Manufacturers 392 

Key    Cities,    With    Important    Nearby   Towns       77 

Laboratories    (East   and   West) 123 

Legal  Holidays  in  U.   S 273 

List  of   1,001    Non-Theatrical  Films 273 

Loew,   Marcus,  Incorporations   75 


Page 

Map  of   Film  District  of  New  York   City 179 

Most  Important  Event  of  the  Year  (Comment 

of    important    film   folk) 211 

Motion    Picture    Art    Directors'    Asso 282 

Motion    Picture    Direct.    Asso.    (Los    Angeles). 281 

Motion    Picture    Directors'   Asso.    (N.    Y.) 281 

Motion    Picture    Photographers'    Asso 281 

Motion   Picture   Publications  of  the  U.   S 193 

M.    P.   T.    O.    of   America 193 

National  Asso.   M.   P.   Industry 289 

National    Motion    Picture    League 284 

New   York    City   Film   Deliveries 177 

N.  Y.  Theater  Owners'  Chamber  of  Com- 
merce   Membership    275 

Non-Theatrical     DSstributars 115 

Ohio    Board   of   Censors'   Work 225 

Outlook  for  Coming  Year  (Ideas  of  Produc- 
ers, Distributors,  Exhibitors  and  others,  as 
to   what   the   coming   year   has   in   store) 197 

Periodical    Literature    Regarding    Industry 183 

Personnel  of  Important  Producing  and  Dis- 
tributing    Cos 393 

Photographs  of  Some   Men   You   Know 219 

Pictures    in    Schools     27» 

Play   Brokers'    Addresses    201 

Productions    (by   Companies)    of   Year 314 

Productions  of  Year  (together  with  name  of 
releasing    company,    release    date,     name    of 

star,    director    and    date    of    review) 293 

Projection    Rooms    (Public)     201 

Publishers  of  Tax  Free  Music 271 

Raw    Stock    Manufacturers    125 

Rejections   of    Ohio    Censor    Board 217 

Releases  (4,000  Features)  Sept.  1915  to  Sept. 
1921      133 

Scenario    Writers'    Work    335 

Serial    Outlook    225 

Short     Reel     Releases 115 

Society   of   M.   P.    Engineers 341 

Stars    and   Their    Productions 324 

State    Right    Releases    319 

Studios    (East    and    West) 123 

Taxation : 

Admission  Tax   Figures    121 

Percentage  Tax   on  Admissions 273 

Rental    Tax    on    Films 121 

Ten  Best  Pictures  of  the  Year 420 

Texas    Booking    Circuit    273 

Theaters    by    Cities    and    States 284 

Theater  Chains  of  U.  S.  and  Canada 229 

Theater    Chains.    Additional    357 

Theater    Owners'    Asso.    of    Sou.    California 

Membership     277 

Tilford    Cinema    Studios    Production    Chart....  195 
Titles,    4,000    Features,    Sept.     1915    to    Sept. 
1921     133 

U.    S.   Agricultural   Department   Films 414 

Western    Moving    Picture    Advertisers 283 

Y.  M.  C.  A.'s  and  Welfare  Leagues  Showing 
Pictures     113 


302 


\ 


Productions 


Title 


The 


Glorious     Fool. 
Golden    Dreams 
Grand    Larceny 
Grim    Comedian, 
Head    Over    Heels 
His    Back    Against    the 


(Continued 

Release 
Date 


1-22 
6-22 


The 


Wal 


Hungry  Hearts 10 

iVIan    From    Lost    River,    The    

Man    With    Two    Mothers     

Mr.     Barnes    of    N.     Y 

Pardon    My    French    

Poor    Relations     

Poverty    of    Riches    

Remembrance    

Theodora     

Voices  of  the   City    

Wall   Flower,   The    

Watch   Your   Step    

When    Romance   Rides    

Yellow    Men    and    Gold 


WID     GUNNING,     INC. 


Alias    Phil    Kennedy 

Blond    Vampire,    The 

Blue     ]\Iountain     Mystery,     The. 

Bootleggers,     The 

Don't    Blame   Your   Children.... 

Fire    Bride,    The 

Foolish   Monte    Carlo 

Madness   of   Love,    The 

Mrs.    Dane's    Confession 

Old  Oaken   Bucket,   The 

Our   Mutual    Friend 

What  Do  Men  Want 

White    Hands 


W.    W.     HODKINSON     CORP. 

Affinities      9-24-22 

At    the    Sign    of   the   Jack    O'Lantern    1-22 

Bulldog  Drummond    12-  3-22 

Cameron    of    the    R.    M 12-25-21 

Certain    Rich    Man,    A     9-18-21 

Fifty     Candles     12-11-21 

Free   Air    6-22 

French     Heels     1-  8-22 

Gray    Dawn,    The    2-   5-22 

Headless     Horseman     11-   5-21 

Hearts'     Haven     10-   1-22 

Jane   Eyre    10-21 

Light    in    the    Clearing    11-20-21 

Married    People    9-1 7-22 

Mysterious    Rider,    The    12-21 

No     Trespassing     6-11-22 

Other    Women's     Clothes     5-10-22 

Rip    Van    Winkle    9-21-21 

Slim    Shoulders     10-25-22 

Veiled    Woman,    The    9-   3-22 

^L  LICHTMAN  CO.— PREFERRED  PICT. 

■Shadows     11-22 

'^horns  and  Orange  Blossoms   11 -22 

Rich  Men's  Wives 9-22 

Hero,  The   12-22 

METRO    PICTURES    CORP. 

Broadway  Rose,  A 9-25-22 

Don't   Write   Letters    S-15-22 

Enter    Madame    11-13-22 

Face     Between,     The     4-17-22 

Famous    Mrs.    Fair    11  -22 

Fascination     4-10-22 

Fightin*     Mad     12-   5-21 

Five  Dollar   Baby,  The    

Forget-Me-Not 10-  2-22 

Forgotten  Law,  The 1 1-20-22 

Fourtet-nth   Lover,  The 1-   9-22 

Glass     Houses     3-  6-21 

Golden    Gift,    The    2-   6-22 

Hands  of  Nara,   The    9-18-22 

Hate    5-29-22 

Hole    in    the    Wall,    A    12-12-21 


of  the  Year 

from    Page    95) 

Release 
Title  Date 

Hunch,    The    11-28-21 

I   Can  Explain   3-20-22 

Idle  Rich.  The  12-26-21 

June    Madness    10-23-22 

Keep    Off    the    Grass     

Kisses    4-   3-22 

Ladyfingers      10-31-21 

Little    Eva    Ascends    1-   8-22 

Love  in  the  Dark    12-11-22 

Missing   Husbands    

Peacock    Alley     1-23-22 

Peg  O'  My  Heart 12-18-22 

Prisoner   of   Zenda    

Quincy  Adams  Sawyer    12-  4-22 

Right    that    Failed,    The     2-20-22 

Seeing's     Believing     5-   1-22 

Sherlock    Brown     6-26-22 

Stay   Home    3-20-22 

Stroke   of   Midnight,   The    

They  I^ike  'Em  Rough   6-12-22 

Toll  of  the  Sea,  The 1-23-22 

Trifling    Women     11-  6-22 

Turn    to    the    Right     2-27-22 

Youth  to  Youth 10-15-22 

PATHE    EXCHANGE,    INC. 

Isle   of   Zorda,   The    3-26-22 

Nanook    of    the    North     6-1 1-22 

Orderly,    The     10-   2-21 

Power  Within,  The   12-18-21 

SELZNICK  ENTERPRISES 

Channing    of   the    Northwest    4-20-22 

Chivalrous     Charley     12-10-21 

Clay    Dollars    10-20-21 

Conceit      12-20-21 

Evidence     5-   5-22 

John    Smith    6-10-22 

Love    Is   An   Awful    Thing    8-30-22 

Trove's     Masquerade     3-20-22 

Man    of    Stone,    The    11-10-21 

A    Man's   Home    12-22 

One  Week  of  Love   11-22 

Pawned 11-13-22 

Prophet's    Paradise,    The    2-28-22 

Reckless    Youth    3-30-22 

Referee,   The    5-10-22 

Reported     Missing     4-   5-22 

Shadows    of    the    Sea    1-10-22 

Under    Oath    8-   5-22 

Way    of    a    Maid,    The    11-20-21 

Why   Announce   Your   Marriage?    1-20-22 

Wide    Open    Town,    A     2-10-22 

Woman  of  No  Importance   6-20-22 

UNITED     ARTISTS     CORPORATION 

Doll's  House,  A   2-12-22 

Fair   Lady    2-26-22 

Iron   Trail,   The    10-30-21 

One   Exciting  Night    

Orphans  of  the  Storm    4-30-22 

Ruling    Passion,    The 2-19-22 

Man    Who    Played    God,   The 10-   1-22 

Robin    Hood    10-30-22 

Tess   of   the   Storm    Country 11-13-22 

Tailor    Made    Man,    A... 10-15-22 

Allied  Producers  &  Distributors  Corp. 

Garrison's    Finish    

Three    Must-Get-There's,    The 10-27-22 

Glorious    Adventure,    The 8-27-22 

Woman's   Woman,   A    9-14-22 

UNIVERSAL     FILM     MFG.     CO. 

Across  the   Dead-Line   1-  9-22 

Afraid   to   Fight    7-24-22 

Altar    Stairs,    The    12-  4-22 

Another  Man's  Shoes   11-  6-22 

Bear   Cat.   The    4-   3-22 

Black   Bag,  The    6-  5-22 

Broad     Daylight     10-30-22 

Caught    Bluffing    9-18-22 

303 


Title 

Cheated   Hearts    

Confidence    

Conflict    (Jewel)     

Dangerous  Game,  A  . 
Dangerous  Little  Demon 
Don't  Get  Personal 

Don't    Shoot    

Dr.   Jim    

False    Kisses    

Fire  Eater,  The    .  . 

Foolish    Wives    (Jewel)     . .  .  . 

Forsaking  All  Others 

Fox,   The   (Jewel)    

Galloping  Kid,  The 

Girl    Who    Ran    Wild,    The.. 

Golden    Gallows,    The    

Go  Straight    

Gutter  Snipe,  The   

Headin'   West    

Her  Night  of  Nights 

High   Heels    

Human  Hearts    (Jewel)    .... 

Jilt,  The 

Kentucky   Derby    (Jewel)    .  . 

Kissed   

Lavender   Bath   Lady    

Loaded   Door,   The    

Lone  Hand,   The 

Long   Chance,   The    

Man  Under  Cover,  The   .  . . . 
Man  Who  Married  His  Own 

Man   to  Man   (Jewel)    

Married    Flapper,    The 

Millionaire,   The    

Nobody's   Fool    

One  Wonderful  Night    

Out  of  the  Silent  North 

Paid   Badk    

Parisian    Scandal,   A    

Playing  With   Fire 

Red    Courage    

Ridin'  Wild   

Sawdust    

Scrapper,  The  .... 
Second  Hand  Rose 
Shattered    Dreams    . 

Step   On   It    

Storm.   The   (Jewel) 

Sure  Fire   

The  Flame  of  Life  (Jewel) 


Wife 


Release 
Date 
.12-19-21 
.  9-2S-22 
.11-  7-21 
.12-25-22 
.  3-27-22 
.  1-16-22 
.  8-21-22 
.11-28-21 
.11-21-21 
.12-26-21 
.  1-  1-22 
.12-11-22 
.10-31-21 
.  9-11-22 
.10-  9-22 
.  2-27-22 
.10-17-21 
.  1-23-22 
.  2-13-22 
.  6-26-22 
.10-24-21 
.10-  2-22 
.11-27-22 
.12-  4-22 
.  5-22-22 
.11-13-22 
.  8-14-22 
.10-16-22 
.10-  2-22 
.  4-10-22 
.  5-  1-22 
.  3-20-22 
.  7-31-22 
.11-14-21 
.10-  3-21 
.12-18-22 
.  6-19-22 
.  8-28-22 
.12-  5-21 
.12-  9-21 
.10-10-21 
.11-20-22 
.11-13-22 
.  2-  6-22 
.  5-22-22 
.  1-  2-22 
.   5-29-22 


.11-  7-21 


Release 
Title  Date 

The   Flirt    (Jewel).  „  ,,  „^ 

The   Galloping   Kid    9-11-22 

The  Girl  Who  Ran  Wild  10-  9-22 

The    Kentucky   Derby    (Jewel). 

The  Loaded  Door   8-14-22 

The  Lone  Hand   10-16-22 

The  Long  Chance    10-  2-22 

The    IMarried    Flapper    7-31-22 

The  Trouper    7-17-22 

Top'   The    Morning    9-  4-22 

Tracked   to   Earth    3-  6-22 

Trap,   The    (Jewel)    5-22-22 

Trimmed     7-  3-22 

Under   Two    Flags    (Jewel)     11-  6-22 

Wild  Honey  (Jewel)    3-  6-22 

Wise   Kid,  The    3-  3-22 

Wolf  Law    10-23-22 

Wonderful  Wife,  A    4-24-22 

VITAGRAPH    COMPANY 

Angel   of   Crooked,   The    4-23,22 

A    Girl's    Desire    9-10-22 

Bring    Him    In    10-16-21 

Fighting  Guide,  The 10-15-22 

Flower     of     the     North     12-   4-21 

Fortune's  Mask    10-22-22 

Girl    in    His    Room,    The    6-   4-22 

Girl's  Desire,  A   9-10-22 

Guilty     Conscience,     A      11-27-21 

Gypsy     Passion     3-   5-22 

Island    Wives    3-12-22 

Ladder   Jinx    9-24-22 

Little   Minister,    The    1-22-22 

Little   Wildcat    11-12-22 

Man    From    Downing    Street    4-  2-22 

Matrimonial    Web,    The    10-  2-21 

My    Wild    Irish    Rose     5-14-22 

No    Defense     12-18-21 

Prodigal     Tudge,    The     2-19-22 

Rainbow      11-20-21 

Received     Payment     1-28-22 

Restless    Souls     5-28-22 

Secret   of   the   Hills    9-25-21 

Sheik's   Wife,   The    3-19-22 

Single    Track,     The     11-13-21 

.Son    of   WalHngford.    The    10-30-21 

Too    Much    Business     4-  9-22 

N'irgin's    Sacrifice,    A    5-21-22 

When  Danger  Smiles  10-  3-22 

You  Never  Know  12-10-22 


Freight  Rates  for 

Freight  Rates  from  New  York, 

The  Motion  Picture  Prod,  and  Dist.  of  America, 
Inc.,  through  its  Chairman  of  Transportation,  P. 
H.  Stilson,  issues  the  following  table  of  freight 
rates  on  films  and  printed  matter  from  New  York 
to  the  various  exchange  centers. 

Getzler's  Guide  furnished  and  is  the  authority 
for  these  rates.  Rates  are  for  cents  per  hundred 
pounds.  Rates  subject  to  change  and  without 
r'^course. 

Printed 
Films  Films        Matter 

1st  Class     3rd  Class  3rd  Class 
Key  City  L.C.L.       L.C.L.         L.C.L. 

Albany,    N.    Y 50  32  32 

Atlanta,    Ga 189  142J4  142J^ 

Boston,   Mass 66^  50  50 

Buflalo,   N.   Y 79^  55  55 

Chicago,    111 142  941^  94^ 

Cincinnati,    0 1231/,  82  82 

Cleveland.  0 101  67  67 

Charlotte.    N.    C 144  108  108 

Columbus.    O Ill  73^4  Vi'A 

304 


Film  Shippers 

N.  v.,  per   100  Pounds. 

Dallas,    Tex 389 J/^ 

Denver,    Colo 412 

Des  Moines,  la 233;^ 

Detroit,    Mich.     Ill 

Indianapolis,  Ind 132 

Kansas    City,    Mo 257^/^ 

Los  Angeles,    Cal 555 

Milwaukee,  Wis 142 

Minneapolis,    Minn.    .  .  195 
New   Haven,    Conn....      535^^ 

New    Orleans,    La 218J4 

Omaha,    Neb.    257J4 

Oklahoma    City,    Okla.  363 J/$ 

Pittsburgh,  Pa 85 

Philadelphia.    Pa 41^ 

Portland,  Ore 555 

Salt   Lake   City,   Utah.  525 

Seattle,  Wash 555 

San   Francisco,   Cal....  555 

St.    Louis,    Mo 166 

Washington.    D.    C...      70 

Note:      L.C.L.   means  "Less 
L.C     means    "carload   lots." 


268/2 

268/ 

264  J4 

264/ 

149/2 

149/ 

73/ 

73y2 

88 

88 

164 

164 

398 

398 

94/ 

94/ 

129 

129 

36 

36 

166 

166 

164 

164 

258 

258 

56/ 

56/ 

28/ 

28/ 

398 

398 

374 

374 

398 

398 

398 

398 

110/ 

110/ 

50 

SO 

than  carloac 

lots." 

Famous  Players  Theaters 


Houses   owned,   controlled,   operated   by, 
is  interested: 

New    York    City 
Criterion. 
Rialto. 

Rivoli  ...  ■,.....      X 

(Atlanta   Division) 

Southern  Enterprises,    Inc. 
Anderson,    Anderson,    S.    C. 
Imperial,  Anderson,    S.   C. 
Liberty,  Anderson,   S.    C. 
Theato,   Annistown,   Ala. 
Noble,  Annistown,  Ala. 
Savoy,   Annistown,   Ala. 
Strand,    Annistown,   Ala. 
Auditorium,  Ashville,  N.  C. 
Majestic,   Ashville,   N.    C. 
Princess,  Ashville,  N.   C. 
Strand,   Ashville,    N.    C. 
Grand,   Augusta,   Ga. 
Imperial,   Augusta,    Ga.. 
Modjeska,   Augusta,   Ga. 
Rialto,   Augusta,    Ga. 
Galax,    Birmingham,  Ala. 
Princess,   Birmingham,  Ala. 
Strand,   Birmingham,  Ala. 
Bijou,    Brunswick,    Ga. 
Academy,   Charlotte,   N.   C. 
Imperial,  Charlotte,  N.  C. 
Piedmont,   Charlotte,   N.   C. 
Imperial,    Columbia,    S.    C. 
Broadway,    Columbia,    S.    C. 
Vogue,   Columbia,  Tenn. 
Grand,  Columbus,  Ga. 
Rialto,    Columbus,    Ga. 
Ideal,   Columbus,   S.   C. 
Frances,    Dyersburg,    Tenn. 
Vaudette,   Dyersburg,  Tenn. 
Arcade,    Ft.    Myers,    Fla. 
Court,    Ft.    Myers,    Fla. 
Rialto,    Greenville,    S.    C. 
Imperial,  Gadsen,  Ala. 
Strand,  Gadsen,  Ala. 
Alamo,   Gainesville,   Ga. 
Casino,   Greenville,   S.    C. 
Garing,    Greenville,    S.    C. 
Liberty,    Greenwood,    S.    C. 
Pastime,   Greenwood,   S.    C. 
Alamo,    Griffin,    Ga. 
Rialto,   Griffin,   Ga. 
Lyric,  Jackson,  Tenn. 
Marlowe,  Jackson,   Tenn. 
Arcade,  Jacksonville,   Fla. 
Duval,  Jacksonville,   Fla. 
Imperial,    Jacksonville,    Fla. 
Palace,   Jacksonville,    Fla. 
Republic,  Jacksonville,  Fla. 
Rialto,   Jacksonville,   Fla. 
Casino,    Kessimmee,    Fla. 
Colonial,    Montgomery,   Ala. 
Empire,  Montgomery,  Ala. 
Grand,  Montgomery,  Ala. 
Plaza,    Montgomery,   Ala. 
Strand,    Montgomery,   Ala. 
Princess,   Morristown,   Tenn. 
Strand,    Morristown,   Tenn. 
Beacham,   Orlando,  Fla. 
Grand,   Orlando,  Fla. 
Lucerne,    Orlando,   Fla. 
Phillips,   Orlando,   Fla. 
Bijou,   Savannah,   Ga. 
Jefferson,   St.  Augustine,  Fla. 
Orpheum,    St.   Augustine,   Fla. 
Grand,    St.    Petersburg. 
Plaza,    St.    Petersburg. 
Pheil,    St.    Petersburg. 
Rex,   St    Petersburg. 
Star,   St.    Petersburg. 
Bijou,   Spartanburg,   S.   C. 
Rex,   Spartanburg,   S.   C. 
Rialto,   Spartanburg,  S.   C. 
Strand,    Spartanburg,    S.    C. 
Lyric,    Sumter,    S.    C. 
Rex,   Sumten,   S.    C. 
Belvedere,  Tuscaloosa,  Ala. 
Diamond,   Tuscaloosa,   Ala. 
Strand,   Tuscaloosa,   Ala. 


or  in  which   Famous   Players-Lasky,   Inc., 

Atlanta   Enterprises,   Inc. 

Forsyth,  Atlanta,  Ga, 
Howard,  Atlanta,  Ga. 
Rialto,  Atlanta,   Ga. 
Strand,  Atlanta,  Ga. 
Vaudette,  Atlanta,  Ga. 

Capitol  Theatre   Co. 
Ca;pitol,    Macon,    Ga. 
Grand,    Macon,    Ga. 
Palace,    Macon,    Ga. 
Princess,   Macon,   Ga. 
Rialto,    Macon,    Ga. 

Consolidated  Ent.,   Inc. 
Princess,   Memphis,  Tenn. 
Bijou,    Memphis,   Tenn. 
Lyric,  Memphis,  Tenn. 
Poew's    Palace,    Memphis,    Tenn. 
Majestic,   Memphis,   Tenn. 
Strand,   Memphis,   Tenn. 
Lyric,   Knoxville,  Tenn. 

Consolidated  Amuse.  Co. 
Bonita,  Tampa,  Fla. 
Grand,  Tampa,  Fla. 
Prince,  Tampa,  Fla. 
Strand,  Tampa,  Fla. 
Victory,  Tampa,  Fla. 

De   Land   Enter.,    Inc. 
Dreka,   De  Land,   Fla. 
Princess,   De  Land,   Fla. 

Georgia  Enter.,  Inc. 
Imperial,  Ashville,  N.   C. 
Alamo,   Newman,  Ga. 
Strand,  Salisbury,  N.  C. 

Hunts ville  Enter.,  Inc. 
Lyric,    Huntsville,   Ala. 

Johnson   City,   Enter.,    Inc. 
Edisonia,  Johnson    City,   Tenn. 
Majestic,   Johnson    City,   Tenn. 

Lakeland  Amuse.  Co. 
Auditorium,   Lakeland,    Fla. 
Casino,    Lakeland,    Fla. 

Lyric  Operating  Co. 
Lyric,  Atlanta,   Ga. 

Memphis  Enter.,   Inc. 
Bijou,  Memphis,  Tenn. 
Empire,   Memphis,  Tenn. 
Majestic,   Memphis,  Tenn. 
Princess,    Memphis,    Tenn. 
Savoy,    Memphis,    Tenn. 
Strand,    Memphis,    Tenn. 

N.  and  S.   Carolina  Enter.,   Inc. 
Dreamland,    Chester,   S.    C. 
Liberty,  Chester,   S.  C. 
Bijou,  Greensboro,  N.  C. 
Grand,    Greensboro,    N.    C. 
Imperial,  Greensboro,  N.   C. 
Cozy,   Gaffney,   S.   C. 
Strand,    Gaffney,    S.    C. 
Broadway,  Mount  Airy,  N.   C. 
Grand,   Union,   S.    C. 
Rialto,   Union,   S.    C. 

Paramount   Enter.,   Inc. 
Airdome,  Miami,  Fla. 
Hippodrome,   Miami,   Fla. 
Paramount,   Miami,   Fla. 
Park,    Miami,    Fla. 
Photosho,    Miami,    Fla. 
Strand.   Miami,  Fla. 

Rome   Enter.,    Inc. 
Auditorium,   Rome,   Ga. 
Elite,,    Rome,    Ga. 
Strand,   Rome,   Ga. 

Tennessee  Enter.,  Inc. 
Alcazar,  Chattanooga,  Tenn. 
Bijou,    Chattanooga,   Tenn. 
Bonita,   Chattanooga,   Tenn. 
Criterion,  Chattanooga,  Tenn. 
Fine  Arts,   Chattanooga,   Tenn. 
Lyric,   Chattanooga,   Tenn. 
Rialto,    Chattanooga,    Tenn. 


305 


Tivoli,    Chattanooga,    Tenn. 
York,  Chattanooga,  Tenn. 
Bijou,   Knoxville. 
Majestic,    Knoxville. 
Queen,    Knoxville. 
Riviera,    Knoxville. 
Strand,    Knoxville. 
Lyric,    Knoxville. 
Palace,   Maryville. 
Princess,  Maryville. 
Imperial,   So.   Pittsburg. 

Durham  Enter.,  Inc. 
Savoy,  Durham,  N.   C. 

Southern   Enter.,    Inc.,    (Dallas) 
Southern  Enter.,  Inc.,  of  Texas 
Majestic,   Austin,   Texas. 
Liberty,   Beaumont,  Texas. 
Tivoli,    Beaumont,   Texas. 
Palace,    Cleburne,   Texas. 
Palace,    Corsicana,    Texas. 
Crystal,    Dallas,    Texas. 
Star,    Denison,    Texas. 
Opera  House,   Greenville,   Texas. 
Best,    Palestine,    Texas. 
Gem,    Palestine,    Texas. 
Star,   Palestine,   Texas. 
Temple,  Ranger,  Texas. 
Rex,  Waco,  Texas. 
Victory,  Waco,  Texas. 

San  Antonio  Amuse.  Co. 
Empire,    San   Antonio,   Texas. 
Grand,    San   Antonio,    Texas. 
New    Pearl,    San    Antonio,    Texas. 
Princess,   San  Antonio,  Texas. 
Royal,    San    Antonio,    Texas. 
Strand,    San    Antonio,    Texas. 

Queen  Amuse.    Co.   of    San  Antonio 
Plaza,    San   Antonio,   Texas. 

Enterprise    Realty    Co. 
Hippodrome,    Dallas,    Texas. 
Palace,    Dallas,    Texas. 
Queen,    Dallas,    Texas. 
Grand   O.   H.,    Galveston,   Texas. 
Queen,    Galveston,    Texas. 
Gremont,     Galveston,    Texas. 
Queen.    Houston.    Texas. 

Capitol    (Zoe),    Houston,    Texas. 
Old   Mill  Theater   Co. 

Old  Mill,   Dallas,   Texas. 

United   Amusement   Co. 

Mission,    Abilene,    Texas. 

Queen,    Abilene,   Texas. 

Hippodrome,    Ft.    Worth,   Texas 

Palace,    Ft.    Worth,   Texas. 

Best,    Hillsboro,    Texas. 

Lyric,    San    Angelo,    Texas. 

Palace,    San    Angelo.    Texas. 

Crescent,    Temple,    Texas. 

Houston    Enter.,    Inc. 

Liberty,    Houston,    Texas. 

Houston  Amuse.   Co. 

Prince,     Houston,    Texas. 

Marshall  Enter. 

Palace,    Marshall,   Texas. 

Arkansas    Enter.,    Inc. 

Capitol,   Little   Rock,   Ark. 

Crystal,    Little   Rock,   Ark. 

Gem,   Little  Rock,  Ark. 

Kempner,    Little    Rock,    Ark. 

Palace,    Little    Rock,    Ark. 

Royal,    Little    Rock,    Ark. 

Waco   Hippodrome 

Hippodrome,   Waco,   Texas. 

Texas    Enter.,    Inc. 

Jefferson,    Dallas,    Texas. 

Rialto,     Deneson,    Texas. 

Palace,    El    Paso,    Texas. 

Palace,   Fort   Smith,   Texas. 

Orpheum,   Waco,   Texas. 

D.  F.  &   R.  Enter.,  Inc. 

Olympic,    Amarillo,    Texas. 

Olympic,    Plainview,   Texas. 

Empress,   Wichita   Falls,   Texas. 

Majestic,    Wichita    Falls,    Texas. 

Olympic.  Wichita  Falls,  Texas. 

Palace,  Wichita   Falls,  Texas. 

Wichita,    Wichita   Falls,   Texas. 


Dye  Ford  &  Rogers 
Diandi,  Amarillo,  Texas. 
Mission,   Amarillo,    Texas. 

Texas-Oklahoma   Ent.,    Inc. 
Rialto,    Chickasha,    Okla. 
Palace,    (old),   McAlester,   Okla. 
Palace    (new),    McAlester,    Okla. 
Rialto,  McAlester,   Okla. 
Palace,   Muskogee,   Okla. 
Capitol,  Oklahoma   City,  Okla. 
Rialto,  Oklahoma  City,  Okla. 

Dallas  Enter.,  Inc. 
Capitol,    Dallas,    Texas. 

New  England  Theaters,  Inc.   (Boston  Unit) 
Savoy,    Northfield. 
Park,    Barre. 
Strand,    Randolph. 
Hammond  Hall,  Ludlow. 
Black's   Bethel. 
Broadway,    Chelsea. 
Merrimack,   Lowell. 
Laurier,   Woonsocket. 
Strand,    Pawtucket. 
Palace,  Artie. 
Strand,    Rockland. 
Strand,    Rutland. 
Grand,  Rutland. 

New    England    Theatres,    Inc.    (Gray    Unit). 
Opera    House,    Bangor,    Me. 
Opera   House,   Bath. 
Liberty,    Bath. 
Arcade,   Bath. 
(Dance    Hall) 
Colonial,    Belfast. 
Central,   Biddeford. 
Haines,    Waterville. 
Star,   Westbrook. 
Park,   Rockland. 
Empire,    Rockland. 
Arcade,  Rockland. 
Park,    Ft.    Fairfield. 
Libby,    Ft.     Fairfield. 
Temple,     Houlton. 
Society,    Houlton. 
Blacks,    Ft.    Kent. 
Strand,    Dover,    N.   H. 
Star,    Concord,    N.   H. 

F.  P.  Missouri  Corp. 
Missouri,   Missouri. 
Kings,   Missouri. 

New  York  &   Pacific   Coast  Amuse.  Co. 
Grauman's. 
Rialto. 

Clinton-Meyers 
Lyceimi,    Duluth,   Minn. 

Famous   Players    Canadian   Corp.,   Ltd. 
Brock,    Brockville. 
Cajpitol,    Calgary. 
Empress,    Edmonton. 
Regent,    Gait. 
Regent,   Guelph. 
Savoy,    Hamilton. 
Strand,    Kingston. 
Capitol,    Montreal. 
Royal,   Port  Hope. 
Capitol,    Regina. 
Algoma,  Saulte  St.  Marie. 
Alhambra,    Toronto. 
Family,   Toronto. 
Garden,    Toronto. 
Oakwood,   Toronto. 
Palace,    Toronto. 
Regent,    Toronto. 
Strand,   Toronto. 
Teck,  Toronto. 
Capitol,  Vancouver. 
Capitol,   Winnepeg. 
Dominion,  Vancouver. 
Dominion,    Victoria. 
Dominion,    Nanaimo. 
Broadway,   Vancouver. 
Gem,   Nelson. 
Temple,    Brantford. 
Strand,    Hamilton. 
Capitol,     Kitchener. 
Regent,   Oshawa. 
Colonial,   Pt.  Arthur, 
Capitol,    Peterboro. 
Capitol,   Victoria. 


306 


Short  Subject  Releases 

(Continued   from    Page   205) 


New  York 


Rialto  Prod.,   Inc.,   130  W.  46th  St 

Tony  Sarg's  Almanac 

VV^hy   Adam   Walked   the   Floor,   740 Feb.     5 

The  Original  Movie,  772 April     9 

The    First    Earful    May  28 

Noah    Put    the    Cat    Out July     9 

The     First     Barber.     1,000 Aug.  27 

The   Devilish   Dragon,    l.OOO! Sept.  24 

The     First     Flivver,     1,000 Oct.  22 

The    Ogling    Ogre,     1,000 Nov.   19 

The    Haunted    Castle,     1,000 Dec.   17 

The   Graphic   Magazine,   1,000.  ..  Issued  every   vi^eek 
Kinograms    (News    reel)     ....Issued    twice    weekly 

Funny  Face  Comedies 

Cracked   Ice,    786    Feb.     S 

Angel  Food,  874    May  21 

Russell    Prod.,    Inc.,    Chicago 

*25   Tusun   Comedies,    1,000 Twice   monthly 

Sacred    Films,    Burbank,    Cal. 

Creation,    1,000    Tan. 

Cain    and    Abel,     1,000 Feb. 

Noah   and    the   Ark,    1,000 March 

The    Deluge,     1,000     April 

Abraham    and    Sarah.    1,000 May 

The     Migration,     1,000 June 

Abraham   and    Lot,    1,000 July 

Adam   and   Eve    No  definite  date 

Rescue  of  Lot No  definite  date 

Isaac  the  Boy No  definite  date 

Ishmael   No  definite  date 

Sacrifice  of  Isaac No  definite  date 

Isaac  and  Rebecca No  definite  date 

Star  Serial  Corp.,   1600  Broadway,   New  York 

Cap'n    Kidd,    IS    episodes 

March    1    and   then   bi-monthly 


Storey  Pictures,  Inc.,  729  7th  Ave.,  New  York 
Federated   Screen    Review,   1,000.  ..  .Twice  monthly 
Shadowland   Screen   Review,    1,000.. Twice  monthly 

Pat     Sullivan     "Felix"     Cartoons — Distribution 
through  M.  J.  Winkler,  220  W.  42nd  St.,  New  York 

Felix    Saves   the    Day.    650 Jan. 

Felix    at   the   Fair,    6.S0 Feb. 

Felix    Makes    Good,    650 March 

Felix   All   at    Sea,    650 April 

Felix    in    Love,    650 May 

Felix   in   the    Swim,    650 June 

Western  Pictures  Exploitation  Co.,  1540  Broadway, 
New    York 

Cactus  Series 

Streak    of   Yellow,    2,000 Jan. 

Double  Reward,   2,000    Jan. 

Western  Ways,  2,000 Feb. 

Fingers   of   Fate,    2,000 Feb. 

No  Man's  Gold,  2,000 March 

Phantom   of  the   Hills.   2.000 March 

West    Meets    East,    2,000 April 

His  Brother's  Blood,  2,000 April   15 

The    Claim    Jumpers,    2.000 May      1 

Irving   Cummings    Series 

Trapped,  2,000    Jan. 

Jules  of  the  River,  2,000 Feb. 

Campbell    of   the   Mounted.    2,000 April 

Vallev  of  the   Missing,  2,000 March 

The  Avenger,   2,000    May 

Scattergood   Series 

Scattergood  Makes  a   Match,  2,000 Jan. 

Soothing  Syrup,  2,000   Feb. 

Down  the  Line,  2,000    March 

*Too  late  to   classify. 


Important  Distributors  of  Non-Theatrical  Pictures 

Ad-O-Gram  Film  Corp 4820  Delmar  Blvd.,   St.  Louis,  Mo. 

Argonaut   Distributing   Corp 71    W.   23rd   St.,   New   York,   N.    Y. 

Atlas  Educational   Film   Co 1111    South   Blvd.,    Oak   Park,   111. 

Besseler  Educational  Film   Co 71   W.   23rd   St..   New  York,   N.   Y. 

Canadian    Educational    Film    Service 37    Bleecker    St.,    Toronto,    Ont.,    Can. 

Celebrated    Players   Film    Corp 810    S.    Wabash   Ave.,    Chicago,    111. 

Community  Motion  Picture  Bureau 71   W.  23rd  St.,  New  York,   N.   Y. 

Community   Service,   Inc 1    Madison   Ave.,   New   York,   N.   Y. 

Cooperative  Safety  Film   Co 808>4    Wabash  Ave.,    Chicago,    HI. 

Edited  Pictures  System 71   W.  23rd  St.,   New  York   City 

Educational  Motion   Picture   Bureau 308    Boylston   St.,   Boston,   Mass. 

Educational   Pictures   Co 406   Englewood   Ave.,    Chicago,    111. 

Film   Library   Service 67   W.   44th    St.,   New   York,    N.    Y. 

Fine  Art    Film    Co 804    S.    Wabash    Ave.,    Chicago 

Fitzpatrick-McElroy    202    South    State    St.,    Chicago,    111. 

Graphoscope  Co 50   E.  42nd   St.,  New  York,    N.   Y. 

Harcol   Film   Co 330   Camp    St.,   New    Orleans,    La. 

Humanoscope  Co 103  Wall  St.,  Buffalo,  N.   Y . 

International   Church   Film   Corp .' 64   Church   St.,    Boston,   Mass. 

Jawitz   Pictures   Corp 729    7th  Ave.,    New    York,    N.    Y. 

Kinema   Film   Service 808    S.    Wabash    Ave.,    Chicago.    111. 

Kinema  Film  Service 804  South  Wabash  Ave.,  Chicago 

Kleine,   George 116    South    Michigan   Ave.,    Chicago 

Lea  Bel  Co 804   S.   Wabash   Ave.,    Chicago,    111. 

Marine  Film  Service Ill    Sth  Ave.,   New  York,   N.   Y. 

Matre's   Library    of   Films 76   W.    Lake   St.,    Chicago,    111. 

National  Non-Theatrical  Motion   Pictures,  Inc 230  W.   38th   St.,   New  York,   N.   Y. 

National  Non-Theatrical  Motion   Pictures 232   West   38th   St.,   New   York    City 

New  Era   Films    207    S.   Wabash   Ave.,    Chicago,    111. 

Paragon    Film    Bureau 1127    E.    3rd    St.,    Chicago,    111. 

Pathescope  Co.   of  America 33   W.   42nd    St.,   New   York,   N.   Y. 

Photo  Finishing  Co 3159  Indiana  Ave.,  Chicago,  111. 

Pilgn^im  Photoplay  Exchange 728   South  Wabash  Ave.,   Chicago 

Plymouth  Film  Corp 46  W.  24th   St.,   New  York,   N.   Y. 

Producers  Church  and  School  Service 729  7th  Ave.,  New  York.   N.   V. 

Pyramid   Pictures    Corp 443    S.    Dearborn    St..    Chicago,    111. 

Reliable   Film   Co ....6751    East   End   Ave.,    Chicago 

Romell   Motion    Picture   Co 115    East    Sixth    St.,    Cincinnati 

Sanford    Film    Library 406    Englewood    Ave.,    Chicago 

Society   of  Visual   Education 806   W.    Washington    Blvd.,    Chicago,    III. 

Temple   Pictures,    Inc 736    South    Wabash    Ave.,    Chicago 

Temple   Producing   Co 1943    North    Broad    St.,    Philadelphia 

United  Projector  &  Film  Corp 69-71   West   Mohawk   St.,   Buffalo 

Victor  Safety  Film   Corp 130  W.   42nd   St.,   New   York,   N.   Y. 

Worcester  Film  Corp 130  W.  46th  St.,  New  York,  N.  Y. 

World  Educational   Pictures   Co 804    S.   Wabash   Ave.,    Chicago,   111. 

Y.  W.  C.  A.'s,  National  Board  of 600  Lexington  Ave.,  New  York  Cityj 

307 


JAWITZ    PICTURES    CORPORATION 

Chas.  N.  Jawitz,  Pres. 

Have  ready  now  for  the  independent  distributor 

MARJORIE  PAYNE  in 
"BEWARE  OF  THE  LAW" 

"DAUGHTER  oFtHE  NIGHT" 

The  dramatic  sensation  of  two  continents 


"ALONG  THE  MOONBEAM  TRAIL" 

The  greatest  animal  novelty  the  screen  has  ever  seen 

Dante's   "INFERNO" 

A  Spectacular  production  of  the  poet's  conception  of  HELL 

State  Rights  Now  Selling  on  the  Above  Productions 

WIRE     OR     CALL 

JAWITZ    PICTURES    CORPORATION 

729  Seventh  Avenue  Bryant  9444 

New  York  City 


Tammany  Young 


"A  REGULAR 
AMERICAN  GUY" 

Latest  Production 

"TILL  WE  MEET 
AGAIN" 

W.  Christy  Cabanne 


Fitzroy  2082 


308 


1922  in  Headlines 


Saturday,    Oct.    1,    1921 

Triangle  may  produce  again.  Assets  listed  at 
■$5,375,164. 

Exporters  find  business  in  foreign  markets 
difficult. 

Monday,    Oct.   3 

Senator  France  denies  from  Washington  that 
plan   is   under   way   to   nationalize   industry. 

Vitagraph  starts  version  of  "Little  Minister." 
Lasky    has   one   in    production    now. 

Carl  Laemmle  back  from  Europe  where  he 
found  conditions  unchanged.  Universal's  foreign 
plans   unsettled. 

Elmer  Pearson  made  general  manager  of  Pathe. 
Other  promotions. 

Senator    Myers    gives    ideas    of    why    industry's 
political   tendencies    should    be   investigated. 
Tuesday,    Oct.   4 

Diflerences  between  Famous  Players  and  Hearst 
settled. 

Alfred  S.  Black  and  Black's  New  England 
Theaters,  Inc.,  file  answers  to  charges  of  Federal 
Trade   Commission.     Others   get   time  extensions. 

Mabel  Normand  signs  long-term  contract  with 
Mack   Sennett. 

Wednesday,  Oct.  5 

Sydney  S.  Cohen  satisfied  with  results  of  Inde- 
pendence Month. 

A.  S.  Black's  answer  to  Federal  Trade  Com- 
mission claims  independents  get  more  in  rentals 
than    Famous    Players. 

Federal  Trade  Commission  charges  Chamber  of 
Commerce  and  Northwest  Theaters  Co.  of  Mis- 
soula,   Mont.,    with    unfair    practices    in    commerce. 

Minneapolis  M.  P.  T.  O.  members  ban  United 
Artists    productions. 

Thursday,   Oct.   6 

H.  D.  H.  Connick  resigns  as  chairman  of  fi- 
nance committee  of  Famous  Players. 

City  officials  denounce  New  York  State  censor- 
ship. 

Ideal  Films,  Ltd.,  of  Great  Britain  to  distribute 
Educational    product    in    England. 

Sydney  S.  Cohen  attacks  First  National  and 
United    Artists    on    alleged    excessive    rentals. 

Second  National  Pictures  Corp.  to  state  right 
Paralta    reissues. 

Exceptional  Pictures  give  premiere  showing  of 
■"His   Nibs"   at   Astor. 

Friday,    Oct.    7 

Enormous  field  opened  up  in  Russia  by  Soviet 
Government. 

M.   P.  T.   O.  conducting  membership  drive. 
Saturday,   Oct.   8 

First  National  in  letter  to  franchise  holders  says 
Jt  won't   countenance  M.   P.   T.   O.   investigation. 

Report  in  on  "Black  Beauty"  case.  Examiner 
finds  no  violation  but  Federal  Trade  Commission 
must    decide. 

Hugo  Stinnes  to  invest  125,000,000  marks  in 
films. 

Monday,   Oct.   10 

Senate  Finance  Committee  votes  for  elimination 
■of  5  per  cent  rental  tax.  Would  mean  saving  of 
^6,000,000   to   industry   if  adopted. 

Cecil  Hepworth,  English  producer,  on  way 
to   America. 

New  York  corporations  total  $22,999,300.  Cov- 
ers nine  months  ending  September. 

First  National  sold  for  Great  Britain  to  others 
than   regular   circuit    distributor. 

Columbus  Day   (legal  holiday). 
Tuesday,   Oct.   11 

D.  W.  Griffith  reported  going  to  Bohemia  to 
make   "Faust." 

Sydney  S.  Cohen  and  Tames  J.  Walker  to  tour 
country  on  behalf  of  M.   P.  T.  O.  A. 

Harry  G.  Kosch,  attorney  and  general  man- 
ager for  Independent  Producers  and  Distributors 
Association. 

Arrow   to  release   Eddie   Lyons   comedies. 

Second   series   of   Nick    Carter   stories   planned. 

Thursday,   Oct.    13 
Federal    censorship    bill    introduced    in    House    of 


Representatives. 

More  conferences  between  Adolph  Zukor  and  M. 
P.   T.   O.  planned. 

S.  A.  Lynch  and  Southern  Enterprises,  Inc., 
file   answer    to    Federal   Trade    Commission. 

August  business  shows  increase  over  .Tuly. 
Government  tax  figures  ready. 

Friday,    Oct.    14 

"Fate,"  Clara  Smith  Hamon  film,  rejected  by 
Motion    Picture    Commission    of    N.    Y. 

Warner  Bros,  plan  new  serial  for  Federated 
release. 

Saturday.  Oct.   15 

Drastic   censor  bill  introduced   in   Alabama. 

Ferndale  Film  Studios  promise  large  plant  on 
Long    Island. 

Monday,   Oct.   17 

N.   A.    M.    P.    I.   ready   for   railroad   strike. 

Decla  and  U.  F.  A.  of  Germany  expected  to 
combine. 

Cecil  Hepworth,  Alma  Taylor,  Charles  Chaplin 
and    C.    E.    Whittaker    arrive    from    Europe. 

R.  E.  Welsh  leaves  M.  P.  News  to  join  F.  B. 
Warren    Corp. 

Tuesday,   Oct.    18 

Traffic  managers  in  each  exchange  center  to 
see   film   shipments   are   moved. 

T.  O.  C.  C.  ball  slated  for  Hotel  Astor,  Dec- 
3. 

Associated  First  National  distribution  in  Texas, 
Arkansas  and  Oklahoma  held  up  by  temporary 
injunction. 

Wednesday,  Oct.  19 

New  England,  New  York  State  and  New  Jersey 
well  equipped  to  combat  rail  strike  through  motor 
deliveries. 

Customs  officials  to  auction  unclaimed  films  on 
Oct.   25. 

Irvin  V.  Willat  completes  Hodkinson  contract. 
Now  with  Thomas   H.   Ince. 

Thursday,  Oct.  20 

Sydney  S.  Cohen  states  M.  P.  T.  O.  will  go 
through  with  First  National  investigation.  Speci- 
fies charges  against  the  organization.  First  Na- 
tional   silent. 

T.  O.  C.  C.  exercised  over  Peerless  Booking 
Corp.   activities. 

Reported  Roscoe  Arbuckle  is  no  longer  Para- 
mount star. 

B.  P.  Schulberg  and  J.  G.  Bachmann  buy  out 
B.  P.  Fineman's  interests  in  Katherine  Mac- 
Donald  Pictures  Corp.  and  Attractions  Distri- 
buting   Corp. 

Friday,    Oct.    21 

Charlie  Chaplin  to  talk  further  distribution  with 
First   National. 

Selznick   takes  over   Talmadge   studio. 
Saturday.    Oct.   22 

Harry  Koplar  and  Skouras  Bros,  discussing 
amalgamation   of   St.    Louis   theaters. 

Cosmopolitan  Prod,  and  Famous  Players  to  en- 
ter upon  new  distribution  contract. 

Malcolm  Strauss  to  produce  for  Asso.  Interna- 
tional   Pictures    Corp. 

Monday,   Oct.  24 

London  reports  Mary  and  "Doug"  to  co-star  in 
one   film. 

St.   Louis  merger  assuming  definite   shape. 

M.  P.  T.  O.  appoints  committee  of  five  to  in- 
vestigate  Fir'jt   National. 

C.  E.  Whittaker  talks  interestingly  of  foreign 
conditions. 

Tuesday,   Oct.   25 

M.  P.  T.  O.  reports  resolutions  against  First 
National  passed  in  Minnesota,  Kansas,  Nebraska 
and    New    York. 

S.  E.  Rogers  hopes  for  Senate  approval  of 
rental  tax  repeal. 

Wednesday,  Oct.  26 

First  National  delegates  meet  in  nine  different 
rooms  in  Chicago.  Open  dissension  avoided ;  ex- 
ecutive  committee   succeeds   in   pacifying    delegates. 

Famous  Players  lists  two  Pola  Negri  features 
for  release. 


309 


SOL  LESSER 

JACKIE   COOGAN 

j^^I^^Hf'^ 

■H^HHkl. 

in 

^H|^H| 

the  greatest  box  office  at- 
tractions theatre   owners 

r<JK^^KK^- '■'<^'"' 

have  ever  had  the  pleasure 
to  offer  their  patrons. 

"PECK'S  BAD  BOY"  (still  making 
records) 

"MY  BOY"  (still  breaking  records) 

"TROUBLE"    (still    topping    them 
all) 

^^Br^^K^^^^K'^ 

"OLIVER  TWIST"  (the  picture  of 
the  year) 

"DADDY"    (watch    the    results    of 
this  gem) 

"TOBY  TYLEI^"   (the  circus  pic- 
ture of  the  age) 

Principal  Pictures  Corporation 

Producing 
The  Season's  finest  feature  offerings. 

COMING! 

Screen  Classics  Adapted  from  All  of  Harold 
Bell  Wright's  Famous  Volumes 

Sol  Lesser         Mike  Rosenberg         Irving  M.  Lesser 


New  York  City,  N.  Y. 

1211  Loew  State  Bldg. 


Hollywood,  California 

5528  Santa  Monica  Blvd. 


310 


Universal  plans  big  costume  picture  and  for- 
eign producing  unit  headed  by  Priscilla  Dean. 

Twenty-seven  exchange  centers  prepare  for  rail- 
road striJ<e. 

Thursday,  Oct.  27 

First  National  difficulties  with  delegates  appear 
straightened   out. 

W.  A.  Brady  leaves  for  Middle  West  to  secure 
co-operation    with    women's    organizations. 

Minneapolis   M.    P.    T.    O.    wants    First    National 
output    limited    to    80    features    annually    to    relieve 
sub-franchise  holders. 
Marcus   Loew  has   three  new  theaters  ready. 
Friday,    Oct.    28 

Orient  Pictures  Corp.  closes  foreign  deals  with 
important    producers. 

Group  of  film   men  en   route  to   New   York   from 

England.  ^  ,         ^        

Saturday,  Oct.  29 

Educators  stress  need  of  visual  instruction  at 
first   conference   of  M.    P.   T.    O.   welfare  board. 

Adolph    Zukor   plans    to   divert   block    of   Famous 
Players  preferred  stock  for  sale  to  employees. 
Monday,    Oct.    31 

M.  P.  T.  O.  may  drop  proposed  First  National 
probe  as  result  of  promises  made  at  Chicago  "get- 
together." 

Bennie  Zeidman  and  B.  P.  Schulberg  to  pro- 
duce jointly. 

Pathe  sells  Central  American  rights  to  output. 
Tuesday,    Nov.    1 

Pathe  employees  to  be  given  right  to  purchase 
stock   in  company. 

H.  M.  Thomas  and  N.  L.  Nathanson  in  from 
Canada.      Fourteen   theaters   opened   in   year. 

Famous   Players  file  general  denial  to  charges  of 
monopoly  preferred  by   Federal   Trade   Commission. 
Wednesday,    Nov.   2 

Senate  votes  for  repeal  of  S%  rental  tax.  Meas- 
ure  now   goes   before   House. 

Society  M.  P.  Engineers  in  convention  in  Buf- 
falo. Discusses  new  high  speed  camera  and  other 
inventions.  ^.         j         »t 

Thursday,   Nov.  3 

Max  Glucksmann  buys  South  American  rights 
to   "The   Four   Horsemen." 

British-American  Producers  Alliance  to  be 
launched  shortly. 

Inter- Ocean   closes   number  of  foreign   deals. 

History   of    Famous    Players-Lasky    Corp.    traced 
in   brief  filed   with   Federal   Trade    Commission. 
Friday,    Nov.    4 

Vigilance     Committee     of     National     Association 
makes  new  plans  to  stop  sale  of  fraudulent  stock. 
Saturday,    Nov.    5 

Sydney  S.  Cohen  and  Senator  James  J.  Walker 
to  start  tour  for  M.  P.  T.  O.  shortly. 

First    National    to    establish    territorial    advisory 
boards  for  adjustment  of  exhibitor  complaints. 
Monday,    Nov.    7 

M.  P.  T.  O.  arranges  with  T.  O.  C.  C.  to  hold 
open  meeting  with  First  National  to  adjust  com- 
plaints. 

D.  W.  Griffith  reported  considering  production 
of  a   72   reel   production   in   instalments   of   12   reels 

^^'^^^  Tuesday,    Nov.   8 

Open  meeting  with  First  National  to  be  held 
Nov.   22. 

M.  C.  Levee  takes  over  Robert  Brunton  stu- 
dios.    Buys  out  Brunton's  interests. 

St.  Louis  merger  completed  between  Skouras 
Bros,   and   the   Kdplars. 

George  Walsh  to  star  for  Universal. 
Wednesday,  Nov.  9 

F.  B.  Warren  sells  interest  in  F.  B.  Warren 
Corp.  to  Wid  Gunning  and  retires  from  corpo- 
ration. 

M.  P.  T.  O.  to  release  Urban  reel  as  official 
publication.  T.  O.  C.  C.  pledges  2,000  booking 
days. 

Yale  Corporation  to  sponsor  historical  produc- 
tions. ^, 

Thursday,  Nov.  10 

M.  P.  T.  O.  has  deal  on  for  distribution  of 
Urban   reel. 

Max  Graf  here  from  San  Mateo.  Has  import- 
ant  production   plans   in  mind. 

First  National  may  handle  "My  Wandering 
Boy." 


Friday,    Nov.    1 1 

Fox  discontinues  20th  Century  Brand. 

Harold     Lloyd    rounding    out    present    contract. 
Expected    to    renew    with    Associated    Exhibitors. 
Saturday,   Nov.   12 

F.  E.  Adams  and  P.  C.  T.  officials  arrive  here 
from  England.  London  revives  reports  of  British 
First  National  plan. 

Tom  Moore  to  star  for  R-C  Pictures. 
Monday,    Nov.    14 

Economies  at  First  National  in  order. 

Distributors  may  test  validity  of  advance  de- 
posit law. 

Appellate  Division  of  N.  Y.  Suprerne  Court 
hears  first  appeal  from  censorship  commission,  on 
Goldwyn's  "The  Night  Rose." 

Joseph  Levenson,  of  M.  P.  Commission,  at  War- 
ner Bros.'  luncheon  states  commission  is  not  rad- 
ical  in   censoring   films. 

Count    Montebello    coming    from    Italy    with    big 

Dante  film.  r^       j        xt         i  e 

Tuesday,   Nov.   IS 

F.  E.  Adams  says  he  came  to  America  to  ar- 
range for  production   in   England. 

Globe  Prod,  sues  Tififany  Prod. 

Rodolph  Valentino  expected  to  star  for  Famous 
Players. 

Hyman  Winik  and  Tom   Davies   buy   Bible   films 

■       Wednesday,  Nov.  16 

W.  A.  Brady  hints  at  repeal  of  censorship  law 
in   New  York. 

Reginald  Barker  to  direct  "The  Storm"  for 
Universal. 

D.  P.  Howells  buys  Western  Pictures  Ex- 
ploitation   Co.   output   for  foreign  markets. 

Guy    Newall    says    "soul"    is    needed    in    ipicture 
production.      Strong   for    one   man    process. 
Thursday,  Nov.   17 

D.  W.  Griffith  may  next  make  "East  is  West." 
"The  White  Slave"  also   under  consideration. 

Allan  Dwan  and  Edgar  Selwyn  considering  trip 
to    India    to   make   picture. 

Friday,    Nov.    18 

Appellate  Court  upholds  censors'  ban  on  "The 
Night   Rose." 

M.   P.   T.   O.   to  fight   the  Sunday  closing  law   in 

New  Jersey.        „         ,         ., 

Saturday,   Nov.   19 

M.    P.    T.'  O.    expects    to    go    over    complaints 
against   First   National   at   T.    O.    C.    C.  meeting. 
Monday,   Nov.  21 

Al  Lichtman  reiported  slated  for  general  sales 
managership  of  Associated  First  National.  Im- 
portant conference   scheduled   for  Atlantic   City. 

James  C.  Quinn  of  El  Paso,  Tex.,  talks  of 
problems    facing   the   small    exhibitor. 

"Our    Mutual    Friend"    to    go    into    New    York 

Lyric   for   run.     _,,»,«-, 
Tuesday,   Nov.  22 

James  J.  Walker  of  M.  P.  T.  O.  severely  ar- 
raigns First  National  for  alleged  mistreatment  of 
sub-franchise  holders.  T.  O.  C.  C.  adopts  reso- 
lutions condemning  organization's  tactics.  No 
First    National    representative    at    luncheon. 

Pola  Negri  to  come  to  America  to  work  here. 
Ernst  Lubitsch,  Max  Davidson  and  Dimitri  Bucho- 
wetzki   also   slated   for  American   trips. 

Pathe  places  $1,500,000  bond  issue.  Paul  Brunet 
sees   urgent   need    for   lower   admissions. 

F.  B.  Warren  Corp.  changes  name  to  Wid 
Gunning,    Inc. 

Wednesday,    Nov.   23 

First  National  in  answer  to  James  J.  Walker 
holds  affairs  with  sub-franchise  holders  are 
strictly   inter-company   matters. 

Jules  E.  Mastbaum  leaves  on  Western  trip. 
Reported  he  plans  extension  of  activities  for 
Stanley    Co.   of  America. 

D.  W.  Griffith  would  make  spectacle  to  show 
futility  of  war,  with  American  battle  fleets  as 
background. 

First  National  franchise  holders  meet  in  At- 
lantic   City. 

Southwest  situation  over  First  National  dis- 
tribution ends.  Agreement  means  release  of  large 
amount   of  product. 

Rental  ta.x  removed  with  signing  of  new 
revenue   bill.  ' 

Massachusetts  referendum  to  be  discussed  at 
general  meeting  of  industry. 


311 


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312 


Friday,  Nov.  25 

United      Artists      to      open      Australian      offices. 
^Vpollo    New    York   leased   for   two   years. 
Saturday,   Nov.  26 

First  National  starts  sale  of  sub-franchises  in 
Xew   York. 

September  rentals  drop  and  admissions  rise  as 
compared    with    August. 

Monday,    Nov.   28 
Hodkinson    to    distribute    Urban    reel    for    M.    P. 
T.    O. 

Sydney  S.  Cohen  and  James  J.  Walker  leave 
for  Charlotte  on  first  lap  of  country-wide  trip  on 
behalf  of  M.   P.  T.   O. 

Tuesday,    Nov.   29 
Each    First    National    main    franchise    holder    to 
stay    two    weeks    a    year    in    New    York    to    effect 
stronger   co-operation    with    advisory   boards. 

Spain  may  bar  all  foreign  films.  Exporters  not 
particularly   worried. 

"Foolish  Wives"  print  leaves  for  New  York 
in    special    car. 

Wednesday,    Nov.   30 
T.    O.    C.    C.    to   give    Sydney    S.    Cohen   and    M. 
P.    T.    O.    legislative   committee   a   dinner   in   recog- 
nition   of    rental    tax    fight.      May    turn    week's    tax 
to   national    treasury. 

St.  T^ouis  exhibitors  form  co-operative  film  ex- 
change,   headed    by    Sidney    J.    Baker. 

Twelve  English  producers  form  British  National 
Film  League  to  secure  more  bookings  in  their 
own    country, 

Thursday,    Dec.    1 
Elaborate  plans   made   for   T.    O.    C.    C.   ball   at 
Astor   on    Saturday. 

Dimitri  Buchowetzki,  German  director,  ex- 
pected to  produce.  "The  Passion  Play"  in  Ger- 
many. 

James  J.  Walker  again  attacks  First  National 
at  Charlotte,   N.   C,  exposition. 

Otis  Skinner  to  make  "Mister  Antonio"  for 
Exceptional    Pictures. 

Friday,    Dec.    2 
Ben     Blumenthal     and     Samuel     Rachmann     file 
suit    against    Famous     Players    over     German    pic- 
tures. 

Saturday,    Dec.  3 
"Foolish     Wives"     print    arrives    in    New     York 
at  last. 

Swedish    Biograph    to    establish    own    exchanges 
west  of  Chicago.     Joseph   Lee  interested. 
Monday,    Dec.    5 
Fred   S.    Sells   says   he   represents    German   U.    F. 
A.    here   and   that   company   holds   no    binding   con- 
tract  for   American    distribution. 

William  Randolph  Hearst  returns  unexpectedly 
*^o    Cosmopolitan    studio. 

Harold  Lloyd's  contract  with  Associated  Ex- 
hibitors,  Inc.,   about   up. 

Tuesday,    Dec.    6 
Ben    Blumenthal    denies    Sells'    statement,    claim- 
ing six  years'   contract  with  U.   F.   A. 

"Two  Orphans,"  "Foolish  Wives"  and  "Nero" 
to  have  premieres  about  Jan.    1. 

Coast  reports  shut-down  of  Universal,  Goldwyn 
and  Metro.  Denials  made  in  New  York  by  first 
two   companies. 

Wednesday,  Dec.  7 
Lord     Beaverbrook     coming     here.       Speculation 
over   reason   for   visit. 

^  Distribution   to   test   advance   deposit   laws,   using 
Nebraska  measure  as  test  case. 

Mary  Pickford  and  Douglas  Fairbanks  to  pro- 
duce   in    France. 

Universal    to    distribute    "The    Leather    Pushers.'' 

Thursday,    Dec.   8 
New   organization    of   distributors   and   producers 
planned.      Will    Hays    offered    presidency. 

Swedish  Biograph  output  to  be  shown  at  new 
Lotus   theater    in    New    York. 

Selznick  to  establish  own  exchanges  in   England. 
Dispute    over    German    pictures    may    be    settled 
out    of    court. 

Friday,  Dec.  9 
Famous  Plavers  and   First  National  after  Harold 
Lloyd. 

Famous    Players'    German    unit    stops    work. 

Saturday,   Dec.   10 
Realart   sales   force   let   out,   presaging  consolida- 
tiou   with    Famous   Playcri. 


Blumenthal-Rachmann  diflferences  with  Famous 
Players  over  German  films  ends  with  new  contract. 

London  reports  Lord  Beaverbrook's  proposed 
visit  here  may  have  to  do  with  British  producmg 
organization. 

Monday,   Dec.   12  ^ 

Realart  stars  may  go  over  to  Famous  Players 
program. 

Metro  to  close  down  studio  for  three  months. 
Releases    as    far   ahead   as    September   ready. 

Ernst  Lubitsch  and  Paul  Davidson  sail  for 
America. 

Sir  William  Jury  renews  contract  for  Metro  dis- 
tribution in  England.  R.  A.  Rowland  buys. 
"L'Atlantide."  , 

F.  E.  Adams  and  P.  C.  T.  officials  leave  forr 
home. 

Tuesday,   Dec.   13 

Richard    A.    Rowland's    future    plans    undecided. 

F.  I.  L.  M.  Clubs  and  M.  P.  T.  O.  of  New 
York    working   out   new    arbitration   standards. 

Frederic  G.  Lee  becomes  chairman  of  Famous 
Players'    finance   committee. 

Wednesday,  Dec.  14 

Harry  Carey,  Eddie  Polo  and  Eileen  Sedgwick 
leave  Universal. 

Mary  Pickford  and  Douglas  Fairbanks  leave  for 
West  in  a  few  days.  May  make  "The  Florentine 
Lovers"   in   Italy. 

E.  T.  Peter  denies  Alabama  exhibitors  turned 
against  M.   P.  T.   O. 

Thursday,  Dec.   IS 

Carl  Laemmle  and  Universal  officials  meet 
President  Harding.  Speculation  whether  visit  has 
to  do  with  Will  Hays  heading  new  producer- 
distributor   organization. 

M.  P.  Commission  to  ask  legislature  for  more 
funds.  ".W 

Oscar  A.  Price  leaves  Associated  Prodticers  m 
Spring.  May  head  new  producing  and  distribut- 
ing   organization. 

Rental    tax    ceases    to    be    effective    by    Jan.    1. 

John    Cecil    Graham,    Paramount    European    rep- 
resentative,   optimistic   over   foreign   outlook. 
Friday,    Dec.    16 

Realart  exchanges  may  be  bought  by  F.  C, 
Quimby  and  J.  S.  Woody  for  independent  dis- 
tribution. 

Saturday,   Dec.   17 

"Mistress  of  the  World,"  German  serial,  to  be" 
released  in  five-reel  episodes  by  Famous  Players. 
English   company   to   handle   Teuton   films. 

Frank  Rembusch  and  Elmer  Pearson  exchange 
some    interesting    correspondence. 

Coast  reports  Rex  Ingram  will  make  "Ben 
Hur." 

Monday,   Dec.   19 

D.  W.  Griffith  to  release  "The  Two  Orphans" 
as   "Orphans  of  the   Storm.'' 

Pearl  White  completing  Fox  contract. 

New  York  Motion  Picture  Commission  passes 
"A   Lonely  Trail,"  featuring  Fred   K.   Beauvais. 

Goldwyn  claims  "Vendetta"  is  infringement  of 
"Mr    Barnes  of  New   York." 

Tuesday,   Dec.   20 

Universal  Service  reports  Will  Hays  accepts  post 
as    head    of   new    producer-distributor    organization. 

Chicago  reports  transfer  of  Metro  producing 
units  to  Adolph  Zukor  by  Marcus  Loew  in  return 
for    Famous    Players'    theaters. 

R-C    Pictures    to    release    "The    Bigamist." 

U.     C.     I.     after    pirated    prints    of     "The    Two 
Orphans."      Does    not   intend    reissuing   picture. 
Wednesday,    Dec.   21 

T.   O.   C.   C.  refuses  to  book   "A  Lonely  Trail.'* 

Shuberts    seek    deal    on    "Main    Street." 

Senator  J.   J.   Walker   to   ask   censorship   repeaL 

"Foolish  Wives"  opens  at  Central,  New  York„ 
Jan.    11. 

Marcus  Loew  expected  to  assume  presidency  of; 
Metro. 

Thursday,  Dec.  22 

Hoy  credit  idea  to  be  developed  nationally.. 
Distributors  approve   of  plan. 

Fox  going  ahead  with  Philadelphia  theatei: 
despite   reported    agreement    with    Stanley. 

W.  A.  Brady  and  S.  S.  Cohen  in  altercation' 
over   credit   for   abolition   of    5%    rental   tax. 

Lunch   club  suggested   atop   of   State  Theater. 

J.  Gordon  Edwards  returning  from  abroad  soon. 


313 


4  4 


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314 


Friday,    Dec.    23 

Tndependent  producers  and  distributors  aid  in 
re-financing    Allen    Theater,    Cleveland. 

General  holiday  spirit  observed  throughout  the 
industry. 

J.    D.    Williams    comments    on    the    outlook. 
Saturday,   Dec.  24 

John  Emerson  and  Saul  E.  Rogers  talk  for  and 
against   tariff   in   Washington. 

William  P.  S.  Earle  Pictures  formed.  Plan  four 
a  year. 

J.  D.  Williams  sees  drop  in  production  cost  as 
^ove  to   return   to   normalcy. 

Ernst  Lubitsch  and  Paul  Davidsohn  arrive  from 
Germany. 

Tuesday,   Dec.  27 

Lubitsch    describes    his    working   methods. 

Charles  Ray  expected  to  sign  with  United 
Artists. 

Philip  Van  Loan  completing  "The  Soul  of  the 
Violin,"    described    as    a    "film    opera." 

Shuberts  book  "The  Lonely  Trail"  for  New 
York. 

Wednesday,   Dec.  28 

James  R.  Grainger  acting  as  sales  manager  for 
Cosmopolitan  Prod,  as  well  as  for  various  other 
producers. 

Senate  Finance  Committee  gets  official  survey 
of  film  imports  and  exports.  Exposed  imports  for 
1921,    one-fourteenth    of    exports. 

Gasnier   completes    R-C   contract. 
Thursday,   Dec.  29 

Carl  Laemmle  asking  exhibitors  to  bid  on 
"Foolish    Wives." 

Pictorial  Clubs  of  New  York,  Inc.,  making 
religious   and   educationals. 

Marshall  Neilan  in  letter  to  Sydney  S.  Cohen 
tells  of  alleged  dream  in  which  he  saw  a  com- 
bination between  First  National  and  Famous 
Players,  and  predicts  it  may   come  true. 

Pat  Bowling  asks  why  the  necessity  of  pro- 
logues. 

Friday,   Dec.   30 

Last    issue    of    this    publication    under    its    well- 
known     name,     WID'S     DAILY,     appears     today. 
From  now  on  its  title  will  be  THE  FILM  DAILY. 
Saturday,   Dec.  31 

Marshall  Neilan  has  two  more  to  make  for 
First  National  under  present  contract.  May  con- 
tinue  on   open   market   basis. 

Harold  Lloyd  here  after  new  distribution  con- 
tract.     Says    he    may    continue    with    Pathe. 

Premiere   of    "Orphans    of    the    Storm." 
Tuesday,   Jan.   3,    1922 

Forty-two  theaters  to  be  built  in  Manhattan. 
Exhibitors    worried    over    proposed    construction. 

Advocates  and  opponents  of  censorship  to  lec- 
ture  in    New    York    high   schools. 

New  York  Assembly  may  investigate  alleged 
offer  of  $100,000  made  to  Senator  Lusk  to  kill 
censorship    bill. 

Distributors    have    varied     ideas    over    reduction 
of     film     rentals.       Carl     Laemmle     to     cut     prices 
where    exhibitors   are    faced    by    theater    closing. 
Wednesday,  Jan.  4 

Prominent  exhibitor  places  cause  for  present 
trouble  among  exhibitors  to  existence  of  too  many 
theaters. 

Ernst  Lubitsch  praises  Griffith's  "Orphans  of 
the    Storm." 

William   Brandt  for  T.   O.   C.  C.  officially  praises 
Carl   Laemmle   for   offer   to   reduce   film   rentals. 
Thursday,  Jan.  5 

Pearl  White  expected  to  make  serial  for  Pathe 
release. 

T.  O.  C.  C.  urges  Pickford  and  Fairbanks  to 
make  more  releases.  Favor  four  a  year  rather 
than    one   big   special    only. 

Warner  Bros,  to  make  two  more  productions 
with   Wesley   Barry. 

Various  M.  P.  T.  O.  units  turning  over  this 
week's  rental  ta.x  to  national  organization's 
treasury. 

Friday,  Jan.  6 

AI  Lichtman  may  become  sales  manager  for 
First    National. 

Expert  says  45  of  1,000  foreign  pictures  have 
been  bought  for  this  country. 

Saturday,   Jan.    7 

Max  Glucksmann  buys  Paramount  output  for 
six    South    American    countries    and    200    old    films. 


October    and    November    taxes    show    upturn    in 
Delegation  to   discuss  film   thefts,  copyrights  and 

business.  »»      j  t         n 

Monday,    Jan.   9 
pirating  with    Federal   officials   in   Washington. 

William  Vogel,  exporter,  says  foreign  countries 
are  retaliating  against  America  to  counteract  pos- 
sible  tariff    here. 

Will    Hays   as   arbiter    for   industry    will   bring   a 
forceful   personality    into   business. 
Tuesday,   Jan.    10 

Bill  in  Albany  would  repeal  censorship  com- 
mission. 

Ben  Blumenthal  seeks  injunction  to  restram 
release  of  U.  F.  A.  product  here  through  others 
than    Hamilton   Theatrical    Corp. 

Senator  Harrison  tells  Senate  industry  needs 
watching,    politically,    because    of    Hays'    offer. 

Washington  exchanges  get  tirne  grant  to  con- 
form   with    new    regulations    in    District    of    Colum- 

Wednesday,  Jan.  11 

British  Pathe  gets  Selznick  output;  new  unit  in 
Canada    formed   with    N.    L.    Nathanson    interested. 

Rex    Ingram    to   make    "Toilers    of   the    Sea." 

First  National  franchise  holders  expected  here. 
Al  Lichtman  appointment  awaits  official  announce- 
ment. 

New  process  claims  to  eliminate  time  element 
in    film    development. 

Wid  Gunning  sales  force  placed  on  commission 
plan. 

Thursday,  Jan.   12 

Walter  E.  Greene  and  Fred  B.  Warren  form 
American   Releasing   Corp. 

Warner  Bros,  say  they  will  build  Broadway 
theater   to    house    independent   attractions. 

William  Brandt  of  T.  O.  C.  C.  fears  New  York 
theaters  will  shut  down  unless  rentals  are 
lowered. 

John  Emerson  in  address  before  A.  M.  P.  A. 
blames  64%  drop  in  business  largely  to  foreign 
importations. 

Friday,  Jan.  13 

Check-up  on  foreign  films  planned  to  eliminate 
duped    prints. 

Senate  report  on  tariff  divulges  interesting  data. 

Saturday,  Jan.   14 

Washington  thinks  tax  on  foreign  films  and  raw 
stock    will   be   embodied   in    tariff  measure. 

Unity  Pictures,  Inc.,  formed  to  handle  foreign 
distribution    of    U.    C.    I.    product. 

Equity  purchases  "Where  Is  My  Wandering 
Boy    Tonight?" 

Monday,  Jan.    16 

Official  announcement  tells  of  Will  H.  Hays' 
affiliation  with  important  producers  and  dis- 
tributors. 

Censors  in  annual  report  say  6,194  films  have 
been  passed  and  $158,085  turned  over  to  state 
in    fees. 

Nation-wide  organization  of  exhibitors  and 
producers  in  formation  with  R.  A.  Rowland  as 
head. 

William  Vogel  refutes  John  Emerson's  state- 
ment on  foreign  situation.  Suggests  tariff  on  Ger- 
man   films    only. 

Tuesday,   Jan.    17 

Early  meeting  of  factors  in  new  co-operative 
organization  planned.  Fourteen  specials  lined  up 
for  new   season. 

First  National  not  to  distribute  "The  Sultaness 
of   Love." 

Deal  still  pending  for  Tom  Moore  series  through 
R-C. 

Will  H.  Hays  meets  producers  and  distributors 
at   Delmonico   dinner. 

Wednesday,  Jan.  18 

Harold  Lloyd  signs  new  contract  with  Pathe. 
To  make  four  or  five  a  year. 

Important  distributor  denies  published  report 
that  one  of  Hays'  jobs  will  be  to  centralize  dis- 
tribution. 

Ernst  Lubitsch  leaves  for  Europe.  Ben  Blumen- 
thal,  Paul    Davidsohn   and   Ralph   Kohn   also   leave. 

I.     P.     D.     A.     seeking     arrangement     to     check 
piracy   through  more   careful   distribution   of  prints 
from   Allied    Laboratories   Assn.   members, 
Thursday,  Jan.   19 

Famous  Players'  statement  expected  to  show 
decreased    loans    on    banks    totalling    $1,000,000. 


315 


Producers  to  check  piracy  through  secret  mark- 
ings  of  prints. 

South  American  countries  want  Griffith  to  make 
patriotic    films. 

Friday,  Jan.  20 

Pathe,  Vitagraph  and  First  National  yet  to 
announce  stand  on  joining  new  organization  which 
-Hays   will   lead. 

Saturday,  Jan.   21 

State  laws  to  check  piracy  designed  to  supple- 
ment   Federal   statute. 

German  distributors  planning  to  monopolize 
-Russian    business. 

Selznick    production    may    be    switched    to    coast. 

Court  refuses  T.  H.  Hunter  injunction  to  hold 
mp   "Light   in    Clearing." 

Monday,    Jan.    23 
Imports   for    1921    jump   and   exports   decrease. 
Coast  celebrities  invite   Sarah   Bernhardt  to  share 
.in    10th    anniversary    of    feature    production. 
Tuesday,    Jan.    24 
Jos.    M.    Schenck   makes    first   statement   on    Will 
H.    Hays'    new    duties.      Likens    them    to    that    of 
traffic   cop    and   umpire. 

Senate  committee  formed  to  take  up  Myers  bill, 
delving    into    political    tendencies    of    industry. 

Arthur  S.  Friend  forms  Distinctive  Pictures 
'Corp.,  a  $7,500,000  unit.  Plans  additional  pro- 
duction. 

Government  may   demand   5   per  cent  rental  tax 
•direct    from    all    producers.       Many    thousands    in- 
volved   if    Christie    Film    loses    test    case. 
»  Wednesday,  Jan.  25 

Paramount      to      center      production      on      coast. 
Realart    stars    to    be    absorbed    in    gradual    process. 
Victor   Schertzinger  to  make  four  for  Wid   Gun- 
ning,   Inc. 

Eight  openings  slated  shortly  for  "Foolish 
"Wives." 

Advocates  of  Myers  bill  checked  by  two  mem- 
Ijers  of  sub-committee  who  voice  disapproval  of 
restrictions. 

Thursday,  Jan.  26 
Charles     Ray     officially     with     United     Artists. 
Plans  two  a  year. 

Factors  in  Hays  movement  may  make  educa- 
tionals  and  may  also'  obtain  mass  of  Government 
film   for   Saturday   morning   showings. 

Fox  to  hold  "Monte  Cristo"  until  fall  in 
compliance    with    exhibitor    requests. 

Coast  company  to  develop  theater  chain  in 
Mexico. 

Friday,    Jan.    27 
Many    millions    being    invested    in    German    film 
companies. 

Saturday,  Jan.  28 
N.   A.   M.   P.    I.   sees   legislative  battles  ahead   in 
number    of    states    throughout    country. 

European  Film  Alliance  expects  to  make  10 
pictures  this  year. 

New  exhibitor-producer  organization  expects  to 
become    operative    by    fall. 

Knickerbocker,      Washington,      collapses      under 
•weight  of  snow.     95   killed   and  many   injured. 
Monday,   Jan.   30 
Following    Washington    disaster,     Brooklyn    dis- 
trict attorney  urges  inspection  of  all  theaters  here. 
I.     P.     D.    A.    holds    special    session    to    discuss 
rental   tax  situation. 

American   Federation  of  Labor  reported  strongly 
in   favor  of   high   tariff  on  pictures. 
Tuesday,  Jan.   31 
Fewer   pictures   for   next   year   seem   certain. 
Wid     Gunning    announces     partnership    plan     of 
production    with   exhibitors.      Plans    12   pictures. 

M.  P.  T.  O.  of  N.  Y.  officials  meet  in  Albany 
to    discuss    legislation   and   state   convention. 

Harry  G.  Kosch  going  to  Washington  on 
rental    ta-x    for    I.    P.    D.    A. 

Wednesday,  Feb.  1 

American  Railway  Express  submits  distribution 
plan  to  important  companies,  designed  to  save 
millions.      Adoption   not   likely. 

Max  Weiss  arranges  for  four  German  produc- 
tions. 

"Farming  out"  of  players  brings  unusual  suit 
on   coast.     Mack   Sennett  and   Fox  involved. 

"Foolish  Wives"  to  be  released  on  percentage 
only. 


Thursday,    Feb.  2 

Sonic  details  of  proposed  express  distribution 
plan. 

Al  Lichtman  leaves  for  coast.  First  National 
deal   off. 

George  Arliss  has  two  more  to  make  for  Dis- 
tinctive  Prod. 

Federated   officers    slated   for   re-election. 
William     D.     Taylor     dead     in     Los     Angeles. 
Police    believe    murder. 

Yale  historical  series  to  cost  $12,500  a  reel. 
One    hundred    reels    planned. 

Friday,    Feb.    3 
May    build    unit    exchange    buildings    in    District 
of    Columbia. 

Saturday,   Feb.  4 
Fox    earnings     for     1921     pass    the     two    million 
mark. 

W.    A.    SteflFes    says    exhibitors    may    be    forced 
into   production   as    result   of   Hays   appointment. 
Monday,    Feb.    6 
Hays'    real    work    to    restore    confidence    of    pub- 
lic   in    pictures. 

Rentals  in  1921  jump;  admissions  show  a  de- 
crease. 

Utica  exhibitor  awarded  $17,500  judgment 
against  First  National  for  alleged  breach  of  con- 
tract. 

P.    A.     Powers    becomes    managing    director    of 
R-C    Pictures.      Enters    company    financially. 
American    Releasing   to    distribute    "Cardigan." 

Tuesday,  Feb.  7 
Important    coast    confab    slated    between    J.     D. 
Williams,   Marshall  Neilan  and  James   R.   Grainger. 
Famous     Players     take     over    Allen     theaters     in 
Canada. 

Germany  lightens  import  restrictions.  Allows 
1,400,000   ft.    in    1922. 

Many  reports  follow  Powers — R-C  deal.  Dis- 
tribution  merger   talked   of. 

Wednesday,  Feb.  8 
Famous    Players    reported    killing    sales    compe- 
tition with  low  prices  in  small  towns. 

First  Nationals  sold  for  seven  South  American 
countries. 

Loew's,   Inc.,  profits   for   1921   total   $1,606,780. 
Hal  Roach  signs  three-year  contract  with  Pathe. 
Covers  all  his  product. 

Thursday,   Feb.  9 
Admission  tax  may  be  doubled  to  raise  funds  for 
soldiers'   bonus. 

Gov't  decides  rental  tax  must  be  paid  and 
claims  then  filed  for  returns. 

Jacob     Karol,     German     producer,     coming    with 
Maciste  films. 
_  Pathe    to    test    authority    of    censorship    commis- 
sion  to   censor  news   reel. 

Friday,    Feb.    10 
Many   film  men  going   to   Albany   convention. 

Saturday,   Feb.   11 
Clara  Kimball  Young  deal  on  with   Metro.      Sam 
Zierler   to   handle    New    York    distribution. 

Plans    set    for    opening    of    annual    convention    of 
M.    P.   T.    O.   of   New   York    in   Albany. 
Tuesday,    Feb.    14 
Ricord    Gradwell    becomes    managing   director    of 
Wid    Gunning,    Inc.     Wid    to    devote   time   to    pro- 
duction. 

Distribution  and  rentals  come  in  for  important 
consideration    at    Albany. 

American  Releasing  announces  first  six  pictures. 
Promises  one  a  week  for  first  20  weeks. 

William  Brandt  denies  break  in  harmonious  re- 
lations   with    Sydney    S.    Cohen. 

Wednesday,  Feb.  1 5 
Albany  sounds  keynote  of  Washington  exhibitor 
convention ;  a  workable  arrangement  of  distribu- 
tion with  producers.  United  Artists'  methods  of 
dealing  with  small  exhibitors  attacked.  One-third 
cut    in   rentals   sought   by   exhibitors. 

Sales    reorganization    at    Goldwyn    planned. 

Thursday,   Feb.   16 
One-half    cent   a    foot    on    foreign    raw    stock    de- 
cided   upon    in    Washington. 

Charles  L.  O'Reilly  and  other  officers  of  N.  Y. 
M.  P.  T.  O.  re-elected.  Convention  votes  con- 
fidence  in   Mary   Miles   Minter. 

E.  A.  Schiller  to  handle  Loew  theaters  in  South 
and    West. 

New  bill  in  Albany  would  give  censors  right  to 
investigate  books  of  companies. 


316 


Adolph  Zukor  suggests  vigilance  committee  to 
protect   industry's    good   name. 

Bennie  Zeidman  may  make  two  pictures  for 
American  Releasing.  Tom  Terriss  Prod,  may  go 
through   organization. 

Friday,    Feb.    17 

Famous  Players  have  47  more  releases  this  sea- 
son,  making   total   of   87    for  year. 
Saturday,  Feb.   18 

Marcus  Loew  thinks  Will  H.  Hays  and  Sen- 
ator James   J.    Walker   should   work   together. 

Illinois  M.   P.  T.  O.  waging  campaign  to  reduce 
rentals.     Sending    out     questionnaires    broadcast. 
Monday,    Feb.   20 

Fox,  not  Famous  Players,  may  take  over  Allen 
.houses   in    Canada. 

First  National  executive  committee  here  for 
important    confab. 

Samuel  Rachmann  heads  E.  F.  A.  General  re- 
organization. 

Tuesday,   Feb.   21 

Extensive  survey  conducted  by  Thomas  H.  Ince 
reveais  public  is  Ijetter  censor  than  paid  censors ; 
that  "star  system"  is  on  the  decline,  and  that 
pictures  are  increasing  in  popularity. 

Many  bills  up  in  Massachusetts  legislature  affect- 
ing industry. 

Warners'  Exchanges  in  New  York  and  Buffalo 
go  over  to  "Bobby"  North.  Warners  to  concen- 
trate on  production. 

Thursday,  Feb.  23 

Will  H.  Hays  to  make  trip  to  coast  shortly 
after  entering  industry. 

Warner  Bros,  purchase  "Main  Street"  rights. 
For   release    next   season. 

First  National  answers  Famous  Players  in  suit 
over  "One  Arabian  Night."  Says  suit  was  brought 
only   to    harass   circuit. 

Federal  censors  sought  in  bill  introduced  in 
Washington. 

Friday,    Feb.    24 

Sam  Harding  forms  Capitol  Enterprises  in 
Kansas  City  to  develop  theater  chain  and  booking 
plan  in  Mid- West. 

Saturday,  Feb.  25 

Country-wide  reports  show  theaters  are  cutting 
admissions. 

United  Studios  to  make  two  Ruth  Roland  serials 
for   Pathe. 

Tilford   Cinema  buys   44th   S*:.    Studio. 
Monday,   Feb.   27 

First  National  to  establish  nine  exchanges  in 
England. 

"Orphans  of  the  Storm"  for  immediate  release 
through   United    Artists. 

Norman  Dawn  to  make  director  series  for  R-C 
Pictures. 

Tuesday,   Feb.  28 

U.  S.  District  Court  of  Nebraska  declares 
deposit  law   in   that  state  void. 

Toronto  reports  Aliens  securing  new  financing. 
No  deal  closed  on   theaters  as  yet. 

Charles  Ray  buys  "A  Tailor-Made  Man"  as  first 
picture  for  United   Artists. 

Wednesday,  Mar.  1 

M.  P.  T.  O.  of  Nebraska  to  appeal  deposit  law 
decision. 

American  Federation  of  Labor  ready  to  fight 
censorship  all  over  the  country. 

Thursday,    Mar.    2 

Mary  Pickford  wins  suit  against  Cora  C.  Kilken- 
ning   for   $108,000   commission. 

M.  P.  Commission  directs  all  companies  to  sub- 
mit advertising  matter  for  inspection  before  release. 

Industry  lined  up  to  aid  Jewish  war  sufferers  in 
Europe. 

Frank  J.  Rembusch  prepares  chart  showing 
how  theater  operating  costs  vary  today  as  com- 
pared  with    1912. 

Kempson  Pictures  formed;  to  handle  12  Selznick 
reissues  with  own  sales  force  through  Hodkinson. 

T.  O.  C.  C.  refuses  to  lift  ban  against  percent- 
age booking. 

Friday,    Mar.    3 

Jack  Pickford  to  star  for  United  Artists. 

Whitman  Bennett  to  expand  producing  activities. 
Signs    Betty    Blythe. 

Saturday,   Mar.   4 

Rialto,  New  York,  to  run  a  week  of  Paramount 
reissues,  program   to   change  daily. 


M.  P.  T.  O  of  Illinois  cancellation  of  Para- 
mount and  First  National  contracts  because  com- 
panies  refuse   to   cut   rentals. 

Monday,    Mar.    6 

Will  H.  Hays  assumes  duties  as  president  of 
Motion    Picture   Prod,    and    Dist.    Ass'n,    Inc. 

Arthur  S.  Kane  succeeds  Sam  Hardmg  as  presi- 
dent   of    Associated    Exhibitors,    Inc. 

Bert   Lytell's   contract  with   Metro   expires. 

Joseph  I.  Schnitzer  now  general  manager  of 
R-C   Pictures. 

Tuesday,    Mar.   7 

Marcus  Loew  denies  coast  report  that  Famous 
Players   will   handle    Metro    distribution. 

Universal  has  interesting  production  schedule 
mat>ped  out. 

Eastman  Kodak  places  two  color  stock  on 
market.     Plans   "lab"   in    Los   Angeles. 

P  A.  Powers  in  Los  Angeles  making  changes 
at  li-C  plant. 

Wednesday,  Mar.  8 

Oscar  A.  Price  plans  organization  to  finance 
and    distribute    pictures. 

Bonding  interests  not  anxious  for  business  of 
certain  companies  because  of  reported  irregular 
practices  by   field  forces. 

Eddie   Polo   to  make   six   serials. 

Charlie     Chaplin     after     injunction     to     restrain 
Charlie  Aplin  from  appearing  in  two  pictures. 
Thursday,   Mar.  9 

F.  J.  Godsol  succeeds  Samuel  Goldwyn  as 
president  of  Goldwyn.  Latter  remains  in  company 
as    director. 

M.  P.  T.  O.  of  Pennsylvania  waging  same 
campaign  to  reduce  rentals  as  Illinois  unit. 

Five  state  M.  P.  T.  O.  units  plan  early  conven- 
tions. .  . 

Jack    Dempsey    to    start    new    serial    m    April. 
One   episode   to   be   filmed   in    15    countries. 
Friday,    Mar.    10 

First  National- Goldwyn  combine  under  way, 
whereby  latter  would  make  18  a  year  and  have 
Marshall  Neilan  as  a  producer. 

Saturday,   Mar.   11 

First  National-Goldwyn  deal  may  be  forerunner 
to  others  of  similar  nature.  Speculation  over  new 
sales  manager  for   Goldwyn. 

Distributors    not    expected    to    bring    any    more 
suits    to    test    validity    of    deposit    laws.     Nebraska 
decision   considered   of  sufficient   weight. 
Monday,   Mar.   13 

Famous  Players  profits  for  1921  $4,695,499.19. 
Earnings  $19.01  on  the  common  stock.  Surplus 
for   1921   $2,264,909.69   above   1920. 

First   National  creating   five  sales  divisions. 

Sam  E.  Morris  to  head  Select  Pictures,  Ltd.,  of 
Great  Britain.  Company  to  handle  European  dis- 
tribution. 

Tuesday,  Mar.   14 

Distributors  in  Ohio  may  ask  Governor  Davis 
to  appoint  advisory  board  as  relief  from  censor 
board. 

Henri  Diamant-Berger,  French  producer,  to  film 
"Twenty  Years  After"  in  40  reels  and  also  a  film 
with    Georges    Carpentier. 

Viola  Dana  renews  with  Metro.  Bert  Lytell  also 
expected  to  sign. 

Wednesday,    Mar.    15 

M.  P.  T.  O.  denounces  Ralph  Obenchain  film, 
based  on  romance  with  woman  charged  with 
murder. 

Robert  Thornby   will   make   series   for   R-C. 
Thursday,  Mar.  16 

Aid  for  industry  expected  in  Massachusetts  as 
result  of  visit  of  stars  to   Boston. 

Will  H.  Hays  pledges  industry  to  maintain 
highest  ideals  in  production  at  M.  P.  D.  A.  dinner. 
Twelve  hundred  attend  function  at  Astor. 

William  R.  Hearst  may  build  studio  in  Harlem. 
Friday,    Mar.    17 

John  S.  Woody  joins  Selznick  as  general  man- 
ager. 

Retail    purchasing   value    of    dollar    drops    to    62 
cents  since  1914;  wholesale  value  to' 67  cents. 
Saturday,   Mar.   18 

Thomas  H.  Ince  and  Mack  Sennett  understood 
to  be  dickering  with  Hiram  Abrams  on  distributing 
proposition. 

Pola  Negri  starts  work  for  E.  F.  A.  Joe  May 
and  Dimitri  Buchowetzki  at  work  on  new  pictures. 


317 


Sid  Grauman 
Abe  Warner 
Mike  Rosenberg 
C.  C.  Burr 
Louis  Hyman 

Say 


» 


The  Spider  and  the  Rose 

Is  a  Great  Box  Office  Title ! 


TWELVE 


Mr.  Exhibitor, take  out  B.  F.  Zeidman's  Insurance 

Policy ! "Twelve    in    One !" Count    'em ! 

Alice  Lake,  Gaston  Glass,  Robert  McKim, 
Noah  Beery,  Frank  Gampeau,  Joseph  Dow- 
ling,  Edwin  Stevens,  Alec  Francis,  Andrew 
Arbuckle,  Otis  Harlan,  little  Richard  Head- 
rick  and  Louise  Fazenda   in 

"The  Spider  and  the  Rose'' 

by  GERALD  C.  DUFFY 

— a  published  magazine  story  by  the  author  of  Sure 
Fire  Flint" 

— a  romance  of  early  Spanish  clays  in  California- 


action,  thrills,  love,  drama  and  comedy  in  this  pro- 
duction  photographed    by    Glen    MacWilliams, 

who   photographed    "Oliver   Twist,"    and    Charles 

Richardson and 

a  specially  produced  PRIZMA  allegory. 


318 


HERE  THEY  ARE— YOUR  UNDERWRITERS! 


Robert  McKim 


Joseph  Bowling 


Gaston  Glass 


Frank  Campeau 


IN     ONE 


Edwin  Stevens        Richard  Headrick      Andrew  Arbuckle 


Otis  Harlan 


Alec  Francis  Louise  Fazenda 

B.  F.  Zeidman  presents  —  a  John  McDermott  Production 
(Co-Director  of  "Dinty"  with  Marshall  Neilan) 

'Twelve  Stars  Are  Better  Than  One— When  They  Ve  All  In  One!'' 


319 


FRED  CALDWELL 

Author  and  Director 

Late  Releases 

"NIGHT  LIFE  IN  HOLLYWOOD" 

with  J.  Frank  Glendon,  Gale  Henry,  Josephine  Hill  and  introduc- 
ing Wallie  Reid,  Sessue  Hayakawa,  Theodore  Roberts,  J.  Warren 
Kerrigan,  William   Desmond  and  Bryant  Washburn. 

"WESTERN  JUSTICE"  "THE  LONE  RIDER" 

Featuring  Josephine  Hill  Featuring  Jack  Perrin  and 

Josephine  Hill 

also 
"The  Sweltering  Volcano"      and     "Eyes  That  Know" 

both  of  which  have  all  star  casts 

Mr.  Caldwell  is  now  producing  for  American  Release. 


LILLIE  HAYWARD 

Scenario  Editor 

Inspiration  Films,  Inc. 


320 


Monday,    Mar.   20 

Allied  Artists  to  be  lormed  by  original  '')\i^ 
Four"  to  handle  all  productions  of  outside  atifilia- 
tions. 

Elsie  Ferguson  to  again  produce  for  Famous 
Players.  Some  interesting  productions  for  new 
season   plantied. 

Many    entries    expected    in     spring    golf    tourna- 
ment,  tentatively   scheduled   for   May. 
Tuesday,    Mar.  21 

First  XationalGoldwyn  deal  in  hands  of  law- 
yers.     Holding    company    may    be    formed. 

E.xhibitors'  Fund,  a  Los  Angeles  unit,  making 
advertising  reels.  Features  to  be  handled  later. 
\V.  H.   Clune  and  C.  C.   Craig  interested. 

Virginia   censor   board   named. 

Pauline  Frederick  to  work  on  co-operative  basis 
for   R-C   Pictures. 

Wednesday,    Mar.    22 

Will  H.  Hays  addresses  advertising  men  on 
humanizing  post  ofhce.  Remarks  may  indicate 
ideas  on   film   improvements. 

Twenty  state  righters  form  producing-distribu- 
ting    alliance    with    Graphic    Film. 

Eugene  O'Brien  completes  Selznick  contract. 
No    renewal. 

N.  A.  M.  P.  I.  to  discuss  means  of  thwarting 
film   thefts    in    China. 

Thursday,   Mar.  23 

"Orphans  of  the  Storm"  held  up  in  London. 
Fox    holds    foreign    rights. 

Charles  R.  Rogers  to  handle  R-C  product  in 
metropolitan  district.  Resigns  as  general  man- 
ager  of   distribution. 

Chicago  exchanges  deny  having  cut  Illinois 
rentals,  as  ^L   P.  T.   O.  there  previously  claimed. 

With  return  of  Hen  Hlumenthal,  status  of  Samuel 
Rachmann  in  Hamilton  Theatrical  Cofp.  expected 
to  change. 

Friday,    Mar.    24 

^L   P.  P.   D.  A.  to  hokl  annual  meeting   Monday. 

Petition   in   bankruptcy    filed   against    Pioneer. 

Saturday,    Mar.  25 

Well-known  film  men  see  better  pictures  as 
necessity   to   stimulate  business. 

Charles  B.  Hoy  reorganizes  four  exchangemen's 
clubs   in   development   of   his   credit   service. 

S.-L.  has  three  more  to  make  for  Metro. 

Monday,   Mar.  57 

Hiram  Abrams  and  Dennis  F.  O'Brien  to  attend 
I'nited  Artists'  annual  meeting  in  California.  New 
subsidiary   to   be  discussed. 

Battle  over  raw  stock  duty  in  tariff  bill  expected 
in  Washington.  Only  nominal  duty  on  completed 
productions  probable. 

Pioneer  in  Chicago  closes.  Triangle  distributor 
in   tilt  with  home  office. 

B.  P.  Schulberg  to  produce  at  Louis  B.  Mayer 
studio    in    future.      Several    director   series    planned. 

E.xhibitor    combine    seen    by    W.    W.    Hodkinson 
to  thwart  any  move  for  domination  by  producers. 
Tuesday,   Mar.  28 

William  Landau  succeeds  William  Brandt  as 
president  of  T.  O.   C.   C.      Election  hotly  contested. 

Colorado  threatened  with  Sunday  closing.  Harry 
F.    Nolan    arousing   exhibitors   to    fight   move. 

L.  E.  Ouimet,  Canadian  exchangeman,  to  pro- 
duce in  Los  Angeles.  Forms  Laval  Photoplays, 
Ltd. 

Theda  Bara  to  make  four  a  year.  M.  H.  Hoff- 
man   to    handle    distribution. 

Wednesday,    Mar.   29 

San  Francisco  film  circles  talking  of  a  $5,000,- 
000  distributing  organization  to  be  formed  by 
exhibitors. 

Reissue  idei  at  Rialto  t?kes.  Paramount  may 
release   series   of   former   successes. 

First  National-Goldwyn  deal  practically  closed 
in    Indianapolis. 

Select  to  handle  other  product  than  that  made 
by    Selznick   producing  unit. 

Thursday,   Mar.  30 

T.  O.  C.  C.  plans  dinner  at  Ritz  April  20  to 
install    new    officers. 

Loew  theaters  on  West  Coast  inaugurating 
weekly   change   of  films. 

Both  T^.  B.  Mayer  and  J.  L.  Lasky  claim  to 
have   signed    Fred    Niblo. 


Friday,    Mar.    31 
Cinematograph    Exhibitors'    Association    of   Great 
Britain    lifts    ban    on    showing   of    German    pictures 
in    England. 

Saturday,   Apr.    1 
W.    W.    Hodkinson    rejects   offer   of   'Frisco   exhi- 
bitors   to    help    finance   national    producing-distribu- 
ting  company   on  ground  time  is  not  yet  ripe. 

Ben  Blunienthal  files  libel  suit  against  Samuel 
]\achmann   asking  $500,000  damages. 

Sixty  thousand  feet  of  South  Sea  Island  film 
here. 

Monday,    Apr.    3 
Adolph      Zukor     not     optimistic     over     outlook. 
Thinks     public     wants     good     pictures     and     cites 
Rialto    reissue   experiment    as   example. 

Michigan  gathering  data  looking  toward  reduc- 
tion in  rentals  following  M.  P.  T.  O.  units  in 
Pennsylvania   and   Illinois. 

Winner  of  spring  golf  tournament  to  meet  victor 
in    Famous    Players    tournament. 
Tuesday,    Apr.   4 
Tariflf    rates    fixed    in     Washington.      Raw    stock 
to   be    taxed   one-half   cent   per   foot   and   completed 
pictures    three   cents    per    foot. 

Goldwyn- Chicago  News  scenario  contest  ends. 
Over  27,000  scripts  submitted.  Prizes  total  $30,- 
000  in   cash. 

Government  decides  refunds  are  legal  on  certain 
contracts  when  play  dates  fall  in  1922.  M.  P.  T. 
O.  seeking  broader  ruling  to  cover  all  agreements 
ni;  de  prior  to  Jan.  1,  1922,  when  play  dates  fall  in 
this   year. 

Wednesday,  Apr.  5 
William    Nigh    to   make   own   productions.     Four 
a   year   planned. 

Reported  John  Barrymore  will  terminate  pro- 
ducing agreement  with  F.  J.  Godsol  and  make  his 
own. 

Vital  question  in  England  is  repeal  of  entertain- 
ment tax,  sa>  s  A.  George  Smith,  of  Goldwyn,  Ltd. 
Thursday,   Apr.   6 
Sydney    S.    Cohen    sees    coming    of    co-operation 
when    all    phases    of    industry    first    straighten    out 
their    own    problems.     Addresses    A.    M.    P.    A. 
"Othello,"    German    production,    here. 
Morris    Kohn    forms    Deperdable    Pictures    Corp. 
Expected  to  produce   for   Select. 

Educational  renews  contracts  with  Christie,  Mer- 
maid and  Lloyd  Hamilton  for  1922. 

Apollo  Trading  to  distribute  Wid  Gunning,  Inc., 
ortput  abroad. 

Friday,    Apr.    7 
Two      Napoleonic      films     here.      One     rriade     in 
Fiance  and   one   in   Austria. 

Saturday,   Apr.   8 
Leaders    attribute    several    clauses     to    slump     in 
February      business.      Cite      econotnic      conditions, 
"flu."   poor   quality   of  pictures   as   some  reasons. 

Ernest  Shipman  says  he  will  make  30  pictures 
in    Canada. 

Monday,    Apr.    10 
Will    H.    Hays    seeks    co-operation    of    exhibitors 
in    addressing   T.    O.    C.    C.    at    Astor.      Invited    to 
Washington  convention. 

Fox   to  release    14   specials  next   season. 
Lambert   bill    would   define   rights   of   music   com- 
pc  sers. 

Would  end  copyright  on  sheet  music  played  in 
public. 

Educational  expected  to  release  12  two  reel  Sher- 
lock Holmes  pictures. 

Tuefday,    Apr.    11 
W.   A.    Steffes  at    Minnesota  exhibitor  convention 
attacks    Famous    Players,    First    National,    Fox   and 
United   Artists.     Again   advances   idea   of   exhibitor- 
owned    producing    company. 

Phil  Selznick  back  with  Select  as  personal  rep- 
resentative of  John  S.  Woody. 

Tariff  measure  goes  to  the  Senate. 
Marshall  Neilan  coming  East  to  arrange  distribu- 
tion.     Says  his  desire  is  to   make  commercial  films 
only. 

E.  F.  A.  makes  plans  for  many  films.  Negri  may 
come   here. 

Wednesday,  Apr.  12 
Metro    will    have    about    30    for    next    year.      Billy 
Dove  a  new  star. 

M.   P.   T.   O.   committee  in   Washington    to   invite 
the  President  to  attend  May  convention. 
Carl   Laemmle  back    from   the  coast. 


321 


M.   P.   T.    O.   of  West   Virginia  passes  resolution 
extending   friendly    hand    to    Will    H.    Hays.      Min- 
nesota  adopts   questionnaire   asking    Hays    what    he 
expects  to  do  before  taking  definite  stand. 
Thursday,  Apr.   13 

First  National  executives  discussing  new  prod- 
uct.     Ince  reported   signified   for   eight  specials. 

W.  A.  Steffes  again  heads  Minnesota  M.  P.  T.  O. 

Famous  Players  have  three  Arbuckles  on  hand. 
To   watch   public   demand   closely. 

Censorship  to  be  an  important  issue  at  Wash- 
ington convention. 

Friday,    Apr.    14 

May  Allison  and  Robert  Ellis  to  appear  in  four 
pictures  made  in  Porto  Rico.  Associated  Exhib- 
itors will  release. 

Saturday,  Apr.   15 

D.  W.  Griffith  has  three  more  to  make  under 
contract  as  producer  for  United  Artists. 

David    Horsley    turns    to   exhibiting    field. 

E.  M.  Saunders  and  F.  B.  Warren  report  con- 
ditions  picking   up. 

Monday,   Apr.    17 

Producers  of  educationals  and  industrials  to 
form  one  national  organization. 

Lambert  bill  on  music  copyright  to  be  heard  at 
public   hearing  in   Washington,   May    5. 

C.  R.  Seelye  buys  old  version  of  "Ten  Nights  in 
a   Bar   Room." 

Indiana  exhibitors  back  Will  H.  Hays. 

M.  P.  P.  D.  A.  and  T.  O.  C.  C.  unite  to  aid  in 
charity  drive  in  Greater  New  York. 

Reported  Boston  company  selling  stock  to  make 
films  based  on   Hollywood  scandals. 

First  National  group  leaves  for  annual  meeting 
at  West  Baden,  Ind. 

Tuesday,   Apr.   18 

Ethel  Clayton  and  Jane  Novak  to  star  for  R-C 
Pictures. 

Rachmann-Hamilton  difficulties  settled.  Former 
resigns  office  but  holds  stock  interest  in  Hamilton 
units. 

Fifty  thousand  shares  of  Eastman  common  of- 
fered  at   $77.50. 

Will   Rogers  reported  signed  by  H.  O.   Davis. 

N.  A.  M.  P.  I.  annual  report  lists  77  theater 
members. 

Will  H.  Hays  bans  exhibition  of  Arbuckle  films. 
Wednesday,   Apr.    19 

Marshall  Neilan  signed  with  Goldwyn. 

Richard  A.   Rowland  may  join   First   National. 

Famous  Players  to  make  serial  in  France  for 
consumption   there  only. 

F.  B.  Warren  thinks  report  of  2,500  theaters 
closed  is  wrong.  Jim  Quinn  says  elimination  of 
tax  on  10  cent  admissions  is  responsible  for  ad- 
verse tax  figures  in  January  and  February. 

Eastman  stock  issue  subscribed. 
Thursday,   Apr.  20 

First   National   to   handle    60   pictures    next   year. 

Louis  1\,  Mayer  signs  Fred  Niblo  for  Metro 
release. 

William  Brandt  retires  as  T.  O.  C.  C.  president. 
Many  executives  attend  Ritz  dinner. 

Neilan's  Goldwyn  contract  calls  for  eight  pic- 
tures. James  R.  Grainger  continues  as  sales  man- 
ager. 

Christy  Cabanne  to  make  one  film  for  Depend- 
able. 

Nicholas  Schenck  thinks  Arbuckle  ban  a  tempo- 
rary  one   only. 

Friday,    Apr.    21 

S.  S.   Cohen  after  M.   P.  T.   O.  re-election. 

Rex  Ingram  renews  Metro  contract. 
Saturday,  Apr.  22 

Statement  purporting  to  come  from  M.  P.  T.  O. 
executive  committee  launches  bitter  attack  on  Sen- 
ator James   J.    Walker. 

Allied  Corp.  hints  at  many  deals  for  independ- 
ent   productions. 

First  National  officers  re-elected.  E.  V.  Rich- 
ards replaces  N.  H.  Gordon  on  executive  com- 
mittee. 

Monday.    Apr.   24 

Walker's  friends  aroused  over  what  they  term 
M.  P.  T.  O.'s  attack.  Senator  and  Sydney  S. 
Cohen  to  meet  at  T.   O.   C.  C.  for  open  discussion. 

Urban  selling  stock  to  school  teachers. 


Minnesota  M.  P.  T.  O.  may  tie  up  wtli  three 
exchanges  in  May  to  secure  revenue. 

Dan  W.  Fish  brings  over  Lupino  Lane  come- 
dies  made   in    England. 

Tuesday,   Apr.   25 

M.  P.  T.  O.  Convention  to  be  held  at  Wash- 
ington Hotel  because  of  fire  at  New  Willard.  In- 
tense local  interest  over  Walker-Cohen  situation. 

Associated  Producers,  Inc.,  suing  Marshall  Nei- 
lan   for   alleged   breach    of   contract. 

Phil  Ryan  leaves  Hodkinson  to  devote  time  to 
Capitol    Enterprises,    Inc. 

Wid  Gunning,  Inc.,  announces  intention  of  con- 
testing receivership  suit  brought  by  three  trade 
papers. 

Criterion,  New  York,  to  have  weekly  change  of 
program  at  summer  prices. 

Wednesday,   Apr.   26 

Senator  Walker  denounces  Sydney  S.  Cohen 
bitterly  at  open  T.  O.  C.  C.  meeting.  Resolution 
of   "undying   love"   adopted. 

Will  H.  Hays  addresses  newspaper  publishers 
and  says  with  aid  of  press  industry  can  help  over- 
come  obstacles. 

Thursday,  Apr.  27 

Walker-Cohen  controversy  growing  in  bitterness. 
New  statement  issued  regarding  failure  of  Cohen 
to   appear  at   T.    O.    C.    C.   meeting. 

Receivership  motion  against  Wid  Gunning,  Inc., 
withdrawn. 

D.  W.  Griffith  may  film  Wells'  "Outline  of  His- 
tory" in  "72  reels. 

Friday,    Apr.    28 

John  E.  Barber,  banker,  discusses  the  appeal  ot 
motion   pictures   to   capital. 

R-C's  fall  line-up  includes  three  star  series  and 
at  least   three  director   series. 

Saturday,   Apr.   29 

Fireworks  looked  for  at  Washington  convention. 

Edna  Purviance  pictures  may  go  through  the 
Allied   Corp. 

May  25  date  set  for  Spring  golf  tournament  at 
Tuckahoe. 

Monday,    May    1 

Western  reports  credit  Hays  organization  with 
attempt  to  disrupt  M.  P.  T.  O.  Hays  on  record 
as  favoring  strongest  exhibitor  organization  pos- 
sible. 

Lambert  hearing  on  music  tax  postponed  in 
Washington  until  May   15. 

Misconduct  in  office  charges  against  C.  L. 
O'Reilly  and  Sam  I.  Berman  to  be  heard  in 
Albany. 

Famous  Players  to  establish  Scandinavian  ex- 
changes. 

Rupert    Hughes    renews   contract    with    Goldwyn. 
Tuesday.    May    2 

"Exhibitors'  Bulletm,"  official  M.  P.  T.  O.  pub- 
lication, hints  that  producers  are  out  to  wreck 
organization. 

Southeastern  Films  Conference  pledges  support 
to  Will  H.   Hays  for  better  pictures. 

Eastman  Kodak  shows  $14,105,861.04  profits  in 
1921. 

Rufus  S.  Cole  resigns  from  all  Robertson-Cole 
film  activities. 

Wednesday,   May  3 

Richard  A.  Rowland  assumes  duties  at  First 
National.     Now  looking  over  production  problems 

Pathe   profits   for    1921    total    $328,483.12. 

Charges  against  O'Reilly  and  Berman  dropped 
at  Albany  meeting. 

Eastern  Pennsylvania  exhibitors  lean  toward 
Sydney   S.   Cohen  for  re-election. 

Thursday,    May   4 

Tax  figures  for  March  show  increase  over  Feb- 
ruary business. 

E.  T.  Peter  attacks  Sydney  S.  Cohen  and  char- 
acterizes  him   as   "czar." 

Will  H.  Hays  and  Courtland  Smith  to  play  in 
golf   tournament. 

World's  history  in  films  planned  by  D.  W. 
Griffith.      Back   from   England. 

Hamilton  Theatrical  buys  seven  Pola  Negri  feat- 
ures.     No  release  as  yet   set. 

Goldwyn   signs   R.   A.   Walsh   to  direct. 
Friday,    May   5 

Many  executives  and  exhibitors  prepare  for 
Washington  convention. 


322 


Saturday,    May   6 

Third  annual  convention  of  M.  P.  T.  O.  opens 
at  Washington.  Walker-Cohen  controversy  ex- 
pected  to   play    important  part. 

"Music  films"  aim  to  synchronize  music  and 
action  in  pictures. 

Monday,    May    7 

Senator  James  J.  Walker  to  address  M.  P.  T,  O. 
relative  to  his  dismissal.  Constitution  and  by- 
laws drawn  up.  Sydney  S.  Cohen  brings  Walker 
differences   into   convention. 

Hodkinson  to  release  all  pictures  made  by  South- 
ern  M.   P.   Finance    Corp.   of  Atlanta. 

American     Releasing     adopts     drastic     policy     in 
eliminating  all  udvance  deposits. 
Tuesday,    May  8 

Following  prolonged  discussion  of  Walker-Cohen 
controversy,  delegates  at  Washington  vote  confi- 
dence in  both  Walker  and  Cohen.  Former  to  leave 
film  industry.  Sydney  S.  Cohen  seems  to  have 
election  cinched.  End  of  dispute  brings  harmony 
to  meeting. 

Lord's  Day  Alliance  announces  plans  to  secure 
national  "blue"   Sunday. 

Fox  to  release  seven  star  series  next  year. 

Charity  drive  in  New  York  ends.  Billie  Burke 
and  Edward  Earle  win.  About  $150,000  secured 
from   it. 

Wednesday,   May  9 

Sydney  S.  Cohen  re-elected  president  of  M. 
P.  T.  O.  without  opposition.  Says  he  won't  run 
next  year.  Prominent  exhibitors  hold  caucus  to 
express  tlislike  over  constitution  and  by-laws  as 
drawn.  Over  700,  including  Government  offi- 
cials, at  annual  dinner.  W.  W.  Hodkinson  an- 
nounces   distributing  iplan. 

Morosco-First  National  deal  closed.  "The  Bat" 
to   be   filmed. 

Myers    bill   to    probe    industry's   political    tenden- 
cies  comes   up    at    Washington   hearing. 
Thursday,    Mar.   10 

Twenty  distributing  schemes  submitted  to  con- 
vention, including  those  from  Hodkinson,  Vita- 
graph  and  Select.  David  M.  Hartford,  speaking 
for  Western  M.  P.  D.  A.,  says  directors  are 
eager  to  perfect  tie-up  with  exhibitors.  Chicago 
selected  for  next  convention.  Leaders  of  indus- 
try strike  co-operation  as  keynote  at  Wednesday's 
dinner.  Cohen  promises  M.  P.  T.  O.  co-opera- 
tion   with    producers. 

Reported  Theda  Bara  will  release  through  First 
National. 

Daniel     Carson     Goodman     to     make     series     for 
Equity. 
_  Larry     Semon    may     make    several    features    for 
Vitagraph. 

Marshall  Neilan's  apiplication  to  dismiss  service 
in  Associated    Producer   suit   against   him   denied. 

Atlanta  Studio   Corp.   secures  site  for  large  stu- 
dio.    Its    pictures    for    Hodkinson    release. 
Friday,    May    11 

Convention  closes.  M.  P.  T.  O.  committee  to 
seek  co-operation  of  Will  H.  Hays  to  solve  vex- 
atious   problems. 

Irvin  Willat  to  resume  production  on  his  own. 

New    York    Appellate    Division    to    decide    right 
of  Motion  Picture  Commission  to  censor  news  reels. 
Saturday,  May  13 

New  paper  stock  on  market  controlled  by  Kes- 
sel  Bros.  Prints  as  direct  positive  in  three  min- 
utes. 

Iowa  Sunday  closing  law  goes  before  State 
Supreme    Court. 

Monday,   May  IS 

Sessue  Hayakawa  in  New  York  to  arrange 
settlement   on   unexpired  term   of   R-C  contract. 

Suit  filed  to  hold  up  "After  Six  Days,"  Weiss 
Bros.'   Bible  film. 

Joe  Brandt  appointed  executive  director  of  Fed- 
crated. 

Hodkinson    seeking   to    extend    tie-up    with    Min- 
nesota M.   P.  T.   O.  through  summer  months. 
Tuesday,   May   16 

T.  O.  C.  C.  withdraws  from  M.  P.  T.  O.  State 
r.nit    to   follow. 

M.  P.  T.  O.  constitution  as  drawn  at  Wash- 
ington includes  many  interesting  points,  such  as 
salaries   of  president   and   other   officers. 

Many  entries  in   Spring  golf  tournament 

C.   B.   C.  to  make  six  melodramas  for  next  year. 


Wednesday,  May  17 

First  National  country-wide  survey  indicates 
brighter  outlook  for  fall.  Rentals  expected  to 
hold  firm;  wide  differences  over  question  of  ad- 
missions. 

N.  A.  M.  P.  I.  turns  matter  of  slow-burning 
film   stock    to  Will   H.    Hays   for  action. 

Joe  Friedman  of  Chicago  says  independents  are 
in  danger  because  exhibitors  do  not  give  proper 
support. 

Sydney  S.  Cohen  says  T.  O.  C.  C.  was  never 
an    ofticial   member    of   M.    P.    T.    O. 

David  M.  Hartford  conferring  with  M.  P.  T.  O. 
officials    on    production    plans. 

Thursday,  May  18 

Joint  meeting  between  Will  H.  Hays  and  M.  P. 
T.  O.  and  selection  of  new  national  counsel  to  be 
taken  up  by  M.  P.  T.  O.  directors  at  meeting 
soon. 

Universal  to  release  12  Jewels  next  year. 

Warner   Bros,  dickering  for  "lab"  in  New  York. 

New  York  State  exhibitors  incorporate  under  M. 
P.   T.   O.   of  N.   Y.,   Inc.,  their  present  name. 

Max   Linder   to  make  comedies   for  Allied   Corp. 

Morosco    to    make    eight    for    First    National. 

Hodkinson  expected  to  handle  outdoor  series  of 
one   reelers. 

Friday,    May    19 

T.    O.     C.     C.    meets    with    Will    H.    Hays    on 
equitable    contracts    and    lower    rentals. 
Saturday,    May  20 

Litigation  over  "After  Six  Days"  ends;  Weiss 
Bros,   get   rights   and   also   purchase   "Destiny." 

J.  R.  Bray  to  film  H.  G.  Wells'  "Outline  of 
History." 

Monday,   May  22 

Will  Rogers  to  appear  in  "The  Legend  of  Sleepy 
Hollow."      Hodkinson    will   distribute. 

Cleveland  suburban  theaters  may  run  only  three 
days    weekly    because    of   poor   business. 

Universal    to    film    "Ivanhoe." 

Presbyterian  General  Assembly  scores  Will  H. 
Hays   for  joining   the   industry. 

Tuesday,    May  23 

Aliens  of  Canada  in  financial  difficulties. 
Creditors'    meetings    called.      Large   stuns   involved. 

Film  Guild  formed.  Plans  operation  of  three 
units. 

Ascher  Bros,  sub-lease  Roosevelt,  Chicago,  to 
Balaban  and  Katz,  and  Capitol,  Cincinnati,  to  Ike 
Libson. 

Wednesday,  May  24 

M.  P.  T.  O.  meets  Will  H.  Hays  on  June  12 
for  discussion  on  equitable  contracts  and  lower 
rentals. 

Presbyterians  seek  national  legislation  to  gov- 
ern production  at   the  source. 

Al  Lichtman  Corp.  formed  by  Al  Lichtman,  B. 
P.    Schulberg   and  J.    G.    Bachman  to   distribute. 

Mack  Sennett  expected  to  continue  with  First 
National   indefinitely. 

Thursday,   May  25 

Famous  Players  earn  $1,210,250.56  in  first 
quarter  of   1922. 

Speculation  whether  Pathe  will  join  Hays  or- 
ganization.    Matter    rests    with    directors. 

Former  Turner  and  Dahnken  officials  suing  for 
$871,803. 

Federated  signs  new  contract  with  Joe  Rock 
for   comedies. 

Important  film  men  attend  FILM  DAILY'S 
Spring  Golf  Tournament  held  at  Oak  Ridge, 
Tuckahoe.  Eighty-two  on  the  links.  Move  on 
for   permanent    golf    club. 

Friday,    May    26 

T.  O.  C.  C.  drawing  up  model  contract  to 
submit   to    Will    H.    Hays. 

Will  H.  Hays  addressing  Carnegie  Institute  says 
prosperity   is   ahead. 

Saturday,    May  27 

T.  O.  C.  C.  dinner  to  Senator  Walker  postponed 
to   June   19,  at  the   Plaza   Hotel. 

Exclusive  contract  between  Hamilton  Theatrical 
Corp.   and   U.    F.   A.   cancelled. 

Monday,  May  29 
Famous  Players,  Metro,  First  National  and 
Universal  so  far  affected  by  attitude  of  Mexican 
Postal  system  against  American  pictures.  Act 
believed  inspired  by  German,  French  and  Italian 
producers. 


322, 


Harold  B.  Franklin,  formerly  willi  Shea  organ- 
ization  to   join    Famous    Players. 

Halaban  &  Katz  guarantee  rental  of  $310,000 
and  half  of  profits  to  Ascher  Bros,  for  rent  of 
Roosevelt,   Chicago. 

Creditors  of  Allen  Theaters,  I^td.,  postpone  ac- 
tion  for   fortnight. 

Wednesday,   May  31 
B.    S.    Moss    sailing    for    England.      May    be    in- 
terested in  big  chain  of  vaudeville  houses  abroad. 

V'itagraiih  signs  Larry  Senion  for  long  con- 
tract  and   all    litigation    will   be   called    off. 

Empire  Circuit,  New  England,  will  be  sold  to 
lowest  bidder,  June  21,  on  courthouse  steps,  Bos- 
ton. 

Universal  opens  exchange  in  Minneapolis.  Can- 
cels contract   with  F.   &  R. 

Thursday,   June    1 
Marcus     Loew    makes     deal     with     Ackerman     & 
Harris,    by    which    they    will    retain    only    slight    in- 
terest   in   two   large   houses   on    Coast,   but    have   all 
their    smaller    houses    returned. 

Ernest    Shipman    buys    out    interest    of    I^uporini 
Bros,    in    Ultra    Company    of    Rome. 
Friday,    June    2 
Mae  Murray  objects  to  name  of   Rodolph  Valen- 
tino being  featured  by  Universal  in   "The   Delicious 
Little    Devil." 

Litigation     starts    regarding    "I     Am     the     Law" 
and    "The   Valley   of   Silent   Men." 
Saturday,   June   3 
Hays     organization     posts     ultimatum     for     clean 
pictures  in  studios.     All  members  concur  on  action. 
William    Fox    donates    $10,000    to    fight    English 
entertainment   tax. 

German  film  men  keen  over  possibilities  of 
Russia. 

Monday,   June    5 
April    business    drops    as    shown    by    Government 
tax.     Thirteen  million   tax   decline   in    1 1    months. 
Hunt   Stromberg  comedies  going  through  Metro. 
Famous    Players   can't   start    Putnam    Bldg.   thea- 
ter  for  at  least   a   year. 

Whitman  Bennett  to  release  four  Betty  Blythe 
pictures    on    open    market. 

Tuesday,    June    6 
Harry     M.     Berman     leaves     LTniversal     to     take 
charge    of    R-C    distribution.     Joe    Schnitzer    made 
vice-president. 

Marcus     Loew    gives    up    interest    in    Ackerman 

and    Harris     theaters    for    A.    and    H.     interest    in 

Warfield,    San    Francisco    and    State,    Los    Angeles. 

Lillian    Gish    to    make    three    a    year    for    either 

United    Artists    or    Allied    Corp. 

M.  P.  T.  O.  says  it  intends  forming  exhibitor 
unit   in   Georgia. 

Three  exhibitors  and  three  distributors'  repre- 
sentatives form  joint  committee  to  work  with  Hays 
on    contracts    and    rentals. 

Wednesday,  June  7 
United    Artists    to    discuss    fall    line-up    at    coast 
meeting. 

New  talking  device  claims  to  synchronize  voice 
and   projection. 

Service  stations  to  be  established  by  M.  P.  T.  O. 
in  New  England. 

"The  Big  6"  to  be  series  of  features  for  Affili- 
ated   Distributors,    Inc. 

Thursday,   June   8 
LTniversal    to    make    "Ivanhoe"    in    Vienna.     Eu- 
ropean  M.   P.   Co.,   Ltd.,   formed  to   handle   English 
distribution. 

King  Vidor  to  direct  "Peg  O'  My  Heart"  for 
Metro. 

Constance  Bitmey  finishes  Famous  Players  con- 
tract.     Now    with    Ideal    in    England. 

Settlement  between  Sessue  Hayakawa  and  R-C 
still  pending. 

First    National    forms    story    committee. 
Friday,    June    9 
■     Partial    list    of    First    National's    fall    releases    in- 
dicates   Ince    and    Sennett    contracts    are    closed. 
Saturday,  June  10 
First  conference  between   M.    P.   T.   O.   and  Will 
H.    Hays   scheduled.      Minnesota   to   ask    why   ques- 
tionnaire  to   Hays   was   not  answered. 

Famous  Players  to  show  pre-releases  on  Broad- 
way   to   line   up    fall   exploitation. 


Monday,   June   12 

Hays  Cohen  conft-rence  reports  favorable  pro- 
gress but  divulges  no  real  information  covering 
meeting.      Night    session    held. 

Goldwyn,  Ltd.,  buys  "Sumurun,"'  "Caligari," 
"Othello,"  "Destiny"  and  "Passion"  for  England. 
Open  ng   wedge   for   German    films. 

American  Federation  of  Labor  report  votes 
against  production  of  motion  ])ictures.  Indicated 
project   was   considered. 

Downtown  interests  may  form  syndicate  to  pro- 
duce  abroad. 

Mulk  of  Goldwyn  two-year  notes  recalled  and 
cancelled. 

Tuesday,   June   13 

Hays  organization  to  meet  with  SO  national  or- 
ganizations outside  of  pictures  to  secure  closer 
co-operation    with   the   public. 

Pathe  directors  discuss  joining  Hays  associa- 
tion but   take  no  action. 

Film  Booking  Offices  of  America  to  be  new 
name   of    R-C    Dist.    Corp.    after  July    1. 

Wid  Gunning  and  Robert  E.  Welsh  withdraw 
from  Wid  Gunning,  Inc.  Physical  distribution  to 
be   through   R-C. 

Wednesday,  June  14 

Goldwyn  to  produce  "Ben  Hur"  in  association 
with   A.    L.    Erlanger. 

First  National  sues  Thomas  H.  Ince  alleging  vio- 
lation   of   contract. 

Associated  Advertising  Clubs  of  World  to  work 
with  Will  H.  Hays  in  handling  advertising  film 
situation. 

Hays-Cohen  conference  unproductive  of  results 
as    yet.      More   meetings   planned. 

Hodkinson    to    distribute    Chester   comedies. 
Thursday,  June   15 

Agreements  getween  Hays  and  M.  P.  T.  O. 
reported  in  process  of  formation.  Equitable  con- 
tracts, lower  rentals  and  cheaper  accessories  among 
subjects  discussed. 

Many  notables  expected  at  T.  O.  C.  C.  dinner 
to   .Senator  James  J.   Walker  on   Monday. 

John    Brunton  to  head  Miami  Studios,  Inc.     Life 
work  of  Thomas  A.  Edison  to  be  filmed. 
Friday,    June    16 

Hodkinson  extends  tie-up  with  exhibitor  units  in 
Minnesota,   Massachusetts  and  Arkansas. 

Universal  leases  Randolph  theater,  Chicago,  for 
five    years. 

Many   film   men   sail   for   Europe. 
Saturday,   Jvne    17 

Daylight  pictures  shown  here  by  use  of  back 
throw    projection. 

Directors  of  M.  P.  T.  O.  of  N.  Y.  State,  Inc.. 
here   for    two   day   session. 

Monday,   June    19 

First  National  invites  Senator  James  J.  W'alker 
to  advise  on  changes  in  sub-franchise.  Over  1,000 
attend   dinner   given   him   by   T.    O.    C.    C.   at   Plaza. 

OReilly  group  increases  directors  to  23.  How- 
ard A.  .Smith  of  Buffalo  resigns.  Organization 
definitely  out  of  national   M.   P.  T.   O. 

William  Nigh  to  release  through  Weber  and 
North.      Four  a  year. 

Edwin    Carewe   may    produce    for   First    National. 

Tuesday,   June   20 

Economic  conditions  prompted  First  National 
to  call  in   Senator  Walker  on  sub-franchise  change. 

Lasky  studio  placed  under  system  of  rules  gov- 
erning conduct.  School  formed  and  regular  courses 
in   instruction   promised. 

First  National  survey  places  number  of  Western 
theaters   at    1,954. 

Charles  E.  Blaney  to  produce  his  melodramas 
in    pictures. 

Wednesday,   June  21 

Toronto  reports  Aliens  have  reorganized  with 
Goldwyn   interested. 

National  civic  bodies  to  meet  Will  H.  Hays  on 
question   of  closer   co-operation    with   producers. 

Exhibitor   conferences   with    Hays   continue. 

om  Terriss  to  make  four  pictures  in  England  for 
.Metro   release. 

Thursday,  June  22 

Important  civic  associations,  with  membership 
totaling  millions,  promise  fullest  co-operation  to 
Will  H.  Hays.  Committee  formed  to  draft  per- 
manent  body. 


324 


Sir  Cliarles  Higham  in  addressing  A.  M.  P.  A. 
says  England  needs  a  Hays.  Urges  making  indus- 
try  clean. 

Joint  convention  in  South,  North  Carolina's  plan 
for   192,^.      Same  officers  re-elected. 

Triangle  suit  against  Aikens  and  others  on. 
Aikens  surrender  $1,000,000  in  Triangle  stock. 

M.  P.  T.  O.  of  N.  Y.,  Inc.,  denies  intention  of 
formmg   new   national   exhibitor   body. 

McVickers,  Chicago,  to  he  new  first-run  for 
Paramount. 

Selznick  plans  all-star  casts  in  future.  Only  spe- 
cials  for  next  year. 

Friday,    June    23 
Penalties,    advertising    in    films    and    delivery    on 
contract    promised    in    tentative    standard    contract 
drawn  by  T.   O.   C.   C.   and   Hays. 
Saturday,  June   24 
Two    forms    of    standard    contracts    may    result 
from    Hays'   conferences :   one  for  T.   O.   C.   C.  and 
one  for  M.  P.  T.  O. 

Federal  Council  of  Churches  in  sipecial  report 
shows  futility  of  censorship  because  of  difficulty 
in   establishing   set   standards. 

Federated  to  distribute  two  comedy  series  made 
by    Ben    Wilson. 

Goldwyn   denies  any  deal  with  Aliens  of  Canada. 

Monday,   June   26 
Admission    tax    figures    show    better    business    in 
May. 

Fox  specials  to  play  Strand,  New  York.  First 
two  announced. 

American  company  offers  George  Bernard  Shaw 
$500,000  for  his  stories. 

Mack    Sennett   to   make   24    two   reelers   for   First 
National  and  some   features,   number  undetermined. 
Tuesday.   June   27 
Two  arbitration   boards   in   New  York   City. 
Hoy    Reporting    Service   extending   into    new   ex- 
change  centers. 

Triangle  stock  involved  in  suit  of  Kessels 
against    company. 

Southern  California  exhibitors  back  Sydney  S. 
Cohen. 

J.  L.  Frothingham  shifts  release  from  First  Na- 
tional  to   American    Releasing. 

Wednesday,  June  28 
Allen  creditors  grant  company  time  extension. 
First  National  reported  ready  to  advance  $100,000. 
Will  H.  Hays,  W.  W.  Hodkinson  and  S.  L. 
Rothafel  address  General  Federation  of  Women's 
Clubs  at  Chautauqua,  N.  Y.  Urge  women's  sup- 
port   to    secure   better    films. 

Western  and  Northern  New  York  reported  in 
support    of   Sydney    S.    Cohen. 

Goldwyn  stock  to  be  listed  on  New  York  Stock 
Exchange, 

Arthur  S.  Friend  and  Lewis  J.  Selznick  reported 
in   deal. 

Thursday.  June  29 
Distributors   promise   90S   features   for   next   year. 
T.  A.   Quinn  launching  better   films  move  in   Chi- 
cago. 

F?ig   Feature   Rights   Corp.   to  make   12  a   year. 
U.    B.    O.    books    22    Paramount    pictures ;    2.000 
days  involved. 

Friday,    June    30 
Senator  Myers  launches  scorching  attack  against 
industry. 

Denis  Ricaud,  head  of  French  Pathe,  coming 
here    to   establish    connection. 

Saturday,    July    1 
Fox    developing    educational    department.      About 
.lO     regular     features     re-edited     for     non-theatrical 
field. 

Control  of  industry  by  Federal  licenses  sug- 
gested in  third  report  on  film  conditions  of  Fed- 
era'    Council    of   Churches. 

Alfred  S.  and  John  A.  Black  sell  half  interest 
in  Black's  New  England  Theaters,  Inc.,  to  Fa- 
mous   Players-Lasky. 

Monday,    July    3 

Harold  B.  Franklin  may  assume  charge  of  Fa- 
mous Players'  New  England  theaters  ultimately ; 
.Mfred   S.   Black  temporarily  in  charge. 

Fred  G.  Nixon-Nirdlinger  sues  Philadelphia  Film 
Board  of  Trade,  charging  restra'nt  of  trade  and 
operation    of    an    illegal    combination. 

Thomas  H.  Ince  may  reissue  "Civilization"  and 
other   of   his    features   on    the   state   right   market. 


Wednesday,    July    5 

Signing  of  uniform  contract  between  Hays'  of- 
fice and  T.   O.   C.   C.   fast  approaching  reality. 

Reform  elements  conducting  aggressive  cam- 
paign in  Missouri.  Texas  and  the  Southwest  to 
be   scene   of   much   activity. 

New  York  State  to  be  divided  into  unit  exhibitor 
bodies   for  affiliation  with  M.   P.  T.   O.  A. 

Conway  Tearle  to  appear  in  two  Selznick  spe- 
cials ;    Theda    Bara    in   one. 

Thursday,   July   6 

Universal  to  release  57  features,  280  short  reels 
and   six   serials   next   year. 

Will  H.  Hays,  addressing  N.  E.  A.  at  Boston, 
pledges   co-operation   and  invites  help  of  educators. 

First  National  foreign  survey  reveals  healthier 
financial  conditions  in  Europe  and  in  Latin 
America. 

Pola  Negri  coming  to  New  York  to  make  one 
picture  for  Famous.  Jesse  L.  Lasky  intimates 
Long  Island  plant  will  again  work  at  capacity. 
Company  organizes  Famous:Lasky  Paramount 
Films,    Ltd.,    to    distribute   in    Japan. 

Minor   points    only    intervene    between    Hays   and 
T.    O.    C.   C.   in  regard   to   uniform   contract. 
Friday,    July    7 

Appellate  Division  decides  Motion  Picture  Com- 
niission  can  censor  news  reels.  Pathe  to  appeal 
decision. 

More  conferences  on  uniform  contract  held  with 
Will  H.   Hays. 

Saturday,    July   8 

Metro  to  sell  Fall  product  on  single  picture  ba- 
sis only. 

"Freedom  of  the  screen"  clause  may  be  inserted 
in    Missouri   state   constitution. 

Monday    July    10 

Harold  B.  Franklin  elected  president  of  Black's 
New   England  Theaters,   Inc. 

Alfred  S.  Black  assumes  presidency  of  Ice 
Poles,   Inc.,   an   ice  cream   company. 

Silent     Drama     Syndicate    announces    new    color 
process.      Claims    elimination    of    all    fringing. 
Tuesday,   July    11 

Hodkinson  to  distribute  "Fun  from  the  Press," 
made  by  Literary  Digest.  Company  dickering  for 
"Salome." 

Associated  Screen  News,  Inc.,  opens  Flushing 
laboratory.      Using   tube   process. 

Civic  associations  rounding  out  committee  to 
work    with   Will    H.    Hays. 

University  of  Chicago  announces  new  talking 
film    invention. 

Wednesday,   July   12 

Fred  G.  Nixon-Nirdlinger's  suit  against  the 
Philadelphia  Board  of  Trade  ends.  Settlement 
made  out  of  court. 

William  Fox  renews  lease  on  Lyric  and  takes 
over  44th  St.  Number  of  specials  to  be  shown 
there. 

M.  P.  Machine  Operators'  Union  won't  stand 
for  10%  wage  cut  asked  by  T.  O.  C.  C.  Latter 
claims    reduction    is    necessary. 

W.  A.  Bach  resigns  as  general  manager  of  Fa- 
mous-Lasky  Film  Service,  Ltd.,  of  Canada  and  is 
succeeded   by   Gerald   C.   Akers. 

Hodkinson   denies   any   deal    on    "Salome." 

Thursday,   July   13 

Certain  New  England  exhibitors  uneasy  over 
Black-Famous  Players  deal.  May  ask  M.  P.  T.  O. 
for    another    investigation. 

Operators  advise  T.  O.  C.  C.  to  reduce  over- 
head through  rental  cuts,  not  through  operators' 
wages. 

Pennsylvania  M.  P.  T.  O.  denies  any  opposition 
to  Hoy  there  as  reported  in  statement  by  John 
S.  Evans. 

F.  B.  O.  to  film  "Uncle  Tom's  Cabin."  Old 
version   now   circulating   in   New    England. 

Metro  sued  over  use  of  title  "Hate."  Fair- 
mount    released    one    in    1917. 

Friday,    July    14 

Hays'  organization  virtually  adopts  arbitration 
plan,   not  based   on   Hoy    Reporting   Service  idea. 

Goldwyn-First   National   deal  near  consummation. 
Saturday,    July    15 

Famous  Players  plans  exchanges  in  Peoria.  111., 
Columbus,  O.,  Sioux  Falls,  S.  D.,  and  Butte, 
Mont.,   for  better  service  to   small  town   exhibitors. 


325 


T  O.  C.  C.  agreement  wih  Hoy  Reporting  Ser- 
vice up.  Export  and  Import  and  David  P.  How- 
ells  buy   "Othello"   for  distribution  here. 

Monday,  July   17  , 

Will  Hays  goes  to  coast  on  hurried  trip. 

M.  P.  T.  O.  of  Illinois  supporing  J.  A.  Quinn 
and    Better    Pictures  Association. 

Aschers  of  Chicago  deny  all  claims  of  Eugene 
A.  Katz,  who  alleged  company  was  in  bad  financial 
condition. 

Tuesday,  July  18 

Francis  Gilbert  acting  as  counsel  for  M.  P.  T.  O. 
in  Hays'  negotiations.  Sydney  S.  Cohen  refuses 
to  say  whether  he  is  to  succeed  J.  J.  Walker. 

Vitagraph  will  release  41  next  year.  Next  year's 
output   to   total   965    features. 

Lillian  Gish  will  not  release  through  Allied 
Prod,  and  Dist.  Corp.  May  go  with  Inspiration 
Pictures,    Inc. 

Portland,  Ore.,  suburban  exhibitors  form  book- 
ing combine. 

Wednesday,  July  19 

Thomas  H.  Ince  reported  forming  his  own  dis- 
tribution system.     Producer  denies  it. 

John  A.  Quinn  here  in  behalf  of  Better  Pictures 
movement.  Promises  National  Better  Pictures 
Week  and  special  pre-view  theaters  for  worth- 
while product. 

Moving  picure  operators  contemplating  forma- 
tion of  war  chest  to  fight  T.  O.  C.  C. 

Burr    Nickle    Prod.,    Los    Angeles    company,    to 
state  right   Hepworth   Picture   Plays. 
Thursday,  July  20 

Producers  Finance  Corp.  formed  with  the  follow- 
ing as  directors:  D.  W.  Griffith,  P.  A.  Powers, 
O.  A.  Price,  A.  H.  T.  Banzhaf,  J.  E.  Brulatour, 
J.  J.  McCarthy,  A.  S.  Friend  and  Whitman 
Bennett. 

George  Fitzmaurice  will  direct  Pola  Negri. 

American     Releasing    to    distribute    one    a    week 
for   first   quarter  of  new   season. 
Friday,    July   21 

Educational  takes  over  complete  control  of 
Albany,    Buffalo   and    Washington   exchanges. 

Fox  creates  special  sales  force  to  handle  educa- 
tionals.  Release  one  a  week.  One  hundred  and 
twenty   features  to  be  re-edited. 

Saturday,   July  22 

St.  Louis  M.  P.  Exhibitors'  League  votes  against 
Hoy  service. 

Monday,   July  24 

Original  draft  on  free  screen  amendment  to 
Missouri  constitution  voted  down.  Compromise 
looked    for. 

John  D.  Clark  succeeds  Gerald  Akers  as  assistant 
sales  manager  at  Famous  Players. 

Northern  California  exhibitors  form  Western 
States   Film   Exchanges,   Inc. 

Charles  R.   Rogers  resigns  from   F.   B.   O. 
Tuesday,   July  25 

T.  O.  C.  C.  may  renew  pact  with  Hoy,  after 
securing  certain  modifications  in  rulings. 

Arrow  Exchanges,  Inc.,  and  Elk  Photoplays 
fined  for  violation  of  state  censorship  laws.  First 
National    Exchange    gets    suspended   sentence. 

Palmer   Photoplay   Corp.   to  enter  production. 
Wednesday,  July  26 

Technicolor  M.  P.  Corp,  demonstrates  new 
color  process  at  Cameo.  William  Travis  Jerome, 
Pat  Casey  and  James  B.  Colgate  and  Co.  inter- 
ested. One  picture  made  with  it  by  Joseph  M. 
Schenck. 

Censorship   looms   up   in   Georgia. 

Hays  organization  confers  on  extension  of 
F.   I.   L.  M.   Clubs. 

Thursday,   July  27 

M.  P.  T.  O.  to  form  music  department.  Will 
fight  American  Society  of  Authors,  Composers  and 
Publishers. 

Asta  Films  attack  industry  at  large  for  failure  to 
land  "Hamlet"  on  Broadway.  Broadway  man- 
agers  refute   charges. 

J.  R.  Bray  to  make  two  series  of  pictures  tor 
Hodkinson.  Pathe  gets  two  reel  "Snub"  Pollards 
and   "Our   Gang"   series. 

Love  Lace  Prod,  to  film  three  William  Hurlbut 
plays. 

Friday,    July   28 

Decided  impression  made  by  Will  H.  Havs  on 
coast. 


Saturday,  July  29 

Will  Hays  tells  Hollywood  assemblage  talk  ot 
"wild  life"  there  is  bunk. 

Monday,   July  31 

Phil  Gleichman  secures  injunction  against  John 
H.  Kunsky  and  Famous  Players  in  Detroit,  re- 
straining exhibition  of  Paramount  pictures  there. 
Hearing  scheduled. 

Hyman  Winik  secures  Talmadge,  Hart,  Ray  and 
Fairbanks   series   from   Triangle. 

Arrow  purchases   "Night   Life  in  Hollywood." 
Tuesday,  August  1 

Motion  Picture  Commission  enters  second  year. 
Has  collected  $229,459.07  in  ten  months  ending 
with  June. 

Mae  Marsh  to  make  a  film  with  D.  W.  GrifKth 
and  then  make  two  more  for  Graham-Wilcox  in 
England. 

Lokal  Anzeiger  of  Berlin  publishes  whole  sec- 
tion devoted  to  new  rules  governing  imports  of 
American  films  into  Germany.  American  film  men 
contribute  articles. 

John  Brunton  plans  active  production  in  Miami. 
First  film  to  boost  that  city. 

Wednesday,   August  2 

Hays  office  engages  Pinkertons  to  guard  film 
shipments. 

Howard  Smith  heads  Western  New  York  M.  P. 
T.   O.,   Inc. 

Black  circuit  sells  three  New  England  theaters. 
William  P.  Gray  to  handle  affairs  in  Maine  and 
New    Hampshire. 

Thursday,  August  3 

International  Pictures  of  America,  Inc.,  formed 
to  distribute  foreign  pictures  here.  William  A. 
Brady  expected  to  be  interested. 

Rex  Ingram  to  make  two  pictures  in  the  East 
and  a  third  in  Europe. 

F.  and  R.  Film  Co.  dickering  for  Warner  Bros. 
output   for   Northwest. 

New  invention  photographs  sound  and  motion 
on  one  film. 

Harry     Reichenbach     suggests     establishment     of 
roll  of  honor  for  exceptional  films. 
Friday,   August  4 

Censorship  a  political  football  in  Ohio. 

J.    Gordon   Edwards   returning  to   America. 

Independent  exchanges  considering  pooling  of 
resources  to  cut  overhead. 

Saturday,  August  5 

Fox  purchases  rights  to  "Six  Cylinder  Love." 

Harry  Levey  and  Arthur  James  now  associated 
in  National  Non-Theatrical  M.  P.  Inc.  Plan  26 
exchanges. 

Monday,  August  7 

Goldwyn-First    National  deal   definitely   off. 

Mack  Sennett  on  coast  says  new  contract  with 
First  National  calls  for  as  many  two  reelers  and 
as  many  features  as  he  can  make. 

Federal  Trade  Commission  charges  Fox  with 
reissuing  old  pictures  under  new  titles  without  so 
advising  public. 

Operators  and  T.  O.  C.  C.  reach  friendly  agree- 
ment.    Strike   possibility   dies. 

Tuesday,  August  8 

"How  Kitchener  Was  Betrayed"  passed  by 
Customs.  Entrance  was  held  up  because  of  oppo- 
sition of  British  Embassy. 

Cullen  Landis  to  be  starred  by  F.  B.  O.  in 
three  pictures. 

Wednesday,  August  9 

Goldwyn's  "The  Night  Rose"  re-edited  and  re- 
titled  as  "Voices  of  the  City"  passes  New  York 
censors. 

N.  L.  Nathanson  cuts  offer  to  take  over  Allen 
assets  from  $1,050,000  to  $850,000. 

Al  Lichtman's  country-wide  distribution  ar- 
ranged. 

Will  H.  Hays  back  from  Hollywood,  finds  no- 
thing wrong  with  pictures. 

Thursday,   August   10 

Sidney  R.  Kent  closes  three  year  contract  with 
Finkelstein    and    Ruben    for    Famous    Players. 

"Sherlock    Holmes"   title   in   dispute. 

"Capt.  Applejack,"  Fred  Niblo's  first  picture 
tor  Metro. 

Edwin  Carewe  to  produce  for  First  National. 

Independents  interested  in  Graphic  franchises  to 
meet  in  New  York   Monday. 


326 


Friday,   August   1 1 

"A  Woman's  Woman"  to  lie  released  by  Allied 
Prod,  and  Dist.   Corp. 

Minnesota  to   seek   lower   film   rentals. 
Saturday,    August    12 

First  National  reported  seeking  high-powered 
sales  executive  to  manage  distribution. 

American  Releasing  takes  over  two  pictures  from 
Jans  Prod. 

Monday,  August  14 

Motion  Picture  Commission  ready  to  see  rejected 
films  a  second   time. 

Thomas  H.  Ince  and  First  National  settle  diffi- 
culties on  distribution. 

American  Legion  to  produce  a  feature.  Ralph 
Ince    in    charge    of   production. 

Tuesday,  August  15 

James  R.  Grainger  appointed  special  aid  to  F. 
J.   Godsol. 

U.  F.  A.  of  Germany  to  send  scientific  films  here 
for   distribution. 

Warner  series  of  seven  pictures  sold  for  entire 
country. 

Senate  fixes  four-tenths  of  a  cent  per  foot  as 
lax   on   raw    film. 

Wednesday,  August   16 
Local  exhibitors  plan  booking  combine  to  relieve 
first-run   situation. 

Harry     I^evey     perfects     tie-up     with     Christian 
Herald    on    non-theatrical    distribution. 
Thursday,   August   17 
Famous    Players'    earnings    for    first    six    months 
total    $2,018,337.37,    $1,000,000    less    than    total   for 
similar  period  in   1291. 

J.  D.  Williams  disposes  of  interest  in  the  Hope 
theater,    Dallas. 

Dura  Film  Protector  Co.,  Inc.,  opens  laboratory 
which  prolongs  life  of  prints  by  coating  emulsion 
side   with   celluloid. 

Denis  Ricaud  organizing  production  company  in 
France. 

Friday,    August    18 
Federal   Trade    Commission    files   charges   against 
American     Film.      Old     films    with    new    titles    the 
basis   of   complaint. 

N.   I^.   Nathanson's  offer  for  Allen  Theater  assets 
rejected.      Creditors    vote    time    extension. 
Saturday,  August  19 
Ferdinand   P.    Earle   and   Norman    Dawn   in  legal 
tilt    over    ownership    of    new    patent    photographic 
process. 

Monday,  August  21 
Col.    Jason    S.    Joy    named    executive    officer    of 
committees   of  civic   organizations   which   will   work 
for   better   pictures   with   Will   H.    Hays. 
R.    S.    Cole   out   of   the   picture  business. 

Tuesday,  August  22 
F.     H.     Day,    member    of    Australian    censorship 
commission,  here  to  explain   to  producers  what  the 
Commonwealth    does    and    does    not    want    in    pic- 
tures. 

First  National  to  release  "Lorna  Doone"  as 
part  of  deal  with  Thomas  H.  Ince. 

P.    N.    Brinch   resigns  as   manager   of   Hodkinson 
exchanges.      Other  changes  in  sales  line-up. 
Wednesday,  August  23 
Film     executives     feel     prosperity     is     returning, 
basing    belief    on    20%    wage    increase    granted    to 
156.000  steel  employees. 

Theater   owners   in    New   York   not   worried   over 
coal    situation.     Enough    supp-ly   available. 
Thursday,    August    24 
House    and    Senate    to    iron    out    difficulties    over 
tariff. 

"The  Eternal  Flame"  and  "East  Is  West," 
Norma  and  Constance  Talmadge  productions,  to  go 
out   on    franchise. 

Alfred  Weiss  sells  interest  in  New  York  City 
and  Buffalo  Goldwyn  exchanges  to  company  for 
$100,000.  x,  -J  . 

Friday,   August  25 
Prominent    legislators    and    big    business    leaders 
agree    that    steel    corporation's    wage    increase    in- 
dicates era  of  prosperity  in   Fall. 

Saturday,    August    26 
League     for     Women     Voters     and     industry    set 
Oct.      14     as     Orphans'     Day.     Theaters     to     give 
special   showings. 


"When  Knighthood  Was  in  Flower"  reported 
to   have  cost   Cosmopolitan   $1,500,000   to   make. 

George  E.  Kann,  Goldwyn  foreign  manager, 
says  this  country  has  nothing  to  fear  from  Euro- 
pean producers. 

Monday,  August  28 
Coal    supply    a    worry    locally.     Will    H.    Hays 
considering  matter  nationally. 

Canon  W.  S.  Chase  urges  a  Federal  regulation 
of  motion  pictures. 

Admission  taxes  for  fiscal  year  of  1922  sixteen 
million  under  those   for   1921. 

Tuesday,  August  29 
Pola    Negri's   first   American-made   picture   to    be 
"Bella   Donna." 

Al  Aronson,  former  Goldwyn  executive,  launches 
special  service  for  directors  and  producers. 

Fred  Cornwell  out  of  Famous  Players'  Missouri 
Corp.  But  one  theater  held  there  now. 
Wednesday,  August  30 
Rodolph  Valentino  claims  Famous  Players  has 
breached  contract  so  far  as  advertising  and  pub- 
licity are  concerned.  Contract  and  options  run 
for  about  three  years. 

Speculation  over  release  here  of  "Lady  Hamil- 
ton."    Sterling   Pictures  may   handle   it. 

Empire  theater  circuit  in  New  England  to  pass 
to   Joseph    Lawren. 

Thursday,   August  31 
Famous    Players    busy    on    second    forty-one    pic- 
tures.    William  deMille  to  make  "Grumpy." 

Paramount     officials     deny     George     Fitzmaurice 
will  leave  to  produce  for  United  Artists. 
Hugo   Ballin   to  make   "Vanity   Fair." 
Harris   and    Libson   lease    Loew's    State,   Indian- 
Friday,    September    1 
Famous    Players'    attorneys    ask    aid    of    Will    H. 
Hays    in    settling    Rodolph    Valentino    matter. 
Saturday,  September  2 
Pacific   Studios,   San   Francisco,   under  new   man- 
agement. 

Charles  Stevenson  and  others  develop  new  Can- 
adian  theater   chain. 

George  R.  Meeker  appointed  general  sales  di- 
rector of  Cosmopolitan   Prod. 

Tuesday,   September   5 
Educational    to    release    "The    Enchanted    City." 
Roscoe   Arbuckle   cancels   around   the   world   trip 
and   returns   to    Hollywood   from  Japan. 

Members  of  T.  O.  C.  C.  form  booking  circuit  to 
give  400  days. 

Wednesday,     September     6 
Graham     Patterson    outlines    plan     for     Christian 
Herald   Motion   Picture   Bureau. 

Report  duPont's  raw  stock  venture  will  start 
within  a  few  months. 

Frank   V.    Chamberlain    out    of   Famous    Players. 

Thursday,    September   7 
Washington    reports    that    tariff    conferees    have 
agreed   on    Senate   rates   for   new   tariff   bill. 

Judge  Knox  of  U.  S.  District  Court  orders 
Affiliated  Distributors  to  make  certain  changes 
in  "I  Am  the  Law." 

June  Mathis  to  prepare  continuity  and  collab- 
orate on  production  of  "Ben  Hur." 

Will  A.  Page  sues  Samuel  Goldwyn  for  $500,- 
000  regarding  the  Goldwyn  Memoirs. 

Receiver   appointed   for   Gilbert    Film    Prod. 
Charles    R.    Rogers    head    of    Dependable    Sales 
Corp. 

Rialto  Prod,  promise  to  open  exchanges  in  20 
key  cities  by  October   1. 

Friday,  September  8 
Universal     to     open     exchanges     in     Continental 
Europe. 

Trade  paper  editors  and  others  leave  for  Char- 
nas   dinner  in   Middle  West. 

Saturday,   September  9 
John     Emerson     after     touring     Europe     has     no 
fear     of     foreign     competition     affecting    American 
industry. 

Heads  of  several  distributing  organizations  may 
hire  detectives  to  watch  certain  managers  and 
salesmen. 

Monday,   September  11 
Paul   Brunet  resigns  as  president  of  Pathe. 
First     Charnas     dinner     for     Lichtman     held     in 
Pittsburgh    attended   by    250.     Contracts    discussed. 
Action     of    Government    in    collecting    back    tax 
may   force  some  independents  out  of  business. 


327 


Tuesday,   September   12 

Pola  Negri  arrives  with  Mabel  Xormand,  Eniil 
Scliauer    and    Ben    Blumenthal    from    Europe. 

Al    Lichtniaii    talks    on    independence    at    Cliarnas 
dinner  in   Cincinnati  which  200  attend. 
Wednesday,     September    13 

J.  J.  McCartiiy  back  from  Europe  thinks  foreign 
producers   will  aim   at   U.    S.   market. 

Sol  Lesser  plans  to  send  from  30  to  40  "Oliver 
Twist"  comjianies  out   on   the  road. 

Exhibitors  offer  screens  to  State  Fuel  Admin- 
istration  in  coal  emerffency. 

John  C.  Flinn,  Famous  Plavcrs,  elected  president 
A.    M.    P.   A 

Thursday,    September    14 

Famous  Players  obtain  injunction  restraining 
F^odolph  V'alentino  from  entering  into  any  contract 
with    any    other   producing   company. 

Sydney  S.  Cohen  informs  Xew  Hampshire  and 
Massachusetts  theater  owners  that  present  methods 
of  distribution  must  be  changed  to  bring  pictures 
to   c-xhibitors  at   lower   prices. 

Friday,     September    IS 

World   Film   may   resume  production. 

Pioneer    Film   may    resume   business. 
Saturday,   September   16 

Pictorial  Clubs  Inc.  negotiate  deal  for  non- 
theatrical  rights  to  entire   Kineto  library. 

Twenty-seven  companies  incorporated  in  New 
York  State  during  August  with  total  capitalization 
of  $1,011,000. 

Monday,    September    18 

Exhibitors  Film  Exchanges,  Dist.,  a  St.  T^ouis 
exhibitors  combine,  takes  over  physical  distribution 
of  Fine  Arts  Picture  Corp. 

Associated  Booking  Corp.,  made  up  of  members 
of  T.   O.   C.    C,  starts   with   80   booking  days. 

Associated  Screen  News  announces  news  reel 
twice  a  week. 

Tuesday,    September    19 

Tom  E.  Davies  buys  out  interests  of  H.  Winik 
in  Western  Import  and  Pearl  Distributing  Co.'s 
of  London. 

Technicolor  Inc.  applies  to  list  stock  on  New 
York    Curb    Market. 

"Better  Films  Week"  starts  in  Atlanta  with  co- 
operation  of   clergy   and   clubs. 

Court  orders  First  National  and  Loew's  Inc. 
to  show  cause  why  Peekskill  Theaters  Inc.  should 
not   be   granted  injunction   in   suit   over   film   service. 

Wednesday.     September    20 
Pathc      directors      accept      resignation      of      Paul 

Brunei   from  presidency.      No   president   likely   until 

next  year. 

E.    \'.    Richards,   Jr.    and    Al    I>ichtman    form    Al 

Lichtman    Southern   Exchanges   with   four   offices. 

Thursday,    September   21 

Film  Life  of  Kaiser  reported  in  production  by 
Warner    Brothers. 

Lillian    Gish   signs  with   Inspiration   Pictures. 

Ditliculty  in  securing  product  may  confront 
Associated    Booking   Corp.   members. 

Metro    gets    eight    Stan    Laurel    comedies. 

Friday,    September    22 

Asso.  Booking  Corp.  members  not  surprised  at 
opposition   in   securing  product. 

Saturday,    September    23 

First  National  gets  Jackie  Coogan's  "Oliver 
Twist."      . 

Prizma  notifies  Technicolor  that  it  will  protect 
its  patent  rights. 

Baumcr  Films,  Inc.,  files  schedules  in  bank- 
ruptcy. 

Mary  T'ickford  and  Douglas  Fairbanks  start 
East. 

Monday,   September  25 

Two  production  units  come  East  to  Famous 
Players'    Long    Island    studio. 

Prizma  sues  Technicolor  over  color  process. 

Elmer  Pearson  of   Pathe  says  business  is  recover- 

mT-  rT>        •.  „ 

Tuesday,    September    26 

Clergy  endorse  Biblical  pictures  at  T.  O.  C.  C. 
lunch. 

Arthur  S.  Friend  principal  speaker  at  Better 
Pictures   Asso.   lunch. 

H.  D.  H.  Connick  denies  report  linking  him 
with    picture    activities. 


Wednesday,     September^    27 

.\malgamated  Exchanges  of  America  formed  by 
Kranz,    liavidson   and   Grossman. 

Affidavits   filed  in    Famous   P  ayers-\'alentino  suit. 

O'Reilly  and  Bernian  light  censorship  in  .\ew 
York    State    political    conventions. 

Thursday,    September    28 

New  Griffith  feature   will  open  in    Boston,   Oct.  9. 

German  rights  sold  lor  "The  Mother  and  the 
Law"  and   "The  Fall   of    liahylon.'' 

F.   J.    Godsol   returns    trom    the    Coast. 
Friday,     September    29 

Cubberly  plans  "K.  vt  R.  road  shows"  for  one 
exhibitor   in   each   small   town. 

Goldwyn  Distributing  Corp.  active  in  "Sherlock 
Holmes"  title   suit. 

Saturday,  September  30 

Justice  Wasservogel  grants  Famous  Players  in- 
junction  against    Rodolph    Valentino. 

Carl  Laemmle,  Joseph  Urban  and  William  Lan- 
dau  back   from    Europe. 

Monday,  October  2 

Associated  Pictures  Corp.,  $2,000,000  producing 
company,  formed  by  Herbert  Lubin  and  Arthur  H 
Sawyer. 

"No  need  to  fear  Europe,"  says  Carl  Laemmlt 
of  production. 

Tuesday     October   3 

Sterling  Theaters,  Ltd.,  formed  in  Canada ;  the 
Aliens   mentioned. 

"M'sieu    Beaucaire"    Douglas    Fairbanks'    next. 

Premiere  of  Will  am  Nigh's  "Notoriety"  held 
in    Boston. 

Federal  adtnission  taxes  for  August  show  de- 
crease   from    1921    figures. 

Associated  Exhibitors  to  distribute  "A  Bill  of 
Divorcement." 

Wednesday,   October  4 

Goldwyn   adds    21    to    field   exploitation    forces. 

First  National  issues  optimistic  report  on  busi- 
ness outlook  based  on  data  supplied  by  editors  and 
publishers  all  over  country. 

Thursday,    October    5 

Important  session  of  Asso.  First  National  Ex- 
ecutive  Committee   in    Chicago. 

Cinema  (^lubs  of  Ohio  open  convention  at  Hotel 
Statler,    Cleveland. 

Friday,   October   6 

Boston  American  ofTers  $1,000  for  best  letters 
opposing   censorship. 

Arthur  S.  Friend  has  two  important  financiers 
on  directorate  of  Distinctive  Pictures  which  now 
has   $1,000,000   capital. 

Saturday,    October   7 

Famous  Players  asks  Supreme  Court  to  strike 
out  \'alentino  defence  and  counterclaim  and  com- 
pel  him   to   file   new   answer   in   suit. 

Hays  organization  disregards  Arbuckle's  desire 
to   return  to  screen. 

Famous  Players  and  Skouras  Bros,  of  St.  Louis 
form  new  company  to  take  over  Missouri  and 
Grand    Central. 

Sam  E.  Morris  joins  Warner  Bros. 

Society  of  Motion  Picture  Engineers  meets  in 
Rochester. 

Monday,  October  9 

Eric    Von    Stroheim   "out"   at   LTniversal    City. 

Michigan  M.  P.  T.  O.  convention  opens  at   Flint 

Griffith's  new  feature.  "One  Exciting  .Vight." 
opens   at   Tremont   Temple.    Boston. 

Better  Pictures  Assoc,  of  the  World.  Inc.,  grant- 
ed New  York  charter. 

Will     Hays    named    as    chairman     of     Near     East 
Relief   Committee  by    President    Harding. 
Tuesday,   October    10 

Exhibitors  in  Portland,  Ore.,  reported  asking 
booking  protection   from  Jensen   &-  Von   Herberg. 

Hugo  Ballin  to  film  "Vanity  Fair"  on  Coast, 
Goldwyn   release. 

Wednesday,  October  11 

Exhibitors  in  Portland.  (i)re.,  reported  asking 
booking    protection    from    Jensen    &    Von    Herberg. 

Hugo  Ballin  to  film  "\anity  Fair"  on  Coast, 
Goldwyn    release. 

Jesse  Lasky  and  Adolph  Zukor  vigorously 
deny    report    of    Lasky    quitting    Famous    Players. 

.Sol  Lesser  and  associates  form  Principal  Pic- 
tures   Co. 


328 


National  Agency  Co.,  Inc.,  announces  plan  by 
uhicli  producers  and  distributors  may  obtain 
bank  loans  secured  by  bonds  issued  by  National 
Surety    Co. 

Friday,    October    13 

Alfred  Weiss  elected  president  of  Artclass  Pic- 
tures   Corp. 

First  showing  of  steroscopic  motion  pictures 
taken   by   Teleview   process. 

Saturday,    October    14 
Eastern    studios    prepared    to    meet    possible    coal 
shortage. 

"Better  outlook  for  productions  in  independent 
exchange    field,"    says    Harry    Charnas. 

"One  E.xciting  Night,"  Griffith  feature,  opens 
in    New    York. 

Frank  Woods,  Thompson  Buchanan  and  El- 
mer   Harris    forming    new    producing    firm. 

Mike  Levee  and  Maurice  Tourneur  to  produce 
for    First    National. 

Monday,    October    16 
First     National     directors,     in     town     for    annual 
meeting,    report    business    spotty. 

Warner  Bros,  sell  English  rights  to  six  pic- 
tures  to   F.    B.    O.   of   London. 

Eddie   Cline  to   direct  Jackie   Coogan's  next. 
Sydney    Cohen    and    other    M.    P.    T.    O.    officials 
iiack    from    trip. 

John  S.  Robertson  signs  with  Inspiration  Pic- 
tures. 

Tuesday.    October    17 
Mexican    ban    reported    terminated    through    ac- 
tion  of   Hays   office. 

Exhibitors     of     St.     Louis     and     Eastern     section 

uf    Missouri    ask    separate    M.    P.    T.    O.    franchise. 

Loew's,   Inc.,   shows  increase  in  profits  for  year. 

Prizma     to     make     13     specials     based     on     well 

known    musical    works. 

Charles  Duell,  Boye'e  Smith,  Fred  Neuman  and 
George  Newgass  bring  suit  asking  $55,000  from 
Thos.  H.  Ince  for  service  in  coimection  with 
Ince's    First    National    contract. 

Wednesday,    October     18 
Literary     Digest     to    produce    news     weekly    and 
cartoon    reel. 

Thos.  Patten  named  to  represent  Hays  office 
at    Nebraska-Kansas    exhibitors'    convention. 

T.  ().  C.  C.  cannot  "understand"  attitude  of 
Hays  in  suggesting  keeping  "hands  oflf"  Smith- 
Mdler    gubernatorial    contest. 

"Fate"  Clara  Smith  Hamon  feature,  shown  to 
judges  of  Supreme  Court  in  action  appealing  from 
censors'  refusal  of  license. 

Thursday,   October   19 
Literary     Digest    reel    reported    to     go     through 
Hodkinson. 

Actors'  Equity  closes  motion  picture  casting 
-section ;  Cohill  goes  to  Famous  Players  as  cast- 
ing   director.         _  .^         ^ 

Friday,  October  20 
J.    D.    Williams    resigns    as    general    manager    of 
Asso    First    National.       Succeeded    by    Richard    A. 
Rowland.  r.  ,  ^ 

Saturday,    October   21 
Warner      Bros,      buys      film      rights     to      "Beau 
Brummell,"     "Cornered"     and     "How     to     Educate 
a    Wife." 

Richard  Walton  Tully  to  film   "Trilby." 
Paul    Swift   goes  from   Famous    Players   t 
ciated    Booking    Corp. 

J.  E.  Brulatour  gets  film  rights  to  "Lawful 
Larceny,"   for   Hope   Hampton. 

Monday,    Oct.    23 
Hays    turns    down    J.     F.     C'ubberly's    suggestion 
to    have   purchase   of   potatoes   advocated   on    screen 
to   alleviate   bad    business   conditions    in    Northwest. 
Amalgamated    Exchanges    of   America,    Inc.,    an- 
nounces franchise   holders. 

D.    W.    Griffith,    Inc.,   and   Assoc.    First   National 
Pictures,    Inc.,    join    Hays    organization. 
P.  A.   Powers  sails  for  Europe. 

Tuesday,    October   24 
Wardour    Films,    Ltd.,    take    over   distribution    of 
American    Releasing   product   fo    British   Isles. 

v.  S.  Supreme  Court  denies  Binderup's  petition 
tor  writ  of  certiorari  to  have  his  $750,000  suit 
against  Pathe  and  Omaha  Film  Board  of  Trade 
reviewed. 

M^^P     t"    JJ^'^^'^''^"     "^"'     president     of     Michigan 

Chester  R     Baird  dies. 


Players   to   Asso- 


Wednesday,   October  25 
Richmond    Film    Prod.,    Inc.,   start   production   at 
Stateii    Island  studio. 

^Vmerican     Releasing    concludes    deal    with    Max 
Glucksmann    for    South    American    distribution. 
Missouri   M.    P.   T.    O.   convention   on. 
Percy    L.    Waters    offered    important    post    with 
Associated    Booking. 

Wm.    A.    Brady    discusses    plan    for    co-operative 
distribution    in   America   by    foreign    producers. 
Thursday,    October   26 
Fall  Film   Golf   Tournament  held  at   Sound  View 
(iolf    Club,    Great    Neck,    proves    great    success. 

Hays  organization  confers  with  educators  about 
making    films    for    classroom    use. 

X'itagraph  announces  12  specials  adapted  from 
novels  and  plays. 

Frank  E.  Woods  resigns  as  supervisor-in-chief 
at    Paramount   Hollywood  studios. 

Friday,    October    27 
Lawyers    blamed    for    T.    O.    C.    C.'s    failure    to 
accept    uniform    contract    drawn    by    Hays    organ- 
ization. 

Associated  Booking  policy — will  play  big  "inde- 
pendent"  films. 

Saturday,    October   28 
Federal  Trade   Commission   bans  the   Eskay   Har- 
ris retitled  "Black  Beauty." 

Jos.  Schildkraut  and  his  father,  Rudolph,  signed 
for   Eve  Unsell  production. 

Edward  Sloman  signed  to  direct  "Backbone" 
for   Distinctive  Pictures. 

Monday,   October  30 
First    National    to    enter    production    field ;    fran- 
chise improvements  considered. 

Al  Kaufman,  in  charge  of  E.  F.  A.  studios 
( Famous  Players)  in  Berlin,  denies  that  studio 
will  be  closed. 

Sidney  Olcott  signed  by  Cosmopolitan  to  direct 
Marion    Davies. 

Jos.  R.  Miles  bonds  Lloyds  film  storage  ware- 
house. 

State  Banking  Department  reported  investigat- 
ing bonuses  paid  for  loans  to  producers  and  dis- 
tributors. 

Tuesday,    October   31 
J.   D.    Williams   reported   forming  large   distribut- 
ing concern   with   exhibitor   affiliation. 

Wisconsin  exhibitors  prepare  vigorously  to 
boost    "Potato    Week"   to   aid   farmers. 

Edward  M.  James,  president  of  Kempson  Pic- 
tures, asks  injunction  restraining  L.  J.  Selznick 
from    forfeiting   contract   relative   to    12    reissues. 

Famous  Players  Canadian  Corp.,  Ltd.,  report 
shows  $439,192  profits  for  year. 

M.  P.  T.  O.  of  Nebraska  and  Kansas  meet  in 
joint  convention  at  Omaha. 

Wednesday,    November    1 

Marcus  Loew  says  film  buying  condition  is 
serious   menace    to   producers   and   distributors. 

Harry  J.   Cohen  joins  Fox   foreign  department. 

Cosmopolitan  "Enemies  of  Women"  players  re- 
turn   from    abroad. 

Chas.  Hutchison  to  make  feature  for  Ideal  in 
England. 

Thursday,   November  2 

Independent  exhibitors  form  booking  combine 
in   New   Orleans. 

Dr.  Maxwell  \'idaver  patents  film  inspection 
machine. 

Albany  Film   Board  of  Trade  formed. 

Friday,    November    3 
Government     figures     show     September     business 
better   than  August. 

Saturday,    Nov.    4 
Marcus  Loew  secures   Bronx,  New  York,  seating 
2.500 

S.  R.  Kent  of  Famous  Players  finds  business 
conditions  far  from  normal  with  no  place  for 
poor   pictures. 

Monday,    Nov.    6 
.Allied     Prod.     &     Dist.     to     handle     Nazimova's 
"Salome." 

Richard  A.  Rowland's  first  statement  as  general 
manager  of  First  National  promises  no  radical 
changes. 

Tuesday,   Nov.   7 
Censorship    defeated     in    Massachusetts    by     over- 
whelming  referendum   vote. 


329 


Al  Smith,  elected  governor  of  New  York,  pledged 
to  repeal  existing  censorship  act. 

Runyon,  who  has  led  censorship  fights  in  Legis- 
lature,   defeated    for    Governor    in    New    Jersey. 

"Coliunbus"  first  subject  of  "Chronicles  of 
America''    finished. 

Jensen  &  Von  Herberg  theaters  in  Portland, 
Ore.,   in   squabble   with    second   run   exhibitors. 

Charles  de  Roche,  French  actor,  coming  over 
to  replace  Valentino  for  Famous  Players. 

Wednesday,  Nov.  8 

Jos.  A.  Levenson,  N.  Y.  State  Motion  Picture 
Commission,  has  nothing  to  say  about  election 
results. 

B.  P.  Schulberg  announces  purchase  of  material 
for  one  feature  a  month  for  11  months. 

Douglas  MacLean  signs  to  make  four  comedy 
specials    for    Associated    Exhibitors. 

T.  O.  C.  C.  members  take  stand  against  pro- 
ducers' "weeks." 

Thursday,   Nov.  9 

Woman's  Home  Companion  sponsors  two-reel 
series  based  on  its  leading  articles.  Films  pro- 
duced by  Aralma  and  released  by  Alexander. 

Universal  to  give  non-star  system  thorough  trial 
with   15    features. 

Asso  Booking  Corp.  to  have  Mary  Pickford's 
"Tess  of  the   Storm   Country"  in  New  York. 

Friday,    Nov.    10 

Sydney  Chaplin  planning  to  make  series  of  two 
reelers. 

Marcus  Loew  takes  over  three  Glynne  and  Ward 
houses. 

Saturday,   Nov.  11 

W.  A.  "True,  of  M.  P.  Ti  O.  Executive  Com- 
mittee, revives  idea  of  exhibitors  distributing  ma- 
chine. 

Goldwyn  gets  Pola  Negri's  "Sappho"  from  Ex- 
port &  Import. 

R.  G.  ("Dick")  Liggett  succeeds  M.  Van 
Praag,  resigned  from  presidency  of  Kansas  M.  P. 
T.    O. 

Monday,   Nov.   13 

"Tol'able  David"  awarded  Photoplay's  gold 
medal  as  best  picture  of   1922. 

R.  A.  Rowland  leaves  for  Coast  to  take  up 
First    National    production    plans. 

Frank    Mayo    forms    own   producing   company. 

Tuesday,   Nov.    14 

Marcus  Loew  tells  T.  O.  C.  C.  he  will  not  quit 
building  theaters.  Suggestion  to  boycott  Metro 
product  shouted  down.  Senator  Walker  tells 
meeting  that  exhibitors  have  no  organized  stand- 
ing. 

Edgar  Selden  four  Madge  Evans  pictures  for 
Associated    Exhibitors    release. 

Famous  Players  to  release  four  new  productions 
at  once  in  England  to  obviate  delays  of  block 
booking  system. 

Wednesday,    Nov.    15 

Arthur  S.  Kane,  president  of  Assoc.  Exhibs., 
back  from  trip,  reports  business  strengthening  all 
over   the   country. 

Chas.  Steiner  forming  company  with  Blinderman 
and  Rozensweig  to  go  after  theater  control  of 
New    York's   East    Side. 

Carl    Laemmle,    Universal,    returns    from    Coast. 

Warner  Bros.'  plans  for  1923-4,  including  pro- 
duction cost,  reaches  $5,000,000. 

Famous  Players  special  leaves  for  Hollywood 
for   salesmen's   convention. 

Thursday,  Nov.  16 

Negotiations  on  for  Ernst  Lubitsch  to  direct 
Mary  Pickford  in  "Dorothy  Vernon  of  Haddon 
Hall." 

Leading  Swedish  distributing  companies  form 
combine  to   bring   down  prices   of  American    films. 

W.  A.  Steffes  of  Minnesota  mentioned  as  con- 
djdate  for  president  of  M.  P.  T.  O.  at  next  elec- 
tion. 

J.  D.  Williams  leaves  for  Coast. 

Texas  exhibitors  form  new  booking  circuit 
operating  theaters  in  Dallas,  Ft.  Worth,  Galveston 
and  Austin. 

Friday,    Nov.    17 

Associated  Booking  Corp.  issues  statement  rela- 
tive to  its  plans  and   ideas. 


Saturday,  Nov.   18 

Hays  may  have  strong  representative  organiza- 
tion   soon   on    Coast   functioning   as   it   does   here. 

Cecil  Be  DeMille  will  picturixe  the  Ten  Com- 
mandments. 

Gaumont  of  England  plans  series  of  pretentious 
pictures  starting  with  Hall  Caine's  "The  Quality 
of    Mercy." 

Will  Hays,  Judge  Landis  and  Augustus  Thomas 
guests    at    Friars'    Club    dinner. 

Monday,   Nov.   20 

Norca  Pictures,  Inc.,  to  distribute  minimum 
of  one  a  month.  R.  C.  Cropper  vice-president 
and  general  manager. 

Will  Hays  addresses  Civic  Forum  in  Philadel- 
phia. 

Augustus  Thomas  suggests  at  Friars'  dinner 
that  industry  screen  John  Barrymore's  "Hamlet" 
as  an  uplift  move.  Producers  reply  that  censor- 
ship would  bar  "Hamlet"  from  screen,  but  H.  M. 
Warner  is  willing  to  undertake  the  production. 

Tuesday,   Nov.  21 

Motion  pictures  to  invade  and  open  China. 
Tremendous  mterests  with  huge  capital  interested 
in   educational   and   amusement    field. 

Four  Film  Guild  features  starring  Glenn  Hun- 
ter  to   be  distributed   by   Hodkinson. 

Eric   von    Stroheim   joins    Goldwyn. 
Harry   Rapf   to   continue   with   Warner    Bros.,    who 
also  sign  Wm.    Beaudine,   director. 

First  National  Executive  Committee  leave  for 
Hollywood. 

Wednesday,    Nov.   22 

Priscilla  Dean  refuses  to  play  in  "Drifting"  for 
Universal  on  ground  that  her  role  will  be  that  of 
an   immoral   woman. 

Dr.  Ellis  P.  Oberholtzer,  former  Penn.  centor, 
says  Will  Hays  "makes  pious  gestures  to  distract 
attention    from    censorship." 

First  National  list  25  pictures  which  carries  re- 
leases   up    to    next    June. 

Thursday,  Nov.  23 
Col.     A.     C.     Bromhead    of     Gaumont,     luncheon 
host   to   important    film    folk. 

Friday,    Nov.    24 
Joseph     Schenck    and     the    Talmadge's    returned 
from   Europe. 

Saturday,   Nov.  25 
Sid    Grauman    sells    half    interest    in    the    Holly- 
wood Egyptian  to  West  Coast  Theaters,  Inc. 

Monday,    Nov.   27 
Albert    E.    Smith    of    Vitagraph    plans   wider   dis- 
tribution   of    independent    productions;    also    release 
of  24  specials  during   1923. 

Samuel  Goldwyn  on  way  to  coast,  possibly  to 
re-enter  producing  field   as   independent. 

Joseph  M.  Schenck  believes  Russia  not  yet  ripe 
for  American  picture  help ;  arranges  for  improved 
distribution  in  England  and  buys  material. 

Tuesday,   Nov.   28 

Vitagraph  sues  Famous  Players-Lasky  for  $6,- 
000,000,  alleging  conspiracy  in  restraint  of  trade ; 
Albert  E.  Smith  calls  it  "suit  of  every  independent, 
producer   and   exhibitor." 

F.  J.  Godsol,  of  Goldwyn,  leaves  for  coast,  pos- 
sibly to  speed  up  production  on  next  year's  pro- 
gram. 

Walter  Hiers  may  take  "Fatty"  Arbuckle's 
place    on    Paramount    program. 

Wednesday,    Nov.    29 

Famous  studio  in  Berlin  closes ;  Ernest  Lubitsch 
sails  for  New  York  for  work  on  Mary  Pickford 
picture. 

Friday,    Dec.    1 

Thomas  G.  Patten,  former  New  York  Post- 
master, on  his  way  to  Hollywood  to  represent 
the   Hays   organization. 

Famous  Players'  releasing  schedule  of  39,  begin- 
ning Feb.  1,  indicates  total  of  80  productions  for 
year. 

Saturday,   Dec.   2 

"Monna  Vanna"  sold  to  Fox  for  reported  price 
of   $50,000,  by   Emelka. 

West  Coast  Theaters  Co.  aiming  at  chain  of  100 
houses,    alarms   distributing   organizations. 


330 


Sam  Goldwyn  acquires  picture  rights  to  "Potash 
and    Perlmutter." 

Aliens   developing   new   chain  in   Ontario. 
Valentino     complains    of    Famous    treatment     to 
Sf.    Louis   public. 

Monday,    Dec.   4 
Michigan  exhibitors  protest  against  "production" 
to   first   runs. 

Knapp  probably  to  head  Pennsylvania  censors ; 
Oberholtzer  seeks  reappointment  as  secretary. 

Sam  Goldwyn  on  coast.  Secretive  about  future 
plans. 

Tuesday,    Dec.   5 
Mack    Sennett    features    and    specials    to    be    re- 
leased  through  Hiram  Abrams. 

Hiram  Abrams  plans  to  start  booking  combina- 
tions among  exhibitors  everywhere  to  give  in- 
dependent producer  a  chance. 

Wednesday,  Dec.  6 
M.     P.     T.     O.     launches     fight    against     "Music 
Trust." 

M.  D.  H.  Connick  reported  in  deal  with  Thomas 
H.    Ince. 

Thursday,    Dec.  7 
A.    B.     C.    announces    will    buy    on    state    rights 
basis.       Charges     lack     of     cooperation     from     pro- 
ducers. 

Friday,    Dec.    8 
Appellate    Division    New    York,    affirms    decision 
against     Valentino.     Must     complete     his     contract 
with   Famous   Players  or   not   appear  publicly   until 
Feb.    1,    1924. 

Will  Hays  leaves  for  Coast.  Hopes  to  make 
Hollywood  an  "ideal   industrial  center." 

Famous  and  Goldwyn  making  pictures  bearing 
upon   picture  making  in   Hollywood. 

Nat'l.  Non-Theatrical  Corp.  deal  with  Christian 
Herald  off. 

Saturday,   Dec.   9 
W.   W.   Hodkinson,  in   Collier's  urges  percentage 
system    booking   as    solution    of    problems. 

Massachusetts  courts  decide  exhibitor  must  pay 
whether    or    not    he    plays    picture. 

Fairbanks  denied  injunction  in  New  York  to 
restrain  reissue  of  old  films,  court  points  out  he 
was  employe  not  producer. 

Monday,   Dec.   11 
A.  B.   C.  members  pledge  $500,000  to  put  organ- 
ization  over. 

Hope  Hampton  to  do  two  specials,  one  for  Fox 
and  Famous  before  completing  First  National  con- 
tract. 

Tuesday,   Dec.    12 
"Doc."   Shallenberger   closes  many   deals   in  mid- 
west  for  Arrow  product. 

Wednesday,  Dec.  13 
M.    P.    T.    O.    organizes    Theater    Owners    Dis., 
in    Chicago,   with   authorized   capital   of   $5,000,000; 
invites   independent   exhibitors   to   join   and   plan    to 
have  product  ready  by   September,   1923. 

Vitagraph  abolishes  deposit  system,  effective 
Jan.   1 ;   no  contracts  without  play  dates. 

Carle  Laemmle  denounces  first  run  showings  as 
industry's  greatest  menace;  calls  first  runs  "pure 
bunk." 

Thursday,  Dec.  14 
Battle  looming  between  A.   B.    C.   and   M.   P.   T. 
O. ;  former  plans  to  extend  activities  in  nation  wide 
movement. 

Schulberg-Abrams  litigation  regarding  United 
Artists  settled  out  of  court. 

A.  E.  Smith  denies  J.  D.  Williams  is  connected 
with  Vitagraph. 

Friday,    Dec.    15 
H.   D.  H.   Connick  denies  being  interested  in  any 
picture  project   at   present. 

States  right  distributors  attorneys  oppose  five 
per  cent  sales  tax  at  Washington. 


Important   headlines   for   the   remaining   fortnight 
of  1922  will  appear  in  The  Film  Year   Book,   192.!. 


"Passion"   Holds  Capitol  Record 

No  picture  shown  at  the  Capitol,  New  York, 
during  1922,  was  able  to  make  the  high  water 
mark  established  in  December,  1920,  by  "Passion," 
which  played  to  22,466  admissions  on  the  opening 
Sunday. 


THE   HAYS   ORGANIZATION 

A    RESUME     OF     THE     DEVELOPMENT     OF 

THE  M.  P.  PROD.  AND   DIS.  OF 

AMERICA,    INC. 

In  December,  1921,  a  committee  of  Producers 
and  Distributors  approached  Postmaster  Gen- 
eral Will  H  Hays,  asking  that  he  consider  a 
proposal  to  head  an  association  of  a  number 
of  the  leading  companies  in  the  industry.  Fol- 
lowing conferences  at  the  White  House,  Presi- 
dent Harding  on  January  14,  issued  this  state- 
ment: 

"The    Postmaster    General    and    I    have 
been     discussing     at     considerable     length 
the    proposal    which     has     been     made     to 
him    to    become    the    head    of    a    National 
Association    of   Motion    Picture    Producers 
and     Distributors.       If     the     arrangement 
proves     to     be,     when     the     details     are 
worked   out,    what   it   seems    to  be,   I  can- 
not  well    interpose    any    objection    to    Mr. 
Hays    retiring    from    the    Cabinet    to    take 
up     a     work     so     important.       It     is     too 
great    an    opportunity    for    a   helpful    pub- 
lic   service    for    him    to    refuse.       I    shall 
be    more    than    sorry    to    have    him    retire 
from    the    Cabinet    where    he    has    already 
made  so  fine  a  record,  but  we  have  agreed 
to     look     upon     the     situation     from     the 
broadest      viewpoint      and      to     seek     the 
highest    public    good." 
Mr.     Hays     established     offices     as     President 
of   the    Motion    Picture    Producers    and    Distribu- 
tors  of  America,  Inc.,  on   March   4   at   522    Fifth 
Avenue.      Articles   of  Incorporation   were    signed 
at    Albany    on   March   11. 

The  organizations  belonging  to  the  Associa- 
tion,   as    of   December    1,    include: 

Associated    First    National    Pictures,    Inc., 
Educational    Film    Exchanges,    Inc., 
Famous     Players-Lasky     Corporation, 
Fox    Film    Corporation, 
D.    W.    Griffith,   Inc., 
Goldwyn    Pictures   Corporation, 
Buster  Keaton  Productions,  Inc., 
Kenma    Corporation, 
Metro    Pictures    Corporation, 
Joseph    M.    Schenck    Productions,    Inc., 
Select    Pictures    Corporation, 
Talmadge    Productions    Corporation, 
Universal     Pictures     Corporation, 
Vitagraph,     Inc., 
Warner    Brothers. 

As  descriptive  of  the  purposes  of  the  organiza- 
tion  the   Certificate  of  Incorporation   states: 
"The    object    for    which    the       corpora- 
tion   is    to    be    created    is    to    foster    the 
common    interests    of    those    engaged     in 
the      motion      picture      industry      in      the 
United   States,  by   establishing:  and   main- 
taining      the       highest       possible       moral 
and    artistic    standards   in    motion   picture 
production,  by  developing  the  educational 
as    well    as    the    entertainment    value    and 
the     general     visefulness     of     the     motion 
picture,  by  diffusing  accurate  and  reliable 
information    with    reference   to   the   indus- 
try,  by   reforming   abuses   relative    to    the 
industry,    by    securing    freedom    from    un- 
just  or  unlawful   exactions,   and   by   other 
lawful    and    proper   means." 
During    the     first     months     of    its     work,     the 
Association    has    gathered    an    organization    and 
has     pushed     forward     various     projects     dealing 
with    the    relationship    of    the    public   to   the   Mo 
tion    Picture    industry    or    with    the    mutual    bu 
non-competitive    interests    of    the    several    mem 
ber   companies. 

The    motion    picture    industry    has    been    ham 
pered   by   reason   of  confusion   in  the  contractua 
relations     between     distributors     and     exhibitors 
The   associated   producers   and    distributors    havt 
been  in  frequent  conference  with  representative 
of    exhibitors'    organizations    working    toward 
standardization   of   various   clauses   in    their   con 
tracts.        While     no     date     can     be     assigned     for 
the     completion     of     this     work,     agreement     has 
been    reached    on    a    number    of    clauses,    mark- 
ing    real     progress,     and     the     prospect     for     an 
accord    on    the    remainder   is    hopeful. 


331 


The  theft  of  films  for  unwarranted  exhihi- 
tion  in  America,  and  more  often  for  export,  had 
assumed  propoitions  not  only  disquieting  to 
the  industry  hut  inimical  to  puhlic  interest. 
With  little  puhlicity,  this  prolilem  has  heen 
quietly  hut  vigorously  attacked,  and  suhstan- 
tial  progress  toward  its  solution  has  heen  made. 
The  great  volume  and  the  widespread  dis- 
tribution of  American  films,  both  in  this  coun- 
try and  abroad,  gave  rise  to  a  number  of  com- 
plaints on  the  part  of  foreign  nations  or  foreign 
governments  regarding  the  method  of  depic- 
tion of  their  people  on  the  screen.  In  ont 
case,  an  embargo  against  American  producers 
was  enforced.  By  negotiation  with  the  em- 
bassies of  the  countries  concerned,  and,  in 
one  case,  by  the  dispatch  of  an  emissary  to 
the  foreign  capital  involved,  this  situation  has 
been    materially   bettered. 

In  late  August,  due  to  existing  and  pros- 
pective strikes  on  the  railroads  and  in  the 
mines,  the  fuel  situation  threatened  to  become 
acute.  Negotiations  were  begun  with  State 
and  Federal  authorities,  and  a  suggested  pro- 
gram of  curtailment  was  sent  to  all  member 
companies  to  be  relayed  by  them  to  their  ex- 
changes and  then  to  the  individual  theaters. 
An  option  was  secured  also  upon  a  quantity 
of  coal  which  was  put  at  the  disposal  of  the 
member  companies.  Fortunately,  the  settle- 
ment of  the  strikes  before  the  shortage  became 
critical  averted  the  necessity  for  decisive  action 
relative  to  the  securing  of  adequate  fuel  for 
heat,  light,  and  power  of  picture  theaters  dur- 
ing   the    coming    winter. 

On  May  9,  Mr.  Hays  addressed  a  general 
letter  to  the  members  of  his  association,  saying 
in   part : 

"These    pictures    now    being    made    will 
come    out     soon,     and     they     will     be     the 
proof    either    of    our    honesty    of    purpose 
or    oi:r    failure.      They    will    be    the    proof 
either   of   our   ability   to   correct   our   evils 
ourselves,    or   of  our   inability    to   run   our 
own  business.     There  is  nothing  in  which 
we   can    possibly    be    engaged    which    is    of 
as    much    importance    to    the    success    of 
our  efforts  as  to  make  certain   that   these 
very     pictures,     the     first     pictures     made 
after    the     organization     of    the     Associa- 
tion,   shall    show   successful   effort    toward 
'establishing  and  maintaining   the   highest 
possible    moral    and    artistic     standard.'  " 
While   no   "white"   or   "official"    or   "approved" 
or    "Hays"    lists     have    been     published    by     the 
Associated  Producers   and  Distributors,   the   gen- 
eral   and    consistent     betterment    in     the    quality 
of    currently    released    films    is    indicated    by    the 
comment     prevalent     tliroughout     the     nation,     in 
the  press  and  elsewhere.      As   a   random   example 
take    this    recent   editorial    expression    (typical    of 
hundreds)     from     the     Syracuse     (N.     Y.)     Post 
Standard : 

"It  was  fortunate  for  the  movies  that 
Will  Hays  accepted  the  director-general- 
ship, for  it  gave  the  spur  to  the  pro- 
ducers to  change  their  course  from 
sensualism  to  sense.  He  went  to  the  in- 
dustry at  an  opportune  time  and  trans- 
lated the  sentiment  of  the  public  to  the 
producers  in  unmistakable  language. 
The  pictures  which  have  been  released 
since  his  incumbency  prove  his  influence 
and  that  the  magnates  of  the  industry 
were  not  impervious  to  common  sense 
and  sane  reasoning.  Therefore,  the 
movies  today  are  on  a  much  higher  plane 
than  they  were,  than  they  have  been 
in  their  history,  and  the  films  that  are 
being    shown    are    superior. 

"If  the  influence  of  Mr.  Hays  and  the 
attitude  of  the  producers  continue,  there 
will  be  no  further  discussion  of  the  need 
of  stricter  censorship;  the  industry  itself 
will  prove  that  there  is  no  cause  for 
such  supervision.  One  has  but  to  re- 
call the  new  pictures  that  have  been 
shown  in  Syracuse  for  the  last  few 
months  to  realize  that  the  conditions 
that  called  out  severe  censure,  that  dis- 
gusted the  motion  picture  spectators 
have  passed.     It  is  well." 


A  considerable  portion  of  the  work  of  Mr. 
Hays'  office  has  been  concerned  with  the  in- 
terpretation of  the  motion  picture  industry 
to  the  public.  Mr.  Hays  personally  has  ad- 
dressed a  considerable  number  of  groups  in- 
cluding the  National  Publichers  Association 
in  April,  the  Motion  Picture  Theatre  Owners  at 
Washington,  and  the  Carnegie  Institute  at 
Pittsburgh  in  May;  the  Theatre  Owners  Cham- 
ber of  Commerce  and  the  General  Federat  on 
of  Women's  Clubs  at  Chautaugua  in  June;  tlie 
National  Education  Association  at  Boston  in 
July,  and  an  assembly  of  Minnesota  exUibitors 
in  August.  He  has  talked  also  to  the  Friars 
Club  The  Associated  Motion  Picture  Adver- 
tiser's, The  Philadelphia  Civic  Forum  and  to 
various  other  audiences.  Other  members  of 
his  staff  have  been  assigned  to  attend  additional 
meetings,  such  as  the  Minnesota  Convention 
of  the  Associated  Advertising  Clubs  of  the 
World,  The  Harrisburg  meeting  of  the  Pennsyl- 
vania State  Editorial  Association,  The  Atlanta 
Conference  of  Women's  Organizations,  the 
Indiana  and  New  York  Federation  of  Women's 
Clubs,  an  assembly  of  Michigan  exhibitors  at 
Detroit,     and     so     forth. 

In  addition,  a  meeting  was  called  in  June, 
at  New  York,  attended  by  upwards  of  one 
hundred  twenty-five  representatives  of  national, 
civic,  religious,  educational,  and  welfare  or- 
ganizations, together  with  representatives  of 
exhibitors',  actors',  and  other  associations. 
After  an  all-day  conference  relative  to  standards 
in  motion  pictures,  the  meeting  itself  elected 
a  group  to  perpetuate  its  organization.  As 
a  result  there  has  since  been  organized  a  gen- 
eral committee  having  upon  it  representatiyes 
of  one  hundred  nationally  organized  associa- 
tions, an  executive  committee  representative  of 
a  score  of  organizations  having  upwards  of 
eleven  million  members.  The  Executive  Com- 
mittee meets  monthly,  and  in  order  that  it  may 
has  employed  its  own  Executive  Secretary, 
remain  in  closest  contact  with  the  industry,  it 
whose  office  is  at  the  headquarters  of- the  Pro- 
ducers and  Distributors.  These  representatiyes 
will  not  only  bring  to  the  producers  advice 
which  will  be  invaluable  as  to  the  needs  and 
wishes  of  great  groups  of  the  public,  but  will 
send  word  to  their  hundreds  of  thousands  of 
members  telling  them  of  the  good  films,  in 
order  that  there  may  come  to  these  pictures  the 
largest    possible    public    support. 

At  the  last  annual  meeting  of  the  National 
Education  Association,  Mr.  Hays  proffered  the 
facilities  of  the  member  companies  of  his  asso- 
ciation in  the  improvement  of  pictures  for 
pedagogic  use.  President  Owen  in  October  ap- 
pointed a  committee  headed  by  Dr.  Charles 
Judd,  Director  of  the  School  of  Education  of 
the  University  of  Chicago.  With  this  Com- 
mittee, acting  with  the  Federal  Commissioner 
of  Education,  Dr.  John  J.  Tigert.  and  with 
other  educational  authorities,  the  Producers 
and  Distributors  began  in  the  late  fall  of 
1922  an  effort  to  "develop  the  educational  as 
well  as  the  entertainment  value  of  the  motion 
pictures."  This  movement  will,  no  doubt,  result 
in  making  certain  the  production  of  films 
for  classroom  work,  which  will  be  scientifically, 
psychologically,  and  pedagogically  sound  and  be 
a  distinct  contribution  to  the  educational  forces 
of    the    world. 

In  the  fall  of  1922  the  first  popular  vote  in 
America  on   motion   picture   censorship   accurred. 

The  legislature  of  Massachusetts  in  the  ad- 
ministration of  Governor  Calvin  Coolidge,  had 
passed  a  bill  providing  for  state  censorship, 
which  the  Governor  vetoed.  A  similar  bill  was 
enacted  by  the  next  legistlature,  and  signed 
by  Governor  Cox  but  was  held  in  abeyance  by  a 
referendum  petition.  At  the  elections  of  No- 
vember 7th  the  censorship  bill  was  repudiated 
and  the  referendum  upheld  by  a  vote  of  545,- 
919  to  207,476.  The  highest  vote  received 
by  any  candidate  on  any  ticket  for  any  office 
was  that  of  the  successful  gubernatorial  can- 
didate— 468,277 — less  by  77,000  than  the  anti- 
censorship     total     piled     up. 

In  November,  writing  to  a  number  of  pub- 
lishers who,  at  the  beginning  of  his  incumbency. 


332 


had     tendered     him     a     testimonial     dinner,     Mr. 
Hays    stated: 

"The  development  of  a  new  spirit  of 
confidence  and  cooperation  within  the 
industry  was  the  first  essential  because 
only  from  such  a  relationship  can  come 
the  united  action  necessary  for  effective 
execution.  That  spirit  obtains  and  it 
includes  producers,  distributors,  exhibi- 
tors, authors,  directors,  actors,  camera- 
men, mechanics,  and  all  the  rest.  The 
development  of  the  right  relation  between 
exhibitor  and  distributor  is  a  continu- 
ing problem,  of  course,  with  its  solution 
based  primarly  on  a  continuing  mutual 
fair     dealing.     .     .     . 

"Further,  the  producers  have  taken 
definite  steps  to  make  the  fullest  possible 
use  of  the  motion  picture  as  an  instru- 
ment of  international  amity.  They  arc 
making  certain  that  all  films  which  are 
sent  abroatl,  wherever  they  may  go,  shall 
correctly  portray  American  life,  ideals 
and  opportunities.  We  will  sell  Amer- 
ica to  the  world  with  motion  pictures. 
American  producers  furnish  the  majority 
of  all  pictures  shown  in  the  world,  and 
this  correct  depicting  of  the  life  and 
habits  of  our  own  and  foreign  people, 
each  to  the  other,  will  go  far  toward 
bringing  the  international  miderstanding 
and  appreciation  vhich  moves  in  the 
direction   of   world    peace. 

"Primarily  a  source  of  entertainment, 
the  importance  of  motion  pictures,  as 
such,  is  measured  by  the  imperative 
necessity  of  amusement  for  our  people. 
And  make  no  mistake  about  such  im- 
perative necessity.  Just  as  you  serve 
the  leisure  hours  of  the  masses  so  do 
you  rivet  the  girders  of  society.  The 
industry  accepted  the  challenge  in  the 
demand  of  the  American  people  for  the 
highest  quality  of  art,  morals  and  enter- 
tainment in  motion  pictures  as  the  prin- 
cipal amusement  of  the  great  majority 
of  all  our  people  and  the  sole  amusement 
of  inillions  and  millions.  They  recog- 
nize that  any  evil  that  might  be  in  mo- 
tion pictures  can  be  removed  and  the 
highest  standards  of  art  and  entertain- 
ment attained  and  all  the  advantages  of 
pictures  retained  at  the  place  where,  at 
the  time  when  the  pictures  are  made  by 
those  who  make  them  and  in  no  other 
way. 

"Beginning  a  new  drive  this  year  for 
the  best  possibe  pictures,  measuring  up 
toward  what  the  standard  should  be  and 
which  many  pictures  already  had 
achieved,  earnestly  asking  the  public's 
cooperation  and  hoping,  of  course,  from 
every  possible  standpoint,  selfish  and 
unselfish,  to  move  in  the  right  direction, 
they  have  brought  out,  and  are  bringing 
out,  a  series  of  pictures  which  we  are 
hoping  will  attract  the  public's  at- 
tention, as  the  evidence  both  of  their 
good  faith  and  their  ability  to  accomplish, 
and  as  an  augury  for  still  better  things 
to  \»hich  their  every  effort  shall  be  di- 
rected. The  maintaining  of  the  highest 
standard  is  quite  as  essential  as  it.s  at- 
tainment and  there  can  be  and  will  be 
no  slipping  backward,  nor  loss  of  any 
improvement  that  may  be  accomplished. 
These  pictures  are  being  received  in 
appreciation,  and  the  public  will  not  he 
unmindful  either  of  the  impossibility  of 
pleasing  every  one  with  every  picture 
or  the  necessity  of  different  types  of 
pictures    for    the    various    types    of    taste 

and     interest 

"I  am  very  hopeful  for  the  future.  It 
is  a  large  undertaking  and  I  again  most 
earnestly  ask  for  your  suggestions  and 
your  active  help.  It  cannot,  of  course, 
be  finished  at  once.  Indeed,  it  can  never 
motion  picture  liko  the  service  of  the 
press    depends    for   its    quality    on    a    con- 


stant   effort.      What    I    hope    to    do    is    to 
make    certain    that    this    effort    for    better 
and       still      better       service      by       motion 
pictures    shall   be   constant   and    that   from 
the    effort    will    come    an    accomplishment 
that   will    mean   the    largest    possible    use- 
fulness." 
Personnel — Will     H.     Hays,     President;     Court- 
landt    Smith,   Secretary;   J.    Homer   Flatten,   Acting 
Treasurer;    C.   C.    Pettijohn,   Counsel;   J.   M.    Kelly, 
Executive    Secretary    to    President  ;    F.    L.    Herron, 
Office    Manager;    J.    J.    O'Neill,    Special   Assistant; 
F".    W.    Beetson,    Special    Assistant ;    Kirk    Russell, 
Special    Assistant ;    B.    T.    Woodell,    Special    Assist- 
ant;  John   W.   Donaldson,   Special  Assistant;   Ralph 
Hayes,   Assistant   to   the   President. 


The  Serial   Outlook 

With  the  improvement  in  general  conditions  and 
the  improvement  in  the  motion  picture  industry, 
that  at  this  time  is  already  considerably  advanced, 
I  see  no  reason  why  serials  should  not  show  a 
parallel  improvement,  and,  as  in  other  pictures, 
the  better  conditions  are,  the  better  market  there 
is  for  the  best  of  its  kind. 

Naturally,  when  business  at  the  box  office  is 
bad  and  general  conditions  are  bad,  there  are  a 
great  many  exhibitors  who  are  unfortunately  on  a 
vigorous  hunt  for  low  rentals,  and  cheap  does  as 
cheap  is,  consequently  business  gets  worse.  That 
is   true   of   serials  as  well   as  of  features. 

Good  serials  cost  a  lot  of  money  to  make,  and, 
of  course,  are  destined  for  the  discerning  exhibitor 
who  expects  and  does  take  in  considerably  more 
money  at  his  box  office  and  can  well  afford  to 
pay  a  rental  sufficient  to  cover  the  increased  cost 
of  such  a  serial. 

It  is  not  generally  understood  why  a  good 
serial  costs  more  to  make  than  any  other  kind 
of  volume  production,  but  it  is  nevertheless  a  fact, 
and  the  reasons  are  obvious  when  given  proper 
consideration. 

Each  episode  of  two  reels  must  be  quite  com- 
plete in  itself  with  a  beginning,  story  and  climax, 
that  in  most  cases  exceeds  as  a  spectacle  anything 
that  is  done  in  a  feature.  A  great  deal  of  care 
and  expense  is  involved  in  the  preparation  of  the 
story  ;  the  cast  must  be  of  extraordinary  excel- 
lence, because  it  must  continue  through  fifteen 
separate  entertainments,  without  being  inconsistent 
or  displeasing.  The  director  and  stars  must  be 
the  very  highest  types  of  their  profession.  The 
emotions  portrayed  run  the  entire  scale  in  prac- 
tically every  episode,  and  would  be  ridiculous  were 
they  attempted  by  any  less  skillful. 

A  great  many  of .  the  same  patrons  that  attend 
the  theaters  with  extreme  discernment  as  to  the 
consistency,  beauty  and  excellence  of  a  feature 
story  well  produced,  are  constant  patrons  of  the 
serial,  but  when  attending  the  serial  night,  or 
nights,  they  go  to  satisfy  an  entirely  different 
craving  for  entertainment.  Some  of  the  most  in- 
tellectual men  and  women  have  described  their  con- 
stant patronage  of  serials  in  this  fashion.  They 
enjoy  thrills  ;  they  enjoy  permitting  their  imagina- 
tion to  take  rather  extraordinary  flights ;  they  en- 
joy the  melo-drama;  they  enjoy  the  stunt  and  they 
enjoy  the  mystery  and  the  depth  of  plot  that  is 
made  possible  in  a  story  whose  picturization  takes 
thirty  or  more  reels  to  portray — and  are  we  not 
all  more  or  less,  mostly  more,  actuated  by  the  same 
impulses?  Thus,  certainly  serials  are  of  a  form 
of  motion  picture  entertainment  that  accomplishes, 
in  the  most  instances,  what  the  feature  does  not, 
in  that  it  practically  completes  the  illusion  for 
the  patron  and  carries  him  entirely  away  from 
himself. 

When  such  demands  are  made  by  the  patron, 
and,  of  course,  the  exhibitor,  is  it  any  wonder  that 
serials  are  difficult  to  produce  and  it  costs  prodi- 
gious sums  of  money  to  carry  out  the  ambitions 
that  any  serial  producer  has  to  have  in  order  to 
satisfy    such    demands? 

Spurred  on  by  the  success  of  competent  serial 
producers,  practically  everybody  in  the  business 
has  at  some  time  or  other  made  an  effort  to  make 


363 


a  serial,  whcih  in  practically  every  instance  was 
attended  with  the  only  result  a  novice  could  hope 
for,  and  that  was  dismal  failure. 

All  such  serials  foisted  upon  an  unsuspecting 
public,  from  time  to  time,  disgusts  and  discourages 
them  with  serials  in  general,  thus  it  is  that  the 
industry  has  witnessed  cycles  of  expansion  and 
depression,  each  of  which  has  existed  about  two 
years. 

About  three  years  ago  the  market  was  surfeited 
with  a  most  unusual  number  of  serials  of  every 
kind  and  description,  a  great  many  of  which  were 
very  bad,  hence  a  reaction  took  place  that  has 
been  depressing  indeed,  but  it  spent  its  fury 
some  four  or  live  months  ago,  and  the  serial  busi- 
ness is  again  coming  into  considerable  popularity, 
and  since  the  majority  of  the  serials  on  the  market 
today,  and  those  in  the  course  of  preparation,  are 
of  unusual  excellence,  how  can  we  anticipate  any- 
thing else  than  a  cycle  of  unusual  prosperity  and 
popularity    for    the    serials? 

ELMER   PEARSON. 
General    Manager    Pathe    Exchange,    Inc. 

Serials  Shorter 

The  trend  of  the  picture  business  today  is  for 
better  pictures.  Exhibitors  are  willing  to  buy 
good  pictures.  They  won't  run  poor  pictures  at 
any  price.  Today  only  a  good  serial  is  wanted. 
The   day   of   the   "kill-em-quick"   serial   is   past. 

1922  and  1923  will  see  even  better  serials  made 
than  in  the  past.  There  is  a  strong  demand  from 
exhibitors  for  ten  and  twelve  episode  serials.  This 
does  not  mean  that  they  will  not  buy  the  longer 
serials,  but  simply  that  they  prefer  the  shorter 
product. 

Some  exhibitors  felt  that  serials  were  through. 
They  felt  that  the  public  was  tired  of  them.  The 
facts  are,  that  the  public  will  not  stand  poor 
.serials,  that  they  will  not  go  to  see  long  drawn-out 
intelligence-insulting   junk. 

A.    A.    SCHMIDT. 

Universal   Film. 


ALLIED    FILM    LABORATORIES    ASSOC. 

(New  York  City) 

Members :  Biograph  Company,  Burton  Holmes 
I^aboratory,  Claremont  Film  Laboratory,  Inc., 
Craftsman  Film  Laboratory,  Cromlow  Film  Labo- 
ratory, Inc.,  Dobbs  Laboratory,  Eclipse  Film  Lab- 
oratory, Erbograph  Company,  Evans  Film  Mfg. 
Co.,  Film  Developing  Corp.,  Lyman  Howe,  Kes- 
sel,  Nicholas  Laboratory,  Kineto  Company  of 
America,  National  Film  Laboratory,  Palisade  Lab- 
oratories, Republic  Laboratories,  Inc.,  Rex  Lab- 
oratory, Inc.,  Tremont  Film  Laboratories,  Inc^, 
William  Horsley  Laboratory.  Secretary,  Wm.  K. 
Hedwig,  71   W.  23rd  St.,  New  York   City. 


PERCENTAGE     TAX     TO     ADMIS- 
SION   CHARGES 


When 

Exhib- 

patron 

itor 

tax 

pays 

gets 

is 

5c 

4c 

Ic 

or  25% 

6c 

5c 

Ic 

20% 

10c 

9c 

Ic 

11  11/100% 

lie 

10c 

Ic 

10% 

15c 

13c 

2c 

15  38/100% 

17c 

15c 

2c 

13  1/3% 

20c 

18c 

2c 

11  11/100% 

22c 

20c 

2c 

10% 

25c 

22c 

3c 

13  2/3%o 

28c 

25c 

3c 

12% 

30c 

27c 

3c 

11  11/100% 

33c 

30c 

3c 

10% 

35c 

31c 

4c 

12  9/101^ 

39c 

35c 

4c 

11  43/100% 

40c 

36c 

4c 

11  11/100% 

IMPORTANT    LEGAL    HOLI- 
DAYS 

(In  United  States) 

Jan.  1 — New  Year's  Day  (except  in  Mass.  and 
Dist.  of  Col.). 

Jan.  19 — Birthday  of  Gen.  Lee  (in  Ala.,  Ark., 
Fla.,  Ga.,  Miss.,   N.   C,   S.   C,  Va.). 

Feb.  12 — Lincoln's  Birthday  (in  almost  every 
state). 

Feb.  12 — Georgia  Day  in  Ga. 

Feb.  22 — Washington's  Birthday   (all  over  Union). 

Mar  4 — Mardi  Gras  (in  Ala.,  Fla.,  La.,  in  the 
parishes  of  New  Orleans,  St.  Bernard,  Jef- 
ferson, St.   Charles  and  St.  John  the  Baptist). 

Mar.   17— Arbor  Day   (in  Okla.). 

April  6 — Arbor  Day  (in  N.  Ariz.). 

April  12 — Halifax  Independence  Resolutions  (in 
N.  Car.). 

April  13 — ^Jefferson's  Birthday  (in  Ala.). 

April  15 — Arbor  Day   (in  Utah). 

April  18 — Good  Friday  (in  Ala.,  Conn.,  Del.,  Fla., 
La.,    Md.,   Minn.,   N.  J.,   Pa.   and  Tenn.). 

April   19 — Patriot's  Day   (in  Me.,   Mass.). 

April  21 — San  Jacinto   Day   (in  Tex.). 

April  21 — Arbor  Day   (in  Col.  and  Neb.). 

April  23— Fast   Day    (in  N.   H.). 

April  26— Confed.  Mem.  Day  (in  Ala.,  Fla.,  Ga. 
and   Miss.). 

May  9 — Arbor   Day    (in   R.   I.). 

May  10— Confed.  Mem.  Day  (in  N.  Car.,  S.  Car. 
and  Tenn.). 

May  12 — Mothers'  Day   (in  N.  Mex.). 

May   18 — Peace   Day   (in  N.  Mex.). 

May  20 — Anniv.  Signing  of  the  Mecklenburg  Dec- 
laration   of    Independence    (in   N.    Car.). 

May  30 — Memorial  Day  (in  Ariz.,  Cal.,  Col., 
Conn.,  Del.,  Dist.  of  Col.,  Idaho,  111.,  Ind., 
la.,  Kan.,  Ky.,  Me.,  Md.,  Mass.,  Mich.,  Minn., 
Mo.,  Mont.,  Neb.,  Nev.,  N.  H.,  N.  J.,  N. 
Mex.,  N.  Y.,  N.  Dak.,  Ohio,  Okla.,  Ore.,  Pa., 
R.  I.,  S.  Dak.,  Tenn.,  Vt.,  Va.,  Wash.,  W. 
Va.,  Wis.,  Wyo.). 

May  30 — Confed.   Mem.   Day    (in   Va.). 

June  3 — Jefferson  Davis'  Birthday  (in  Ala.,  Ark., 
Fla.,  Ga.,  Miss.,  S.  Car.,  Tenn.,  Tex. 

June  3 — Confed.    Memorial    Day    (in    La.). 

June   15 — Pioneer   Day    (in   Idaho). 

June  17— Bunker  Hill  Day  (in  Boston).  Not  a 
legal  holiday,  but  banks  close  by  general 
agreement. 

July  4 — Independence   Day    (all   over  Union). 

July  24 — Pioneer   Day    (in  Utah). 

Aug.   1 — Colorado   Day    (in   Col.). 

Aug.   16 — Bennington   Battle   Day    (in   Vt.). 

Aug.  20-21 — Good  Roads  Day   (in  Mo.). 

Sept.  2 — Labor  Day  (except  in  N.  Mex.  and  Dist. 
of   Col.). 

Sept.  9 — Admission   Day    (in   Cal.). 

Sept.  12 — Old  Defender's  Day  (in  Baltimore, 
Md.). 

Oct.  7 — Missouri   Day    (in  Mo.). 

Oct.  12 — Columbus  Day  (in  Ala.,  Ark.,  Cal., 
Conn.,  Col.,  Del.,  Idaho,  111.,  Ind.,  Kan.,  Ky., 
Me.,  Md.,  Mass.,  Mich.,  Mo.,  Mont.,  Neb., 
Nev.,  N  H.,  N.  J.,  N.  Mex.,  N.  Y.,  Ohio, 
Okla.,  Ore.,  Pa.,  R.  I.,  Tex.,  Va.,  Wash.. 
W.   Va.). 

Oct.   13 — Farmers'    Day    (in   Fla.). 

Oct.  26 — Fraternal   Day    (in  Ala.). 

Oct.  31 — Admission   Day    (in   Nev.). 

Nov.   1 — All   Saints'   Day   (in  La.). 

Nov.  1 — State   Fire   Day    (in   Neb.). 

Nov.  4 — Fiction  Day  (1st  Tuesday  after  the  1st 
Monday  in  November.  All  over  Union,  ex- 
cept  Dist.   of  Col.). 

Nov.  27 — National  Thanksgiving  Day  (usually 
the  last  Thursday  in  November.  In  every 
State  and  Dist.  of  Col.). 

Dec.  25 — Christmas   Day    (all   over   Union). 

Dec.  3 — Arbor    Day    (in    Ga.). 


334 


Financial  Statements  Issued  During  1922 

FAMOUS    PLAYERS-LASKY    CORPORATION 

A   detailed   comparative   statement   of   Famous   Players-Lasky   for    1921    and    1920.      Statement   issued   for 
1921    in    March.     The   comparative   statements   in    ftdl : 

ASSETS 

1921  1920 

Cash     $2,350,692.60  $5,119,572.87 

Bills   Receivable   465,533.71  255,239.24 

Accounts   Receivable: 

Advances    to    subsidiary     cos.     (less    than 

90%    owned)     $2,743,993.92  $1,727,403.49 

Advances    to    outside    producers 1,668,018.07  2,390,026.87 

Film   customers   and   sundry   accounts....        1,027,808.25  1,412,349.34 

5,439,820.24      5,529,779.70 

Inventory : 

Negatives,    positives    (residual    value) $11,238,810.37  $11,822,216.13 

Rights   to    plays:      Scenarios,    etc 667,173.57  1,067,748.64 

11,905,983.94      12,889,964.77 

Securities     500,779.50                                            300,396.41 


Total    current    and    working   assets $20,662,809.99  $24,094,952.99 

Deposits    to    secure    contracts 342,619.66                                     

Investments  in  subsidiary  cos.  (less  than  90%  owned) 8,803,257.46  *6, 394, 275. 02 

Land,  buildings,  leases  and  equipment,  after  depreciation  (in- 
cluding equities  of  subsidiary  cos.  subject  to  mortgages 
thereon    of    $6,337,500.00    being   obligations   of   subsidiary 

cos.)    9,723,689.29  9,648,197.87 

Deferred  charges    633,091.52  1,199,573.74 

Goodwill 7,774,108.97  7,538,121.91 


TOTAL   ASSETS    $47,939,576.89  $49,121,523.53 

LIABILITIES  AND  CAPITAL 

Bills    payable    $3,845,222.08  $4,663,717.50 

Accounts    payable    1,655,467.29  1,439,525.70 

Owing    to     subsidiary     cos.     (less     than     90% 

owned)      110,464.78                                     

Excise  taxes,  payrolls  and  sundries 966,258.59  1,140,720.54 

Owing  to  outside  producers 314,049.70  916,738.48 

Payments   on    investments   due   within    12   mos.  1,073,886.12  901,130.97 

1921    Federal  taxes— estimated 1,275,172.00  2,202,806.41 

Reserve    for    contingencies 428,986.84  

Reserve     for     dividend     declared     on     common 

stock,    payable    Jan.    2,    1922 413,668.00  416,776.00 

Reserve    for     dividend     declared     on     preferred 

stock   payable   Feb.    1,    1922 185,400.00  193,000.00 


Total    current    liabilities $9,839,588.56  $12,086,670.58 

Advance  payment  on   film   rentals 1,509,400.70  2,180,279.91 

Purchase   money   notes   of   subsidiary    cos 402.911.23  826,362.10 

Note  of  Amusement  Finance  Corp    due  after  one  year 1,000,000.00  1,000,000.00 

Serial   payments   due  after   one  year  on   investm.ents 954,825.95                                     

Reserve   for   contingencies 428,986.84                                     


TOTAL   LIABILITIES    $14,135,713.28  $16,838,312.59 

Interest   of  minority  stockholders   in   subsidiary   Companies...  137,634.12  296,791.31 

Capital    (represented  by)  : 

Preferred    stock     (92,700     shs.,     $100     par 

value)      $9,270,000.00  **$9, 650,000.00 

Common  stock 

214,203  shs.  of  no  par  value 
7,369  shs.  in  treasury 


206,834  shs.     outstanding     in     hands     of 

public     16,732,240.00  •*16,937, 329.83 


26.002,240.00  $26,587,329.83 

Surplus     7,663,989.49       33,666,229.49         5,399,089.80       31,986,419.63 


$47,939,576.89  $49,121,523.53 

CONSOLIDATED   PROFIT  AND   LOSS  ACCOUNT   FOR  THE  TWELVE   MONTHS 

ENDED  DEC.  31,  1921 

Operating   profit   for    12   months $5,970,671.19  t$7,826,159.50 

Less:      Provision    for    Federal    taxes 1,275,172.00  2,231,552.89 


Operating  profit  for  year $4,695,499.19  $5,594,606.61 

Less:      Sundry  items  chargeable  to   other  years 257,476.82 

Balance  carried  to  surplus $4,695,499.1?  $5,337,129.79 

335 


CONSOLIDATED  SURPLUS  ACCOUNT   DEC.   31,   1921 

Surplus    at    Dec.    25.    1920 $5,399,089.80 

Add:      Profits   for    12  mos.   to   Dec.    31,    1921.   after   providing 

for  Federal  ta.xes   4,695,499.19 


$3,099,871.39 
5,337,129.79 


Less   Dividends  : 

Common    stock    (paid    in    1''21). 

Pfd.   stock    (paid   in    1921) 

Subsidiary    companies    


Surplus    at    Dec.    31,    1921. 


$1,654,672.00 

764.400.00 

11,527.50 


$10,094,588.99 


2,430,599.50 
$7,663,989.49 


$9,437,001.18 
$1,671,246.00 
741. 000. on 
15,889.38     tt3, 037,91 1.38 


$5,399,089.80 


♦Mortgages  in   1920  totalled  $6,197,000. 

**The  1920  statement  includes  96,500  shares  of  preferred;  214,272  with  no  par  value;  5,869  in  the  treas- 
ury  and   208,403    in    the    hands    of    the   public. 

t Includes    14   months'   operation    in    England   and   in   Australia. 

ttThe  1920  statement  includes  $416,776  for  common  stock  dividend  reserve  and  $193,000  for  preferred 
stock   reserve.      These   items  appear   under   liabilities   in   the    1921    statement. 

In  August,  Famous  Players-Lasky,  in  its  consolidated  statement  which  includes  the  earnings  of  sub- 
sidiary companies  owned  90"^^  or  more,  reports  for  the  six  months  ended  July  1,  1922,  net  operating  profits 
of   $2,018,337.37   after   deducting   all   charges   and    reserves   for    Federal    income   and   other   taxes. 

After  allowing  for  payment  of  dividends  on  the  preferred  stock,  the  above  earnings  are  at  the  annual 
rate  of  $15.93   on   the   206,834   shares  of  common   stock   outstanding   in   the  hands  of   the   public. 

The  earnings  for  the  same  period  of  1921  totalled  $3,078,697  and  at  the  time  those  figures  represented 
an  average  earning  power  of  $26.04  on  the  206,849  shares  of  common  stock  outstanding  in  the  hands  of  the 
nublic. 

FOX    FILM    CORPORATION 


Figures  appearing  below  issued  by  American  Bond 
the   studio   and   office   building   in    New    York    City. 

The  following  is  a  consolidated  financial  statement 
of  October  29,    1921  : 

ASSETS 

Real  Estate,  Plant,  Equipment, 
Furniture  and    Fixtures 

Advanced    to    Subsidiaries 

Loan    to   445    West    55th    St.    Corp... 

.Sundry   Investments    

Negatives  for  Foreign  LTse  not  re- 
leased      

Film    Released    

Film   Not    Released 

Duties  Paid  in  Foreign  Countries  on 
Unreleased    Film    

Literature     

Material    and    Supplies 

Notes    Receivable     

.\ccts.    Receivable    Exchanges 

Accts.    Receivable    Foreign 

Sundry   Debtors    

Cash    in     Banks 

Treasury    Funds    

Deferred    Charges    


$1,996,706.40 

100,379.56 

60,000.00 

55,880.00 

900,000.00 
1,801,220.09 
3,833.266.43 

27,397.52 
184.523.95 

31,762.47 

4,924.95 

461,833.27 

10,199.43 
148,792.56 
394,406.04 
122,192.98 

86,657.81 

$10,220,143.46 


tS:   Mortgage   Co.,   which   issued   $1,300,000   bonds  on 
of  the   Fox   Film   Corporation   and   its   subsidiaries   as 

LIABILITIES 

Common    Stock    $1 ,000,000.00 

First    Mortgage    Payable.. .  171,433.32 

Advance    Payments    for    Film    Service 

(Self    Liquidating)     1.052.724.27 

Foreign    Transfers    in    Abeyance 419.279.84 

Pettv     Cash     Disbursements 48,709.47 

Notes     Payable     660,000.00 

Accounts   Payable    434,390.45 

Sundry    Creditors    2X)5,161.81 


$3,991,699.16 

Surplus  at   Dec.   26,    1920 4,739,899.10 

Net    Earnings   44    Weeks    to    Oct.    29, 

1921     1,950,653.29 


Less  Income  and  Excess  Profit  Taxes         462.108.09 
Surplus     $6,228,444.30 


$10,220,143.46 


The   surplus  account   showing   earnings  of  the   Fox   Film   Corporation   and   its   subsidiaries   as   certified   to 
by   Price,   Waterhouse  &   Company,  after  deducting  income  taxes  for   the   years    1919   and    1920: 

COMPARATIVE    CONSOLIDATED    SURPLUS   ACCOUNT 

(Fox    Film    Corporation,    the    Guarantor) 

1921  1920  1919 

(44  weeks  onlv) 

Profits    for    period     $1 ,950,653.29  $2,029,686.07 

Income    tax    •482,307.69  616,144.10 


Surplus     $1,468,345.60 

Previous   surplus    4,123,755.00 


Surplus    end    of    period $5,592,100.60 

25%  taxes  1920  still  due. 

*Reserve  for  income  tax  for   1921   to   October  29th. 


$4,123,754.97 


$2,027,823.42 
770,635.76 

$1,257,187.66 
1,453.025.37 

$2,710,213.03 


ALLIED     AMUSEMENT     INDUSTRIES 
(of   California) 

ion    Golden    Gate    Ave.,    San    Francisco 

Chairman,  Irving  Ackerman;  General  Council. 
I.    M.   Golden ;   Secretary.    Frances    E.    Magill. 

Members:  Theatres,  Spoken  Drama — Alcazar, 
Columbia,    Curran. 

Vaudeville  Theatres — Orpheum,  Casino,  Hip- 
podrome,   Pantages,    Wigwam. 

Moving  Picture  Theatres — California,  Central. 
Coliseum,  Edison,  Frolic.  Granada,  Imperial. 
Lincoln.  New  Filmore.  New  Mission,  Progress, 
Princess,  Peerless.  Polk,  Odeon.  Portola.  Real- 
art.     Royal.     Strand.     Tivoli,     rnif|nc.        N'irginia. 


Vallejo;  .Strand,  Vallejo;  California.  Turlock 
Peoples,  Honolulu;  Redding.  Redding;  Iris.  Pa 
cific  Grove;  Varsity,  Palo  Alto;  T.  &  D.,  Han 
ford;  Loew's  State.  Oakland;  Loew's  State 
Stockton;  Loew's  State.  Sacramento;  Loew': 
State,  Eureka;  Hippodrome,  Sacramento;  Hippo 
drome,  San  Jose;  Hippodrome,  Fresno;  Garden 
Burlinganie;  Stanford.  I'alo  Alto;  Sequoia.  Red 
wood  City;  Cline,  Santa  Rosa;  Rose,  Santa  Rosa 
Vallejo,    Vallejo. 

Film  Exchanges — All  Star.  First  National 
Associated  Producers.  Inc..  Famous  Players 
Fox,  Goldwyn,  Metro,  Patlie.  Realart,  Robertson 
Cole.  Select.  United  .\rtists.  I'niversal.  \'ita 
graph.     Educational    Film    Corp. 


CiM) 


\ 


LOEWS,    INC. 

Full  figures  of  the  financial  statement  of  Loew's,  previous    year.      Total    current    and    working   assets 

Inc.,  and  its  100%  owned  subsidiary  companies  for  are  listed  at  $5,854,732.     Profit  and  loss  surplus  on 

the  fiscal  year  ended  Aug.  31st,  show  an  operating  Aug.    31st    was    $545,997    as    compared    with    $100,- 

profit   of    $2,267,871    as   against    $11,800,550    in    the  413   on  Aug.  31st,   1921. 

The   statement   follows  : 

ASSETS 

Current  and  Working: 

Cash    on    Hand    $994,523.32 

Receivables  : 

Accounts    Receivable    $477,013.04 

Notes    Receivable     74,701.62 

Due    from    Affiliated    Corporations    (Less    than    100% 

Owned)     1,228,410.93 

Federal    Income   Taxes    (Claim) 36,788.37 

Loans   to    Employees    (Secured) 30,512.50 

Subscriptions   to   Capital   Stock 4,260.00 

— —        1,851,686.46 

Inventories : 

Film     Productions     in     Process.     Completed     and     Re- 
leased   (after  Amortization)    $2,166,410.51 

Film    Advertising    Accessories 264,984.35 

Theater  and   Studio   Supplies 87,040.81 

2,518,435.67 

Advances : 

To   Motion    Picture   Producers,   secured   by    Film    Pro- 
ductions             $348,870.39 

To  Artists  and   Employees 40,424.70 

Mortgage    and    Interest    Payments 100,791.62 

490,086.71 

Total    Current    and    Working    Assets $5,854,732.16 

Investments : 

Equity    Acquired    in    Affiliated     Corporations     (Less    than 

100%,     Owned)     $3,116,509.97 

Deposits   on    Leases   and    Contracts 211,374.54 

Miscellaneous     Investments     88,533.60 

3,416,418.11 

Property   100%    Owned: 

Land     - $3,595,240.04 

Buildings    and    Equipment    11,794,863.65 

Leaseholds     229,648.84 

$15,619,752.53 

Less   Reserve    for    Depreciation 942,064.01 

14,677,688.52 

Deferred    604,930.73 

Leases,   Contracts  nd   Goodwill 11,042,584.15 

$35,596,353.67 
LIABILITIES 
Current : 

Accounts   Payable    $1,113,270.57 

Notes     Payable     374,180  57 

Bank   Loans    300.000.00 

Taxes     (Theater    Admissions,    etc.) 2-12.574.19 

Accrued    Interest     154,080.34 

Advances  from  Affiliated    Corporations 76,488.41 

Total    Current    Liabilities    $2,260,594.0^ 

Bonds   and    Mortgages  : 

Being    Obligations    of    Subsidiary    Corporations 5,806  500  00 

Deferred    Credits  : 

Securities    from    Tenants     $337,286.09 

Film    Rentals   Received    in   Advance 358,557.58 

Rents    Received    in    Advance 6.560.37 

702,404.04 

Capital    Stock    and    Surplus ; 
Capital   Stock  : 

Shares  without  par  value 

Outstanding     1,060,477  ^ 

Subscribed     303  j  26,280,858.14 

Surplus : 

Surplus    Sept.    1,    1921    (Adjusted) $132,323.34 

Operating     Profits     for     Fiscal     Year    ending    August 

31,    1922     2.267,871.08 

$2,400,194.42 
Extraordinary    Charges    to    Surplus 1,854,197.01 

545,997.41 

$35,596,353.67 

337 


OPERATING  STATEMENT 

Gross    Income : 

Theater    Receipts,    Rentals    and    Sales    of    Films    and    Ac-  / 

cessories    $16,801,424.23 

Rentals    of    Stores   and    Offices 1,250,105.54 

Booking    Fees    and    Commissions 606,436.65 

Dividends    Received    from    Corporations    Less    than    100% 

Owned    696,081.25 

Miscellaneous    Income     254,254.12 

$19,608,301.79 

Expenses : 

Operation   of  Theaters  and   Office   Buildings $9,874,405.13 

Operation   of   Film    Distribution    Offices 2,010,869.83 

Amortization   of   Films    Produced   and   Released 3,521,338.70 

Cost   of    Film    Advertising   Accessories    Sold 226,673.09 

Sharing    of    Film     Rentals     Distributed     for     Co-operative 

Producers,    Authors,    etc 1,512,893.91 

Depreciation  of  Buildings  and  Equipment 194,250.05 

17,340,430.71 

Operating  Profits    $2,267,871.08 

PATHE    EXCHANGE,   INC. 

Pathe  Exchange,  Inc.,  financial  statement  for  the  year  ending  Feb.  25,  1922,  showed  a  net  operating 
profit  of  $328,483.12.  The  earnings  for  the  14  year  period  ending  on  that  date  have  averaged  $529,346.90, 
and  for  the  six-year  period  ending  Feb.  25,  1922,  $681,540.63.  The  statement  was  issued  in  May  when 
directors  were  elected. 


ASSETS 

Cash      

Bills     receivable     

Accounts   receivable  : 

Customers    and    advances 

Advances    to    outside    producers 

Inventory : 

Negatives,  positives,   Film  and  sup- 
plies      


$363,605.17 
155,000.00 

918,421.34 
1,488,456.19 


1,442,562.96 


Total    current    and    working    assets  $4,368,045.66 

Second  mortgage  (on  building,  35  W. 

4Sth    St.)     45,000.00 

Land    and    buildings 658,019.37 

Furniture    and    fixtures 319,800.01 

Contracts  covering  raw  material 1,365,000.00 

Residual  value  of  films  written  oflf.  .  .  1.00 

Deferred    charges    264,848.89 

Goodwill    and    scenarios 849,907.47 

Total $7,870,622.40 


LIABILITIES 

Bills    payable    $249,400.00 

Trade   acceptances    42,500.00 

Accounts    payable — trade    378,858.29 

Accoimts   payable — outside   producers  85,164.16 

Excise  taxes,  payrolls  and  sundries..  150,858.56 
Federal    income     and     excess     profits 

taxes   114,851.53 

Total    current    liabilities $1,021,632.54 

Advance   payments    on    rentals 427,166.11 

Ten-year    8%     bonds 1,525,000.00 

Preferred— 8%    cumulative    1,679.900.00 

Common — 100,280  shares  of  no  par 

value     350,980.00 

Surplus  (including  $374,452.14  aris- 
ing through  revaluation  by  ap- 
praisal of  plant  and  equipment.  .  2,865,943.75 


Total $7,870,622.40 

Pathe  stated  early  in  May  that,  since  the  above  statement  was  drawn  up  on  April  14  for  the  year 
ending  Feb.  25,  .some  of  the  liabilities  had  been  written  off  including  the  $45,000  second  mortgage  on  the 
building  at  35  W.  45th  St.,  and  the  notes  payable  to  banks  to  the  extent  of  $249,400.  It  was  stated  in  this 
way  total  current  liabilities  had  been  reduced  $700,000  less  than  the  $1,021,632.54  appearing  in  the  statement. 


Censor  Board  Standards 


Police  Standards  of  District  of  Columbia 

Moving   pictures   are   forbidden : 

In  which  sex  relations  are  shown  or  depicted  in 
a   manner   tending   to   the   corruption   of  morals. 

Or  which  are  based  upon  white  slavery  or  pro- 
curement of  women. 

Which  depict  nude  persons,  except  children,  or 
persons  so  nearly  so  as  to  shock  ordinary  sensi- 
bilities. 

Which  show  undue  demonstrations  of  passion- 
ate love  or  scenes  of  vice. 

Which  use  titles  and  subtitles  containing  sala- 
cious suggestions  or  use  in  connection  therewith 
advertising  matter,  photographs  or  lithographs  of 
this  character. 

Kansas  State  Board  of  Review  Standards, 
Old  City  Hall,  Kansas  City,  Kan. 

Pictures  should  be  clean  and  wholesome,  wheth- 
er for  entertainment  or  amusement,  and  all  feat- 
ures that  tend  to  debase  morals  or  influence  the 
mind  to  improper  conduct   should   be   eliminated. 

No  comedy  which  ridicules  any  religious  sect 
or  peculiar  characteristics  of  any  race  of  people 
should  be  shown. 


The  dress  of  comedy  characters  must  be  con- 
demned when  used  for  evil  suggestion. 

Infidelity    to    marriage    ties   must   be    condemned. 

A  display  of  nude  himian  figures  must  not  be 
shown. 

Bar-room  scenes,  with  drinking,  gambling  and 
loose  conduct  between  men  and  women,  should  be 
eliminated  when  possible,  and  at  all  times  should 
be  abbreviated,  as  also  social  drinking  and  ciga- 
rette smoking. 

Crimes  and  deeds  of  violence,  with  an  undue 
use  of  guns,  revolvers  and  knives,  and  criminal 
methods,  such  as  give  instruction  in  the  commit- 
ting of  crime  through  suggestions,  should  be  elim- 
inated  or  abbreviated. 

Prolonged  and  passionate  love  scenes,  when  sug- 
gestive of  immorality,  will  not  be  allowed. 

Prolonged  scenes  of  roadhouses,  dance  halls  and 
houses  of  ill-fame  must  be  eliminated.  Vulgar  and 
suggestive  dances  by  semi-nude  dancers,  especially 
those  of  the  underworld,  must  not  be  permitted. 

Pictures  having  for  their  theme  white  slavery 
and  the  allurement  and  betrayal  of  innocence  will 
not  be  approved. 

Chicago  Police  Standards 

See  page  387, 


338 


Standards    of    Maryland    State    Board    of 

Censors,  211   N.  Calvert  St., 

Baltimore 

Improper     exhibition     of     feminine    underwear. 
Bedroom  and  bathroom  scenes  of  suggestive  and 
indecent     character. 

Oflfensive    vulgarity    and    indecent    gestures. 
Women     promiscuously     taking    up    men. 
Indelicate    sexual   situations. 
Nude    figures. 
Indecorous   dancing. 

Attempted     criminal    assaults     upon     women. 
Excessive   drunkenness,    especially    in    women. 
Overpassionate    love   scenes. 
Discussion  of  the  consummation  of  marriage. 
Cruelty  and  abuse  of  children. 
Crime  condoned. 
Impropriety  in  dress. 

Men  and  women  living  together  without  mar- 
riage   and    in    adultery. 

Prostitution    and    procuration    of    women. 
Excessive    use    of    firearms. 

Disrespect    for    the    law,    third    degree    scenes. 
Doubtful    characters   exalted    to    heroes. 
Maternity  scenes,   women  in  labor. 
Infidelity    on    part    of    husband    justifying    adul- 
tery  on   part   of  wife. 

Sacrifice  of  woman's  honor  held  as  laudable. 
Justification  af  the  deliberate  adoption   of  a  life 
of  immorality. 

Disorderly  houses. 

Use    of    opium    and    other    habit-forming    drugs 
(instructive   details). 
Counterfeiting. 
White    slave   stories. 

Drugging  and  chloroforming  victims  for  crim- 
inal purposes. 

Gruesome  murders,  actual  stabbing  and  shoot- 
ing of  persons. 

Seductions  and  attempted  seductions  treated 
without   due   restraint. 

Burnirig  and   branding  of  persons. 
Profanity   in   titles. 
Salacious  titles  and  captions. 
Advocacy  of  the  doctrine  of  free  love. 
Scenes    indicating    that    a    criminal    assault    has 
been   perpetrated   on   a   woman. 
Suicide   compacts,   suicide   scenes. 
E.xecutions,  lynchings  and  burlesques  of  hangings. 
Deeds  of  violence,  lighting  and  throwing  bombs, 
arson,  especially  to  conceal  crimes,  train  wrecking. 
Modus  operandi  of  criminals. 
Birth  control,  malpractice. 
Suggestions   of   incest. 
Morbid   presentations   of   insanity. 
Prolonged   and  harrowing   death   scenes. 
Venereal  disease   inherited   or   acquired. 
Irreverent     treatment     of     religious     observances 
and   beliefs. 

Inflammatory  scenes  and  titles  calculated  to  stir 
up  racial  hatred  or  antagonistic  relations  between 
labor  and   capital. 

Ohio   State   Board   of   Standards 

All    scenes    which    are    obscene,    salacious,    inde- 
cent,   immoral,    or    teach    false    ethics,    such    as    the 
following,   should   be  eliminated: 
(a)   SEX 

(1)  Productions    which    emphasize    and    ex- 

aggerate sex  appeal  or  depict  scenes 
therein  exploiting  interest  in  sex  in 
an  immoral  or  suggestive  form  or 
manner. 

(2)  Those     based     upon    white     slavery     or 

commercialized  vice  or  scenes  show- 
ing the  procurement  of  women  or  any 
of  the  activities  attendant  upon  this 
traffic. 

(3)  Those    thematically    making    prominent 

an  illicit  love  affair  which  tends  to 
make  virtue  odious  and  vice  attractive. 

(4)  Scenes  which  exhibit  nakedness   or  per- 

sons scantily  and  suggestively  dressed, 
particularly  suggestive  bedroom  and 
bath  room  scenes  and  scenes  of  incit- 
ing   dances. 

(5)  Scenes  which  unnecessarily  prolong  ex- 
pressions or  demonstrations  of  pas- 
sionate  love. 


(6)  Stories  or  scenes  which  are  vulgar 
and  portray  improper  gestures,  pos- 
tures,    and    attitudes. 

(7)  Scenes  which  tend  to  give  the  idea  that 

sexual  vice  accompanied  by  luxury 
makes     vice     excusable. 

(b)  VICE,  CRIME  AND  VIOLENCE 

(1)  Themes    predominantly    concerned    with 

the  underworld  or  vice  or  crime,  and 
like  scenes;  unless  the  scenes  are  a 
part  of  an  essential  conflict  between 
good    and    evil. 

(2)  Stories     which     make     crime,     drunken- 

ness and  gambling,  and  like  scenes 
which  show  the  use  of  narcotics  and 
other  unnatural  practices  dangerous 
to    social    morality,    attractive. 

(3)  Stories    and   scenes   which   may   instruct 

the  immature  and  susceptible  in 
methods  of  committing  crime  or  by 
cumulative  processes  emphasize  crime 
and    the    commission    of    crime. 

(4)  Stories     or     scenes     which     unduly     em- 

phasize bloodshed  and  violence  with- 
out justification  in  the  structure  of 
the    body. 

(5)  Scenes    which   tend   to  produce  approval 

of  business,  institutions  or  conditions, 
that  naturally  tend  to  degrade  and 
deprave   mankind. 

(6)  Productions    whose    tendency    is    to    in- 

cite sympathy  for  those  engaged  in 
parasitical    or   criminal    activities. 

(7)  Productions    that    teach    fatalism   or   the 

futility  of  individual  resistance  of  ad- 
versity. 

(8)  Expiation     of    crime    by     some     act     of 

physical    bravery. 

(9)  Crime  must  not  be  made  attractive  and 

the  punishment  must  be  clearly  and 
adequately  portrayed. 
(10)  Plays  which  exhibit  prominently  movie 
stars  who  have  committed  crimes  or 
whose  good  names  are  in  question, 
judged  by  generally  accepted  moral 
standards. 

(c)  RESPECT   FOR   SOCIAL   INSTITUTIONS 

(1)  Scenes  which  riducule  or  deprecate  pub- 

lic officials,  ofiicers  of  the  law,  the 
United  States  Army,  the  United  States 
acious    or    deceptive. 

Navy,  or  other  governmental  authority, 
or  which  tend  to  weaken  the  authority 
of    the    law. 

(2)  Scenes    which    offend    the    religious    be- 

lief of  any  person,  creed  or  sect  or 
ridicules  ministers,  priests,  rabbis,  or 
recognized  leaders  of  any  religious 
sect,  and  also  which  are  disrespectful 
to  objects  or  symbols  used  in  connec- 
tion   with    any    religion. 

(3)  National,  racial  and  class  hatred,  shovild 

not    be    fostered. 

(d)  SUBTITLES 

(1)   Titles  and   subtitles   should   not   be    sal- 
acious. 

Pennsylvania   State   Board  of  Censors, 
Standards,  1025  Cherry  St.,  Phila. 

The  board  will  condemn  pictures,  and  parts  of 
pictures,  dealing  with  "white  slavery."  The  pro- 
curation and  prostitution  in  all  forms  of  girls,  and 
their  confinement  for  immoral  purposes,  may  not 
be  shown  upon  the  screen,  and  will  be  disapproved. 
Views  of  prostitutes  and  houses  of  illfame  will  be 
disapproved. 

Pictures  and  parts  of  pictures  which  deal  with 
the  seduction  of  women,  particularly  the  betrayal 
of  young  girls,  and  assaults  upon  women,  with 
immoral  intent,  will  be  disapproved. 

Prenatal  and  childbed  scenes  and  subtitles  de- 
scribing  them    may   be    disapproved. 

Pictures  and  parts  of  pictures  dealing  with  the 
drug  habit,  e.  g.,  the  use  of  opium,  morphine,  co- 
caine, etc.,  will  be  disapproved. 

Scenes  showing  the  modus  operandi  of  crim- 
inals, which  are  suggestive  and  incite  to  evil  ac- 
tion, such  as  murder,  poisoning,  house-breaking, 
safe-robbery,  pocket-picking,  the  lighting  and 
throwing  of  bombs,  the  use  of  ether,  chloroform, 
etc.,  will  be  disapproved. 


339 


The   glorification   of  a   crook    is   discountenanced. 

Gruesome  and  unduly,  distressing  scenes  will  be 
disapproved.  These  include  shooting,  stabbing, 
profuse  bleeding,  prolonged  views  of  men  dying, 
and  of  corpses,  lashing  and  whipping,  and  other 
torture  scenes,  hangings,  lynchings,  electrocutions, 
surgical  operations  and  views  of  persons  in  de- 
lirium  or   insane. 

Studio  and  other  scenes,  in  which  the  human 
form  is  shown  in  the  nude,  or  the  body  is  unduly 
exposed   may   be   disapproved. 

Pictures  and  parts  of  pictures  dealing  with  abor- 
tion and  malpractice  will  be  disapproved.  These 
will  include  themes  and  incidents  having  to  do  with 
eugenics,  "birth  control,"  "race  suicide"  and  sim- 
ilar  subjects. 

Stories  or  scenes  holding  up  to  ridicule  and  re- 
proach races,  classes  or  other  social  groups,  as 
well  as  the  irreverent  and  sacrilegious  treatment 
of  religious  bodies  or  other  things  held  to  be  sa- 
cred, will  be  disapproved.  The  materialization  of 
the  figure  of   Christ  may  be  disapproved. 

Pictures  which  deal  with  counterfeiting  will  be 
disapproved.      (Federal    Law). 

Scenes  showing  men  and  women  living  together 
without  marriage,  and  in  adultery,  will  be  disap- 
proved. Discussion  of  the  question  of  the  con- 
summation of  marriage,  in  pictures,  may  be  dis- 
approved. 

The  brutal  treatment  of  children  and  of  ani- 
mals may  lead  to  the  disapproval  of  the  theme,  or 
of   incidents   in   film   stories. 

Cruelty    to   animals   is    highly   objectionable. 

The  use  of  profane  and  objectionable  language 
in  subtitles  will  be  disapproved. 

Objectionable  titles,  as  well  as  subtitles  of  pic- 
tures,   will   be   disapproved. 

Views  of  incendiarism,  burning,  wrecking  and 
the  destruction  of  property,  which  may  put  like 
action  into  the  minds  of  those  of  evil  instincts,  or 
may  degrade  the  morals  of  the  young,  will  be  dis- 
approved. 

Gross  and  oflfensive  drunkenness,  especially  if 
women  have  a  part  in  the  scenes,  may  be  dis- 
approved. 

Pictures  which  deal  at  length  with  gun  play, 
and  the  use  of  knives,  and  are  set  in  the  under- 
world, will  be  disapproved.  When  the  whole  theme 
is  crime,  unrelieved  by  other  scenes,  the  film  will 
be  disapproved.  Prolonged  fighting  scenes  will  be 
shortened  and  brutal  fights  will  be  wholly  disap- 
proved. 

Vulgarities  of  a  gross  kind,  such  as  often  appear 
in  slapstick  and  other  screen  comedies,  will  be 
disapproved.  Comedy  which  bur!.sques  morgues, 
funerals,  hospitals,  insane  asylufs,  the  lying-in  of 
women  and   houses   of  ill-fame   will  be  disapproved. 

Sensual  kissing  and  love-making  scenes,  men 
and  \yomen  in  bed  together  and  indelicate  sexual 
situations,  whether  in  comedies  or  pictures  of 
other  classes,  will  be  disapproved.  Bathing  scene§ 
which  pass  the  limits  of  propriety,  lewd  and  im- 
modest dancing,  the  needless  exhibition  of  women 
in  their  night  dresses  or  underclothing,  will  he 
disapproved. 

Views  of  women  smoking  will  not  be  disap- 
proved as  such,  but  when  women  are  shown  in 
suggestive  positions,  or  their  manner  of  smoking 
is  suggestive  or  degrading,  such  scenes  will  be  dis- 
approved. 

That  the  theme  or  story  of  a  picture  is  adapted 
from  a  publication,  whether  classical  or  not,  or 
that  portions  of  a  picture  follow  paintings  or  other 
illustrations,  is  not  a  sufficient  reason  for  the  ap- 
proval  of  a   picture  or   portions   of  a   picture. 

Themes  or  incidents  in  picture  stories,  which 
are  designed  to  inflame  the  mind  to  improper  ad- 
ventures, or  to  establish  false  standards  of  con- 
duct, coming  under  the  foregoing  classes,  or  of 
other  kinds,   will  be  disapproved. 

Banners,  posters  or  other  advertising  matter 
concerning  motion  pictures  must  follow  the  rules 
laid  down   for   the  pictures  themselves. 

New  York  Standards 

A  statement  issued  by  the  Motion  Picture  Com 
mission  of  the  State  of  New  York  says  that  it 
"has  not  established  any  fixed  rules  or  standards 
for  the  judging  of  pictures  except  those  prescribed 
by  the  statute  creating  the  Commission. 


"The  Commission  has  deemed  it  wise  not  to  . 
attempt  to  formulate  fixed  standards  or  rules  for 
the  reviewing  of  pictures,  but  rather  to  examine 
each  picture  on  its  merits  to  determine  whether 
the  film,  or  any  portion  of  it,  violates  any  pro- 
visions of  the  statute." 

Dallas,    Texas 

The  City  of  Dallas  maintains  one  acting  Censor 
and  a  Board  of  Appeals  of  seven  members  but  has 
never    established    a    printed    code   of   standards. 

Standards    of    Virgjinia    State    Board    of 
Censors,  Richmond. 

A  statement  from  Chairman  E.  R.  Chestcrman, 
dated  Sept.  28,  says:  "As  yet  this  Board,  which 
formally  began  its  work  on  August  1,  1922,  has 
not  deemed  it  judicious  to  promulgate  any  review 
standards  for  the  examination  of  motion  pictures. 
Possibly  we  may  never  attempt  to  put  our  stand- 
ards into  concrete,  inelastic  form,  since  we  prefer 
to  judge  each  film  on  its  own  merits.  Then  too, 
we  prefer  to  consider  each  picture  as  an  entirety, 
though  it  goes  without  saying  that  we  scrutinize 
questionable  scenes  and  often  order  their  elimina- 
tion. But  after  all,  a  wholesome  moral  lesson 
Can  offset  the  effect  of  many  scenes,  which,  if 
seen  in  another  connection,  would  be  decidedly 
objectionable. 

"1  should  say  that  our  present  working  standards 
are  based  on  the  language  of  the  statute  under 
which  we  are  operating.  We  bar  every  motion 
picture  or  scene  thereof  which  in  our  opinion  may 
be  classified  as  "obscene,  indecent,  immoral  or 
inhuman,  or  which  is  of  such  character  that  its 
exhibition  would  tend  to  corrupt  morals  or  incite 
to   crime." 

Governor  E.  L.  Trinkle  of  Virginia,  appointed 
Evans  Chesterman,  Mrs,  Emma  Speed  Sampson 
and   A.    L.   T.    Monture   censors   in    March. 

The  Virginia  message  became  effective  on  Aug. 
1st,  and  provided  for  a  tax  of  $1.  a  reel  on 
originals,  and  50  cents  a  reel  for  duplicates.  The 
censors  are  each  to  draw  a  salary  of  2,400  a  year. 

Standards  of     the  Ontario   (Can.)   Board 

of  Censors,  45  Richmond  St.,  W., 

Toronto 

No  picture  will  be  allowed  which  shows  a  suc- 
cessful balking  of  the  law. 

The  board  will  use  judgment  in  eliminating  un- 
warranted display  of  foreign  flags,  and  will  also 
call  for  a  respectful  presentation  of  all  British 
flags. 

All  pictures  showing  animals  being  treated  un- 
kindly,   tortured    or    killed    will   be    condemned. 

Pictures  which  deal  with  firearms  or  display  of 
knives  or   guns   may   be   eliminated   or   cut. 

Shocking  and  unnecessary  details  of  deeds  of 
violence  and  struggle  scenes  will  be  cut  out.  This 
also  applies  to  the  rough  handling  of  women,  chil- 
dren, the  aged  or  infirm,  and  close-up  views  of 
horrid,  bruised  or  mutilated  faces,  or  faces  show- 
ing agony  and  suffering;  also  the  struggles  of 
drowning  people  and  close-up  views  of  dead  peo- 
ple's  faces   floating   in    the    water. 

Constructive  suggestions  which  might  be  con- 
ducive to  producing  lawlessness  or  crime,  e.  g., 
methods  of  safe  cracking,  picking  locks,  raising 
cheques,   robbing   houses,   molesting   persons,   etc. 

In  no  instances  will  suicide  or  incentives  to 
such  be  shown. 

Close-up  scenes,  prolonged  or  instructive  scenes 
of  murder,  or  showing  of  executions  will  not  be 
allowed. 

Each  question  of  costume  or  taste  must  be 
considered  on  the  basis  of  morals.  Pictures  of 
women  almost  wholly  dressed,  but  displaying  a 
lavish  amount  of  lingerie,  are  startling.  The  same 
is  true  of  excessively  low-cut  gowns.  Under  no 
consideration  will  the  board  pass  any  pictures  con- 
taining incidentally  or  extensively  the  nude  form. 

Burlesques  or  scenes  of  ridicule  of  clergy.  Sal- 
vation Army  or  any  other  religious  work  will  be 
eliminated. 

All  pictures  must  be  kept  clean  from  sugges- 
tion, vulgarity  and  profanity. 

Scenes  in  houses  of  ill-repute  and  scenes  of  de- 
bauches   will    be    cut    out,    also    any    instructive   de- 


340 


tails  of  gambling,  etc.,  will  be  eliminated.  Undue 
and  unnecessary  drniking  scenes  will  be  eliminated. 

Fifty  per  cent  of  all  serials  must  be  shown  at 
one  sitting. 

The  board  will  insist  that  sex  problems  be  treat- 
ed  with  seriousness  and  reserve. 

Constructive  suggestions  of  the  use  or  means  of 
illegitimately  procuring  habit-forming  drugs,  nar- 
cotics,  poisons,   etc.,    will   be   eliminated. 

Instructions  prohibit  the  display  of  any  adver- 
tising which  shows  scenes  of  violence,  display  of 
guns  or  knives  indicating  shooting  or  stabbing, 
nudity,  vulgar  display  of  women's  forms,  objec- 
tionable titles  regarding  sex  relations,  or  any 
eliminations  that  have  been  made  by  the  board. 

Standards  of  Censors  for  Quebec;  63  St. 
Gabriel   St.,   Montreal. 

Sex  shall  be  prohibited;  all  suggestive  and  im- 
moral scenes,  those  dealing  with  exaggerated  sex 
appeals  or  exploiting  interest  in  sex  in  an  improper 
or  suggestive  form  or  manner,  such  as :  rape  or 
.itunipt  of  rape,  adultery,  double  life,  free  love, 
infidelity,  commerce  of  vice,  auction  of  girls, 
uh  te  slavery,  scenes  representing  nude  women  or 
nu-n,  women  in  suggestive  dresses  or  positions, 
I'ose-up  views  of  bathing  girls  in  one-piece  suits; 
I  a.  ticularly  suggestive  bedroom,  bathroom  and 
c'ance  scenes;  views  prolonging  unnecessary  ex- 
[  less'on   of  passionate  love. 

Re'  rion    shall    be    prohibited ;     mock    marriages, 

burlesquing    on    any    religion,    ridiculing    clergy    of 

any     creed    or    placing    same    in    a    compromising 

^b.t.on    and    generally    all    which    offends    the    reli- 

jio'  s  belief  or  creed  of  any  person. 

I'laces  of  Vice  shall  be  prohibited ;  all  pictures 
■  onceir.cd  with  the  underworld  places  of  vice  and 
crime,  opium  dens  showing  men  and  women  in 
degrad  ng    conditions. 

C  me  and  crime  teaching  shall  be  prohibited ; 
.scenes  showing  the  use  and  traffic  of  poison  and 
pan  o  ( s  and  other  unnatural  practices  against 
social  morality  ;  stories  and  scenes  which  may  be 
considered  as  real  schools  of  crime  in  instructing 
t'  c  mo"a'ly  feeble  in  methods  of  committing  crime, 
entering  the  horses,  forcing  locks,  blowing  safes; 
p  ctures  s'  owing  murders,  unnecessary  details  of 
vio'ence  and  roughness  with  use  of  dynamite  for 
cr'm  r.al  purposes ;  all  thinrs  which  are  shown  too 
often  in  some  "Weste.n"  nictures  and  which 
mipht  be  an  incitive  to  imitat.on  ;  all  brutal  fights 
aVoard  ships ;  burglaries,  thefts,  forgeries,  stealing, 
clieaSi  g  at  cards  or  at  any  other  game, 

Cruety,  executions  or  violence  to  women  and 
child-e'i,  and  brutalities  to  animals  must  not  be 
a'lowed,  nor  death  scenes  that  are  gruesome  or 
depicturing  tortures  or  extreme  sufferings,  nor 
scenes  of  txecution  in  which  are  shown  scaffolds, 
e'ectric   cliairs,   guillotine. 

Divorce :  fostering  or  show'ng  or  divorce  as 
mcai.s  cf  dissolving  marriage  bonds  must  not  be 
allowed   in    this   Province,   nor   any   suicide. 

Patriotism  shall  be  [irohibited  ;  all  scenes  in- 
jur ous  to  Canad  an  and  to  any  other  race  pride  or 
I  atriofsm  and  to  the  loyalty  to  the   King. 

Owing  to  the  mixed  population  of  the  Provnice 
of  Ui'e' ec.  special  care  must  be  given  to  the 
f'uestion  cf  nationality,  religious  belief  and  general 
customs. 

Ser  a  s :  fifty  per  cent  of  all  serials  shall  be 
shown  at  one  sitting  so  that  the  Board  may  form 
an  idea  of  the  story  to  follow  in  subsequent  epi- 
sodes. 

t'onud.'es:  a  certain  leniency  will  be  recommend- 
ed as  to  the  application  of  the  above  Standard  in 
the  examination  of  comedies.  They  will  be  left  to 
the    rci.sor's    own    judgment. 

Tfes:  all  titles  and  sul>-titles  advertising  the 
certs   prohibited    above   si  all    be   rejected. 

Standards   of   the   Commonwealth   of 

Australia 

A 

OBJECTIONABLE     CHARACTERISTICS     AS 
PRESCRIBED    BY   ACT   OF    PARLIAMENT 

No     film     shall     be     registered     which,     in     the 

opinion    of    the    censorship — 

a — is  blasphemous,   indecent   or   obscene  : 

b. — is    likely    to    be    injurious    to    morality,    or    to 

encourage    or    incite    to    crime: 


c. — is  likely  to  be  offensive  to  any  ally  of 
Great    Britain    or : 

d. — depicts  any  matter  the  exhibition  of  which 
is   undesirable   in   the   public   interest. 

B 

OBJECTIONABLE     CHARACTERISTICS     AS 

DEFINED  BY  THE  COMMONWEALTH 

FILM    CENSORSHIP 

1. — Indecent,   suggestive   or   insufficient   dress. 

2. — Embraces  overstepping  the  limits  of  affec- 
tion, or  which  would  be  contrary  to  propriety  in 
ordinary    life. 

3. — Nude   figures. 

4. — -Positions  of  the  actors  which  are  suggestive 
of   sexual   passion    or   desire. 

5. — Scenes  which  might  be  offensive  to  the  re- 
ligious  feeling  of  any  class   of  the  community. 

6. — Scenes  which  might  be  thought  subversive 
to  morality   or  virtue. 

7. — Scenes  which  might  be  morally  harmful,  to 
the   young   especially,   of   both   sex. 

8. — Scenes  which  might  seem  to  encourage  or 
appear  to  view  with  indifference,  breaches  of  law, 
or  perpetration  of  crime. 

9. — Scenes   of  brutal   cruelty   or  violence. 

10. — Scenes  from  which  the  inference  could  be 
drawn  that  offences  against  those  laws,  or  rules, 
or  recognized  social  codes,  which  govern  the  re- 
lations of  the  sexes  in  married  and  single  life, 
are  matters  to  be  overlooked  or  treated  lightly. 
C 

Note:  .The  following  notes  are  based  on  de- 
cisions during  the  past  three  years  and  are  in- 
tended merely  as  a  guide  to  future  requirements 
of  the  Censorship.  They  are  not,  in  any  par- 
ticular,  to  be  regarded  as  precedents. 

1.  Nude  figures — The  nude  human  figure  is  not 
passed.  Moreover  the  suggestion — usually  by 
means  of  sub-titles  that  nudity  is  being  portrayed 
before  other  characters  in  the  film  is  also  ob- 
jected to.  Undraped  statues  are  not  eliminated 
unless  these  are  in  themselves  indecent,  and  ex- 
hibit  something  more   than   mere   nudity. 

2.  Crime — The  treatment  of  the  films  where 
the  whole  theme  deals  with  ordinary  underworld 
vice  or  crime  (thieving  blackmailing,  gambling, 
opium  dens)  depends  entirely  on  the  handling  of 
the  subject.  Retribution  in  some  form  is  neces- 
sary, and  it  should  be  adequate.  If  the  atmosphere 
of  a  crime  film  be  so  heavy,  cynical,  or  callous 
as  to  produce  an  overpowering,  cumulative  effect 
for  evil,  rejection  is  considered  necessary.  On 
the  other  hand  the  final  dominant  impression  left 
on  the  mind  by  some  "crime"  films  has  un- 
doubtedly been  good.  That  would  naturally  be 
the  case,  where  the  crime  has  not  been  too 
grossly  vicious,  and  extensive,  and  has  not  been 
excused    or   made   to   appear   justifiable. 

The  condonation  of  crime  or  vice  is  not  allowed. 
For  example,  the  Censorship  has  objected  to  a 
feature  where  several  people  conspired  success- 
fully to  defeat  the  process  of  the  law  by  deceiving 
the  police  into  thinking  that  a  case  of  murder  (or 
manslaughter)  was  really  the  suicide  of  the  dead 
man. 

Another  aspect  relates  especially  to  juveniles 
taking  the  law  into  their  own  hands.  The  censor- 
ship has  strongly  objected  to  a  young  boy  shoot- 
ing an   outlaw,    or   a   supposed    seducer. 

3.  Sexual  Crime — White  slavery,  free-love,  abor- 
tion or  extended  scenes  in  brothels  are  never 
passed.  Brothel  scenes,  if  very  brief  and  dis- 
creet, are  sometimes  passed.  Under  no  circum- 
stances is  a  woman  allowed  to  sell  her  virtue. 
The  role  of  prostitute  may  be  passed  if  delicately 
handled   and   incidental   to   the  main   theme. 

Erratic  embraces  are  usually  considered  ob- 
jectionable. Any  embrace,  struggle  or  pursuit 
having  for  its  object  the  man's  desire  to  seduce 
the  girl  is  always  cut  to  the  mere  flash,  and  some- 
times   altogether   eliminated. 

The  general  theme  of  seduction  is  carefully 
considered.      It   must   be   delicately    handled. 

Adultery,  if  one  of  the  parties  is  married,  is 
rarely  allowed  to  be  portrayed — even  briefly.  If 
neither  is  married  the  scenes  showing  the  two 
actually  living  together  are  reduced  to  the  min- 
imum necessary  to  preserve  continuity.  Sub-title 
references  to  adultery  having  occurred  in  the  past 
are  usually  passed  providing  the  wording  is  not 
gross. 


341 


Marital  infidelity  is  carefully  considered.  How- 
ever, considerable  latitude  is  allowed  in  "slap- 
stick' and  "broad"  (legitimate)  comedy.  In  the 
latter  case  it  is  considered  that  the  audience  thinks 
chiefly  of  the  humour  in  the  complicated  situa- 
tions which  arise,  and  pays  little  heed  to  the 
fact  that  the  relationship  between  the  actors  may 
occasionally  be  suggestive  of  irregularity.  How- 
ever, comedies  which  tend  to  sneer  at  or  seriously 
ridicule  the  established  conventions  regarding  mar- 
ried and  single  life  would  be  rejected.  Especially 
does  this  apply  to  stories,  humourous  or  serious, 
where  infidelity  or  immorality  is  "framed  up"  so 
as  improperly  to  secure  a  divorce  or  to  ruin  a 
person's  character  for  reasons  of  blackmail  or 
politics  ("Name  Upa"  or  theft  or  dishonesty  do 
not    come   under    this    category). 

4.  Slapstick  Comedies — A  considerable  amount 
of  latitude  is  allowed,  but  sub-title  inuendos  or 
bed-room  mix-ups  are  carefully  considered.  Gross 
vulgarities  and  suggestive  "jokes"  actions,  or 
postures    are    always    cut. 

5.  Brutality — Excessive  brutality  and  violence  is 
not  allowed,  especially  where  women  are  roughly 
treated  by  men  (i.  e.,  apart  from  any  motive  of 
immorality).  Fights  between  women  are  care- 
fully considered.  In  any  fight,  close-ups  of  fierce 
throttling,  unnecessary  vicious  and  inhuman  acts, 
blood-stained  faces,  and  wounds  are  generally  cut. 
In  other  words,  scenes  of  barbarity  are  not  per- 
mitted,  nor  ghastly   exhibitions   of   physical   pain. 

6.  Execution  scenes — are  reduced  to  the  small- 
est possible  duration,  and  all  harrowing,  morbid 
or  gruesome  details  are  rigidly  excised.  This 
applies  not  only  to  the  scenes  immediately  con- 
nected with  the  actual  execution  (which  itself 
is  always  cut),  but  also  to  preceding  scenes  in 
the  prisoner's   cell,  and  so   forth. 

7.  Shooting — Excessive  shooting  and  indiscrim- 
inate fighting  (as  distinct  from  war  films)  reduced 
as  much  as  possible,  particularly  where  point- 
blank,   cold-blooded   killing   takes    place. 

8.  Drugs — Drug  incidents  are  allowed,  except 
that  the  actual  injection  by  hypodermic  syringe 
or  the  name  of  any  poison  is  out.  Where  the 
whole  story  centres  round  drug  habits,  the  film 
is  rejected,  unless  there  are  special  mitigating 
circumstances.  One  film  was  rejected  even  though 
it  showed  a  man  overcoming  the  drug  habit — be- 
cause of  the  vivid  depiction  of  the  attraction  of 
drugs,  which  might  suggest  the  habit  to  people 
who  had  not  previously  thought  of  it. 

9.  Medical  Propaganda — A  film  raising  any  dis- 
tinct medical,  disease,  or  sex-vice  issue  is  passed 
provided  that  the  censorship  is  convinced  that  the 
film  is  of  a  bona-fide  propaganda  nature.  It  is 
customary  to  impose  a  restriction  to  the  eflfect 
that  the  film  may  only  be  shown  in  such  States 
where  the  local  Board  of  Health  gives  its  ap- 
proval. Further,  it  is  sometimes  considered  neces- 
sary to  impose  an  age  limit,  usually  16,  at  ex- 
hibitions. 

10.  Sedition — Films  containing  any  matter  likely 
to  be  detrimental  to  the  British  Empire  in  a 
social,  political  or  national  sense  are  carefully 
considered. 

11.  Main  Titles — Are  altered  if  they  convey  any 
immoral  or  decidedly  suggestive  meaning.  TThe 
following  names  illustrate  the  position : 

"Her  Purchase  Price" 
"His  Unmarried  Wife" 
"Her  Body  in  Bond" 
"All  A   Girl   Can   Give" 

Standards  of  the  British  Board  of  Film 
Censors  London,  England 

Indecorous,  ambiguous  and  irreverent  titles  and 
sub-titles. 

Cruelty  to     animals. 

Drunken  scenes  carried  to  excess. 

The  modus   operandi   of  criminals. 

Cruelty  to  young  infants,  and  excessive  cruelty 
to    and    torture    of    adults,    especially    women. 

Profuse   bleeding. 

Unnecessary  exhibition  of  women's  underclothing. 

Nude   figures. 

Offensive  vulgarity  and  impropriety  in  conduct 
and   dress. 

Indecorous   dancing. 

Excessively  passionate  love   scenes. 


Improper    bathing    scenes. 

Scenes  tending  to  disparage  public  characters 
;uk1   institutions. 

Realistic    horrors    of    warfare. 

Scenes  and  incidents  in  war  calculated  to  attorU 
information   to   the    enemy.  .  . 

Scenes  in  which  the  king  and  officers  m  uniform 
are   seen   in   an    odious   light. 

Gruesome  murders  and   strangulation   scenes. 

Executions. 

Vitriol  throwing.  .  . 

The  use  of  drugs,  e.  g.,  opium,  morphine, 
cocaine,   etc.  ,  .        ,  m 

Subjects  dealing  with  the  white  slave  trattic. 

Subjects  dealing  with  the  deliberate  seduction  of 

"First   night     scenes. 

Indelicate    sexual    situations. 

Situations  accentuating  delicate  marital  relations. 

Views   of  men  and  women  in   bed   together. 

Illicit   sexual   relationships. 

Prostitution    and   procuration. 

Disparagement   of    the   institution    of   marriage. 

Misrepresentation    of    police   methods. 

Surgical  operations. 

Commitment   of   crime   by   children. 

Criminal  poisoning  by   dissemination  of   germs 

Practice   of    the    third    degree   by   the   police. 

Branding   men    and   animals. 

Women  fighting   with  knives. 

Exaltation   of   doubtful   characters   as  heroes. 

Making  the  sacrifice  of  a  woman's  virtue  laud- 
able. ,  .... 

Infidelity  on  part  of  a  husband  justifying 
adultery  of   wife. 

Confinement   and    puerperal   pains. 

Views    of    dead    bodies. 

Subjects  in  which  sympathy  is  enlisted  for 
criminals. 

Animals    gnawing    men,    women    and    children. 

Realistic   scenes   of  epilepsy. 

Insistence  upon   the   inferiority   of   colored   races. 

Advocacy  of  the  doctrine  of  free  love. 

Salacious  wit. 

The  perpetration  of  criminal  assaults   on  women. 

Scenes  depicting  the  effect  of  venereal  diseases, 
inherited  or  acquired. 

Incidents     suggestive    of    incestuous    relations. 

Themes  and  references  to  "race  suicide." 

Scenes  laid  in  disorderly  houses. 

Materialization  of  the  conventional  figure  of 
Christ 

French  and  Italian  Standards 

In  "The  Morals  of  the  Movie"  Dr.  Oberholtzer, 
formerly  secretary  of  the  Penna.  State  Board  of 
Censors  says  (p.  107)  :  "Since  1916  France  has  had 
a  commission  of  five  members  to  examine  and  con- 
trol the  exhibition  of  film.  Unless  it  be  accom- 
panied by  a  certificate  which  they  have  issued 
no  picture  may  be  shown  in  any  theater  of  the 
country.  So  long  ago  as  in  1913  the  prefects- 
of  the  departments  were  authorized  to  prohibit 
"les  representations,  par  les  cinematographes,  des 
crimes,  executions  capitales  et  d'une  facon  gen- 
erale  de  toutes  scenes  a  caractere  immoral  et 
scandaleux." 

In  Italy  all  pictures  must  be  licensed  before 
they  are  shown.  They  are  inspected  and  censored 
prior  to  certification  with  a  view  to  preventing 
the  exhibition — 

"(a)  Of  pictures  oflfending  against  morals,  good 
manners,  public  decency  and  private  persons. 

"(b)  Of  spectacles  injurious  to  the  national 
fame  and  self-respect,  or  against  the  public  order, 
or  likely  to  disturb  our  good  relations  with  foreign 
powers. 

"(c)  Of  such  as  would  lessen  the  name  and 
fame  of  public  institutions  and  authorities,  or  of 
the  officers  and  agents  of  the  law. 

"(d)  Of  scenes  of  violence,  horror  and  cruelty, 
even  where  animals  rather  than  human  beings  are 
concerned,  or  of  crimes  and  suicides  realistically  re- 
produced ;  and  in  general  of  scenes  representing  per- 
verse actions  or  facts  which  would  be  incentive  to 
crime,  or  be  calculated  to  unsettle  the  mind  and 
provoke   to   evil." 

The  whole  subject  is  under  the  control  of  the 
Minister  of  the   Interior  in   Rome. 

In  Spain  likewise  the  screen  is  subject  to  legal 
regulation. 


342 


Suggestions  for  India  Censors 

Censorship  suggestions  to  American  trade  for 
Iiulia,  made  by  Consul  General  A.  W.  Weddell, 
Calcutta  : 

There  are  three  boards  of  censorship  in  India — ■ 
at  Bombay,  Calcutta,  and  Rangoon — which  repre- 
sent the  educational,  religious,  political,  and  com- 
mercial organizations  of  those  cities.  The  charge 
for  censoring  a  picture  is  5  rupees  per  100  feet, 
and  the  picture  is  usually  viewed  by  one  paid 
official  before  its  public  exhibition. 

From  interviews  with  the  various  operators  in 
Calcutta,  the  following  suggestions  are  made  as 
to  producing  and  exporting  American  films  to 
India:  (1)  A  reduction  in  price  by  the  manu- 
facturers for  exhibition  rights  in  India,  (2)  more 
caution  as  to  the  nature  of  the  film  sent  to 
India,  (3)  more  attention  to  detail  in  films  depict- 
ing Indian  life,  (4)  establishment  of  an  American 
agency  in  India  for  the  distribution  of  films  and 
general  management  of  the  trade. 

Censorship  in  the   Phillipines 
Manila,  P.  I. — According  to  the  Manila  Bulletin, 
in    February,    the    mayor    was    requested    by    Gov- 
ernor-General   Leonard    Wood    to    appoint    a    com- 
mittee of  three  to   censor  motion   pictures   here. 

Censorship  in  Holland 

Consul  General  G.  E.  Anderson,  Rotterdam,  re- 
ported  in   February  : 

In  the  past  few  months  the  matter  of  censor- 
ship has  caused  a  great  deal  of  trouble  and  is 
likely  to  cause  more  in  the  near  future.  There 
is  no  general  censorship  law  in  Holland,  and  the 
control  of  the  presentation  of  picture  plays  rests 
with  the  municipal  authorities  in  each  locality. 
In  some  municipalities  all  plays  must  be  censored, 
in  some  only  those  plays  which  are  presented  for 
children.  There  is  a  regular  board  of  censors 
in  The  Hague,  Amsterdam  and  Utrecht.  Things 
are  liberal  in  Rotterdam.  In  Amsterdam  there  has 
been  a  diflference  of  opinion  between  theater 
operators  and  the  board  of  censors  with  the  result 
that  all  the  theaaters  decsided  to  close  for  one 
day  as  a  protest  against  a  ruling  of  the  secretary 
of  the  board  of  censors  over  a  title,  and  since 
plays  presented  for  persons  over  18  years  of  age 
do  not  require  censorship  they  proposed  there- 
after and  imtil  further  notice  to  present  plays  only 
for  persons  over  that  age  limit.  The  difficulty 
later  was  adjusted.  The  result  of  the  present 
system  is  that  permission  to  display  a  picture 
varies  without  reason.  The  Hague,  for  example, 
will  permit  the  universal  exhibition  of  a  film  which 
Utrecht   will   limit   to   adults   or  vice   versa. 

Picture  theater  operators  are  working  for  a 
national  censorship  law  and  a  bill  for  one  has 
passed  the  lower  chamber  of  the  States-General 
and  will  probably  become  a  law  in  the  course  of 
the   next   few   months. 

New  Zealand  Reviewed  3,146  Films 

Figures  for  the  past  year  from  New  Zealand 
show  that  the  censors  there  reviewed  3,146  pic- 
tures totalling  about  4,900,000  feet.  Thirty-eight 
pictures  were  rejected  entirely  and  in  240  elimina- 
tions were  ordered.  The  New  Zealand  censors 
are  now  trying  to  have  a  measure  passed  giving 
them  control  of  the  advertising  matter. 

Poland  Establishes   Censorship 

The  Associated  Press  reported  from  Warsaw 
in  May  that  national  censorship  had  been  estab- 
lished in  Poland.  Theaters  there  of  the  cheaper 
kind  have  been  showing  old-time  westerns.  It  is 
claimed  that  the  crime  wave  in  Poland  was  due, 
in  part,  at  least,  to  the  influence  of  the  pictures 
upon   young  men. 

Virginia    Censor    Board 

Governor  E.  L.  Trinkle,  of  Virginia,  appointed 
Evans  Chesterman,  Mrs.  Emma  Speed  Sampson 
and   A.    L.    T.    Monture   censors   in    March. 

The  Virginia  measure  became  effective  on  Aug. 
1st,  and  provided  for  a  tax  of  $1  a  reel  on 
originals,  and  50  cents  a  reel  for  duplicates.  The 
censors  are  each  to  draw  a  salary  of  $2,400  a  year. 

Pennsylvania   Non-Theatrical  Regulations 

The  following  regulations  were  adopted  in  Sep- 
tember by  the  Pennsylvania  State  Department  of 
Labor  and  Industry  concerning  the  showings  of 
non-theatrical  films : — 


1.  No  permit  will  be  issued  for  any  auditorium 
for  the  use  of  flammable  film  where  an  enclosing, 
standard  fire-proof  booth  is  not  provided  for  the 
projection   machine. 

2.  No  permit  will  be  issued  for  any  auditorium 
located  above  or  below  the  first  floor  of  a  build- 
ing where  it  is  intended  to  use  flammable  film. 

3.  No  permit  will  be  issued  for  any  auditorium 
located  above  the  second  floor  of  a  building. 

4.  No  permit  will  be  issued  for  any  auditorium 
for  the  use  of  any  balcony  for  any  purpose  other 
than  to  accommodate  the  projection  machine, 
booth  and  accessory  equipment. 

5.  No  permit  will  be  issued  for  an  auditorium 
without  an  enclosing,  standard  fire-proof  booth, 
where  the  machine  to  be  used  has  not  been 
approved  by  the  Industrial  Board  for  the  use 
intended. 

6.  No  permit  will  be  issued  for  any  auditorium 
where  the  machine  operator  has  not  first  applied 
for  and  received  the  permit  required  by  the  In- 
dustrial Board  Rulings. 

7.  To  obtain  a  permit  for  any  auditorium,  floor 
plans  or  sketches,  in  duplicate,  showing  aisles, 
seating  arrangement,  and  all  exit  facilities,  with 
all  dimensions  plainly  marked  and  drawn  to  scale, 
must  be  submitted  to  the  office  of  the  Chief  In- 
spector.  Department   of   Labor   and   Industry. 


A.  M.  P.  A. 

John  C.  Flinn,  president;  Victor  M.  Shapiro, 
vice-president;  Thomas  G.  Wiely,  secretary,  and 
Horace  Judge,  treasurer.  The  above  four  are 
members  of  the  board  of  directors  with  the  follow- 
ing additions:  C.  W.  Barrell,  Paul  Gulick,  J.  W. 
O'Mahoney,  Arthur  Brilant,  Horace  Judge,  P.  A. 
Partpns,  Howard  Dietz,  Vivian  Moses,  Vincent 
Trotta,  A.  M.  Botsford,  Paul  Lazarus,  Nat  Roth- 
stein,  Harry  Reichenbach,  C.  L.  Yearsley,  J.  M. 
Loughborough,   Samuel  D.    Palmer. 

Membership   List 
(All   addresses    New    York    City,    except   as    other- 
wise  stated) 

Bert  Adler,  Allan  Dwan  Prod.;  E.  M.  Asher, 
Capitol  Theater  Bldg. ;  Ben  H.  Atwell,  Hotel 
Princeton. 

Richard   Anderson,    International   News. 

Fred  Baer,  Kineto;  J.  L.  Barnard,  Kineto ;  C. 
W.  Barrell,  Western  Electric  Co. ;  Henry  Clay 
Bate,  Universal;  Jerome  Beatty,  Famous  Players- 
Lasky ;  Ace  Berry,  266  Mass.  Ave.,  Boston;  Ralph 
Block,  Goldwyn;  Morton  B.  Blumenstock,  Asso. 
First  Nat'l  Pict. ;  A.  M.  Botsford,  Famous  Play- 
ers-Lasky;  Jos.  A.  Brady,  Pathe ;  Arthur  Brilant, 
901  Beck  St.;  E.  O.  Brooks,  Bella  Vista,  Tucka- 
hoe,  N.  Y. 

Victor  Beals,  5  West  16th  St.,  New  York  City; 
Harold  Beecroft,  First  National,  6  West  48th  St., 
N.  Y.  C. ;  C.  Lin  Bonner,  Al  Lichtman  Corp., 
576  Fifth  Ave.,  N.  Y  C. ;  George  Brown,  Un- 
iversal   Film    Co.,    1600    B'way,    N.    Y.    C. 

C.  F.  Chandler,  First  National;  Sam  W.  B. 
Cohn,  Asso.  Prod.;  Merritt  Crawford,  1482  Broad- 
way ;    Herbert    Crooker,    Pathe. 

Ben  Davis,  Friars  Club;  Charles  Davis,  Salient 
Pictures;  Lynde  Denig,  Goldwyn;  Bob  Dexter, 
First  National;  A.  B.  Dick,  McClure  Prod.; 
Howard  Dietz,  Goldwyn;  H.  P.  Diggs,  1209  Times 
Bldg. 

Lynde  Denig,  Goldwyn  Film  Corp.,  469  Fifth 
Ave.,  N.  Y.  C;  Joe  Di  Lorenzo,  135  W.  44th 
Street,  New  York  City;  Curtis  Dunham,  Pathe 
Exchange,  Inc.,  35  W.  45th  St.,  N.  Y.  C. 

Walter  F.  Eberhardt,  Asso.  First  Nat'l.;  S. 
Charles  Einfeld,  First  National ;  A.  Feinman, 
Warner  Bros.;  B.  P.  Fineman,  Katherine  Mac 
Donald  Studio,  Los  Angeles;  John  C.  Flinn, 
Famous  Players-Lasky ;  John  P.  Fritts,  36  Valley 
Road,    Larchmont,    N.    Y. 

Jack  Fuld,  First  National,  6  West  48th  St., 
N.   Y    C. 

Ora  L.  Geyer,  F.  P.  L.  Corp.;  J.  Gourlay. 
6  W.  48th  St.;  Harry  L.  Graf,  145  W.  45th  -St.; 
J.  I.  Greene,  Pathe ;  Ben  H.  Grimm,  Universal ; 
Karoly  Grosz,  Asso.  Prod. ;  Paul  Gulick,  Universal. 
Lambert  Guenther,  14  E.  44th  St.,  N.  Y.  C. ; 
L.  F.  Guimond,  Al  Lichtman  Corp.,  576  Fifth 
Ave.,   N.  Y.   C. 

Hopp  Hadley,  1209  Times  Bldg.;  Wells  Jfawks, 
101  W.  42nd  St.:  Daniel  IlenHerson.  McClure 
Prod. :   Joe  Hirt,   56   Manhattan   Ave. 


343 


Ned  Holmes,  First  National. 

Leslie  Jordan,  Universal;  Horace  Judge,  First 
National. 

Horace  Judge,    First    National. 
Al  Karpen,  Realart ;  Pat  Kearney,  Famous  Play- 
ers-Lasky ;    Jacques    Kopfstein,    60    Northern   Ave. ; 
John    W.    Kraft,    Fox. 

C.  A.  Karpen,  Apeda  Studios,  B'way  at  48th 
St.;  Edward  Klein,  610  Knickerbocker  Bldg., 
N    Y.   C. ;   Paul  Kohner,  Universal. 

'Claude  La  Belle,  227  W.  45th  St.;  George  Lan- 
dy,  Jonathan  Club,  Los  Angeles ;  Tamar  Lane, 
Selznick ;  Mark  Larkin,  Los  Angeles;  Paul  Laz- 
arus, United  Artists;  W.  H.  Leahy,  Anita  Stewart 
Co.,  Los  Angeles;  Arthur  Leslie,  235  W.  Slst 
St.;  Harry  Lewis,  Pathe ;  W.  W.  Lewis,  143  23rd 
St.,  Elmhurst,  L.  I.  ;  Theodore  Liebler,  Riverside, 
Conn. ;  Philip  Lonergan,  Elks  Club ;  Robert  Ed- 
gar Long,  1482  Broadway;  Joseph  T~>.  Lorenzo, 
Asso.  Prod.  ;  J.  M.  Loughborough,  Asso.  First 
Nat'l.  ;    Randolph   Lewis. 

Lesley  Mason,  729  Seventh  Ave.  ;  Charles  E. 
Meyer,   United  Artists. 

Charles  McCarthy,  Famous  Players-Lasky ; 
Charles  McClintock,  Fox;  E.  J.  McConnell,  New 
York  Athletic  Club,  59th  St.  and  6th  Ave. ;  Edward 
McNamee,  Fox;  James  MacFarland,  69  W.  46th 
St. ;  Alan  D.  Mirr,  Realart ;  Joe  Mayer,  Universal 
Exch.,  Cleveland;  John  E.  D.  Meador,  Metro; 
Maurie  Meyers,  1463  Broadway;  Edward  Moffat, 
Universal ;  David  A  Morrisy,  Fox ;  V.  M.  Moses. 
22  W.  47th  St.;   W.'E.  Mulligan,  First  National. 

J.  F.  Natteford,  723  Seventh  Ave.;  Rutgers 
Xeilson,    109   Holly   Ave.,   Cranford,    N.   J. 

J.  F.  Natteford,  723  Seventh  Ave.,  N.  Y.  C. ; 
Victor  Nurnberg,  Pacific  Film. 

S.  D.  Palmer,  Famous  Players-Lasky ;  P.  A. 
Parsons,  Pathe;  Jack  Pegler,  2592  Creston  Ave., 
Bronx;  Paul  E.  Perez,  Universal;  C.  C.  Petti- 
john,  522  Fifth  Ave.;  Hal  Phyfe,  620  W.  190th  St. 
J.  V.  Ranck,  1600  Broadway;  Joseph  Reddy, 
Pathe ;  Harry  L.  Reichenbach,  Belleclaire  Hotel ; 
Burton  Rice,  145  W.  45th  St.;  Allen  Rock,  152 
W.  72nd  St.  ;  Nat  Rothstein,  E.  J.  Rosenbaum,  529 
W.  111th  St. ;  F  B.  O.;  Morrie  Ryskind,  543 
VV,   146th  St. 

Paul  Sarazan,  Dallas,  Tex. ;  M.  A.  Schutte, 
Hodkinson ;  Fred  Shaefer,  312  Lincoln  Ave., 
Brooklyn ;  V.  M.  Shapiro,  Pathe ;  Ernest 
Sbipman,  17  W.  44th  St.;  Sidney  Singerman, 
Universal:  Pete  Smith,  Neilan  Prod.;  Julian  M. 
Solomon,   601    W.    184th   St.;   Silas   Spitzer. 

Silas  F.  Seadler,  750  Riverside  Drive;  A.  S. 
.Selig.    530   W.    149th    St. 

Vincent  Trotta,   Famous   Players. 
C.   J.    VerHalen,    117    W.    46th    St. 
Chas.  E.   Wagner,   Pathe;  Joe  Weil,   1476  Broad- 
way ;    Richard    Weil.    Arrow ;"  Tom    Wiley,   209    W. 
38th    St. 

Donald  H.  Walk,  Universal;  J,  Weaver,  267 
Ainslee  St.,  Brooklyn;  Lloyd  Willis,  N.  A.  M. 
P.    L,    1520   Broadway. 

Harmon  Yaffa,  17  E.  37th  St.;  C.  L.  Yearsley. 
First    National. 

Eugene   Zukor,   Famous   Players. 
Honorary    Members:      A.    S.    Friend,    336    Madi- 
son   Ave.;    Lambert    Guenther,'    162    W.    48th    St.; 
.Arthur   James,    516    Fifth    Ave. 
Arthur  Paul  Yowitz,  Fox. 


WESTERN    MOVING    PICTURES 
ADVERTISERS 

619    Pacific    Finance    Building     Los    Angeles 

Officers:  President,  Arch  Reeve;  \'ice- Presi- 
dent, Pete  Smith  ;  Secretary,  Harry  Hammond 
Beall ;  Treasurer,  Barrett  C.  Kiesling ;  Assistant 
Secretary,   Howard   Strickling. 

Directors :  Arch  Reeve,  Pete  Smith,  Harry 
Hammontl  Beall,  Barrett  C.  Kiesling,  Joseph  A. 
Jackson,  Malcolm  S.  Boylan,  Harry  Wilson,  Paul 
Conlon,   Harry  R.   Brand. 

Members:  Allen,  Robert  L,  Lasky  Studio,  1520 
Vine  St.;  Anthony,  Walter,  United  Studio,  5341 
Melrose  Ave. 

Beall,  Harry  Hammond,  634  Citizens  Nat'l  Bank 
Bldg.;  Beatty,  Jerome,  Lasky  Studio,  1520  Vine 
St.  ;  Boylan,  Malcolm  S.,  LTniversal  City,  Cal. ; 
Brand,  Harry,  Keaton  Studio,  1025  Lillian  Way  ; 
Branaman,  Chas.,  301   C.  C.  Chapman  Bldg. 


Cohn,  Sam  W.  B.,  Hillview  Apts.,  6533  HoMy. 
Blvd.;  Condon.  Charles,  Mayer  Stud  o.  3800  Mis- 
sion Rd.  ;  Conlon,  Paul,  1957  No.  \'an  Ness;  Col- 
lier.   Robert,   209   Knickerbocker   Bldg. 

Davidson,  Ray,  424  So.  Broadway;  Dickson,  .M. 
M.,  Universal  City,  Cal. ;  Donian,  Robert,  Oat- 
man,  Ariz.  ;  Dowling,  Pat,  Christie  Studio,  Sunset 
at   Gower.  • 

EIngler,  Tom,  Goldwyn  Studio,  Culver  City. 

(ioring,  John,  Famous  Players-Lasky  Exchange, 
924  So.  Olive  St.:  Goss,  Foster.  6411  Hollywood 
Blvd.;  Graham,  G.  H.,  6411  Hollywood  Blvd.: 
(irueu,   James.   ]\Ietro    Studio. 

Hagerman,  Arthur,  Universal  City,  Cal.;  Hill. 
Jack,  Fox  Studio,  Sunset  and  Western  ;  Heiirj . 
William,  Grauman's  Theater  Pub.  Dept.,  Douglas 
Bldg.  ;  Hertznian,  Chas..  care  Sam  H.  Harris. 
.\ew    York  ;    Hurley,    Harold.    Universal    City,    Cal. 

Irvine,   Clark,   Culver  City,   Cal. 

Jackson,  J.   A.,  Goldwyn   Studio,  Culver   City. 

Keefe,  W.  E.,  Hollywood  Studio,  Santa  Monica 
near  Seward;  Kiesling,  Barrett  C,  Lasky  Studio. 
1520  Vine  St.;  Klein,  Ernest,  Christie  Studio, 
Sunset  at   Gower. 

Lathrop,  Monroe,  Ray  Studio,  1425  Fleming 
St.;  Larkin,  Mark,  Pickford- Fairbanks  Studio,  7100 
Santa  Monica  Blvd. ;  Landy,  George,  United  Stu- 
dio, 5341  Melrose  Ave.  ;  LeBerthon,  Charles.  Bal 
aban  &  Katz,  Chicago;  Leek,  Ray  H.,  Robert- 
son-Cole,   Melrose   at    Gower. 

McCormick,  John   E.,   619    Pacific   Finance   Bldg 

MacArthur,  Arthur,  Sennett  Studio,  1712  Alles 
sandro ;  Mac  Kemia,  Lindsay,  United  Studio,  5341 
Melrose  Ave. 

Miller,  Roy,  California  Theater;  Meyers,  Zion. 
Century  Studio,  Sunset  and  Gower;  Moriarity,  E. 
L.,    Vitagraph    Studio,    1708    Talmadge    St. 

Neville,   Jack,   6705    Yucca   St. 

Perret,  Francis,  Metro  Studio;  Pope,  Clem, 
Symphony  Theater. 

Retlaw,  Jack,  West  Coast  Theaters,  Inc.,  209 
Knickerbocker  Bldg.  ;  Rankin,  John,  Chaplin  Stu- 
dios. 1420  La  Brea;  Robinson,  Carlyle,  209  Knick- 
erbocker Bldg. ;  Reddy,  Joe,  Roach  Studio,  Cul- 
ver City;  Rogers,  Bogart,  1518  6th  Ave.;  Reeve, 
Arch,  Lasky  Studio,  1520  Vine  St.;  Riddle,  Mel- 
vin,    Lasky    Studio,    1520    Vine    St. 

Shirk,  Adam  Hull,  Lasky  Studio,  1520  Vine  St.: 
Smith,  Peter  Gridley,  Neilan  Prod.,  Goldwyn  Stu- 
dio, Culver  City;  Spier,  Richard,  Mission  Thea- 
ter; Strickling,  Howard,  Metro  Studio;  Strom- 
berg.  Hunt,  Metro  Studio ;  St.  Johns,  Ivan,  5965 
Chula   Vista   Way. 

*Taylor,   Ted,    Camera,   4513    Sunset    Blvd. 

Wilkie,  Al,  Lasky  Studio,  1520  Vine  St.: 
VVeingarten,  L.  A.,  Sacred  Films,  Burbaiik,  Cal.  ; 
Wenzel.  Arthur  A.,  Grauman's  Press  Dept.,  Doug 
las  Bldg.;  Wells,  Linton,  Loew's  State  Theater: 
Wilson,  Harry  D.,  United  Studio,  5341  Melrose 
Ave. 

Young,    King,    634    Citizens    Nat'l    Bank    Bldg.  : 
Yost,   Bob,  Fox  Exchange,  So.  Olive  St. 
Honorary  member.   Will   H.   Hays. 
'Associate   member. 


NEWSPAPER   SYNDICATES 

Associated  Newspapers,  Inc.,  170  Broadway. 
New    York    City. 

The  Bel!  Syndicate,  Inc..  World  Building.  6.S 
Park  Row,  New  York  City;  John  X.  Wheeler. 
President. 

Central  Press  Association,  Cleveland,  Ohio; 
Mr.    H.    A.    McNitt,    Editor. 

Chicago  Tribune  Syndicate,  Chicago,  111.;  Miss 
King. 

International  Feature  Service,  246  West  59th 
St.,    New    York    City. 

International  Press  Bureau.  118  North  La- 
Salle  St.,  Chicago,  111.;  Mr.  William  Gerard 
Chapman. 

King  Features  Syndicate,  246  West  59th  St., 
New    York    City. 

The  McClure  Newspaper  Syndicate  (which  in- 
cludes   the    Wheeler    Syndicate),    i7i    Fourth    Ave. 

X.  E.  A.  Service,  Inc..  461  Eighth  Ave..  Xew 
York    City;   John    P.   O'Donnell.   Fiction    Editor. 

New  York  Tribune  Syndicate,  154  Nassau  St., 
New    York    City. 

Philadelphia  Public  Ledger  Syndicate,  Phila- 
delphia,   Pa.;    Mr.    John    E.    Watkins. 


344 


The  Ten  Best  Pictures  of  1922 

Selected  by  the  most  important  motion  picture  critics  of  the  trade  and 
fan  pubhcations,  as  well  as  critics  of  some  of  the  best  known  daily  news- 
pa])ers  in  this  country. 

(In  considering  the  following  selection  it  should  be  home  in  mind  that  a  number 
of  important  pictvres  released  dnring  November  and  December  of  1922  were  not 
vieived  by  many  critics  in  time  for  this  list.) 


WILLIAM     A.     JOHNSTON,     MOTION     PIC- 
TURE   NEWS 
Class    A 

\Mieii    Kniglitliood   Was   in   Flower. 

Blood  and  Sand. 

Td'able    David. 

Remembrance. 

\anook  of  the  Xortli. 

Grandma's    Boy. 

The   Prisoner  of  Zenda. 

The   Old   Homestead. 

Monte   Cristo. 

Orphans   of   the   Storm. 

Class  B 
Hungry  Hearts. 
The   Good    Provider. 
Smilin'  Through. 
East  is  West. 
The    Storm. 
My   Friend,    the    Devil. 
Miss   Lulu   Bett. 
The  Man  Who  Played  God. 
The    Eternal    Flame. 
The    Ruling   Passion- 

JAMES  R.  QUIRK,  PHOTOPLAY  MAGAZINE 

Blood  and   Sand. 

When    Knighthood    Was    in    Flower. 

Prisoner   of   Zenda. 

Nanook  of  the  North. 

Smilin'    Through. 

Orphans  of  the  Storm. 

Manslaughter. 

Grandma's   Boy. 

The  Storm. 

One  Glorious  Day. 

R.    E.   WELSH,    MOVING    PICTURE   WORLD 

If  you  wish  to  include  pictures  that  will  be 
shown  in  1922  but  which  have  not  yet  received 
general  exhibition  any  list  that  I  make  up  will 
have    to    include : 

The   Old   Homestead. 

The  Eternal  Flame. 

The   Tailor    Made    Man 

The   Sin    Flood. 

The    Man   Who    Played    God. 

However,  as  far  as  pictures  already  shown 
throughout  the  country  are  concerned,  my  list 
of   ten    follows: 

The    Storm. 

Grandma's   Boy. 

Orphans  of  the  Storm. 

Prisoner  o£  Zenda. 

Blood  and  Sand. 

>'anook    of   the   North. 

When  Knighthood  Was  in   Flower. 

Xero. 

Foolish    Wives. 

The   Masqucradcr. 

.Vow  that  my  ten  are  named  what  am  I  going 
to  do  about — 

Manslaughter. 

Smilin'  Through. 

.\nd — shucks,  Mr.  Editor,  you  can't  pick  any 
TEX    in    this    g'orious    vear. 


"DANNY,"  THE  FILM    DAILY,   NEW   YORK 

Orphans    of    the    Storm 

When    Knighthood   was   in   Flower 

Grandma's    Boy 

The    Storm 

X'anook    of    the    North 

The    Prisoner   of    Zenda 

Tol'able    David 

Robin    Hood 

Blood    and    Sand 

Smilin'    Through 

ROBERT    SHERWOOD,    LIFE.    NEW    YORK 
Robin  Hood. 
Tol'able  David. 

When  Knighthood  Was  in  Flower. 
Grandma's    Boy. 
Nanook   of  the  North. 
Orphans  of  the   Storm. 
The  Prisoner  of  Zenda. 
Oliver  Twist. 
The  Eternal  Flame. 
Blood  and  Sand. 

JAMES    O.    SPEARING,    THE    NEW    YORK 

TIMES 
The  Dictator. 
The  Loves  of   Pharaoh. 
Nanook  of  the  North. 
Oliver  Twist. 
One   Glorious   Day. 
Orphans   of  the   Storm. 
The  Prisoner  of  Zenda. 
Robin   Hood. 
Tol'able    David. 
When   Knighthood  Was  in  Flower. 

MAY  TINEE,  THE  CHICAGO  TRIBUNE 
Robin  Hood. 
Prisoner  of  Zenda. 
Oliver   Twist. 
Jane  Eyre. 
Foolish  Wives. 
Smilin'  Through. 
Blood   and    Sand. 
Under   Two    Flags. 
Kindred  of  the   Dust. 
Nanook  of  the  North. 

ALISON    SMITH,    PICTURE    PLAY 

Nanook  of  the  North. 

Robin  Hood. 

One  Glorious  Day  . 

Blood  and  Sand. 

Tol'able  David. 

Orphans  of  the  Storm. 

Smilin'    Through. 

Loves  of  Pharaoh. 

Salome. 

Hamlet. 

P.    S.    HARRISON.    HARRISON'S    REPORTS, 
NEW   YORK 

Shadows. 

Driven. 

Timothy's    Quest. 

The    Eternal    Flame. 

Quincy  Adams   Sawyer. 

Robin   Hood. 

The   Ruling  Passion. 

Foolish    Wives. 

Tailor-Made    Man. 

The    Sign    of    the    Rose. 


345 


EDITORS  OF  FILM  FUN,  NEW  YORK 

ToTable    David. 

Nanook   of  the  North. 

Grandma's    Boy. 

Oliver  Twist. 

Robin  Hood. 

Knighthood. 

Trifling  Women. 

Prisoner  of  Zenda. 

Blood   and    Sand. 

Orphans  of  the  Storm. 

BEN  SHYLER,  THE  REEL  JOURNAL, 

KANSAS    CITY 
Grandma's  Boy, 
Manslaughter. 
Blood  and  Sand. 
Smilin'  Thru. 
Good  Provider. 
Eternal  Flame. 
Monte  Cristo. 
Doubling  for  Romeo. 
Orphans  of  the  Storm. 
Three  Musketeers. 

EUGENE    KELCEY    ALLEN.    DAILY    NEWS 
RECORD,    NEW    YORK 
Blood  and   Sand. 
The  Man  Who  Played  God. 
Robin  Hood. 
The  Good  Provider. 
Oliver  Twist. 
Sherlock   Holmes. 
Smilin'  Through. 
The  Town  That  Forgot  God. 
When  Knighthood  Was  in  Flower. 
One   Exciting  Night. 

THE   PICTURE   PLAY    NEWS,    ROCHESTER, 
N     Y 

Hungry  Hearts. 

Prisoner  of  Zenda. 

Man  Who  Played  God. 

Tess  of  the  Storm  Country. 

The^  Storm. 

Grandma's  Boy. 

Manslaughter. 

The  Old'  Homestead. 

Remembrance. 

Ed.  Note :  It  should  be  borne  in  mind  that  some 
of  these  productions  were  1921  releases  and  only 
reached  the  country  generally  during  1922.  Also 
that  a  few  others,  notably  certain  large  productions 
such  as  "Robin  Hood"  and  "When  Knighthood 
Was  in  Flower"  were  not  generally  released  until 
late  in  1922  and  were  shown  in  but  a  limited  num- 
ber of  cities. 

THOMAS   J.    HAMLIN.    ASSOCIATED    FILM 
PRESS 

When  Knighthood  Was  in  Flower. 

The   Prisoner   of   Zenda. 

Nanook  of  the  North. 

Orphans   of  the   Storm. 

Blood  and  Sand. 

Tol'able  David. 

Grandma's   Boy. 

Hungry   Hearts. 

The  Good  Provider. 

Monte  Cristo. 

CATHERINE    S.    PROSSER,    STAR,    KANSAS 
CITY,    MO. 
Tol'able  David. 
Grandma's  Boy. 
One   Glorious   Day. 
Robinhood. 

When  Knighthood  Was  in  Flower, 
Nanook  of  the  North. 
The  Prisoner  of  Zenda. 
Manslaughter. 
Orphans   of  the   Storm. 
Tess  of  the  Storm  Country. 

L.   W.    BRENNAN,   THE   FILM    DAILY 
Orphans  of  the  Storm. 
Grandma's  Boy. 

When  Knighthood  Was  in  Flower. 
Oliver  Twist. 
The  Prisoner  of  Zenda. 
Smilin'  Through. 
Nanook  of  the  North. 
One  Glorious  Day. 
A    Bill  of  Divorcement. 
Driven.  ^ 


SYLVIA    CUSHMAN,    THE    BOSTON    TELE- 
GRAM,   BOSTON 

Foolish  Wives. 

Grandma's  Boy. 

Orphans  of  the  Storm. 

The  Wall  Flower. 

Penrod. 

The  Sailor  Made  Man. 

A   Conn.  Yankee  at  King  Arthur  s  Court. 

Heidi. 

South   of   Suva. 

All    Aesops    Fables. 
BILLY      LEYSER,     THE      SUNDAY      NEWS- 
LEADER,    CLEVELAND 

It  must  be  borne  in  mind  that  we,  here  m  Ohio 
are  at  the  mercy  of  the  Board  of  Censors  and 
those  pictures  that  have  met  with  certam  difficul- 
ties, would  come  to  us,  shorn  perhaps,  of  much 
of  their  dramatic  values. 

However,  the  list  below  is  the  writer  s  choice  and 
are  not  named  in  order  of  the  individual  merit. 

Nanook  of  the  North. 

Tol'able   David. 

Prisoner   of   Zenda. 

Manslaughter. 

Disraeli. 

Wild  Honey. 

Tailor  Made  Man. 

Orphans  of  the  Storm. 

The   Silent   Call. 

Smilin'  Through. 
JACOB      SMITH,     THE      MICHIGAN      FILM 
REVIEW,    DETROIT 

Orphans  of  the  Storm. 

The   Sheik. 

Over    the    Hill. 

The   Old   Nest. 

Tol'able   David. 

The   Four   Horsemen. 

Ruling  Passion. 

The  Three   Musketeers. 

Nanook  of  the  North. 

Little   Lord  Fauntleroy. 
W.   H.   JAMES,    ST.    LOUIS   POST-DISPATCH 

Tol'able   David. 

Three   Musketeers. 

The  Dictator. 

Orphans  of  the  Storm. 

The  Eternal  Flame. 

The    Masquerader. 

Grandma's    Boy. 

One   Glorious   Day. 

The  Boat  (Keaton). 

Reported    Missing. 
WILLIAM    J.     LEWIS,     PITTSBURGH     GAZ- 
ETTE TIMES 

Nanook    of   the    North. 

Pay   Day. 

Smilin'    Through. 

The   Masquerader. 

Three   Musketeers. 

One  Clear  Call. 

Grandma's   Boy. 

Tol'able   David. 

Our   Leading   Citizen. 

The  Storm. 
BETTY    CRAIG,    THE    DENVER   POST 

Tol'able   David. 

The    Storm. 

Fool's    Paradise. 

Little   Minister. 

Manslaughter. 

Prisoner  of  Zenda. 

Grandma's  Boy.  ' 

Monte   Cristo. 

Smilin'  Through. 

Orphans   of  the   Storm. 
ELSIE    SEELIGMANN.     EDITOR    OF 
SHADOWLAND 

Fascination. 

When  Knighthood  Was  In  Flower. 

Smilin'    Through. 

Prisoner  of  Zenda. 

Manslaughter. 

Orphans   of   the   Storm. 

Tol'able    David. 

Reported  Missing. 

Pay    Day. 

Foolish  Wives. 


346 


W.   p.,   THE   WASHINGTON    POST 

Sentimental  Tommy. 

When  Knighthood  Was  in  Flower. 

Robin  Hood. 

Tess. 

Orphans  of  the  Storm. 

Omar  the  Tentmaker. 

East  is  West. 

Turn  to  the  Right. 

Clarence. 

EDWIN  SCHALLERT,  LOS  ANGELES  TIMES 

Tol'able   David. 
Robin  Hood. 
Oliver  Twist. 
Blood   and   Sand. 
Omar   the   Tentmaker. 
To  Have  and  to  Hold. 
The   Eternal   Flame. 
Grandma's    Boy. 
Nanook   of  the   North. 
Orphans  of  the   Storm. 

EDWIN    B.    RIVERS.    SEATTLE    UNION 
RECORD 

The   Storm. 

In  the  Name  of  the  Law. 

Monte    Cristo. 

Fool's   Paradise. 

Under  Two   Flags. 

Smilin'    Through. 

Grandma's    Boy. 

RIood  and  Sand. 

Reported   Missing. 

Tess   of   the   Storm   Country. 

CHARLES     GILLEN,     EDITOR     AND     PUB- 
LISHER,   ROCKY    MOUNTAIN    SCREEN 

NEWS,  DENVER 
The  Old   Homestead. 
Grandma's  Boy. 
Fascination. 
Reported    Missing. 
Turn   to  the  Right. 
Manslaughter. 
Connecticut  Yankee. 
Sonny. 

Sherlock  Holmes. 
The   Prisoner   of   Zenda. 

HELEN  RYAN,  MILWAUKEE  SENTINEL 

The  Masquerader. 
The  Three  Musketeers. 

A    Connecticut   Yankee   in    King   Arthur's   Court. 
When  Knighthood  Was  in  Flower. 
Orphans   of  the   Storm. 
The   Prisoner   of   Zenda. 
Under  Two  Flags. 
The  Eternal  Flame. 
The   Bachelor   Daddy. 

Tess  and  Robin  Hood  have  not  yet  been  shown 
here. 

ROBERT  G.  TUCKER,  INDIANAPOLIS  STAR 

The  Prisoner  of  Zenda. 
Grandma's  Boy. 
Blood  and  Sand. 
Tess  of   Storm  Country. 
Robin    Hood. 

When    Knighthood    Was    in    Flower. 
The  Masquerader. 
Salome. 
Oliver  Twist. 
Sherlock    Holmes. 

There  are  still  two  months  of  the  year  to  run 
before  a   final  selection  can  be  made. 

GENE  MACK,  THE  ST.  LOUIS  STAR 

Orphans  of  the  Storm. 

The   Old   Homestead. 

The    Prisoner   of    Zenda. 

My   Boy. 

Monte  Cristo. 

Hail  the  Woman. 

Smilin'  Through. 

The  Eternal  Flame. 

The   Bond   Boy. 

Blood  and  Sand. 

Several  recent  releases,  such  as  "Oliver  Twist" 
and  "Robin  Hood"  have  not  come  this  way  thus 
far,  and  judgment  in  their  case  must  be  reserved. 


E.    M.    LANDALE,    OMAHA    DAILY    NEWS 

One  Glorious   Day. 

Oliver   Twist. 

The   Prisoner   of  Zenda. 

Blood  and  Sand. 

Grandma's  Boy. 

East  is  West. 

Smilin'  Through. 

Nanook  of  the  North. 

A    Connecticut    Yanke    in    King   Arthur's    Court. 

And  Women  Must  Weep. 

MARGARET   MARTIN,  THE  NORTH   AMER- 
ICAN,   PHILADELPHIA 

The  Loves  of  Pharaoh. 

To  Have  and  to  Hold. 

Clarence. 

One  Glorious  Day. 

The   Ruling   Passion. 

All  For  a  Woman. 

Sonny. 

The  Face  in  the  Fog. 

Blood  and   Sand. 

The   Eternal   Fliame. 

HAROLD      HEFFERNAN,      THE      DETROIT 
NEWS 
Orphans   of   the   Storm. 
Robin  Hood. 

When  Knighthood  Was  in  Flower. 
The  Loves  of  Pharaoh. 
The   Prisoner  of  Zenda. 
One  Glorious  Day   . 
Trouble. 

The  Eternal  Flame. 
Pay  Day. 
Grandma's  Boy. 

PRUNELLA  HALL,  BOSTON  POST,  BOS- 
TON, MASS. 

Grandma's  Boy. 

Nanook   of   the   North. 

One   Glorious   Day. 

The  Loves   of   Pharaoh. 

The  Eternal   Flame. 

The  Prisoner  of  Zenda. 

His   Back   Against   the  Wall. 

Hungry  Hearts. 

Fools   First. 

Blood  and  Sand. 

Not  seen :  When  Knighthood  Was  in  Flower, 
and   Robin  Hood. 

GENEVIEVE    HARRIS,    CHICAGO    EVEN- 
ING   POST 
Robin  Hood    (best  picture  of  the  year). 
Oliver  Twist. 
Nanook   of  the   North. 
Blood   and    Sand. 
The  Prisoner  of   Zenda. 
Grandma's   Boy. 
Kindred  of  the  Dust. 
When  Knighthood  Was  in  Flower. 
Jane   Eyre. 
The  Silent  Call. 

ERNEST  ROGERS,  ATLANTA  JOURNAL 

The  Three  Musketeers. 
The  Prisoner   of  Zenda. 
Sherlock   Holmes. 
The  Old  Homestead. 
To  Have  and  to  Hold. 
Trifling  Women. 
Fascination. 

The   Green   Temptation. 
Blood  and  Sand. 
Manslaughter. 

LESTER    REES,    MINNEAPOLIS    DAILY 

NEWS 
Orphans  of   the    Storm. 
The    Eternal    Flame. 
When    Knighthood    Was    in    Flower. 
Moran   of   the   Lady    Letty. 
Grandma's    Boy. 
The    Prisoner    of    Zenda. 
The    Bachelor    Daddy. 
Blood  and  Sand. 
Clarence. 
Robin    Hood. 


347 


MARIAN   DE   FOREST,   BUFFALO   EXPRESS 

Four   Horsemen   of   the  Apocalypse. 

Over   the    Hill. 

The   Cabinet  of  Dr.    Caligari. 

Nero. 

Blood   and    Sand. 

Grandma's    Boy. 

The    Masquerader. 

Oliver   Twist. 

Bond   Boy. 

Toi'able    David. 

REYALLE    MILES,    CINCINNATI    TIMES- 
STAR 

Grandma's   Boy. 

The   Prisoner  of   Zenda. 

The   Eternal   Flame. 

Oliver   Twist. 

Remembrance. 

Blood  and  Sand. 

Nanok  of  the  North. 

Forever. 

The   Ruling   Passion. 

Come  on   Over. 
WALTER    D.    HICKMAN,    THE    INDIANAP- 
OLIS   TIMES 

Oliver    Twist. 

When   Knighthood  Was  in  Flower. 

Blood  and   Sand. 

The  Prisoner  of  Zenda. 

The   Masquerader. 

Smilin'   Through. 

Forever. 

The   Little    Minister    (Paramount) 

Grandma's   Boy. 

Orphans   of   the   Storm. 

DON   ALLEN,    EVENING  WORLD,    NEW 

YORK 

Published   on    Sept.    25,    1922 

Turn   to   the   Right. 

Orphans   of   the   Storm. 

Toi'able  David. 

Grandma's   Boy. 

The   Boat. 

Trouble. 

The  Prisoner  of   Zenda. 

Nero. 

The    Straphanger. 

MAGDALINE,    DES    MOINES    REGISTER 

The    Masquerader. 

Smilin'    Through. 

Prisoner   of   Zenda. 

Orphans  of  the  Storm. 

A  Tailor  Made  Man. 

The  Ruling  Passion. 

The  Three  Musketeers. 

Conflict. 

Blood  and   Sand. 

Matislaughter. 
ART    MEYER,    MOTION    PICTURE    BULLE- 
TIN   OF    CALIFORNIA 

Orphans   of   the    Storm. 

Grandma's   Boy. 

Foolish    Wives. 

Tailor  Made   Man. 

Smilin'  Through. 

The   Silent    Call. 

Manslaughter. 

Nero. 

When   Knighthood  Was  in   Flower. 

Robin   Hood. 

MARIE    A.     MYERS,     TIMES-UNION,     AL- 
BANY,   N.    Y. 

Monte  Cristo. 

The   Prisoner  of   Zenda. 

Slim    Shoulders. 

A   Fool  There  Was. 

Manslaughter. 

The    Connecticut   Yankee. 

My    Boy. 

1  he  Storm. 

The    Man   Who    Played   God. 

Beauty's   Worth. 
ARTHUR     B.    WATERS.     PUBLIC     LEDGER, 
PHILADELPHIA 

A  number  of  what  will  undoubtedly  be  the  year's 
best  pictures  have  not  yet  been  exhibited  here.  In 
such   a   category   would  go 

When    Knighthood    Was   in    Flower, 


And  others,  including  The  Bond  Hoy  and  The 
Eternal   Flame. 

However,  if  photoplays  shown  in  this  city  to 
date,  (Oct.  5.)  I  would  say  that  the  ten  best  have 
been  : 

Toi'able   David. 

One  Glorious   Day. 

Smilin'  Through. 

Loves  of  Pharaoh. 

The  Ruling  Passion. 

Peter    Ibbetson. 

The   Golem. 

Sherlock    Holmes. 

Grandma's   Boy. 

The   Dictator. 
CARL    B.    ADAMS,     THE    CINCINNATI     EK 
QUIRER 

Fool's   Paradise. 

The  Doll's  House. 

.Tane  Eyre. 

Blood  and  Sand. 

Monte   Cristo. 

The  Eternal  Flame. 

The  Masquerader. 

The  Queen  of   Sheba. 

Forever. 

The   Prisoner   of  Zenda. 

CINE-MUNDIAL 

This  list,  represents  our  judgment  from  the 
point   of   view   of   foreign   distribution. 

Nanook  of  the  North. 

Foolish    Wives. 

Blood   and    Sand. 

Theodora. 

Smilin'   Through. 

The   Sin    Flood. 

Orphans   of   the   Storm. 

The  Sheik. 

When    Knighthood   Was   in    Flower. 

The    Three    Must-Get-Theres. 

SHERWOOD'S     "HALL    OF    FAME" 

In  November,  Robert  E.  Sherwood,  motion 
picture  critic  of  "Life"  and  the  N.  Y.  Herald, 
while  commenting  on  the  award  of  the  Photo- 
play Magazine  Gold  Medal  "Toi'able  David"  as 
the  best  picture   of   1922,  said: 

Sometime,  perhaps,  there  will  be  a  Hall  of 
Film  Fame.  Probably  when  that  is  opened  the 
movies  will  have  progressed  so  far  beyond  their 
present  standing  that  none  of  the  pictures  which 
have  been  produced  before  now  will  deserve  a 
place  in  the  archives   of  posterity. 

It  seems  to  us,  however,  that  there  already 
have  been  pictures  with  legitimate  claims  to 
greatness.  Were  we  called  upon  the  submit  a 
list  of  nominations  to  the  Admissions  Conimittco 
at  the  Hall  of  Fame  we  should  propose  the  fol- 
lowing: 

"The   Birth   of  a   Nation." 

"Intolerance." 

"The  Coward." 

"Shoulder   Arms." 

"Broken   Blossoms." 

"The  Miracle  Man." 

"The   Mark   of   Zorro." 

"The   Kid." 

"The  Four  Horsemen  of  the  Aiiocalypse." 

"The  Three   Musketeers." 

"Toi'able  David." 

"Nanook    of   the   North." 

"Grandma's    Boy." 

"Oliver  Twist." 

"Robin    Hood." 

Aside  from  the  pictures  mentioned  in  our  list, 
there  are  a  few  that  ought  to  be  cited  as 
"almosts."  There  is,  for  instance.  "One  Glorious 
Day,"  that  delightful  fantasy  in  which  Will 
Rogers  co-starred  with  a  wandering  spirit  named 
"EK."  There  are  also  "Victory,"  from  Conrad's 
novel,  "When  Knighthood  Was  in  Flower,"  "Be- 
hind the  Door,"  "A  Connecticut  Yankee  in  King 
Arthur's  Court,"  "Humoresque,"  "Sentimental 
Tommy,"  and  any  number  of  Chaplin,  Lloyd, 
Kcaton   and    Sennett   comedies. 

We  have  studiously  avoided  mention  of  the 
German  pictures,  because  we  have  not  seen 
enough  of  them  to  make  a  comparative  list.  But 
of  those  that  we  have  seen  there  are  certainly 
four  that  deserve  to  be  placed  on  the  first  string — 
"Passion."  "Deception,"  "The  Cabinet  of  Dr. 
Caligari,"    and    "The    Loves    of    Pharaoh." 


348 


The   Ten   Best 


In  connection  with  the  preceding  selections  the  table  of  votes  shows  the   following 
interesting  figures: 


Orphans   of   the   Storm — 31. 

Grandma's    Boy — 29. 

Blood    and    Sand — 28. 

Prisoner    of    Zenda — 25. 

When    Knighthood   Was   in   Flower — 22. 


Nanook   of   the    North — 21. 
Smilin'    Through — 20. 
Tol'able    David — 19. 
Robin  Hood — 17. 
Oliver  Twist — 13. 


A  large  number  of  pictures  received  upwards  of  from  one  to  six  votes,  but  lack  of 
space  forbids  this  tabulation  being  recorded  here. 

Herewith  are  found  the  headlines  appearing  in  conjunction  with  the  reviews  of  the 
ten  best  pictures  of  the  year  as  they  appeared  in  the  various  Sunday  issues  of  The 
Film   Dailv: 

ORPHANS  OF  THE  STORM 

Griffith  Presents  the  Biggest  Spectacular  Melodrama  of  His  Career. 
You  will  have  a  Hard  Time  Getting  Away  From  this  One. 

GRANDMA'S  BOY 

Lloyd  at  His  Best  in  a  Knockout  Five-Reeler 
This  is  the  Sweetie  Peach — See  to  it  that  You  Get  it. 

BLOOD  AND  SAND 

Niblo  and  Valentino  Make  a  Success  of  Ibanez  Novel. 
Fine  Entertainment  and  Undoubtedly  a  Big  Box  Office  Find. 

PRISONER  OF  ZENDA 

Ingram  Has  Produced  Another  Real  Picture  in  This  One 
Sure  Fire  Box  Office  and  Will  Certainly  Please 

WHEN  KNIGHTHOOD   WAS   IN   FLOWER 

A  Big  One  and  Undoubtedly  One  of  the  Year's  Best. 
Put  Your  Order  in  and  Get  Ready  to  Have  it  Work  For  You. 

NANOOK  OF  THE  NORTH 

Totally  Dififerent  Picture  of  the  North  that  Shouldn't  Be  Missed. 
You  can  Go  the  Limit  on  Your   Promises  that  it  is  Unique  and  Entertaining. 

SMILIN'  THROUGH 

The  Best  Picture  Norma  Has  Had  in  a  Long  Time. 

Get  This  and  Clean  Up — Tell  Them  what  a  Fine  Picture  it  is  and  Use  the   Star's  Name 

to  the  limit. 

TOL'ABLE  DAVID 

Barthelmess'  First  Starring  Vehicle  Would  Be  Better  if  Edited. 
Bank  on  Richard  Barthelmess'  Name  and  Get  Behind  it. 

ROBIN  HOOD 

Magnificent  Production   Plus   "Doug"  Makes  This  a  Bet. 
Say  "Robin  Hood"  is  a  Picture  Among  Pictures — It  is 

OLIVER  TWIST 

Please,   Dear  God,   Don't  Let  Jackie  Grow   Up. 
If  you  Pass  this  By — Close  Up. 


CHARLES    GATCHELL,   EDITOR,    PICTURE- 
PLAY    MAGAZINE 

Orphans   of   the   Storm 

Robin    Hood 

When    Knighthood    was    in    Flower 

Smilin'    Through 

Blood   and   Sand 

Tol'able    David 

Prisoner   of   Zenda 

Salome 

One    Glorious    Day 

Nanook  of  the  North 

I  don't  think  this  list  should  be  called  my 
selection  of  the  "Ten  best  pictures  of  the  year." 
They  are  the  ten  pictures  that  I,  personally,  en- 
joyed most.  I  think  there  is  no  such  thing  as 
a  list   of  the   "ten   best." 


"N.  Y.  TIMES"  LISTS  GOOD  FILMS 
Dealing  with  pictures  issued  during  the  first 
half  of  1922,  the  "Times"  names  as  fit  for  "ex- 
hibition before  reasonably  intelligent  and  normally 
patient  people  seeking  screen  entertainment,"  the 
following: 

"Across  the  Continent,"  "The  Cradle  Buster," 
"The  Crimson  Challenge,"  "A  Doll's  House," 
"Foolish  Wives,"  "The  Glorious  Adventure," 
"The  Glorious  Fool,"  "Gypsy  Passion,"  "Is  Mat- 
rimony a  Failure?"  "Jane  Eyre,"  "The  Lane  that 
Has  No  Turning,"  "The  Loves  of  Pharaoh," 
"Nero,"  "One  Glorious  Day,"  "Orphans  of  the 
Storm,"  "Polly  of  the  Follies."  "The  Prodigal 
Judge,"  "The  Red  Peacock,"  "Reported  Missing," 
"Retribution,"  "The  Ruling  Passion,"  "Smilin* 
Through,"  "Sisters,"  "Sonny,"  "A  Stage  Ro- 
mance," "The  Storm,"  "The  Stroke  of  Midnight," 
"Tol'able   David"  and   "Turn   to   the   Right." 


349 


The  Forty  Best  Pictures  of  the  Year 

Selected  by  The  National  Board  of  Review  of  Motion  Pictures,  from  productions  reviewed 
during  period  of   December,   1921,   to  December,    1922. 

With  regard  to  the  pictures  below  listed.  Executive  Secretary  W.  D.  McGuire,  Jr., 
says: 

One  requirement  has  been  applied  to  all — that  of  achieving,  through  power  of 
appeal  or  beauty  of  treatment,  or  through  both,  the  mark  of  distinction. 

The  fact  of  a  motion  picture,  in  the  case  where  it  is  the  picturization  of  a  play,  a 
short  story,  a  poem  or  a  novel,  departing  from  or  adhering  to  the  plot  and  meaning  of 
the  original,  has  not  entered  into  the  basis  of  its  selection,  except  in  the  instance  where 
it  constitutes  a  meretricious  distortion.  Each  picture  has  been  considered  as  standing 
on  its  own  feet  of  merit  as  a  production  in  terms  of  the  motion  picture  screen. 

Pictures  have  not  been  selected  for  their  qualities  of  popular  entertainment  alone. 
The  aim  has  been  to  emphasize  the  honest  picture — that  is,  the  picture  that  is  concerned 
with  telling  its  story  and  its  ideas  in  the  sincerest  possible  manner  and  with  the 
highest  degree  of  perfection — for  it  is  recognized  in  this  connection  that  what  is  often 
the  most  popular  picture  with  the  masses  is  the  one  in  which  hokum,  over-sentimentali- 
zation  and  general  untruthfulness  play  the  greatest  parts. 
One    Glorious    Day    (Paramount) 


Nanook    of    the    North    (Pathe) 

Shattered   (Arthur  L.   Erlanger) 

Salome   (United   Artists) 

On    the    Stroke    of   Midnight    (Metro) 

The   Loves   of  Pharoah   (Paramount) 

Grandma's    Boy    (Associated    Exhibitors) 

Minnie    (Associated    First    National) 

The   Prisoner   of  Zenda   (Metro) 

Sir  Arne's   Treasure    (Swedish   Biograph) 

Hamlet    (Asta    Films) 

Fool's    First    (Associated    First   National) 

Shadows    (Al    Lichtman) 

A    Doll's    House    (United   Artists) 

A  Bill  of  Divorcement  (Associated  Exhibitors) 

Sure    Fire    Flint    (Affiliated    Distributors) 

The  Sailor-Made  Man  (Associated  Exhibitors) 

Brothers    Under    the    Skin    (Goldwyn) 

The    Four   Seasons    (Kineto) 

Trifling    Women    (Metro) 


Sonny    (Associated    First    National) 

Timothy's    Quest    (American    Releasing) 

Miss   Lulu  Bett   (Paramount) 

Nice    People    (Paramount) 

And  Women  Must  Weep  (Educational) 

Down    to    the    Sea    in    Ships    (Elmer    Clifton 

Production) 
The  Little  Minister   (Paramount) 
One    Clear    Call    (Associated    First    National) 
Above   All   Law    (Paramount) 
Blood   and   Sand    (Paramount) 
The    Third    Alarm    (Robertson-Cole) 
Lorna  Doone   (Associated    First   National) 
Hungary    Hearts    (Goldwyn) 
When    Love    Comes    (Robertson-Cole) 
A   Blind    Bargain   (Goldwyn) 
The  Fast  Mail  (Fox) 
The   Storm    (Universal) 
The   Flame   of   Life   (Universal) 
The  Man   Who  Played   God   (United   Artists) 
Mr.   Barnes   of  New   York   (Goldwyn) 


"BEST  SELLERS"  OF  YEAR 

Century  Co. 

Atolls  of  the  Sun By   Frederick   O'Brien 

The  Love  Story  of  Aliette  Brunton, 

By   Gilbert   Frankau 
Two   Shall   Be   Born... By  Marie   Conway   Oemler 

The  Wind  Bloweth By  Donn   Byrne 

West  I By   Charles  Alden  Seltzer 

Sea  Wrack By  Vere  Hutchinson 

Wintergreen    By  Janet  Laing 

Caravans    By    Night By    Harry    Hervey 

Birthright By  T.   S.  Stribling 

Three  Black  Bags By   Marion  Polk  Angellotti 

"The  Macmillan  Co. 

The    Secret    Places    of    the    Heart Wells 

Children  of  the  Market  Place Masters 

The   Veneerings    Johnston 

Confessions  of  an  Old  Priest McConnell 

Number  87   Hext 

The  Scarlet  Tanager Tyson 

The  House  of  Rimmon Watts 

The  Life  and  Death  of  Harriet  Frean Sinclair 

Conn  of  the  Coral  Seas Grimshaw 

Maria    Chapdelaine Hemon 

Through    the    Shadows Alington 

Old  Crow Brown 

Anne   Severn  and  the  Fieldings Sinclair 

Red  Redmaynes  Phillpotts 

Millions  Poole 

A  More  Honorable  Man Roche 

The  Three   Fires Burr 

The    Optimist    Delafield 

Quest Hull 

Mother  Machree   Scott 

The  Gates  of   Olivet Borden 

Support    Ashmun 

Brentano's 
Fiction 

Cytherea    J.   Hergesheimer 

Simon   Called   Peter Robert   Keable 

Beautiful  and   Damned,  The...F.   Scott   Fitzgerald 
Scaramouche  R.  Sabatini 


Breaking  Point,  The Mary  R.  Rinehart 

Glimpses  of  the  Moon Edith  Wharton 

General 

Story  of  Mankind,  The Hendrik   Van   Loon 

Outline  of  History H.  G.  Wells 

Mind  in  the  Making James  Harvey   Robinson 

Back  to   Methuselah George    !?ernard   Shaw 

Self    Mastery     Through     Conscious    Autosug- 
gestion      Emile    Coue 

The  Practice  of  Autosuggestion.  .  C.  Harry   Brooks 
Outwitting  our  Nerves.  .J.  A.  Jackson  and  H.  M. 

Salisbury 

Diet  and  Helath L.  H.  Peters 

Boston  Cooking-School 

Cook  Book F.  M.  Farmer 

Etiquette   Emily   Post 

Harper    Bros. 

Flowing  Gold. 

Man  That  Knew  Too  Much. 

Joan  of  Arc  of  the  North  Woods. 

The   Vehement   Flame. 

History  of  Art. 

Her    Unwelcome    Husband. 

The  Dust  Flower. 

From  Seven  to  Seventy. 

Mind  in  the   Making. 

Tales  of  Lonely  TraH. 


TEN    BEST    PLAYS    1921     SEASON 

The  ten  best  plays  during  the  last  season  as 
chosen  by  Burns  Mantle  in  his  third  annual 
of  the  American  stage,  "The  Best  Plays  of  1921- 
1922"  (Small,  Maynard  &  Co.),  are:  "Anna 
Christie,"  by  Eugene  O'Neill ;  "A  Bill  of  Divorce- 
ment," by  Clemence  Dane;  "Dulcy,"  by  George 
S.  Kaufman  and  Marc  Connelly ;  "He  Who  Gets 
Slapped,"  by  Leonid  Andreyev;  "Six  Cylinder 
Love,"  by  William  Anthony  McGuire;  "The 
Hero,'  by  Gilbert  Emery ;  "The  Dover  Road," 
by  A.  A.  Milne;  •'Ambush."  by  .\rtluir  Richman  : 
"The  Circle,"  lay  W.  Somerset  Maugham,  and 
"The  Nest,"  by  Paul  Geraldy. 


350 


Tired  of  the  Critics  ? 


If  you  are  tired  of  listening  to  advertising 
men's  criticisms  of  the  moving  picture  in- 
dustry, 

— weary  of  their  instructions  as  to  how  you 
ought  to  run  your  particular  part  of  the 
industry, 

— and  want  advertising  help  based  on  real 
selling  ideas  and  your  particular  needs, 

— send  for  a  representative  of  this  Agency. 

We  have  the  experience  in  the  motion  pic- 
ture business  to  know  your  point  of  view 
and  to  appreciate  that  you  know  what  you 
want. 

When  can  we  talk  with  you? 


CRESKE  -  EVERETT,  Inc. 

19-25  West  44th  Street     New  York 

Phone,  Murray  Hill  3916 


351 


ADMISSION    TAX    FIGURES 

The  following  figures  on  admission  taxes  are  from  the  Treasurer  of  the  United  States.  These  taxes 
are  for  all  forms  of  entertainment  and  it  is  impossible  to  obtain  definite  or  accurate  figures  as  to  what 
proportion   thereof  refers   to   admissions   for   motion   picture   entertainment. 

It   is,    however,    the    only    information    of   this   kind   obtainable. 

1919-20                              1920-21  1921-22 

July     $4,699,239.22                  $6,463,422.49  $5,822,972.80 

August     4.692,681.98                     6,879,323.58  5,926,818.88 

September     5,463,592.25                     7,369,476.73  6,122,383.65 

October   6,500,013,99                     7,932,042.40  6,413,426.11 

November    5,877,251.58                     7,982.248.61  6,995.338.48 

December    7,533,985.22                    8,363,708.00  6,689,702.83 

January    6,707,768.87                    7,120,905.18  6,453,483.80 

February   6,166,685.79                     7,802,776.65  5,867,256.77 

March    7,085,123.74                     7,863,785.52  6,284,528.33 

April     7,033,006.97                    7,415,568.82  5,439,014.29 

May    6,623,186.64                    7,152,375.71  5,817,531.93 

June    8,338,017.18                    7,362,487.61  5,535,754.51 

July     6,463,422.49                     5,822,972.80  4,620,893.78 

August     4,710,470.46 

September     4,789,391,33 

October   5,396,461.17 

(last    available    figures^.) 

Total   admission    taxes   for   fiscal   year   ending    May    31,    192o'   were   $74,849,002.97. 

Total   admission    taxes   for   fiscal   year   ending    May    31,    1921,    $90,683,650.87. 

Total   admission    taxes    for    fiscal   year   ending    May   31,    1922,    $73,368,212.38. 

RENTAL   TAX    ON    FILM 

Following  will  be  found  government  figures  showing  the  5  per  cent  tax  paid  on  the  rental  of  film 
in   this  country  for  the  period  from  June,   1920,   to  June,    1922,    with   comparisons   with   the   preceding   year: 

1919-20  1920-21  1921-22 

Tuly     $385,201.26  $359,077.85  $503,431.51 

August     299,990.14  654,464.55  538,292.42 

September      188,901.76  465,446.03  315,151.16 

October    184,087.25  533,472.17  388,616.56 

November    362.506.66  383.542.52  567,055.39 

December    435,454.86  451,375.11  429,504.77 

January    412,979.11  593,137.22  453,114.06 

February   295,923.07  470,909.21  374,208.34 

March    565,854.47  614,286.92  13,441.93 

April     296,800.40  419.177.55  10,308.79 

May    389,295.04  442,016.31  5,113.86 

June    564,282.29  621,153.50  347.52 

July     359,077.85  503,431.51                         

Total    rental    taxes    for    fiscal   year   ending   May    3  1,     1920,    were    $3,972,852.42. 

Total  rental  taxes  for  fiscal  year  ending  May  3  1,  1921.  $5,951,187.73.  The  tax  is  a  S'/c  measure, 
levied  on  distributors  who  pass  it  to  the  exhibitor.  It  would  therefore,  place  the  total  business  of  distribu- 
tors for  that  period  at  $119,023,745.60. 

Total   rental    taxes    for    fiscal    year   ending   May    3  1,   1922,  $3,598,586.31. 

The    tax,    however,    was    repealed    Jan.     1,     1922. 

TARIFF    RATES,    FORDNEY    BILL 

Per  Cent 

Photographic  cameras  and  parts  thereof  not  specifically  provided  for 20 

Photographic  and   moving  picture   films,   sensitized   but   not   exposed   or   developed 

— Standard  width  of  1^^  inches,  per  linear  foot,  other  widths  in  proportion ..  .4/lOc 
Photographic  film  negatives,  per  linear  foot — 

Exposed  but  not  developed    2c 

Exposed  and  developed   3c 

Positives,  including  prints  or  duplicates,  per  linear  foot Ic 

Films  or  negatives  taken  from  U.  S.  and  exposed  in  foreign  country  by  an  American 

producer  in  making   a   picture   of   which   60%    or   more   is   made   in   U.   S.,   per 

linear   foot    Ic 

Electric    light    carbons    45 

Incandescent  electric  lights,  bulbs  and  lamps,   with  or  without   filaments 20 

Photographic  and   projection  lenses    45 

All  rates  based  on  percentage  are  ad  valorem  and  as  provided  by  the  Senate  are  to  be 
based  on  foreign  valuation  of  the  commodity.  The  House  bill  provided  for  assessment 
based  on  American  valuation. 

When  the  House  passed  the  various  items  they  were  materially  diiTerent  from 
those  which  the  Senate  agreed  upon.  It  was  expected  that  there  would  be  some  diffi- 
culty in  working  the  varying  rates  out,  but  there  was  little  experienced  with  any  of  the 
items,  except  with  the  proposed  duty  on  standard  width  raw  stock.  The  House  con- 
ferees desired  to  have  this  raised  from  4/lOth  of  a  cent,  as  desired  by  the  Senate,  to 
5/lOths,  but  the  original  Senate  rate  finally  prevailed. 

352 


Motion   Picture   Publications 


I 


U.  S.  A. 

Key— D,    daily;     T,     trade;     F,     fan. 

California 

Photoplay   Art    (M),    Los  Angeles. 

Motion    Picture    Bulletin    (W),    Los   Angeles. 

Rounder  and   Play   Bill    (W),   San   Francisco. 

Colorado 
Rocky   Mt.    Screen    News    (Semimo),    Denver. 

Georgia 
Weekly    Film    Review    (W),    Atlanta. 

Illinois 
Exhibitors'    Herald    (W),    Chicago. 
Moving    Picture   Age    (Mo.),    Chicago. 
Photoplay   Magazine    (Mo),    Chicago. 

Massachusetts 
New   England   Exhibitor   (Semi-mo),    Boston. 

Michigan 
Michigan  Film   Review   CW),   Detroit. 

Minnesota 
Amusement   (W),   Minneapolis. 

Missouri 
Reel  Journal   (W),   Kansas   City. 

New   York 
Motion   Picture   Classic    (Mo),   Brooklyn. 
Motion    Picture    Magazine    (Mo),    Brooklyn. 
Shadowland    (Mo),    Brooklyn. 
Cine-Mundial    (Spanish)    (Mo),   New   York. 
Dramatic    Mirror    (W),   New   York. 
Educational  Film   Magazine   (M),   New  York. 
Exhibitors  Trade  Review    (W),   New   York. 
Film   Fun    (Mo),   New  York. 
Motion   Picture  News   (W),   New   York. 
Motion  Picture  Journal   (Semimo),   New   York. 
Moving   Picture   Stories    (W),    New   York. 
Moving   Picture  World   (W),   New  York. 
Picture   Play   ^Magazine   (Mo),   New   York. 
Review    (W),   New   York. 
Film    Daily    (Daily),    New   York. 
Picture     Play      News      (W)      Free     distribution, 
Rochester. 

Ohio 
Reel-Facts   (W),   Cincinnati. 
Interstate   Film   News    (W),   Cleveland. 

Pennsylvania 
Photoplay    Journal    (Mo),    Philadelphia. 
Photoplay    World    (Mo),    Philadelphia. 
The  Exhibitor   (Semi-mo),  Philadelphia. 
Moving   Picture   Bulletin    (W),   Pittsburgh. 

Texas 
Motion    Picture    Journal    (W),    Dallas. 

FOREIGN 

Argentine    Republic 

Cinema  Star,  Maipu  715,  Rosario  de  Santa  Fe. 

Ultima   Hora,    Esmeralda    173,    Buenos   Aires. 

La  Razon,  Avenida  de  Mayo  760,   Buenos  Aires. 

Critica,     Sarmiento     1546,     Buenos    Aires. 

La  Pelicula,  Talcahuna  612,   Buenos  Aires. 

Excelsior,    Suipacha   511,    Buenos   Aires. 

La    Montana,    Galeria    Guemes,    Buenos    Aires. 

La  Nacion,  San  Martin  344,   Buenos  Aires. 

Diario    Espanol,   Victoria    653,    Buenos   Aires. 

El   Telegrafo,   Reconquista   480,    Buenos  Aires. 

Cine  Gaceta,  Carlos  Bellegrini  179,  Buenos 
Aires. 

Colorin   Colorao,    Lavalle   1268,    Buenos   Aires. 

Imparcial  Film,  Maipu  457,   Buenos  Aires. 

La  Epoca,  Avenida  de  Mayo  769,   Buenos  Aires. 

Atlantida,   Esmeralda    110,    Buenos  Aires. 

Mundo   Argentino,    Maipu    395,    Buenos   Aires. 

El  Hogar,  Maipu  395,   Buenos  Aires. 

Vida   Portena,   Rivadavia   631,   Buenos  Aires. 

El  Dia,   La   Plata  F.   C.   Sud,   Prov.   B.  Aires. 

Giornali   d'ltalia,    Lavalle   387,    Buenos   Aires. 

Libre  Palabra,  Avenida  de  Mayo  891,  Buenos 
Aires. 

Vida  Nuestra,  Rivadavia  105,  Quilmes,  F.  C. 
Sud.,   Prov.    B.  Aires. 

Ala    Libertad,    Cab'ildo    2223. 

Cinema  Magazine,  Garcia  8,  San  Luis,  Oriente 
Cuba. 


Austria 

Der  Filmbot  (T),  Dr.  Freund,  Neubaugassc  36, 
Wien   VII. 

Das  Kinojournal  (T),  W.  Stiegnitz,  Neustift- 
gasse   54,   Wien   VII. 

Die    Filmwelt    (F),    Neubaugasse   66,   Wien   VII. 

Cinea   (F),   10  Rue  de  L'Elysee,  Paris. 

Die    Komodie    (F),   Favoritenstr.  45,   Wien   IV. 

Wiener  Journal   (T),   Wien   I. 

Das  Intressante  Blatt,  Dr.  Fuchs,  Duedengasse 
11,   Wien   III. 

Moderne  Welt,  Arnold  Bachwitz,  Paracelsusgasse 
9,  Wien  III. 

Wiener  Illustrierte  Zeitung,  Karl  Weissner,  Dr. 
K.  Huebner,   Rauhensteingasse  8,  Wien  I. 

Belgium 

La  Revue  Beige  du  Cinema  (T),  283  Chausee 
de  Cand,  Bruxelles. 

Le  Cinema  International  (T),  18  Rue  de 
Moniteur,    Bruxelles. 

Cine-Revue  (F),  (J.  Meuwissen).  10-12  Rue 
Charles   de   Coster.    Bruxelles. 

Le  Comptoir  du  Film  (T),  23  Rue  Quellin, 
Anvers,    138   Boulevard   Emile  Jacqmain,   Bruxelles. 

Le  Cinema  Beige  (T),  Rue  de  Roumanie  45, 
Bruxelles. 

Canada 

Le  Film,  131  Cadieux  M.  F.  de,  Verneuil  Mon- 
treal. 

Brazil 

Palcos  e  Telas,  Rua  do  Ouvidor  72,  Rio  de 
Janeiro. 

Par  a  Todos,  Ri-.a  do  Ouvidor  164,  Rio  de 
Janeiro. 

Czechoslovakia 

Internationale  Filmschau  (T),  Dr.  Paul  Schiller, 
Wenzelsplatz,    Hotel    Stephan.    Prague. 

Film  (T),  Dr.  Paul  Schiller,  Wenzelsplatz. 
Hotel  Stephan,  Prague. 

Cesky  F"ilmovy  Zpravodaj  Blanicka  8  (T),  Q. 
v.    Kujal,    Vinohrady,    Prague. 

Filmovy  Svet  (F),  Budecka  19,  Vinohrady, 
Prague. 

Prager   Presse    (D).. 

Prager  Tagolatt   (D),  Herrngasse  12,  Prague  2. 

Bohemia   (D),  Annahalf,   Prague   1. 

Film    Revue,   Lanaugasse   ii,    Bratislava. 

Slovensky   Film,  Groessling   19,   Bratislava. 

Chile 

La  Semana  Cinematographic*,  Ca.ssila  2289, 
Santiago. 

Cuba 

Universal,    San   Jose    3,    Havana. 

Smart,    Habana   27    Altos,    Havana. 

Mundial,   Trocadero  89.91,   Havana. 

La  Pantalla,  Pradoy  Neptuno,  Altos  de  Rialto, 
Havana. 

Holquin,   Oriente,   Havana. 

Havana  Life,  99   Obrapia,  Havana. 

Diario  del  Cine,  Calle  8  No.  204,  Havana. 

Carteles,   P.   O.    Box    1045,   Havana. 

Canillita,  P.   O.   Box  2081,  Havana. 

Cinema,    Matanzas,    Havana. 

Civilizacion,   Paula   69,   Havana. 

England 

The  Kinematograph  (T),  93  Long  Acre,  Lon- 
don WC  2. 

The  Bioscope  (T),  85  Shaftesbury  Ave.,  Lon- 
don   WL. 

The  Cinema  (T),  30  Gerard  St.,  London  WL. 

The  Film  Renter  (T). 

France 

Cinematographic  Francaise  (T),  48  Rue  de 
Bondy,   Paris    (lOe). 

Courrier  Cinematographique  (T),  28  Boulevard 
St.    Martin,    Paris    (lOe). 

Cine-Journal    (T),    30    Rue    Bergere,    Paris    (9e). 

Cinema  (T),  28  Boulevard  Bonne-Nouvelle, 
Paris   (10). 

Cinemagazine   (F),  3  Rue  Rossini,  Paris,   (9e). 

Cinema-spectacles  (T),  17  Rue  Magenta,  Mar- 
seilles. 

Cineopse  (T),  73  Boulevard  de  Crenelle,  Pari* 
(IS). 


353 


Cine  Pour  Tous  (F),  26  bis  Rue  Traversiere, 
Paris   (12). 

Cine  Pratique  (T),  45  Rue  de  Belleville,  Pans 
(19). 

ComoeJia  (D),  J.  L.  Croze,  27  Boulevard 
Poissonniere,  Paris   (10). 

Lc  Film    (F),   42    Rue   de   Clichy,    Paris    (2e). 

Filma  (F),  3  Boulevard  des  Capucines  (Paris 
(2). 

Hebdo-Film  (F),  25  Boulevard  Boone-Bouvelle, 
Paris. 

Scenario    (T),   9   Rue  de   Clichy,   Paris    (9e). 

Semaine  Cinematographique  (T),  50  Rue  de 
Bondy,    Paris   (10). 

Germany 

Die  Lichtbildbuehne  (T),  Dr.  Wollenberg. 
Friedrichsstrasse   225,    Berlin    SW    48 

Der  Film  (T),  Dr.  Fiedler,  Kochstraise  S,  Ber- 
lin  SW   68. 

Der  Filmkurier  (D),  Willy  Haas,  Leipziger- 
atrasse  38,   Berlin  W  8. 

Der  Weltfilm  (T),  Ruhemann,  Saurezstrasse 
45,   Berlin  W  Charl.  5. 

Film  und  Presse  (T)  Dr.  Lorenz,  Friedrichs- 
strasse 35,  Berlin  SW  68. 

Filmtribuene  (T)  Fritz  Limsky,  Alte  Jakobs- 
strasse  24,   Berlin  SW  68. 

Illustrierte  Kinovifoche  (T)  Boutin,  Duercksen- 
strasse  45,   Berlin  C  25. 

D.  Scherlverlag,  Alfred  Rosenthal,  Zimmer- 
strasse    35-4,    Berlin    SW    68. 

Deutscher  Filmzeitungsdienst  (T)  Alfred  Rosen- 
thal,   Kochstrasse   6-7,    Berlin    SW   68. 

Berliner  Boersenzeitung  (D)  Fritz  Olimsky 
Kronenstrasse  37,   Berlin  W  8. 

Hamburger  Fremdenblatt  (D)  Hamburger  8 
Uhr  Abendblatt,   Hamburg. 

Allgemeine  Kinoboerse  (T)  Marienstrasse  23, 
Leipzig. 

Der  deutsche  Film  (T)  Josef  Aubinger,  Son- 
nenstrasse   13,   Muenchen  2    SW. 

Muenchner  Filmkurier  (T),  Hans  Tintner, 
Kaiserstrasse   45,    Muenchen. 

F.  H.  Herrm,  Richterverlag  (R),  Hans  Richter, 
SW-Korse    18   Berlin-Willm. 

Fiwa   (T),  Langenstrasse  60,   Bremen. 

Die  Filmhoelle  (F)  Fritz  Jakobssohn,  Uhland 
strasse   15J4.   Berlin   W    IS. 

Der  Kinematograph  (T)  Perlmann,  Wehrhaha 
28a,    Duesseldorf. 

Buehne  and  Film  (F),  Joachimsthalerstr  48, 
Berlin-Char.   1-2. 

Berliner  Leben  (F),  F.  W.  Koebner,  Zossenrstr. 
55,    Berlin    SW    29. 

Die  Koralle  (F),  Siegberg  Salter,  Freisinger- 
strasse   13,   Berlin  W   30. 

Kinematographische  Monatszeitung  (T),  Dr. 
Wollenberg,    Friedrichsstr.    225,    Berlin    SW    48. 

Berliner  Tagblatt,  Verlag  Rudolf  Mosse,  Ber- 
i:n   SW    19. 

Berliner  8,  Uhr  Blatt,  Kaic.  Rat  Leo  Heller, 
Von  der  Hejdtstrasse  4,   Berlin. 

Westdentsche  Film  Zeitung,  Graf  Adolfstrasse 
37a  Duesseldorf. 

Holland 

Kunst  en  Amusement  (T),  A.  W.  SijthoflFs 
Uitgeversmaarschappij    te    Leiden. 

Hungary 

Filmujsag,    Szentyralyi   ut.   23,    Budapest. 
Mozihet,  Csaky  ut.   12,   Budapest. 
Magyar   Film,   Szobi  ut.   5,   Budapest. 
Mozgofenykep    Hirado,   Alacfa   ut.    57,    Budapest. 
Mozi  Vilag,  Dohany  ut.  37,  Budapest. 

Italy 

Kines   (T),  Via  Condotti  48,   Roma. 

Cinemundus    CT),   Via   Frattina   52,   Roma. 

Apollon    (T),    Vicolo    Alibert    Nr.    1,    Roma. 

Lux    (T),   Piazza    S.    Silvestro   81,    Roma. 

Cosmopolita   (T),   \';a   Cavour  341,   Roma. 

Cinematografica  Italiana  ed  Estera  (T),  (Bar- 
riera    S.    Paolo),    Via    Cumiana    31,   Torino. 

L'ltalie  (D),  Piazza  di  Pietra,  Roma. 

Coltura  Cinematografica  (T),  Via  S.  Fran- 
cesco da   Paola   14,  Torino. 

La  Vito  Cinematografica  (T),  Dr.  Irvin  Cort- 
land, 869  Stebbins  Ave..  New  York. 


Java 

Revue,  de   (T),   Batavia. 

Het  Indische  Lcven,  Diederik  Baltzerdt,  Dutch 
East   Indies,   Weltevreden. 

Mexico 
Zig  Zag,  La  Academia,   10,  Mexico,   D.   F. 
Uneversal,  Avenida  Juarez  75.  Mexico  C  ty. 
Lus    Sombra,    Uruguay    48    Apardo    375,    Mexico. 

^    ^"  Poland 

Kinema,  Johann  Baumritter,  Ul  Ks.  Skorupki 
4/6,    Warschau.  „ 

Portugal 

Porto  Cinematografico  (T),  R.  do  Bomjardim, 
436-3,  Porto. 

Republic  of  Uruguay 
El  Dia,  Montevideo. 
El  Plata,  Montevideo. 
El  Telegrafo,  Montevideo. 
La   Noche,   Montevideo. 

Russia 

Published  in  Russia  (A),  Cine-Phono,  Tscher- 
nyschworsky    Pr.    9,    Moskau. 

Published  in  Germany  for  Russia  (B).  La 
Cinematogranhie  pour  la  Russip.  85  Prinz 
regentstr.,    Charles   Philipp,    Berlin-Wilm. 

Scandinavia 
Film-Journalen    (T),   Ragnar   Cederstrand,    David 
Bagaresgata   3,   Stockholm. 

Filmrevyn     (T),     Boershuset,    Hels'npfors. 
Filmiaitta    (T),    Boershuset,    Helsingfors. 
Filmnyheter    (T),    Postfack    630,    Stockholm. 
Oversea   Film   Trading  Co.,   46  Vetre   Boulevard, 
Copenhagen.  _ 

bpam 

El  Diluvio  (D),  Escudillers  Blanchs  3  big, 
Barcelona. 

Cine   Mundial,    516    5th   Ave.,    New    York. 
Mercurio,    Pescud    Bldg.,    N.    Orleans. 

Switzerland 

Revue  Suisse  du  Cinema  (T),  Rue  du  Midi  15, 
Lausanne. 

Schweitzer   Cinema    (T),    Marktgasse   27,    Berne. 

Internationale  Illustrierte  (T),  Kinowoche  K. 
Graf.    Buelach,   Zuerich. 

Zappelnde  Lienwand  (F),  Robert  Hubcr, 
Baeckerstrasse   25,   Zuerich. 

Le   Cinema,  Geneva. 

L'efFort    Cinematographique,    Beuchatel. 

St.    Gallen — St.    Gallen,    Gartenstrasse   9a. 

Schneizerische  Kinozeitschrift,  Bue  du  Midi  IS, 
Lausanne.  

Civic  Film  Service 
The  Civic  Film  Service,  Inc.,  an  organization 
to  supply  pictures  dealing  with  subjects  of  civic 
interest  to  Chambers  of  Commerce  and  similar 
organizations,  was  formed  in  November  to  take 
over  the  American  City  Bureau  Film  Service, 
which  was  a  branch  of  the  American  City  Bureau. 
The  firm  will  have  offices  about  Dec.  1,  at  443 
Fourth  Ave.,  N.  Y. 

Film  to  be  produced  by  the  organization  deal 
with  such  civic  subjects  as  zoning,  recreation, 
trade  promotion,  city  charters,  c'ty  mana  •■  p  an 
etc.  Arthur  T.  Zellner  is  the  director.  Distribu- 
tion   through   Alexander    Film. 

The   films  are   generally   used  to  take  the  place 

of  a  speaker  at  Chamber  of  Commerce  luncheons. 

Albert     St.    Peter    is    in    charge    of    the    Film 

Service.  

National  Park  Si;rvice 
Arno  B.  Cammerer  issued  a  prospectus  in  Oc 
tober  directed  to  motion  picture  producers  tell.ng 
of  the  value  of  the  National  Parks  for  locations. 
In  connection  with  this  a  permit  is  issued  wl-ich 
relieves  the  producer  of  the  usual  "red  tape"  but 
in  consideration  of  which  the  producers  agree  to 
furnish  at  manufacturing  cost  any  number  of 
positive  prints  with  separate  scenes  clearly  titled 
to  the  National  Park  Service  which  agrees  to  ex- 
hibit  the   film   without  j  emission. 

The  National  Parks  included  in  the  group  are 
Yosemite,  the  Grand  Canyon  and  Hot  Springs, 
Ark. 

Chief  Ranger  Forest  S.  Townsley  is  hte  "loca- 
tion" man  of  the  Park   Service. 


354 


^  Periodical   Literature   Regarding    Industry 

Courtesy  of  H.  W.  Wilson  Company 

Editor's  Note — The  following  matter,  while  of  interest  generally,  is  of  special  value  to 
publicity  departments,   being  of  suggestive  value  as  to  the  class  of  material  desired 

by  various  publications. 


154 


$5. 
Y. 


Key   to  periodicals  indexed : 

Am  Child — American  Child.  $2.  National  Child 
Labor  Committee,  105  East  22nd  St.,  New  York. 
Formerly    Child    Labor    Bulletin. 

Am     City — American     City.     $4.     Civic     Press, 
Nassau   St.,   New   York. 

Am     Econ     R — American     Economic     Review. 
American   Economic   Association,    Ithaca,   N. 

Am  Hist  Assn  Rept — American  Historical  Asso- 
ciation Report.  $3  to  members  (including  an- 
nual subscription  to  the  American  Historical 
Review).  American  Historical  Association,  1140 
Woodward    Bldg.,   Washington,   D.   C. 

Am  Hist  R — American  Historical  Review.  $4. 
$3  to  members  of  the  American  Historical  Asso- 
ciation (including  annual  report).  Macmillan 
Company,  66  Fifth  Ave.,  New  York. 

Am  J  Soc — American  Journal  of  Sociology.  $3. 
University   of   Chicago    Press,    Chicago. 

Am  M — American  Magazine.  $2.50.  Crowell  Pub- 
lishing  Company,    Springfield,    O. 

Ann  Am  Acad — Annals  of  the  American  Academy 
of  Political  and  Social  Science.  $5.  39th  St.  and 
Woodland    Ave.,    Philadelphia. 

Arch  Rec— Architectural  Record.  $3.  Architectural 
Record  Company,  115  West  40th  St.,  New  York. 

Art  and  Archaeol — Art  and  Archaeology,  $5. 
Archaeological  Institute  of  America,  The  Oc- 
tagon,  Washington,   D.    C. 

Arts  and  Dec — Arts  and  Decoration.  $5  Joseph 
A.  Judd  Co.,  50  West  47th  St.,  New  York. 
Formerly   Art   World   ana   Arts   and    Decoration. 

Asia — Asia,  Journal  of  the  American  Asiatic  As- 
sociation. $3.50.  Asia  Publishing  Co.,  627  Lex- 
ington Ave.,   New   York. 

Atlan — Atlantic  Monthly.  $5.  Atlantic  Monthly 
Company,   8   Arlington   St.,   Boston. 

Bird  Lore— Bird-Lore.  $1.50.  D.  Appleton  &  Co., 
Harrisburg,    Pa. 

Bookm — Bookman  $4.  George  H.  Doran  Co.,  244 
Madison  Ave.,  New  York. 

Bui  Pan  Am  Union — Bulletin  of  the  Pan  American 
Union.  $2.50.  17th  and  B  Sts.,  N.  W.,  Wash- 
ington,  D.    C. 

Canad  M — Canadian  Magazine.  $2.50.  200  Ade- 
laide St.,  West,  Toronto,   Canada. 

Cath  World— Cathohc  World.  $4.  120  West  60th 
St.,  New  York. 

Cent — Century.  $4.  Century  Co.,  353  4th  Ave., 
New   York. 

Child  Labor  Bui — See  Am  Chila. 

Collier's— Collier's.  $2.50.  P.  F.  Collier  and  Son 
Co.,  416  West  13th  St.,  New  York. 

Conf  Char  and  Correc.     See  Nat  Conf  Soc  Work. 

Contemp — Contemporary  Review.  $7.  Leonard 
Scott  Pub.  Co..  249  West  13th  St.,  New  York. 

Country  Life — New  Country  Life.  $5.  Double- 
day,  Page  &  Co.,  Garden  City,  N.  Y. 

Cur  Hist  M,  N  Y  Times— Current  History  Mag- 
azme  of  the  New  York  Times.  $4.  New  York 
Times    Co.,   Times    Square,    New   York. 

Cur  Opinion--f:urrent  Opinion.  $4  Current  Lit- 
erature Pub.   Co.,  50  West  47th  St.,   New  York. 

Delin— Delineator.  $2.50.  Butterick  Pub.  Co.,  But- 
terick  Bldg.,  Spring  and  MacDougal  Sts.,  New 
York. 

Dial— Dial.  $5.  The  Dial  Pub  Co.,  152  W.  13th 
St.,  New  York. 

Edin  R — Edinburgh  Review.  $5.  Leonard  Scott 
Pub.    Co.,   249  West   13th   St.,   New   YorK. 

Educa — Education.  $4.  Palmer  Co.,  120  Boylston 
St.,  Boston. 

Educ  R — i^ducationa)  ^"view.  $3.  Georee  K.  Do- 
ran  Co.,  244   Madison  Ave..  New  York. 

EI  School  J — Elementary  School  Journal.  $2.50. 
University   of   Chicago   Press,    Chicago. 

Etude— The  Etude.  $2.  Theodore  Presser  Co..  1712 
Chestnut   St.,   Philadelphia. 


Everybody's — Everybody's  Magazine.  $2.75.  The 
Ridgway  Company,  Spring  and  MacDougal  Sts., 
New  York. 

Farmers'  Bui — United  States.  Department  of  Ag- 
riculture. Farmers'  bulletins.  A  limited  numbei 
of  copies  are  available  for  free  distribution  b> 
Division  of  Publications,  Department  of  Agri 
culture,  Washington,  D.  C. 

Fortn — Fortnightly  Review.  $7.  Leonard  Scott 
Pub.  Co.,  249  West   13th  St.,   New  York. 

Forum^Forum.  $4.  The  Forum  Publishing  Co., 
118  East  28th  St.,  New  York. 

Card  M — Garden  Magazine.  $3.  Doubleday,  Page 
&  Co.,  Garden  City,  N.  Y. 

Good  H — Good  Housekeeping.  $3.  International 
Magazine  Co.,   119  West  40th  St.,  New  York. 

Harper — Harper's  Monthly  Magazine.  $5.  Har 
per   &   Bros.,   Franklin   Square,   New    York. 

House  and  Gard — House  and  Garden.  $3.50. 
Conde  Nast  &  Company,  19  West  44th  St.,  New 
York. 

House  B — House  Beautiful.  $4.  House  Beautiful 
Pub.    Co.,  8   Arlington    St.,    Boston. 

Illus  World — Illustrated  World.  $3.  Drexel  Ave. 
and  58th  St.,  Chicago. 

Ind — Independent.  $j.  311    Sixth  Ave.,  New  York. 

Ind  Arts  M — Industrial  Arts  Magazine.  $2.50 
Bruce  Publishing  Company,  354  Milwaukee  St. 
Milwaukee,  Wis. 

Ind  Management — Industrial  Management.  $3 
120  W.  32nd  St.,  New  York.  Formerly  Engi- 
neering  Magazine. 

Int  Studio — International  Studic.  $6.  John  Lane 
Co.,   786   Sixth  Ave.,   New   York. 

/  Home  Econ — Journal  of  Home  Economics 
$2.50.  American  Home  Economics  Assn.,  1211 
Cathedral    St.,    Baltimore. 

J  Pol  Econ — Journal  of  Political  Economy.  $4 
University  of  Chicago  Press,   Cnicago. 

Ladies'  H  J — Ladies'  Home  Journal.  $2.  Curtio 
Publishing  Company,  Indepen  .ence  Square.  Phil 
adelphia. 

Libray  J — The  Libraiy  Journal.  $5.  R  R.  Bow- 
ker   Co.,   62  West  45th   St.,  New  York. 

Lit  Digest — Literary  Digest.  $4.  Funk  &  Wag- 
nails   Co.,   354   4th  Ave.,    New   York. 

Liv  Age — Living  Age.  $6.  Living  Age  Co.,  41 
Mt.    Vernon    St.,    Boston. 

Manual  Train — Manual  Training  Magazine.  $1.50. 
The  Manual  Arts  Press,  237  N.  Monroe  St., 
Peoria,  111. 

Mentor — The  Mentor.  $4.  Mentor  Association, 
114   East  16th  St.,   New   York. 

Mis  R — Missionary  Review  of  the  World.  $2.50. 
Missionary  Review  I'ublishing  Co.,  156  Fifth 
Ave.,  New  York. 

Monthly  Labor  R — United  States.  Bureau  of  La- 
bor Statistics.  Monthly  Labor  Review.  $1.50. 
Bureau   of   Labor   Statistics,   Washington,   D.    C. 

Mus  Q — Musical  Quarterly.  $3.  G.  Schirmer,  3 
East  43rd   St.,   New   York. 

Musician — Musician.  $3.  The  Henderson  Publica- 
tions, Inc.,  2720  Grand  Central  Terminal,  New 
York. 

i>Jation — Nation.  $5.  Nation  Press,  20  Vesey  S.... 
New  York. 

Nat  Conf  Soc  Work — National  Conference  of  So- 
cial Work,  Proceedings.  $2.  University  of  Chi- 
cago  Press,   Chicago. 

Nat  Educ  Assn — National  Education  Association. 
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ucation Association  of  the  United  States,  1400 
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355 


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Review  is  for  the  whole  series.  To  find  the  new 
series   subtract  six. 


Moving  and  talking  pictures 

Dr    De    Forest's    talking    film.     Lit    Digest    74 : 

28-9  S   16  '22 
Films  that  talk.     II   Lit   Digest   71:20-1    D   3  21 

'21 
Radio    to    make    movies    talk.     J.    H.    Butler,    il 

Illus   World    37:673-7   Jl    '22 

Moving  picture  actors  and  actresses 

Who  wants  to  be  a  motion  picture  star?     F.   O. 

Sanborn,     il   Illus   World   36:49-51    S   '21 
Youth,  the  spirit  of  the  movies.     D  :  W.  Griffith. 

il  Illus  World   36:194-6   O   '21 
Circus.   S.  Young.   New  Repub  32:73-4  S  13  '22 
Answering   wild-eyed   questions   about   the   movie 

stars  at  Hollywood.     G:  Ade.     Am  M  93:52-3 

My  '22 
Character    bonds    for   movie   actors.     Lit    Digest 

73:33  Ap  1  '22 
Horrible    Hollywood,    home    of    hokum.        il    Lit 

Digest  73:40-6  Je  10  '22 
Scandal    and    the   movies.     O.    Skinner.     Ladies' 

H  J  39:8  Je  '22 
Trouble  with  the  movie  face,     il  Lit  Digest  72  : 

28-9  Ja    14   '22 

Moving  picture  industry 

Some  business.     Lit   Digest  70:29    S   17   '21 
Winning    foreign    film    markets.     O.    R.    Geyer. 
Sci  Am  125:132  Ag  20  '21 


How    the    movies    got    that    way.      Collier's    70 : 

11-12  S  23  '22 
Little  men  behind  the  big  screen,  il  Collier's  70: 

11-12  S  30  '22 
We  have  come  to   stay.   C:   Chaplin.   Ladies'  H 

J  39:12  O  '22 
Why    I   am   ashamed   of   the   movies,    il    Collier's 

70:3-4  S  16  '22 
Why    I    made    that    stupid    film,    il    Collier's    70: 

13-14  O  7  '22 
Arrangement    and    defense    of    the    movies.    Cur 

Opinion  72:353-4   Mr  '22 
Business    chaperons    the    movies.    H.    L.    Lowry. 

Sat  Eve  Post  194:48-54  Je  10  '22 
Greatest   business    in    the    world     M.    Pickford.    il 

Collier's  69:7-8  Je  10  '22 
Hard   to   pick    'em.     Sat   Eve   Post    194:46-53   Je 

3  '22 
Mr    X    of   the  movies.      B.    Bliven.     New    Repub 

29:246-8  Ja  25   '22 
Rebirth  of   the  movies.     L.   F.    Merrick,   il   Sun- 
set 48:15  Ap  '22 
Repeating   history    in    the   movies.    D.    E.    Daven- 
port, il  Illus  World  37:679-81  Jl  '22 
Too     many     cooks     spoil     the     pictures.     G :     R. 

Chester,  il  Sat  Eve  Post  194:18  Mr  18  '22 
What   Hays   can   do   for  the  movies.   Lit   Digest 

72:12-13  Ja  28  '22 
Winter     movie  -  metropolis.     W.     T.     Farrar.     il 

Travel  38:7-9  D  '21 


356 


Helping    the    prospect    to    sell    himself.      K.     K 

Bell,     il  System  41  -.683  Je  '22 
Moving  picture   in  church  work 

This   preacher's  gumption   filled   his   empty   pews 

R.   Lovewell.   il  Am  M.   94:64-5  Jl    '22 
Moving  pictures  in  education 

Dramatizing  the  unseen   by  means  of  the  movie 

W:   B.  Phillips,  il  Illus  World  36:  246-8  O  '21 
American  history  in  moving  pictures.   H.   Daniel 

il   World's  Work  44:540-7   S  '22 
Yale's    moving    picture    chronicles    of    America 

School  and  Soc   16:183  Ag   12  '22 
College  faculties  and  motion  pictures.   School  and 

Soc  14:607   D  24  '21 
Film    lessons   in    California   schools     Educ    R   63 : 

77-9  Ja  '22 
Organization   for  visual  instruction.   W.   H     Dud- 
ley.    U  S  Bur  Educ   Bui   1921,  7:1-24 
Moving  picture  studios 

Washing    London    fog   out    of   the   atmosphere   of 

a    motion    picture    studio.    C:    H.    Bell,    il    Sci 

Am   126:255  Ap  '22 
Moving  picture  theaters 

Super-moving-pictuie    theater,    il    Lit    Digest    74  ■ 

30-1    Ag   26    '22 

Stage    MechaniEm 

Xoises     for     the     movies :     how     realistic     sounds 
are  produced.   A    A.   Hopkins,   il   Sci  Am    126: 
30-1   Ja   '22 
Moving   picture   films 

•Aluminum   films,  il  Sci  Am   127:43  Jl   '22 
Latin  America 

What    the    public    wants    below    the    equator.    M. 
Moravsky.    Outlook    132:129    S    27    '22 
By   Products 

Tons    of    silver    from    waste    hypo.    C :    A     Byers 
il  Sci  Am   126:258  Ap  '22 
Moving  pictures  in  science 

Relativity  in  the  films,  il  Sci  Am  127:92  Ag 
'22 

Moving   picture   censorship 

Revamping  the  vampires.  National  113:140  Ag 
10   '21 

Mt  Wilson  observatory 

Have    telescopes    reached    their    limit?      C      Stan- 
dish,   il   Illus   World    37:549-51    Je   '22 
Mountain    climbing.     See    Mountaineering 
Mountain  man    (drama  by  C.   Kummer) 

Criticism    S.    Young. 
Moving    picture    plays 

First  chapter.  M.  C  Calkins.  Survey  47:957-8 
Mr   18   '22 

Mangling  masterpieces  in  the  movies.  Lit  Digest 
73:30-1    My   20   '22 

Public  will  turn.  H.  Broun,  il  Collier's  69:16 
F   11   '22 

Recapturing     thrills     of     the     French     revolution, 
il  Lit   Digest   72:28-9  F  25   '22 
Moving  pictures 

American  letter.  W.  C.  Blum.  Dial  71:347-50 
S  '21 

Art  of  the  camera.  R.  A.  Parker.  Arts  and 
Dec  15:369  O  '21 

Gold    cure.    H.    Croy.    Collier's    68:13    O    8    '21 

Movies  versus  motion  pictures.  R.  Block  Cent 
102:889-92   O  '21 

Art  of  suggested  motion.  M.  M.  Stearns,  il  Arts 
and  Dec   17:191   Jl    '22 

How  I  filmed  Nanook  of  the  north.  R.  J.  Fla- 
herty, il  World's  Work  44:553-60,  632-40  S-O 
'22 

Let  me  say  this  for  the  films.  D.  Fairbanks, 
il   Ladies'   H   J   39:13    S   '22 

Why  aren't  the  pictures  better?  J:  Barry- 
more.   Ladies'   H  J    39:7   Ag   '22 

Community  movies'  H.  M.  Scarth.  Outlook 
129:574-7  D  7  '21 

Don't  be  ashamed  to  cry  at  the  movies.  E. 
Burr,   il   Illus  World   37:215-17  Ap   '22 

Future  of  the  motion  picture.  Arts  and  Dec 
16:168-9  D  '21 

Hope  for  the  movies  seen  in  the  Little  theater 
movement.  Cur  Opinion  71  :"62-3  D  '21 

How  our  films  misrepresent  America  abroad 
Lt   Digest  71  :28-9  N  26  '21 


Kitchener's    death    in    the    movies,    il    Lit    Digest 

71  :27  D  24  '21 
Making  of  a  movie.   H     C.    Bennett,    y  Woman's 

H    C  49:27   Mr  '22 
Motion     picture     not     an     art.     O.     Skinner,     il 

Ladies'  H  J  39:7  My  '22 
Movie   volcano,    il   Lit    Digest   71  :23    N    19   '21 
Movies,     an     arraignment.     S.     L.     M      Barlow. 

Forum  67:37-41  Ja  '21 
Movies    and    the   Elizabethan    theater.    C.    Harris. 

il    Outlook   130:29-31   Ja  4   '22 
Movies ;     in    their    defense.     R.    E.    MacAlarney. 

Forum  67:42-5  Ja  '22 
Sergei   de   DiaghileflF  and   Gordon  Craig  on  mov- 
ing pictures.   Liv  Age  312:618-19   Mr   11   '22 
Sir     Gilbert     Parker's     impressions     of     the     mo- 
tion   picture    as    industry    and    art.    Arts    and 
Dec    16:252-3   Ja   '22 
Staging     a     million-dollar     movie ;     Four     horse- 
men   of    the    Apocalypse.     F.     O.     Sanborn,    il 
Illus  World  36:847-9  F   '22 
What    about    motion    pictures?     Reply    to    Burt- 
on    Rascoe.     G.     Parker.      Bookum     54:313-17 
D   '21 
Why    the    movies    move.         D.    A.    Laird.         Sci 
Monthly    14:364-78   Ap    '22;    Same  cond.     Lit 
Digest  73  :24-5  My  20  '22 
Yale's    movie    version     of    American    history,     il 

Lit  Digest  72:38-43  Mr  4  '22 
See  also  moving  and  talking  pictures. 
Moving  picture  photography 

Developing    motion    picture    film    with    automatic 
machinery.  H.  A    Mount,  il  Sci  Am  125:181  S 
10  '21 
Filming  adventures   in   beauty,    il   Arts   and   Dec 

15:299    S    '21  _ 

New    tricks   for   old   in    the   movie   business.    Lit 

Digest  74:47-9   S  '22 
Avoiding     the     lion's     claws     in     film-land.     W : 
Steckler    il  Illus  World  36:551-3   D  '21;   Same 
cond.   Lit  Digest  72:52-4  Mr  4   '22 
Combining    motion    pictures    with    clockwork,    il 

Sci  Am   126:57  Ja   '22 
It   looks   easv.    H.    Croy.    il    Sat   Eve    Post    194: 

14  N  5   '21 
Painting  beauty  with  the  camera.  M.  M.  Stearns. 

il   Arts   and    Dec    17:27    My    '22 
Spectacles     for    the    motion-picture    camera.     C : 
A     Byers.    il    Sci   Am    126:189    Mr   '22;    Same 
cond.   Lit  Digest  72:24  Mr   11   '22 
Settings 

Castles   of   plaster   and    steel.    D.    E.    Davenport. 

il   Sci   Am   127:176-7   S   '22 
Movie    prop-hunters'    museum.    C :    A.    Goddard. 

il   Illus  World  37:849-51   Ag   '22 
Omar    Khayyam    meets    his    fate    on    the    screen. 
B.    Sherwood,   il  Arts   and   Dec   17:263   Ag   '22 
Why    movie    films    cost    money,    il    Illus    World 

37:897  Ag  '22 
Making   real   scenes   for   the  movies.    F.    O.    San- 
born, il  Illus  World  36:685-7  Ja  '22 
Something  new  in  movie  scenery    il  Sci  Am  127: 
23  Jl   '22 
Moving  pictures  and  morals 

Public    demand    for    risque    movies.     Lit    Digest 

74:33-4  Jl    15   '22 
Moving-picture    morals    attacked    and    defended. 

Cur   Opinion   72:505-7   Ap   '22 
They'll    have    only    themselves    to    blame.    S.    E : 
White,    il    Sunset   48:40-2   Ja   '22 
Moving  picture  acting 

Heroine   of  a   thousand   dangerous   stunts.    M.    B. 

Mullett.   il  Am   M   92:32-5    S   '21 
Pantomime     and     the    picture.     A.     B.     Kuttner. 
Nation  113:375-6  O  5  '21 
Undersea  Photography 

"Advanced  Course  in  Motion  Picture  Photog- 
raphy" Published  by  New  York  Institute  of 
Photography.  Chapter  XX — "How  Submarine 
Movies  Are  Taken." 
"Behind  the  Motion  Picture  Screen"  by  Lescar- 
boura  Published  by  Scientific  American  Pub. 
Co.  Chapter    XVII — "Motion    Pictures    in 

Strange  Fields." 
Motion  Picture  News,  Issues  of  December  17 
and  24,  1921.  "Riddle  of  the  Deep  Solved  by 
Photography."  A  paper  read  before  S.  M. 
P.  E.  by  J.  E.  Williamson  and  Carl  Gregory. 
(Continued   on   page    383) 


357 


LLOYDS  FILM  STORAGE  CORPORATION 

130  WEST  46th   ST.   NEW  YORK  CITY 

THE  ONLY  PLACE  OF  ITS  KIND  IN  THE  UNIVERSE 


TELEPHCNE:   BRYANT   5600 


CABLE    ADDRESS:    ELFILSTOR 


storage    Vaults 

For  Valuable  Films 

Cutting  Rooms 

For   Rent   By 
Day,   Week   or   Month 

Projection 

Theatres 

For  Rent 
By  the  Hour 

Film    Library 

Scenes    of   All    Kinds    to 
Embellish  Productions 

Cutting  &  Editing 

By  Experts 

Titles 

Art  and  Foreign  Titles 
in  Any  Language 

Delivery    Service 

By  Messenger  and  Truck 
To   Any   Part   of   City 

Trade  Showings 

Arranged    in    Theatres 
Hotels  or   Our  Own 
Projection    Theatres 

Insurance 

On  Films  in  Our  Vaults 
or   in  Transit 

Packing 

For    Domestic    or 
Export    Shipment 

Forwarding 

To  All  Parts  of  the  World 

Customs 

Clearances 

U.  S.  Bonded 

Warehouse 


U.   S.  BONDED  WAREHOUSE 


If  your  office  is  in  New  York  your  films  stored  in  our  vaults 
gives  you  the  assurance  of  havmg  your  valuable  motion  picture 
negatives  and  positives  in  the  very  safest  place  m  the  world. 
Storing  with  us  also  relieves  you  of  all  the  petty  details  cf  the 
physical  handling  of  hazardous  materials  and  the  consequent  an- 
noyance of  stringent  fire  department  requirements  so  odious  to 
the  busy  executive. 

If  you  are  located  abroad  or  out  of  town  the  storage  of  your 
motion  picture  films  in  our  approved  fire-proof  vaults  at  a  nom- 
inal monthly  storage  charge  gives  you  a  service  for  which  a 
New  York  representative  would  probably  charge  you  an  amount 
equal  in  just  one  week  to  what  you  would  pay  us  in  a  whole  year. 

A  customer's  interests  are  ours.  We  accept  no  commissions 
and  pay  none.  For  handling  for  a  customer  all  of  the  details 
of  a  transaction  that  in  commissions  to  an  agent  or  a  broker 
would  cost  the  customer  hundreds  and  perhaps  thousands  of  dol- 
lars our  charge  would  be  only  a  few  dollars  for  storage,  pro- 
jection and  delivery  services. 

Our  slogan — "Nothing  too  big  for  us  to  undertake.  Nothing 
too  small  for  us  to  do  in  a  big  way." — Applies  particularly  to 
the  very  great  variety  of  services  which  we  are  constantly  ren- 
dering to  our  satisfied  customers  in  all  parts  of  the  world. 

Our  warehouse  is  bonded.  Have  your  incoming  foreign  ship- 
ments consigned  in  our  care  and  you  will  then  be  able  to  ex- 
amine them  just  around  the  corner  from  your  office.  You  will 
also  be  able  to  project  in  bond  Scimple  prints  of  foreign  subjects 
and  to  return  them  without  the  payment  of  duty.  The  use  of  our 
bonded  trucks  will  also  result  in  a  very  great  saving  to  you. 

Send  your  films  to  our  warehouse.  Write  us  a  letter  telling 
us  to  whom  to  show  them  or  just  what  to  do  with  them.  Your 
patronage  will  be  greatly  appreciated  and  your  instructions  will 
be  carried  out  in  a  manner  that  will  be  absolutely  to  your  satis- 
faction. We  will  show  your  pictures  to  any  one  or  all  of  the 
buyers  of  American  and  foreign  rights  and  will  execute  any 
kind  of  an  agreement  you  may  require.  To  all  of  these  services 
you  are  entitled  as  a  customer  of 

ILOYDS  fllM  STORAGE  CORPORATION 


358 


Some  Men  You  Know 


M\RCUS    LOEW 
Loew's,  Inc. 


ADOLPH  ZUKOR 
Pres.  Famous  Players-Lasky 


D.  W.  GRIFFITH 
Griffith  Prod. 


WILLIAM  FOX 
Pres.  Fox  Fi!m  Corp. 


ROBERT  LIEBER 
Pres.  Asso.  1st  Nat.  Pict. 


CARL  LAEMMLE 

President  Universal  Fi'm 


o59 


ET 

Ri^i%^ 

^m 

^^^^  <M 

fl 

H 

RICHARD  A.  ROWLAND 

Gen.  Mngr.  Asso.  First 

Nat'l   Pictures,   Inc. 


ARTHUR  S.  KANE 
Arthur  S.  Kane  Pict.  Corp. 


ALBERT  E.  SMITH 
Pres.  Vitagraph  Co. 


R 

r 

^^^^^                r- —    -o^  '  M 

r 

^K-'^X      '  ll 

u 

^Hl^   ~^l[fl 

■ 

■■^^ 

■ 

H^^hH 

■ 

HIRAM  ABRAMS 
Pres.  United  Artists 


LEWIS  J.  SELZNICK 
Pres.  Select  Pic.  Corp. 


ELMER  L.  PEARSON 
Pathe 


"AL"  LICHTMAN 
'Al"    Lichtman    Corp. 


WINFIELD  R.  SHEEHAN 
Fox  Film  Corp. 

.360 


H.  M.  WARNER 


J.  D.  WILLIAMS 
Ritz-Carlton    Pictures 


JOSEPH    L.    FRIEDMAN  JOS.  W.   ENGEL 

Pres.  Federated  Film  Exch.       Treas.  Metro  Pictures  Corp. 


LOUIS    B.   MAYER 
Mayer  Productions 


SAMUEL  GOLDWYN 


W.  W.  HODKINSON 
Pres.  W.  W.  Hodkinson  Corp. 


PAUL   CROMELIN 
Inter-Ocean  Film  Co. 


S.  R.  KENT 

Famous  Players 

361 


P.  A.  POWERS 
F.   B.   O.   of  America 


CECIL    B.    DeMILLE 
Famous  Players-Lasky 


^A 


'JIMMY"  GRAINGER 
Goldwyn 


ARTHUR  S.  FRIEND 
Distinctive  Prod.,  Inc. 


EARL    W.   HAMMONS 
Educational 


W.  E.  SHALLENBERGER 
Arrow  Film  Exchanges 


JESSE  L.  LASKY 
Famous  Players-Lasky 


FELIX  FEIST 
Jos.  M.  Schenck  Prod. 


WALTER  W.  GREENE 

Pyramid   Pictures  W.  R.("Watty")  ROTHACKER 

362 


EUGENE   ROTH 
K  San    Francisco 


LEE  A.  OCHS 
A.  B.  C,  New  York 


HARRY  CRANDALL 
Washington,   D.   C. 


FRANK  J.  REMBUSCH 
Indiana 


JAKE  WELLS 
Richmond,  Va. 


RALPH  TALBOT 
Oklahoma 


SAM  MORRIS 
Warner    Bros. 


SAM  ZIERLER 
Pres.  Commonwealth  Film 


MAX  GRAF 
Graf  Prod. 


3U3 


'ERNIE"    SHIPMAN 


CHAS.  C.  PETTIJOHN 


MORRIS  A.  KOHN 


JOHN  C.  FLYNN 
Famous  Players-Lasky 


OSCAR  A.  PRICE 


"ABE"  BLANK 
A.  H.  Blank  Enter. 


JAMES  VINCENT 
M.  P.  D.  A. 


Col.  WM.  N.  SELIG 


364 


Important  Legal  Decisions 


BY  NATHAN  BURKAN 

This    year    has    seen    some    very    interesting    legal 
decisions     affecting     the     motion     picture     industry, 
particularly    so,    with    reference    to    that    most    im- 
portant factor  of  the  industry — Copyright. 
Copyright 

The  right  of  an  assignee  of  the  motion  picture 
rights  in  a  novel  to  maintain  an  action  for  in- 
fringement came  up  in  the  case  of  Goldwyn  Pic- 
tures   Corporation   against   Howells    Sales    Co. 

It  seerns  that  the  Goldwyn's  had  bought  the 
motion  picture  rights  to  the  novel,  "Mr.  Barnes 
of  New  York,"  written  by  one  Archibald  C. 
Gunter,  in  about  1887.  Gunter  died  in  1907  and 
his  widow,  under  the  will,  became  heir  to  the 
copyright. 

The  widow  subsequently,  at  the  expiration  of  the 
original  period  of  copyright  ,  obtained  a  renewal 
of  the  copyright,  in  191S.  The  Goldwyns  claimed 
an  assignment  of  the  motion  picture  rights  of  the 
book  through  Mrs.  Gunter,  made  prior  to  the 
copyright  renewal. 

The  Goldwyns  had  not  copyrighted  any  motion 
picture  photoplay,  but  rested  their  rights  upon  the 
grant  of  the  motion  picture  rights,  and  they 
sued  the  Howells  Sales  Co.  and  others  for  an 
infringement  of  their  motion  picture  rights,  How- 
ells having  exploited  a  picture  entitled,  "The  Ven- 
detta," which  was  claimed  to  be  based  upon  the 
same   theme   and   story. 

The  Circuit  Court  of  Appeals  held,  that  inas- 
much as  Goldwyn  was  merely  the  assignee  of  the 
motion  picture  rights  and  was  not  the  owner  or 
proprietor  of  copyright,  it  could  not  maintain  the 
action.  It  held  that  no  one  but  the  proprietor  of 
the  copyright  may  bring  a  suit  for  infringement. 
It  reaiifirmed  the  well-established  principle  of  law, 
that  a  licensee  of  rights  under  the  copyright  may 
not,  in  his  own  name,  bring  an  action  for  in- 
fringement, and  that  even  though  the  assignment  of 
the  motion  picture  rights  was  for  the  length  of  the 
copyright,  Goldwyn  was,  nevertheless,  nothing  but 
a   licensee. 

This  decision  is  of  far-reaching  importance,  as 
these  transfers  are  made  every  day,  and  it  would 
indicate  that  a  purchaser  of  motion  picture  rights, 
in  order  to  protect  himself,  should  insist  upon  a 
clause  in  his  contract  constituting  him  the  agent 
for  the  proprietor  of  the  copyright,  in  the  name 
of  such  proprietor,  to  maintain  suits  for  in- 
fringement. 

Of  course,  had  the  Goldwyn  company  made  its 
picture  and  registered  the  same  for  copyright,  it 
would  then  be  the  proprietor  of  a  separate  and 
distinct  copyright  in  the  motion  picture,  and  as 
such,  it  could  maintain  an  action  for  infringement 
in   its   own   name. 

The  right  of  a  photographer  to  restrain  a  motion 
picture  producer  from  issuing  photographs  which 
had  been  registered  for  copyright  by  the  photog- 
rapher, came  up  in  the  case  of  Lumiere  vs.  Robert- 
son-Cole  Distributing   Corporation. 

Carpentier,  a  pugilist,  had  made  a  contract  to 
appear  in  a  picture  for  Robertson-Cole,  and  the 
picture  was  produced  with  Carpentier  in  the  lead- 
ing role.  In  order  to  have  some  stills  for  ad- 
vertising purposes,  Carpentier  was  taken  to  the 
studio  of  Lumiere  by  the  Robertson-Cole  agent, 
and   he   there   posed   for   a    number  of   photographs. 

The  photographs  were  paid  for  by  the  Robertson- 
Cole  Company  and  it  was  undisputed  that  the 
photographs  belonged  to  that  Company. 

A  letter  was  then  presented  by  Lumiere  to  Car- 
pentier and  his  manager,  purporting  to  give  Lum- 
iere the  right  to  copyright  these  photographs,  but 
the  testimony  showed  that  neither  Carpentier  nor 
his  manager  could  speak  English,  and  they  had 
no  knowledge  of  the  contents  or  eflfect  of  that 
letter. 

The  Circuit  Court  held  that  the  usual  contract 
between  a  photographer  and  his  customers  is  one 
of  employment,  and  that  the  production  of  the 
photographs  is  one  done  for  the  customer  and  not 
for  the  photographer,  and  that  the  sitter  is  entitled 
to    all    proprietary    rights    therein,    and    that    he    is 


entitled  to  the  negative  and  of  all  photographs 
made  therefrom ;  and  the  photographer  is  not  en- 
titled to  the  copyright,  such  right  being  expressly 
reserved  to  the  sitter,  by  law. 

The  Court  held  that  where  a  photographer 
solicits  persons  to  come  to  his  studio  and  takes 
photographs  gratuitously,  for  his  benefit  and  at 
his  expense,  the  right  to  copyright  would  then  be 
in    the   photographer. 

In  this  particular  case,  inasmuch  as  Robertson- 
Cole  had  brought  Carpentier  to  the  studio  and  had 
paid  for  the  photographs,  the  right  to  copyright 
the  same  vested  in  Robertson-Cole,  and  a  decree 
was  entered  against  Lumiere  accordingly,  affirm- 
ing a   dismissal  of  his  complaint. 

Renewal    of    Copyright 

A  m.ost  interesting  decision  was  rendered  with 
reference  to  a  Fox  picture,  "Over  the  Hill  to  the 
Poorhouse."  (Fox  Film  Corporation  against 
Knowles.)  It  concerned  itself  with  the  question 
of  the  right  to  renewal  of  copyright. 

It  seems  that  the  poem,  "Over  the  Hill  to  the 
Poorhouse"  was  written  by  one  Will  Carleton,  and 
the  right  to  secure  copyright  therein  had  been 
assigned  to  Harper  &  Bros,  who  published  the 
poem  is   1873. 

In  1901,  the  same  being  within  one  year  of  the 
expiration  of  copyright,  Carleton  applied  for,  and 
obtained  a  renewal  thereof.  The  expiration  of  this 
renewal  was  in  1915.  Carleton  died  in  1912,  leaving 
one  Goodrich  as  executor  and  sole  legatee  under 
his  will,  and  in  1915,  said  Goodrich,  as  executor 
and  sole  legatee,  filed  an  application  for  renewal  of 
copyright,  so  that  the  same  was  renewed  down  to 
1929. 

Thereafter,  and  in  1915,  Goodrich  died,  leavmg 
all  of  his  property  to  his  wife  who  was  also  the 
executrix  under  his  will.  Mrs.  Goodrich,  in  1920, 
made  an  assignment  of  the  dramatic  rights  in  the 
poem   to   Fox. 

Carleton  had  left  no  widow  or  children,  or  next 
of  kin.  The  Court  held  that  the  statute  granted  no 
right  of  renewal  to  administrators  or  executors,  as 
such,  and  that  even  legatees  had  no  right  of  re- 
newal  as  thev   are   not  mentioned   in   the   statute. 

In  other  words,  Carleton  could  will  away  the 
copyright  to  Goodrich,  but  when  the  copyright 
period  expired,  Goodrich,  could  not  renew.  Had 
Carleton  left  a  wife  or  family,  they  could  have  re- 
newed. Inasmuch  as  he  left  neither,  the  copyright 
came  to  an  end  and  the  work  came  into  the  public 
domain.  . 

This  decision  is  extremely  important  and  em- 
phasizes the  futility  of  making  contracts  with  copy- 
right proprietors  for  their  renewal  rights.  It  in- 
dicates how  strongly  the  law  protects  the  widow 
and  children  of  the  copyright  proprietor,  making 
it  impossible  for  the  copyright  proprietor,  by  any 
act  of  his  own,  at  least  up  to  the  year  before  the 
expiration  of  copyright,  to  deprive  his  wife  and 
family  of  the  benefits  of  the  renewal. 

The  result  of   the  decision   is   that    Fox  has   been 
decreed   to   have   no   copyright   in   "Over   the   Hill. 
A    Writ    of    Certiorari    has    been    granted    and    the 
matter    will    be    finally    disposed    of    in    the    United 
States   Supreme  Court. 

Picture  Rights  of  Story 

A  bitter  litigation  arose  with  respect  to  James 
Oliver  Curwood's  story,  "The  Valley  of  Silent 
Men."  The  International  Film  Service  Co.,  Inc., 
had  acquired  the  motion  picture  rights  to  this  novel 
and  had  almost  finished  its  production,  when  the 
Affiliated  Distributors,  Inc.  and  a  number  of 
others,  released  a  picture  which  they  called  "I 
Am  the   Law." 

The  story  of  that  picture  was  chiefly  founded 
upon  the  confession  of  a  Northwest  _  Mounted 
Oificer,  who  believed  himself  to  be  dying,  to  a. 
crime  of  murder  which  he  did  not  commit,  in 
order  to  shield  another.  Of  course,  that  is  the 
very  crux  of  the  plot  of  "The  Valley  of  Silent 
Men,"  and  the  International  immediately  brought 
suit  for  an  injunction  against  the  Affiliated  and 
others,  claiming  infringement. 


365 


11 


The  suit  was  bitterly  contested,  and  came  on 
before  Judge  John  C.  Knox,  of  the  Federal  Court, 
and  after  trial,  the  Court  rendered  a  decision  in 
favor  of  the  International  and  held  that  the  de- 
fendants had  infringed  the  plaintiff's  story  and 
picture ;  they  were  restrained  from  the  further  ex- 
hibition of  the  picture  and  were  compelled  to 
eliminate  the  offending  scenes  and  to  do  away 
with  the  confession  scene. 

Trade   Name  and   Unfair   Competition 

Simultaneously,  with  the  commencement  of  the 
International  suit,  James  Oliver  Curwood  brought 
an  action  against  a  number  of  the  same  defendants 
to  restrain  them  from  advertising  the  name  "James 
Oliver  Curwood"  in  conjunction  with  the  in- 
fringing picture. 

It  seems  that  Curwood,  many  years  ago,  had 
written  an  obscure  little  story  that  had  appeared 
in  an  issue  of  the  "Outing  Magazine,"  called  "The 
Poetic   Justice  of   Uko   San." 

The  Affiliated,  through  a  "dummy,"  had  acquired 
from  Curwood,  the  motion  picture  rights  to  this 
story,  together  with  the  right  to  use  his  name  in 
conjunction  therewith,  as  well  as  the  right  to  elab- 
orate on  the  story  for  the  purpose  of  making  a 
five-reel  feature  film. 

The  Affiliated  made  no  attempt  to  elaborate  on 
that  story,  but  it  advertised  its  picture,  "I  Am  the 
Law,"  as  having  been  adapted  from  a  story  writ- 
ten by  James  Oliver  Curwood.  In  other  words, 
it  not  only  infringed  upon  Curwoods's  new  novel, 
"The  Valley  of  Silent  Men,"  but  it  advertised 
Curwood's  name  as  the  autfior  of  the  infringing 
work. 

This  action  was  likewise  tried  before  Judge  Knox, 
and  judgment  rendered  in  favor  of  Curwood,  re- 
straining the  defendants  from  the  further  use  of  his 
name.  In  both  of  these  actions  a  Special  Master 
has  been  appointed  to  assess  the  damages  to 
which   the  plaintiffs  are   entitled. 

These  two  decisions  illustrate  the  liberal  tendency 
of  the  Courts  in  protecting  the  owner  of  a  work 
which  has  been  infringed  and  in  safeguarding  an 
author  against   the  improper  use  of  his  name. 

In  Binderup  vs  Pathe  Exchange,  the  Federal 
Courts  construed  the  nature  of  the  film  business 
with  respect  to  the  Sherman  Anti-Trust  Law.  In 
that  case,  an  action  had  been  brought  for  three- 
fold damages  under  the  Sherman  Anti-Trust  Law 
against  the  Pathe  and  others,  for  damages  on  the 
ground  that  the  Pathe  and  others  had  conspired 
to  ruin  the  plaintiff's  motion  picture  business, 
by  refusing  to  supply  him  with  motion  picture 
films. 

The  plaintiff  alleged  that  he  was  the  owner  of 
a  number  of  motion  picture  theaters  in  Nebraska, 
comprising  the  Binderup  Circuit,  but  his  business 
was  so  large  and  profitable  that  Pathe  determined 
to  obtain  a  share  of  it,  and  on  his  refusal  to  part 
with  any  interest  herein,  Pathe  organized  a  Film 
Board  of  Trade.  That  thereby,  Pathe  was  enabled 
to  and  did  bring  great  pressure  to  bear  on  the 
various  members  of  the  Film  Board  of  Trade,  with 
the  result  that  the  plaintiff  was  unable  to  procure 
films  for  his  Circuit ;  that  he  was  placed  upon 
a  blacklist,  that  all  unexpired  contracts  for  films 
were  cancelled;  and  that  he  suffered  great  dam- 
age 

The  Circuit  Court  held  that  the  Sherman  Anti- 
Trust  Act  involved  Interstate  Commerce  only ; 
that  the  shipment  of  programs,  films  or  adver- 
tising matter  in  connection  with  films,  had  been 
made  by  the  home  office  of  the  Pathe  to  its  Omaha, 
Nebraska  office,  and  that  any  shipment  that 
would  be  made  thereafter  to  Binderup  would  be  in 
the  State  of  Nebraska,  and  would,  therefore,  not  be 
Interstate  Commerce,  for  once  it  was  shipped  to 
Nebraska,  it  became  subject  to  the  local  tax 
jurisdiction  of  that  State;  that  inasmuch  as  the 
plaintiff  had  dealt  with  the  Omaha,  Nebraska 
exchange  office  of  the  Pathe,  sh  pments  of  programs 
film  and  advertising  matter  from  such  Omaha, 
Nebraska  office  to  his  various  Nebraska  theaters 
were  not  Interstate  shipmen's.  but  were  shipments 
within  the  State  of  Nebraska  ;  and  the  Court  threw 
out  his  complaint  on  that  ground.  The  Court 
intimated,  however,  that  there  might  have  been 
a  different  result  had  the  plaintiff  obtained  his 
pictures  direct  from  New   York   City. 


There  was  a  very  elaborate  dissenting  opinion  by 
Judge  Sanborn,  in  which  he  held  in  effect,  that 
even  though  the  shipments  had  been  made  by  the 
Pathe  from  its  home  office  to  its  exchange  in 
Omaha,  nevertheless,  the  entire  transaction  evi- 
denced a  transaction  between  the  home  office  and 
the  plaintiff,  rather  than  between  the  branch  office 
and  the  plaintiff.  In  other  words.  Judge  Sanborn 
held  that  the  shipments  of  the  films  by  the  Pathe 
to  its  local  exchange  in  Omaha  were  Interstate 
Commerce. 

Title    Rights 

A  decision  of  vast  importance  was  Underbill 
against  Schenck,  concerning  a  play  under  the 
title,    "The   Passion   Flower." 

It  seems  that  in  1914,  one  Beneventa,  a  Spanish 
playwright,  wrote  a  play  called  "La  Malquerida," 
which  was  a  great  success  upon  the  stage  in  Spain. 
He  later  obtained  copyright  upon  the  Spanish  ver- 
sion in  the  United  States,  in  1914,  and  in  1916,  he 
granted  to  Underbill,  the  right  to  translate  and 
adapt  the  play  to  English,  and  to  perform  it  in 
that  language.  Plaintiff  made  an  American  version 
in  1917  which  was  copyrighted  in  that  year  as  a 
published  work,  and  gave  to  it  the  title,  "The 
Passion  Flower,"  that  title  be  ng  an  arbitrary  one 
and   not   a   translation  of   the   Spanish    title. 

In  1920,  Underbill  granted  to  one  Herndon,  the 
exclusive  right  to  produce  Underhill's  translation, 
in  the  United  States  and  Canada,  upon  the  pay- 
ment of  royalties,  and  the  play  was  produced  in 
1920,  under  the  title,   "The  Passion  Flower." 

Thereafter,  Herndon  attempted  to  obtati  from 
the  plaintiff,  the  world  motion  picture  rights 
in  the  play,  subject  to  the  consent  of  the  author, 
and  when  Underbill  wrote  to  Beneventa  for  his 
consent,  the  latter  replied  that  he  had  already 
sold   the   world   motion   picture   rights. 

Thereupon,  Herndon  negotiated  with  Beneventa's 
American  representative,  and  from  him  obtained 
an  assignment  of  Beneventa's  exclusive  motion 
picture  grant   in   the  original  play. 

Herndon  then  sold  his  motion  picture  rights  to 
Joseph  M.  Schenck,  under  an  agreement  in  which 
he  granted  not  only  the  rights  in  the  Spanish  play, 
but  also  the  rights  in  the  English  translation  made 
by  Underbill.  Underbill  refused  to  consent  to 
the  arrangement  and  brought  an  action  for  an 
injunction.  Trial  was  had  and  he  was  successful. 
The  injunction  was  granted,  together  with  an 
accounting   of   profits   ordered. 

The  theory  upon  which  the  injunction  was 
granted,  was  that  Schenck  was  comipeting  un- 
fairly with  Underbill  in  the  use  of  the  title,  "The 
Passion  Flower."  The  Court  held  that  the  original 
author,  Beneventa,  after  his  grant  to  Underbill  of 
the  right  to  translate  and  produce  the  play  on 
the  stage,  could  not  use  the  play  in  motion  pictures, 
or  grant  the  right  to  use  it  to  others,  in  competi- 
tion with  the  spoken  drama. 

In  other  words,  he  could  not  destroy  or  impair 
a  right  which  he  had  granted  to  another  for  a 
valuable  consideration,  not  only  insofar  as  the 
copyright  was  concerned,  although  the  Court  re- 
frained from  going  into  the  copyright,  as  such  ;  but, 
insofar  as  the  plaintiff's  exclusive  right  to  the  use 
of  the  title  was  concerned.  It  held  that  the  acts  of 
Herndon  and  Schenck  constituted  a  constructive 
fraud  upon  Underbill. 

Censorship 

The  activities  of  the  motion  picture  censors 
received  a  decided  check  in  a  proceeding  brought 
against    the    Famous    Players-Lasky    Corporation. 

That  corporation  was  about  to  release  a  picture 
called  "The  Truthful  Liar,"  and  had  made  its 
application  to  the  censors.  A  day  or  two  prior 
to  the  issuance  of  the  license,  the  censors  directed 
the  deletion  of  a  few  unimportant  scenes  and 
titles. 

Through  a  mistake  on  the  part  of  a  clerk  in  the 
shipping  room  of  the  Famous,  however,  a  copy  of 
a  print  of  the  picture  was  sent  to  one  of  the 
Loew 's  theaters  for  exhibition  and  was  so  exhibited. 
The  censors  claimed  that  inasmuch  as  the  picture 
had  been  exhibited  without  the  issuance  of  a 
license,  and  inasmuch  as  the  changes  had  not  been 
made  in  the  picture  in  compliance  with  the  direc- 
tion ol  the  censors,  there  had  been  a  technical 
violation   of   the   law,   and   they   filed   an   information 


11 


3M 


against  the  Famous  Players-Lasky  Corporation 
and  the  matter  was  set  down  for  trial  before  the 
three  judges  of  the  Court  of  Special  Sessions, 
where  misdemeanors  are  usually   tried. 

The  Famous,  however,  made  a  motion  before  the 
judge  sitting  at  General  Sessions,  to  have  the 
matter  taken  away  from  the  Special  Sessions,  on 
the  ground  that  the  pecuniary  loss  to  the  Famous 
would  be  too  severe  in  the  case  of  conviction. 

It  seems  that  the  Censorship  Law  provides  that, 
upon  a  conviction  for  a  violation  of  the  act,  the 
license  is  automatically  cancelled,  so  that  the  pic- 
ture may  not  thereafter  be  exhibited  in  this  State, 
thereby  shutting  oflf  a  very  substantial  source  of 
revenue  to  the  producer. 

The  Famous  claimed  that  a  penalty  which  would 
incur  the  loss  of  about  $70,000.00  was  grave  and 
serious  enough  to  be  tried  by  a  jury  of  twelve 
men,  and  not  by  a  court  sitting  without  a  jury. 
It  also  claimed  that  no  corporation  may  be  fined 
more  than  $5,000  even  for  a  felony,  and  that  a 
conviction  herein  would  actually  result  in  a  fine 
of  about  $70,000. 

Judge  Johnstone  heard  the  motion,  and  after 
carefully  considering  it,  decided  that  the  contention 
of  the  Famous  was  correct,  and  he  made  an 
order  taking  the  case  away  from  the  Special 
Sessions  and  sending  it  to  the  Grand  Jury  for 
indictment.  The  Grand  Jury,  however,  refused  to 
indict. 

This  decision  ought  to  have  a  far-reaching  eflfect. 
It  will  undoubtedly  discourage  the  censors  from 
bringing  criminal  proceedings  against  the  motion 
picture  producers  for  every  absurd  and  technical 
violation. 

It  also  indicates  the  intention  on  the  part  of 
the  Courts  to  try  out  in  the  court  room,  before 
a  jury,  the  question  of  the  right  of  the 
censors  to  demand  changes  in  pictures.  That 
question  has  not  yet  squarely  come  up  in  this 
case.  It  would  have  come  up  undoubtedly,  had 
there  been  an  indictment  and  trial.  It  remains  to 
be  seen  whether  the  censors  have  the  undisputed 
power  which  they  claim  to  have,  or  whether  there 
is  not  some  limitation  upon  their  right  to  slash 
indiscriminately  at  whim  and  caprice,  productions 
on  which  hundreds  of  thousands  of  dollars  have 
been    spent. 

Injunctions     Against     Employment 

The  case  of  Rodolf  Valentino  illustrates  the  value 
of  a  contract  made  between  an  employer  and  an 
employe  who  has,  by  his  unique  qualities,  made 
himself  invaluable. 

Valentino  had  signed  a  contract  with  the  Fa- 
mous Players-Lasky  Corporation  for  a  number  of 
years.  Shortly  thereafter,  his  pictures  commenced 
to  take  with  the  public  and  in  "Blood  and  Sand," 
Valentino  achieved  a  measure  of  success  seldom 
accorded  to  an  actor.  He  thereupon  commenced 
to  express  dissatisfaction  with  the  terms  of  his 
contract  and  made  it  known  to  the  Famous  that  he 
would  not  go  on  with  his  next  picture.  He  claimed 
that  the  Famous  was  not  treating  him  well ;  that  it 
had  not  provided  him  with  the  necessary  material 
and  facilities  for  the  proper  taking  of  pictures  ;  that 
he  was  under  a  handicap,  and  that  it  had  therefore 
breached  its  contract  with  him,  and  he  was  free 
to  seek  employment  with  others. 

The  Famous  commenced  an  action  to  enjoin 
Valentino  from  rendering  his  services  to  anyone 
other  than  the  Famous,  during  the  term  of  the 
contract.  The  matter  came  on  before  Judge  Was- 
servogel  of  the  Supreme  Court,  New  York  County, 
and  he  decided  that  the  Famous  was  right  in  its 
contention  that  it  had  not  breached  its  contract, 
and  that  Valentino  must  refrain  from  rendering  his 
services   to  anyone  else  during  the  contract  period. 

The  principle  of  law  upon  which  this  case  was 
decided  is  well  established.  It  practically  compels 
a  man  to  render  his  services  to  an  employer,  even 
though  the  employe,  during  the  contract  period, 
achieves  great  renown  and  distinction.  In  fact, 
the  abler  he  becomes  and  the  more  famous  and 
sought-after,  the  more  readily  will  the  injunction  be 
granted. 

The  law  does  not  directly  compel  the  employe 
to  render  his  services  to  such  employer,  but  it 
accomplishes  that  object  by  preventing  him  from 
rendering  his  services  to  others. 


Co-Authorized 

The  line  of  demarcation  between  an  employment 
contract  and  one  of  collaboration  and  co-authorship 
is  not  an  easy  one  to  draw. 

Elmer  Harris  was  the  author  of  a  play  entitled, 
"Your  Neighbor's  Wife."  Harris  and  iMorosco 
conceived  the  idea  of  converting  this  play  into  a 
musical  comedy,  and  they  engaged  Earl  Carroll  to 
write  the  music  and  lyrics.  Carroll  did  so,  and  the 
play  was  produced  as  a  mus'cal  comedy,  under 
the  title,  "So  Long  Letty,"  Carroll,  receiving  a 
proportion  of  the  proceeds  of  the  sale  of  the 
Australian  rights,  and  a  proportion  of  the  pro- 
ceeds  from   stock. 

Morosco  and  Harris  sold  the  motion  picture 
rights  to  "So  Long  Letty,"  for  $20,000  but  they 
ignored  Carroll  in  the  transaction,  and  Carroll 
brought  suit  to  have  the  Court  determine  his 
rights  as  a  co-author  and  to  recover  his  share 
of  the  proceeds  of   the  motion   picture  rights. 

^Torosco  claimed,  however,  that  Carroll  was  not 
co-author  in  the  production,  that  he  was  a  mere 
employe,  delegated  to  write  music  and  lyrics,  and 
that   he  had   no  interest  in   the  production   as  such. 

Carroll  raised  the  point  that  by  making  changes 
in  the  book  and  in  the  dialogue,  adding  lyrics  and 
writing  the  music,  he  had  become  a  co-author  in 
the  work. 

After  a  lengthy  trial.  Judge  Augustus  Hand  of 
the  District  Court,  decided  in  favor  of  iMorosco  and 
Harris,  holding  that  Carroll  was  not  an  author 
or  collaborator,  and  he  dismissed  the  complaint. 

The  case  has  gone  up  on  appeal  to  the  Circuit 
Court.  The  question  remains  to  be  decided 
whether  Carroll,  by  his  contribution  to  the  work,  is 
to  be  regarded  as  a  co-author  or  a  mere  employe. 
It  is  a  very  interesting  question  and  will  have  an 
important    bearing    on    the    rights    of    authors    gen- 

^^^  ^'  Contract    With    An    Infant 

Mary  Miles  Minter  and  her  mother,  brought  an 
action  against  the  American  Film  Co.  for  salary 
dre   for  services  rendered. 

At  the  time  that  the  contract  was  made.  Miss 
Minter  was  an  infant.  Before  the  expiration  of 
the  contract  period,  she  ceased  work  and  dis- 
affirmed the  contract,  on  the  ground  of  her 
minority. 

The  action  was  brought  to  recover  vario.us 
amounts  that  had  been  deducted  by  the  Film 
Company  by  reason  of  Miss  Minter's  absence  from 
the  stud'o  on  a  number  of  occasions.  The  Com- 
pany a'so  attempted  to  recover  damages  against 
Miss  Minter,  on  the  ground  that  she  had  dis- 
affirmed the  contract  and  had  failed  to  render  her 
services. 

The  Court  held  that  a  minor,  having  the  right 
to  avoid  her  contract,  is  not  liable  for  damages 
for  her  failure  to  complete  the  same,  and  it  dis- 
missed  the    Company's   contention. 

Damages  for  Failure  to   Deliver  Film 

A  very  interesting  decision  came  down  in 
the  Court  of  Appeals  of  the  District  of  Columbia, 
in  an  action  brought  by  one  iMiller  against  the 
Pathe    Exchange,    Inc. 

It  appeared  that  Miller,  who  owned  a  motion 
picture  theater  in  Annapolis,  Maryland,  had 
made  a  contract  on  December  19,  1918,  for  a 
picture,  "Infatuation."  to  be  shown  at  his  theater 
on  January  1st  following.  The  contract  con- 
tained a  provision  as  follows  : 

"That  the  d'stributor  (Pathe)  shall  not  be 
liable  for  any  loss  or  damage  resulting  to  the 
exhibitor  (Miller)  by  reason  of  failure  or  delay 
in  delivering  the  films  or  advertising  matter, 
herein  referred  to,  when  such  failure  or  delay_  is 
due  to  any  »  »  •  failure  of  films  or  advertising 
matter  in  the  custody  or  control  of  any  other 
party  to  be  delivered  or  returned  to  the  distributor 
in  time  for  delivery  hereunder,  or  to  be  refor- 
warded  as  per  distributor's  instructions,  or  to 
strikes,  lockouts,  fire,  floods,  or  to  any  other 
cause  or  causes  whatsoever  beyond  the  control 
of   the  distributor." 

On  December  .^Ist,  at  8  P.  M.,  the  defendant 
informed  Miller  that  it  could  not  let  him  have 
the  film  for  the  followng  day.  Miller  brought 
suit  and  recovered  a  judgment  against  the  Pathe, 
and  the   Court  of  Appeals  affirmed  the  judgment, 


367 


Pathe's  defense  was  that  another  owner  of  a 
motion  picture  theater  in  Baltimore,  Maryland 
had  leased  "Infatuation"  for  the  29,  30  and  31 
days  of  December,  under  a  contract  whereby  that 
owner  had  the  privilege  of  extending  the  run 
of  the  picture  for  three  additional  days.  Pathe 
was  therefore  unable  to  obtain  that  print  for 
the  plaintifif's  use. 

The  only  other  print  that  it  had  in  the  ter- 
ritory had  been  used  in  Washington,  and  on 
the  26th  of  December,  had  become  so  worn  out 
that  it  had  to  be  sent  to  the  workshop. 

The  Court  held  that  the  clause  in  the  contract 
hereinabove  quoted,  did  not  relieve  the  Pathe 
from  liability ;  that  Pathe  had  not  used  reasonable 
diligence  to  get  another  print  for  the  plaintiff; 
and  that  from  the  facts  above  stated,  it  did  not 
appear  that  the  failure  to  deliver  the  prints  was 
due   to   a   cause   beyond    Pathe's   control. 

BY  ARTHUR  BUTLER  GRAHAM 

A  decision  of  some  interest  was  rendered  by 
Justice  Lehman  at  Special  Term,  reported  in  the 
Law  Journal  of  March  20,   1922. 

The  opinion  is  so  clear  as  to  need  little  elab- 
oration, but  to  review  the  facts  briefly :  Earl 
Carroll  claimed  to  have  written  the  scenario  of 
the  motion  picture  "Twelve  Ten,"  which  was  later 
produced  at  the  Capitol  Theater  in  New  York 
City.  Carroll  claimed  that  he  delivered  the  sce- 
nario to  Herbert  Brenon  with  the  understanding 
that  Brenon  would  examine  the  same  and  if  he 
could  use  it,  he  and  Carroll  would  get  together 
and  agree  upon  the  price  to  be  paid  therefor. 
Carroll  then  claimed  that  Brenon  went  to  England 
with  the  scenario  and  without  Carroll's  authority 
caused  a  picture  to  be  made  by  the  British  & 
Colonial  Kinematograph  Co.,  Ltd.,  of  London, 
which  picture  was  directed  by  Brenon  and  in 
which    Marie    Doro    was    the    star. 

The  trial  lasted  about  three  days  and  consid- 
erable testimony  was  taken,  in  which  there  was 
some  conflict  as  to  the  nature  of  the  transaction 
between  Brenon  and  Carroll.  It  was  undisputed, 
however,  that  Carroll  knew  nearly  a  year  before 
the  picture  was  first  shown  that  Brenon  had  made 
the  picture,  claiming  the  right  to  do  so.  This  fact 
was  brought  to  Carroll's  attention  by  virtue  of 
an  advertisement  in  Variety.  Carroll  took  no  ac- 
tion with  respect  thereto,  except  the  making  of 
certain  inquiries  from  Nathan  Burkan,  whose  name 
appeared  upon  the  aforesaid  advertisement  as 
Brenon's  American  representative.  The  nature  of 
the  inquiry  was  as  to  whether  Brenon  had  dis- 
posed of  the  picture  and  upon  Burkan's  statement 
that  he  had  not  disposed  of  it,  Carroll  simply  said 
he  had  written  the  scenario  and  that  Brenon  had 
not   paid   him   for   it. 

The  Court  found  that  Carroll  did  not  at  that 
time  make  any  statement  to  Burkan  which  would 
indicate  that  Brenon  did  not  have  rights  in  the 
scenario. 

On  all  the  facts,  the  Court  found  that  Carroll 
had  authorized  Brenon  to  dispose  of  his  rights  and 
it,  therefore,  followed  that  the  title  of  the  British 
&  Colonial  Kinematograph  Co.,  Ltd.,  was  good, 
and  the  injunction  and  accounting  prayed  for  were 
denied  as  against  the  defendants,  except  Herbert 
Brenon. 

Herbert  Brenon  admitted  that  he  had  not  paid 
Carroll  for  the  scenario  and  tendered  $500,  which 
he  claimed  was  the  agreed  price.  The  Court, 
however,  directed  an  accounting  of  the  profits  ob- 
tained by  Brenon  and  dismissed  the  complaint  as 
against   the  other  defendants. 

BY     HOUSE,    GROSSMAN    &    VORHAUS 

Several  cases  interesting  to  the  theatrical  pro- 
fession have  been  decided  in  the  year  1922.  Of  un- 
usual interest  is  the  case  of  Ear!  Carroll  vs.  Herbert 
Brennon  and  others,  now  pending  in  the  Appellate 
Division  of  the  Supreme  Court  for  the  First 
Department. 

Carroll  was  the  author  and  writer  of  a  scenario 
known  as  "12:10"  and  delivered  the  same  to 
Herbert  Brennon  for  reading.  The  latter  departed 
for  England  taking  the  Carroll  scenario  with  him 
and   there  sold  the  same  to   distributors. 

An  action  in  the  Supreme  Court  was  com- 
menced   and    Judge    Lehman    decided    that    Carroll 


could  recover  only  that  which  Brennon  had  re- 
ceived for  the  sale,  but  could  not  receive  an 
accounting  of  the  great  profits  made  by  others 
who  derived  their  interests  through  Brennon.  This 
case   is   now   pending   in   the  Appellate   Division. 

A  unique  and  important  case  was  brought  by 
Horace  Goldin,  an  eminent  magician,  who  created 
an  illusion  designated  "Sawing  a  Lady  in  Two." 
His  act  was  performed  in  vaudeville  and  was 
tremendously  successful.  He  placed  a  woman  in 
a  coffin-shaped  box  and  severed  the  box  with  a  huge 
saw,  apparently  cuttmg  the  woman  in  two.  His 
illusion  was  infringed  upon,  and  motion  picture 
producers  produced  the  motion  picture,  disclosing 
the  secret.  Goldin  commenced  action  in  the 
Supreme  Court,  New  York  County,  and  the 
Appellate  Division  caused  an  injunction  to  be 
issued  restraining  the  distribution  and  exploitation 
of  this  illusion. 

It  is  interesting  to  compare  the  case  of  Shubert 
Theatrical  Company  vs.  Gallagher  &  Shean  with 
the  case  of  Shubert  vs.  Rath  Bros.,  decided  about 
a  year  ago,  a  report  of  which  was  published  in 
Wid's  year  book.  In  the  Rath  case  two  acrobats 
of  extraordinary  skill  and  ability,  although  not 
nearly  so  well  known  as  Gallagher  &  Shean,  were 
enjoined  by  the  Supreme  Court  from  breaking 
their  contract  with  the  Shuberts  and  performing 
elsewhere,  the  Court  holding  in  effect,  that  Rath 
Bros,  were  theatrical  stars  of  the  first  magnitude, 
and  that  their  negative  covenant  not  to  work  for 
someone  else  would  be  enforced.  A  year  later 
the  Appellate  Division  was  asked  to  enjoin  Messrs. 
Gallagher  &  Shean  from  performing  elsewhere. 
The  Appellate   Division   said : 

"At  the  time  the  contract  was  made  (May  18th, 
1921),  as  a  vaudeville  team  they  were  practically 
new.  Whatever  success  they  have  subsequently 
obtained  would  be  due  more  to  the  clever  and 
tuneful  songs  that  they  purchased  after  they 
entered  into  the  contract.  The  most  that  can  be 
said  of  them  is  that  they  were  pleasing  and  suc- 
cessful artists  and  commanded  fair  salaries,  but  I 
am  not  satisfied  that  they  possess  any  such  special 
merit  or  reputation  or  that  their  talents  were  un- 
usual in  any  such  degree  as  to  make  their  loss  a 
matter  of  serious  consequence   to   the  plaintiff." 

Of  irnportance  to  all  producers  of  shows  but 
not  motion  pictures,  was  the  proceeding  instituted 
by  Mr.  A.  M,  Woods,  against  Commissioner  Gil- 
christ, the  Commissioner  of  Licenses  of  the  City  of 
New  York,  who  had  threatened  to  withdraw  the 
theatrical  license  of  the  Eltinge  Theater  on  account 
of  the  production  of  the  play  entitled  "Demi- 
Virgin"  which  was  at  that  time  being  played 
there.  These  proceedings  were  carried  to  the 
Court  of  Appeals  which  ruled  that  the  Licensed 
Commissioner  of  the  City  of  New  York  had  ex- 
ceeded his  authority,  and  permitted  the  continuance 
of  the  play. 

BY    LEWIS    INNERARITY 

Secretary   and    Counsel,    Pathe    Exchange,    Inc. 

There  have  been  several  important  legal  deci- 
sions during  the  past  year,  notably  the  decision 
in  the  Binderup  case  vs.  the  Omaha  Film  Board 
of  Trade,  et  al. ;  the  decision  in  Nebraska  under 
the  statute  requiring  deposits  and  advances  on 
film  contracts  to  be  held  in  trust ;  the  decision  of 
the  New  York  Appellate  Division  on  the  question 
of  censorship  of  news  reels,  but  in  my  opinion  the 
most  important  decision  of  the  year  as  affecting 
distributors  of  motion  pictures  was  that  rendered 
in  the  case  of  Lumiere  vs.  Pathe.  This  is  a  case 
that  every  distributor  of  pictures  should  study, 
because  until  overruled  by  a  higher  court  it  will 
stand  as  a  precedent  and  a  very  dangerous  one  in 
any  case  where  an  unscrupulous  photographer 
may  seek  to  subvert  the  copyright  law  for  pur- 
poses  of   personal   gain. 

A  Polish  Jew  named  Kaufman  came  to  this 
country  a  few  years  ago  and  adopted  the  name 
of  the  famous  French  inventor  and  photographer, 
Lumiere.  Kaufman,  or  Lumiere,  as  he  is  now 
known,  was  employed  by  Dolores  Cassinelli  to  take 
photographs  of  herself  to  be  used  in  a  publicity 
campaign.  Without  Miss  Cassinelli's  knowledge 
or  consent  Lumiere  placed  the  copyright  symbol 
and  his  name  on  each  of  the  photographs  and  as 
soon    as    the    pictures    were    reproduced    in    news- 


368 


papers   and   magazines   in   the   course   of   Miss   Cas- 
snelh's     advertising     campaign,     Lumiere     brought 
suit  again  every  one  who  had  reproduced  them. 
Some   important   features   of   the  case  are : 

1.  That  Miss  Cassinelli  purchased  the  photo- 
graphs and   paid   for   them. 

2.  She  did  not  authorize  Lumiere  to  copyright 
them ;  in  fact,  did  not  know  anything  about  copy- 
right. 

3.  The  pictures  were  reproduced  for  the  first 
time  about  a  year  after  they  were  taken. 

4.  None  of  the  photographs  were  ever  filed  in 
the  office  of  the  Registrar  of  Copyright,  nor  was 
application  for  registration  made  until  some  eigh- 
teen months   after   the   pictures   were  taken. 

Despite  these  facts,  Lumiere  recovered  a  judg- 
ment against  Pathe  for  $2,500,  and  secured  settle- 
ments from  other  defendants  for  various  sums  of 
money. 

The  case  is  important  because  it  virtually  holds 
that  the  mere  placing  of  the  copyright  symbol  on 
a  photograph  is  sufficient  to  give  the  claimant  of 
copyright  the  full  protection  afforded  by  the  copy- 
right law  even  though  the  thing  in  which  copy- 
right is  claimed  never  be  filed  in  the  copyright 
ofifice  and  no  application  for  copyright  registration 
be  made.  And  further,  that  the  reproduction  of  a 
copyrighted  photograph  with  additional  coloring, 
changes  in  background,  etc.,  such  as  are  customa- 
rily made  in  advertising  announcements  in  the 
moving  picture  business,  may  be  made  the  basis 
of  a  suit  for  damages  even  though  the  reproduc- 
tion of  the  photograph  be  authorized  by  the  copy- 
right proprietor  and  due  credit  be  given  to  the 
photographer,  on  the  ground  that  any  such  repro- 
duction would  not  be  a  true  representation  of  the 
photographers   worth. 

Distributors  should  therefore  refuse  to  use  for 
any  advertising  purpose  any  photographs  on  which 
the  copyright  symbol  appears  and  they  should  be 
constantly  on  the  alert  for  any  unauthorized  claim 
of  copyright  being  made  by  photographers  em- 
ployed  by   them    or   their   stars. 

Motion  picture  stars  generally  do  not  under- 
stand that  in  the  absence  of  agreement  whereby 
the  copyright  in  photographs  is  assigned  by  the 
sitter  to  the  photographer  the  copyright  is  the 
property  of  the  sitter. 

Some  photographers  take  advantage  of  this  lack 
of  knowledge  and  place  the  copyright  symbol  which 
consists  of  the  letter  "C"  in  a  circle — thus  © 
— on  all  photographs  and  then  exact  payments  of 
money  from  such  stars  before  consenting  to  the 
use  by  such  stars  of  their  own  photographs  or 
else  sue  for  infringement  of  copyright  after  such 
photographs  have  been  used  for  publicity  pur- 
poses. 

Stars  should  examine  all  photos  and  if  the  copy- 
right symbol  appears  on  them,  all  such  photos 
should  be  refused. 

BY    ELEK    JOHN     LUDVIGH 

General   Counsel,   Famous  Players-Lasky   Corp. 
Binderup  vs.    Pathe   Exchange,    Inc.,   and  others 

The  decision  of  the  United  States  District  Court 
in  favor  of  the  defendants  was  affirmed  by  the 
United  States  Circuit  Court  of  Appeals  for  the 
Eighth  District,  and  the  .Supreme  Court  of  the 
United  States  denied  the  plaintiff  the  right  to  re- 
view this  decision  of  the  Circuit  Court  of  Appeals 
by  certiorari.  However,  a  writ  of  error  to  the 
Supreme   Court  is  now  pending. 

Goldwyn  Pictures  Corp.  Against  the  Attorney 
General  of  the  State  of  Nebraska  and  Others 
Three  judges  of  the  United  States  Circuit  Court 
of  Appeals  and  the  United  States  District  Court 
granted  an  injunction  pendente  lite  against  the 
enforcement  of  the  Nebraska  "advance  deposit" 
statute,  on  the  ground  that  the  act  was  uncon- 
stitutional. 

People  of  the  State  of   New  York  vs.   Realart 
Pictures  Corp. 

The  defendant  was  charged  with  violating  the 
New  York  Censorship  Law  and  was  held  by  a 
magistrate  for  trial  in  the  Court  of  Special  Ses- 
sions in  the  City  of  New  York,  where  the  trial 
would  be  without  a  jury.  Judge  Johnstone  _  of 
the  Court  of  General  Sessions  granted  a  motion 
to   remove   the    case   to    the    Court    of    General    Ses- 


sions, where  it  must  be  heard  upou  indictment  and 
by  a  jury  on  the  ground  that  the  matter  was  of 
sufficient  importance  to  the  defendant  to  have  a 
jury  trial  of  tb.e  contested  issues.  Judge  John- 
stone's opinion  is  reported  in  the  New  York  Law 
Journal  of  August  25,    1922. 

Famous  Players-Lasky  Corp.  vs.  Rodolph 
Valentino 
The  Supreme  Court  in  New  York,  at  Special 
Term,  granted  a  preliminary  injunction  restrain- 
ing the  defendant  from  entering  the  employ  of  any- 
one but  the  plaintiff  or  from  doing  anything  else 
inconsistent  with  his  exclusive  employment  by  the 
plaintiff  pending  the  decision  of  the  case  on  the 
merits   after   a   trial. 

Serra    and    Others   vs.    Famous    Lasky   Film    Serv- 
ice,   Ltd. 

Decided  January  28,  1922,  in  the  Court  oi  Ap- 
peals of  the  Supreme  Court  of  Judicature  in  Eng- 
land. The  case  involved  the  right  of  the  defend- 
ant to  distribute  motion  pictures  of  certain  of  the 
Sardou  plays,  including  "La  Tosca."  The  Court 
of  Appeals  affirmed  the  decision  of  the  Chancery 
Court  in   favor  of  the  defendant. 

The  case  turned  upon  the  question  of  whether 
under  the  original  agreement  between  Mr.  Sar- 
dou and  the  defendant's  predecessor  in  title,  Mr. 
Sardou  had  granted  the  motion  picture  rights  as 
well  as  the  statge  rights.  The  original  agree- 
ment vv-as  prior  to  the  time  when  motion  pictures 
were  known.  The  contract  from  Sardou  granted 
"the  exclusive  right  of  production  in  Great  Britain 
and  her  colonies  and  in  the  United  States  of  Amer- 
ica of  the  three  first  theatrical  pieces  which  he 
may  write,  dating  from  this  date,  comedies  or 
dramas  in  four  or  five  acts.  These  pieces  the 
grantee  will  alone  be  entitled  to  produce  either  in 
the  English  or  French  languages,  throughout  Great 
Britain  and  her  colonies  and  the  United  States  of 
America."  It  was  found  by  the  court  that  the 
contract  was  a  French  contract  and  accordingly 
to  be  construed  by  the  principles  of  the  French 
law.  that  the  grant  included  the  grant  of  the  then 
unknown   and   unthought   of  motion   picture   rights. 

A  further  point  in  the  English  case  was  whether 
the  territory  for  which  the  rights  were  granted 
included  Ireland,  and  the  court  held  that  the  ex- 
pression "Great  Brita'n  and  her  colonies"  in  the 
French  contract  was  meant  to  include  Ireland. 
Copyrights 

Tt  is  of  interest  to  note  that  during  the  vear 
1922,  the  United  States  of  Brazil,  the  Kingdom 
of  Hungary,  and  the  Free  City  of  Dantzig  be- 
came members  of  the  so-called  International  Copy- 
right Union,  adhering  to  the  Berne  Convention. 
Also,  that  in  May  and  June  of  this  year,  the 
President  of  the  United  States  issued  proclama- 
tions pursuant  to  the  United  States  Copyright  Act 
of  March  4,  1909,  as  amended  by  Act  of  Decem- 
ber 18,  1919,  announcing  that  citizens  or  subjects 
of  Austria,  Germany,  Italy  and  New  Zealand  wer< 
entitled  to  the  protection  of  the  United  States 
Copyright  Laws  by  virtue  of  the  reciprocal  pro- 
tection offered  to  citizens  of  the  United  States 
by   the  countries   named. 

BY   WILLIAM    M.   SEABURY 

In  the  Year  Book  of  1921  the  case  of  Binderup 
vs.  Omaha  Film  Board  of  Trade  and  practically 
all  the  national  distributors  having  branch  offices 
in   that   city,    was   reviewed. 

In  March,  1922,  however,  the  decision  of  the 
trial  court  was  affirmed  by  the  United  States 
Circuit  Court  of  Appeals  in  the  Eighth  Circuit, 
sitting  at  St.  Louis.  This  decision,  therefore, 
requires    notice. 

The  plaintiff  was  an  exhibitor  in  Nebraska,  who 
owned   and   operated   several   theaters   in   that   state. 

Prior  to  the  commencement  of  suit  in  1920,  the 
plaintiff  claimed  to  have  contracts  with  several 
of  the  distributors  which  authorized  him  to  supply 
about  twenty  other  theaters  which  the  plaintiff 
did  not  own  and  did  not  operate,  with  programs 
of  pictures.  There  was  a  controversy  between 
the  plaintiff  and  the  Omaha  Film  Board  of  Trade 
and  some  of  its  members,  in  which  it  was  charged 
that  the  plaintiff  had  sublet  certain  pictures  of 
the  defendants  to  his  so-called  circuit  without 
authority.      The  defendants   refused   to   deliver  pic- 


369 


lures  to  the  plaintiff  for  purposes  of  sul)-rental 
by  hull  to  other  exhibitors,  and  the  defendant 
iiotThed  memljcrs  of  his  circuit  that  thereafter 
their  pictures  could  only  be  obtained  through 
them.  As  a  result  of  this  the  plaintiff  claimed 
he  had  been  ruined  and  driven  out  of  business, 
and  he  brought  suit  in  the  Federal  Court  in 
Op-a'a.  seeking  to  recover  $750,000  as  treble 
the  damages  he  claimed  to  have  sustained,  by 
reason  of  the  defendants'  supposed  violation  of 
the  Federal  Anti  Trust  Statutes  alleging  that  the 
defendants  had  entered  into  a  conspiracy  to  put 
him  out  of  business  largely  by  refusing  to  deal 
with  him. 

The  trial  court  directed  a  verdict  for  the  de- 
fendants upon  two  grounds  first,  that  the  trans- 
actions described  by  the  plaintiff  did  not  involve 
or  disclose  any  restraint  of  interstate  trade  and 
commerce  as  claimed  by  plaintiff  and  second,  that 
the  alleged  acts  of  the  defendants  were  not  in 
other  respects  unlawful. 

In  the  Circuit  Court  of  Appeals  tw^o  judges 
were  of  the  opinion  that  the  transactions  described 
did  not  involve  interstate  commerce  and  upon  that 
ground  the  judgment  in  favor  of  the  defendants 
was  affirmed.  One  of  the  judges  in  the  Circuit 
Court  of  Appeals  dissented  upon  the  ground  that 
the  transactions  described  did  involve  interstate 
commerce  and  the  case  is  now  pending  in  the 
Supreme   Court  of   the  United   States. 

The    Nebraska   Advance    Deposit    Law 

In  the  latter  part  of  the  year  1921  the  Attorney 
General  of  the  State  of  Nebraska  notified  all  of 
the  National  Distributors  doing  business  in  that 
State  that  unless  they  observed  the  provisions  of 
the  so-called  Nebraska  Advance  Deposit  Bill,  he 
would  be  obliged  to  institute  proceedings  against 
them    to   compel    its   enforcement. 

Thereupon  in  December,  1921,  The  Goldwyn 
Distributing  Corporation  in  conjunction  with  five 
other  national  distributing  corporations,  filed  a 
suit  in  the  Federal  Court  in  that  State  to  enjoin 
the  Attorney  General  and  all  State  officers  charged 
with  the  enforcement  of  the  laws  of  that  State, 
from  enforcing  the  provisions  of  the  Advance  De- 
posit Law  against  them  or  any  other  distributors, 
upon  the  ground  that  the  statute  violated  several 
provisions  of  the  Federal  Constitution  as  well  as 
certain  provisions  of  the  Constitution  of  the  State 
of  Nebraska  and  was  for  these  reasons  unenforce- 
able and  void. 

The  complainants'  application  for  a  temporary 
injunction  came  on  for  hearing  on  February  27, 
1922,  before  three  Federal  Judges  sitting  in  Omaha, 
and  resulted  in  a  decision  which  declared  the 
statute  unconstitutional  and  in  an  order  granting 
the  injunction. 

Circuit  Judge  Lewis  delivered  the  opinion  ot 
the  Court,  in  which  he  said  in  part : 

"Judge  Munger  and  I  are  of  the  view  that  the 
provision  of  the  act  requiring  that  'money  depos- 
ited or  advanced  as  security  on  a  contract  for 
the  use  or  rental  of  motion  picture  films,  reels  or 
views  and  to  secure  the  performance  of  the  con- 
tract or  to  be  applied  to  payments  upon  such  con- 
tract when  due,  such  money,  with  interest  ac- 
cruing thereon,  if  any,  until  repaid  or  so  applied, 
shall  continue  to  be  the  money  of  the  person, 
association  or  corporation  making  such  deposit  or 
advance  and  shall  be  a  trust  fund,'  is  a  valid  exer- 
cise of  the  police  power  of  the  State,  and  that 
in   that  respect   the  act  is  constitutional. 

"Judge  Woodrough  is  of  the  opinion  that  the 
purpose  of  the  Act,  considering  its  title,  is  broader 
in  scope  than  to  apply  it  simply  to  money  ad- 
vanced as  security  for  the  performance  of  a  con- 
tract ;  that  its  purpose  is  to  require  all  payments 
on  a  contract  to  be  kept  within  the  State  and 
declared  as  a  trust  fund,  and  so  considering  it  in 
that  respect,  that  it  is  an  interference  with  the 
right  of   contract  and   is   void. 

"We  all  agree,  however,  that  the  following  pro- 
vision of  the  statute,  with  reference  to  the  de- 
posit of  these  funds  in  any  bank  or  trust  com- 
pany within  the  State  of  Nebraska,  is  not  a  per- 
missible exercise  of  the  police  power,  that  it  puts 
the  hazard  both  upon  the  bailor  and  bailee  of 
having  the  funds  lost  through  the  failure  of  the 
hank,  without  any  provision  for  restitution  to  the 
party   entitled   to   the   funds.      In   other   words,    that 


it  takes,  as  it  were,  in  that  event,  the  prope-ty 
of  the  party  who  might  ultimately  be  entitled  to 
the  deposit  without  any  consideration.  The  fund 
to  be  on  deposit  as  a  trust  fund,  named  in  the 
act,  would  ultimately  belong  to  one  or  the  other 
of  the  parties  to  the  contract.  It  takes  from  the 
bailee  the  exercise  of  his  judgment  and  responsi- 
bility in  the  keeping  of  that  fund;  it  requires  that 
he  put  that  fund  in  some  bank  or  trust  company 
within  the  State  of  Nebraska.  It  makes  no  pro- 
vision, by  taxation  or  otherwise,  in  event  of  failure 
of  the  bank,  for  the  restoration  of  that  fund  and 
its  payment  ultimately  to  the  party  who  might  be 
entitled  to  the  fund.  For  that  reason  we  agree 
that  it  is  an  interference  with  the  constitutional 
right  of  property  and  the  disposition  of  property." 

Judge  Munger  added  the  following: 

"My  opinion  is  that  the  act  is  unconstitutional 
as  it  applies  to  the  bailees  mentioned  in  it,  of 
whom  the  plaintiff  and  intervenors  are  some;  that 
these  bailees  have  the  right  to  liberty  and  prop- 
erty granted  to  them  by  the  Fourteenth  Amend 
ment  to  the  Constitution.  I  say  this  in  that  the 
money  wh  ch  the  act  provides  is  or  may  be  paid 
to  them  shall  be  deposited  in  a  Nebraska  bank, 
or  a  Nebraska  trust  company,  instead  of  allow- 
ing them  freedom  of  contract  and  of  will,  which 
are  a  part  of  liberty  and  property,  by  placing 
the  money  in  such  other  place  of  deposit,  or 
keeping  it  without  deposit,  as  in  the  judgment 
of  the  bailees  should  be  done  with  it  under  the 
circumstances.  My  impression  also  is  that  the 
Act  offends  against  the  interstate  commerce  clause 
of  the  United  States  Constitution,  in  that  the 
plaintiff  and  intervenors,  as  such  bailees,  under 
these  contracts,  would  have  the  right  to  take 
the  money  received  as  bailment  to  such  other 
place  without  the  State  of  Nebraska  as  in  their 
judgment  would  be  more  suitable  to  its  safety 
and    the    management    of    their    business." 

Nothing  further  has  been  done  in  the  case 
and  counsel  interested  in  it  are  of  the  opinion 
that  the  Court's  decision  finally  disposes  of  the 
questions    involved. 

The  case  is  of  great  importance  to  the  industry. 
Five  states  have  passed  so-called  Advance  De- 
posit laws,  namely.  New  York,  West  Virginia, 
Nebraska,    M  ssouri    and    Kansas. 

The  decision  not  only  invalidates  the  Advance 
Deposit  Law  of  Nebraska,  but  it  indicates  that 
a  similar  result  would  be  obtained  if  the  validity 
of  the  Advance  Deposit  Law  of  Missouri  or  Kansas 
should  be  drawn  in  question  under  similar  cir- 
cumstances. The  Nebraska  statute  and  the 
statute  of  Missouri  and  Kansas  are  very  similar, 
and  inasmuch  as  each  of  these  states  is  within 
the  Eighth  Judicial  Circuit  in  which  the  decision 
was  rendered,  it  greatly  strengthens  the  belief 
of  many  well  informed  counsel  that  the  statutes 
of  Missouri  and  Kansas  are  iust  as  vulnerable 
as  the  statute  of  Nebraska  and  that  both  would 
be  declared  invalid  if  their  validity  should  ever 
be    attacked. 

News  Reels  Held  To  Be  Within  The  New  York 
Censorship    Law 

In  May,  1922.  the  Pathe  Exchange  Tnc..  in- 
stituted a  suit  against  the  members  of  the  Mo- 
tion Picture  Comm'ssion  of  the  State  of  New 
York,  to  restrain  the  Commissinn  from  enforcng 
the  provisions  of  the  New  York  Censorship 
Statute  in  so  far  as  the  provisions  of  that 
statute  appeared  to  be  applicable  to  the  news  reels 
and  "Current  Events"  in  Film  distributed  by 
Pathe    Exchange. 

The  controversy  was  submitted  to  the  Appellate 
Division  in  the  Sunreme  Court.  Third  D-oartment. 
upon  an  agreed  statements  of  facts  and  was  de- 
cided early  in  July.  1922.  Pathe  claimed  that 
news  reels  were  not  like  other  motion  pictures 
because  news  reels  depicted  actual  hapoeriings 
and  events  as  thev  occurred  and  were  not  fictional 
or  dramatic  nroductions  in  the  theatrical  sense. 
but  were  a  well-established  method  of  transmitting 
news  to  the  public  in  pictorial  form  and  as 
such,  that  news  reels  were  in  the  same  class 
and  category  as  newspapers,  and  consequently 
entitled  to  tl<e  s.-mie  ronstitntV-  al  privileges  and 
immunities    as    the    press    enioyed. 

That  portion  of  the  Constitution  of  the  State 
of   New   York   which   gugrcVitQcs   freedom   of  speech 


370 


and  of  the  press,  was  relied  upon,  and  it  was 
claimed  that  the  censorship  statute  in  its  applica- 
tion to  news  reels  deprived  Pathe  Exchange  of 
its  property  without  due  process  and  denied  to 
it  the  equal  protection  of  the  laws  in  violation 
of  the  Fourteenth  Amendment  of  the  Federal 
Constitution. 

The    Court    disposed    of    these    contentions    by 

"If  this  act  constitutes  a  valid  exercise  of  the 
police  power  for  the  preservation  of  the  morals 
or  welfare  of  the  community,  it  does  not  operate 
to  deprive  the  plaintiff  of  property  without  due 
process  of  law.  Unless  the  biweekly  motion 
picture  news  reel  is  in  the  same  legal  category 
as  a  newspaper  and  the  liberty  of  the  press 
would  protect  newspapers  from  such  restraint  as 
is  here  sought  to  be  exercised,  there  would  be 
no  denial  of  the  equal  protection  of  the  laws. 
The  main  question  before  us,  therefore,  is  wether 
the  bi-weekly  motion  picture  news  reel  is  in  the 
same  legal  category  as  a  newspaper,  and  whether 
the  restraint  caused  by  this  act  is  of  such  a 
character  as  to  be  a  violation  of  that  provision 
of  our  State  Constitution  relating  to  the  liberty 
of  the  press." 

The  Court  then  proceeded  to  decide  that  news 
reels  were  not  in  the  same  class  and  category 
as  the  press,  and  that  the  statutory  provisions 
relied   upon    were   not   applicable   to  news   reels. 

The  Court  also  expressed  the  view  that  the 
questions  presented  to  it  for  decision  had  already 
been  decided  adversely  to  the  contention  of  Pathe, 
by  the  Supreme  Court  of  the  United  States  in  the 
Mutual  Film  Corporation  cases  brought  to  test 
the  constitutional  validity  of  the  censorship  statute 
of  Ohio  and  Kansas,  but  the  Court  concluded  that 
if  the  same  questions  were  not  so  involved,  that 
nevertheless,  upon  principle,  the  plaintiff  could 
not  succeed  in  its  contention  and  that  the  defend- 
ant was  entitled  to  judgment  sustaining  the  con- 
stitutional  validity    of    the    statute. 

It  is  understood  that  a  review  of  this  decision 
will  be  sought  in  the  Supreme  Court  of  the  United 
States. 

Some  Important  Cases 

A  verdict  of  $17,500  in  favor  of  the  Alhambra 
Amusement  Co.,  Inc.,  of  Utica,  N.  Y.  against 
Associated  First  National  Pictures,  Inc.,  of  New 
York,  was  awarded  by  a  jury  in  Supreme  Court 
before   Justice    Louis    M.    Martin    in    February. 

T'^e  Ut  ca  theatrical  firm  brought  the  breach  of 
promise  action  of  $40,000  when  it  alleged  that 
First  National  repudiated  a  contract  or  franchise 
to  deliver  exclusive  feature  pictures  here,  and 
then  sold  the  franchise  to  a  competitor.  The  case 
was  appealed. 

Gland's   Salary   Decision 

The  New  York  State  Supreme  Court  established 
a  legal  precedent  by  granting  Warner  Oland  salary 
in   full   on  a   disputed   account    with   Pathe,    Inc. 

Oland  sued  for  six  weeks  salary  and  Pathe  con- 
tended that  he  had  been  released  from  service 
when  all  the  scenes  in  which  he  appeared  were 
shot.  The  Supreme  Court  decided  Oland  was  en- 
titled to  the  full  six  weeks  sa'ary. 

The  Binderup  Case 

On  Oct.  17  the  United  States  Supreme  Court 
has  denied  the  petition  of  Charles  Ci.  Binderup, 
asking  for  a  writ  of  certiorari  to  have  the  Eighth 
Circuit  Court  of  Appeals  review  his  suit  against 
Pathe  Exchange,  Inc.,  the  Omaha  Film  Board  of 
Trade  et  al  asking  $750,000  damages.  It  is  still 
possible  for  Binderup  to  seek  review  of  the  case 
by   a  writ   of  error. 

Binderup  brought  the  action  in  Omaha.several 
years  ago.  to  recover  three-fold  damages  in  the 
sum  of  $750,000  for  injuries  due  to  an  alleged 
illegal  combination  and  conspiracy  and  combination 
in    violation   of   the   Sherman   anti-trust   act. 

It  was  claimed  that  the  respondents,  with  the 
motive  of  destroying  the  petitioner's  business,  and 
securing  control  of  the  motion  picture  industry, 
refused  to  lease,  sell  or  deliver  to  the  petitioner 
any  motion  picture  films  upon  any  terms  or  con- 
ditions whatsoever  at  any  time.  The  petitioner  al- 
leged that  lie  was  unable  to  secure  films  from 
any   other   source  and   that,   by   the   acts   of   the   de- 


fendants,   his    business    of    conducting    moliuii    pic 
ture   theaters   was   totally    destroyed. 

The  United  States  Circuit  Court  of  Appeals  held 
that  the  business  involved  in  the  suit  did  not  con- 
stitute  inter-state   commerce. 

Japan   Rules   Against    Piracy 

The  Japan  Advertiser,  one  of  the  leading  news- 
papers of  Tokio,  published  details  of  a  court 
decision  establishing  a  precedent  for  American 
film   protection   in   Japan. 

This  court  ruling  grew  out  of  an  action  brought 
by  United  Artists  Corp.  to  prevent  illegal  showing 
of  D.  W.  Griiifith's  "Way  Down  East."  It  is  the 
first  decision  of  such  a  nature  ever  obtained  by  a 
foreign  film  corporation  in  Japanese  courts  and 
sets  a  precedent  for  protecting  American  pro- 
ducers against  film  piracy.  The  advertiser's  re- 
port says  : 

"The  decision  establishes  the  precedent  for  in- 
voking the  protection  of  the  law  relative  to  the 
"rights  of  author"  in  favor  of  the  legal  holder  of 
copyrights  in  foreign  films  in  Japan. 

"The  court's  decision  is  believed  to  settle  once 
and  for  all  the  question  of  motion  picture  copy- 
right   protection.*    *    *" 

Advance  Deposit  Law  Unconstitutional 
Below  will  1  e  found  the  full  text  of  the  opinion 
rendered  at  the  close  of  the  litigation  in  Omaha 
on  Feb.  27,  when  the  U.  S.  District  Court  of 
Nebraska,  Judges  C.  J.  Lewis,  D.  J.  iiMunger  and 
D.  J.  Woodrough  sitting,  decided  the  Nebraska 
deposit   law    was    unconstitutional. 

The  plaintiff  was  the  Goldwyn  Distributing 
Corp.,  and  the  defendants,  Clarance  A.  Davis,  At- 
torney-General of  Nebraska  and  Abel  V.  Shotwell, 
County  Attorney  of  Douglas  County,  Nebraska. 
Although  Goldwyn  is  the  plaintiff,  it  is  understood, 
it  was  by  agreement  of  attorneys  of  the  distributing 
companies  that  Goldwyn  brought  on  the  test  case. 
The  text   is  as   follows : 

Lewis,  Circuit  Judge:  "This  suit  is  now  being 
heard  under  Section  266  of  the  Judicial  Code, 
which  provides  that  no  interlocutory  injunction 
suspending  or  restraining  the  enforcement,  opera- 
tion or  execution  of  any  statute  of  a  state,  or 
restraining  the  action  of  any  ofificer  of  said  state 
in  the  enforcement  or  execution  of  such  statute 
shall  be  issued  or  granted,  and  so  on,  upon  the 
ground  of  the  unconstitutionality  of  such  statute, 
unless  application  for  the  same  shall  be  presented 
to  a  justice  of  the   Supreme   Court,  and  so   on. 

The  Legislative  Act  the  constitutionality  of  which 
is  challenged  by  the  bill  was  approved  April  8,  1921, 
and  is  entitled :  "An  Act  fixing  the  ownership, 
status,  and  method  and  place  of  deposit  of  moneys 
received  or  deposited  on  contracts  for  the  use  or 
rental  of  motion  picture  films,  reels  or  views,  and 
making  any  waiver  of  the  protection  of  the  act  by 
persons,  associations,  or  corporations  making  such 
deposits,    void." 

Judge  Munger  and  I  are  of  the  view  that  the 
provision  of  the  Act  requiring  that  money  deposited 
or  advanced  as  security  on  a  contract  for  hte 
use  or  rental  of  motion  picture  films,  reels  or 
views,  and  to  secure  the  performance  of  the 
contract  or  to  be  applied  to  payments  upon  such 
contract  when  due,  such  money,  with  interest 
accruing  thereon,  if  any,  until  repaid  or  so  applied, 
shall  continue  to  be  the  money  of  the  person,  asso- 
ciation or  corporation  making  such  deposit  or 
advance  and  shall  be  a  trust  fund,  is  a  valid  exer- 
cise of  the  police  power  of  the  State,  and  that  in 
that  respect  the  Act  is  constitutional. 

Judge  Woodrough  is  of  the  opinion  that  the 
purpose  of  the  Act,  considering  its  title,  is  broader 
in  scope  than  to  apply  it  simply  to  money  advanced 
as  security  for  the  performance  of  a  contract ; 
that  its  purpose  is  to  require  all  payments  on  a 
contract  to  be  kept  within  the  State  and  declared 
as  a  trust  fund,  and  so  considering  it  in  that 
respect,  that  it  is  an  interference  with  the  right 
of  contract  and  is  void. 

We  all  agree,  however,  that  the  following  pro- 
vision of  the  statute,  with  reference  to  the  deposit 
of  these  funds  in  any  bank  or  trust  company  with- 
in the  State  of  Nebraska,  is  not  a  permissible 
exercise  of  the  police  power,  that  it  puts  the 
hazard  both  upon  the  bailor  and  bailee  of  having 
the    funds    lost    through    tl.e    failure    of    the    bank, 


371 


without  any  provision  for  restitution  to  the  party 
entitled  to'  the  funds.  In  other  words,  that  it 
taies,  as  it  were,  in  that  event,  the  property  of 
the  party  who  might  ultimately  be  entitled  to  the 
deposit  without  any  consideration.  TJie  fund  to 
be  on  deposit  as  a  trust  fund,  named  in  the  Act, 
would  ultimately  belong  to  one  or  the  other  of 
the  parties  to  the  contract.  It  takes  from  the 
bailee  the  exercise  of  his  judginent  and  respon- 
sibility in  the  keeping  of  that  fund;  it  requires 
that  he  put  that  fund  in  some  bank  or  trust 
company  within  the  State  of  Nebraska.  It  makes 
no  provision,  by  taxation  or  otherwise,  in  the 
event  of  failure  of  the  bank,  for  the  restoration  of 
that  fund  and  its  payment  ultimately  to  the  party 
who  might  be  entitled  to  the  fund.  For  that  reason 
we  agree  that  it  is  an  interference  with  the  con- 
stitutional right  of  property  and  the  disposition 
of  property. 

If  Judge  Hunger  and  Judge  Woodrough  wish  to 
add  anything  to  what  has  been  said  as  to  our 
conclusion,   I    would   be   glad   to   have  them   do   so. 

Judge    Woodrough :      I    agree    in    the   conclusion. 

Judge  Hunger :  Hy  opinion  is  that  the  Act  is 
unconstitutional  as  it  applies  to  the  bailee  men- 
tioned in  it,  of  whom  the  plaintiff  and  intervenors 
are  some ;  that  these  bailees  have  the  right  to 
liberty  and  property  guaranteed  to  them  by  the 
Fourteenth  Amendment  to  the  Constitution.  I  say 
this  in  that  the  money  which  the  Act  provides 
is  or  may  be  paid  to  them  shall  be  deposited  in  a 
Nebraska  bank,  or  a  Nebraska  trust  company, 
instead  of  allowing  them  freedom  of  contract  and 
of  will,  which  are  a  part  of  liberty  and  property, 
by  placing  the  money  in  such  other  place  of  de- 
posit, or  keeping  it  without  deposit,  as  in  the 
judgment  of  the  bailees  should  be  done  with  it 
under  the  circumstances.  Hy  impression  also  is 
that  the  Act  offends  against  the  interstate  clause 
of  the  United  States  Constitution,  in  that  the 
plaintiff  and  intervenors,  as  such  bailees,  under 
these  contracts,  would  have  the  right  to  take  the 
money  received  as  bailment  to  such  other  place 
without  the  State  of  Nebraska  in  their  judgment 
would  be  more  suitable  to  its  safety  and  the 
management   of    their   business. 

Judge  Lewis :  The  writ  will  issue  as  prayed 
for,  on  the  filing  with  the  clerk  of  a  bond  in  the 
sum  of  one  thousand  dollars  ($1,000),  to  be 
approved  by  one  of  the  judges.  The  defendants' 
exceptions  may  be  entered. 

Do  you  want  a  ruling  on  the  application  for 
intervention? 

Hr.  Seabury :  I  would  be  pleased  to  have 
a  ruling.  Your  Honor.  I  had  assumed  it  would 
follow  as  a  matter  of  course  that  they  would  be 
permitted  to  intervene.  Hr.  Hullen  just  called 
my  attention  to  it. 

Judge  Lewis :  The  petition  for  intervention  will 
be  sustained.  That  order  will  be  entered  first  in 
the  record. 

Hr.  Rait :  I  would  like  to  make  an  inquiry. 
Does  the  ruling  go  to  the  effect  that  the  funds 
must  be  kept  within  the  State,  or  may  they  go 
out?  Is  the  statute  valid  as  to  keeping  them 
within  the  State,  or  letting  the  parties  agree 
as  to   the  depository? 

Judge  Lewis :  We  hold  the  entire  act  void 
because  it  requires  the  deposit  of  funds  within  a 
bank  or  trust  company  within  the  State  of  Neb- 
raska. 

Play   or   Pay 

In  December,  the  Superior  Court  in  Boston 
rendered  a  verdict  in  behalf  of  the  Vitagraph  Co. 
of  America  against  the  Park  Theater  for  films 
contracted  for,  and  not  exhibited,  thus  establish- 
ing  a  precedent. 

Valnetino  Injunction  Upheld 
In  December,  the  Apjiellate  Division  of  the 
Supreme  Court  of  New  York,  sustained  the  lower 
court  granting  to  Famous  Players-Lasky  Corp. 
temporary  injunction  restraining  Rodolph  Valen- 
tino from  appearing  in  public  for  any  other  than 
the  Famous  Players-Lasky  Corp.,  in  view  of  his 
contractural  relations.  The  hearing  on  the  final 
injunction  will  take  place  early  in   1923. 


CASES  BEFORE  THE  FEDERAL  TRADE 

COMMISSION 
(Through    the    Courtesy    of    Gaylord    R.    Hawkins) 

The  decision  of  the  Federal  Trade  Commission 
in  its  case  against  the  Eskay  Harris  Feature  Film 
Company  is  of  particular  interest  to  the  motion 
picture  industry.  It  was  charged  that  the  Eskay 
Harris  Company  had  procured  positive  prints  of 
a  picture  produced  in  1917  by  the  Thomas  A.  Edi- 
son, Inc.,  entitled,  "Your  Obedient  Servant,"  and 
after  making  certain  additions  thereto,  changed 
the  title  to  that  of  "Black  Beauty"  and  adver- 
tised and  distributed  it  under  this  new  title  with- 
out notifying  the  trade  or  public  that  the  picture 
had  formerly  been  released  under  another  title; 
also  that  this  picture  was  not  an  adaptation  of  the 
well-known  book  "Black  Beauty,"  written  by  Anna 
Sewell,  but  that  the  respondent  advertised  it  as 
depicting  the  Anna  Sewell  story.  It  was  further 
charged  that  the  Eskay  Harris  Company,  prior  to 
the  time  it  procured  the  film  "Your  Obedient  Ser- 
vant," had  received  notice  of  the  fact  that  the 
Vitagraph  Company  was  producing,  and  would  in 
the  near  future  release,  a  picture  titled  "Black 
Beauty,"  and  the  respondent  released  its  picture 
shortly  in  advance  of  the  Vitagraph  picture,  there- 
by appropriating  the  advertising  values  which  had 
accrued  and  attached  to  the  name  of  "Black  Beau- 
ty" and  which  had  been  created  by  an  extensive 
publicity  and  advertising  campaign  carried  on  by 
the  Vitagraph  Com.pany ;  and  that  the  respondent, 
although  never  having  copyrighted  its  picture,  put 
warning  notices  in  the  trade  press  claiming  a  con- 
trol of  and  the  exclusive  right  to  the  name  and 
picture  "Black  Beauty,"  and  threatening  to  pros- 
ecute anyone  showing  a  motion  picture  entitled 
"Black  Beauty,"  without  its  permission,  and  sent 
copies  of  this  notice  to  all  the  Vitagraph  branch 
managers  but  did  not  institute  any  suit  for  in- 
fringement; and  that  such  acts  and  practices  con- 
stituted unfair  competition  within  the  intent  and 
meaning  of  Section  5  of  the  Federal  Trade  Com- 
mission Act.  After  a  trial  upon  the  merits  an 
order  was  entered  requiring  the  respondent  to 
cease  and  desist  from  (1)  procuring  motion  pic- 
ture photoplays  which  have  been  exhibited  to  the 
public  under  and  by  given  titles  and  changing 
such  titles  and  advertising,  selling,  leasing  or  offer- 
ing to  sell  or  lease  the  films  depicting  such  retitled 
photoplays  unless  the  fact  that  such  photoplays 
have  been  formerly  exhibited  under  other  titles  be 
stated  and  set  forth  in  the  photoplay  itself  and  in 
any  and  all  advertising  and  publicity  matter  used 
in  connection  therewith  in  letters  and  type  equal 
in  size  and  prominence  to  those  used  in  display- 
ing the  new  title;  (2)  using  the  words  "Black 
Beauty"  standing  alone  or  in  conjunction  with 
other  words  as  a  title  for  or  an  identification  of 
the  film  depicting  in  whole  or  in  part  the  photo- 
play produced  in  1917  by  Thomas  A.  Edison,  Inc., 
titled  "Your  Obedient  Servant,"  or  in  any  lan- 
tern slides,  posters,  heralds,  booklets,  or  in  any 
advertising  or  publicity  matter  used  in  connec- 
tion with  such  firm;  (3)  publishing  or  circulating 
any  warning  notice  threatening  to  bring  suit  against 
anyone  showing  a  motion  picture  entitled  "Black 
Beauty"  without  the  permission  of  the  Eskay  Har- 
ris Feature  Film  Company  and  asserting  that  the 
motion  picture  rights  and  title  to  the  name  of 
Black  Beauty  are  controlled  by  said  company. 
This  case  will  be  reported  in  Volume  V  of  the 
Commission's  Decisions. 

Five  Important  Cases 

During  the  past  year  the  Commission  has  insti- 
tuted proceedings  in  five  cases  of  importance  to 
the  industry. 

In  a  complaint  against  the  Famous  Players- 
Lasky  Corporation,  The  Stanley  Company  of 
America,  Stanley  Booking  Corporation,  Black 
New  England  Theaters,  Inc.,  Southern  Enterprises, 
Inc.,  Saenger  Amusement  Company,  Adolph  Zu- 
kor,  Jesse  L.  Lasky,  Jules  Hastbaum,  Alfred  S. 
Black,  Stephen  A.  Lynch  and  Ernest  V.  Rich- 
ards, Jr.  (Docket  No.  835),  unfair  methods  of 
competition  are  charged  in  that  the  respondents 
Famous  Players-Lasky  Corporation,  Adolph  Zukor 
and  Jesse  L.  Lasky  have  combined  and  conspired 
to  secure  control  of  and  monopolize  the  motion 
picture  industry,  and  to  restrain,  restrict  and  sup- 
press   competition    in    the    distribution    of    motion 


zn 


picture  films  by  (a)  acquisition  of  all  the  corpo- 
rate stock  of  Bosworth,  Inc.,  Tesse  L.  Lasky 
feature  Play  Company,  Inc.,  Famous  Players 
hilm  Company,  and,  by  coercion.  Paramount  Pic- 
tures Corporation;  (b)  affih'ation  with  certain  in- 
dependent producers;  (c)  the  creation  and  ex- 
ploitation of  the  Realart  Pictures  Corporation 
which  the  respondents  held  out  to  the  general 
public  as  wholly  independent  and  not  affiliated  with 
or  controlled  by  said  respondents;  (d)  acquiring 
with  the  aid  of  the  other  respondents  the  control 
of  numerous  theater  corporations  operating  mo- 
tion picture  theaters  throughout  the  United  States 
and  (e)  building  or  acquiring  numerous  theaters 
for  the  exhibition  of  respondents'  motion  pictures 
exclusively,  all  in  alleged  violation  of  Section  5  of 
the  Federal  Trade  Commission  Act,  and,  as  to 
respondents  Famous  Players-Lasky  Corporation, 
Adolph  Zukor  and  Jesse  L.  Lasky,  in  alleged  vio- 
lation of  Section  7  of  the  Clayton  Act.  The  trial 
of  this  case  is  expected  to  be  concluded  in  the 
coming  year.        .r   ,  •     ^ 

Unfair  Competition 

In  a  complaint  against  the  Chamber  of  Com- 
merce of  Missoula,  Montana,  its  officers,  directors 
and  members,  and  The  Northwest  Theaters  Com- 
pany of  Missoula,  Montana  (Docket  No.  841), 
unfair  methods  of  competition  are  charged  in  that 
the  respondents  conspired  to  hinder  or  prevent 
the  sale  of  goods  by  mail  order  houses  situated 
without  the  State  of  Montana,  by  providing  for 
the  acceptance  of  catalogs  of  mail  order  houses  in 
lieu  of  the  usual  price  of  admission  to  a  theater 
of  The  Northwest  Theaters  Company,  and  by 
offering  prizes  for  certain  of  such  catalogs,  all 
such  catalogs  being  destroyed  subsequent  to  re- 
ceipt and  pursuant  to  said  conspiracy,  in  alleged 
violation  of  Section  5  of  the  Federal  Trade  Com- 
mission Act.  The  testimony  in  this  case  has  been 
introduced  and  an  early  decision  by  the  Commis- 
.sion  is  expected. 

In  the  case  against  Fox  Film  Corporation 
(Docket  No.  901)  unfair  methods  of  competition 
are  charged  in  that  the  respondent,  select.ng  sev- 
eral photoplays  which  it  had  produced  previously 
and  which  had  been  exhibited  throughout  the 
United  States,  gave  them  new  titles  different  from 
those  under  which  they  had  theretofore  been 
exhibited  to  the  public,  correspondingly  changed 
the  films,  and  supplied  them,  with  new  advertising 
matter,  to  exhibitors,  without  disclosing  the  fact 
that  the  same  were  reissues,  thereby  tending  to 
mislead  the  exhibitors  and  through  them  the  pub- 
lic, into  the  belief  that  these  reissues  were  new 
releases.  Among  the  pictures  alleged  to  have  been 
so  released  were:  "The  Yankee  Way"  as  "Sink 
or  Swim,"  "The  Love  Thief"  as  "The  She  Tiger" 
and  "The  Silent  Life"  as  "Camille  of  the  Yukon." 
This  case  has  been  submitted  to  the  Commission 
upon  an  agreed  statement  of  facts,  without  intro- 
ducing the  testimony  of  any  witnesses,  and  upon 
such  submission  the  Commission  will  render  its 
decision. 

Another  similar  case  is  that  against  American 
Film  Corporation  (Docket  No.  903),  wherein  un- 
fair methods  of  competition  are  charged  in  that 
the  respondent  selected  photoplays  which  it  had 
produced  previously  and  which  had  been  exhibited 
throughout  the  United  States,  gave  them  new  titles 
different  from  those  under  which  they  had  there- 
tofore been  exhibited  to  the  public,  and  corre- 
spondingly changed  the  films,  adding  thereto  an 
inconsequential  amount  of  new  or  addit'onal  mat- 
ter, and  released  said  films  with  new  advertising 
matter  to  exhibitors  without  disclosing  the  fact 
tl  at  they  were  reissues,  thereby  tend.ng  to  mis- 
lead exhibitors  and  the  pulibc  to  believe  that  these 
re.ss-.es  were  new  issues  and  to  discredit  the  stars 
who  acted  the  leading  roles  in  these  reissues  and 
the  current  productions  in  which  the  stars  were 
apptaring  before  the  public  at  the  time  the  re- 
sjjondcnt's  reissues  were  being  explo'ted  and  ex- 
hibited. Among  the  films  alleged  to  have  been  so 
re'ssued  were:  "The  Mate  of  the  Sally  Ann"  as 
"Peggy  Rebels,"  "Snap  Judgment"  as  "Slam  Bang 
Jim,"  "The  Torch  Bearer"  as  "From  tlie  West," 
"In  Bad"  as  "Quick  Action,"  "Faiih"  as  "The 
\'irtuous  Outcast,"  "Annie  for  Spite"  as  "Sally 
Shows  the  Way,"  "The  Manager  of  the  B.  &  A." 
as  "The  Man  from  Medicine  Hat,"  "Judith  of  the 
Cumberlands"   as   "The   Moonshine   Menace,"    "The 


Frame  Up"  as  "High-Gear  Jeffrey,"  "My  Fight- 
ing Gentleman"  as  "A  Rough  Shot  Fighter," 
"Youth's  Endearing  Charms"  as  "Youth's  Melt- 
ing Pot"  "The  Marriage  Bargain"  as  "The  Inno- 
cence of  Lizzette,"  "The  Diamond  Runners"  as 
"A  Crook  s  Romance,"  "The  Lass  of  the  Lim- 
berlands"  as  "The  Loggers  of  Hell  lioarin'  Moun- 
tain," and  "New  York  Luck"  as  "A  Live  Wire 
Hick."     This  case  is  awaiting  trial. 

Similarly,  in  the  case  of  the  Commission  against 
Film  Distributors  League,  Inc.,  Eastern  Feature 
I'ilm  Company,  Favorite  Players  Film  Corporation, 
Lande  Film  Distributing  Corporation  (of  Ohio), 
Lande  Film  Distributing  Corporation  (of  Dela- 
ware), Supreme  Photo  Play  Corporation,  Favorite 
Film  Company,  Friedman  Film  Corporation,  Alex- 
ander Film  Corporation,  Supreme  Film  Company, 
Quality  Film  Corporation,  Leo  G.  Garner,  doing 
business  under  the  trade  name  and  style  Reliance 
Film  Exchange,  M.  Brown,  doing  business  under 
the  trade  name  and  style  Capital  Film  Exchange, 
William  Alexander,  Maurice  Fleckles,  Herman 
Rifkin  (Docket  No.  913),  it  is  charged  that  the 
respondent  distributors  of  motion  'picture  films 
are  the  members  of  the  respondent  Film  Distrib- 
utors League,  Inc.  Unfair  methods  of  competi- 
tion are  charged  in  that  the  respondents,  at  the 
time  of  the  production  of  a  photoplay  entitled  "The 
Three  Musketeers"  by  the  Douglas  Fairbanks  in- 
terests, with  the  purpose  of  trading  on  the  popu- 
larity of  said  Douglas  Fairbanks  and  on  the  de- 
mand created  by  advance  advertising  of  his  pro- 
duction, reissued  the  photo  play  "D'Artagnan," 
produced  for  the  Triangle  Film  Corporation  in 
1915,  after  changing  the  name  to  "The  Three  Mus- 
keteers," and  advertised  said  reissue  and  in  some 
instances  by  displaying  in  inconspicuous  type  a 
statement  to  the  effect  that  the  respondent's  photo 
play  was  formerly  entitled  D'Artagnan,  or  was  an 
adaption  or  recreation  of  D'Artagnan,  and  in  that 
tie  respondents  to  further  the  deception  that  the 
sa^d  reissue  was  the  Fairbanks  production  sup- 
plied for  exhibition  with  the  ressue  other  photo 
p'a.vs  in  which  said  Douglas  Fairbanks  did  enact 
the  leading  role,  all  for  the  purpose  of  mislead- 
ing and  .deceiving  the  public,  in  alleged  violation  of 
Section  S   of  the  Federal  Trade  Commission  Act. 


ALLIED  CORPORATIONS  OF 
LOEW,   INC. 

Peoples  Vaudeville  Co.,  Loew  Amusement  Co  , 
20fh  Century  Amusement  Co.,  International  Vaude- 
ville Co.,  Humanova  Producing  Co.,  Monarch 
Amusement  Co.,  Marcus  Loew  Booking  Agency, 
Marcus  Loew,  Inc.,  Loew's  Boston  Theaters  Co., 
Mascot  Amusement  Co.,  Borough  Theater  Co., 
Greeley  Square  Amusement  Co.,  Delancey  Amuse- 
ment Co.,  Natoma  Amusement  Co.,  Lorraine 
Amusement  Co.,  Warwick  Amusement  Corp., 
Marloew  Amusement  Corp.,  New  Columbia  Co., 
Loew's  Syracuse  Theater  (Ilorp.,  Loew's  Atlanta 
Theater  Corp.,  Cedric  Amusement  Corp.,  Putnam 
Theatrical  Corp.,  Anchor  Theatrical  Corp.,  Birm- 
ingham Amusement  Co.,  Stillman  Investment  Co., 
St-llman  Theater  Co.,  Midas  Amusement  Co., 
Donnelly  and  Timmons  Amusement  Co.,  McGee 
Amusement  Co.,  Loew's  Memphis  Theater  Co., 
Loew's  Metropolitan  Theater  (To.,  State  Theater 
Co.,  Gates  Theater  Corp.,  Marcus  Loew  Realty 
Corp.,  C.  H.  Amusement  Corp.,  Loew's  N.  &  K. 
Corp.,  Diamond  Amusement  Corp.,  Loew's  Al- 
hambra  Theater  Co.,  Loew's  Liberty  Theater  Co., 
Loew's  Mall  Theater  Co.,  Euclid  East  Seventeenth 
Co.,  Loew's  Ohio  Theaters,  Inc.,  Loew's  Park 
Theater  Co.,  Loew's  Capital  Theater  Co.,  Bre- 
voort  Holding  Co.,  Inc.,  Staub  Theater  Co.,  Her- 
mitare  Theater  Co.,  New  Broad  Co.,  Eighty-third 
S'rect  Theater  Corp.,  Loew's  St.  Louis  Realty  & 
Ami-sement  Co.,  Loew's  Incorporated,  Metro  Pic- 
tures Corp.,  Marcus  Loew  Indianapolis  Realty  Co., 
Loew's  Indiana  Theaters  Co.,  Chateau  Amusement 
Corp.,  Harvard  Amusement  Co.,  Seventh  &  Broad- 
way Building  Co.,  The  Loew's  Denver  Realty  Co., 
The  Market  and  Taylor  Building  Co.,  Dayton 
Theater  Building  Co.,  Loew's  Eighty-sixth  Street 
Corp.,  Hemlock  Theater  Corp.,  Evergreen  Ami'se- 
ment  Corp.,  Loew's  Boulevard  Corporation, 
Loew's  Los  Angeles  State  Theater  Co.,  Loew's 
San  Francisco  State  Theater  Co.,  The  Metropol- 
itan   Cleveland    Co. 


Z7i 


The  Coming  Year 


Never  So  Optimistic 

The  large  number  of  big  pictures  put  on  the 
market  at  the  opening  of  this  season  has  done 
so  much  to  inspire  confidence  throughout  the 
tMire  picture  industry  and  has  been  such  a  big 
factor  in  rehabihtating  pubHc  patronage  of  films, 
that  1  never  was  so  optimistic  as  I  am  now  in 
iuoking  into  the  year  1923.  This  industry  is 
on  the  uptrail  and  is  moving  swiftly  toward  a 
doom  period.  If  ail  of  the  producers  continue 
their  eflforts  toward  sending  out  big  productions, 
and  exhibitors,  with  renewed  confidence,  exploit 
these  picures  to  the  limit  of  their  capacities, 
I ''23,  I  firmly  believe,  will  be  a  banner  year  for 
[licturc  history.  We  must  be  cautious,  however, 
and  not  take  it  for  granted  that  prosperity  will 
continue  with  us  unless  we  exert  every  ounce 
of  energy  at  our  command  to  keep  it  here, 
l^ossibly  this  word  of  caution  is  not  altogether 
necessary,  as  I  believe  the  business  has  learned 
its  lesson  and  was  never  in  better  shape  and 
on  a   sounder   foundation   than   it   is  now. 

ADOLPH    ZUKOR. 

Excellent  for  Good  Productions 

The  outlook  for  1923  is  excellent  for  produc- 
tions with  genuine  entertainment  value  and  less 
profitable  than  ever  for  pictures  of  the  so-called 
ord  nary  type.  Independent  producers  will  in- 
crease in  numbers  and  the  big  special  attractions, 
which  set  the  pace  for  the  industry  and  retain  the 
screen  hold  on  popular  fancy,  will  come  more 
particularly  from  independent  producers  than  in 
seasons   in   the  past.  j    j)    WILLIAMS. 


Constructive. 


D.  W.'s  Idea 


D.   \V.   GRIFFITH. 


Says  Laemmle 


"GREAT  I  I  1" 


CARL    LAEMMLE. 


Bright 


The  ouluok  for  1923  is  in  my  mind  very  bright. 
1  recently  have  completed  a  seven  weeks'  tour 
of  the  country  and  found  exhibitors  optimistic 
about  the  coming  season.  If  the  producers  furnish 
the  proper  vehicles  I  am  certain  1923  will  be  a 
banner  year  for  the  Motion  Picture  Industry. 

JAMES  R.  GRAINGER. 

Back  to  Normal 

I  believe  that  the  motion  picture  industry  will 
recover  from  the  after-war  depression  as  rapidly 
as  any  other  industry  in  the  country.  I  believe 
that  the  early  part  of  1923  will  see  the  industry 
no  only  back  to  normal,  but  going  forward  not 
only  as  the  leading  amusement  of  the  country  but 
a   factor  in  other  channels  of  American   life. 

C.  C.  PETTIJOHN. 

Gets  Worse 

Worse   than    1922. 

WM.  A.   BRADY. 

Sees  No  Great  Change 

I  cannot  foresee  any  great  change,  except  a  fur- 
ther stabilization  of  the  merit  system  of  renting 
and  buying  picures,'  as  a  result  of  which  there 
will  be  a  marked  decrease  in  the  number  of  px- 
t.,res   that   are  being   made.  ^l     LICHTMAN. 

Steady  Improvement 

The  film  business  for  1923  should  parallel  the 
trend  of  general  business  conditions  toward  nor- 
malcy. The  sum  total  of  prophesies  in  this  re- 
si>ect  is  that  there  will  be  no  business  boom  but  a 
steady  improvement  that  will  bring  us  up  to  the' 
nn'  nial  mark  and  probably  above  normal  during 
^^^^-  WM.    A.    JOHNSTON. 


Brighter  Than  Ever 

The  outlook  for  1923,  to  my  way  of  see  ng 
things,  should  be  brighter  than  ever  in  the  mo 
tion  picture  industry;  and  the  attendance  in  thea 
ters  this  year  has  shown  such  a  considerable  in- 
crease that  there  is  no  reason  why  this  upwanl 
trend  should  not  continue  in  1923,  especially  in 
view  of  the  facts  that  the  various  labor  situations 
have  been  settled  and  that  going  to  the  movinn 
picture  theaters  has  become  more  or  less  of  a 
necessity   and   is  no    longer   considered   a   luxury. 

BEN  BLUMENTHAL. 

Excellent 

The  outlook  for  1923  is  indeed  most  excellent. 

ROTHAFEL. 

Handle  Business  for  the  Masses 

As  for  the  outlook  for  1923  I  can  only  repeat 
what  I  have  had  to  say  before  on  this  subject. 
If  we  hold  in  mind  that  this  amusement  of  ours 
was  intended  for  the  masses  and  if  in  consequence 
we  try  to  so  handle  this  amusement  that  it  is  avail- 
able for  the  masses  then  I  shall  not  only  for  1923 
but  for  all  the  years  to  come  look  forward  to 
keeping  this  game  of  ours  in  the  forefront  of  the 
amusement  line.  ROBERT   LIEiiER. 

Hammons'  Serious  Thought 

The  outlook  for  1923  is  bright.  One  of  our 
representatives  recently  toured  the  major  por- 
tion of  the  country  from  coast  to  coast  and  <  very 
where  found  that  the  motion  picture  business  had 
turned  the  corner  and  was  headed  up  the  r^ad  in 
the  direction  of  normal  business.  I  must  <mpha 
size  my  personal  belief  that  exhibitors  evervwhrn 
are  neglecting  a  vital  factor,  whm  the>  fail 
to  sell   their   whole  show. 

One  of  the  greatest  merchandisers  the  country 
remembers  was  Mrashall  Field  of  ChiiaMO  Ht- 
built  a  business  which  has  been  the  mod- 1  o! 
many  other  businesses  in  every  city  of  the  Union 
His  policy  was  to  feature  a  given  article,  but  in 
display  that  article  and  to  talk  about  it  in  his 
newspaper  advertising  only  associated  with  km 
dred  goods. 

For  example,  if  he  were  featuring  a  golf  suit, 
he  also  displayed  and  talked  about  other  golf  ac 
cessories,  such  as  golf  stockings,  golf  balls,  golf 
clubs  and  other  merchandise  which  was  kindred 
to  his  feature. 

Field  well  knew  that  many  people  would  see 
the  golf  suit  but  would  not  be  inerested  because 
they  already  had  golf  suits,  but  the  kindred  mer 
chandise  attracted  them,  and  he  not  only  sold  his 
feature — golf  suits — to  people  who  required  them, 
but  to  those  who  already  had  a  suit  he  sold  other 
merchandise. 

Exhibitors  are  in  exactly  the  same  position.  To 
merchandise  their  box  office  forcefully  they  should 
not  only  talk  about  their  excellent  feature,  but 
they  should  lay  additional  stress  upon  kindred  pic- 
tures, namely,  the  news  reel,  the  scenic  drama,  the 
comedy,  and  other  short  subject  novelties.  Manv 
patrons  may  not  like  the  feature  or  the  star  hu' 
will  enjoy  a  sutKcient  number  of  the  other  offerings 
to  spend  money   at  the   box   office. 

EARL  W.  HAMMONS 
Optimistic 

From  observation  that  I  have  made  I  cer- 
tainly take  a  most  optimistic  view  of  conditions 
for  1923.  Order  is  being  restored  in  industrial 
labor  circles,  the  country  is  generally  coming  back 
to  a  state  of  prosperity,  which,  while  not  as 
great  as  during  war  times,  reflects  the  true  spirit 
of  the  times,  without  any  of  the  inflated  values 
that  as  placed  on  everyth.ng  during  the  war  period. 
JULES    E.    MASTBAUM. 


374 


Factory  System  Pictures  Through 

'i"he  outlook  lor  192,5,  to  iny  mmd,  indicates  that 
the  "factory  system"  of  production  which  now 
weighs  so  heavily  upon  this  nidustry,  will  be 
superseded  by  more  consistent  methods  whereby 
individual  producers  f;  om  various  sources  will  find 
their  way  to  the  tlieater-public  market  on  a  basis 
that    is    absolutely    equitable    to    both   producer   and 


exhibitor. 


W.    W.    HODKINSOX. 


Many  Problems  Yet  to  Solve 

I  believe  that  th.e  year  1923  is  going  to  show 
consideralile  improvement  over  the  last  six 
months  of  this  year.  There  is  a  considerable  por- 
tion of  the  United  States  that  is  still  far  from 
normal  at  the  present  time.  Business  can  still 
not  be  called  good  except  in  spots.  It  is  going 
to  take  another  year  or  year  and  a  half  for 
strictly  agricultural  territories  to  come  back  into 
their  own. 

I  think  the  uncertainty  of  a  very  bad  foreign 
condition  hovering  over  us  will  to  more  or  less 
extent  determine  the  rapidity  with  which  the 
industry  and  agricultural  conditions  come  back  to 
what  we  might  call  a  normal  basis. 

1923  is  going  to  find  us  with  still  many  problems 
to  solve,  and  these  will  not  be  solved  except  by 
closer  relationship  between  all  branches  of  the 
industry — the  elimination  of  dirty  politics,  and  an 
endeavor  to  get  together  on  the  things  that  are 
of  mutual  benefit  or  of  mutual  detriment  to  all 
of  us. 

I  believe  the  thinking  minds  of  the  Industry  are 
headed  in  that  direction  on  both  the  distributor's 
side   and   the  producer's  and  exhibitor's  side. 

Our  progress  as  an  industry  during  the  next 
year  will  be  determined  by  the  earnestness  of  pur- 
pose disidaycd  by  those  who  are  leaders  in  the 
business  as  iar  as  the  Industry  itself  is  concerned 
within  itself.  S.    R.    KEM. 

Unusually    Optimistic 

Never  before  in  the  history  of  motion  pictures 
has  the  industry  stood  on  such  solid  foundation  as 
it  does  today.  That  is  why  I  look  forward  with 
unusual  optimism  to  the  coming  year.  1  said  one 
year  ago  that  the  salvation  ol  the  motion  picture 
itidustry  lay  in  the  making  of  bigger  pictures — 
pictures  bigger  in  theme,  in  handling,  in  cast, 
and  in  drawing  power.  Today  I  repeat  that  as- 
sertion, and  with  even  greater  emphasis  than 
before.  The  public  is  eager  to  see  pictures  of 
this  high  standard  and  will  be  satisfied  with  noth- 
'"g   'ess.  JESSE   L.   LASKY. 

Business  Should  Improve 

According  to  U.  S.  Commerce  reports,  according 
to  Babson's  Statistics,  judged  by  all  barouKUrs, 
business  should  improve  and  a  real  wave  of  pros- 
perity is  due  to  hit  the  country,  provided,  of 
course,  the  European  situation  asserts  itself  in 
a   favorable   or   semi-favorable   light. 

Inasmuch  as  the  picture  industry  is  not  a  basic 
industry,  but  is  one  that  is  affected  by  the  funda- 
mental industries,  the  motion  picture  industry  will 
retiect  the  prosper. ty  that  follows  in  the  wake. 
Car  loadings  l.ave  nearly  doubled,  steel  mills  are 
working,  coal  mines  are  operating  again  and  a 
firmer    tone    of   confidence    pervades. 

ELMER  L.  PEARSO.X. 

Old  Times  Returning 

We  find  exhibitors  sprucing  up  and  buying  good 
pictures;  we  see  a  return  of  the  old-time  en- 
thusiasm. No  need  to  go  into  a  detailed  analysis 
of  the  financial  condition  of  the  country.  It  is 
generally  conceded  that  the  prosperity  wave  is 
just  starting  to  sweep.  The  old  bugaboo  of  the 
public  losing  its  interest  in  the  motion  picture 
has  been  scouted  by  the  business  of  the  present 
season.  The  country  still  likes  the  screen  and 
i"2.'  will  see  them  back  in  the  theaters  in  full 
*o'^ce.  JOSEPH    I.    SCIINITZER. 


Couldn't   Be   Better 

The  outlook  for  1923  couldn't  be  better.  For 
one  thing  the  outside  business  outlook  is  bright. 
For  another,  men,  organizations,  and  policies  with- 
in this  business  were  never  grounded  on  more 
solid  foundations,  such  evident  good  faith,  such 
encouraging  ambition  to  really  deliver  the  goods. 
"^  KOHKRT    E.    WELSH. 

Moving  Picture  World. 

From   Chaos   to   Continuity 

A  survey  of  the  motion  picture  industry  during 
the  past  year  will  show  the  readjustment  process 
tliat,  since  the  war,  has  been  necessary  in  every 
line  of  commercial  endeavor.  The  sound  busi- 
ness principles  of  other  industries  are  now  being 
adapted  which  is  working  a  hardship  on  those 
wlio  are  unable  to  stand  the  tempering  process, 
but  is  is  elevating  the  industry  to  a  plane  where 
it  can  rightfully  be  classed  with  the  most  stable, 
most   dignified   industries   of   our   nation. 

The  public  are  clamoring  for  better  pictures. 
The  fact  that  there  is  a  demand  for  these  pictures 
is  a  safe  guarantee  that  the  demand  will  be  met 
by  the  progressive  producer  who,  through  the  co- 
operation of  the  exhibitor  can  now  afford  to 
spend  what  he  thinks  best  on  a  production  with 
the  knowledge  that  if  it  is  good,  it  will  be  assured 
long  runs,  backed  up  by  exploitation  that  will 
warrant  the  expenditure  necessary  for  the  making 
of  the  production. 

1  believe  that  during  the  coming  year  the  pub- 
lic will  respond  only  to  human  stories  cotivincingly 
told.  The  day  of  "trash"  and  of  "stupies"  is  gone 
forever,  just  as  the  days  of  chaotic  conditions  are 
gone. 

Through  the  cooperation  of  organizers  who  have 
been  brought  into  the  industry  from  the  outside, 
we  are  now  whipping  the  industry  into  sane  con- 
dit.ons  that  are  bound  to  retiect  back  with  golden 
rays  into  the  coffers  ol  the  producer,  the  distri- 
butor and  the  exhibitor. 

MAX    GRAF,    Graf    Prod. 

Looks  Better 

It  undoubtedly  looks  better  because  of  better 
business  conditions  generally,  but  we  can  only  cash 
in  on  this  by  giving  the  public  more  real  value, 
not  in  money  spent  on  productions  but  in  a  wiser 
choice  of  what  we  produce.       ASHLEY   MILLER. 

Sees  Bright  Outlook 

The  chap  with  lots  of  money  at  stake  in  any 
business  who  looks  for  anything  other  than  "better 
times  ahead"  comes  pretty  close  to  being  crazy. 
Why  be  licked  before  you  start?  This  is  prob- 
ably the  reason  that  all  statements  as  to  the 
future  are  optimistic. 

Looking  forward  to  another  twelve-month  period 
at  this  particular  time,  however,  those  who  have 
watched  the  rising  and  falling  barometer  in  the 
picture  business  can  pro^'e  quite  conclusively  that 
all  the  dark  clouds  which  have  been  floating  around 
and  threatening  to  break  cannot  help  but  have 
silver  linings. 

iMotion  picture  productions  made  within  the  past 
six  months  have  lieen  so  much  better  than  those 
made  during  any  similar  period  in  the  industry 
before  that  there  is  simply  no  comparison.  The 
Ijopularity  of  the  properly  made  photoplay  has 
never  been  questioned.  This  means  that  the  in- 
dustry as  a  whole  is  bidding  more  strongly  than 
ever  for  public  favor — and  we're  just  plumb  bound 
to  w.n  this  fa\or  to  an  extent  that  has  never 
before   been   eiiual.ed. 

General  business  conditions  have  been  bad  for  a 
long  time.  It's  beui  hard  to  sell  shoes,  hats  and 
collar  buttons — and  quite  naturally  it  has  been 
hard  to  sell  motion  picture  entertainment.  From 
every  corner  ol  the  country  comes  the  positive 
statement  thai  general  business  conditions  are  im- 
proving, not  slowly,  but  rapidly.  We'll  soon  be 
fiack  on  an  even  keel  and  when  we  are,  the 
superior  merit  of  the  product  we  are  turniiig  out  is 
bound  to  put  tlie  motion  picture  business  in  better 
shape  than  it  has  been  at  any  tiine  since  its  in- 
ception. L.   J.    SELZNICK. 


375 


Very   Bright 

With  all  sections  of  the  country  making  notable 
strides  in  the  return  to  normal  conditions,  and 
with  the  situation  in  every  line  of  business  strength- 
ening almost  daily,  the  outlook  for  the  picture 
industry  is  brighter  than  at  any  time  since  the 
year  immediately  following  the  Armistice.  Those 
of  us  who  have  knowledge  of  the  plans  of  pro- 
ducers and  of  the  quality  of  productions  being 
projected,  cannot  but  have  confidence  that  the  in- 
dustry will  continue  to  advance  and  to  widen  its 
sphere  of   influence  appreciably. 

Every  promise  is  given  that  the  high  character 
and  substantial  nature  of  the  offerings  that  have 
marked  the  opening  of  the  fall  season  of  1922  will 
be  maintained  in  1923,  and  that  with  the  awaken- 
ed conditions  in  the  agricultural,  commercial  and 
industrial  fields,  we  shall  enjoy  our  full  measure 
of   the  general  prosperity.        ARTHUR    S.    KANE. 

Brains  First 

For  picture  men  with  business  brains —  success 
and  money.  ROBERT  W.  PRIEST. 

Be  Optimistic 

If  the  industry  takes  the  same  medicine  for  1923 
that  it  used  for  1922,  the  outlook  is  going  to  be 
hopeful  and  profitable.  When  we  were  in  the 
tloldrums,  we  took  ourselves  by  the  boot  straps, 
figuratively  speaking,  and  lifted  ourselves  out  by 
the  simple  expedient  of  having  faith  in  ourselves 
an  din  the  mission  of  the  film  in  entertaining  the 
American  people.  We  refused  to  admit  that  times 
were  bad  and,  miraculously  enough,  they  became 
better. 

1923  will  be  much  better  than  1922  if  we  only 
think  it  is  going  to  be  and  plan  for  it.  There 
is  no  reason  in  the  world  why  it  shouldn't  be 
better.  r.   H.    COCHRANE. 


Expects  Many  Good  Pictures 

I  think  that  the  outlook  for  1923  is  unusual,  as 
it  is  my  belief  that  there  will  be  more  really  good 
pictures  made  in  this  year  than  in  any  previous 
year,  and  far  more  pictures  with  real  box-  office 
value.  HARRY    CRANDALL. 

Up  to  the  Industry 

1923  will  be  what  we  make  it.  If  we  show  good 
pictures  the  public  will  come,  if  not  our  business 
will  be  less.  The  greatest  handicap  for  an  ex- 
hibitor is  the  arbitrary  method  of  trade.  Just  as 
soon  as  the  producers  sell  their  pictures  on  the 
merit  and  not  try  to  force  their  pictures  arbitrarily, 
just  as  soon  as  the  exhibitor  can  select  his  own 
pictures  from  day  to  day,  just  as  their  needs  are, 
we  will  get  to  a  better  basis.  If  the  exhibitor  will 
buy  what  he  needs  a  great  number  of  useless  re- 
leases will   go  off  the  market. 

FRANK  J.  REMBUSCH. 

Not   Optimistic 

Just    ordinary,    and    possible   slump.  ^ 

E.    V.    RICHARDS. 

Best  Since  War  Record 

The  outlook  for  1923  is  the  best  since  the  end 
of  the  war  era  of  inflation.  The  industry  is  set- 
tling down  into  something  like  real  stabilization. 
Quality  pictures  are  steadily  increasing  in  num- 
ber. Exhibition  methods  are  improving.  There 
is  plenty  of  room  for  growth  in  all  directions,  hut 
the  general  condition  of  the  industry  is  getting 
better,   not   worse.  L.    W.    BOYNTON, 

Exhibitors    Trade    Review. 

Wonderful! 

Wonderful  1  Warner  Brothers  are  going  to  make 
eighteen   master   productions.       H.    M     WARNER. 


Most  Important  Event  of  Year 

Following  will  be  found  expressions  from  leading  executives  of  the  industry  as  to 
what,  in  their  opinion,  is  the  most  important  event  of  the  year. 

The  large  number  who  express  the  view  that  the  advent  of  Will  Hays  into  the  in- 
dustry was  the  most  important   happening  is  of   interest. 


Without    Doubt — Hays 

Without  a  doubt,  the  most  important  happening 
in  the  motion  picture  industry  during  1922  was 
the  advent  into  the  industry  of  Mr.  Will  H.  Hays. 
Mr.  Hays,  a  man  of  unusual  sincerity,  debated 
long  and  seriously  before  accepting  the  invitation 
to  become  the  President  of  the  Motion  Picture 
Producers  and  Distributors  of  America.  When 
at  length  he  made  his  decision,  that  decision  not 
only  was  a  tribute  to  the  motion  picture  industry, 
but  was  an  avowal  of  Mr.  Hays'  determination 
to  devote  all  of  his  unquestioned  ability  and  his 
remarkable  energy  to  a  cause  which  he  felt  to 
be  worthy  of  his  help. 

Mr.  Hays  is  doing  a  great  good  for  the  motion 
picture  industry.  He  has  the  confidence  of  all 
the  men  and  women  in  that  industry,  just  as  he 
has  the  confidence  of  the  men  and  women  of  the 
entire  nation.  His  alliance  with  the  industry 
is  a  guarantee  of  good  faith  on  the  part  of  the 
producers  and  distributors  of  motion  pictures. 
He  has  courage  and  high  ideals.  The  motion  pic- 
ture industry  has  pledged  him  undivided  support 
in  attaining  those  ideals.  Once  again,  the 
American  public  will  find  that  its  faith  in  this 
man  of  action   has  not   been  misplaced. 

JESSE    L.    LASKY. 

Again   Hays 

In  my  opinion  the  most  important  happening  in 
the  motion  picture  industry  during  1922  was  the 
entrance  of  Will  H.  Hays  into  the  business.  This 
had  a  tendency  to  focus  public  attention  on  the 
motion  picture  industry  and  it  is  now  on  trial 
before  the  public  as  to  what  it  will  actually 
become.  W.   W.   HODKINSON. 


Hays 

In  my  opinion  the  bringing  in  of  Mr.  Will  H. 
Hays  to  head  the  National  organization  was  the 
most  important  thing  that  happened  in  our  In- 
dustry  during    1922. 

The  establishing  of  a  better  relationship  between 
exhibitor  bodies  and  producers  and  distributors, 
which  was  brought  about  by  Mr.  Hays,  was  only 
one   of  the  more   important  steps. 

To  every  thinking  person  in  the  industry,  it 
must  be  apparent,  that  a  tremendous  amount  of 
good  has  been  done  the  Industry  to  give  the  pub- 
lic and  many  unthinking  persons  who  were  work- 
ing against  the  Industry,  a  better  understanding 
of  what  the  motion  picture  really  is ;  what  it 
really  means  in  the  everyday  life  of  a  hundred 
million  Americans;  and,  only  those  who  are 
blinded  by  political  prejudice  or  by  trade  prejudice 
would  refuse  to  admit  that  Mr.  Hays  has  done  a 
tremendous  service  to  every  man  and  woman  who 
is  making  his  or  her  living  out  of  the  Motion 
Picture  Industry.  g     r     KENT. 

Answer  of  Industry  to  Critics 

The  greatest  achievement  of  1922,  in  my  opinion, 
has  been  the  answer  of  the  motion  picture  business 
to  its  critics.  That  answer  has  consisted  in  the 
opening  of  the  season  of  1922-3  with  a  far  greater 
number  of  outstanding  attractions  than  ever  before 
in    our   history. 

Every  year  is,  of  course,  marked  by  its  big 
successes.  Last  year,  for  instance,  saw  the  pro- 
duction of  such  triumphs  as  "Way  Down  East," 
"Over  the  Hill,"  "The  Three  Musketeers,"  "A 
Connecticut  Yankee,"  and  "The  Four  Horsemen 
of  the  Apocalypse,"  to  name  only  a  few. 


yit 


The  point  is  that  the  opening  of  the  present 
season  has  witnessed  the  launching  of  an  over- 
vvhehiiing  number  of  outstanding  features.  Among 
others  tliere  have  been  "Robin  Hood,"  "Blood  and 
Sand,"  "Oliver  Twist,"  "When  Knighthood  Was 
in  Flower,"  "Grandma's  Boy,"  "Manslaughter," 
"A  Tailor-Made  Man,"  "East  is  West."  "The 
Storm,"  "Dr.  Jack,"  and  "The  Prisoner  of 
Zenda."  This  list  is  far  from  complete — there  are 
others  that  merit  mention  in  such  company — but 
it  is  indicative  of  the  consistent  advance  that  is 
being  made. 

Moreover,  the  present  season  has  only  just 
started.  With  sucli  an  array  of  high  class  at- 
tractions to  mark  the  opening,  the  picture  business 
has  met  criticism  with  an  answer  that  is  impres- 
sively convincing.  ARTHUR   S.    KANE. 

Hays 

Will  Hays'  consent  to  put  his  time  into  assisting 
the   motion    picture    industry. 

R.   H.    COCHRANE. 

Public  Opposition  to  Poor  Pictures 

The  nation-wide  strike  of  the  public  against 
unintelligent  pictures  no  matter  what  their  cost. 
It  looks  to  me  like  a  demand  for  ideas,  perhaps 
for   ideals   in   pictures.  ASHLEY    MILLER. 

Hays  and  the  Massachusetts  Result 

Tliere  were  many  important  happenings  in  the 
motion  picture  industry  during  1922,  and  in  trying 
to  think  what  were  the  most  important,  there  are 
two  events  that  stand  out  in  my  mind,  so  that  I 
think  I  must  mention  the  two  rather  than  just 
one. 

First  was  the  entry  of  Mr.  Will  Hays  into  the 
industry,  and  next  was  the  overwhelming  defeat 
of  the  reformers,  or  those  antagonistic  to  our  busi- 
ness, during  the  last  election  ;  I  mean  by  that  the 
defeat  of  Miller  in  New  York  and  the  defeat  by 
popular  vote  of  the  proposed  Censorship  in  Massa- 
cluisetts.  HARRY    CRANDALL. 

The  Golf  Tournament 

When  you  ask,  "What  was  the  most  important 
happening  in  the  motion  picture  industry  during 
1922?"  probably  the  whole  class  will  raise  their 
hands  and  cry,  "Oh  teacher,  I  know — Will  Hays' 
entry  into  the  industry." 

Without  in  any  way  intending  to  disagree  with 
the  otlier  pupils,  I  would  say  tliat  the  formation 
of  the  Motion  Picture  Golf  Association  is  of 
equal  import  IF  all  its  members  will  grasp  its 
full  meaning. 

Golf,  as  an  excuse  to  dodge  a  full  day's  work,  is 
one  thing,  but  the  attributes  of  golf  as  expressed 
by   David  R.  Forgan,  is  a  picture  of  life  at  its  best. 

Read! 

"It  is  a  science — the  study  of  a  lifetime,  in  which 
you  may   exhaust   yourself   but   never   your   subject. 

"It  is  a  test  of  temper,  a  trial  of  honor,  and  a 
revealer   of   character. 

"It  afTords  a  chance  to  play  the  man  and  act 
the  gentleman. 

It  promotes  not  only  physical  health  but  moral 
force." 

Let  these  principles  become  a  tenet  of  faith  for 
the  film  industry,  and  it  could  then  well  afiford  to 
engage  the  balance  of  the  President's  cabinet  as 
General  Ha^s'  associates. 

The  Outlook  for  1923  is  the  entry  of  other  mo- 
tion picture  communities  into  the  Golf  Association. 
CARROLL  H.  DUNNING. 

Nothing  Noticeable 

In  my  opinion  1922  has  not  developed  any  par- 
ticular noticeable  happening  worthy  of  recording. 
Some  things  have  transpired  that  may  be  im- 
portant later   on   if  they  function. 

The  placing  of  Mr.  Hays  as  generalissimo  of  the 
Distributors  and  Producers  is  an  opportunity  to 
bring  about  better  economic  conditions  within  the 
industry  and  a  better  prestige  without. 

As  to  pictures  we  have  had  a  large  quantity 
and  a  small  amount  of  quality.  We  get  about  20 
pictures,    new    pictures    each    week.        It    is    impos- 


sible to  support  them  all  and  quite  as  impossible 
to  know  which  ones  to  support.  We  need  less 
in  number  and  better  pictures.  The  more  pictures 
the  more  difficult  to  select  and  the  greater  the 
rental  to  each  exhibitor.  When  there  is  lots  of 
wheat  the  price  of  wheat  goes  down,  but  when 
there  are  lots  of  pictures  the  price  of  pictures  goes 
up.  Many  pictures  mean  we  must  support  more 
pictures  with  a  less  number  of  theaters.  If  we 
had  good  pictures  and  less  of  them  there  are  more 
returns  both  to  the  film  company  and  to  the 
exhibitor    and    the   rental   price    more    reasonable. 

FRANK  J.   REMBUSCH. 

Unification  of   Industry 

The  unification  of  the  industry  from  the  stand- 
point of  good  business  and  from  the  viewpoint 
of  establishing  a  more  wholesome  attitude  on  the 
part  of  the  public  toward  the  industry.  Perhaps 
the  outstanding  production  event  is  the  rise  of 
Harold  Lloyd  as  the  premiere  comedian  on  the 
screen.  ELMER   L.    PEARSON. 

The  Action  Behind  Hays 

In  my  opinion  the  most  important  happening 
in  the  industry  in  1922  was  the  securing  of  Will 
Hays — with  all  that  it  connotes  in  cooperation, 
sincerity  of  purpose,  and  appreciation  of  the 
necessity  of  improving  conditions.  It  is  the  back- 
ground of  the  Hays'  movement — the  action  behind 
the  scenes — that   impress  me. 

ROBERT  E.  WELSH, 
Moving    Picture    World. 

The  Hays  Organization 

Easily  the  most  important  event  of  the  year 
that  has  just  passed — or  of  all  the  years  that  have 
passed — in  the  history  of  the  motion  picture  in- 
dustry has  been  the  launching  of  the  Motion  Pic- 
ture Prod.  &  Dist.  of  America,  Inc.,  under  the 
active  leadership  and  direction  of  Will  H.  Hays. 

For  the  first  time  in  the  history  of  the  industry 
those  whose  interests  have  always  been  crying 
aloud  for  intelligent  help  and  protection  have 
shown  a  disposition  to  think  more  of  the  future 
of  the  industry  as  a  whole  than  of  their  individual 
interests. 

The  stplendid  spirit  back  of  the  Motion  Picture 
Producers  &  Distributors  of  America,  Inc.,  re- 
presents the  greatest  stride  forward  since  the  day 
the  courts  shook  loose  the  death  grip  the  Patents 
Company  was  fastening  upon  the  business  of  en- 
tertaining the  public  through  the  medium  of  the 
photoplay    screen.  l     J.    SELZNICK. 

Sees  Three  Big  Events 

Three  developments  in  the  year  which  has  just 
drawn  to  a  close  make  1922  memorable  to  those 
within  the  motion  picture  industry.  It  saw  the 
Motion  Picture  Producers  and  Distributors  of 
America  come  into  being,  it  saw  censorship  repu- 
diated throughout  the  length  and  breadth  of  the 
land  and  it  saw  the  independent  producers  and 
distributors  advance  to  the  position  of  leadership 
which  is  their  absolute  right  but  to  which  they 
heretofore   had   never   attained. 

The  formation  of  the  organization  which  is  so 
ably  headed  by  that  peerless  executive.  Will  H. 
Hays,  did  much  to  build  for  the  screen  a  strength- 
ened and  renewed  public  confidence.  Mr.  Hays 
has  worked  sincerely,  earnestly  and  intelligently 
for  the  good  of  the  entire  industry.  His  policy 
stands  for  all  that  is  good  in  this  great  business 
of  ours,  regardless  of  whom  it  concerns,  and  my 
company  and  I  will  render  him  every  bit  of  co- 
operation  which  it  is  possible  to  give. 

So  far  as  censorship  is  concerned,  any  com- 
ment from  me  on  its  various  evils  is  unnecessary 
here  and  now.  One  censorship — and  one  alone — 
may  rightfully  be  imposed :  That  is  the  censor- 
ship which  we  ourselves  place  upon  the  work  we 
are  doing.  There  are  undoubtedly  men  who  feel 
not  the  slightest  compunction  about  creating  an 
over-sexed  and  lascivious  picture,  just  as  there 
are  men  who  are  incapable  of  making  anything 
which  is  not  clean  and  beautiful.  Public  opinion — 
that  great  moulder — will  in  time  remove  the  first- 
named    group    and    build    up    the    second.      Censor- 


zn 


ship  could  never  hope  to  discourage  the  makiiiK 
of  unsound  pictures  and  only  serves  as  a  deter- 
rent to  those  men  who  are  capable  of  really  creat- 
ing beautiful  and  artstic   things. 

The  splendid  progress  made  by  the  independents 
may  be  characterized  as  a  perfect  example  of  the 
survival  of  the  fittest.  Independent  production 
and  distribution  are  theoretically  correct  and 
economically  sound.  The  principles  which  govern 
these  two  phases  of  the  indrstry  are  fundamen- 
tally right.  It  was  but  a  quest'on  of  time,  there- 
fore, before  right  would  triumph  and,  to  put  it 
briefly,  that  time  is  now.  Today,  within  the  in- 
dependent ranks,  there  are  to  be  found  the  ablest 
executives,  the  greatest  directors  and  the  most 
important  stars  engaged  in  the  making  and  mar- 
keting of  motion  pictures.  This  condition  was 
inevitable,  just  as  it  is  inevitable  that  the  inde- 
pendents shall  maintain  their  supremacy  and  add 
new  lustre  to  their  name  as  tlie  years  go  by. 

W.  C.  ("Doc")  SHALLENBERGER. 

Strand    Buying    Sight   Unseen 

The  day  when  Warner  Brothers  signed  a  contract 
with  the  Strand  Theaters  of  New  York  and  Brook- 
lyn to  play  the  rest  of  our  pictures  for  this  year 
without  even  seeing  them.  jj    J^J    WARNER. 

Hays 

The  entry  of  Will  H.  Hays  into  the  industry 
was,  by  all  odds,  the  most  important  event  in  the 
picture  world  during    1922. 

L.    W.    BOYNTON, 
Exhibitors    Trade    Review. 

Lack  of  Happennigs 

The  most  important  incident  in  1922  is  the 
absence  of  the  happening  of  anything  actually  im- 
P°''*ant-  ROBERT    W.    PRIEST. 

Selection   of   Hays 

The  selection  of  Will  Hays  to  he  executive 
head  of  the  motion  picture  producers.  For  a  long 
time  the  producers  were  working  at  cross  pur- 
poses, each  one  for  himself,  and  there  was  abso- 
lutely no  co-ordination  of  plans  or  effort.  With 
such  a  capable  man  in  charge  order  has  been 
restored,  the  producers  are  working  for  the  best 
interests  of  all  collectively  instead  of  for  the  in- 
dividual and  the  result  is  that  the  industry  is 
greatly  benefited.  JULES  E.  MASTBAUM. 

The   Acquisition   of    Hays 

The  most  important  happening  in  the  motion 
picture  industry  during  1922  was  the  acquisition 
of  Mr.  Will  H.  Hays  as  President  of  the  Motion 
Picture    Producers    and    Distributors    of    America, 


Inc. 


J.  D.  WILLIAMS. 


Deflation 


Deflation ;  it  restored  sanity  to  production  cost, 
stimulated  exhibitor  and  producer,  gave  the  pro- 
ducer cheaper  money  with  which  to  operate  and 
marked  a  definite  boundary  for  the  hysteria  era 
en  motion  pictures.  j)    ■\^    GRIFFITH. 

A  Picture 

"THE   STORM." 

CARL  LAEMMLE. 

Improved  Quality  of  Pictures 

The  irnproved  quality  of  productions.  I  be- 
lieve during  the  past  year  we  have  demonstrated 
to  the  public  that  the  motion  picture  can  reach  a 
very   high   point   of   entertainment   and   education. 

JAMES  R.  GRAINGER. 

The  Hays  Organization 

The  most  important  happening  was  the  organ- 
ization of  the  .Motion  Picture  Producers  &  Dis- 
tributors  of  America,   Inc.,    with   Will   H.    Hays   as 


its    President. 

Ditto 

The   Hays   organization. 


C.  C.  PETTIJOHN. 


E.  V.  RlfHARDS. 


Again   Hays 

Will  H.  Hays  leaving  President  Harding's  Cab- 
inet and  consenting  to  act  as  President  of  the 
.Motion  Picture  Producers  and  Distributors  of 
America.  WM.  A.   BRADY. 

Open  Market 

In  my  opinion  the  most  important  happening  in 
the  industry  during  the  year  1922  is  the  realiza- 
tion of  the  open  market — that  good  pictures  are 
the  only  thing  that  count — that  the  renting  and 
buying  of  pictures  based  on  their  merit  is  the  only 
safe  and  sound  policy  for  anyone  in  this  business 
to  pursue. 

If  this  is  not  thoroughly  realized  in  1922,  I  am 
certa'n  it  will  manifest  itself  even  more  strongly 
in    1923.  AL    LICHTMAN. 

Hays 

I  consider  the  most  important  happening  in  the 
motion  picture  industry  during  1922  to  be  the  ap- 
pointment of  Will  H.   Hays. 

WM.  A.  JOHNSTON. 

Again  Hays 

In  my  opinion,  the  most  important  happening 
in  the  motion  picture  industry  during  1922  was 
the  election  of  Will  H.  Hays  as  the  head  of  the 
Motion  Picture  Producers  and  Distributors  of 
America,  and  the  methods  taken  to  stabilize  the 
industry  by  the  creation  of  this  office.  This  will 
have  the  effect  of  placing  the  motion  picture  in- 
dustry on  the  same  high  plane  as  the  steel,  oil 
and   other   large,   necessary   industries. 

BEN   BLUMENTHAL. 

And  Once  Again 

The  most  important  happening  in  the  motion 
picture  industry  during  1922  was,  in  my  opinion, 
the  acquisition  of   Will   H.   Hays.        ROTHAFEL 

Many  Good  Pictures 

If  you  were  to  ask  me  what  in  my  opinion  was 
the  most  important  happening  in  the  motion  pic- 
ture industry  during  1922  I  would  frankly  say 
that  the  great  number  of  very  good  pictures  that 
the  various  producers  were  able  to  offer  in  this 
period  is  to  me  the  outstanding  accomplishment. 

ROBERT  LIEBER. 

Hays 

I  believe  the  most  important  happening  in  the 
motion  picture  industry  during  1922  was  the  form- 
ing of  the  association  of  Producers  and  Distrib- 
utors under  the  general  leadership  of  Mr.  Will  H. 
Hays,  for  the  common  good  of  the  industry.  This 
association,  by  coordination  of  efforts,  will  speed- 
ily and  effectively  apply  constructive  policies  that 
would  not  be  possible  by  individual  effort,  no 
matter   how    well   directed. 

EARL   W.    HAMMONS. 

The   Release  of  41   Pictures 

The  most  important  happening  in  the  motion 
picture  industry  during  1922  was  the  announce- 
ment by  Famous  Players-Lasky  Corporation  last 
May  of  a  complete  schedule  of  forty-one  pictures 
to  be  released  during  the  six  months  from  August 
1  to  February  1.  For  the  first  time  in  the  history 
of  this  business  exhibitors  were  put  in  a  position 
where  they  were  assured  of  a  continuous  supply 
of  big,  worthwhile  productions  from  an  absolutely 
reliable  source.  This  policy  enabled  exhibitors  to 
lay  out  the  campaign  for  their  theaters  for  the 
first  six  months  of  the  new  season  and,  by  ena- 
bling them  to  make  plans  intelligently,  well  in 
advance,  it  was  a  tremendous  factor  in  bringing 
back  prosperity  to  the  film  industry.  From  the 
hundreds  of  letters  which  exhib'tors  have  written 
me  personally  expressing  their  gratitude  for  our 
action  I  know  positively  that  our  listing  of  forty- 
one  pictures,  with  titles,  stars,  casts,  directors, 
advertising  accessories,  and  release  dates,  all  com- 
plete and  fixed,  marked  a  milestone  in  the  progress 
of  the  motion  picture  industry  which  will  be  appre- 
c  attd   more   as    the   season    unfolds. 

ADOLPH    ZUKOR. 


378 


What  of  Censorship  ? 


Answers  will  be  found  below  from  many 
portant  question. 

Easy! 

Easy!     Listen  to  WILL  HAYS. 

H.   M.   WARNER. 

Arouse   the   Public 

The  most  effective  way  in  which  to  meet  the 
censorship  situation,  I  beheve,  is  to  maintain  some- 
what of  an  alliance  with  the  newspapers  and 
magazines  of  the  country.  If  we  are  to  be  per- 
mitted to  serve  only  pap,  to  dish  up  a  product 
which  only  the  toothless  portion  of  the  public  is 
able  to  masticate,  it  is  inevitable  that  the  prohibi- 
tion against  substantial  food  eventually  will  extend 
to  the  printed  page,  as  well  as  the  picture.  Real- 
izing this,  the  press,  virtually  in  its  entirety,  is 
with  us  in  our  resistence  to  restrictive  measures. 
We  should  join  forces  with  the  newspapers  and 
magazines  and  see  that  the  public  is  thoroughly 
aroused  to  the  peril  of  the  threat  against  inde- 
pendent thought.  ARTHUR  S.  KANE. 

Let  People  Do  Censoring 

The  ideal  way  is  to  let  the  people  do  their  own 
censoring.  I  have  infinite  faith  in  the  justice  and 
self  sufficiency  of  the  great  American  public. 
The  trouble  with  censorship  is  that  it  tries  to 
impose  an  individual  opinion  upon  the  sovereign 
will  of  the  people.  But  the  fact  remains  that  we 
have  a  number  of  these  imposed  censorships  and 
we  are  threatened  constantly  with  more.  The 
way  to  handle  the  threats  is  best  exemplified  in 
the  sjplendid  way  the  Massachusetts  Censorship 
fight  was  won.  Since  our  eflForts  to  clean  up  our 
own  industry  I  am  of  the  opinion  that  the  existing 
censor  boards  have  had  very  little  reason  for  their 
existence.  In  fact,  some  of  their  decisions  are 
so  hair-splitting  and  their  eliminations  so  ridiculous 
that  one  would  think  that  they  would  realize 
the  uselessness  of  their  continued  existence.  This 
is   too   much   to   hope.  R.    H.    COCHRANE. 

Use  the  Screen  to  Fight 

We  need  sincerity  in  a  real  effort  to  better  pic- 
tures (so  far  it  has  been  mostly  talk)  and  the  in- 
dustry should  wake  up  and  make  aggressive,  act- 
ive use  of  the  screen  to  tell  the  public  that  cen- 
sorship is  im-American,  unconstitutional,  intoler- 
able and  in  practice  a  flat  failure. 

ASHLEY  MILLER. 

Crandall's   Interesting  Ideas 

One  might  say  at  first  thought  that  the  best  way 
to  get  rid  of  Censorship  or  Censorship  petitions 
would  be  by  not  making  the  kind  of  pictures  that 
are  apt  to  bring  on  Censorship  agitation.  How- 
ever, I  personally  have  a  little  doubt  about  this, 
and  feel  that  we  would  have  agitators  for  Censor- 
ship regardless  of  the  kind  of  picture  made,  be- 
cause of  the  positions  Censorship  creates,  and  be- 
cause the  reformers  have  to  have  something  to  do. 
However  the  limination  of  that  class  of  picture  would 
to  an  extent  lessen   their  argument   for   Consorshiji. 

I  believe  that  the  surest  way  to  eliminate  all 
possibility  of  Censorship  is  to  educate  the  public 
as  to  just  what  the  motion  picture  industry  really 
means  to  them,  the  handicaps  it  has  had  to  over- 
come the  wonderful  strides  it  las  made  in  the  last 
two  or  three  years,  its  educational  as  well  as 
entertainment  value,  and  its  benefit  to  the  millions 
who  would  be  unable  to  gain  admission  to  any 
other  form  of  amusement  on  account  of  the  prices. 

I  think  the  best  way  to  educate  the  public  to 
these  things  is  to  do  as  we  are  doing  in  Washing- 
ton, by  the  maintenance  of  a  Public  Service  and 
Educational  Department.  To  my  mind,  it  would 
be  a  wonderful  thing  if  each  of  the  larger  exhib- 
itors, especially  those  controlling  chains  of  theaters, 
would  install  such  a  Department,  in  each  case 
putting  a  woman  of  quite  some  prominence  in  that 
particular  territory  in  charge.  She  must  know 
something  of  the  picture  business,  and  what  she 
does  not  know,  the  exhibitor  must  teach  her. 
She   must   be   able    to    make    public    speeches    at    all 


important  men  of  the  indu.stry   to  this  im- 

women's  organizations,  to  have  an  Advisory  Com- 
mittee, consisting  of  people  at  the  head  of  such 
organizations  as  the  Boy  Scouts,  Girl  Scouts, 
Camp  Fire  Girls,  Daughters  of  American  Revolu- 
tion, and  the  numerous  other  organizations  for 
women  and  children.  She  must  have  a  pleasing 
personality,  and  must  be  convincing  in  her  talks. 

It  must  also  be  made  plain  that  this  Advisory 
Board  is  in  no  sense  of  the  word  a  Censor  of 
motion  pictures,  but  rather,  in  advisory  capacity, 
to  make  suggestions,  etc.,  or  as  our  Mrs.  Locher 
always  puts  it  in  her  little  talks,  "constructive 
criticism." 

In  addition  to  the  above,  the  exhibitor  conduct- 
ing such  a  Department  as  above  suggested  should 
have  special  Children's  Matinees  on  Saturday 
morning  or  early  afternoon,  and  special  children's 
pictures.  This  would  have  a  tendency  to  satisfy 
the  mothers,  with  the  knowledge  that  their  child- 
ren could  attend  a  special  performance  at  which 
would  be  shown  pictures  that  would  in  no  way  be 
offensive  for  children  but  would  have  wonderful 
entertainment  value.  In  fact,  this  Department  will 
suggest,  as  it  works  along,  many  things  that  will 
have  a  tendency  to  bring  the  public  closer  in  touch 
with  the  motion  picture  industry — and  when  Cen- 
sorship is  suggested  in  the  different  sections,  the 
various  women's  organizations  allied  with  these 
Public  Service  and  Educational  Departments  will 
he  in  a  position  to  go  forward  and  speak  against 
Censorship — and  as  disinterested  part  es.  Oppos  - 
tion  to  Censorship  from  such  a  source  would  of 
course  have  vastly  more  weight  than  froin  the  pic- 
ture  people   themselves. 

I  think  a  drive  of  this  kind  is  absolutely  neces- 
sary for  the  future  of  our  business,  and  the  quicker 
we  all  realize  it,  the  better,  for  it  seems  to  me 
that  we  are  not  properly  organized  in  all  of  these 
lines.  Certainly  we  are  not  organized  in  com- 
parison with  the  reformers.  If  there  were  forty 
exhibitors  in  America  with  organizations  similar  to 
that  mentioned  in  the  forego  ng,  then  whenever 
there  is  a  big  meeting,  such  as  that  of  the  General 
Federation  of  Women's  Clubs,  a  meeting  that  does 
much  to  mold  public  opinion,  there  would  be  at 
least  ten  delegates  among  our  members  that  would 
be  on  the  floor  to  protest  against  that  organization, 
or  other  similar  organizations,  gong  on  record  for 
Censorship. 

Unfortunately,  in  the  past  it  has  not  been  a  hard 
thing  to  get  organizations  to  go  on  record  for 
Censorship,  for  the  very  reason  that  almost  in- 
variably there  was  no  one  there  to  properly 
oppose  it — in  fact  probably  most  of  the  time  no 
one  even  knew  the  question  would  be  brought  up 
but  the  reformers,  and  they  are  alert  at  every 
gathering,  and  always  get  in  their  work. 

With  iPublic  Service  and  Educational  Depart- 
ments in  all  sections,  the  heads  of  these  Depart- 
ments, either  directly  or  through  affiliations,  could 
arrange  for  representation  at  all  meetings  of  all 
organizations,  regardless  of  whether  Censorship  was 
scheduled  to  be  brought  up  or  not. 

In  closing,  I  wish  to  say  agan  that  the  best  vvay 
to  eliminate  Censorship  is  through  cooperation 
with  the  pubhc.  HARRY   CRANDALL. 

Closer  Relationships 

I  believe  much  good  would  come  from  a  closer 
relationship  between  the  exhibitor,  the  minister, 
and  the  men's  clubs  of  each  community. 

Most  ministers  are  not  such  bad  fellows,  and 
neither  are  most  e.xhibitors,  nor  most  inen,  but 
the  trouble  is  they  never  get  together  in  order 
to   find  that   fact   out. 

Let  each  exhibitor  join  the  men's  club  of  a  good 
church  or  churches  in  his  community,  if  he  can 
stand  it,  and  let  each  minister  go  to  lunch  occa- 
sionally with  an  exhibitor,  if  the  exhibitor  will 
pay  for  it,  and  I  think  they  will  solve  their  own 
problem,  without  the  aid  of  a  strange  censorship 
board  who  doesn't  know  "wltat  all  the  shootin's 
for."  CARROLL  H.   DUNNING. 


379 


Get  Public  Confidence 

The  best  and  only  way  to  meet  the  question  of 
censorship  is  to  take  the  public  in  your  confidence, 
just  as  we  bave  in  Indiana  for  many  years.  Just 
as  my  good  protege  Charles  Pettijohn  has  done 
recently  in  Massachusetts.  We  are  going  into 
politics,  not  into  the  partisan  politics,  never,  but 
into  particular  politics,  yes.  We  can't  evade  it. 
We  are  forced  into  it  by  our  enemies.  We  must 
use  our  screen  to  select  our  friends  and  defeat  our 
enemies.  I  do  not  like  to  admit  this,  but  since  it 
is  necessary  I  am  in  favor  of  doing  it  with  every 
bit  of  strength  we  have.  In  a  general  way  show- 
manship will  count  more  every  day.  Anyone  can 
produce,  distribute  and  exhibit  pictures,  but  it  takes 
a  highly  trained  special  training  in  a  particular 
case  to  make  it  pay.  FRANK  J.  REMBUSCH. 

Let  Public  Opinion  Be  the  Answer 

Censorship  has  never  bothered  me  much.  I 
don't  like  folks  fussing  around  trying  to  tell  me 
how  to  run  my  business — and  I'm  pretty  sure  that 
the  general  public  don't  like  this  sort  of  thing 
any  better  than  I  do.  I'm  for  taking  the  line  of 
least  resistance.  Let's  make  pictures  in  as  strict 
conformity  to  the  requirements  of  constituted 
authority  as  we  can — and  let  public  opinion  take 
care  of  the  long  haired  gentlemen  and  short-haired 
ladies  who  insist  upon  pressing  the  most  popular 
institution  ever  developed  in  this  or  any  other 
country   too  hard.  L.  J.   SELZNICK. 

Making    the    Public    Partners 

Gaining  and  maintaining  a  real  partnership  with 
the  public  is  the  best  way  to  combat  censorship. 
Until  that  partnership  has  had  time  to  be  fully 
established,  the  industry  should  fight  with  all  its 
strength  every  move  for  censorship  and  every 
piece  of  proposed  legislation  hostile  to  its  interests. 
L.  W.  BOYNTON, 
Exhibitors    Trade    Review. 

Eastman  on  Censorship 

The  censorship  of  motion  pictures  demanded  in 
some  direction  is  all  wrong.  If  the  product 
emanating  from  the  producing  studios  needs  re- 
formation that  reformation  should  be  accomplished 
at  the  source,  not  by  subsequent  mutilation  of  the 
film   nor   by    damming   the   flow    of    the    industry. 

GEORGE    EASTMAN. 

Educate  the  People 

Censorship?  The  way  to  fight  it  is  the  same 
that  should  be  used  against  every  law  that  is  due 
solely  to  the  public's  misconception  of  facts. 
Educating  the  American  people ;  showing  them 
the  pernicious  principle  and  harmful  results  of 
censorship  is  the  surest  method  of  repeal.  Edu- 
cation by  means  of  merciless  publicity ;  education 
by  showing  only  the  type  of  pictures  that  make 
the  censors  appear  unnecessary.  The  censorship 
problems  can  be  met  by  publicity  that  shows  the 
injustice  of  censorship  and  by  pictures  that  show 
the   uselessness   of   it.  J.    I.    SCHNITZER. 

Make  Only  the  Best  Pictures 

The  best  way  to  meet  the  problem  of  censor- 
ship is  to  continue  to  make  the  sort  of  product 
that  we  have  had  since  September  of  this  year. 
Then,  having  done  that,  to  seek,  wherever  the 
issue  is  raised,  to  have  it  answered  by  the  votes 
of  the  people.  The  mighty  voice  of  one  referen- 
dum outdoes  twenty  victories  won  in  legislative 
corridors,  back  rooms  and  alleys.  Massachusetts 
tells  the  story.  But  Massachusetts  also  points  the 
moral — Let    us    keep    the    faith  ! 

ROBERT    E.    WELSH, 
Moving  Picture  World. 

Take   Active,    Not   Passive,   Attitude 

Not  by  a  passive  attitude,  but  by  an  active, 
energetic  campaign  with  the  view  in  mind  to  crys- 
talizing  the  feelings  and  sentiments  of  the  country 
against  the  principle  of  censorship  in  any  and 
every  one  of  its  forms. 

The  use  of  the  screen  in  the  country  should  be 
our  most  effective  weapon.  The  urging  of  a  Fed- 
eral amendment  including  freedom  of  the  screen  in 
the  same  category,  as  freedom  of  the  press  and 
pulpit.  If  only  for  propaganda  purposes,  this 
should  open  the  eyes  of  the  public  to  a  condition 
which  perhaps  they  never  knew  existed.     Of  course, 


maintaining   a    high    standard    of   production    excel- 
lence  will   go  a   long  way   in   preventative  measures 
but    the   powers   of   industry    should   be   brought    to 
bear   in  enlightening  the  people   and   touching   their 
feelings   and   so   stimulating    them    to   action. 

ELMER  L.  PEARSON. 

Stifling    Expression   of    Our    Richest 
Imagination 

In  looking  over  the  events  of  1922,  censorship 
stands  out  as  the  most  important  happening  in 
the  rnotion  picture  industry.  It  is  a  vital  thing, 
both  in  regards  to  the  further  artistic  development 
of  the  photoplay  and  the  commercial  stability  of 
motion  pictures.  If  we  consider  the  film  industry 
from  the  viewpoint  of  ordinary  business,  censor- 
ship is  a  menace,  and  if  we  consider  the  photoplay 
from  the  basis  of  an  art,  then  censorship  becomes 
a    crime. 

The  very  thought  that  a  legal  body  has  power 
to  decide  what  the  public  shall  or  shall  not  see, 
is  certain  to  have  a  restrictive  influence  upon  the 
efforts  of  producers,  directors,  scenarists  and  play- 
ers. Instead  of  having  before  them  only  the  pur- 
pose of  the  author,  they  have  also  the  subcon- 
scious thought  of  the  censor's  possible  action. 
The  inevitable  result  of  such  a  dual  influence  will 
be  that  the  creators  of  pictures  will  be  driven 
into  a  routine,  the  one  which  will  be  likely  to 
pass  the  censors.  The  censorship  in  this  wav  cre- 
ates a  spirit  of  timidity  which  will,  if  it  continues 
mdefinitely,  stifle  a  full  and  wholesome  expression 
of  the  nation's  richest  imaginations. 

The  outlook  for  the  coming  year  will  be  a  grow- 
ing consciousness  that  censorship  cannot  aid  the 
motion  picture  industry — that  the  entire  idea  of 
censorship  is  based  upon  the  premise  of  "thou  shalt 
not"  and  not  upon  "thou  shalt."  It  is  in  this 
very  position — this  lack  of  constructive  influence — 
that  censorship  is  weakest. 

But  I  am  always  optimistic.  I  believe  that  con- 
certed action  by  producers  and  exhibitors  in  en- 
hghtenmg  the  public  as  to  how  censorship  is 
working  out — how  much  it  has  destroyed  and  how 
much  it  contributed — will  achieve  the  results  de- 
sired by  all  who  still  believe  that  an  art  must 
be  unrestricted  in  its  expression  if  it  is  to  fully 
develop.      "Veribus    Unitis." 

HUGO  RIESENFELD. 

Up   to   the   Picture 

_  The  problem  of  censorship  is  one  of  the  greatest 
importance.  It  can  only  be  met  by  the  producers 
themselves  who  must  produce  pictures  that  will 
stand  the  gafif  of  the  censors.  It  can  be  done 
as  has  been  illustrated  in  several  instances  of  new 
pictures  which  have  been  successful  without  hav- 
ing anything  in  them  that  would  cause  the  cen- 
sors to  use  their  authority.  I  believe  that  the 
pictures  are  getting  better  and  better  and  will 
continue  to  improve  and  thus  the  whole  problem 
of   censorship   will   be   solved 

JULES   E.    MASTBAUM. 

Entertaining  Pictures 

Produce  entertaining  pictures  that  are  above 
censorship.  ROBERT   W.    PRIEST. 

Remove  the   Cause 

The  adjustment  of  the  business,  which  is  in- 
evitable, is  the  best  and  only  way  of  meeting  the 
problem  of  censorship  as  it  is  the  straining  of  the 
factory  producers  for  sensationalism,  in  lieu  of 
quality,  which  would  be  developed  by  independent 
effort,  that  is  responsible  for  censorship.  Only  by 
removing  the  cause  will  the  effect  be  permanently 
destroyed.  W.    W.    HODKINSON. 

Present  Case  Properly  to  the  People 

Censorship  in  my  mind  can  never  be  solved  ex- 
cept thru  an  intelligent  education  of  the  people 
and  an  intelligent  presentation  of  the  case  of  the 
motion  picture  before  the  bar  of  the  people. 

It  can  never  be  handled  by  trying  to  change 
the  minds  of  politicians,  because  politicians  have 
too  much  to  gain  by  fostering  censorship  against 
us.  When  the  motion  picture  industry  awakens 
to  a  realization  of  its  own  strength  properly  di- 
rected ;  when  it  sets  its  house  in  order  so  that  it  is 
deserving  of  the  100  per  cent  confidence  of  the 
American   people,   it   can   then   go   before   the  public 


380 


with  a  case  that  will  ahsolutely  win,  because 
fumlameiitally  the  American  people  are  against 
censorship. 

Censorship  must  be  beaten  before  it  ever  goes 
to  the  legislature  because  we  know  that  inany  times 
the  measures  that  are  passed  by  both  legislature 
and  Congress  do  not  always  express  the  will  of 
the    majority.  S.    R.    KENT. 

Clean  Pictures 

Clean  pictures  and  an  unrelenting  national 
publicity  campaign,  driving  home  the  many  obvious 
restrictions  and  handicaps  which  censorship  im- 
poses on  the  most  important  and  powerful  force 
the  world  has  known  for  entertainment  and  edu- 
cation, are  two  certain  ways  for  combating  the 
problem   of   censorship.  J.    D.    WILLIAMS. 

Inherent  Enemies  Passing 

Motion  pictures  represent  the  most  forceful 
medium  man  has  yet  created  with  which  to  ex- 
press himself.  So  powerful  an  organ  must 
necessarily  frighten  the  timid  and  confuse  the 
superficial.  The  generation  of  inherent  enemies 
is  passing.  Tomorrow's  generation  will  accept 
motion  pictures  with  the  dignity  and  importance 
and  value  they  deserve.  As  they  exhaust  this 
subject,  the  ranters  and  the  professionals  will 
find  some  new  target  to  occupy  their  wrath. 
Motion    pictures    will    proceed. 

D.    W.    GRIFFITH. 

Hays 

"What,    in    your    opinion,    is    the    best    way    to 
meet  the  problem  of  censorship?" 
Answer:— "WILL    HAYS." 

CARL    LAEMMLE 

Make  Clean  Pictures 

The  best  way  to  meet  the  problem  of  censor- 
ship is  to  make  pictures  that  will  not  call  for 
criticism.  I  do  not  believe  it  is  necessary  for 
producers  to  resort  to  risque  situations  and  sex 
plays     to     furnish     good     entertainment.  I     feel 

that  good  clean  plays  will  bring  proper  results 
at  the  box  office  at  all  times.  If  we  are  going 
to  have  censorship,  I  am  in  favor  of  Federal 
censorship.  JAMES   R.    GRAINGER. 

Local  Understanding 

With  reference  to  censorship  it  is  necessary, 
of  course,  to  meet  energetically  the  various  legis- 
lative situations  which  are  imminent,  and  which 
will  also  arise  from  time  to  time  in  certain 
states.  Fundamentally,  however,  the  one  sure 
cure  for  censorship  is  local  understanding, 
sympathy  and  cooperation,  everywhere,  between 
the  picture  theater  on  one  hand  and  the  school, 
church  and  civic  forces.  In  this  respect  the 
National  Board  of  Review  and  other  agencies 
are  doing  splendid  work.  Mr.  Hays'  clear  con- 
ception of  the  motion  picture  as  a  community 
entertainment  and  force  is  the  correct  one,  and, 
if  supported  by  the  industry  will  eventually  make 
censorship    a    back    number. 

WM.  A.  JOHNSTON. 

By  Referendum 

The  best  way  to  combat  the  censorship  is  by 
a  referendum  of  the  voters  as  to  what  should 
or  should  not  be  censored.  The  industry  should 
work  towards  the  passing  of  a  law  stating  clearly 
what  is  or  is  not  censorable  in  a  motion  picture 
which  will  mean  a  uniform  censoring  of  pictures 
and  not  a  censoring  according  to  the  various 
personal  convictions  of  the  so-called  censors  or 
people  who  are  put  in  the  position  of  censors  for 
the  judging  of  what  they  think  is  good  or  not 
good  for  the  public.  If  a  law  were  passed  to 
the  effect  that  the  only  films  which  could  be 
censored  are  those  of  obscene  character  or  a 
like  nature,  the  law  could  be  applied  to  all 
offenders.  Otherwise  there  is  nothing  shown  in 
films  that  is  not  repeatedly  printed  in  newspapers 
and  about  which  people  read  daily,  such  as  mur- 
ders, masked  riders,  etc.,  which  censors  are  now 
cutting  out.  Unless  a  law  is  passed  stating  ex- 
actly what  is  censorable,  the  evils  and  damages 
caused  by  censorship  wil  never  be  overcome  if 
left    to    the    arbitrary    decisions    of    whoever    may 


be  at  the  head  of  the  censor  bureau.  When  a 
producer  knows  what  the  law  is,  there  will 
then   be   no   need   for   censors. 

BEN    BLUMENTHAL. 

Give  No  Cause 

In  my  opinion,  the  best  way  to  meet  the 
problem  of  censorship,  is — to  give  them  no  cause 
to   censor.  ROTHAFEL. 

The  Right  Kind  of  Pictures 

The  first  and  most  important  step  in  meeting 
this  problem  is  to  produce  pictures  so  splendid  and 
so  clean  that  intelligent  people  will  realize  that 
censorship  in  unnecessary  and  undesirable.  This 
step    the    motion    picture    industry    has    taken. 

The  second  step  is  to  see,  if  possible,  that  the 
public  places  in  us  the  confidence  I  believe  we 
have  earned,  by  showing  our  determination  to 
make  inotion  pictures  without  objectionable  feat- 
ures. In  doing  so,  we  must  counteract  the  op- 
position of  professional  reformers  who  refuse  to 
see  the  good  in  motion  pictures  and  who  bitterly 
fight  the  photoplay  art  for  selfish  reasons  and 
personal    gain. 

The  American  public  is  basically  opposed  to  the 
very  thought  of  censorship — of  speech,  of  press, 
of  screen.  Censorship  is  a  problem,  largely  be- 
cause there  is  not  a  proper  understanding  of 
what  we  in  the  industry  are  doing  and  hope  to  do. 
Once  there  is  this  proper  understanding,  I  believe 
censorship  will  no  longer  he  a  problem.  Today 
it  menaces  this  art  and  industry,  but  I  feel  cer- 
tain that  the  day  of  intelligent  understanding  is 
near  and  when  that  day  arrives,  the  menace  of 
censorship    will   have    disappeared. 

JESSE    L.    LASKY. 

Use  Educational  Methods 

My  thoughts  on  censorship  are  that  this  evil 
can  best  be  combatted  by  educational  methods. 
Our  friend.  Will  Hays,  and  his  organization 
are  doing  much  in  this  line,  and  whenever  in 
my  own  state  the  subject  of  censorship  has  sprung 
up  in  the  legislature  my  efforts  have  been  directed 
towards  acquainting  the  legislators  with  the 
business  itself,  have  shown  them  picture  after 
picture,  and  it  is  our  own  pictures  that  are  going 
to    break    down    censorship. 

ROBERT    LIE  BE  R. 

Use  Advertising  Means 

The  best  way  to  fight  censorship,  in  my  opinion, 
is  to  attack   the  general  public   in   two   ways. 

First — By  furnishing  exhibitors  throughout  the 
United  States  with  material  such  as  slides  and 
trailers  attracively  done;  these  accessories  to  tell 
the  public  in  as  many  conceivable  ways  as  pos- 
sible the  good  things  about  the  industry ;  the 
number  of  people  employed,  the  civic  value,  and 
every    other   attractive    feature. 

Second — By  use  of  paid  advertising  space  in 
large  national  publications  and  in  daily  news- 
papers, to  carry  on  a  constructive  campaign 
direct  to  the  public  in  the  interest  of  motion  pic- 
tures. Such  a  campaign  has  been  carried  on 
for  years  with  great  success  by  railroads,  allied 
lumber  concerns,  allied  brick  manufacturers,  and 
similar  efforts.  The  industry  has  been  hampered 
because  newspaper  editors  are  disinclined  to  as- 
sist the  industry.  This  is  due  to  the  fact  that 
newspaper  publishers  have  the  erroneous  idea 
that  the  industry  is  not  an  advertiser.  All  pub- 
licity efforts  tending  to  change  editorial  opinions 
will  fail  because  publishers  naturally  believe  that 
this  propaganda  is  a  matter  for  paid  advertising, 
and  also  because  the  average  newspaper  pub- 
lisher receives  daily,  tons  of  material  which  ask 
for    free    space    in    his    paper. 

By  buying  a  moderate  amount  of  paid  space  and 
the  continual  pounding  of  a  constructive  message 
to  the  public,  I  believe  that  the  editorial  opiniotis 
of  the  newspapers  will  change  promptly  and  for 
the  better.  Very  sincerely  yours, 

E.    W.    HAMMONS, 

l.lake  Wholesome  Pictures 

The  best  way  to  meet  the  problem  of  censor- 
ship is  to  continue  making  the  same  type  of 
wholesome  and  inspiring  entertainment  which  has 
characterized  most  of  the  productions  released 
this    season.      By    doing    this,    and    continuing    our 


381 


efforts  to  educate  the  public  to  a  realization  of 
our  problems  and  achievements,  we  shall  be  able 
to  -^ut  the  ground  away  from  beneath  the  feet 
of  the  few  fanatics  who  are  fomenting  the  agita- 
tion for  political  control  of  the  screen.  Splendid 
work  along  this  line  has  been  done  by  Mr.  Will 
H.  Hays,  who  has  been  eminently  successful 
in  pointing  out  to  the  leaders  of  the  public 
opinion  the  real  work  which  the  screen  is  doing, 
and  the  vital  achievements  of  motion  pictures 
and  their  wholesome  influence  on  American  life. 
In  Mr.  Hays'  efforts  I  bespeak  the  cooperation 
of  everybody  who  has  a  welfare  of  the  picture 
industry  at  heart.  He  still  has  many  problems 
to  solve,  but  with  the  zealous  support  of  the 
entire  industry,  1  am  sure  that  he  will  lead  us 
to  that  position  in  public  confidence  and  esteem 
which    we   deserve.  ADOLPH    ZUKOR. 

Stop  Apologizing 

I  would  say,  first  remove  the  cause ;  second 
stop  apologizing  and  defending ;  third  continue 
an  aggressive  offensive  work  to  the  end  that 
the  people  in  every  State  in  the  Nation  may 
realize  that  much  piore  is  involved  in  censorship 
than  the  mere  cuts  and  eliminations  in  motion 
pictures. 

They  will  always  give  us  a  fight  on  censorship 
of  motion  pictures,  but  I  do  not  believe  the 
people  m  a  single  State  in  America  would  favor 
"censorship."  C.   C.   PETTIJOHN. 

Bigger  Men 

Bigger    men    to    head    the    industry. 

E.  V.   RICHARDS. 

Make  Clean  Pictures 

Make  clean  pictures  and  hang  to  the  nearest 
apple  tree  any  man  who  attempts  to  put  a  dirty 
picture   on   the   market.  WM.    A.    BRADY. 

Have  Sound   Organization 

In  my  opinion  the  best  way  to  meet  the 
problem  of  censorship  is  through  a  sound  organi- 
zation of  producers,  distributors  and  exhibitors, 
all  united  in  one  gigantic  effort  to  combat  this 
evil.  This  is  the  first  step  in  my  opinion.  Censor- 
-,'iin  will  never  he  surmcunted.  unless  one  solid 
organization  including  all  factors  in  this  industry 
s  created,  and  that  organization  work  intelligently 
for  the  good  of  the  industry  as  a  whole  and 
not  lor  the  special  benefit  of  any  one  factor. 
AL   LICHTMAN. 


Warrens  Interesting  Views 

Widespread   vs.    Restricted    Distribution 

The  decision  of  a  few  distributors  to  play  their 
pictures  generally  and  universally  for  widespread 
distribution  everywhere  as  against  an  old  and 
unsound  policy  of  making  certain  restricted  first 
run  houses  (controlled  by  rival  distributing- 
producing  concerns)  even  stronger  by  endeavor- 
ing to  get  first  runs  in  places  where  the  doors  are 
virtually  closed  except  to  the  owner's  own  pic- 
tures. There  are  17,000  theaters  in  the  United 
States  and  about  300  so-called  first  runs  are  but 
a  small  percentage  of  the  whole.  For  four  years 
in  print  I  have  maintained  this  and  proved  it  in 
actual  operation.  To  see  such  men,  older  in 
film  business  experience,  as  Messrs.  Laemmle  and 
Hodkinson  now  sustain  this  opinion  is  reassuring. 
As  a  matter  of  fact  I  practiced  this  in  the  Hod- 
kinson organization  in  1919  and  had  done  it  even 
earlier  in  Goldwyn.  Fourteen  distributors  focus- 
sing upon  my  friend  Abe  Blank  in  Des  Moines 
(for  e-xample),  have  made  him  stronger  than  if 
half  the  number  had  played  and  encouraged  a 
healthy  competition  even  thotigh  small.  And  to 
prove  the  point  (in  Des  Moines)  where  I  have 
often  played  Blank,  I  have  played  A.  H.  Van  Dyke 
in  a  "store  show"  and  taken  out  (after  advertising 
and  exploitation  deductions)  from  $1,100.00  to 
$1,400,000,   where   Blank's  top   offer   was   $400. 

As  to  the   Outlook 

To  my  mind  the  1923  outlook  is  that  several 
thousand  exhibitors  are  going  to  lessen  their  sup- 
port of  the  "trust"  concerns  as  a  means  of  keep- 
ing their  theaters  in  business.  Exhibitors  are  now 
paying  too  much  for  producer  "reputations,"  and 
in    order    to    do    this    they    are    unintentionally    de- 


frauding distributors  much  more  friendly  to  them 
out  of  fair  rentals  for  equally  good  and  often 
much   better   pictures. 

Use  Intelligent  Cooperation 
By  intelligent  ridicule,  by  vigorous,  heated, 
nasty  opposition  and  by  a  degree  of  organization 
that  cannot  be  accomplished  until  all  forces  in 
this  industry  at  least  partially  stop  regardmg  all 
other  forces  as  cvooked,  venal  and  unscrupulous. 
I  repeat  what  I  have  said  for  years  that  some 
day  there  is  going  to  be  an  overturn  that  will- 
change  the  whole  tone  of  the  motion  picture 
industry.  p     g     WARREN. 


RED   CROSS   FILMS 

Can     be     obtained     at     the ,  following     addresses: 
For    Maine,    New    Hampshire,    Vermont,    Massa- 
chusetts,    Rhode     Island     at     New         England 
Division,    73    Newbury    St.     Boston 
For   New   York,   Conn.,   New   Jersey,    Penn     Dela 
and    Maryland    at    Atlantic    Division,    44    23rd 

Fo?'Mich^;  Ind.,  Ohio,  West  Va  Kentucky  at 
Lake  Division,  22nd  St.  and  Prospect  Ave.. 
Cleveland.  .        „,     .,         ., 

For    Virginia,    N.    Car.,    Georgia,    Florida,    Ala 
Miss.,     and     Tenn.     at     Southern     Division,     249 
Ivy   St.,   Atlanta.  ^^  ^      „      ^,     -n  ^ 

For  111  ,  Wis.,  Iowa,  Minn.,  Neb.,  South  Dak., 
North  Dak.,  Wyo.,  and  Mont  Central  Divi- 
sion,   308   N.    Michigan   Ave.,   Chicago,   111. 

For    Mo.,    Kan.,    Ark.,    Oklahoma,    Texas,    Colo 
New     Mex.     at     Southwestern     Division,     901 
Equitable   Bldg.,   St.    Louis.         .  t,,   -fi. 

For  California,  Nevada,  Utah,  Arizona,  at  Pacific 
Division,    Grove    and    Larkin    Sts.,    San    Iran- 

For'w°ashington,  Ore.,  Idaho,  Alaska  at  North- 
western Division,  315  University  St.,  Seattle. 
FOREIGN— The  Train  of  Horror.  No.  205 
Roumanian  Relief.  No.  200.  To  the  Aid  ot 
Poland.  No.  203.  The  Land  Without  Mirth. 
No.  307.  The  Famine  in  China.  No  388. 
Glimpses    of    the    Balkans.      No.    310. 

REHABILITATION  OF  VETERANS —Voca- 
tional Education  for  Blind  Soldiers.  No.  309. 
Heroes  All!  No  322.  Oteen  and  Kenilworth. 
No.    336. 

TRAVEL  AND  SCIENCE. — Roumanian  Relief. 
No  200.  The  Mother  Queen  of  Roumania.  No 
302  Along  the  Riviera.  No.  304.  The  Land 
Without  Mirth.  No.  307.  Glimpses  of  the 
Balkans.  No.  310.  Venice.  No.  311.  Neath 
Poland's  Harvest  Skies.  No.  324.  Apple  Blos- 
som Time  in  Normandy.  No.  326.  The  Fal  of 
Kiev  No.  328.  When  the  Fishing  Fleet 
Comes  Home.  No.  332.  Quaint  Rouen.  No 
339  Beside  the  Zuider  Zee.  No.  334.  Amid 
Archangel's  Snows.  No.  305.  Children  of  the 
Sahara.  No.  337.  Health  Campaign  in  China. 
No.    340. 

INDUSTRIAL. — Making  the  Desert  Blossom. 
No  301.  Story  of  the  Orange.  No.  306.  Speed- 
ing the  Spoken  Word.  No.  314.  Th^  Boy 
Scout  and  His  Uniform.  No.  329.  The  Tale  of 
a    Thirsty    Towel.      No.    331. 

HEALTH  FILMS. — Winning  Her  Way.  No. 
204.  Every  Woman's  Problem.  No.  313.  Come 
Clean!  No.  318.  Before  the  Doctor  Comes.  No. 
320.  In  Florence  Nightingale's  Footsteps.  No. 
308.  A  Fair  Day.  No.  333.  The  Knowing 
Gnome.  No.  335.  Health  Campaigns  in  China. 
No.  340. 

WAR  FILMS  (Pertaining  to  war  and  soldier 
life. — To  the  Aid  of  Poland.  No.  203.  Amid 
Archangel  Snows.  No.  305.  The  Train  of 
Horror.  No.  205.  What  Sherman  Said.  No. 
330.  The  Land  Without  Mirth.  No. 
Heroes  All!  No  322.  The  Fall  of  Kiev. 
328.     Over  the  Soviet  Line.     No.  341. 

JUNIOR  RED  cross: — America  Junior,  ^.v.. 
206.  A  Day  with  The  Junior  Red  Cross  in 
Czecho-Slovakia.  No.  209.  Italy's  Sons  of  the 
Sea.  No.  312.  Father  Knickerbocker's  Children. 
No.  317.  A  Letter  from  Sezze  Romano.  No.  343. 
From  Jacques  to  Johnnie.      No.   325. 


307. 
No. 


No. 


382 


LITERATURE    REGARDING    INDUSTRY 

(Continued    from    page   357) 
Ship    News,    New    York,    November    1921.     Vo'. 
1,   No.    6.     "Real   Thrills   in   Undersea   Photog- 
raphy." 
Scientific    American,    July    5,    1913.     "Submarine 

Photography,   A   New   Art." 
Scientific     American,     July     11,     1914.     "Taking 
Moving  Pictures  at  the   Bottom  of  the  Ocean. 
Remarkable    Feat    and    How    it    Was    Accom- 
plished."    By    J.    E.    Williamson. 

Motion  picture   censorship 

Motion  pictures  and  the  churches.  C :  N.  Lath- 
rop.      Playground    16:307-8   O   '22 

Moving   picture   actors   and   actresses 

Groans   of   the  movie  actors,   il   Lit   Digest   75  :33 
N    4    '22 
Moving  picture   censorship 

You   can't   censor   nonsense,    il    Collier's    70: 15- 16 
N   4    '22 
Moving  picture   films 

Silver  mines  in  movie  shops,  il  Lit  Digest  75  : 
26  O  21   '22 

Moving  picture  industry 

This  little  film  went  to  market,  il  Collier's  70 : 
11-12    O   21    '22 

Wholesome  movies  for  church  and  school,  il 
Lit  Digest  75:35-6  O  21  '22 

Why  I  am  ashamed  of  the  movies,  il  Col- 
lier's  70:3-4    S   16   '22 

Moving   picture   photography 

New  tricks  for  old  in  the  movie  business  Lit 
Digest   74:47-9   S  2   '22 

Moving  picture   plays 

Photoplay     writing     and     the     photoplay     market. 

A.  Van   Rensselaer,    Bookm    56:229-304    N    '22 

Bibliography 

Good    films    for    voung    people    based    on    litera- 
■  ture.      Library  J   47:817-18   O   1    '22 

Moving   picture   theaters 

Super-moving-picture    theater,    il    Lit    Digest    74 : 
30-1    Ag   26   '22 

Settings 

Castles    of    plaster    and    steel.    D.    E.    Davenport. 

il  Sci  Am  127:176-7  S  "22 
Movie    prop-hunters'    museum.      C:    A.    Goddard. 

il   Illus  World   37:849-51   Ag  '22 
Omar    Khayyam  meets   his   fate   on    the   screen. 

B.  Sherwod.    il   Arts   and    Dec    17:263    Ag    '22 
Why    movie    films    cost    money,    il    Illus    World 

37:897    Ag   '22 

Moving  pictures   and  morals 

Public  demand  for  risque  movies.  Lit  Digest 
74:33-4  Jl   IS  '22 

Movmg  pictures  in  education 

Motion  picture  in  education.  W  H.  Hays. 
Playground     16:303-6    O    '22 


Unusual   Use   for   Pictures 

In  an  address  at  Rochester,  New  York,  Will 
H.   Hays  said  : 

"As  an  example  of  the  possibilities  of  the  motion 
picture  as  an  agency  for  peace  let  me  cite  a  situa- 
tion that  developed  in  the  late  World  War.  I  am 
told  that  there  were  thirteen  tribes  in  Morocco 
under  French  rule  from  which  the  French  Govern- 
ment wished  to  draft  an  organization  of  fighting 
men.  It  proved  utterly  impossible  because  these 
tribes  were  constantly  engaged  in  feuds  among 
themselves  and  could  not  be  brought  in  contact 
without  a  pitched  battle.  The  French  made  pic- 
tures of  each  group  and  circulated  them  among 
the  entire  thirteen  tribes.  The  result  was  that 
these  men  saw  each  other  playing  at  the  same 
games  and  following  the  same  daily  routine  and 
observing  the  same  customs  until  finally  they  felt 
acquainted  and  friendly.  Eligible  men  from  the 
entire  thirteen  tribes  were  recruited  in  one  division 
and  fought  side  by  side  throughout  the  war.  At 
its  conclusion  they  settled  down  peacefully  to- 
gether and  today  they  are  living  in  perfect  amity 
under  French  rule." 


Cinema    Club    Report 

Report  made  by  the  Cinema  Club  of  the  motion 
picture  situation  in  Cleveland.  Three-fold  survey 
of  Cleveland  and  Northern  Ohio  theaters  made 
during    March   and   April,    1922. 

1st — For  the  Cinema  Club — as  to  children's  at- 
tendance,  programs,   etc. 

2nd — For  the  Better  Bus'ness  Commission  of  the 
Cleveland  Advertising  Club  as  to  the  truthfulness, 
or   otherwise — of   the   poster  advertising,   etc.  . 

3rd — For  the  Better  Films  Council,  as  to  general 
conditions,  vaudeville,  and  the  exhibition  of  the 
censor's   seal   on   all   pictures. 

There  are  approximately  93  theaters  open  in  the 
city  of  Cleveland  and  its  suburbs,  out  of  a  total  of 
170  theaters,  May  1,  1922,  due  to  poor  business 
conditions. 

67  theaters  in  Cleveland  and  nearby  towns  were 
surveyed.     97  performances  seen. 

Feature  Pictures — Artistic.  11;  Uplifting,  8; 
Entertaining,  55;  Trash,  5;  Harmful,  7;  No  cen- 
sor  seal   shown,    6. 

Comedies— Good,  21;  Fair,  30;  Bad,  8;  No 
censor  seal  shown.   4. 

Educational   Pictures — No   censor   seal   shown,    7. 

Serial — Theaters   showing  serials,   34. 

Posters — Lithograph,  40;  Photograph,  17; 
Both,    51;    Not   truthful,    1;    Exaggerated,    3. 

Lighting— Good,   59;   Fair,   19;   Poor,    12. 

Ventilation — Good.    51;    Fair,    20;    Poor.    15. 

Other    Entertainment,   26. 

Vaudeville,    10. 

About  10%  of  each  vaudeville  performance  con- 
tained  suggestive   lines   or   was   openly   vulgar. 

Attendance — Poor,  22;   Fair,  22;    Good,  45. 

Adults — 20  performances,  100%  ;  5  performances, 
95%  ;  5  performances,  90%  ;  19  performances, 
75%  ;  30  performances,  50%  ;  2  performances. 
66  2-3%;  3  performances,  25%;  1  performance, 
33    1-3%. 

Children — 20  performances,  0%  ;  5  performances, 
5%;  5  performances,  10%;  19  performances,  25%; 
30  performances,  50%.;  2  performances,  Zi  1-3%; 
3    performances,    75%  ;    1    performance,    66   2-3%. 

Attention — Interested,    69 ;     Indifferent,    8. 

Behavior — Good,    76;    Fair,   7;    Bad,   3. 

Remarks 

Programs  too  long  in  some  cases.  Too  much 
advertising   of   coming   programs. 

Plaza,  East  55th  St. — Recommended  investigation 
as  dangerous  in  case  of  fire.  Investigated  by  M. 
P.  T.  O.  A.  Executive  Committee  and  city  offi- 
cials— condemned  as  unsafe — building  now  razed. 

Mt.  Lebanon,  between  Central  and  Eagle — Un- 
sanitary.      Under    investigation. 

Avenue  Theater — Floor  in  poor  condition — len- 
der investigation. 

Four  theaters  giving  children's  contests  w  th 
prizes :  Cedar,  Carlyon,  Crawford  and  Circle.  Ef- 
fects being  studied. 

Union  Theater — Four  young  people  asked  to 
leave  because  inattentive. 

Terminal  (downtown) — Four  girls  attending 
show  at  midnight. 

The  report  concludes:  From  this  general  study 
of  the  character  of  motion  picture  films  shown  in 
Cleveland  and  Northern  Ohio  it  will  be  seen  that 
they  are  on  the  whole,  good  and  that  conditions 
are  improving.  There  is  evidence  of  effort  on  the 
part  of  the  exhibitor  to  attract  the  public  with 
long  programs,  introducing  other  forms  of  enter- 
tainment in  addition  to  films,  and  a  somewhat  in- 
creased efifort  to  attract  children  through  con- 
tests, prizes,  etc.,  all  of  which,  it  would  appear, 
is   due  to   the  unusual  economic   conditions. 

The  novelty  of  the  screen  having  passed,  there 
is  evidence  that  the  public  of  Cleveland  and  North- 
ern Ohio  are  becoming  educated,  d  scerning,  pick- 
ing and  choosing  their  entertainment  with  greater 
care — becoming  more  critical.  The  makers  of  pic- 
tures are  recognizing  this  condition,  generally,  as 
evidenced  by  the  employment  of  the  best  story 
writers  of  the  country,  and  furnishing  ample  funds 
for  the  use  of  skillful  directors  in  securing  the 
highest  artistic  results.  Thus  we  seem  to  have  a 
healthy  all-around  growth  of  the  maker,  the  ex- 
hibitor and  the  public. 


383 


Personnel  of  Important  Producing  and 
Distributing  Organizations 


Arrow   Film   Corporation 

220  W.  42nd  St.,  New  York  City. 

W.  E.  Shallenberger,  President;  W.  Ray  John- 
ston, Vice-President;  David  J.  Mountan,  Manager 
Foreign  Department;  J.  Chas.  Davis,  2nd, 
Ass't.  to  Pres. ;  J.  Chas.  Davis,  2nd  Director 
Adv.  and  PubHcity ;  Special  Representatives,  J.  S. 
Jossey,    Thomas   A,    Curran. 

Distributors  for  United  Kingdom,  Inter-Ocean 
Photoplays.   Ltd.,    162   Wardour   St.,   London. 

Associated   Exhibitors,    Inc. 

35  West  45th  St.,  New  York.— President,  A.  S. 
Kane;  Vice-President,  Roy  Crawford;  Treasurer, 
Roy  Crawford;  Secretary,  John  C.  Raglar.d ;  Asst. 
Secretary,  Vk^alter  N.  SeHgsberg;  Asst.  Treasurer, 
G.    Bardet. 

Executive  Committee:  Arthur  S.  Kane,  chair- 
man; Roy  Crawford,  Elmer  R.  Pearson,  John  C. 
Ra  gland. 

Board    of    Directors:      Arthur    S.    Kane,    chair- 
man ;    Elmer   R.    Pearson,    Roy    Crawford,   John    C. 
Ragland,  John   P.   Fritts,   Michael   Shea. 
Associated    First   National   Pictures,    Inc. 
8  W.   48th  St.,   N.  Y.   C,   Bryant  4730. 

President,  Robert  Lieber;  First  Vice-Presi- 
dent, J.  B.  Clark;  Second  Vice-President,  Jacob 
Fabian;  Third  Vice-President,  John  H.  Kunsky  ; 
Secretary  and  Treasurer,  H.  O.  Schwalbe ;  Man- 
ager,  Richard  A.   Rowland. 

Executive   Conunittee 

H.  O.  Schwalbe,  Sam  Katz,  A.  H.  Blank,  Moe 
Mark,   Robert  Lieber. 

Board   of    Directors 

H.  O.  Schwalbe,  Sam  Katz,  A.  H.  Blank,  N.  H. 
Gordon,  Moe  Mark,  Col.  Fred  Levy,  J  G.  Von 
Herberg,  J.  B.  Clark,  RobertLieber,  E.  V.  Richards 
Jr.,    I.   H.    Rubin. 

Voting     Trustees 

Robert    Lieber,    Fred    Dahnken,   J.    G.    Von   Her- 
berg, N.  H.   Gordon,   M.   L.   Finkelstein. 
Franchise    Holders 

Jule  and  T  J.  Allen,  Allen  Theater  Bid.,  To- 
ronto, Can.;  A.  H.  Blank,  326  Iowa  Bldg.,  Des 
Moines,  la.;  J.  B.  Clark,  5027-8-9  Jenkins  Arcade 
Bldg.,  Pittsburgh,  Pa.;  R.  D.  Craver,  12  South 
Church  St.,  Charlotte,  N.  C. ;  W.  P.  Dewees,  719 
Seymour  St.,  Vancouver,  B.  C. ;  Jacob  Fabian,  729 
Seventh  Ave.,  N.  Y.  City;  Frank  Ferrandini,  616 
N.  Grace  St.,  Richmond,  Va.  ;  Ruben  &  Finkel- 
stein, Loeb  Arcade  Bldg.,  Minneapolis,  Minn.  ; 
N.  H.  Gordon,  142  Berkeley  St..  Boston,  Mass.; 
Balaban  &  Katz,  175  N.  State  St.,  Chicago,  III.; 
J.  H.  Kunsky,  Madison  Theater  Bldg.,  Detroit, 
Mich. ;  Col.  Fred  Levy,  Market  St.  at  Third,  Louis- 
ville, Ky.  ;  Robert  Lieber,  24  West  Washington 
St.,  Indianapolis,  Ind. ;  E.  Mandelbaum,  21st  and 
Payne  Ave.,  Cleveland,  O. ;  Harry  M.  Crandall, 
Metropolitan  Theater,  Washington,  D.  C.  ;  E.  V. 
Richards,  Jr.,  1401  Tulane  Ave.,  New  Orleans,  La.; 
Thomas  Saxe,  402  Troy  Bldg.,  Milwaukee,  Wis.  ; 
Spyros  P.  Skouras,  3319  Locust  St.,  St.  Louis, 
Mo.;  Harry  T.  Nolan,  1732  Welton  St.,  Denver, 
Col.  ;  Gore  Bros.  &  Sol  Lesser,  209  Knickerbocker 
Bldg.,  Los  Angeles,  Cal. ;  Turner  &  Dahnken,  146 
Golden  Gate  Ave.,  San  Francisco,  Cal. ;  J.  G.  Von 
Herberg,  Liberty  Theater  Bldg.,  .Seattle,  Wash.  ; 
Tom  Boland,  Empress  Theater,  Oklahoma  City, 
Okla.  ;  Moe  Mark,  Strand  Theater  Co.,  N.  Y.  City  ; 
H.   O.   Schwalbe,   6   W.   4Sth   St.,   N.   Y.   City. 

List  of  studio  managers,  production  managers 
and  casting  directors  connected  with  the  inde- 
pendent producers  releasing  their  product  through 
Associated     First     National    Pictures,     Inc. 

Charles    Chaplin    Productions 

Studio  Manager,  Alfred  T.  Reeves ;  Casting 
Director,  Allan   Garcia     . 

Jackie  Coogan  Productions 

Business  Manager.  Arthur  Bernstein ;  Casting 
Director,  Jack  Coogan,  Sr.  ;  Production  Manager, 
Jack  Coogan,  Sr. 


Allen   Holubar   Productions 

Asst.  Director  and  Production  Manager,  Harry 
Bucquet;  Business  Manager,  Jimmy  O'Shea ; 
Casting    Director,   Harry   Bucquet. 

Thos.   H.   Ince  Productions 

Studio  Manager,  Clark  W.  Thomas;  Casting 
Director,    Horace    Williams. 

Comique    Film   Co.    (Keaton) 

Production  Manager,  Lou  Anger;  Business  Man- 
ager, M.  S.  Epstein ;  Casting  Director,  Eddie 
Cline. 

Preferred   Pictures,   Inc. 

Production  Manager  B.  P.  Schulberg;  Business 
Manager,  Sam  Jaffe;  Casting  Director,  B.  P. 
Schulberg. 

Oliver   Mososco    Productions,    Inc. 

Production  Manager,  George  Bentel ;  Business 
Manager,  R.  R.  Killion  ;  Casting  Director,  Albert 
S.  Lloyd. 

John   M.   Stahl   Productions 

Production  Manager,  Louis  B.  Mayer;  Casting 
Director,  John  M.  Stahl. 

Mack   Sennett   Productions 

Production  Manager,  F.  Richard  Jones;  Business 
Manager  John  Waldron ;  Casting  Director,  (the 
director). 

Constance  Talmadge  Productions 

Production  Manager,  Joseph  M.  Schenck  ;  Busi- 
ness Manager,  Lou  Anger;  Casting  Director,  Lou 
Anger. 

Norma  Talmadge   Productions 

Production  Manager  Joseph  M.  Schenck  ;  Busi- 
ness Manager  and   Casting  Director,  Lou  Anger. 

Richard  Walton   Tully   Productions 

Production  Manager,  Richard  Walton  Tully  ; 
Business  Manager,  Philip  Krova  ;  Casting  Director, 
James  Ewens. 

Educational    Pictures    Securities    Corporation 

370    7th    Avenue,    New    York    City,    Longacre 
3800.  ^_, 

Officers 

Earle  W.  Hammons,  President;  George  A. 
Skinner,  Vice-President;  I.  Zoin,  Secy.;  J.  W. 
Joone,  Treas.  Directors 

Earle  W.  Hammons,  George  A.  Skinner. 
Bruno   Weyers,    E.    R.    Russell. 

The  above  corporation  is  the  Holding  Com- 
pany   for    the    following: 

Alliance  Film  Securities  Corporation,  870 
7th  Avenue,  New  York  City,  Longacre  3800. 
Educational  Film  Exchanges,  Inc.,  370  7th 
Avenue,  New  York  City,  Longacre  3800.  Edu- 
cational Films  Corporation  of  America,  370  7th 
Avenue,  New  York  City,  Longacre  3800.  Coronet 
Films  Corporation,  370  7th  Avenue,  Longacre 
8800.  Far  East  Film  Corporation,  729  7th 
Avenue,  New  York  City,  Bryant  8296.  Educa- 
tional Films  Co.,  Ltd.,  76  Wardour  St.,  London, 
W.    1,    England. 

The     following     companies     are     producing     for 

Educational : 

Hamilton- White  Corp.,  Los  A  :geles ;  Lloyd 
Hamilton  Corp.,  Los  Angeles;  Jack  White  Corp., 
Los  Angeles;  Christie  Film  Co.,  Los  Angeles; 
Sherlock  Holmes  Series,  Inc.,  New  York ;  Mac 
Dons  Cartoons,  Inc.,  New  York;  Tony  Sarg,  H. 
M.  Dawley,  Inc.,  New  York;  Kinogram  Publish- 
ing Co.,  New  York;  R.  C.  Bruce.  Portland, 
Oregon. 

Equity  Pictures  Corp. 

723   7th  Ave.   New  York. 
I.    I.    Schnitzer,    President;    L.    Baum,    General 

Manager;    J.    N.    Weber,    Assistant    Manager;    N. 
G.    Rothstein,   Advertising   Manager. 


384 


Goodman  Productions,  Inc.,  723  7th  Ave..  New 
York.     D.  C.  Goodman,  President;  J.  I.  Schnitzer, 

Treasurer. 

R-C  Pictures  Corp.,  723  7th  Ave.,  New  York 
P.  A.  Powers,  Managing  Director;  J.  I.  Schnitzer 
Vice  President;  R.  J.  Tobin,  Vice  President;  H 
C.  S.  Thomson,  Treasurer;  D.  A.  Poucher 
Secretary;     E.    I.    Williams,    Assistant    Secretary 

Pilm  Booking  Offices  of  America,  Inc.,  723  7tl: 
Ave.,  New  York.  H.  C.  S.  Thomson,  Vice  Presi 
dent;  J.  I.  Schnitzer,  Vice  President;  E.  I.  Wil 
Hams,  Secretary ;  Lee  Marcus,  Assistant  Secre 
tary  ;   D.  A.   Poucher,  Treasurer. 

Robertson-Cole     Studios,     Inc.,     780     Gower    St. 
Los  Angeles,   Cal.     H.   C.   S.   Thomson,   Vice   Pres 
ident;    R.    J.    Tobin,    Vice    President;    K.    1.    Wil 
Hams,    Secretary ;    D.   A.    Poucher,    Treasurer. 
The  Famous  Players-Lasky  Corporation 

Home  Office:  485  Fifth  Ave.,  Telephone:  Mur- 
ray Hill   8500. 

Officers 

Adolph  Zukor,  President;  Jesse  L.  Lasky, 
First  Vice-President;  Frank  A.  Garbutt,  Vice- 
President;  Cecil  B.  DeMille,  Director  General; 
Elek  John  Ludvigh,  Secretary -Treasurer;  Rich- 
ard W.  Saunders,  Comptroller;  Emil  E.  Shauer. 
Asst.  Treasurer;  Eugene  Zukor,  Asst.  Treasurer- 
Korman  CoUyer,  Asst.  Secretary;  Ralph  A.  Kohn, 
Asst.  Secretary;  Frank  Meyer,  Asst.  Secretary; 
Henry  S.  Jacobs,  Asst.  Secretary. 
Executive    Committee 

Adolph   Zukor,   Jesse    L.    Lasky,    Felix   E.    Kahn, 
Elek  John  Ludvigh,   Emil  E.   Shauer,   Frederick   G. 
Lee,   S.    R.    Kent,   Wni.    H.    English. 
Board  of  Directors 

Jules  E.  Brulatour,  Gayer  G.  Dominick,  Cecil 
B.  DeMille,  William  H.  English,  Arthur  S. 
Friend,  Daniel  Frohman,  Frank  A.  Garbutt, 
Felix  E.  Kahn,  Jesse  L.  Lasky,  Frederic  G.  Lee, 
Elek  John  Ludvigh,  Emil  E.  Shauer,  Maurice 
VVertheim,  Theodore  E.  Whilmarsli,  Adolph 
Zukor,  Eugene  Zukor,  S.  R.  Kent,  Al  E.  Kauf- 
man, Sir  Wm.  Wiseman. 
Studios  of  the  Famous  Players-La=ky  Corporation 

Lasky  Studios,  1520  Vine  St.,  Hollywood, 
Cal.      Charles   Eyton,   Cieneral   Manager. 

Eastern     Studios,     Pierce     and     6  th     Avenues, 
Long    Island    City,     N.     Y.,    E.     t".     King,     Studio 
Manager,   Thomas    K.    Geraghty,    Sujit.    oi    Produc- 
tion. 
Famous    Players-Lacky    British    Produucers,    Ltd. 

Studios  at  I'oole  St.,  \ew  .\orth  Road, 
Islington,  London,  N  1.  Maj.  Charles  H.  Bell, 
Studio  Manager;  Frederick  Martin,  Publicity 
Manager. 

Important   Affiliated   Incorporations 
Charles   Frohman,    Inc. 

Officers 

President,  Adolph  Zukor;  Vice-President,  Daniel 
Frohman;  Treasurer,  Elek  John  Ludvigh;  Secre- 
tary, Elek  John  Ludvigh ;  Asst.  Treasurer,  James 
F.   Reilley.  Directors 

Adolph    Zidcor,    Gilbert   Miller,    Daniel    Frohman. 
Elek   John   Ludvigh. 
Biddle   Realty   Corp.    ( Rivoli   Theater) 
Officers 

President,   Felix   E.    Kahn ;   Treasurer,    Lawrence 
A.    Walsh;    Secretary,    Norman    Collyer. 
Directors 

Felix    E.    Kahn,    Lawrence    A.    Walsh,    John    C. 
Flinn,   Hugo  Riesenfeld. 
Rialto  Theater  Corp. 

Same  personnel  as  Biddle  Realty  ("or]). 
Seneca   Holding   Corporation 
Officers 

President,  Adolph  Zukor ;  Vice-President,  Jesse 
L.  Lasky ;  Treasurer,  Elek  John  Ludvigh ;  Asst. 
Treasurer.  Emil  E.  Shauer;  Secretary,  Elek  John 
S.  Jacobs;  Asst.  Secietary,  Frank  Aleyer;  Asst. 
Secretary,  Ralph  A.  Kohn ;  Asst.  Secretary,  Henry 
Ludvigh;  Asst.  Treasurer,  Eugene  J.  Zukor;  Asst. 
Secretary,    Norman    Collyer. 

Directors 

Adolph  Zukor,  Jesse  L.   Lasky,  Emil   £.   SKauef, 
Elek   John    Ludvigh,    Charles   E.   Hawthorni. 
Southern    Enterprises,     Inc. 


Officers 
President,  Stephen  A.  Lynch;  Vice-President,  C 
E.     Holcomb;     Treasurer,     D.     R.     Miller,     Asst. 
Treas.,    M.    C.    Talley,    Secretary,    Y.    F.    Freeman. 
Directors 
Stephen  A.  Lynch,   Y.  F.   Freeman,   C.   E.   Hol- 
comb,    Charles    E.    Hawthorne,    Ralph    A.     Kohn, 
Harold   M.   Pitman. 

The  1493  Broadway  Corporation 

Officers 
President,  Adolph  Zukor;  Vice-President,  Jesse 
L.  Lasky ;  Treasurer,  Elek  John  Ludvilgh ;  Asst. 
Treasurer,  Emil  E.  Shauer ;  Asst.  Treasurer,  Eu- 
gene J.  Zukor;  Secretary,  Elek  John  Ludvigh; 
Asst.  Secretary,  Frank  Meyer;  Asst.  Secretary, 
Norman      Collyer ;      Asst.      Secretary,      Henry      S. 

Directors 
Adolph     Zukor,     Jesse    L.     Lasky,     Elek     John 
Ludvigh,  Emil  E.  Shauer,  Ralph  A.   Kohn,  Charles 
E.  Hawthorne. 

New  England  Theaters,  Inc. 

Officers 

President,  Harold  B.  Franklin ;  Vice-President, 
John  C.  Flinn ;  Treasurer,  Montague  F.  Gow- 
tliorpe,  Asst.  Treasurer,  Herman  A.  Mintz ;  Sec- 
retary,  Herman  A.   Mintz. 

Directors 

Herman  A.  Mintz,  Christian  N.  Ducker,  John 
C.  Flinn,  Harold  M.  Pitman,  Austin  C.  Keough, 
Harold  B.  Franklin,  Montague  F.  Gowthorpe, 
Ralph  A.   Kohn,   Henry   L.   Salisbury. 

Famous   Players-Canadian  Corporation,   Ltd. 
Officers 

President,   Adolph    Zukor;    Vice-President,   J.    P. 
Bickell;    Treasurer    and    Secretary,    Arthur    Cohen; 
Managing   Director,   N.    N.   Nathanson. 
Directors 

Adolph  Zukor,  S.  R.  Kent,  E.  E.  Shauer,  T. 
P.  Bickell,  Sir  Henry  Holt,  I.  W  Killan,  N.  L. 
Nathanson,  W.  D.  Ross,  W.  J.  Sheppard,  J.  B. 
Tudliope. 

Federated    Film    Exchanges    of   America,    Inc. 

President,  J.  L.  Friedman,  810  S.  Wabash  Ave., 
Chicago,  111. ;  Vice-President,  H.  Charnas,  Sloan 
Bldg.,  Cleveland,  C;  Secretary,  J.  E.  Pearce, 
1015  Common  St.,  New  Orleans,  La.;  Treasurer, 
S.  V.  Grand,  48  Piedmont  St.,  Boston,  Mass. ; 
Executive  Director,  Joe  Brandt,  220  West  48th 
St.,  New  York  City  General  Auditor,  S.  Bischoff, 
C.   P.   A.,   48   Piedmont   St.,    Boston,    Mass. 

Directors 
H.  Charnas,  Sloan  Bldg.,  Cleveland,  O. ;  J.  E. 
Pearce,  1015  Common  St.,  New  Orleans,  La.; 
B.  Amsterdam,  1329  Vine  St.,  Philadelphia,  Pa.; 
B.  North,  1600  Broadway,  New  York  City ;  W. 
G.  Underwood,  107  S.  St.  Paul  St.,  Dallas,  Tex.; 
G.  Oppenheimer,  298  Turk  St.,  San  Francisco, 
Cal.;  J.  L.  Friedman,  810  South  Wabash  Ave., 
Chicago,    111. 

Fox  Film  Corporation 

President,  William  Fox;  Vice-Presidents, 
Jack  G.  Leo,  Winfield  R.  Sheehan,  Saul  E. 
Rogers;  Secretary,  Chas.  S.  Levin;  Traasurer, 
John  C.  Eisele;  General  Manager,  Winffeld  R. 
Sheehan;  Advertising  and  Publicity,  Vivian  M. 
Moses;  Sales  Manager,  Richard  A.  White;  Tech- 
nical Director,  William  Bach,  Scenario'  Editor, 
Hamilton  Thompson  (East);  Studio  'Manager, 
William  Bach  (East),  Sol  M.  Wurtzel  (West)  ; 
Casting  Director,  James   Ryan    (East). 

Home  Office— Tenth  Ave.  and  55th  St.,  N.  Y. 
City.      Telephone    Circle    6800. 

West  Coast — 1401  North  Western  Avenue, 
Los    Angeles,    Cal. 

Goldwyn  Pictures  Corporation, 

469  Fifth  Avenue,  New  York  (:ity. 
""Frank  J.  Godsol,  '  President ;  Edward  Bowes, 
Moritz  Hilder,  Abraham  Lehr  and  Francis  A. 
Gudger,  Vice  Presidents;  Gabriel  L.  Hess,  Sec- 
retary; Lewis  M.  Scheuer,  Assistant  Secretary; 
Phillip  W.  Haberman,  Treasurer;  Erich  Schay, 
Assistant  Treasurer. 


385 


Directors 

Kli  H.  lU-mheim,  f.co.  P.  Hissell,  Edward 
Howes,  William  Braden,  H.  F.  DuPont,  F.  J. 
(jodsol,  (chairman)  ;  Samuel  Goldwyn,  Francis 
A.  Gudger,  P.  W.  Hahemiaii,  Gabriel  I>.  Hess, 
Moritz  Hilder,  Frank  Hitchcock,  Duncan  A. 
Holmes,  Henry  Ittleson,  Messmore  Kendall,  Ab- 
raham Lehr,  Marshall  Neilan,  Lee  Shubert,  Al- 
bert   Wittenberg. 

Goldwyn  Distributing  Corporation 

F.  J.  Godsol,  President;  Edward  Bowes,  Ab- 
raham Lehr,  Francis  A.  Gudger,  James  R. 
Grainger,  J.  E.  Flynn  and  W.  F.  Rogers,  Vice 
Presidents;  Phillip  W.  Haberman,  Treasurer; 
Erich  Schay,  Assistant  Treasurer;  Gabriel  L. 
Hess,  Secretary;  Lewis  M.  Scheuer,  Assistant 
Secretary.  _.. 

Directors 

Edward  Bowes,  F.  J.  Godsol  (chairman), 
Francis  A.  Gudger,  P.  W.  Haberman,  Gabriel 
L.  Hess,  Moritz  Hilder,  Duncan  A.  Holmes, 
Henry  Ittleson,   Lewis  M.   Scheuer. 

W.   W.   Hodkinson   Corporation 

469    Fifth   Avenue,    New   York    City. 

W.  W.  Hodkinson,  President ;  Raymond  Paw- 
ley,  Vice  President ;  F.  C.  Munroe,  Vice  Presi- 
dent and  General  Manager;  M.  A.  Bell,  Cor- 
poration Secretary ;  Foster  Gilroy,  Advertising 
Manager;    Coolidge   Streeter,   Production    Manager. 

Home  Office,  469  Fifth  Avenue,  New  York 
City;  Telephone,  Murray  Hill  8730.  Branch  Ex- 
cl'anges  in  New  York,  Atlanta,  Philadelphia, 
Pittsburgh,  Boston,  Buffalo,  Chicago,  Cleveland, 
Cincinnati,  St.  Louis,  New  Orleans,  Washington, 
D.  C,  Kansas  City,  Denver,  Dallas,  Los  Angeles, 
San  Francisco,  Seattle.  Spokane,  Minneapolis, 
Detroit,  Oklahoma  City,  Omaha  and  Salt  Lake 
City.  Foreign  Representative,  William  M  Vogel, 
130  West  46th  Street,  New  York   City. 

Metro   Pictures    Corporation 

Loew  Bldg.,  Broadway  and  45th  Street,  New 
York,  Cable  address:  Ortemfilms,  New  York. 
Marcus  Loew,  President;  William  E.  At- 
kinson, General  Manager ;  Charles  K.  Stern, 
Treasurer;  Joseph  W.  Engel,  Manager  West 
Coast  Studios;  J.  E.  D.  Meador,  Director  of 
Advertising  and  Publicity  ;  Arthur  Loew, 
Foreign  Manager;  E.  M.  Saunders,  Sales  Man- 
ager; Col.  Jasper  Ewing  Brady,  Scenario  Edi- 
tor ;  Howard  Stricking,  West  Coast  Publicity 
Agent;  Stars:  Mae  Murray;  Clara  Kimball  Young; 
Billie  Dove;  Bull  Montana;  Laurette  Taylor. 
Directors :  Rex  Ingram,  Fred  Niblo,  Harry  Beau- 
mont, Emile  Chautard,  King  Vidor,  Robert  Z. 
Leonard   and   Harry   Garson. 

Pathe  Exchange,    Inc. 

35    West   45th    Street.      Phone:    Bryant   8630. 
Officers 
Paul   Brunet,  President ;    (resigned  in  September, 
no    successor   to   date)  ;    Bernhard    Benson,    Second 
V'ice      President ;      Lewis      Innerarity,      Secretary ; 
John    Htmim,    Assistant    Treasurer. 
Directors 
Charles   Pathe,    Bernhard    Benson,    Paul    Brunet, 
Paul    Fuller,    Jr.,    Edmund    C.    Lynch,    Elmer    R. 
Pearson,  Gaston  Chanier,  Jansen  Noyes. 

General  Manager — Elmer  R.  Pearson;  Export 
Manager — A.    E.   Rousseau. 

Producers  Security  Corporation 
516    Fifth   Ave.,    New    York. 

President  and  Treasurer,  Ricord  Gradwell ; 
Vice-President,  John  Maynard  Harlan;  Secretary 
F.  J.  Hawkins;  General  Counsel,  Nathan  Vid- 
''^'^■■-  Directors 

Ricord  Gradwell,  John  Maynard  Harlan,  F.  J. 
Hawkins,  Nathan  Vidaver. 

Morcdall    Realty    Co. 

Capitol   Theater,    New    York    in    which    Gold- 
wyn   Pictures    Corp.    is    interested. 

Messmore  Kendall,  president;  Edward  Bowes, 
vice-president;  P.  W.  Haberman,  treasurer;  Erich 
Schay,  assistant  treasurer ;  Armand  Lopez,  sec- 
retary. 

Directors :  George  Arnisby,  Edward  Bowes, 
William  Braden,  Robert  W.  Chambers,  George 
H.  Doran,  Coleman  Du  Pont,  F.  J.  Godsol,  J.  R. 
Grainger,   Philip    Haberman,    Gabriel   Hess,    Morris 


Hilder,     Frank     Hitchcock,     Duncan     A.     Holmes, 

Henry    Ittleson,    Messmore    Kendall,    Erich    Schay 

ICdgar    Selwyn    and    Lee    Shubert. 

Selznick    Corporation 

729  Seventh  Avenue,  N.  Y.  City,  Telephone 

Bryant   7340,  ^^^^^^ 

Officers 

Lewis  J.  Selnick,  President;  Myron  Selznick, 
Vice  President  in  charge  of  Production ;  J.  S. 
Woody,  General  Manager  in  charge  of  Distribu- 
tion; David  Selznick,  Secretary;  Morris  Kohn, 
Treasurer;    J.     E.    McDermott,     Comptroller    and 

Assistant    Treasurer.  _.       . 

Directors 

Lewis  J.  Selznick,  E.  J.  Doolittle,  Myron  Selz- 
nick, Walter  Jerome  Green,  W.  C  J.  Doolittle, 
J.    E.    McDermott. 

Studio — West    Fort    Lee,   N.    J.      James    Dent, 
Studio    Manager ;    Randall    M.    White,    Director    of 
Advertising,   and   Walter  L.    Parker,   Publicity. 
United  Artists   Corporation 

729   Seventh  Avenue,  New  York   City,  Tele- 
phone  Bryant    1774. 

Executives 

President,  Hiram  Abrams,  570  Park  Ave., 
N.  Y.,  Rhinelander  1421.  Vice-President,  Dennis 
F.  O'Brien,  Fitzgerald  Bldg.,  Times  Sq.,  N.  Y., 
Bryant  5129.  Secretary,  Albert  H.  T.  Banzhaf, 
:30  W.  4:nd  St.,  N.  Y.  Bryant  2657.  Treasurer. 
M.  E.  Prager,  944  E.  10th  St.,  Bklyn.,  N.  Y., 
Midwood    3608. 

Board   of   Directors 

Hiram  Abrams,  Albert  H.  T.  Banzhaf  Nathan 
Burkan,  Dennis  F.  O'Brien,  Mrs.  Charlotte 
(Pickford)    Smith. 

General  iS'anager,  Kenneth  Hodkinson,  Port 
Washington,  L.  I.,  258  W.,  General  Sales  Man- 
ager, W.  W.  Hines,  Bayside  Yacht  Club,  Bay- 
side,  L.  I.,  Advertising  and  Publicity  Manager, 
Charles  E  Moyer;  320  Broadway,  Paterson,  N. 
J.;  Lambert  1046,  Comptroller,  F.  A.  Beach,  10 
Westminster  Road,  Brooklyn  N.  Y.  ;  Flatbush  9552. 

Allied  Producers  and  Distributors  Corp. 

729  Seventh  Ave ,  New  York  City,  T--leplione, 
Bryant   1774.  Executives 

President,  Hiram  Abrams,  570  Park  Avenue, 
N.  Y.  ;  Rhinelander  1421  ;  Vice-President,  Dennis 
F.  O'Brien,  Fitzgerald  Bldg.,  Times  Square,  N. 
Y.  ;  Bryant  5129;  Secretary,  Albert  H.  T.  Banz- 
haf, 130  West  42nd  Street,  N.  Y.,  Bryant  2657; 
Treasurer,  M.  E.  Prager,  944  East  lOth  Street, 
Brooklyn,  N.  Y.,  Midwood  3608. 
Board   of    Directors 

Hiram  Abrams,  Albert  H.  T.  Banzhaf,  Nathan 
Burkan,  Dennis  F.  O'Brien,  Mrs.  Charlotte 
(Pickford)    Smith. 

General  Manager,  Kenneth  Hodkinson,  Port 
Washington,  L.  I.,  258  W. ;  General  Sales  Man- 
ager, Paul  N.  Lazarus,  Cedarhurst,  L.  I.,  Far 
Rockaway  3879 ;  Assistant  General  Sales  Man- 
ager, H.  Wayne  Pierson,  5  West  83rd  Street ; 
Advertising  and  Publicity  Manager,  Charles  E. 
Moyer,  320  Broadway,  Paterson,  N.  J.,  Lambert 
1046;  Comptroller,  F.  A.  Beach,  10  Westminster 
Road,  Brooklyn,  N.  Y.,  Flatbush  9552. 
Universal    Film    Manufacturing    Co. 

President,  Carl  Laemmle;  Vice  President,  R. 
H.  Cochrane ;  2nd  Vice  President,  P.  D.  Cochrane ; 
Secretary,  P.  D.  Cochrane;  Assistant.  Secretary, 
Julius  Stern;  2nd  Assistant  Secretary,  J.  B.  Ohrt ; 
Treasurer,  E.  H.  Goldstein ;  Assistant  Treasurer, 
Julius  Stern;  2nd  Assistant  Treasurer,  P.  D. 
Cochrane;  Comptroller,  T.  B.  Ohrt,  Registrar, 
Samuel   Sedran.  Directors 

Carl    Laemmle,    R.    L.    Cochrane,    E.    H.    Gold- 
stein,   P.    D.    Cochrane,   Julius    Stern. 
Big  U  Film  Exchange 

President,  Carl  Laemmle;  Vice-President,  R.  H. 
Cochrane;  Secretary,  E.  H.  Goldstein;  Assistant 
Secretary  and  Assistant  Treasurer,  P.  D.  Coch- 
rane. Directors 

Carl    Laemmle,    R.    H.    Cochrane,   Abe    Stern. 
Universal  Exchanges,   Inc. 

President,  Carl  Laemmle;  Vice-President,  R. 
H.  Cochrane;  Secretary,  P.  D.  Cochrane;  Asst. 
Secretary,  J.  B.  Ohrt;  Treasurer,  E.  H.  Gold- 
stein; Assistant  Treasurer,  J.  B.  Ohrt;  Registrar, 
Samuel   Sedran. 


386 


Directors 

Carl  Laemmie,  P.  D.  Cochrane,  R.  H.  Cochrane, 
E.    H.    Goldstein   and   Maurice   Fleckles. 

Universal  Film  Manufacturing  Company,  1600 
Broadway,  N.  Y.  C,  Telephone  Bryant  9700. 
(Producing   Corporation). 

Universal  Film  Exchanges,  Inc.,  (Releasing 
and    Exploiting). 

Principal  studio.  Universal  City,  Cal.  Di- 
rector General,  Irving  G.  Thalberg;  Casting  Di- 
rector, Fred  Datig;  Production  Manager,  Irving 
G.  Thalberg;  Publicity  Man,  Malcolm  C.  Boylan. 

Two    studios    owned    by    the    Universal,    but    not 
operated;    Fort    Lee    (occupied    by    Selznick)    and 
C'oytcsville    (rented    by    the    day). 
Urban   Motion  Picture   Industries,   Inc. 
Kineto   Company  of  America,   Inc. 

Charles  Urban,  President ;  F.  R.  Minrath,  Sec- 
retary;  M.  E.  A.  Tucker,  Treasurer;  Henry  Joy, 
Chief  Engineer;  Paul  H.  Berger,  Mechanical  En- 
gineer; Stanley  Hollebone,  Laboratory  Manager; 
H.  J.  Knight,  Film  Sales  Director;  J.  L.  Barnard, 
Industrial  Film  Manager;  Fred  E.  Baer,  Pub- 
licity Manager. 

Note. — The  Kineto  Company  is  the  subsidiary 
to  the  Urban  Company.  The  Kineto  Company 
handles  all  film  activities,  such  as  producing  and 
releasing,  also  laboratory  work  on  the  Urban  Pop- 
ular Classics ;  the  Urban  Company  has  at 
Irvington-on-Hudson,  N.  Y.,  a  factory  to  manu- 
facture Spirographs  (home  disc  projectors)  and 
Duplex  Color  Projectors  (theatrical)  for  Kine- 
krom  films  in  color. 
Vitagraph  Co.  of  America,  Inc. 

Albert  E.  Smith,  President.  John  M.  Quinn, 
General    Manager.      

NEW    YORK    CITY    FILM    DE- 
LIVERIES 

Acme  Film  Delivery,  Phone 

723   Seventh  Ave 

Daily  Film  Delivery, 

122)   Seventh  Ave 

Dexter's    Film    Delivery, 

723   Seventh  Ave 

East   Side   Delivery   Co., 

New   York   City    Dry   Dock   1530 

Elk   Film  Delivery, 

682    DeKalb    Ave.,    Brooklyn Bedford  9177 

Hudson  Delivery   Co., 

16   Euclid   PI.,   New   Rochelle,   N.   Y. 

New   Rochelle  3752 
Interboro  Film   Service,   Inc., 

729    Seventh   Ave Bryant   9353 

Tacks  Delivery   Co., 

138   W.   46th   St Bryant   6545 

Newark   Film   Delivery, 

723   Seventh  Ave 

Palisade  Film   Delivery, 

723    Seventh  Ave 

Prudential   Film   Delivery, 

727   Seventh  Ave Bryant   3933-9796 

Rockaway   Film   Delivery, 

723    Seventh   Ave 

Rosen   Film   Delivery, 

145    W.    45th   St Bryant   8897 

System    Delivery    Co., 

Irvington,    N.   J Waverly    7968 

Sacramento  Pictures  Corp. 
Sacramento  Pictures  Corp.  formed  in  California 
with  capital  of  $500,000.  Officers — William  H. 
Jobelnian,  vice-president  and  general  manager; 
Forrest  White,  treasurer;  J.  G.  Hunter,  secretary. 
Production  activities  centralized  at  United  Stu- 
dios, Los  Angeles.  Distribution  through  Principal 
Pictures   Corp.  

Police  Standards,  Chicago,  111. 

The  ordinance  under  which  the  Police  censor 
pictures  in   Chicago   includes  this  clause: 

1627.  Immoral  pictures — permit  not  to  be 
f  ranted.  If  a  picture  or  series  of  pictures  for 
the  showing  or  exhibition  of  which  an  application 
for  a  permit  is  made,  is  immoral  or  obscene,  or 
portrays  any  riotous,  disorderly  or  other  unlawful 
scene,  or  has  a  tendency  to  disturb  the  public 
peace,  it  shall  be  the  duty  of  the  general  super- 
intendent of  police  to  refuse  such  permit ;  other- 
wise it  shall  be   his   duty   to   grant  such  permit. 


INDEPENDENT  EXCHANGES  AND 
WHAT  THEY  HANDLE 

(Continued    from    page    224) 
Distribute     nationally     under     the     name     of     L. 
Lawrence     Weber    and     Bobby     North,     the     Four 
William     Nigh     productions     and     The     Curse     of 
Drink. 

Arrow  Film  Corp. 
220  W.  42nd  St.— 8  Jack  Hoxie  features,  5; 
10  Screenart  features,  5;  26  Hank  Hann  come- 
dies, 2;  Love's  Protege;  5;  Youth's  Desire,  5; 
Heart  of  a  Woman,  5  ;  Neptune's  Bridge,  5  ;  That 
Something,  6;  Bitter  Fruit,  6;  Man  Who  Trifled, 
5;  The  Tame  Cat;  Headin'  North  (Pete  Morri- 
son); The  Star  Reporter;  The  Stranger  in  Canyon 
Valley;  Dangerous  Paths;  A  Yankee  Go-Getter; 
God's  Country  and  the  Law;  12  Northwood 
dramas,  2;  18  Spotlight  comedies,  1;  26  Screen 
Snapshots,  1  ;  26  Movie  Chats,  1  ;  Sport  Pictorials  ; 
The  Toreador,  ;  8  Excellent  comedies,  2 ;  Thun- 
derbolt Jack,  serial,  featuring  Jack  Hoxie;  Blue 
Fox,  High  Speed  Lee,  12  Tom  and  Jerry  comedies, 
Streets  of  New  York,  Lost  in  a  Big  City. 

Atlas  Film  Dist.  Co. — 
(For  Greater  N.  Y.  and  Northern  N.  J.),  Why 
do   Men  Marry. 

Associated  Photo-Plays,  Inc. 
25  W.  45th  St.,  also  412  W.  6th  St.,  Los 
Angeles. — The  Wolverine,  Ghost  City,  Western 
Hearts,  Seven  Cliff  Smith  Prod.,  starring  Pete 
Morrison ;  Six  society  and  comedy  dramas,  star- 
ring Mary  Anderson ;  Five  north  woods  stories, 
starring  Jane   Novak. 

Aycie  Pictures  Corp. 
117     W.     46th     St.— Spur     series     10     two     reel 
Western  subjects;   Under  Western  Skies,   5;   False 
Women,     5  ;     6     Shakespearean     dramas ;     Charley 
Cartoons ;    Winding    Trail. 

Aywon  Film  Corp. 
729  7th  Ave. — Two  reelers :  20  Helen  Holmes ; 
15  Mary  Pickfords;  15  Success  series;  15  Harry 
Careys;  6  Joy  comedies;  15  Aubrey  comedies; 
12  Farnum  series.  Features :  Woman  Above  Re- 
proach, 6 ;  Woman  of  Mystery,  5 ;  Evolution  of 
Man,  6;  On  the  High  Card,  5;  Up  in  Mary's 
Attic,  6 ;  House  Without  Children,  7 ;  Edge  of 
Youth,  5;  When  Dr.  Quackel  Did  Hide,  5;  Man 
of  Courage,  5  ;  Witch's  Lure,  5  ;  Unknown  Ranger, 
5;  Dangerous  Trails,  5;  Border  Raiders,  5;  Blind 
Love,  6 ;  Lure  of  the  Orient,  6 ;  East  Lynne,  5 ; 
6  Diamond  Dot  Westerns,  5;  3  "Snowy"  Baker 
Prod.,  5  ;  Series  of  Western  five  reelers ;  From  the 
West,  5;  Virtuous  Outcast,  5;  Man  from  Medi- 
cine Hat,  5 ;  Quick  Action,  5 ;  Sally  Shows  the 
Way,  5  ;  Moonshine  Menace,  5  ;  High  Gear  Jeffery, 
5 ;  Youth's  Melting  Pot,  5 ;  A  Crook's  Romance, 
5 ;  A  Rough  Shod  Fighter,  5 ;  A  Marriage  Bar- 
gain, 5 ;  Loggers  of  Hell  Roarin'  Mountain,  5 ; 
Roses  and  Thorns,  5 ;  Eternal  Penalty,  5  ;  Days 
of  Daring,  5 ;  Guilty  Woman,  5 ;  She  Pays,  5 ; 
Justice,  5  ;  Persuasive  Peggy,  S ;  Birth  of  a  Race, 
7 ;  Miss  Arizona,  5 ;  When  the  Desert  Smiled,  5. 
Serial:  $1,000,000  Reward;  Bull  Dog  Courage; 
Boomerang  Justice;  Barriers  of  Folly;  The  Flash; 
Barb  Wire ;  Crow's  Nest ;  Riders  of  the  Law ; 
Back-Fire:  White  Hell;  Dawn  of  Revenge;  An- 
other Man's  Boots:  Stranger  of  the  Hills;  They're 
Off;  Thundering  Hoofs;  With  Wings  Outspread. 
Artclass  Pictures  Corp. 
1540  Broadway — Between  Worlds,  The  Woman 
Who  Believed.  After  Six  Days,  Sport  Reviews, 
Sawing    a    Lady    in    Half,    Adventures    of    Tarzan. 

Capital  Film  Exchange. 
729  7th  Ave. — Joan  the  Woman;  Up  Hill's  Path; 
Love's  Plaything;  Skinning  Skinners;  Reckless 
Wives;  Enemy's  Daughter;  12  two  reel  comedies 
featuring  Leo  White  and  Max  Roberts;  26  single 
reel  Jacqueline  comedies;  12  Charles  Conklin 
comedies ;  24  Character  comedies,  featuring  Wal- 
ter Heirs ;  24  Dizzy  Dumbbells  comedies,  featur- 
ing Art  Bates  and  Lou  Tops;  14  two  reel  Star 
dramas ;  6  Franklyn  Farnums ;  Yankee  Doodle, 
Jr.;  4  Bill  Fairbanks;  7  Richard  Talmadges ; 
Fighting   Devil. 

Clark-Cornelius  Corp. 

117    W.   46th    St. — Devil's   Angel,   Eternal   Two, 

Love's     Redemption,     Glory     of     Youth,     Battling 

King,   Love's  Battle,   Fourth  Face,  Pardners,   One 

Empty    Shell,    White    Rider,    Under    Two    Flags, 


387 


Jane  Eyre,  Whispering  Women,  A  Scrap  of  Paper, 
The  Recoil  series  of  8  Northwest  Mounted  Police 
five  reel  features  starring  George  Cheesbro,  20 
Nick  Carters,  2;  When  a  Woman  Turns;  Living 
Lies;  The  Snitching  Hour;  Geo.  Chesbros,  eight; 
Leo.  Malonies,  twelve  2  reelers ;  Tales  Tenements, 
twenty-six  2  reelers;  Lone  Rider;  Crimson  Clue; 
Thorobred ;  Adam  &  Eve ;  Mural  Decoration  in 
the  Sistine  Chapel,  1  reel ;  Madonna  of  the  Chair, 
/       1   reel. 

Commonwealth  Film  Corp. 

/29  7th  Ave.  (for  New  York  and  New  Jersey). 
The  Hands  of  Nara ;  The  Man  From  Beyond; 
Cap'n  Kidd  (serial);  Rich  Men's  Wives;  What's 
Wrong  With  The  Women ;  A  Motion  To  Ad- 
journ;  Back  To  Yellow  Jacket;  Chain  Lightning; 
Big  Stakes;  Headin'  North;  Sure  Fire  Flint; 
life's  Greatest  Question;  Flesh  &  Blood;  12 
Eddie  Lyons  Comedies;  Where  Is  My  Wandering 
Boy  Tonight;  Vendetta;  Intrigue;  Heart  of  the 
North;  Burn  'Em  Up  Barnes;  4  Macklyn  Ar- 
buckles ;  Crossing  Trails;  Ghost  City;  Too  Much 
Married;  A  Daughter  Of  Eve;  Burlingham  Ad- 
ventures ;  Hidden  Light ;  For  the  Freedom  of  Ire- 
land ;  Jews  in  Poland  ;  Headin'  Home ;  Rich  Slave ; 
Keep  to  the  Right;  Deliverance;  Souls  of  Men;  12 
Billy  West  comedies;  Hell's  Oasis;  Sky-Fire; 
Danger  Valley;  God's  Gold;  Black  Sheep;  Hush; 
Straight  from  Paris ;  Charge  It ;  The  Invisible 
Ray  serial ;  When  Dawn  (iame ;  Prizmas ;  The 
Black  Panther's  Cub. 
Samuel  Cummins 

51    E.   42nd   St.— Some   Wild   Oats. 

Empire  State  Film  Corp.,  729  Seventh  Ave.: 
The  Chamber  Mystery  5,  The  Vigilantes,  The 
Servant  in  the  House,  Wolves  of  the  Street  5, 
The  Desert  Scorpion,  Woman's  Man,  Nobody's 
Girl,  Love's  Protege,  Youth's  Desire,  A  Woman 
in  (irey — serial.  Screen  Snapshots,  Chas.  Urban's 
Movie  Chats,  Tales  of  the  Tropics,  Tex  Series, 
Hank  Mann  Comedies — 26  two  reel  comedies. 
Equity  Pictures  Corp. 

Aeolian  Hall. — Mid-Channel;  Hush;  Straight 
from  Paris;  Charge  It.  Serials:  Invisible  Ray; 
Fatal  Sign.  7  Billy  West  comedies.  Black  Pan- 
ther's Cub ;  Heedless  Moths,  Notoriety,  Determina- 
tion, 12  Eddie  Lyons  comedies. 
Fidelity   Pictures   Co. 

117  W.  46th  St. — Series  of  12  two  reel  come- 
dies by  H.  C.  Witwer  Stories  Prod,  and  the  fcl- 
■owing  features :  Frivolous  Wives,  The  Marriea 
Virgin,  Love's  Flame,  The  Fighting  KentuckianSi 
The  Invisible  Web. 

Forward  Film  Distributors,  Inc. 

110  W.  40th  St.— Youth's  Desire:  Heart  C 
the  Range;  6  Muriel  Ostriche  productions;  12 
■wo  refl  featiivfs.  witli  Claire  Wiiitnev  and 
Robert  Emmett  Keane,  12  National  Poem  Classics 
in  one  reel;  12  Eclipse  Comedies  in  two  reels,  and 
12    Foremost   Comedies   in   two   reels. 

Goldwitt  Film  Sales  Co.,  130  W.  46th  St.:  16 
Adventures  of  Jimmy  Dale  2,  The  Stafford  Mys- 
ti.'ry  6,  One  Against  Many  5,  Mistaken  Identity  S 
Muggsy  S,  Betty  Be  Good  S,  Bab  the  Fixer  5.. 
I  Bit  of  Kindling  5,  The  Wildcat  5,  Sunny  Ja  e 
S,  The  Checkmate  5,  A  Place  in  the  Sun  5  ^^^ 
Painted  Doll,  6 ;  The  Lyon's  Mail,  5 ;  Lady 
Windermer's  Fan,  S ;  Her  Greatest  Performance, 
5;  Perils  Our  Girl  Reporters,  16  two-reel  subjects. 
Greater  Arts  Pictures,  In& 

130  W.  46th  St. — Features:  I  Am  the  Woman; 
The  End  of  the  Road;  The  Whip  Honeymoon 
Ranch;  West  of  the  Rio  Grande;  T  Jay;  Vanish- 
ing Trails  (serial);  Someone  Must  P  /  and  Chosen 
Path. 

Jans    Film    Service,    Inc. 

729  7th  Ave.  (for  Northern  New  Jersey). — 
Straight  from  Paris;  Charge  It:  Smiling  Al  the 
Way;  Girls  Don't  Gamble;  Madonnas  ant  Men; 
Welcome  Children;  You  Find  It  Ever  Arhere; 
Kineto  Reviews;  Man  and  Woman;  The  .'  mazing 
Lovers. 

Victor  Kremer  Film  Features,  Inc. 

130  W.  46th  St.  (for  Northe-n  Nf  ■  Jersey).— 
The  Stampede;  When  Love  Is  Young;  Why  Tell; 
The  Winding  Trail;  Skinner's  Dress  Suit;  The 
Handicap;  Mad  Love;  Voices;  Stripped  for  a 
Million;  When  Arizona  Won;  Denny  from  Ire- 
land; The  Ranger;  The  Snail;  The  Pen  Vulture; 
Little  Shepherd  of  Bargain  Row;  Man  Trail;  Men 


of  the  Desert;  Open  Places;  The  Range  Boss; 
Gift  O'  Gab;  Little  Shoes;  Land  of  Long  Shadows; 
Alster  Case;  Efficiency  Edgar's  Courtship,  5;  10 
Broncho  Billy's;  I'D  Snakeville  comedies;  5  George 
Ade  fables. 

Lee  &   Bradford. 

701    Seventh   Ave. — Branded,    Serving   Two    Mas- 
ters,   Way    of    a    Man,    Cloudburst,    Twins,    Judge- 
ment of  the  Deep,  Orphan  Sally. 
Medal  Film  Co. 

1476  Broadway. — Productions  for  Cuba,  Porto 
Rico,  Santo  Domingo,  Hayti  and  Venezuela. 
Through  branch  offices  exploit  productions  of 
Metro,  Goldywn,  W.  W.  Hodkinson,  Essanay,  Tri- 
angle and  independent  productions. 
Playgoers   Pictures   Corp. — 

The    Man    and   the    Moment. 
Equity  Films — 

Selwyn  Theater  Bldg.,  For  America — The  Ein- 
stein   films. 

First   Graphic    Exchanges,    Inc. — 

Saved  by  Radio. 

Smart  Films,  Inc. — 

The    Contrast. 

Storey  Pictures — 

26    Shadowlafs. 

George   W.    Hjimilton,    Inc. — 

Swedish   Biograph  output. 
Merit  Film  Co. 

130  West  46th  St.  (also  Albany  and  Buffalo). — 
Hall  Room  Boy  comedies,  2  reels,  released  every 
other  week;  1  two  reel  comedy  every  week;  1  one 
reel  comedy  every  week.  Following  two  reel 
dramas:  Texas  Guinan  series,  Helen  Gibson  series; 
Lone  Star  series;  Kathlyn  Williams  series,  Frank- 
lyn  Farnum  Canyon  series,  The  Gump  Cartoon 
released  every  week;  1  reel  scenic  released  every 
other  week.  Serials:  Mystery  of  13  starring  Fran- 
cis Ford  and  The  Hawk's  Trail  starring  King 
Baggot;  12  Narratives  of  the  Old  Testa- 
ment (The  Bible  in  Motion  Pictures)  ;  14 
New  Series  of  Sport  Pictorials;  12  Scattergood 
Stories,  2;  12  Philo  Gubb  Comedy  Dramas,  2; 
26  Comedies  starring  George  Ovey,  1  ;  26  Come- 
dies starring  Vernon  Dent.  1  ;  26  Urban  Movie 
Chats;    Burlingham   Adventure    Scenics. 

For  N.  Y.  State  and  Northern  N.  J. — Who's  to 
Blame;  Repentence;  A  Wife's  Story;  Truth  Will 
Prevail;  Like  an  Old  Fool;  Fool's  Gold;  Once  to 
Every  Man;  The  She  Wolf;  Heart  of  Texas  Ryan; 
Brown  of  Harvard;  The  Square  Shooter;  The 
Window  Opposite;  Mother  I  Need  You.  Serials: 
The  Silent  Mystery;  The  Mystery  of  13  and  The 
Hawk's  Trail;  2  reel  comedies:  Hall  Room  Boys, 
Jester,  Romayne  Bear  Cat;  1  reel  comedies:  Mack 
Swain,  Hank  Mann,  George  Ovey,  Briggs;  dramas: 
Texas  Guinan  Westerns,  Helen  Gibson  railroad, 
Kathryn  Williams  animal.  Lone  Star,  Canyon 
(Franklyn  Farnum);  The  Gumps;  Globe  Trots, 
scenics;  Burlingham  Adventure  Pictures;  Two 
Series  of  Sport  Pictorials;  Urban  Movie  Chats: 
6  Franklyn  Farnums ;  4  specials  starring  Grace 
Davison,  3  starring  Texas  Guinan  and  9  starring 
Franklyn   Farnum. 

N.  Y.  Independent  Masterfilms,  Inc. 

130  West  46th  St.  (For  N.  Y.  and  Northern 
N.  J.). — Skinner's  Dress  Suit;  Skinner's  Baby; 
Golden  Idiot;  Fools  for  Luck;  Small  Town  Guy; 
Efficiency  Edgar's  Courtship;  The  Alster  Case; 
Little  Shoes;  Misleading  Lady;  Young  Mother 
Hubbard;  Man  Trail;  Little  Shepherd  of  Bargain 
Row;  Men  of  the  Desert;  Range  Boss;  Land  of 
Long  Shadows;  Open  Places;  Stripped  for  a 
Million;  When  Arizona  Won;  Pen  Vulture; 
Denny  from  Ireland;  The  Ranger;  The  Snail; 
10  one  reel  Broncho  Billys;  12  two  reel  subjects 
Do  Children  Count;  9  split  reel  subjects — educa- 
tional; 5  Charlie  Chaplins;  Will  Rogers  Illiterate 
Digest;  Jack  Gardiner's  Gift  of  Gab;  12  two  reel 
Blazed  Trail  subjects;  Frazee  comedies;  I  Am  the 
Woman;  The  Stampede. 
Rialto  Prod.,  Inc. 

729  7th  Ave.— The  White  Rider.  S  ;  Brute 
Island,  5;  Daughter  of  the  West,  S;  Circus  Imps, 
2;  Dixie  Madcaps,  2;  Hicksville  Terrors,  2;  The 
Wakefield  Case,  6;  12  Tony  Sarg's  Almanac,  1  reel 
each;  Whispering  Shadows,  6;  Problem  Eternal; 
Soul  and  Body;  Suspicious  Wives  The  Fight  of 
the  Age,   2   (Dempsey-Carpentier);   6  Charley  car-. 


388 


toons,  1  reel ;  5  Fatty  Arbuckle,  2  reels ;  The 
Lone  Horseman,  Before  the  White  Man  Came, 
Western  Justice ;  Golden  Silence ;  Gringo  Devil ; 
Manhunter ;  Just  a  Mother;  The  Edge  of  Beyond; 
Linked  by  Fate;  Crimson  Circle;  Persecution; 
12  Funny  Face  Comedies;  3  Jane  and  Katherine 
Lee   Comedies;   12   Scenics. 

Warner  Bros.,  1600  Broadway:  Serials:  Tiger 
Band,  Miracles  of  the  Jungle.  Monty  Banki 
comedies,  Warner-Federated  comedies.  What  Chil- 
dren Will  Do,  Parted  Curtains,  Why  Girls  Leave 
Home,  School  Days,  Dangerous  Toys,  Women 
Men  Love,  The  Parish  Priest,  The  Servant  in  the 
House,  Diane  of  Star  Hollow,  The  Battlin'  Kid, 
Penny  of  Top  Hill  Trail,  The  Midlanders,  Bonnie 
May,  The  Good  Bad  Wife,  Nobody's  Girl,  Beware, 
Hall  Room  Boys  comedies,  Snooky,  The  Human- 
zee,   Daughter-in-Law. 

Storey    Pictures,    Inc. 

_  729  Seventh  Ave.— 26  Shadowland  Screen  Re- 
views, 26  Federated  Screen  Reviews,  12  two  reel 
Satires,  Ham  Omelet,  The  Cold  Homestead,  Sa- 
lami, Let  Her  Rip  Van  Winkle,  Little  Lord  Fond 
O'  Joy,  Shadowlafs,  Al  Haynes  single  reel  cemo- 
dies,  Kidplaylets,  1  reel  series  of  12,  one  a  month, 
Kidkomedies,  1  reel  series  of  12,  one  a  month, 
Boys'  Life  Screen  Review,  1  reel,  series  of  26, 
Girls'  Life  Screen  Review,  1  reel,  series  of  26. 

W.  B.  Exchange,  1600  Broadway. — For  Greater 
New  York  and  Northern  New  Jersey :  A  Dan- 
gerous Adventure,  Rags  To  Riches,  Brass,  The 
Beautiful  And  Damned,  Little  Heroes  Of  The 
Street,  The  Little  Church  Around  The  Comer, 
Main  Street,  and  Broadway  After  Dark.  These 
attractions  will  be  distributed  nationally  by  War- 
ner   Brothers. 

Weiss    Bros. — Artclass    Pict.    Corp. 

1540  Broadway — All-Star  Authors'  Series,  Ru- 
pert Hughes,  Rex  Beach,  Gouverneur  Morris,  Sir 
Gilbert  Parker,  distribution  pending.  Adventures 
of  Tarzan,  15  episode  animal  serial  starring  Elmo 
Lincoln  and  Louise  Lorraine,  produced  by  Great 
Western  Producing  Co.  for  Weiss  Bros.  Numa 
Pict.  Corp.,  State  Rights ;  The  Sport  Review,  one 
reel  released  every  other  week  through  Goldwyn, 
produced  by  Jack  Eaton,  edited  by  Grantland 
Rice;  The  Bible,  10  reel  Italian  production,  dis- 
tribution, road  shows  and  State  Rights ;  a  6  part 
wild  animal  drama,  all-star  cast,  distribution  pend- 
ing; a  series  of  26  wild  animal  two  part  pro- 
ductions,  all-star   casts,    State    Rights. 

Western   Pictures    Corp.,    1540    Broadway:      Al- 
lene   Ray,    new    series   of   6.      Earlier   series,    Bert 
Lubin :     Honeymoon  Ranch  and  West  of  the   Rio 
Grande,   starring  Allene   Ray,   all   5   reelers. 
Jacob  Wilk 

1476  Broadway — Lee  Kid  comedies  and  The 
Parish    Priest. 

NORTH   CAROLINA 

CHARLOTTE— 

Eltabran  Film  Co. 
Piedmont  Theater  Bldg. — Serials:  Woman  in 
Grey;  The  Hawk's  Trail;  The  Liberator;  Hand 
of  Vengeance;  Blue  Fox;  Invisible  Rav ;  24 
Vera  Mack  Westerns;  12  two  reel  Texas  Guinan ; 
12  two  reel  Northwoods  Westerns;  16  two  reel 
Kathlyn  Williams  jungle;  16  two  reel  Tom  Mix 
Westerns;  12  one  reel  Tom  Mix  Westerns;  40 
one  reel  Tom  Mix  Westerns;  15  two  reel  Shorty 
Hamiltons;  SO  one  reel  Ham  and  Bud  comedies; 
24  two  reel  Jesters;  36  two  reel  Billy  West 
comedies ;  24  two  reel  Moranti ;  20  one  reel 
Ambrose  comedies;  15  Romayne  comedies,  2; 
12  Ray  Gallagher  Westerns,  2;  12  Tack  Hoxie 
Westerns,    2. 

Premier  Pictures  Corp. 
S-10  S.  Graham  St.  (for  North  and  South 
Carolina). — Hall  Room  Boys  comedies;  two  reel 
Pickford  re-issues;  The  Golden  Trail;  Woman's 
Man;  Luxury;  Way  Women  Love;  8  five  reel 
Westerns;  It  Might  Happen  To  You,  and  the 
Jsle  of  Destmy;  Ten  Nights  In  a  Barroom;  The 
Unconquered  Woman;  14  Jack  Hoxie;  6  Big  Boy 
Williams;    Three   nowy    Baker    Prod. 

Progress  Pictures,  Inc. 

8  South  Church  St.— Night  Life  in  Hollywood; 

The    Innocent     Cheat;     God's    Country    and    The 

Law;     Back    To    Yellow    Jacket;     The    Price    of 

Youth;     Peaceful     Peters;     The     Broken     Silence; 


The  Splendid  Lie;  A  Yankee  Go  Getter;  The 
Sheriff  of  Sun  Dog ;  A  Motion  To  Adjourn ; 
Dangerous  Paths ;  The  Girl  From  Porcupine ; 
Hasliknife  Philanthropist;  Chain  Lightning; 
Jacqueline ;  Law  Rustlers ;  One  Eighth  Apache ; 
The  Star  Reporter;  Spawn  Of  The  Desert;  Love, 
Hate  And  a  Woman ;  Love's  Protege ;  Cultus 
Collins;    The   Hidden    Light." 

OHIO 

CLEVELAND— 

Dave  Warner  Film  Co. — Fritzi  Ridgeway  series, 
IS   Mary   Pickfords,  2. 

Equity    Photoplay    Co. — Diana    of    Star    Hollow, 
When    Dawn    Came. 

Lande  Film  Dist.  Co. — The  Handicap.  Come- 
dies :  Arrow  Brand,  Speed  Series,  Mirth- 
quake,  Broadway,  Cruelywed ;  Reelcraft  Brand ; 
Alladin,  Mirth,  Sunlite,  Juanita  Series,  Mack 
Sennett  Triangle  Comedies,  Mack  Swain  Ser- 
ies, Charlie  Chaplin  Series,  Champion,  Work, 
Jitney  ElopemeTit,  By  The  Sea,  Vanity  Come- 
dies. (New)  novelties:  Along  The  Moon- 
beam Trail,  Sawing  A  Lady  In  Half,  Shadow- 
land  Screen  review.  Two-reel  subjects :  Texas 
Guinan  Series,  James  Oliver  Curwood  Series, 
Horsley  Animal  Dramas.  Serials :  Adventures 
of  Tarzan,  Vanishing  Trails,  Hope  Diamond 
Mystery,  Evil  Eye,  Screaming  Shadow,  Trail  of 
The  Octopus,  Clutches  of  the  Hindu.  (New) 
features :  Jack  Hoxie  Series,  (4)  western ;  Wm. 
Fairbanks  Series,  (5)  western;  Franklyn  Farntun 
Series,  (9)  western;  Al  Hart  and  Jack  Mower 
Scries,  (7)  western;  Clara  Kimball  Young  Ser- 
ies, (4)  ;  William  K.  Hackett  Series  (8)  western. 
Triangle  Reissues:  Wm.  S.  Hart  Series,  (16); 
Douglas  Fairbanks  Series,  (12)  ;  Charles  Ray 
Series.  (8)  ;  Features  Starring  Norma  Talmadge, 
Constance  Talmadge,  Dorothy  Dalton,  Gloria 
Swanson,  etc.;  Three  Musketeers.  Series  of  11 
Phil  Goldstone  Westerns,  Famous  Author  Ser- 
ies (15  features).  More  To  Be  Pitied  Than 
Scorned,  Only  A  Shop  Girl,  Pal  of  Mine,  The 
Lure  of  Broadway,  Forgive  and  Forget,  Tempta- 
tion, Confession,  Mother  Eternal,  Silk  Husbands 
and  Calico  Wives.  Husbands  and  Wives,  Battle 
of  The  Century,  Madonnas  and  Men,  Love  With- 
out Question,  Wings  of  Pride,  A  Woman's  Busi- 
ness, Whispering  IDevils,  She  Played  and  Paid 
and   Keep    to   the    Right. 

National  Film  Service — Why  Leave  Your  Hus- 
band? 

Ohio   Film   Classics — Woman  Untamed. 
Standard    Film    Service — Star    Ranch    Westerns. 
Phil  Selznick   Prod. — 4  James   Oliver   Curwoods, 
Isobel. 

The  Western  Pictures  Co. 
316  Film  Bldg.- — New  series  of  Jack  Hoxies ; 
Franklyn  Farnum ;  Big  Boy  Williams;  Richard 
Talmadge;  Snowy  Bakers;  George  Chesebro ; 
Clark  Cornelius  Pictures;  Frivolous  Wives  with 
Rodolph  Valentino ;  Living  Lies  ;  Common  Level ; 
Series  Two  Reel  Westerns  Featuring  Leo  Maloney 
and  Tom  Mix;  Single  Reel  Ham  and  Bud  Com- 
edies. 

Skirboll  Brothers 
Film  Building,  for  Ohio  and  Kentucky:  Kazan, 
The  Mask,  Burn  'Em  Up  Barnes,  Parted  Curtains, 
Your  Best  Friend,  I  Am  the  Law,  Tony  Sarg's 
Almanac,  Sure  Fire  Flint,  Secrets  of  Paris  and 
Warner  Bros,  product, 
CINCINNATI— 

Fine  Arts  Film  Exchange,  310  Broadway  Film 
Bldg.  :  Up  in  Mary's  Attic,  Hell's  Oasis,  Sky- 
fire,  Danger  Valley,  God's  Gold,  The  Master 
Crook,  Thru  Eyes  of  Men,  The  Red  Viper,  It 
Happened  in  Paris,  The  Great  White  Trail,  Some 
One  Must  Pay,  Fool's  Gold,  When  the  Desert 
Smiled,  The  Birth  of  a  Race,  Man's  Law,  Black 
Sheep,  The  Broadway  Buckaroo,  Go  Get  Him, 
A  Western  Demon.  Hell's  Border,  Fighting 
Hearts,  Dare-Devil  of  The  Range,  Determination, 
Neal  Harts,  Wm.  Fairbanks,  Rudoloph  Valentino 
in  Stolen  Moments,  Oh,  Mary  Be  Careful,  The 
Forgotten  Woman,  Crimson  Cross,  Indiscretion, 
Wise  Husbands,  Beyond  The  Cross  Roads, 
Out  Of  The  Depths,  Idle  Hands,  The  Babarian, 
A  Man  There  Was,  Finders  Keepers,  His 
Brother's  Keeper.  The  Inner  Voice,  What 
Women    Want,    Thoughtless    Women,    Where    Is 


389 


My  Husband,  Atonement,  The  Girl  From  No- 
where, Virtuous  Sinners,  The  Boomerang,  Sins 
Of  The  Children,  The  Long  Arm  Of  Man- 
nister,  The  Lady  Of  The  Dugout,  The  Place 
of  Honeymoons,  Suspicion,  The  Hidden  Code, 
Dr.  Jekyll  &  Mr.  Hyde,  Rubbles.  In  Society, 
The  Leech,  A  Millionaire  For  A  Day,  Whisper- 
ing Women,  and  The  Recoil. 
Masterpiece    Pictures    Co. 

Standard  Theater  Bldg.  ("also  Film  Exchange 
Bldg.,  Cincinnati). — Love  Without  Question;  A 
Woman's  Business;  Wings  of  Pride;  House 
Without  Children ;  Hearts  of  Men  ;  Once  to 
Every  Man ;  Yankee  Doodle  in  Berlin  and 
Sky  Eye.  Madonnas  and  Men  ;  3  David  Butler 
series ;  6  Franklyn  Farnum ;  Neglected  Wives ; 
Unfortunate  Sex;  Blind  Love;  Greater  Sinner; 
Isle  of  Destiny;  Under  Western  Skies;  15  Harry 
Careys;  Reelcraft  comedies;  Westerns  and  Scenics, 
Standard    Film    Service    Company 

Filrn  Exchange,  Seventh  and  Main  Sts.,  Cin- 
cinnati, Ohio. — Harry  L.  Charnas,  general  man- 
ager, Nat.  L.  Lefkowitz,  manager,  member  Fed- 
erated Film  Exchanges  of  America,  Inc.,  dis- 
tributing Federated  product,  including  Monty 
Banks  comedies.  Nobody's  Girl,  a  Billy  Rhodes 
feature,  and  a  series  of  features,  comedies  and 
serials ;  also  distributing  the  product  of  The 
Educational  Film  Co.,  including  Will  Rogers; 
Illiterate  Digest ;  Urbans  Movie  Chats ;  Tom 
Bret's  Topical  Jazz  monologue;  Screen  Snap- 
shots; Gaumont  Pictorial  Life  and  Motoy  cinema 
dolls;  also  distributing  Hank  Mann;  Hall  Room 
Boys;  Alice  Howell;  Muriel  Ostriche ;  Gale 
Henry;  Christie  Special;  Billy  West;  Jester; 
Sunbeam;  Bobby  Burns;  Majestic  and  Briggs 
two  reel  comedies;  Franey ;  Gayety ;  Christie;; 
Briggs;  Majestic  Capital;  Arbuckle ;  Keystone; 
Jungle  and  Kid  one  reel  comedies ;  Tom  Mix 
one  reel  Westerns ;  North  Woods  two  reel 
dramas;  Depths  of  the  Sea;  U-35  ;  The  End  of 
the  Road ;  Open  Your  Eves  and  Fit  to  Win ; 
specials ;  The  Lost  City ;  The  Carter  Case ;  The 
Masked  Rider;  Lightning  Bryce ;  The  Lurk- 
ing Peril;  The  Tiger  Band  and  a  Woman  in 
Grey;  serials,  territory,  Southern  Ohio  and  Ken- 
tucky. Million  Dollar  Reward;  Ray  Gallagher; 
White  Cap  comedies ;  Celebrated  comedies ;  also 
Dangerous  Love,  The  Daughter  of  the  Don.  Bit- 
ter Fruit;  Desert  Scorpion;  Before  the  White 
Man  Came ;  Love's  Protege ;  Chamber  Mystery ; 
Woman's  Man;  Law  of  Nature;  Bachelor  Apart- 
ments; Wolves  of  the  Street;  eight  "Tex"  fea- 
ures;  Golden  Trail;  Star  Ranch;  The  Victim; 
Saved    by    Radio. 

Lande   Film   Exchange — 

6  C.  B.  C.  Prod,  for  Western  Penn.,  Ohio,  Ky. 
and   West  Va. 

Middle  West  Film  Amuse.  Co. — Sacred  Flame, 
Devil's  Angel. 

Wilson  Film  Co. — IS   Harry  Careys. 
COLUMBUS— 

The   Ohio   Feature   Film   Co. 

218  N.  High  St.— 5  Frank  Powell  2  reelers 
for  Southern  Ohio  and  Kentucky;  His  Guardian 
Angel;  Buddy's  Christmas;  The  Turn  of  the 
Wheel;  A  Mountain  Daisy;  The  False  Clue. 
For  Ohio  only — Farnums,  Te.xas  Guinan's. 
Meyers,  and  Dalton  two  reel  Western  subjects, 
and    Mack    Sennett    and    Swain    comedies. 

OREGON 

PORTLAND— 

Western    Film    Exchange 

87  J^  Tenth  _  St. — Western  Star  productions 
featuring  William  Fairbanks ;  Olympian  come- 
edies ;  features.  It  Happened  in  Paris ;  Days  of 
Daring;  Tom  Mix;  Wolf  Bayne;  Carmen  of  the 
Boarder ;  The  Fighting  Grin ;  The  Renegade : 
Fighting  Mad;  Heart  of  the  Desert;  The  Old 
West ;  Santa  Fe  Terror ;  Hero  of  the  Hour ; 
Man  from  Montana;  Sheriff  Jim;  Every  Wom- 
an's   Problem. 

Reliance    Distributing   Corp. 

403  Davis  St.  (also  Seattle,  Wash.)  (for  Ore., 
Wash.,  Idaho  and  Mont.). — His  Brothers  Keeper, 
6;  Stolen  Moments,  6;  Fickle  Women,  5;  Hus- 
bands and  Wives,  6 ;  The  Inner  Voice.  7 ;  The 
Lone  Hand,  5;  The  Confession,  7;  Tillie's 
Punctured      Romance,      6;      Silk      Husbands     and 


Calico  Wives,  6 ;  Thoughtless  Women,  6 ;  The 
Barbarian,  6;  Virtuous  Sinners,  5;  Sins  o  the 
Children,  7;  The  Hidden  Code,  6;  Finders 
Keepers,  6;  Out  of  the  Depths,  5;  Midnight 
Gambols,  5 ;  Girl  from  Nowhere,  5 ;  What 
Women  Want,  5 ;  The  Boomerang,  7 ;  Bubbles, 
5;  Dr.  Jekyll  and  Mr.  Hyde,  5;  Atonement,  6; 
Long  Arm  of  Mannister,  7 ;  Mid  Channel,  6 ; 
Soul  of  Rafael,  7;  The  Forbidden  Woman,  6; 
Eyes  of  Youth,  8;  His  Nibs,  S;  Heart  of  the 
North,  6;  Life's  Clreatest  Question,  6;  Beyond 
the  Cross  Roads,  S ;  Indiscretion,  5  ;  Oh.  Mary 
Be  Careful,  5 ;  Swifter  than  Crime,  Silent  Shelby, 
5  ;  Hair  Trigger  Casey,  S ;  Man  From  Medicine 
Hat,  5 ;  Moonshine  Menace,  5  ;  Crooks  Romance, 
5 ;  Loggers  of  Hell  Roaring  Mountain,  5 ;  From 
the  West,  S  ;  Quick  Action,  5  ;  High  Gear  Gefory, 
5 ;  Rough  Shod  Fighter,  S  ;  When  a  Man  Rides 
Alone,  5 ;  Where  the  West  Begins,  5 ;  Brass  But- 
tons, 5 ;  Some  Liar,  5 ;  Sporting  Chance,  5  ; 
Wives  and  Other  Wives,  5  ;  A  Bachelor  Wife,  S ; 
Yvonne  from  Paris,  5 ;  Charge  it  to  Me,  5 ;  The 
Tiger  Lily,  5  ;  Narayana,  6 ;  The  Thinker,  5 ; 
Branded,  5 ;  Battlin'  Kid,  5 ;  Outlawed,  5  ;  Mid- 
night Riders,  5;  Isle  of  Destiny,  5,  and  15  1-reel 
Nick    Carters. 

Oregon  Film  Exchange 
390  Burnside  St. — The  Bar  Sinister;  Calibre 
38;  The  Fringe  of  Society;  The  Sin  Woman; 
Twilight;  The  Fall  of  Barbary  Coast;  Street 
of  Seven  Stars;  Inn  of  the  Blue  Moon;  Wild 
Honey ;  Great  White  Trail ;  Romance  of  the 
Underworld;  Marriage;  Out  of  the  Night;  Mar- 
riage for  Convenience ;  Love  and  the  Law ;  Red 
Blood  and  Yellow ;  The  Son  of  a  Gun ;  Shooting 
Mad:  The  Naked  Hand;  One  Hour;  The  Cast- 
Off;  The  Silent  Witness;  The  Belgian;  Zep- 
pelin's Last  Raid;  Just  a  Woman;  The  Natural 
Law ;  The  Girl  who  Doesn't  Know ;  Web  of 
Intrigue;  Miss  Arizona;  Power  of  Evil;  In  the 
Hands  of  the  Law;  Web  of  Life;  Would  You 
Forgive?;  The  Locked  Heart;  No  Children 
Wanted;  Billy  West  comedies;  Topical  Tips; 
Mutt  and  Jeff  cartoons ;  Jolly  comedies ;  Up  in 
Mary's  Attic;  Lightning  Bryce;  The  Great 
White  Trail ;  The  Golden  Trail ;  The  Deceiver ; 
A  series  of  five  reel  Westerns ;  Billy  West 
comedies ;    Gail    Henry    comedies. 

PENNSYLVANIA 

PHILADELPHIA— 

Capital  Film  Exchange,  Inc. 
1314  Vine  St. — All  Triangle  pictures;  two 
reel  Northwest  dramas.  The  Devil's  Confession, 
with  Louise  Lee ;  Isle  of  Destinj',  with  Paul 
Gilmore;  Ashes  of  Desire,  with  Mrs.  Sessue 
Hayakawa,  etc. ;  Under  Western  Skies ;  J-'mniy 
Aubrey's  two  reelers ;  Shorty  Hamilton's  two 
reelers;  8  Jack  Hoxies;  The  Man  of  Courage. 
De  Luxe  Film  Co.,  Inc. 
1318  Vine  St. — 6  Franklin  Farnums;  6  Jack 
Hoxies;  Handicap,  Love,  Hate  and  a  Woman, 
Garden  of  Allah,  Tradition,  Heart  of  the  North, 
Life's  Greatest  Question,  Star  Reporter,  Oh, 
Mabel  Behave,  Ten  Nights  in  a  Barroom,  Headin' 
North,  6  new  Hoxies.  6  George  Larkins,  4  Neva 
Gerbers,  4  Peter  B.  Kyne  stories,  2  James  Oliver 
Curwood  stories,  6  J.  B.  Warners,  Soul  of  Man, 
Splendid  Lie,  Persecution,  Yankee  Doodle,  Jr., 
The  Innocent  Cheat,  Chain  Lightning,  The  De- 
ceiver, More  to  be  Pitied  Than  Scorned,  Pal  Of 
Mine,  Forgive  and  Forget,  Lure  of  Broadway, 
Temptation,  Only  a  Shop  Girl.  The  Country 
Flapper,  52  Arrow  comedies,  8  2  reel  Westerns, 
featuring  Wallace  Coburn ;  11  2  reel  J.  Oliver 
Curwoods,  10  Essany  Chaplins,  5  2  reel  fea- 
tures with  Irving  Cimimings,  How  to  Make  a 
Radio    for    60c. 

Electric   Theatre    Supply   Co.,  Inc. 
1309    Vine    St. — Short    subjects    only    in    addi- 
tion    to    the    entire    output    of    the    Educational 
Film    Corp. 

Independent    Film    Corp. 
1337    Vine    St. — Warner    Bros.    Productions. 

Masterpiece  Film  Attractions 
1329  Vine  St. — B.  Amsterdam  and  L.  Korson. 
For  Eastern  Pa.  and  Southern  N.  J.  Clara 
Kimball  Young  in  F.quity  prddiictions — F.yes  of 
Youth;  Soul  of  Rafael;  Forbidden  Woman; 
Midchannel;   Hush;   Straight   from   Paris;   Charge 


390 


It;  and  two  to  follow.  Thoughtless  Women; 
Good  Bad  Wife;  Servant  in  the  House;  For  the 
Freedom  of  Ireland;  Madonnas  and  Men;  Dan- 
gerous Toys;  Black  Panther's  Cuh:  Diana  of 
Star  Hollow;  Midlanders;  Bonnie  May;  Penny 
of  Top  Hill  Trail;  Billie  Rhodes  in  Nobody's 
Girl,  and  His  Pajama  Girl;  Whispering  Devils; 
Daughter  of  Devil  Dan;  Before  the  White  Man 
Came;  Penny  Philanthropist;  Daughter  of  the 
Don;  Souls  of  Men;  Sins  of  the  World;  Sport 
of  Kings;  Witch's  Lure;  That  Something; 
Ranger  and  the  Law;  Lone  Hand  Wilson;  Bar- 
barian; Finders  Keepers;  52  Hall  Room  come- 
dies; 25  Monty  Banks  comedies;  24  Federated 
Chester  Animal  comedies;  Federated  Chester 
Junior  comedies;  Warner  special  one  reelers;  52 
Screen  Snapshots;  26  Prizma  subjects;  22  Hank 
Mann  comedies;  12  Billy  West  comedies;  26 
Mirth  comedies;  26  Sunlite  comedies;  52  Alladin 
comedies;  26  Capital  two  reel  Westerns;  Mira- 
cles of  the  Jungle  serial ;  The  Woman  Above 
Reproach;  12  Al  Lichtman  productions;  Equity 
specials,  first  release;  "What's  Wrong  With  the 
Women?";  6  Independent  specials;  4  Will  Nigh 
Productions;  4  Betty  Blythe  Productions;  His 
Nibs;  Shadows  of  Conscience;  Young  America; 
52  Five  reel  western  dramas  starring  Lester 
Cuneo,  Dick  Hatton,  George  Chesbro,  etc. ;  Eddie 
Polo  in  Captain  Kidd ;  26  Hall  Room  Boys  two 
reel  comedies;  12  Monty  Banks  two  reel  comedies; 
12  two  reel  Joe  Rock  comedies;  12  two  reel 
Tweedy  comedies;  12  two  reel  Sunrise  comedies; 
12  two  reel  Radio  comedies;  26  Federated  Screen 
Reviews;  6  Squirrel  Comedies;  26  Prizmas ;  10 
Smiles;  Felix  the  Krazy  Kat;  Out  of  the  Ink- 
well ;  Sunset  Burrad  Scenics ;  Rothacker  Scenics ; 
52  two  reel  western  dramas ;  Where  Is  My  Wan- 
dering Boy  Tonight?;  Ashes;  Any  Night;  Living 
Lies ;  Keep  to  the  Right ;  Dangerous  Love ;  Dan- 
gerous Pastime;  Hearts  and  Masks;  Hidden  Light; 
Thoughtless  Women ;  Heidi  of  the  Alps ;  20  five 
reel  westerns  starring  Lester  Cuneo,  Dick  Hat- 
ton,  George  Chesbro;  104  two  reel  westerns;  Ad- 
ventures of  Tarzan ;  Federated  Mirth  comedies; 
Sunlite  comedies;  Hank  Mann  comedies;  10  Joe 
Rock   one   reel   comedies. 

Peerless  Feature  rilm  Exchange,  Inc. 
1339     "Vine     St. — First     National     Exhibitors' 
Circuit   pictures    and   Associated    First    National 
Pictures,  Inc.      Also  The  Unpardonable   Sin   and 
David   Butler   series. 
Royal  Pictures 
1837   Vine   St. — Love   Without   Question;   The 
Hushed  Hour;  Frivolous  Wives;  Key  to  Power; 
What    Becomes    of    the    Children;    A    Woman's 

[  Man;     Up    in     Mary's     Attic;     Youth's    Desire; 

r  Wings    of    Pride;    A    Woman's    Business;    The 

Devil's  Aiigel;  Isobel;  Kazan;  The  Mask;  The 
Parish  Priest;  Man's  Law;  Dollars  and  Destiny; 
Welcome  Children;  God's  Country  and  Law; 
Four  Curwood  productions;  The  Gumps;  Kine- 
to's ;  Indian  dramas :  serial — The  Great  Reward ; 
Man  From  Hell's  River;  Sagebrush  Trail;  Burn 
'Em  Up  Barnes;  Determination;  Lotus  Blossom; 
Dollars  &  Destiny ;  Sure  Fire  Flint ;  Girl  From 
Porcupine ;  Love's  Protege ;  Indiscretion ;  Out  of 
the  Depths;  Oh,  Mary  Be  Careful;  Crimson  Cross; 
The  Leech ;  Forgotten  Woman ;  In  Society ;  Be- 
yond the  Crossroads ;  Millionaire  for  a  Day ; 
Spinner  o'  Dreams;  15  Royal  Scenics;  15  2  reels 
Nick  Carters;  6  2  reel  Comedies. 
Superior  Film  Exchange,  Inc. 
251  N.  13th  St. — Carmen  of  the  Klondike  for 
E.  Penn.;  Sins  of  Ambition  for  So.  N.  J.  and 
E.  Penn. ;  Echo  of  Youth  and  Ashes  of  Love 
for  E.  Penn.,  and  So.  N.  J.;  Vod-A-Vil  Movies 
and  Husbands  and  Wives  and  Franklyn  Farnum 
2  reel  Westerns  for  E.  Penn.,  and  So.  N.  J.; 
Custer's  Last  Fight  and  Once  to  Every  Man 
for  E.  Penn.,  and  So.  N.  J.,  including  Trenton; 
24  Mack  Sennett  Keystone  reissues  for  E.  Penn., 
and  So.  N.  J.;  Gaumont  Pictorial  Life  for  E. 
Penn.,  and  So.  N.  J.,  including  Trenton;  A 
Child  For  Sale  for  E.  Penn.,  and  So.  N.  J. 
Twentieth  Century  Film  Co. 
1337  Vine  St.— Shepherd  of  the  Hills;  "The 
Stranger;  Sky  Ey;  Yankee  Doodle  in  Berlin; 
Spoilers;  Tillie's  Punctured  Romance;  Staking 
His   Life;   5   Charlie   Chaplins;   The  Hawk's   Trail 

f  (serial)   and   2  reel  Jester  comedies;  8   featuring 

B         Franklyn    Farnum;    8     featuring    Neal    Hart;     6 


featuring  Jane  Novak;  6  featuring  Mary  Ander- 
son; 8  featuring  Pete  Morrison;  5  featuring 
Wm.  Fairbanks;  2  featuring  Helen  Gibson;  Hon- 
eymoon Ranch ;  Klass  A  2  reel  comedies  and  Gan- 
niont  features;  7  Richard  Talmadge;  3  Snowy 
Baker;  6  Big  Boy  Williams;  2  David  Butler. 
PITTSBURGH — 

Columbia  Film  Service 
119-121  Ninth  St. — Kaan;  Mask;  County 
Fair;  Jans  Pictures;  Equity  Pictures  (Clara  Kim- 
ball Yoimc:);  Franklyn  Farnum;  James  Oliver 
Curwood-  pictures  as  distributed  by  Arrow  Film 
Corp.;  David  Butler  pictures;  Man  Worth 
While;  Heart  of  the  Big  Timber;  Love's  Pen- 
alty; Sic  'em;  Al  St.  John  comedies:  Hall  Room 
Boy  comedies;  Joan  (Billy  West)  comedies; 
Tony  Sarg  Almanac ;  Di  Lorenzo,  Inc.  Big  Boy 
Williams  Prod.;  Aywon's  Big  Boy  Williams  Prod.; 
Sunset's  Jack  Hoxie  Prod. ;  Phil  Goldstone's 
Richard    Talmadge    Prod. 

Apex  Pictures,  Inc. 
121  4th  Ave. — Mickey;  Up  in  Mary's  Attic; 
Frivolous  Wives;  The  Fight  of  the  Age;  Kincto 
Reviews;  J.  Frank  Hatch  attractions;  The  Lost 
City,  serial;  The  Jungle  Princess;  Blind  Love; 
Wives  of  Men;  Price  Woman  Pays  and  for 
West  Virginia  only,  the  Unpardonable  Sin. 
Bobby  Ray  comedies;  16  educational  one  reelers; 
16  Spotlight  comedies;  Bathing  Girl  and  Slap- 
stick comedies;  12  Franklyn  Farnum  two  reel 
Westerns;  12  Fritzie  Ridgeway  Westerns,  and 
Gump  cartoons;  also  The  Ranger  and  the  Law; 
The  Still  Alarm;  Tempest  and  Sunshine;  The 
Girl  from  Nowhere;  Desert  Scorpion;  Lone  Hand 
Wilson;  His  Pajama  Girl;  Witches  Lure,  and 
The  Whip ;  Lester  Cuneo  series. 
Imperial  Film  Service,  Inc. 
414  Ferry  St.  —  Determination,  Night-Riders, 
Her  Story,  David  &  Jonathan,  Broken  Shadows, 
Flesh  and  Spirit,  When  Dawn  Came,  Chamber 
Mystery,  Vigelanties,  Border  River,  Quicksands, 
Outlawed,  Midnight  Rider,  I  Am  The  Woman, 
Winding  Trail,  Mad  Love,  Enemy's  Daughter, 
Women  Untamed,  Women  Wins,  Man  Brawn, 
Strangers,  3-and-aGirl,  and  Second  National  Pic- 
tures  Product. 

S.  &  S.  Film  and  Supply  Co. 
414  Penn  Ave. — 2  reel  comedies:  Milburn 
M<jrante;  Alice  Howell;  Ben  Turpin;  Mack 
Swain;  Leo  White;  Hall  Room  Boys;  Sun-Lite; 
Mirth;  Sonny  series.  1  reel  comedies:  Facts 
and  Follies;  Billy  Franey;  Denver  Dixon; 
Alladin.  2  reel  Westerns:  Star  Ranch;  Nick 
Carter  dectective  stories;  Francis  Ford;  Neal 
Hart;  Al  Jennings;  Texas  Guinan;  Helen  Gibson. 
Stetcher-Caddock  match;  3  reel  world's  cham- 
pionship bout;  Pendleton  Roundup,  2  reels; 
George  Kleine  features;  Once  to  Every  Man; 
I>ady  of  the  Dupout;  8  five  reel  Ne.nl  Hai  t 
Westerns;  1  Roy  Stewart  (Lone  Hand);  Pioneer 
Productions,  distributors  of  the  entire  output 
of  Independent  Films  Asso. ;  World  Film  re- 
issues; World  productions,  not  reissues;  Hearts 
of  the  Range;  Under  Western  Skies;  Every 
Woman's  Problem;  Trailed  in  the  Storm,  and 
You  Find  It  Everywhere;  Pete  Morrison  features 
and  Tweedy  Dan  comedies. 
SimeraJ  Film  Exchange — 
6  Jack  Hoxie  Westerns,  new  William  Fair- 
banks  series. 

Iron  City  Exchange — 
(Skirboll    Bros.)  :      For    Western    Pa.      Secrets 
of    Paris    and    other    specials. 

SOUTH  CAROLINA 

GREENVILLLB — 

Imperial  Film  Service 

Bijou  Theater  BMg-.  (for  N.  and  S.  C.).— Alster 
Case;  Pants;  No  Greater  Love;  The  Girl  from 
Rector's;  _ At  Penny  Ridge;  Driftwood;  Love's 
Law;  Curious  Conduct  of  Judge  Legard;  A  Man 
and  the  Woman;  The  Curse;  single  and  two 
reel  Westerns;  comedies  and  dramas;  Vod-A- 
Vil   single   reelers;   The   Fatal  Sign,    serial. 

TENNESSEE 

KNOXVILLE — 

Special  Features   Co. 
609    Market    St. — Bandit    and    the    Preacher; 
Hellhound    of    Alaska;    Lion    of    the    Hills;    She 
Wolf;    Staking   His    Life;    Once    to    Every    Man; 


391 


Stdlen  Orders;  Mo  lern  Lorelie;  The  Wliip:  Still 
Alarm;  Raffles;  Everybody's  Business;  Million 
Dollar  Mystery;  Warrior;  Berlin  via  America; 
Enlighten  Thy  Daughter;  Superman;  25  Key- 
stone comedies;  26  Romayne  comedies;  24 
Texas  Guinan;  24  Vera  Mack  Westerns;  12 
Northwood  dramas;  16  Kathlyn  Williams  Jungle 
drarnas;  Hawks  Trail  and  A  Woman  in  Grey 
(serials);  Copperhead  dramas;  Western  Star 
dramas;  Sport  Pictorials;  Thunderbolt  Jack, 
(serial);  Top  Notch  comedies;  Bachelor  Apart- 
ments. 
MEMPHIS— 

Kaufman  Specials 
129  Pontotog  Ave. —  (for  Tenn.  and  Kentucky.) 
— Features:  Every  Man's  Price;  Hearts  o'  the 
Range;  Twinkle,  Twinkle,  Little  Star;  I>ittle 
Red  Riding  Hood;  Cinderella  and  the  Magic 
Slipper;  Square  Shooter;  Men  of  the  West; 
A  Daughter  of  Hate;  Who's  to  Blame;  One 
Against  Many;  Mistaken  Identity;  Miggsy; 
Shadow  of  Fear;  Fire  of  Hope;  Human  Shuttles; 
Web  of  Intrigue;  The  Deemster;  16  Neal  Hart, 
and  17  Al  Jennings  two  reel  Westerns;  12 
Stincaree  two  reel  Westerns;  17  one  ami  two 
reel  Mack  Sennett  comedies;  10  two  reel  LKO 
comedies;  12  one  reel  Geo.  Ovey  comedies.  (For 
Tenn.  west  of  Nashville):  Forbidden  Woman; 
Scul  of  Rafael;  Eyes  of  Youth;  Midchannel; 
Fool's  Gold;  Golden  Trail;  County  Fair;  The 
Whip ;  Daughter  of  Devil  Dan ;  The  Stranger ; 
Heart  of  Texas  Ryan;  Neptune's  Bride;  The 
Man  Worth  While:  Mickey;  Lonely  Heart; 
Stolen  Orders ;  The  Ne'er  Do  Wei! ;  Dog's  Life ; 
Shoulder  Arms;  Sunnysicle ;  Day's  Pleasure; 
Work;  Champion;  By  The  Sea;  Jitney  Elope- 
ment. Vod-vil  Movies  (one-reelers)  :  For  Ten- 
nessee;  Tex  Detective  Series;  The  Lost  City  of 
The  African  Jungles;  In  the  Clutches  of  The 
Hindoo;  When  The  Desert  Smiled;  The  Un- 
known Ranger;  The  De.sert  Scorpion;  Under 
Western  Skies :  Beyond  The  Law ;  Hearts  O' 
The  Range;  The  Bromley  Case;  The  Trail  of 
a  Cigarette;  The  Jungle  Princess;  Skinner's  Dress 
Suit;  The  Still  Alarm;  The  Unpardonable  Sin; 
The  Window  Opposite;  Human  Clay;  Border 
Raiders ;  Beyond  The  Law ;  Dangerous  Trails ; 
The  Sport  of  Kings;  The  Price  of  Innocence; 
The  Unknown  Ranger.  For  Tenn.  &  Ky. :  IS 
one-reel  Broncho  Billy  westerns;  12  two-reel  Tom 
Moore  features;  10  two-reel  George  Ade  comedies; 
20   one-reel    Billy   Franey   comedies. 

DALLAS-  TEXAS 

A.  &  R.  Film  Exchanges 
1010     Commerce     St.— (For     Texas,     Oklahoma 
and      Arkansas) — Horsley      Productions,      Second 
National    Pictures    Corp.    pictures,   All    Emergency 
Film    Service   Co. 

Independent  Film  Service  Co. 
1717^  Commerce  St.  (also  Oklahoma  City). 
— Below  the  Deadline;  Dangerous  Love;  The 
Victim;  Chosen  Path  ((Texas  only);  Light  of 
Western  Stars;  Playing  Square;  Playthings  of 
Passion:  The  Happy  Masqueraders ;  A  Sliarlow 
of  the  Past;  A  Man  in  the  Open;  A  Question 
of  Honor;  Adele;  Just  His  Wife;  A  Man's  Fight; 
11  Western  pictures  featuring  Jack  Hoxie, 
Louise  Lovely,  Grace  Cunard,  Franklyn  Farnum, 
Monroe  Salisbury,  Helen  Gibson,  Bill  Stowell, 
Montie  Blue,  Ruth  Clifford,  Joseph  Girard, 
Francis  Ford,  Jack  Mulhall,  Clara  McDowell, 
Neal  Hart,  and  Roy  Stewart;  15  two  reel  West- 
ern comedies  with  Shorty  Hamilton;  7  Western 
pictures  with  Al  Hart;  75  emergency  programs 
with    paper. 

Mid-States  Distributing  Co. 
1801 K'  Comnurce  St. — Clara  Kimball  Young 
Prod. ;  Dick  Hattons  ;  Texas  Guinans  ;  Bob  Reeves 
and  Maryon  Aye  in  two  reel  westerns;  52  All 
Star  Productions ;  Silk  Husbands  and  Calico 
Wives  ;  The  Waketield  Case  ;  Whispering  Shadows  ; 
Soul  and  Body;  Twinkle  Twinkle  Little  Star; 
Little  Red  Riding  Hood :  Cinderella  and  the 
Magic  Slipper;  Tony  Sarg's  Almanac;  Shadow- 
land    Screen    Revue. 

R.  D.  Lewis  Film  Co. 
1812    Commerce    St.    (also    Oklahoma    City    and 
Little     Rock). — Two     reel     Westerns:       Al     Jen- 


nings; Neal  Hart;  Harry  Meyers;  Wallace 
Coburn;  Reelcraft;  Ray  Gallagher;  Fritzi  Ridge- 
way;  Helen  Gibson.  Two  reel  specials:  Why 
Change  Your  Mother-in-Law;  Janet  of  the 
Chorus.  One  reel  comedies:  Tusun;  Billy 
Franey;  Alladin;  Cartoons;  Gumps;  Reviews; 
Kineto  Reviews;  Features:  American  Twin-Six 
•■eissues — Ramona;  Infatuation  of  Youth;  Hell's 
Oasis;  Black  Sheep;  Sky  Fire;  Kingfisher  Roost; 
Life's  Greatest  Question ;  Snitching  Hour,  Cloud- 
hurst ;  Serving  Two  Masters;  Way  of  a  Man; 
Branded;  Westerns:  6  Big  Boy  Williams; 
God's  Gold;  Danger  Valley;  Toreador;  Nobody's 
Girl;  Up  in  Mary's  Attic;  Welcome  Children; 
and  Little  Rock,  Ark.)  (for  Texas,  Oklahoma, 
Skinning  Skinners;  Great  White  Trail;  Hus- 
bands and  Wives;  Fall  of  a  Saint;  Italian;  Edge 
of  Youth;  Law  Pirates;  Lure  of  Power;  Bromley 
Case;  Unseen  Witness;  Sacred  Ruby;  Open  Your 
Ryes;  Profiteers;  Greater  Sinner;  "Typhoon; 
Days  of  Daring;  Doctor's  Vengeance;  Marked 
Woman;  Circumstantial  Evidence;  Trail  of  the 
Cigarette;  Wall  Street  Mystery;  Before  the 
White  Man  Came;  Law  of  Nature.  Serials: 
Masked  Rider;  Hawk's  Trail;  Great  Reward; 
Clutches  of  the  Hindu.  Two  reel  comedies: 
Alice  Howell;  Ben  Turpin;  Sunlite;  Royal;  Billy 
West;  Mirth;  Milburn  Moranti;  Klast  A  2  reel 
Komedy  series;  Century  comedies. 

Specialty  Film  C".,  with  branch  offices  in  Ok- 
lahoma Citv,  li2  S.  Hudson  St.;  Little  Rock, 
Ark.,  M^i  W.  Markham  St.  Federated  franchise 
holder  for  Texas,  Oklahoma  and  Arkansas,  releas- 
mg  all  Federated  features  and  short  subjects.  In 
addition  are  buying  in  the  open  market  a  weekly 
service  consisting  of  a  feature,  two  reel  comedy 
and  two  reel  western,  8  George  Larkin  westerns,  IS 
Franklyn  Farnum  westerns,  18  Jack  Hoxie  west 
erns,  6  William  Fairbanks  westerns,  8  Lester 
Cuneo  westerns,  18  five-reel  westerns,  74  dramatic 
five-  six  and  seven  reel  features.  Ten  Nights  In 
a  Barroom,  School  Days,  Your  Best  Friend, 
Ashamed  Of  Parents,  Parted  Curtains,  Man  From 
Hell's  River,  .Sagebrush  Trail,  90  two-reel  west- 
erns, Vera  Mack,  Frank  Braidwood,  Wm.  S. 
Hart,  Texas  Guinan,  Dick  Hatton,  Grace  Cvmard, 
Jack  Holliday,  and  the  Spur  and  Copperhead 
series;  12  one-reel  Hank  Mann  comedies  13  one- 
reel  Celebrated  ;  13  one-reel  Joe  Rock;  13  one-reel 
Chester  Snappy  one-reel :  26  Federated  Screen 
Snapshots ;  26  Prizma ;  20  two-reel  Hank  Mann ; 
20  two-reel  Monty  Banks;  30  two-reel  Hallroom 
Boys;  4  two-reel  Chester  Monkey;  10  two-reel 
Warner  Bros,  new  series.  Essanay  Chaplin  re- 
issues; 30  two-reel  Miscellaneous  star  comedies. 
Serials:  Miracles  of  the  Jungles;  Thimderbolt 
Tack ;  Son  of  Tarzan ;  Vanishing  Trails ;  Fatal 
Fortune;  Lost  City,  and  Mystery  of  13. 
Warner   Bros,  product. 

Parker  Film  Co. 
For  Texas.  Okla..  and  Ark. — Dr.  Jekyll 
and  Mr.  Hyde;  Bubbles;  Midnight  Gambols; 
Hidden  Code;  What  Women  Want:  Place  of 
Honeymoons;  Nobody's  Child;  Inner  Voice;  His 
Brother's  Keeper;  Stolen  Moments;  Midnight 
Riders;  Neglected  Wives;  Empty  Arms;  Idle 
Hands;  A  Ciood  Woman;  Thoughtless  Women; 
Outlawed;  The  Barbarian;  When  Dawn  Came; 
The  Soul  of  Man ;  The  Heart  of  a  Woman ; 
The  Unconquered  Woman ;  Irving  Ctmimings 
Series ;  Series  2-reel  Texas  Westerns,  and  60 
Farker   Films. 

Southern  States  Film  Co. 
1900  Commerce  St.  (for  Tex.,  Okla.  and  Ark.). 
— Just  a  Woman;  Those  Who  Pay;  Her  Fight- 
ing Chance;  The  Belgian;  Prodigal  Wife; 
Crucible  of  Life;  Zeppelin's  Last  Raid;  also 
number  of  Chaplin  re-issues;  The  Screaming 
Shadow  (serial).  The  Square  Shooter;  Are  You 
Legally  Married;  Parted  Curtains;  For  Love  of 
Money;  The  Prodigal  Wife;  Square  Shooter; 
Are  You  Legally  Married?  Discarded  Woman; 
Love's  Battle  Just  a  Woman;  Fickle  Women; 
Girls  Don't  Gamble;  Smiling  all  the  Way; 
Texas  Gninans;  For  the  Freedom  of  Ireland. 
Southwestern  Film  Corp. 
1911  Commerce  St. — Super  Specials — The  Red 
Viper;  Frivolous  Wives.  Class  A:  When  the 
Desert  Smiled;  Once  to  Every  Man;  The  She 
Wolf;     Mysterious    Mr.     Browning;      Accidental 


392 


Honeymoon;  Stripped  for  a  Million;  Strife; 
Apple  Tree  Girl;  Cossack  Whip.  Class  B:  Miss 
Arizona;  Sunset  Princess;  Awakening  of  Ruth; 
Lady  of  the  Photograph;  One  Touch  of  Nature; 
Builders  of  Castles;  Law  of  the  North.  Class 
C:  The  Curse;  Catspaw;  Master  Passion;  Green 
Cloak;  Magic  Skin;  2  reel  Texas  Guinan;  Mack 
Swain  Poppy  comedies;  Hall  Room  Boys; 
serials  Carter  Case;  Silent  Mystery;  Jazz  Mono- 
logue; Jaxon  comedies;  16  two  reel  Tom  Mix; 
Gayety  comedies;  Outing-Chester  scenics;  two 
reel  Billy  West  and  Mack  Swain  comedies;  1 
reel  Screen  Snapshots;  2  reel  All  Star  Dominant 
Westerns;  Super  specials:  The  Handicap;  Mad 
Love;  Voices;  Uphill  Path.  Features:  Bachelor 
Apartments;  Captivating  Mary  Carstairs;  Headin' 
North,  and  The  Stranger  in  Canyon  Valley ;  2 
reel  Life  of  a  Cowpuncher;  Blue  Fox  serial; 
Confession ;  Shadows  of  Conscience ;  Mother 
Eternal ;  Calvary ;  Diamond  Carlisle ;  Girl  from 
Vocky  Point;  For  Love  of  Service;  The  Wrong 
Woman ;  The  Recoil ;  A  Bride's  Confession ;  The 
Forest  King;  Fountain  of  Youth;  Thou  Shall 
Not  Love;  Some  One  Must  Pay;  8  2  reelers  with 
Bobby  Burns;  IS  2reel  Hall  Room  Boys;  2  2 
reel  Johnny  Dooley ;  3  2  reel  Mack  Swain;  10  2 
Billy  West;  4  2  reel  Character;  2  2  reel  Kiddie; 
30  1  reelers.  Serials:  The  Blue  Fox  with  Ann 
Little;  The  Carter  Case  with  Herbert  Rawlinson ; 
The  Silent  Mystery  with  Francis  Ford;  The  Mas- 
ter Mystery  with  Houdini.  Two  reel  westerns : 
12  Leo  Maloney;  10  Franklin  Farnum ;  10  Harry 
Carey. 

True  Film  Company 

191 IJ/^  Commerce  St. — That  Something,  6; 
Neptune'e  Bride,  6;  The  Stranger,  5;  The  Souls 
of  Men,  5;  Hearts  of  the  World,  10;  Yankee 
Doodle  in  Berlin,  6;  The  Whip,  8;  Masque  of 
Life,  7;  The  Modern  Lorelei,  6;  Sins  of  the 
World,  5;  In  the  Days  of  Buffalo  Bill;  The 
County  Fair;  4  Al  St.  John  comedies;  His  Nibs; 
Burn  'Em  Up  Barnes;  The  Heart  of  the  North; 
Black  Panther's  Cub ;  Supreme  Passion,  and 
Women   Men   Forget. 

Independent  Film  Service  Co.  1717yi  Commerce 
St.,  also  in  Oklahoma  City,  Okla.,  and  Little 
Rock,  Ark.:  Specials:  Below  the  Deadline,  Dan- 
gerous Love,  The  Victim,  Chosen  Path.  Ten  Star 
Series:  The  Light  of  Western  Stars,  Playing 
Square,  Playthings  of  Passion,  The  Happy  Mai- 
querader,  A  Shadow  of  the  Past,  A  Man  in  the 
Open,  A  Question  of  Honor,  Adele,  Just  His  Wife, 
A  Man's  Fight.  Westerns:  Wolfe  Bayne,  Car- 
men of  the  Border,  Fighting  Grin,  The  Renegade, 
Fighting  Mad,  Heart  of  the  Desert,  The  Old  West, 
The  Santa  Fe  Terror,  Hero  of  the  Hour,  Man 
from  Montana,  Sheriff  Jim.  Seven  Westarts: 
Cotton  and  Cattie,  Cowboy  Ace,  The  Range  Pi- 
rate, Rustlers  of  the  Night,  Flowing  Gold,  Ont 
of  the  Clouds,  Trail  to  Red  Dog,  with  Al  Hart, 
and  15  two-reel  Shorty  Hamilton  westerns. 
SAN  ANTONIO — 

Independent  Film  Exchange 

303  W.  Commerce  St. — Features  one  reel 
comedies  and  two  reel  comedies,  one  and  two 
reel  Western  subjects;  serials. 

UTAH 

SALT  LAKE  CITY 

McDermond  Theater  Amusement  Co.,  147  Re- 
gent St.:  Clara  Kimball  Young  Specials  1920-21, 
Famous  Jester   Comedies,   Westerns. 

Superior  Screen  Service,  Inc.,  147  Regent  St. ; 
Clara  Kimball  Young  Specials  1920-21,  Famous 
Jester  Comedies,  Westerns,  and  practically  all  of 
the  releases  of  Clark-Cornelius,  Lee-Bradford,  C. 
C.  Burr  and  Al  Lichtman  Prod. 

SEATTLE-  WASHINGTON 

Erin   Film   Exchange 

2006  3rd  Ave. — Distributors  for  Warner  Bros. 
Productions.  Heroes  of  the  Street,  Brass,  Rags 
to  Riches,  A  Dangerous  Adventure,  Beautiful  and 
Damned,  Main  Street,  Little  Church  Around  the 
Corner,  School  Days,  Why  Girls  Leave  Home. 
Your   Best  Friend. 

De  Luxe  Feature  Film  Co. — 

308  Virginia  St. — Isobel,  County  Fair,  Kazan, 
The  Mask,  Man  Worth  While,  Daughter  of  Devil 


Dan,  Sport  of  Kings,  Dangerous  Pastime, 
Country  God  Forgot,  Stranger  Souls  of  Men, 
Sins  of  the  World,  Sky  Eye,  Neptune  s  Bridge, 
The  Whip,  Man  From  Hell's  River,  Jhe  Sage- 
brush Trail,  Dempsey-Carpentier  Fight  Picture, 
Trove's  Penalty,  Frivolous  Wives,  Tony  barg 
Almanacs;  Al  Lichtman  Corp.  releases  and  entire 
output   of   Western   Pictures   Exploit.    Co. 

Greater  Features,  Inc.  o  ,.    t    i 

2010  Third  Ave.  (also  Denver.  Salt  Lake 
Seattle  Exchange).— Chester  Animal  (Snool^y] 
comedies-  Monty  Banks  comedies;  Federated 
HaTl  Roo^  Boys  comedies;  Chester  Jumor  «:ome- 
dies;  Tiffany  (Warner  Bros.)  comedies ^  Fed- 
erated Screen  Snapshots;  Miracles  of  the 
Jungle;  Servant  in  the  House;  The  Good  Baa 
Wife;  Hearts  and  Masks;  Dangerous  Toys 
The  Midlanders;  Penny  of  Top  Hill  TraiiL  All 
subjects  released  through  Federated  F''™  Ex- 
changes of  America,  Inc.  Neal  Hart  features 
(1921)  releases);  David  Butler  series;  When 
Dawn  Came;  The  Woman  He.  Chose;  Honey- 
moon Ranch;  West  of  the  R.o  Grande;  The 
Unfortunate  Sex;  It  Might  Happen  To  You. 
The  Lost  City  (Warner  Bros.,  serial) ;  The  Tiger 
Band  (Warner  Bros.,  serial);  Hank  Mann  come- 
dies;  Muriel  Ostriche  Comedies;  Billy  West 
comedies;  Alice  Howell  comedies;  Hall  Room 
Boys  comedies  (1920-21  series);  Al  St.  John 
comedies;  Gumps  cartoons;  Celebrated  come- 
dies;   Gaiety    comedies;    White    Cap   comedies. 

Salt  Lake  and  Denver  Exchanges— Chester 
Animal  (Snooky)  comedies;  Monty  Banks  come- 
dies; Federated  Hall  Room  Boys  comedies; 
Chester  Junior  comedies;  Tiffany  (Warner 
Bros.)  comedies;  Federated  Screen  Snapshots; 
Miracles  of  the  Jungle;  Servant  in  the  House; 
The  Good  Bad  Wife;  Hearts  and  Masks;  Dan- 
gerous  Toys;  The  Midlanders;  Penny  of  Top 
Hill  Trail.  All  subiects  released  through  Fed- 
erated Film  Exchanges  of  America.  Neal  Hart 
features  (1921  releases');  When  Dawn  Came;  The 
Woman  He  Chose;  The  Tiger  Band  (Warner 
Bros.,  serial);  Muriel  Ostriche  comedies;  The 
Gumps  cartoons;  Celebrated  comedies:  White 
Cap  comedies;  Felix  Cartoons,  How  to  Make  a 
RaSio  for  Sixty  Cents,  C.  B_.  C.  product;  Girl 
From  Rocky  Point,  Forest  King,  Fatal  30,  Able 
Minded  Lady. 

Kwality   Pictures,    Inc. 
2006    Third    Ave. — Warner    Bros.    Attractions. 
Eobinson-Walker  Co.,  Ltd. 

Arctic  Bldg. — Primarily  interested  in  pur- 
chase of  pictures  for  Orient.  Exchange  in 
Shanghai.  Occasionally  tiictures  for  local  terri- 
tory especially  those  available  for  Seattle  terri- 
tory   and    China. 

Seattle  Film  Exchange 

2022  Third  Ave. — Features:  Lester  Cuneo, 
series  of  5  reel  Westerns;  Miss  Arizona;  Acci- 
dental Honeymoon;  The  Fatal  30;  Ireland  in 
Revolt-  Law  of  the  Northwoods;  Folks  from 
Way  Down  East;  Circumstantial  Evidence;  Five 
Nights;  Her  Second  Husband;  Her  Husband  s 
Honor;  Loves  Law;  Jesse  James;  Gloria  Joy, 
series  of  five  reel  comedy  dramas;  Ghost  ot 
Rosy  Taylor.  Short  subjects:  Mack  Swain,  2; 
Tusun,  2;  Tusun,  1;  Denver  Dixon,  1 ;  Fritzi 
Ridgeway  2;  Frank  Braidwood  and  Marcella 
Pershing,  2;  Harry  Carey,  2;  Succesi  scries,  2; 
Mary   Pickford,   2. 

WEST  VIRGINIA 

CHAELESTON — 

Gilmore  Picture  Exchange 

920  Quarrier  St. — Civilization:  Still  Alarm: 
Road  to  Tears;  Crimson  Shoals;  Spoilers  of 
Souls;  Ignorance;  Tempest  and  Sunshine;  Bar- 
rier Between;  Girl  from  Nowhere;  Mothers  Love 
and  the  Law;  Demon  Shadows  (serial);  Stolen 
Fortune  (serial);  12  two  reel  Western  (Frankhn 
Farnum);  12  American  single  reel  comeihes;  .< 
Chaplins;  Ignorance;  Finger  of  Justice  and 
Mickey-  The  Ne'er  Do  Well;  Stolen  Orders; 
His  Daughter  Pays;  The  Finger  ot  Justice; 
Millionaire  Baby;  Shadow  of  Fears;  (Jne  Hour; 
Sunset  Prince;  Jaffery ;  Web  of  Intrigue;  I'lre 
of   Hope;    Marriage   Bond. 


393 


WISCONSIN 

MILWAUKEE— 

Wisconsin  Film  Corp. 
403  Toy  Bldg. — Birth  of  a  Nation;  Mickey; 
Eyes  of  Youth;  Forbidden  Woman;  Soul  of 
Rafael;  Mid-Channel;  Carmen  of  the  Klondike; 
Days  of  Daring;  Lost  Battalion;  Everybody's 
Business;  Superman;  Some  Nerve;  Tillic'* 
Punctured  Romance;  Custer's  Last  Fight; 
Satan's  Pawn;  Jim  Cameron's  Wife;  His  Hour 
of  Manhood;  Lightninf?  Bryce  (serial);  Lurking 
Peril  (serial);  Love  Without  Question;  Some- 
one Must  Pay;  Lone  Hand;  Midnight  Riders; 
Outlawed;  Fighting  Bill;  Western  Adventurer; 
Hearts  of  the  West;  Western  Pep;  Montana 
Bill;  Broadway  Buckaroo;  Wolf  Bayne;  Carmen 
of  the  Border;  Fighting  (jrin;  Renegade;  Fight- 
ing Mad;  Heart  of  the  Desert;  The  Old  West; 
The  Sante  Fe  Terror;  The  Hero  of  the  Hour; 
The  Man  from  Montana;  Sheriff  Jim;  Buffalo 
Bill;  Bandit  and  the  Preacher;  The  Two  Gun 
Man ;  In  Hell-Hound  Alaska ;  Wm.  Fairbanks' 
w  psterns. 

Walter  A.  Baier  Film  Co.,  412  Toy  Bldg.: 
Hearts  of  the  World,  The  Vigilantes,  Wolves  of 
the  Street,  Once  to  Every  Man,  The  Great  White 
Trail,  The  Desert  Scorpion,  Fool's  Gold,  The 
Natural  Law,  4  Tex  detective  dramas  (5  reels 
each),  The  Finger  of  Justice,  Series  of  2  reel 
Helen  Gibson  railroad  dramas.  Reclaimed,  Bachelor 
Apartments,  Window  Opposite,  Virtuous  Sinners, 
The  Deceivers,  14  Jack  Hoxie,  5 ;  6  Franklyn 
Farnum  5 ;  Silk  Husbands  and  (Talico  Wives ; 
Up  in  Mary's  Attic,  Golden  Trail,  A  Woman's 
Man,  Mother  and  the  Law,  Great  White  Trail, 
LiDcury;  8  Neal  Hart's;  3  David  Butler's;  4 
Neva  Gerber's ;  and  4  Peter  B.   Kyr,e's. 

Mid-West  Dis.  Co.  Features:  Man  From  Hell's 
River,  The  Sagebrush  Trail,  Flesh  and  Blood, 
Shadows  of  Conscience,  Out  of  the  Dust,  When 
Dawn  Came  7,  Dangerous  Love  5,  Open  Your 
Eyes  7,_  The  Heart  of  a  Woman  5,  The  Confession 
7,  Bessie  Love  in  Bonnie  May  6,  Out  of  the  Dark- 
ness 6,  Infatuation  of  Youth  6,  Fall  of  a  Saint  6, 
Husbands  and  Wives  6,  Nobody's  Girl  5,  Woman 
7,  Hearts  of  Men  6,  Dr.  Jekyll  and  Mr.  Hyde  5, 
Crimson  Shoals  6,  When  the  Desert  Smiled  5, 
Tempest  and  Sunshine,  Olympian  Feature  Pro- 
ductions. Two  reelers :  ComiCIassic  Comedies, 
Comedyarts,  Charlie  Conklin,  Character  Comedies, 
Kiddie  Comedies,  Hall  Room  Comedies,  Muriel 
Ostriche  Comedies,  Monte  Banks  omedies,  Chris- 
tie Comedies,  Ben  Turpin  Comedies,  Texas  Gui- 
nan  Westerns,  Tom  Mix  Westerns,  Fritzi  Ridge- 
way  Westerns.  Serials :  The  Lost  City,  In  the 
Clutches  of  the  Hindu,  The  Fatal  Fortune,  The 
Carter  Case,  The  Master  Mystery.  One  reelers : 
Al  Haynes  (Comedies,  made  by  Christie;  New  Ovey 
Comedies,  Christie  Comedies,  Spotlight  Comedies, 
Hank  Mann  Comedies,  Monkey  Comedies,  Mack 
Swain  Comedies,  Gaumont  Pictorials,  Sunset  Bur- 
rud  Scenics.  12  American  reissues,  Russel-Min- 
ter-Holmes. 

Kay  Bee  Dist.  Co.,  Toy  Bldg.:  The  Golden 
Trail  6,  Silk  Husbands  and  Calico  Wives  6,  Wom- 
an's Man  5,  The  Mother  and  the  Law  7,  Up  in 
Mary's  Attic,  Reclaimed,  Bachelor  Apartments  5, 
Window  Opposite,  Franklyn  Farnum  in  six  5  reel 
westerns.  Jack  Hoxie  in  four  5  reel  westerns, 
Tex  Series  of  four  5  reel  dramas.  Heart  of  Texas 
Ryan,  Once  to  Every  Man,  Fool's  Gold,  Wolves 
of  the  Street,  The  Desert  Scorpion,  Country  God 
Forgot,  Great  White  Trail,  series  of  twelve  2  reel 
western  railroad  dramas,  featuring  Helen  Gibson ; 
series  of  twelve  2  reel  western  dramas,  featuring 
Harry  Carey ;  Virtuous  Sinners,  Luxury,  De- 
ceiver, Spinner  of  Dreams,  Hearts  of  the  World, 
Jack  Hoxie,  new  series;  Hills  of  Hate,  Broken 
Spur,  Devil  Dog  Dawson  and   Cupid's  Brand. 

Exhibitors  FUm  Exchange,  B.  K.  Fischer,  Gen. 
Mgr.,  Toy  Bldg.:  The  Parish  Priest  6,  The  Call 
From  the  Wild  5,  Blind  Love  6,  The  Man  of 
Courage  5,  The  Woman  of  Mystery  5,  The  Evo- 
lution of  Man,  animal  novelty,  6.  Blind  Circum- 
stances; For  Love  of  the  Service;  The  Hate 
Trail;  The  Recoil;  Diamond  Carlisle;  The 
Thoroughbred;  The  Crimson  Clue;  Pals  of  the 
West. 


LIST    OF    CLUBS,    SOCIETIES 
AND    UNIONS 

CHICAGO 

Associations 

Actors'  Equity  Assn.,  1032-33  Masonic  Temple 
Building. 

Allied  Amusement  Assn.,  220  S.  Stale  St. 

Chicago    Opera   Assn.,   Inc.,    58   E.    Congress   St. 

Chicago   Opera  Assn.,   Inc.,   1701    S.   Wabash  Ave. 

Civic   Music   Assn.   of   Chicago,   410    S.   Mich.   Ave. 

Drama   League   of  America,   59   E.   Van    Buren    St. 

National  Assn.  of  y\musement  Parks,  A.  R. 
Hodge,  secy.,  care  Riverview  Park  Co.,  Chi- 
cago,   111. 

Natl.  Bureau  for  Advancement  of  Music,  410 
S.    Michigan    Ave. 

Poster    Adv.    Assn.,    Inc.,    407    S.    Clinton    St. 

Showmen's  League  of  America,  177  North 
Clark    St. 

United    Film    Carriers'    Assn.,    220    S.    State    St. 
Clubs 

Apollo    Amusement    Club,    243    S.    Wabash    Ave. 

Chicago   Drummers'   Club,   175   W.   Washington   St. 

Chicago   Mendelssohn    Club,    64    E.    Van    Buren    St. 

Chicago   Musicians'    Club,    175    W.   Washington    St. 

Opera   Club,   56   E.   7th   St   . 

Trade   Unions 

American    Musicians    Office,    218    S.    Clark    St. 

Musicians   Prot.   Union,   3834   S.    State  St. 

CINCINNATI,    O. 

Associations 

Moving    Picture    Mach.    Operators,     132    W.     5th. 

Musicians    Headquarters,    Local   No.    1,   A.    F.    of 

M.   Mercer  &  Walnut   Sts. 
Theatrical  Mechanical  Assn.,  132  W.  5th  St. 

NEW    YORK 

Associations 

Actors'    Fund    of    America.    Broadway    &    47th    St. 

Actors'    Equity    Assn.,    115    W.    47th    St. 

Actors'    Equity    (Motion    Picture   Agency)    229    W. 

51st   St. 
American    Artists'    Federation,     1440    Broadway. 
American   Dramatics   &   Composers,  148  W.  45th  St. 
American    Federation   of   Musicians,  110  W.  40th  St. 
American    Guild    of    Organists,    29    Vesey    St. 
American    Society    of    Composers,    56    W.    45th    St. 
Associated    Actors    &    Artists    of    America,     1440 

Broadway. 
Assn.    of    America    Music,    123    W.    48th    St. 
Authors'    League,    41    Union    Square. 
Catholic  Actors'  Guild,  220  W.  42nd  St. 
Chicago    Opera   Assn.,    33    W.    42nd    St. 
Chorus   Equity  Assn.,   229   W.    51st    St. 
Civic    Concerts    Assn.,    1    W.    34th    St. 
Drama   Society,    131    E.    15th   St. 
Dramatists'    Guild,    41    Union    Square. 
Eastern    Theater    Man.    Assn.,     1476     Broadway. 
Eastern    Vaudeville    Man.    Assn.,    1493    Broadway. 
Forrest  Dramatic  Assn.,  260  W.   45th  St. 
French    Dramatic    League,    32    W.    57th    St. 
Grand    Opera    Choir    Alliance,     1547     Broadway. 
Internat'I     All.     of     Theatrical     Stage     Employees 

and  Moving  Picture  Operators,  110  W.  40th  St. 
International      Music      Festival     League,      113      E. 

34th    St. 
Interstate    Exhibitors'    Assn.,    467    Broadway. 
Jewish    Pub.    Service    for    Theat.    Enterprise,    1400 

Broadway. 
M.  P.  T.  O.  Assn.  of  the  World,  Inc.,  32  W.  47th  St. 
Motion   Picture   Directors'  Assn.,   234   W.    55th   St. 
M.    P.   Theater    Owners   of  America,    1482    B'dway. 
Music    League    of   America,    1    W.    34th    St. 
]\Iusic   League   of   America,    8   E.    34th   St. 
Music    Pub.    Prot.    Assn..    56    W.    45th    St. 
Musical  Alliance  of  the  U.    S.,   Inc.,    501    5th  Ave. 
Musical   Art    Society,    33    W.    44th    St. 
National      Assn.      of      Harpists,      Inc.,      63      River 

Drive. 
Natl.    Bureau  for  the  Advancement   of  Music,    105 

\V.    40th   St. 
Photoplay    League    of    America,    25    W.    45th    St. 
The  Players,   16  Gramercy  Park. 
Professional    Women's    League,    144    W.    55th    St. 
Road   Men's  Assn.,   676-  8th  Ave. 
Society    of    America     Dramatists,     Composers,    220 

W.    42nd    St. 


394 


Stage   Society  of  New  York,   8.   W.    40th    St. 
Stage   Women's   War    Relief,    38   W.    48th    St. 
United    Scenic    Artists'    Assn.,    161    W.    46th    St. 
Vaudeville    Managers    Prot.    Assn.,    701     7th    Ave. 

Clubs 
Amateur  Comedy   Club,    ISO   E.   36th   St. 
Authors'    Club,    Carnegie   Hall. 
Burlesque    Club,    125    W.    47th    St. 
Burlesque  Club,   161    E.   44th   St. 
Cinema    Camera    Club,    220    W.    42nd    St. 
Dressing    Room    Club,    124   W.    131st    St. 
Film  Players'   Club,   138   W.   46th   St. 
Friars'   Club,    110   W.   48th    St. 
Gamut    Club,    42    W.    S8th    St 
Green    Room    Club,    139    W.    47th    St 
Hawaiian    Musical    Club.    160   W.    45th    St. 
Hebrew   Actors'    Club,    108   2nd   Ave. 
Hebrew   Actors'    Club,   40  2nd  Ave. 
Junior   Cinema    Club,   489    5th   Ave. 
Kiwanis    Club    of    New    York,    54    W.    33rd    St. 
The   Lambs,    128   W.   44th    St. 
The   Little  Club,  216  W.   44th   St. 
MacDowell   Club   of   New   York,    108   W.    55th   St. 
Metropolitan    Opera    Club,    139    W.    39th    St. 
Musicians'    Club    of    New    York,    14    W     12th    St. 
National  Travel   Club,  31   E    17th   St. 
The  Newspaper  Club,  133  West  41st  St. 
Rehearsal   Club,  335   W.   45th   St. 
Rotary    Club   of   New    York,    Hotel    McAlpin. 
Three    Arts    Club,    340   W.    85th    St. 
Travel    Club    of    America.    Grand     Central    Palace. 
Twelfth  Night  Club,  47  W.  44th  St. 

Trade    Unions 
I.   A.   T.   S.    E.,   Local   35,    1547    Broadway. 
Motion   Picture   Operators,   101   West  45th,   N.   W. 

cor.    6th   Ave. 
Musical    Mutual    Prot.    Union,    201     E.    86th    St. 
Musical      Union      New      York      Federation,      1253 

Lenox   St. 
Theatrical    Prot.   Union,   No.    1,    1482    Broadway. 

PITTSBURGH,     PA. 
Unions 
Billposters'   Union,    No.    3,   235    Fifth  Ave 
I.   A.    T.    S.    E.,   Magee    Bldg.,    Webster  Ave. 
M.   P.   M.   O.,   1033   Forbes   St. 
Musicians,    No.    60,    of    A.    F.    of    M.,    Manufac- 
turers   Bldg.,    Duquesne   Way. 

PHILADELPHIA,     PA. 
Associations 

Philadel.    Actors'    Progressive    Assn.,    133    N.    8th. 

Trade  Unions 
Internatl.     Alliance     Theatrcl.      Stage     Enip.     409, 

36    S.    16th. 
Internatl.    Alliance   Theatrcl.    Local   8,    Heed    Bldg. 
Moving    Picture    Mach     Oprtrs.    Union    Loc.    307, 

1327   Vine. 
Musicians'    Union    Penna.,    610    N.    10th. 
Musicians'     Protective    Assn.,     Loc      Union    A.     F. 

of   M.,    118    N.    18th. 

KANSAS    CITY,     MO. 
Clubs 
Musicians'    Club,    1017    Washington. 

Trade   Unions 
Moving    Picture    Operators'    Union,    813    Walnut. 

SAN      FRANCISCO,      CAL. 

Clubs 
Accordion  Club,    1521    Stockton. 
Players    Club,    1757    Bush. 

Trade    Unions 
Moving   Picture   Operators,    109   Jones. 
Musicians'    Union    Local    6,    68    Haight. 
Theatrical    Stage    Employees    Local    16,    68    Haight. 

ST.      LOUIS 

Clubs 
Benton   Dramatic   Club,   2653   Ohio. 
Musicians'   Club,   3535    Pine. 
Phoenix   Musical   Club,    1712   S.   3rd. 
St.    Louis   Symphony    Orchestra,   Univ.    Club    Bldg. 

Associations 
Musicians'    Mutual     Benefit    Assn.,     3535     Pine. 

Magician's    Societies    and    Clubs 
Baltimore,       Md.  :       Felicion       Trewey       Assembly 
(No.    6,    S.    A.    M.),    R.    W.    Test,    secy.,    13    W. 
Baltimore    St. 


Boston,     Mass.;    Assembly     (No.    9,    S.    A.     M.). 

Dr.   Edward   F.   Welch,  secy. 
Buffalo,     N.     Y. :     Society     of     Magicians,     J.     P. 

Ornson,    secy.,    52    Eureka    Place. 
Canton,    O.  :    Magic    Crafters.    C.    T.    Mills,    secv., 

620    Sherb    Ave.,    N.    W. 
Chicago,     111.:     Assembly     (No.     3.     S.     A.     M.). 

Thos.       McDonald,       secy.,       5730       Washington 

Blvd. 
Cincinnati,     O. :     Magicians'     Club.       Geo.     Stock, 

pres.,    1322    Sycamore   St. 
Cincinnati,     O.  :     Queen     City     Mystics     (No.     11, 

S.    A.    M.).    L.    P.    Guest,    secy.,    11    W.    7th    St. 
Detroit,   Mich.:   Assembly    (No.   5,   S.  A.    M.).     H. 

E.    Cisle,    secy.,    5250    Beaubion    St. 
Detroit,   Mich.  :    Society  of  Magicians,  F.   H.   King, 

secy.,    351    Puritan    Ave.,    Highland    Park. 
Los    Angeles,     Calif. :     Society    of    Magicians.       T. 

VV.    McGrath,    secy.,    334    San    Pedro    St. 
Lyons,     N.     Y.  :       Wayne    Wizards'     Assn.       Gene 

Gordon,    secy.,    4    Queen    St. 
Minneapolis,    Minn.  :    Mystic    Circle.      J.    F.    Tyler, 

secy.,   207    S.    5th    St. 
Nashville,    Tenn.  :    Society    Magique.      T.   J.    Craw 

ford,    secy.,    810    Broadway. 
Newark,    N.    J.  :    Magicians.      J.    McKnight,    secy., 

105    Emmett    St. 
New     Orleans,     La. :     Magicians'     Club.        G.      E. 

Pearce,    secy.,    607    Maison    Blanche    Bldg. 
New    York :      Knights   of    Magic :    J.    J.    McManus. 
^124   E.   58th   St. 
New     York:      National     Conjurers'     Assn.     F.     M. 

Schubert,     pres.;     E.     M.     Applegit,     secy.,      18 

McDonnough    St.,    Brooklyn. 
New      York :        Society     of     American     Magicians 

(Parent      Assembly).        Harry      Houdini,      pres., 

278    W.     113th     St.;     Richard    Van    Dien,    secy.. 

230   Union    St.,   Jersey    City,    N.    J. 
Omaha,     Neb.:     Assembly     (No.     7,     S.     A.     M.). 

A.    A.     Schrempp,    secy.,    954     S.     50th    St. 
Philadelphia,      Pa.  :      Assembly      (No.      4,      S.      A. 

M.).      J.     C.     Wobensmith,    secy.,    954     S.     50th 

St. 
Pittsburg,      Pa. :      Assn.      of     Magicians.        H.      A. 

Weitzel,  secy.,   600   Savoy  Theater  Bldg. 
Portland,     Ore.:     Magical     Society.       E.    J.     Lude- 

man,   secy.,   249   Clay   St. 
St.     Louis,     Mo.:    Assembly     (No.    9,     S.    A.    M.). 

R.    G.    Williams,    secy.,    326    Wainright    Bldg. 
San     Francisco,     Calif. :      Golden      Gate     Assembly 

(No.    2,    S.   A.    M.).      H.    R.   Jacobs,    secy.,    225 
Montgomery   St. 
Syracuse,      N.      Y. :       Central      City       Society      of 
Magicians.        C.     R.     Glover,     secy.,     391     Cort- 
land   Ave. 
Toledo,    O. :    Magicians'    Club.      V.    D.    Barbour, 

secy.,   2421    Scottwood   Ave. 
Wheeling,     W.     Va. :     Wizards      Paul     R.     Semple, 
secy.,   806  Walnut   St. 

Amer.    Fed.    of    Musicians 
Jos.   N.   Weber,    Pres.,    110-112   W.   40th    St.,   N.   Y. 

City. 
W.  J.   Kerngood,   Secy.,  3535   Pine,   St.   Louis. 

Executive  Committee 
C.  A.  Weaver,  Musicians'  Club,  Des  Moines.  la. 
A.  C.  Hayden,  1011  B  St.,  S.  E.  Washington,  D.  C. 
Frank  Borgel,  68  Haight  St.,  San  Francisco,  Cal. 
H.  E.  Brenton,  110  W.  40th  St.,  New  York,  N.  Y. 
C.    A.    Carey,    170    Montrose,    Toronto,    Ont.,    Can. 

Billposters    Asso.    United    States    and    Canada 
Wm.     McCarthy,     Internatl.     Secy.,     821     Longacre 

Bldg.,   New   York   City. 
John   Jilson    Internatl     Pres.,    63    W.    Randolph    St., 

Chicago.  •  L„,3i, 

Atlanta,  Ga.,  J.  J.  Schafer,  secy.,  321  Washington 
St. 

Baltimore,  Md. — Oscar  H.  Henning,  secy.,  3919 
Roland  Avenue. 

Boston,  Mass. — Thomas  Noonan,  secy.,  Little  Bldg. 

Cincinnati,  O. — Thomas  Corby,  Strand  Theater 
Bldg. 

Kansas  City,  Mo.^I.  C  Hyre,  secy.,  P.  O.  Box 
727. 

Los  Angeles,  Calif. — C.  Busby,  secy.,  1401  Wright 
St. 

New  Orleans,  La. — L.  Nebel,  secy.,  1735  Louis- 
iana Ave. 

St.  Louis,  Mo. — Walter  Gazzolo,  secy.,  4244  En- 
right    St. 


395 


The  Golf  Tournaments 


Two  golf  tournaments  were  held  during  1922  for 
film  folk  under  the  auspices  of  THE  FILM 
DAILY.  The  first  was  held  in  the  Spring  at 
Oak  Ridge  Golf  Club,  Tuckahoe,  and  the  second 
in  October  at  Sound  View  Golf  Club,  Great  Neck. 
At  the  Spring  tournament  Will  Morrissey,  of 
the  Eddie  White  Studios,  won  tlie  Motion  Pictvire 
News  Trophy  for  low  net  and  a  leg  on  THE 
FILM  DAILY  trophy.  Tom  Moore,  Rialto  Thea- 
ter, Washington,  the  Warner  Bros,  trophy  for  the 
low  gross  and  John  C.  Flinn  was  the  low  gross 
runner  up,  winning  the  Moving  Picture  World  tro- 
phy. Felix  Feist  won  the  Motion  Picture  News  low 
net  runner  up  cup  and  George  Brown  won  the 
Richey  Lithograph  Duflfer's  trophy. 

In  the  Fall  event  Earl  W.  Hammons  Educa- 
tional Films,  won  the  low  gross  trophy  offered  by 
Reuben  Samuels,  Inc.,  and  a  leg  on  THE  FILM 
DAILY  trophy.  C.  W.  Diebel,  Youngstown,  Ohio, 
won  the  low  gross  runner  up  trophy  offered  by 
Warner  Bros.,  George  C.  Wilson,  Baltimore,  won 
the  Warner  Bros,  low  net  trophy,  and  Tom  Moore 
who  tied  for  first,  won  the  runner  up  Motion  Pici- 
ture  News  trophy. 

Practically  all  who  attended  the  Fall  event  were 
present  at   the   .Spring  tournament,   but   there  were 
many    additional    players    and    visitors    at    the    Fall 
gathering,  including: 
Abrahams,   L.,   Craftsmen  Lab. 
Adolphi,  John,   Whitman   Bennett   Studios. 
Aitken,    Roy. 

Alden,  Percy  S.,  M.   P.  News. 
Alicoate,  Jack,  The  Film  Daily. 
Anderson,   R.  V.,  International  News. 
Aronson,  Al. 
Bachmann,  J.   G.,   Preferred   Pictures. 

Baum,    I^ouis,    Equity   Pictures, 
Beach,   Frank  A.,  United  Artists. 
Beecroft,    Fred,    News. 

Bennett,  Whitman.  Whitman   Bennett  Studios. 

Benson,    Bernhard,    Pathe. 

Bernstein,    David. 

Blumberg,   Milton. 

Botsford,  A.   M.,   Famous   Players. 

Boynton.    Lawrence,    Exhibitors   Trade    Review. 

Brady,  Hy,  Bayside,  L.  I. 

Bradley,   Bill,   123  W.  40th  St. 

Brockell,  F.  M.,  Asso.  First  Nat'l. 

Brown,   Geo.,   Universal. 

Bryant,    Chas.    Nazimova    Prod. 

Burr,    Charlie.    Master   Prod. 

Butts,    Worthington. 

Cameron,    Rudolph,    Lambs    Club. 

Campbell,  H.  D.,  Seaboard  Nat'l  Bank. 

Christie,    Chas. 

Creske,  H.,    19   W.   44th   St. 

Cron,   James   A.,    Film    Daily. 

Danby,   Robert,   J.,   Ivan   B.   Nordheim   Co. 

Dannenberg,   J.,   Fihn   Daily. 

Davidson,    Wm.,   care   Chas.    Bryant,   Metro. 

Day,   F.   H.,   care   Preferred   Pictures. 

De   Fabritis,    Walter,    Barnes    Printing    Co. 

Deibel,   C.   W.,   care   Motion   Picture   News. 
(Liberty    Theater,    Youngstown). 

Dillenbeck,  A.  O.,  Hanff-Metzger  Co. 

Donaldson,   J.   W. 

Drucker,  Jack. 

Dunning,   Carrol,  H.  Prizma,   Inc. 

Eschmann,  E.  A.,  Pathe,  Inc. 

Evans,   Tom,  Evans   Film   Co. 

Feinman,   AL,   Warners. 

Feist,   F.,  Joseph   Schenck. 

Ferber,  Jack. 

Field,  S.  B.,  Eggers  Engraving  Co. 

Fields,   H     M.,  Penn.   Hotel. 

Frank,  W.  B.,  Asso.  Exhib. 

Friedman,  Leopold. 

Fritts,  John  P.,  A.   S.  Kane  Offices. 

Gallup,  Geo.    B.,   Hodkinson   Corp. 

Garrett,    Sidney   Inter-Globe  Export   Co. 

Gaylord,  Eddie. 

Geraghty,  Tom  T.,  Famous  Players. 

Gillett,   E.    Kendall,    M.    P.    News. 

Gilroy,   Allen,    Hodkinson. 

Gilroy,    Foster,    Hodkinson. 

Glucksman.  Jacob,  care  Max  Glucksman. 

Goodfield,  Mr. 


Greene,  J.  I.,  Asso.  Exhibitors. 
Grey,  Albert  H.,  303   Longacre   Bldg. 
Griffing,    Ed.    Stetson. 
Gulick,  Earle,  O.  J.  Gude  Co. 
Gulick,    Paul,  Universal. 
Hall,   Frank   G. 

Harper,  H.  W.,  Newark.  ,  ^.,       -n.     , 

Hammons,  E.   W.,  Educational  Film  Exch. 
Healey,  A.,  Vitagraph. 
Hedwig,    Mr.  ,     . 

Henry,  T.  Y.,  United  Artists. 
Howells,  Benj.  F.,  David  P.  Howells,  Inc. 
Hurn,   H.   H.,   Hodkinson 
Hurst,    Wm.,    O'Hagen.    Whitman    Bennett. 
Johnston,  Wm.,  M.  P.   News. 
Tones,   Aaron,    (Not    Playing). 
Kahn,  Ralph,  Famous  Players. 
Kane,  A.   S.,  Asso.   Exhib. 
Kann,  Maurice  E. 
Karpen,  Al. 

King,  Henry,  Inspiration  Pictures. 
Knoles,   Harley. 

Kohn,   Stuart  M.  Howell  Sales  Co. 
Leahy,    Mr. 
Lewis,   Edgar. 
Loew,    David,    Metro. 
Loew,  Arthur,  Metro. 
Loew,    Marcus. 

Lovghborough,    J.    M.,    First    Natl. 
Lynch,  Tony.  ^  ,  ,.  ,.        n 

MacEwen,  John,  Wyanoake  Publishing  Co. 
MacLoon,    Louis,    Morosco. 
McConnell,   Fred.,  Universal. 
McFarlane,  Wm.,  care  Felix  Feist. 
McGovern,  J.,  Evans  Film  Lab. 
McGovern,    Chas.,    126   W.   46th   St. 
Manchester,    S. 
Marcus,  Lee.,  F.   B.   O. 
Mastbaum,  Jules,  Stanley  Co.  of  America. 
Meador,  Jack,   Metro. 
MiUigan,  W.  P.,  M.  P.  \Vorld. 
Milligan,  James,   M.   P.  World. 
Morgan,   Oscar  A.,   Cosmopolitan. 
Mooney,  Paul,  Louis  B.  Mayer  Prod. 
Moore,   Tom,    Rialto   Theater. 
Morrissey,  Raymond,  White  Studios. 
.     Morrissey,    Frank,    100  William   St. 

Noble,  John  W.,   Sound  View   Golf  Club. 

North,    Bobby,   Apollo   Exchange.  . 

Northrup,  Stanton,  J.,  Exh.  Trade  Review. 

Pawley,  Raymond,  Hodkinson. 

Pearson,   E.   R.,   Pathe,   Inc. 

Perrin,  Dwight,  N.  Y.  Tribune. 

Pinkerton.   C.   S.,   First  National. 

Reed,  Luther  A.,  Metro.  .     „    ,^  ^      , 

Reichenbach,  Harry,   Louis   B.   Mayer   Prod. 

Riley,   W.  J.,   Cine-Mundial. 

Ritchey,  J.  V.,  Ritchey  Litho. 

Rollo,   Stanley,  J.,   Clark   Cornelius   Corp. 

Rothenberg,  F.  N.,  Wyanoake  Pub.  Co. 

Rothstein,   Nat.,   F.    B.   O. 

Rogers,  Chas.  R.,   1493   Broadway. 

Ryan,  James,  Fox. 

Salzburg,  Henry  L.,  Famous  Players. 

Samuels,   Reuben. 

Saunders,  E.  M.,  Metro. 

Sax,  Sam.,  L.,  Weber  &  Bobby  North. 

Schmid,    Alfred    R. 

Schmidt,  Artie,  Universal. 

Schreiber,  Win,  Ascher  Bros. 

Schnitzer,  Joe,   F.   B.   O.  ^.       .       .  ^,      , 

Schwab,  Frank  M.,  Wm.  Fox  Circuit  of  Theaters. 

Seeman,  Clark  Cornelius  Corp. 

Seery,   Roy,   First   Nat'l. 

Seymour,    W.    F.    Hadkmson.  .     „    n    .u     i  u 

Seligsberg,  W.  N.,  Seligsberg,  Lewis  &  Rothschild. 

Sheldon,  E.   Lloyd,  Metro. 

Sloman,  Edward. 

Small,  Edward. 

Smith,  J.   Boyce.  .„. 

Smith,  E.  L.,  Inspiration  Pictures. 

Smith,  Cortlandt,  M.  P.  Producers  &  Dist.  Assn. 

Stebbins,   Arthur. 

Stokes,  .Tames  S.,  Jr. 

Storey,  Jack,   Pathe. 

Stuart,  Max.   Barnes  Printing  Co. 

Tierney,  A.   S.,  Eckart  Insurance  Co. 


396 


Uffner,   Geo.   D.,  Universal. 

Vogel,   William. 

Walsh,   C.   K.   D.,   Prizma.   Inc. 

Warner,  Harry,  Warner  Bros. 

Warner,  Ernest  J.,  1476  Broadway. 

Webb,    Kenneth.    Whitman    Bennett    Studios 

Weiss,  Alfred   W.,   215   W.   98th   St. 

Welsh,    Robert    K. 

Welsh,   Robert  E..   M.   P.   World. 

White,  Edward,   White  Studios. 

Winick,   Lesley,   I.,   71    West  23rd   St. 

Winik,   Cecil. 

Winik,    Hy,    Western   Import   Co. 

Williams,  J.  D. 

Wilson,  Geo.   C,  Rivoli  Theater. 

Wilson,  Mr. 

Yates,  H.,  Republic  Lab. 

(Continued  on  page  409) 


LYCEUM    BUREAUS 

In  the  United   States  and  Canada 

Abbott    Lyceum     Bureau.    Williamstoii,     Midi.;    C. 

Lawrence  Abbott,   mgr. 
Acme     Lyceum     Bureau,     420     Clapp     Bldg..     Des 

Moines,   la. ;    W.    S.   Rupe,   G.    S.    Chance,   Helen 

H.    Sloan,    mgrs. 
Affiliated     Lyceum     and     Chautauqua    Assn.,     Inc., 

911    North   American    Bldg.,    Chicago,   111.;    L.    T. 

Alber,    pres. ;    C.    H.    White,    vice-pres. ;    T.    A. 

Burke,   secy. 
Alkahest     Lyceum     System,     Inc.,     Healy     Bldg., 

Atlanta,   Ga. ;   S.  Russell  Bridges,  pres. ;   Howard 

L.    Bridges,    secy-treas. 
Allen   Lyceum   Bureau,   Lima,   O. ;   Soren   C.   Soren- 

sen,    pres.    and   mgr. 
American  Artists'  Assn.,   824   N.   Pennsylvania   St., 

Indianapolis,    Ind. ;    Walter   A.    Huffman,   mgr. 
Antrim    Entertainment    Bureau,    1001    Chestnut    St., 

Philadelphia,  Pa. ;  C.  D.  Antrim,  pres.  and  mgr. ; 

Chas.   M.   Supples,  secy. 
Brown   Lyceum   Bureau,  Musical  Art  Bldg.,   Olive 

and    Boyle    Sts.,    St.    Louis,    Mo.;    Walter    H. 

Brown,   mgr. 
Cadmean    Lyceum    Bureau,    New    England    Bldg., 

Topeka,    Kan. ;    C.    Benj.    Franklin,    gen.    mgr. ; 

C.    K.    Linge,    director,    1130    Pratt    Blvd.,    Chi- 
cago,    III.;     Ralph     W.     Squires,     director,     415 

Euclid  Ave.,   Des   Moines,   la.,  Jas.   R.   Barkley, 

director. 
Central    Extension    Bureau,    Inc.,    Kimball    Bldg., 

Chicago,    111.;    Harry    P.    Harrison,    Dr.    W.    A. 

Colledge,   Walter   Hicks,   D.    C.   Young. 
Chicago    Circuit    Lyceum    Bureau,    850    Orchestra 

Bldg.,   Chicago,  111.;   Robt.   L.   Myers,  mgr.;   O. 

B.    Stephenson,    secy-treas. 
Coit-Alber,     Managers     of     Lecture     Celebrities,     1 

Madison   Ave.,   New   York   City,   H.   F.   Truman, 

mgr. 
Coit-Lyceum    Bureau,    2443    Prospect    Ave.,    Cleve- 
land,   O. ;    A.    C.    Coit,    pres. ;    L.   J.    Alber,    gen. 

mgr. ;    R.    E.    Barnette,    secy. 
CoitAlber   Lyceum    Bureau,   80   Boylston   St.,    Bos- 
ton, Mass. ;   Elbert  A.  Wickes,  mgr. 
Coit-Neilson  Lyceum   Bureau,   722   Highland   Bldg. 

Pittsburg,    Pa. ;    I.    M.    Neilson,    mgr. 
Columbia    Lyceum    Bureau,    Schloss    Bldg.,    116    N 

8th    St.,    St.    Joseph,    Mo.;    J.    A.    Dillinger,    gen 

mgr. ;    Delia   Nash,   secy. 
Columbian  Artists'   Union,  811    W.   24th  St.,   Okla 

homa  City,  Ok. ;  L.  E.   Crick,  mgr. 
Community    Lyceum    Bureau,    Aurora,    Mo. ;    Mar 

tin    T.    Pope,   mgr. ;    L.    O.    Wolcott,    secy.-treas 
Continental  Lyceum  Bureau,  508-511  Walker  Bldg. 

Louisville,  Ky.  ;   C.  W.  Hesson,  gen.  mgr. 
Co-Operative    I-yceum    Bureau,    Sullivan,    111. ;    W 

B.  Hopper,  mgr. 
Dennis     Lyceum     Bureau,     Wabash,     Ind.  ;     Leroy 

Dennis,   mgr. 
Dixie   Lyceum    Bureau,    510   Wilson    Bldg.,    Dallas 

Tex. ;    M.    C.   Turner,  mgr. 
Dominion     Lyceum,     Ltd.,     Lumsden     Bldg.,     To 

ronto,   Ont.,    Can. ;    R.  J.   Alber,   mgr. 
Edwards    Lyceum    Circuit,   Alexandria,    La. ;    Thos 

L.   Edwards,  mgr. 
Ellison-White    Lyceum    Bureau,     Broadway    Bldg. 

Portland,  Ore. ;  C.  H.  White,  gen.  mgr. ;  Walter 

Ricks,  bureau  mgr. 


Emerson  Lyceum  Bureau,  850  Orchestra  Bldg., 
Chicago,   III.;   O.   B.   Stephenson,  mgr. 

Federated  Community  Association,  Fargo,  N.  D. ; 
Fred    P.    Mann,    pres. ;    Alex    Karr,    secy. 

Forrence  Entertainment  Bureau,  Peru,  N.  Y. ; 
\'.    H.   Forrence,  mgr. 

Feakins,  Wm.  B.,  Inc.,  Times  Bldg.,  New  York 
City,  Wm.  B.  Feakins,  pres.  ;  Norman  Plass, 
mgr. 

Gavin  Lyceum  Circuit,  Quitman.  M!ss.  :  R.  S. 
Gavin,   pres.  ;    D.    W.   Gavin,   secy. 

Grant  Lyceum  Bureau,  13500  Blenheim  Ave., 
Cleveland.   O. ;    C.    E.    Grant,   mgr. 

Holladay  Lyceum  Bureau.  625  Flynn  Bldg,  Des 
Moines,  la.;  S.  M.  Holladay.'  pres.;  P.  M. 
Allen,  vice-pres. -mgr. ;   Otis  V.  Moon,  secy.-treas. 

Hoover,  Florence  Jennie.  800  Orchestra  Bldg., 
Chicago,    111. 

Interstate  Platform  Service,  1612  Lytton  Bldg., 
Chicago,  111.;  Robt.  L.  Myers,  mgr..  Nelson 
Trimble,    associate   mgr. 

Kansas  Lyceum  Bureau,  Lyndon,  Kan.;  James  E. 
Hilkey,   mgr. 

Lee  Keedick  Lyceum  Bureau.  437  Fifth  Ave.,  New 
York,  N.  Y. ;  Lee  Keedick,  mgr. 

Lyric  Lyceum  &  Chautauqua  System.  Hutchin- 
son,  Kan. ;   Roy   Campbell,   mgr. 

Meneley  Lyceum  System,  Pcsotum,  111.  ;  C.  W. 
Meneley,   pres.;    C.    L.    Ricketts,   secy. 

Midland  Lyceum  Bureau,  412  Hubbell  Bldg.,  Des 
Moines,  la.;  J.   Robt.   Cornell,  mgr. 

Minor  Community  Service,  Baker-Detwiller  Bldg., 
Los   Angeles,    Cal. ;    Harry   R.    Minor,   mgr. 

Mutual-Midwest  Lyceum  Bureau,  910  Steinway 
Hall,   Chicago,  111.;   C.  E.   Booth,  gen.  mgr. 

Mutual-Morgan  Lyceum  Bureau,  910  Steinway 
Hall,  Chicago,  111. ;  Frank  A.  Morgan,  pres. ; 
Glen    MacCaddam,   sales   mgr. 

National  Alliance,  140  W.  McMillan  St..  Cin- 
cinnati, O. ;  Milton  W.  Brown,  gen.  mgr. ;  E. 
M.  Martin,  Southern  District,  3553  Cheviot 
Ave.,  Cincinnati,  O. ;  Graeme  O.  Geran,  North- 
west District  Appleton,  Wis.  ;  R.  C.  Young, 
Hillsdale,  Mich. ;  J.  C.  Knott.  Eastern  Dis- 
trict, 3611   14th  St.,  N.  W.,  Washington,   D.   C. 

National  Lyceum  System,  Woodward  Bldg.,  Wash- 
ington,   D.    C,    Harry    W.    Brimer,    pres. -mgr. 

Paramount  Music  &  Lyceum  Bureau,  1400  Broad- 
way,   New    York    City ;    Palmer    Kellogg,    mgr. 

Players,  The,  162  Tremont  St.,  Boston,  Mass.; 
George  N.  Whipple,  mgr.;  Geo.  W.  Britt,  assoc. 
mgr. 

Piedmont  Lyceum  Bureau,  Library  Bldg.,  Ashe- 
ville,  N.   C. ;   Solon  H.   Bryan,  mgr. 

Pond  Lyceum  Bureau,  50  E.  42nd  St.,  New  York, 
N.  Y. ;  Jas.  B.  Pond  Jr.,  mgr. 

Redpath  Lyceum  Bureaus :  Kimball  Hall,  Chi- 
cago, 111.,  Harry  P.  Harrison ;  6  Beacon  St., 
Boston,  Mass.,  Wendell  MacMahill;  White 
Plains,  N.  Y.,  C.  A.  Peffer:  643  Wabash  Bldg., 
Pittsburg,  Pa.,  Geo.  S.  Boyd:  55  E.  Sixth  St., 
Columbus,  O.,  W.  V.  Harrison ;  Birmingham, 
Ala.,  M.  S.  Craft;  Cedar  Rapids,  la.,  Keith 
Vawter;  3300  Troost  Ave.,  Kansas  City,  Mo., 
Chas.  F.  Horner:  First  State  Bank  Bldg.,  Dallas, 
Tex.,  W.  E.  Welch;  826  Electric  Bldg.,  Denver, 
Col.,   Arthur   Oberfelder. 

Royal  Lyceum  Bureau,  814  First  Trust  &  De- 
posit Bldg.,  Syracuse,  N.  Y. ;  L.  E.  Parmenter, 
mgr. 

Star  Lyceum  Bureau,  Tribune  Bldg.,  New  York, 
N.    Y. ;    Thornton   Webster,   mgr. 

Twin  City  Lyceum  Bureau,  Pantages  Theater 
Bldg.,  Minneapolis,  Minn.,  also  New  Garrick 
Theater  Bldg.,  St.  Paul,  Minn.;  K.  B.  Hen- 
sler,   mgr.  ;    N.    G.    Hensler,    rep. 

United  Lyceum  Bureau,  8  E.  Broad  St.,  Co- 
lumbus,  O. ;    Robt.    S.   Ferrante,   mgr. 

Universal  Lyceum  &  Booking  Bureau,  1114  Mc- 
Gee  St.,  Kansas  City,  Mo.;  Dr.  Belle  Mooney, 
director. 

Western  Lyceum  Bureau,  801  Blackhawk  Bank 
Bldg.,    Waterloo,    la. ;    W.    I.    Atkinson,    mgr. 

White  Entertainment  Bureau,  100  Boylston  St., 
Boston,   Mass.;   K.   M.   White,  pres. -mgr. 

White,  J.  S.,  Lyceum  Agency,  Railway  Exchange 
Bldg.,  Kansas  City,  Mo. ;  J.  S.  White,  pres. ; 
Moreland    Brown,  mgr. 


397 


Motion  Picture  Directors  Association 


234  West  55th   St.,   New  York 


Sidney  Olcott President 

Robert  G.   Vignola Vice   President 

Kenneth    Webb 2nd   Vice   President 

Oscar  Lund 


Wm.   F.  Haddock Secretsfry 

C.  Jay   Williams Treasurer 

John    J.    Harvey Inner    Guard 

Outer  Guard 


John    G.   Adolfi. 
George  Archainbaud. 
Keanan    Buel. 
('harlcs  J.   Brabin. 
Herbert    Brenon. 
Webster    Campbell. 
Emile    Chautard. 
Alan  Crosland. 
J.    Searle    Dawley. 
Frank  F.  Donovan. 
T.   Gordon  Edwards. 
Robert  Ellis. 
John    Emerson. 


MEMBERS 

Wm.   F.   Haddock. 
John  Jos.  Harvey. 
jolui   E.    Ince. 
George  Irving. 
Harley    Knoles. 
O.  A.   C.   Lund. 
Charles   Maigne. 
Ashley   Miller. 
Charles   F.   Miller. 
John   W.   Noble. 
Sidney   Olcott. 
Leonce  Perret. 
Joseph  A.   Richmond. 


John  S.  Robertson. 
Wesley    Ruggles. 
Charles    M.    Seay. 
George   B.    Seitz. 
Edwin  M.  Simpson. 
S.   E.   V.   Taylor. 
Tom   Terriss. 
Augustus  Thomas. 
Trovers   Vale. 
James   Vincent. 
Kenneth  Webb. 
Harry   MacRae   Webster. 
C.  Jay  Williams. 


Los  Angeles  Lodge 

1925    N.   Wilcox   Ave.,    Hollywood 


David   M.    Hartford Director 

Frederic    Sullivan Ass't.    Director 

W'ally    Van Technical    Director 

Duke  Worne 


Frederick    A.    Thomson Secretary 

Norval     MacGregor Treasurer 

Charles  J.   Parrott Inner  Guard 

Outer  Guard 


TRUSTEES  OF  THE  M.  P.  D.  A. 


Reginald  Barker 
Joseph  DeGrasse 
Frank    Lloyd 


Wallace   Worsley 
Maurice    Campbell 
Murdock  J.   MacQuarrie 


•Reginald    Barker 
Clarence   Badger 
Wm.    King    Baggot 
Frank    Beal 
Harry    Beaumont 
Wm    Beaudine 
Chester    Bennett 
Wm.    Bertram 
John  G.   Blystone 
Frank    Borzage 
Keneau   Buel 
Maurice    Campbell 
Colin  Campbell 
Edwin    Carewe 
Lloyd   B.   Carleton 
Al.   E.    Christie 
Louis   Wm.   Chaudet 

*Roy   Clements 
E.  F.   Cline 
Jack    Conway 
George  L.   Cox 
Donald    W.    Crisp 
Wm.    Robt.    Daly 

"Joseph    DeGrasse 
Cecil  B.  DeMille 
Wm.   C.   DeMille 
J.    F.    Dillon 
William   Dowlan 
Wm.    Duncan 
Reeves    Eason 
Dallas    Fitzgerald 
Fred  Fishback 
Francis   Ford 
Tom    Forman 
Jack    Ford 
Harry    L.    Franklin 
Chas.  K.  French 
Douglas    Gerrard 
Charles  Giblyn 
James   Gordon 
Gilbert   P.   Hamilton 


♦Members  of  Board  of  Trustees 


MEMBERS 

David  M.  Hartford 
Thos.    N.   HeflFron 
Joseph    Henaberry 
Del  Henderson 
Hobart  Henley 
Victor  Herman 
James    P.    Hogan 
Allen  J.   Holubar 
E.    Mason    Hopper 
James    W.    Home 
Jay  Htmt 
T.    Haves    Hunter 
Thos.  H.  Ince 
Lloyd  Ingraham 
Rex   Ingram 
Jacques  Jaccard 
Richard    Tames 
Fred  A.  Kelsey 
Erie   Cawthorne   Kenton 
Burton    King 
Henry   King 
David  Kirkland 
Rowland   Vance    Lee 
Robert  Z.   Leonard 
Ed.  J.   LeSaint 
•Frank  Lloyd 
Eddie  Lyons 
Norval    MacGregor 
Murdock  J.  MacQuarrie 
Henry   ]MacRae 
J.    P.    McGowan 
George    Marshall 
Howard   Mitchell 
George    Melford 
Howard    Mitchell 
Lee    Moran 
Fred    Niblo 
Jack    O'Brien 
Henry    W     Otto 
Chas.   J.    Parrott 
Stuart  Payton 


398 


Frank    Powell 

Paul    Powell 

Francis   J.    Powers 

Ida   May   Parke 

Wm.  Parke 

George   E.    Reehm 

Lynn  F.  Reynolds 
*Thos.  V.  Ricketts 

Phil   E.    Rosen 

Wesley    Ruggles 

Albert   E.    Russell 

Wm.   Russell 

Al    Santell 

George    L.    Sargent 

Victor    Schertzinger 

Edward   M.    Sedgwick 

William     Seiter 

Lawrence  Semon 

H.   Scott  Sidney 

Geo.    E.    Seigman 

Edward   Sloman 

Phillips    Smalley 

Richard    Stanton 

Frederick    Sullivan 

Frederick   A.   Thomson 

Maurice  Tourneur 

Lawrence    Trimble 

Wally  Van 

King    W.    Vidor 

Robert    G.    Vignola 

Perry    VekrofiE 

Raoul  Walsh 

Ernest   Ward 

Lois    Weber 

Raymond    B.    West 

Ben    Wilson 

Chet   Withey 

Sam  Wood 
"Wallace  Worsley 

Wm.   Worthington 

James  Young. 


ASSISTANT    DIRECTORS    ASSO. 

220  W.  43rd  St.,  New  York 

Officers:  Michael  J.  Connolly,  President; 
Walter  Lang,  Vice-Pres. ;  Robert  R.  Snody,  Sec- 
retary ;   Charles  Berner,  Treasurer. 

Board  of  Governors:  Edward  James,  Chair- 
man ;  Lynn  Shores,  Warren  Fromme,  Dan  Pen- 
nell,   Mike  Miggins. 

Members:  Ben  Behrens,  Frank  Bates,  Joseph 
Boyle,  George  Cline,  Leon  d'Usseau,  John  De- 
Lacy,  Clarence  Elmer,  Martin  Faust,  G.  Edwin 
Graham,  John  Hyland,  Frank  Hulette,  Charles 
Hines,  Frank  Heath,  Stuart  Hiesler,  Austin 
Huhn,  Nick  Holland,  Al  Hall,  Edward  Kelly, 
Carl  Leviness,  Ben  Lewis,  Ed.  Lawrence,  Phil 
Masi,  Dexter  McReynolds,  Robert  Ross,  Alfred 
Rabock,  Bert  Siebel,  Herbert  Sutch,  Walter  Sheri- 
dan, Willian  Scully,  David  Soloman,  Bert  Tuey, 
Peter  Volknian,  Frank  Walton,  Charles  Van 
Arsdale. 

Hollywood 

Dave  Allen,  812  W.  2nd  St.,  Screen  Talent, 
597-538;  Sidney  Algiers,  4951  Hollywood  Blvd., 
Mayers,  594-253;  Roland  Asher,  851  W  18th, 
Vitagraph,    238-10. 

Scott  R.  Beal,  457  Jackson  St.,  Culver  Sity, 
Ince;  Harry  Burns,  1428  Gordon  St.,  Horsley's, 
Holly  3462. 

Claude  Camp,  4628  St.  Charles  Place;  Wm. 
Crinley,   5837   Camerford,   Brunton's  Holly  3413. 

Eugene  Derue,  6835  Hawthorne,  Fine  Arts,  578- 
757. 

Henry  East,  Box  826  Laurel  Canyon,  Holly  640. 

Wallace  Fox,  2081-C  Hillhurst  Court,  Fine  Arts, 
597-278. 

Frank  Gereghty,  830  Lillian  Way,  Holly  3296; 
Pete  Gerald,  5451  Hollywood  Blvd.,  599-666; 
Fred  E.  Grayson,  722   Cole  Ave.,  Holly  6246. 

Gordon  Hollingshead,  2145  Marathon  Ave.,  Wil- 
shire  596;  Virgil  Hart,  1502  S.  Vermont,  554-840; 
Lou  Howland,  1916  Franklin  Circle,  Holly  8982; 
Chas.   Huber,    136-03. 

Theodore  Joos,  1162  N.  Wilton  Place,  Holly 
5045. 

Jack  Kilgannon,  722  Maple  Ave.,  Glendale,  Glen- 
dale    1277-1. 

Jack  Laver,  1118  Gower  St.,  Holly  4276.  Irving 
Luddy,  350  S.   Figueroa,  605-09. 

Lester  Manter,  6017  Selem  St.,  Holly  5560; 
Jay  Marchant,  Reber  Apts.,  Holly  2734;  Joe  Mc- 
Donough,  723  W  3rd,  599-666;  Vincent  McDer- 
mott,  1638  Winona,  Vitagraph,  593-82;  John 
Meighan,  662-30;  Leo  McCarey,  Universal;  Robt. 
McGowan.  5343  Lexington,  597-894;  Harry  T.  Mc- 
Pherson,  Elks'  Club,  Glendale,  Universal,  Glendale 
774. 

Dick    Oliphant,   4358   Fountain   Avenue,    597-120. 

Jack   Proctor,    1764    Vine,    Universal. 

William  Rau,  3856  Oakwood  Ave.,  Wilshire  837  ; 
Chas.  Rush,  839  N.  Kenmore,  Brunton's,  Wilshire 
5227;  Sandy  Roth,  Cecil  Apts.,  Warner  Bros., 
Broadway  6831. 

Dick  Sherer,  1742  N.  Kingsley,  Warner  Bros., 
597-735;  Eddie  Sowders,  Universal,  Holly  2500; 
Residence  599-753;  Chas.  Stallings,  1423  Bonnie 
Brae,  Universal,  241-81  ;  Jack  Sullivan,  1568  Ser- 
rano, Holly  8974;  Everett  Sullivan,  1548  Serrano, 
Holly  8974. 

Harry  Tenbrook,  1332  Bates  Ave.;  Fred  Tyler, 
8119  Norton  Ave,,  Vitagraph,  577-884;  Wm.  Tun- 
nell,   6071    Salam    Place,   Holly   5560. 

John  Waters;  Allen  Watt,  1101  W.  1st  St.; 
Chas.  Watt,  Pacii^c  Rockwood  Hotel,  750  S.  Olive 
St.,  654-37;  Geo.  Webster,  606  N.  Harvard,  Fox, 
567-629;  James  Whipple,  578-747;  Chas.  Wool- 
stenhulme,  322  N.  Flower  St.,  Robertson-Cole, 
Main  2852;  Tenny  Wright,  1718  Vine  St.,  Ince, 
578-839. 


M.   P.   ACTORS'   ASSN.    OF   CALIFORNIA 

The  M.  P.  Actors"  Assn.  of  California  was  form- 
ed in  Los  Angeles  in  May.  The  organization  is 
purely  local  in  its  scope.  Many  members  of  the 
M.  P.  A.  A.  are  members  of  the  Equity.  Some  of 
its  leading  figures  are  Ralph  Lewis,  Wedgewood 
Nowell,  William  Desmond,  Mitchell  Lewis,  William 
Conklin  and  Earle  Williams. 


THE    BETTER    FILMS    MOVE- 
MENT 

Several  important  conclusions  were  developed 
at  the  Southeastern  Conference  for  Better  Films 
in  Atlanta  on  April  28.  The  250  delegates  from 
seven  Southern  states  brought  into  being  the 
first  inter-state  convention  of  the  public  as  the 
persons  most  vitally  interested  in  motion  pic- 
ture progress.  Heretofore  the  impression  has 
been  given  that  the  motion  picture  industry — • 
producers,  distributors  or  exhibitors — was  the 
group  most  vitally  concerned.  If  the  harmony, 
moderation,  interest  and  intelligence  manifested 
by  the  delegates  are  symbolic,  we  may  expect 
the  public  to  play  an  increasing  part  in  devel- 
oping the  entertainment  and  cultural  values  of 
motion    pictures. 

Here  are  the  conclusions  which  appeared  to 
be  accepted  by  the  representatives  for  this  sec- 
tion of  the  country: — 

1.  A  real  cooperation  of  the  public,  the  ex- 
hibitor and  the  exchange  is  possible  in  motion 
picture  exhibitions.  Vision  is  required  of  each. 
In  the  South  these  three  groups  are  sincerely 
and    effectively    working    together. 

2.  With  the  exception  of  those  attending 
the  larger  downtown  theatres,  the  audiences  of 
town,  village  and  neighborhood  houses  want, 
principally,   family   pictures. 

3.  Thoroughly  representative  and  tolerant 
better  films  committees  are  helpful  in  develop- 
ing support  for  better  pictures;  but  the  exhibi- 
tor is   the  expert  and  is   in  control. 

4.  The  monthly  photoplay  guides  and  other 
definite  information  about  plays  given  in  ad- 
vance in  newspapers,  schools,  clubs,  etc.,  are 
important  in  arousing  the  public  and  giving 
them  the   facts   about   theatrical  performances. 

5.  The  aim  of  better  films  work  is  entertain- 
ment,  not   uplift,   in   the   theatres. 

6.  It  is  questionable  to  show  pictures  regu- 
larly to  little  children.  The  audience  of  young 
people  to  be  helped  with  special  performances 
is  the  adolescent  group  between  16  and  11 
years. 

7.  In  all  communities  down  to  the  village,  it 
is  possible  to  have  "family  nights"  in  the  the- 
atres. In  the  smaller  towns  it  may  be  necessary 
to  hold  these  from  week  to  week  on  different 
nights    because    of    business    contracts. 

8.  The  Better  Films  Committees  agree  that 
adult  performances  should  be  shown  to  adults 
without  any  criticism  expressed  or  implied.  The 
time   for  indiscriminate  criticism  is  past. 

9.  There  is  a  well  defined  place  and  demand 
for  non-theatrical  pictures  which  must  be  met. 
This  applies  also  to  films  having  educational, 
cultural  and  inspirational  values.  The  practi- 
cal effect  and  the  widespread  use  of  these  pic- 
tures outside  the  theatre  upon  theatrical  audi- 
ences are  held  to  be  unquestionably  the  enlarg- 
ing  of   such   discriminating  theatrical   audiences. 

10.  The  work  of  the  National  Board  of  Re- 
view and  of  the  National  Committee  for  Better 
Films  was  commended.  These  agencies  were 
held  to  be  necessary  for  selection,  for  the  ex- 
change of  opinion,  for  vmiting  sentiment  and 
for    the    extension    of    better    films    activities. 

11.  It  was  agreed  that  the  principle  of  "SE- 
LECTION—NOT— CENSORSHIP"  is  the  prac- 
tical solution  for  most  of  the  problems  faced 
by  the  public  in  connection  with  motion  picture 
entertainment.  To  accomplish  this  purpose  a 
widespread  campaign  of  education  conducted  by 
representatives  of  the  public  should  be  carried 
on. 

Tlie  meeting  was  held  in  the  new  auditorium 
of  the  Women's  Club  with  Mrs.  B.  M.  Boykin 
of  the  Atlanta  Better  Films  Committee  in  the 
chair. 

The  following  are  excerpts  from  the  annual 
reports  of  several  of  the  more  active  Better 
Films  Committees  in  various  parts  of  the 
country : — 


399 


What  the   better   films   committee 
has  accomplished  in  atlanta 

"The  Better  Films  Committee  of  Atlanta  was 
organized  November  12th,  1921,  by  representa- 
tives of  the  Atlanta  Woman's  Club,  the  State 
Federation  of  Women's  Clubs,  The  Drama 
League,  Parent-Teacher  Association,  Superin- 
tendent of  Public  Schools,  Rotary,  Kiwanis, 
Civitan  and  Lions  Clubs  and  the  Christian 
Council. 

"This  committee  consisting  of  twenty-six 
members  worked  out  definite  plans  on  which  to 
center  its  attention.  We  decided  first  of  all  to 
give  the  children  of  the  city  a  special  children's 
performance  each  Saturday.  The  selection  of 
the  pictures  was  worked  out  by  the  assistant 
superintendent  of  schools,  chairman  of  music 
in  the  public  schools  and  chairman  of  dramatics 
in  the  schools.  These  pictures  were  selected 
for  three  months  in  advance.  The  best  theatre 
in  the  city  was  presented  the  Better  Films  Com- 
mittee for  these  matinees,  which  from  the  first 
were   very   successful. 

"To  create  greater  interest  in  the  pictures 
shown,  a  prologue  feature  of  dancing,  singing  or 
story  telling  is  introduced.  Once  a  month  a 
musical  contest  to  develop  musical  appreciation, 
is  given.  Music  is  played  and  the  children  who 
guess  the  composer  and  name  of  selection  are 
given  a  prize.  In  selecting  the  pictures  to  be 
shown,  the  committee  carefully  worked  out  the 
educational  feature  to  conform  with  the  study 
the  children  in  tlie  seventh  and  eighth  grades 
were  having.  For  instance,  the  committee  plans 
to  have  a  picture  showing  the  country  tlie  chil- 
dren of  these  grades  are  studying  in  their  his- 
tory  or   geography   work. 

"A  nominal  admission  price  of  10c  is  charged 
to  these  matinees.  Wherever  groups  of  chil- 
dren unable  to  pay  even  this  amount  are  found 
they  are  given  free  tickets.  The  idea  is  not  to 
make  money,  but  to  give  all  the  children  in  our 
city  proper  pictures.  We  have  an  average  at- 
tendance   of    1,000    every    Saturday    morning. 

"With  the  intelligent  help  of  our  Parent- 
Teacher  Association  greater  interest  is  being 
aroused  in  getting  mothers  to  attend  with  their 
children.  The  Parent-Teachers  are  doing  par- 
ticularly splendid  work  in  connection  with  I?et- 
ter  Films.  Each  of  the  thirty  Parent-Teacher 
Associations  in  the  city  has  has  been  visited 
by  a  member  of  our  Speakers'  Bureau  from  the 
Better  Films  Committee  and  have  been  told 
how  they  might  cooperate  with  us  in  improving 
conditions  and  accomplishing  the  results  de- 
sired. Great  response  has  come  from  this 
source,  as  well  as  from  the  missionary  societies 
of  the  various  churches  who  have  pledged  co- 
operation  with   the   Committee. 

"We  have  a  visiting  committee  that  attends 
each  theatre  and  sees  each  picture  shown.  This 
committee  reports  at  the  regular  monthly  meet- 
ing, which  is  a  luncheon.  The  committee  views 
the  pictures  not  with  the  idea  of  giving  de- 
structive criticism,  but  merely  to  know  the  kind 
of  picture  being  shown  and,  if  there  is  an  ob- 
jectionable feature,  to  ask  that  it  be  eliminated. 
The  motion  picture  producers  have  generously 
asked  for  our  criticism  and  have  accepted  it  in 
the  spirit  in  which  it  is  given.  At  the  regular 
monthly  meeting  reports  are  made  concerning 
the  work  done  the  preceding  month  and  plans 
outlined    for    the    following    month. 

"The  committee  has  endorsed  a  number  of 
pictures,  one  in  particular,  which  was  shown 
here  for  the  third  time  in  the  United  States. 
Some  exhibitors  and  others  thought  it  would 
not  take  locally.  The  entire  membership  of 
the  Better  Films  Committee  endorsed  the  pic- 
ture and  asked  that  it  be  shown  over  the  entire 
country.  This  endorsement  went  out  to  17,000 
cities  in  the  United  States.  After  the  endorse- 
ment was  made  locally,  the  theatre  showing 
this  particular  film  increased  its  attendance  500 
over  any  picture  that  had  ever  been  shown  in 
Atlanta,  which  demonstrates  the  value  of  an 
endorsement  by  the  Better  Films  Committee 
and  the  confidence  the  public  has  in  such  a 
committee's   endorsement. 


JUNIOR    RECREATION    DEPARTMENT- 
MEMPHIS 

"THE  JUNIOR  RECREATION  DEPART- 
MENT, although  the  youngest  child  of  the  Nine- 
teenth Century  Club,  gives  promise  of  giant- 
like proportions  if  it  continues  to  develop  as 
rapidly  as  it  has  done  in  the  first  five  months 
of  its  existence.  I  say  this  because  our  eflforts 
are  with  and  for  the  young  people  who,  accord- 
ing to  the  way  they  are  influenced  and  inclined, 
are  made  fit  or  unfit  for  the  parts  they  are  to 
take  in  life,  for  as  Victor  Hugo  says,  'There  are 
no  bad  plants  or  bad  children,  there  are  only 
bad    cultivators.' 

"Our  results,  briefly  stated,  are  as  follows: 
Picture  shows  every  Saturday  morning  at  the 
Majestic  Theatre  at  10:30.  Twenty  pictures 
shown,  with  only  one  not  up  to  the  standard. 
Four  or  five  newspaper  write-ups  each  week. 
Have  entertained  from  fifty  to  one  hundred  and 
fifty  orphans  each  week,  besides  many  poor 
children,  providing  transportation  to  and  from 
the  theatre  and  in  some  cases  supplying  them 
with  clothes  and  shoes.  The  chairman  in  charge 
of  this  feature  of  our  work,  Mrs.  R.  L.  LaCroix, 
has  received  for  distribution  among  the  poor 
people  with  whom  she  comes  in  contact  enougli 
wearing  apparel  o(  all  kinds  to  meet  every  nec- 
essary requirement  of  eighteen  families  for  three 
months.  Besides,  fifty  dollars  in  cash  has  been 
donated  with  which  she  has  purchased  food  and 
other  things  necessary  to  the  comfort  and  con- 
tributing to  the  happiness  and  well  being  of 
the  deserving  and  needy  who  come  under  her 
observation.  Average  paid  attendance  for  first 
few  weeks,  three  hundred.  Average  paid  at- 
tendance last  four  weeks,  from  one  thousand  to 
fifteen  hundred.  The  singing  led  by  Mr.  Nevin 
has  been  a  popular  and  highly  interesting  fea- 
ture. The  children's  rendition  of  'America'  is 
more  inspiring  than  the  efforts  of  most  adult 
gatherings.  For  the  last  six  weeks  we  have 
had  the  added  attraction  of  drawing  for  prizes, 
which  is  done  after  the  singing  and  insures  that 
no  one  will  leave  while  'America'  is  being  sung. 
The  prizes  are  donated  by  Memphis  merchants; 
being  worth  while  and  diflFerent  each  week,  they 
furnish  a  most  interesting  part  of  our  program. 

"Perhaps  the  greatest  contributing  influence 
to  our  successors  has  been  the  prominence  given 
our  undertaking  by  the  newspapers.  Whithout 
hesitancy  or  complaint  they  have  given  us  space 
liberally  and  constantly,  and  so  have  made  it 
possible  for  us  to  acquaint  the  public  quickly 
with  our  hopes  and  plans.  Also  I  would  record 
my  grateful  recognition  of  the  unfailing  courtesy 
and  hearty  cooperation  accorded  us  by  the  offi- 
cials of  the  Southern  Enterprises,  Inc.,  and  par- 
ticularly those  in  charge  of  the  Majestic  The- 
atre. Our  committee  takes  what  we  consider 
pardonable  pride  in  our  accomplishments  to  date 
and  feel  well  repaid  for  our  efforts,  in  the  hope 
that  we  have  been  partly  instrumental  in  start- 
ing a  movement  that  will  continue  to  expand 
to  the  credit  of  our  club,  and  the  good  of  chil- 
dren  everywhere." 

By  Mrs.  John  H.   Phillips,  Chairman. 

MINNEAPOLIS    BETTER    MOVIE 

MOVEMENT    PLAN 

Mrs.    Bert    S.    Barber — Women's    Co-operative 

Alliance 

"The  Minneapolis  Better  Movie  Movement 
Plan  of  the  Women's  Co-operative  Alliance  con- 
centrates its  efforts  upon  'SELECTION — NOT 
CENSORSHIP'  as  the  solution.  Interested  citi- 
zens function  through  the  organization  of  local 
committees  to  cooperate  with  the  manager  of 
each  motion  picture  theatre  for  more  acceptable 
films  and  better  understanding  of  the  whole 
subject   of  moving   pictures. 

"The  principles  upon  which  the  Better  Movie 
Movement  is  based  are  self-determination  and 
cooperation.  Other  movements  have  failed  and 
all  censorship  plans  have  been  ineffective  and 
resented.  With  these  simple  facts  in  mind  and 
with  the  information  supplied  by  the  following 
report  of  the  survey  of  all  moving  picture  the- 
atres   in    the   city,   a   plan    was   developed    which 


400 


has  been   acceptable   to   both   the   moving   picture 
management   and    the   patrons. 

"The  managers  of  moving  picture  theatres 
have  maintained  tliat  they  gave  the  people  what 
they  wanted.  So  far  as  the  managers  were  in- 
formed, perhaps  this  is  true.  The  field  workers 
of  the  Women's  Co-oiierative  Alliance,  who 
reach  several  thousands  of  mothers  each  month 
by  house  to  house  calls  and  by  addressing  audi- 
ences in  churches,  schools  and  clubs,  were  as- 
sured by  the  great  majority  of  mothers  that 
there  was  much  in  the  motion  picture  program 
that  they  did  not  like  and  a  great  deal  to  which 
they  positively  objected.  This  did  not  discour- 
age the  organizers  of  this  movement  because 
the  managers  themselves  had  relied  on  the  prin- 
ciple that  each  individual  has  the  right  to  de- 
termine what  he  or  she  shall  see.  They  had 
expressed  the  idea  that  no  individual  or  group 
of  individuals  should  superimpose  their  ideas 
ixpon    others. 

"The  weakness  seemed  not  in  the  principle, 
which  was  as  sound  in  its  applications  to  this 
subject  as  it  is  to  government,  but  the  fault 
lay  in  the  plan,  or  the  lack  of  a  medium  through 
which  the  people  could  register  their  full  ap- 
proval or  disapproval  of  films.  Public  sentiment 
was  forming  and  becoming  really  ominous.  It 
needed  direction  and  control.  It  must  be  crys- 
tallized and  systematized.  Tliis  is  accomplished 
by:  first,  dividing  the  city  into  geographical 
units  or  contributing  community  groups  ad- 
jacent to  or  surrounding  each  theatre  or  group 
of  theatres;  second,  securing  delegates  selected 
from  each  constructive  agency  such  as  churches, 
schools  and  clubs  of  the  district  and  as  many 
individual  volunteers  as  can  be  interested  in 
the  subject  for  the  formation  of  a  local  com- 
mittee for  selection  not  censorship;  third,  co- 
operation on  the  part  of  the  local  committee 
thus  formed  with  the  manager  of  each  local 
theatre  to  develop  the  movement  in  their  own 
community  according  to  their  needs,  the  policy 
being  to  determine  for  themselves  among  them- 
selves    the     kind     of     films     they     can     support; 


slogans     'Selection— Not     Censorship,'     'Coopera- 


fourth,     by     adopting     frorn     the     beginnmg     the 
I         slogans    'Selection — Not 
P         tion — Not   Antagonism.' 

TEXAS 

Elizabeth  Hardaway,  District  Chairman  of  the 
3rd  District  of  the  Texas  Federation  of  Women's 
Clubs,  speaks  of  plans  for  "an  intensive  and 
widespread  campaign  in  the  fall  for  cooperation 
with  local  managers  for  better  films,  a  children's 
rnatinee  one  day  in  the  week  and  visual  instruc- 
tions in  the  schools."  Assistance  in  the  form 
of  literature  has  been  supplied  to  Miss  Hard- 
away; also  to  the  Tennessee  Federation  of 
Women's  Clubs  for  their  Spring  convention  at 
Dyersburg. 

TENNESSEE 

Better  Films  committees  have  been  formed 
in  Jackson,  Tenn.,  Rocky  Mount,  N.  C,  Gads- 
den,  Ala.,    and    Bristol,    Va.-Tenn. 

VIRGINIA 

A  cow  barn  owned  by  John  Armstrong  Chal- 
oner  at  "The  Merry  Mills,"  Virginia,  has  been 
converted  into  a  motion  picture  theatre.  The 
place  was  equipped  with  a  Delco  electric  plant, 
a  projecting  machine  and  a  player-piano  at  a 
cost  of  $1525.  Shows  were  given  free  for  the 
first  six  months,  after  which  the  people  asked 
that  it  be  continued  on  the  cooperative  plan. 
Charges  were  made  of  10  cents  for  adults  and 
5  cents  for  children.  All  the  collections  go  to 
pay  for  entertainments.  It  has  more  than  sup- 
ported itself.  One  of  the  respected  local  citi- 
zens said:  "It  has  changed  the  whole  aspect 
of  my  life.  Before  the  movie  began  I  did  noth- 
ing but  work  all  day  and  go  home  and  go  to 
bed  at  night.  Now  I  have  something  to  look 
forward  to  and  find  myself  living  from  one  pic- 
ture right  to  the  next." 

ILLINOIS 

Three  thousand  Chicago  school  children  told 
about  their  movie  attendance  and  tastes  in  re- 
sponse   to    a    questionnaire    sent    out    last    Janu- 


ary by  Mrs.  Estella  L.  Moulton,  former  chair- 
man of  the  Better  Films  committee  of  the  Il- 
linois Council  of  Parent-Teacher  Associations. 
Of  these,  87  per  cent  attended  from  one  to 
seven   or  more    shows   every  week. 

"I  go  to  the  movies  nine  times  a  week,  every 
night  and  also  in  the  afternoon  on  Saturday  and 
Sunday,"  was  the  answer  of  one  youngster  to 
the  query,  "How  many  times  a  week  do  you 
go   to   the   movies?" 

"With  several  hundred  of  the  children  who 
responded  to  the  questionnaire,  attendance  at 
the  movies  is  a  fixed  habit,"  declared  Mrs. 
Moulton.  "Answers  such  as,  'I  always  go  two 
times  a  week  except  in  Lent;  I  never  go  in 
Lent,'  and  'I  always  go  every  Friday  night  as 
there  is  no  school  the  next  day,'  indicated  the 
regularity  of  their  movie-going.  Indeed,  Fri- 
day, Saturday  and  Sunday  now  mean  attendance 
at  the  movies  as  definitely  as  Sunday  used  to 
mean   attendance    at    Sunday-school." 

The  question,  "What  kind  of  pictures  do  you 
prefer?"  brought  out  a  wealth  of  matter  which 
reformers    and    statisticians    may    well    ponder. 

"The  pictures  I  like  best  are  those  which 
scare  you,"  "Good  sensible  pictures  where  people 
are  very  poor  and  grow  rich,"  "Guns  and  police 
wagons,  because  people  are  all  sad  and  excited," 
"Travels  with  Burton  Holmes,"  "Mystery,  but 
not  too  deep,"  "Lots  of  fighting  when  men  are 
brave  and  fight  for  a  girl,"  "Good  books  like 
Pollyanna,"  "How  things  are  made,  pictures  of 
fisheries,  etc.,  and  good  western  scenery,"  "Edu- 
cational pictures  like  The  Lincoln  Highwayman," 
are  types  of  the  answers  received. 

The  boy  who  said  he  went  to  the  movies  nine 
times  a  week  doubtless  saw  every  picture  that 
came  to  his  neighborhood,  regardless  of  his 
preferences. 

In  order  to  determine  the  actual  effect  of  the 
movies  upon  the  school  work  of  the  pupils, 
teachers  in  six  schools  were  asked  to  indicate 
the  pupils  who  stood  highest  or  lowest  in 
scholarship  and  deportment  in  each  room.  The 
data  compiled  in  these  representative  districts 
of  the  city  showed  that  the  275  best  pupils 
used  393  tickets  in  one  week,  whereas  the  275 
poorest  pupils  used  503  tickets  weekly.  An- 
other item  of  interest  brought  to  light  by  the 
questionnaire  is  that  the  children  in  the  poor 
tenement  districts  attend  the  movies  as  fre- 
quently as  the  children  in  the  best  residential 
sections. 

According  to  the  data  received,  boys  and  girls 
in  the  six  schools  covered  by  the  questionnaire 
spent  $920  a  week  on  the  movies,  making  the 
total  for  the  year  reach  the  astonishing  figure 
of  $46,000. 

After  serving  two  years  on  the  Better  Films 
committee  and  giving  close  study  to  the  mo- 
tion picture  situation  as  it  afifects  school  chil- 
dren,   Mrs.    Moulton    says: 

"The  publicity  given  to  surveys  and  discus- 
sions on  this  subject  are  arousing  both  parents 
and  teachers  to  the  vital  need  of  improvement 
in  the  films  on  which  boys  and  girls  spend 
their  leisure  time.  The  educational  shows  for 
children  which  are  now  being  given  in  many 
cities  on  Saturday  mornings  can  be  traced  di- 
rectly to  the  untiring  efTorts  of  the  Parent- 
Teacher    associations." 


BROADWAY    THEATER    SEATING 
CAPACITIES 

Capitol     5,200 

New  York   1,633 

New  York  Roof 1,200 

Rialto     1,960 

Rivoli     2,206 

Strand     2,989 

Broadway     1,700 

State   3,600 


401 


FEATURES 

SERIALS 

COMEDIES 

1 

Export  &  Import  Film  Co.^ 

Inc. 

729  Seventh  Avenue,  New  York,  N.  Y. 

Cable  Address:     Eximfilm,  N.Y. 

BRANCHES 

LONDON          PARIS          BERLIN          NEW  YORK 

402 


The  Foreign  Market 


American  Film  Exports 

The  position  of  the  American  film  in  Export 
at  the  present  time  is  very  critical.  Where  will 
it  lead  to?  A  hasty  review  of  foreign  conditions 
discloses  the  fact  that  the  supremacy  of  the 
American  film  as  the  leader  of  screen  produc- 
tions is  menaced,  though  let  it  be  added  hastily, 
not  seriously.  But  there  are  signs  on  the 
horizon  which  must  make  the  American  producer 
pause  and  reflect. 

Starting  with  fundamentals,  we  here  in  the 
United  States  are  three  thousand  miles  removed 
from  the  influences  of  Europe.  In  history  and 
economics  we  have  up  to  a  very  short  time  ago, 
assumed  a  position  of  isolation  which  has  left  an 
indelible  mark  on  our  psychology.  We  are  bound 
by  a  common  tongue  and  therefore  by  a  com- 
mon literature,  to  English  speaking  people  all 
over  the  world.  But  just  as  in  transplanting  a 
tree  it  begins  to  assume  some  of  the  qualities 
of  its  new  home — so  have  we  as  a  people  while 
still  retaining  many  of  the  qualities  of  our 
heritage,  established  and  produced  a  new  in- 
dividuality. This  is  reflected  in  all  our  thought — 
it  is  mirrored  on  the  screen.  Therefore,  in  pro- 
ducing films,  we  are  picturizing  American  ideas 
and  ideals.  They  are  intelligible  to  us.  The 
spectator  in  the  motion  picture  theatre  must  get 
that  reaction  of  kinship  of  understanding  so 
that  that  which  he  sees  on  the  screen  must  be 
sympathetic  to  him.  Therefore  in  producing 
pictures,  and  in  seeking  to  retain  the  foreign 
market  which  we  have  so  laboriously  acquired, 
we  must  see  to  it  that  a  film  is  equally  under- 
standable in  Berlin  as  it  is  in  Brooklyn,  in 
Bombay  as  it  is   Buenos  Aires. 

This  unfortunately,  in  years  gone  by,  has  not 
been  the  guide  of  the  American  producer,  in  a 
large  measure.  He  has  made  pictures  with  the 
English  speaking — and  very  often  only  the  Narth 
American    market — in    mind. 

Who  will  deny  that  in  the  United  States  we 
liave  the  largest  studios?  The  best  equipment? 
The  most  proficient  camera  work?  The  most 
competent  actors?  A  selection  of  the  most 
talented  directors?  The  ablest  writers?  In 
short,  we  have  everything  that  gives  us  all  the 
tools  that  are  necessary  to  produce  the  pictures 
that  by  their  sheer  quality  should  rout  all  con- 
tenders for  our  world  leadership  from  the 
screens   all   over  the  world. 

One  thing  we  are  overlooking — the  proper 
grasp  of  human  elemental  emotions  which  is 
common  to  all  peoples.  Our  pictures  must 
speak  to  all  peoples  an  equally  intelligible 
tongue.  We  have  a  tremendously  powerful 
weapon  but  it  is  an  equally  grave  responsibility. 

The  resolutions  of  our  leading  producers  in 
the  future  to  strive  for  quality  instead  of  making 
quantity  is  a  hopeful  and  encouraging  token. 
We  can  retain  our  lead  if  we  will  but  use  the 
facilities  which  we  have  at  our  command. — 
George   E.   Kann,   Goldwyn. 

Exploitation  for  Foreign  Markets 

Exploitation !  As  necessary  in  the  foreign  mo- 
tion picture  markets  as  the  need  for  modern 
theaters  of  greater  seating  capacity.  As  a  matter 
of  fact,  the  movement  for  larger  theaters  and  the 
appreciation  of  their  value  in  the  development 
of  the  motion  picture  business  abroad  is  consider- 
ably more  advanced  than  aggressive  showmanship 
and  forceful  exploitation. 

While  feature  exploitation  throughout  the  film 
domain  of  the  United  States  has  reached  a  highly 
developed  stage,  it  is  hardly  more  than  incipient 
in  most  of  the  foreign  territories  where  the  seern- 
ing  apathy  and  disinterest  of  the  foreign  distri- 
butor and,  in  turn,  exhibitor  toward  showman- 
ship,  has   been   a   retarding   factor. 

Exploitation  has  for  its  purpose  the  setting 
forth  of  the  individual  points  of  interest  and  sell- 
ing value  in  any  given  production,  to  the  theater 
going  public.  Whereas  the  posters  and  lobby  dis- 
plays  might   be   defined   as   the   ordinary  magnet  to 


attract  the  public  inside  the  theater,  exploitation, 
with  its  more  powerful  appeal,  must  be  the  electric 
magnet   that   draws   the  cash   into   the   box-office. 

And  just  as  photoplays  differ,  so  must  their 
exploitation  vary.  Each  campaign  must  be  indi- 
vidually fitted  to  the  particular  picture.  Each  sell- 
ing point  should  be  impressively  emphasized,  and 
wherever  possible,   visualized. 

Descriptive  language  should  be  used  effectively 
and  to  the  point — epigramatic  when  possible.  All 
gradations  of  ballyhooing  from  flaringly  circusy  to 
delicately  refined  and  polished  are  in  order  when 
applicable  to  any  given  production  under  con- 
sideration. 

I  believe  our  organization  has  been  foremost 
in  recognizing  the  need  of  exploitation  abroad. 
As  a  result  we  endeavor  to  encourage  our  foreign 
buyer  to  incorporate  it  in  his  distributing  cam- 
paigns. WILLIAM    M.    VOGEL. 

Anticipates  Improvement 

Last  year  we  predicted  that  export  business  for 
independent  exporters  would  be  bad  for  1922,  and 
the  facts  have  proven  that  we  were  right.  We 
had  not  in  mind  the  big  producing  organizations 
with  own  exchanges  and  branches  in  most  of 
the   foreign   territories. 

We  expect  that  business  for  1923  will  be  better 
and  we  see  already  some  improvement  for  a 
few  territories  which  have  been  very  bad  in  the 
last  year.  However,  business  in  Continental 
Europe  will  yet  be  far  from  normal,  and  various 
territories  there  will  either  not  be  salable  at  all 
or   only   at   very   low   prices. 

Really  good  films  are  always  and  nearly  every- 
where salable  and  at  good  prices,  but  the  trouble 
is,  that  there  are  only  few  productions  which 
deserve  that  name  and  competition  is  everywhere 
too  big  to  allow  even  fair  prices  for  ordinary  pro- 
gram  features. 

European  firms  who  want  program  pictures  can 
buy  English — German — French — and  Italian  made 
films  at  a  fraction  of  the  price  they  have  to  pay 
for  American  productions  and  although  foreign 
productions  are  not  liked  in  America,  they  have 
for  Europe  besides  their  price  the  advantage  that 
they  deal  with  domestic  conditions,  have  scenarios 
of  local  authors  and  actors  who  are  well  known. 
J.  C.  BARNSTYN, 
British  &  Continental  Trading  Co.,  Inc. 

Need  International  Copyright  Law 

One  of  the  hardest  matters  to  face,  is  the  pirat- 
ing of  prints  by  different  people  in  the  Orient. 
One  often  finds  that  after  making  purchase  of  the 
exclusive  right  to  a  production  that  a  stolen  print 
of  the  same  is  already  running  in  the  field.  Sev- 
eral law  suits  are  now  pendfng  in  such  matters, 
and  we  are  quite  hopeful  that  this  will  be  prop- 
erly taken  care  of.  If  it  were  possible  to  effect 
an  International  Copyright  Law,  many  large 
sums  of  money  would  be  protected. 

A.   H.   WOOLLACOTT, 

Harper    Optimistic 

Based  on  recent  experience  it  appears  safe  to 
predict  better  times  in  the  near  future  for  the  pur- 
veyors of  film  rights  in  foreign  fields.  No  serious 
YEAR    ROOK— 107 

business  is  possible  in  most  of  Central  Europe, 
and  of  course,  Russia  must  be  left  out  of  calcula- 
tions for  the  time  being.  On  the  other  hand, 
France,  Belgium,  Switzerland,  Holland,  Scandi- 
navia, Czecho  Slovakia  are  probably  more  recep- 
tive today  than  at  any  time  during  the  last  two 
years.  Trade  with  Spain  and  Portugal  and  Italy 
is  also  possible.  In  the  United  Kingdom  the, 
until  lately,  anemic  pulse  of  the  motion  picture 
business  is  beyond  question,  commencing  to  beat 
much  more  strongly,  and  the  trade  is  acquiring  an 
all  around  greater  momentum.  The  demand  how- 
ever is  strictly  confined  to  the  highest  class  of 
pictures.  Altogether  the  signs  of  the  times  point 
to  a  renaissance  in  export  trade  conditions  during 
1923.  HORACE  G.  HARPER, 

Interocean,  London. 


403 


First  National  Million  Dollar 

CHAPLIN 

COMEDIES 

also  "The  Kid" 

Hodkinson  Productions 

26  BOX  OFFICE  ATTRACTIONS  YEARLY 

Triart  Masterpiece  Series 

ITWO   REELS  EACH) 

Bray  Cartoon  Comedies 

(ONE    REEL    EACH) 

Charlie  Murray  Comedies 

(TWO   REELS  EACH) 

"The  Secrets  of  Paris" 

(SIX   REELS) 

From  the  work  of  Eugene  Sue 


"SURE  FIRE  FLINT" 

(SEVEN    REELS) 

the  Johnny  Hines  Comedy  Special 

Bray  Technical  Romances 

(ONE    REEL    EACH) 

Chester  Snooky  Comedies 

(TWO   REELS  EACH) 

Chester  Snappy  Comedies 

(ONE    REEL    EACH) 

Chester  Outing  Scenics 

(ONE    REEL   EACH) 

Field  and  Stream  Series 

(ONE    REEL    EACH) 

Jungle  Comedies 

(ONE    REEL    EACH) 

Fun  From  the  Press 

(ONE    REEL    EACH) 

Compiled  by  "Literary  Digest" 


m 


Exclusive  foreign  rights  to  the  above  controlled  by 


130  West  46th  St. 


\  Cable  AddreisrVogel films,  New  York 


"^S^o  ( i  i^;iL 


New  York,  U.  S.  A. 


IMPORT 


Only  the  Foremost 

European  Productions 

suitable  for  the  American  market — 
available  through  established  con- 
nections. 


Only  the  Better  Class 

American  Productions 

suitable  for  other  markets — handled 
for  all  foreign  countries. 


EXPORT 


Offi 


ices: 


Herz  Film  Corporation 

220  West  42nd  Street,  NEW  YORK 

Cable  Address:  Herzfilms 

Paris,  Vienna,  Berlin, 


Milan 


404 


THE    FOREIGN    OUTLOOK 

By  D.  J.  Mountain,  Arrow  Film  Corp. 

The  American  ]>i()(lucer  and  distributor  is  now 
feeling  in  an  exceedingly  optimistic  mood,  and 
the  outlook  for  foreign  sales  is  brighter  than 
it   has   been   in   the  past    four   years. 

The  gradual  improvements  in  the  exchanges 
of  various  European  territories,  as  also  that  of 
our  Latin  neighbors,  is  the  reason  for  the  notice- 
able increase  in  the  ntmiber  of  foreign  sales 
made  within  the  past  four  or  five  months,  and 
proves  to  the  American  film  industry  that 
economical  conditions  in  foreign  territories  are 
rapidly  being  adjusted  with  many  indications 
that  conditions  in  these  territories,  with  a  few 
exceptions,  will  in  the  near  future  be  back  to 
normal. 

Despite  the  fact  that  European  production  is 
at  its  very  heighth,  and  various  European 
countries  have  endeavored  to  corner  the  film 
market,  American  pictures  are  still  far  in  the 
lead,  and  in  my  estimation  will  continue  to  lead, 
unless  European  producers  show  much  better 
results  than  they  have  heretofore.  We  have 
seen  a  few  foreign  pictures  of  exceptional  merit, 
but  the  vast  majority  are  of  inferior^  quality  and 
cannot  hope  to  compare  with  American  produc- 
tions.     I    think    that    our    nearest    competitor    in 


quality  is  Scandinavia,  who  are  turning  out  no 
more  than  twenty  pictures  a  year,  but  these 
pictures  are,  as  a  whole,  a  better  quality  than 
those  produced  by  either  England,  France  or 
Germany.  Scandinavia,  however,  has  its  limita- 
tions, and  I  doubt  will  ever  be  a  serious  com- 
petitor. England  is  turning  out  a  few  very  fine 
productions  at  the  present  time  and  will  eventual- 
ly sell  her  products  in  the  market  of  the  world 
in  competition  with  American  pictures.  France 
is  turning  out  a  few  exceedingly  fine  pictures, 
but  as  a  whole  her  pictures  at  present  are  more 
suitable  for  local  consumption.  Germany,  on 
account  of  the  exchange,  is  in  a  position  to  make 
magnificent  spectacles  at  a  very  low  cost,  but 
with  a  few  exceptions  made  a  record  for  quantity 
rather  than  quality.  Nine-tenths  of  the  German 
pictures  I  have  seen  are  totally  unsuitable  for 
American  &  British  consumption.  While  little 
has  been  heard  of  Italy,  she  has  made  some  very 
fine  pictures,  which  will  eventually  find  their  way 
into  the  American  market.  She  seems  to  be 
making  a  greater  bid  now  to  have  American  pro- 
ducers make  their  pictures  in  Italy  than  to  make 
pictures  for  her  own  consumption,  and  in  this 
she  is  making  a  very  wise  move,  as  she  is  not 
only  bringing  the  American  dealer  to  Italy,  but 
gradually  finds  a  place  for  her  own  made  Italian 
pictures.  (Continued   on  page   409) 


IMPORTS  INTO  THE  UNITED  STATES  AND  DOMESTIC  EXPORTS 
FROM    THE    UNITED    STATES 
From    June,    1921    to    June,    1922— Totals    by    Months 
MOTION-PICTURE    FILMS 


IMPORTS 


Sensitized  but  not  exposed 

1921  Linear  feet  Dollars 

June    18,308,858  345,128 

July    13,990,478  272,872 

August    15,124,498  221,781 

September   ....  19,360,077  454,375 

October    23,828,015  397,762 

November    ....  15,822,768  256,971 

December    ....  20,303,911  367,874 
1922 

January    16,053,051  287,388 

February    17,898,477  306,130 

March     23,722,022  415,277 

April    19,360,260  352,936 

May    19,691,276  361,298 

June    12,463,981  195,946 


Negatives 

Linear  feet      Dollars 
182,444 


502,924 
317,288 
361,372 
548,375 
261,891 
197,209 

164,468 
143,974 
180,503 
143,478 
244,086 
139,274 


82,509 

139,680 

176,167 

110,439 

90,646 

94,145 

79,008 

22,263 
25,907 
78,019 
35,443 
92,010 
43,613 


DOMESTIC    EXPORTS 
Not  exposed 
1921  Linear  feet      Dollars 

June    2,811,210        101,172 

July        4,415,195        155,354 

August    3,454,082  96,416 

September    1,823,783  52,841 

October     3,252,365  92,871 

November    4,365,128         106,764 

December    1,427,209  52,923 

Sensitized,  not  exposed  Negatives,  exposed 

Linear  feet  Dollars  Linear  feet  Dollars 

January    ..  4,755,576  184,067  1,283,688  140,666 

February  ..   5,150,924  126,872  715,021  61,941 

March    ....   3,087,971  86,500  895,824  61,601 

April    5,055,381  106.508  335,739  37,514 

May 4,297,296  121,664  1,016,416  63,299 

June    4,952,397  149,338  529,973  33,595 

405 


Positives 

Linear  feet    Dollars 
659,348 


582,282 
513,141 
893,765 
596,665 
529,983 
623,044 

541,577 
399,347 
567,540 
657,454 
576,933 
433,230 


32,985 
30,118 
22,057 
34,751 
30,826 
17,489 
47,296 

26,343 
17,336 
42,613 
32,929 

25,257 
24,511 


Exposed 

Linear  feet       Dollars 
10,121,106 


9,881,795 

11,542,342 

10,967,652 

10,211,050 

9,421,585 

9,660,217 


510,631 

443,115 
512,379 
486,948 
468,408 
459,727 
479,458 


Positives 

Linear  feet       Dollars 
8,541,595 


9,653,609 
11,643,435 
10,344,949 

9,825,625 
10,276,437 


386,363 
419,173 
510,103 
439,963 
451,987 
465,328 


y/ov.1 


David  P.  Howells,  Inc. 

International  Film  Distributors 
729  Seventh  Avenue  New  York 

Cable  Address:  Howellfilm,  New  York 

BRANCHES: 

London  Paris  Berlin  Rome 

Copenhagen  Barcelona 


Inter-Globe  Export  Corp. 

Sidney  Garrett,  Gen.  Manager 

Exclusive  Foreign  Representatives 
ASSOCIATED  EXHIBITORS,  INC. 

and 

HAROLD  LLOYD 

in 

"Grandma's  Boy"     "Sailor-Made  Man" 

"Now  or  Never"      "I  Do" 

"Never  Weaken"      "Among  Those  Present" 


406 


FOREIGN    BUYERS 

Australia  and  New  Zealand: 

Australasian  Films,  Ltd.,  729  Seventh  Ave., 
N.  Y.,  Cooperative  Films,  Ltd.,  (W.  A.  Robbins). 
729    7th  Ave.,   N.    Y. 

Cuba  and  West  Indies: 

L.  H.  Allen,   130  W.  46th  St.,  N.  Y. 
Medal  Film  Co.,   1476  B'way,  N.  Y. 
Caribbean  Film   Corp.,   130  W.  46th   St.,  N.  Y. 
Chester  E.  Sawyer,  Inc.,  130  W.  46th  St.,  N.  Y. 
Selection   Film   Service,   35   W.  46th   St.,   N.   Y. 

India,    Burmah,    Ceylon,    Straits    Settlement,    Fed- 
erated Malay  States,  Siam,  Dutch  East  Indies, 
Philippines  and   China: 
I.   V.   T.  A.,  218  W.   42nd   St.,   N.  Y. 
J.   Pearson,  Hotel  Astor,   N.   Y. 
Robinson     &     Walker,     White     Bldg.,     Seattle, 
Wash. 

Foreign  Markets  Dist.  Corp.,  130  W.  46th  St., 
N.  Y. 

Belgium,  France  and  Switzerland: 

British  &  Continental  Trading  Co.,  220  W. 
42nd  St.,  N.   Y. 

Holland : 

David  P.  Howells,  729  Seventh  Ave.,   N.   Y. 

British  &  Continental  Trading  Co.,  220  W. 
42nd   St.,   N.   Y. 

Japan : 

Robinson  &  Walker,  Stuart  Bldg.,  Seattle, 
Wash. 

Orient  Pictures  Corp.,  302  Exch.  Bldg.,  Los 
Angeles,    Calif. 

Foreign  Markets  Dist.  Corp.,  130  W.  46th  St., 
N.  Y. 

Taisho   Film   Co.,   165    B'way,   N.   Y. 

I.   V.   T.   A.,    218   W.   42nd    St.,    N.    Y. 

V.   Ono,   220   W.   42nd   St.,   N.   Y. 

Mexico: 

L.  H.  Allen,  130  W.  46th  St.,  N.  Y. 

Chester  E.    Sawyer,    130   W.   46th   St.,   N.   Y. 

Scandinavia : 

John    Carlson,    Times    Bldg.,    N.   Y. 

Olsen   &  Co.,  220  W.  42nd  St.,  N.  Y. 

S.  A.  G.  Swenson  (representing  Erik  Lund- 
berg,   Stockholm.   47,   W.   42nd   St.,   N.   Y. 

Liberty  Trading   Co.,   Inc.,  Times  Bldg.,  N.   Y. 

South  America: 

L.    H.    Allen,    130   W.    46th    St.,    N.    Y. 
Argentine     American     Trading     Corp.,     220     W. 
42nd    St. 

Max    Glucksman,    220    W.    42nd    St.,    N.    Y. 
Luporini   Bros.,   17  W.   44th   St.,   N.   Y. 
Sociedad    General    Cinematografica,    1482    Bway, 

N.  Y. 
Foreign   Markets   Dist.    Corp.,    130  W    46th   St., 

N.  Y. 
Chester  E.  Sawyer,  Inc.,  130  W.  46th  St.,  N.  Y. 
Henry  Blunt,  1540  Bway,  N.  Y. 
D.  Comas  y  Cia,  220  W.  42d  St.,  N.  Y. 

Spain  and  Portugal: 

L.  H.  Allen,  130  W.  46th  St.,  N.  Y. 

United  Kingdom: 

David  P.  Howells,  729  Seventh  Ave.,  N.  Y. 
Western  Import  Co.,  71   W.  23rd  St.,  N.  Y. 
Foreign  Markets  Dist.   Corp.,   130  W    46th   St., 
N.  Y.  y  '  . 

Inter-Globe  Export  Co.,  25  W.  45th  St.,  N.  Y. 
Edward  L.  Klein,  152  W.  42d  St.,  N.  Y. 

World  Rights: 

L.  H.  Allen,  130  W.  46th  St.,  N.  Y. 

Apollo   Trading   Co.,    1600   Bway,   N.    Y 

Arrow  Film  Corp.,  220  W.  42d  St.,  N.  Y. 

Chester    Beecroft,   Astor   Trust   Bldg. 

Export   &   Import   Film   Co.,   729   Seventh  Ave., 

N.  Y. 
Foreign   Markets   Dist.   Corp.,   130  W.   46th   St., 

N.  Y. 
David  P.  Howells,  729  Seventh  Ave.,  N.  Y. 
Interocean  Film  Co.,  218  W.  42d  St.,  N.  Y. 
William  V.  Vogel,  130  W.  46th  St..  N.  Y. 
Triumphant    Pict.    Sales    Co.,    220    W.    42d    St., 

N.  Y. 
Western   Import  Co..  71  W.  23d  St.,  N.  Y. 


ASSO    FIRST  NATIONAL  FOREIGN 
EXCHANGES 

Associated  First  National  Pictures,  Ltd.,  37-39 
O.xford   St.,   London,   England. 

David  P.  Howells,  Ltd.,  29a  Charing  Cross 
Road,   London,   England. 

David  P.  Howells,  69  Faulbourg  St.,  Honore, 
Paris,   France. 

Transocean  Film  Co.,  Zimmerstrasse,  72-74,  Ber- 
lin,   S.    W.,   68,    Germany. 

David  P.  Howells,  Inc.,  729  Seventh  Ave.,  New 
York    City. 

FAMOUS  PLAYERS-LASKY  FOR- 
EIGN EXCHANGES 

Famous  Lasky  Film  Service,  Ltd.,  302  Pitt 
St.,    Sydney,   Australia. 

Famous  Players  Film  Co.,  Ltd.,  166  Wardour 
Street,    London,   W.    I.   England. 

Cia   Peliculas   d'luxo   Da  America   Do    Sul,    Rue 
Chile,   No.    29,    Rio   de   Janeirio,    Brazil. 
Famous   Players-Lasky   Corporation,   N.   Y.   Oster- 
gade  7,  Copenhagen,  Denmark. 

Famous  Players-Lasky,  S.  A.,  Avenida  Juarez 
89,   Mexico    City,    Mexico. 

Societe  Anonyme  Francaise  des  Films  Para- 
mount,  63   champs   Elysees,  Paris,  France. 

European  Film  Alliance,  Vertriebsgesellschaft, 
Hardenbergstr.,   29a,   Berlin   W.   50,    Germany. 

Paramount  Service  of  New  Zealand,  33  Cuba 
Street,  Wellington,  New   Zealand. 

FOX  FILM  FOREIGN  EXCHANGES 

GREAT   BRITAIN 

Lewis    S.    Levin,    Managing    Director. 

London,    13    Berners    St.,   W.    I. 

Birmingham,   1-3  Temple  St.,  New  St. 

Liverpool,    15    Manchester   St. 

Manchester,   Deansgate,   Cor.    St.    Mary   St. 

Leeds,  20  Queen  Victoria   St. 

Newcastle-on-Tyne,  St.  Nicholas  Chambers, 
Amen    Corner. 

Cardiff,   9-9a   Wharton    St. 

Dublin,    201    Great    Brunswick    St. 

Glasgow,   73   Dunlap   St. 

AUSTRALIA 

H.   E.    Ross   Soden,   Australian   Manager. 

Sydney,   305    Pitt   St. 

Melbourne,  Elizabeth  House,  Elizabeth  &  Lit- 
tle Colhns  St. 

Brisbane,    Kodack    Bldg. 

Perth,   Murray    St. 

Adelaide,    Peel   St. 

NEW  ZEALAND 

Wellington,    76-78   Jervois   Quay,    W.    W.    Wad- 

"'^"-  FRANCE 

Edward  Auger,  Managing  Director.  Executive 
offices,   17   Rue  Pigalle. 

Paris,    Societe  Anonyme,   21    Rue  Fontaine. 

Lille,    12    Rue   des   Manneliers. 

Marseilles,   58   Rue  de   Rome. 

Strasburg,    16   Rue   de  Vieux  Marche   Aux  Vins. 

Algiers,    Splendid    Cinema,    Rue    de    Constantine. 

BELGIUM 
Brussels,   60  Rue   Pont  Neuf,  E.   Allenbach. 

GERMANY 
Cologne,     Komodienstrasse     32-26,     C.     Fausser, 
Supervisor. 

ARGENTINE 
Joseph  P.   Ryan,  District  Manager. 
Buenos  Aires,  940  Lavalle. 
Rosario,   Maipu,   753. 

BRAZIL 
Rio  de  Janeiro,   7   Rua   Quitanda,  A.   Rosenwald. 
Sao   Paulo,   Rua   Do   Triumpho-55. 

URUGUAY 
Montevideo,   1439  Rio  Negro. 

OTHER  AGENCIES  ABROAD 
Fox  film  distribution  in :  Mexico,  Venezuela, 
Panama,  Chile,  Peru,  Bolivia,  Ecuador,  Cuba, 
Santo  Domingo,  Trinidad,  Jamaica,  India,  Japan, 
Spain,  Holland,  Egypt  and  South  Africa,  is 
handled  by  the  Foreign  Department  of  Fox  Film 
Corporation    through   agencies   in   these   territories. 


407 


REGINALD  WARDE,  Inc. 

729  7th  Avenue  New  York  City 


lllllllllllllllllllllllllllllllllllllllllllllll!! 

EXPORT  IMPORT 


iiiiiiniii!iii{iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii!ii>iii{i!iiiiiiiiiiiiiiiiiiii!iiiiy 

Motion  Picture  Productions 

Comprising  Educational,  Scenics,  Travelogues,  Indus- 
trial, Scientific,  Comedies  and  High  Class  Features 


FAR  EAST  FILM  CORP. 

729  7th  Avenue  New  York  City 

SOLE    FOREIGN    DISTRIBUTORS    FOR 
EDUCATIONAL   FILM    CORP.    OF   AMERICA 

Mermaid   Comedies — Campbell   Comedies — "Torchy"   Comedies 

Cameo  Comedies — Earl  Hurd  Comedies 

Toonerville  Comedies — Lloyd  Hamilton  Comedies 

Chester  Scenics,  Travelogues  and  Industrials 

Sketchograph — Slow  Motion  Productions 

Bruce  Wilderness  Tales 

Educationals,  Scenic,  Travelogues  and  Industrials 


408 


SELECT    FOREIGN    EXCHANGES 

Select  Pictures  Corporation,  Ltd.  (French  Cor- 
poration), 

8  Avenue  de  Clichy,  Place  Moreau;  Bruxelles, 
156  Boulevard  Max;  Lille,  63  Rue  Arago;  Tou- 
louse,   No.    1,    Rue   du    Conservatoire. 

Select  Pictures  Corp.,  Ltd.,  (Australian  Corp.), 
Sydney,   New  Sounth  Wales,  Australia. 

Record  Chambers,  305  Pitt  St.,  Sydney,  New 
South  Wales,  John  Corbett  Jones,  General  Man- 
ager. 

New  South  Wales,  30S  Pitt  Street,  Sydney,  S. 
D.    Bott,   Manager. 

Victoria,  184  Russell  Street,  Melbourne,  H.  J. 
Beacham. 

South  Australia,  Napoleon  Chambers,  King  Wil- 
liam Street,  Adelaide,  A.   Perray. 

Queensland,  Brisbane;  (jueen  Street;  Chas. 
Munroe. 

New  Zealand,  Box  1372  Wellington,  Randall, 
\\ .    Smith. 

UNIVERSAL   FOREIGN    OFFICES 

Egypt,  73a  Rue  Fouad-ler,  Alexandria. 

Belgium,  23   Rue   Quellin,   Anvers. 

Czechoslovakia,   Brandlova  39,  Prague. 

Denmark,   2   Fervergade,   Copenhagen. 

British  Isles,  (England)  22  Soho  Square,  Lon- 
don, 36  the  Arcade-Lard  St.,  Liverpool,  71  Pil- 
grim St.,  Newcastle-on-Tyne,  22  Queen  Victoria 
St.,  Leeds,  22  Hill  St.,  Birmingham,  28  Victoria 
St..  Manchester,  174  Norfolk  St.,  Sheffield.  (Ire- 
land) 3  Dame  St..  Dublin.  (Scotland)  102  Union 
St.,   Glasgow.     (Wales)    38    Charles   St.,   Cardiff. 

France,  4  Cite  Magenta,  6  Rue  Francoeur,  Paris. 
50  Rue  Pasteur,  Lyons.  30  Rue  du  Village,  Mar- 
seilles. 

Germany,  224  Friedrichstrasse,  Berlin,  Wor- 
ringer  St.  79,  Dusseldorf,  G.  M.  6H,  Kronprinzen 
St.  41,  Frankfurt,  a  M. 

Holland,   58   Rokin,   Amsterdam. 

Italy,   2   Via   Fiamme,   Rome. 

Spain,    Calle  Valencia  233,    Barcelona. 

Mexico,  75  Avenida,  Juarez,  Mexico  City,  Guada- 
lagara,  Mazatlan,  Merida,  Monterey,  Pueblo,  Que- 
retaro,    Tampico,   Torreon,   Vera    Cruze. 

South  America:  Argentine,  1074  Calle  Lavalle, 
Buenos  Aires,  Bahia  Blanca,  Cordoba,  945  Rioja, 
Rosario,  Santa  Fe. 

Brazil,  Rua  Treze  de  Maio  No.  25,  Rio  de 
Janeiro,  Bahia,  Bello  Horizonte,  Campos,  Pelotoas, 
Ponta  Grossa,  Porto  Alegre,  Recife,  Riberao  Preto, 
47  San  Paulo-Rua  Santa  Ephigenia,  Soledad,  Uba, 
Santa  Maria. 

Chile,   Santiago,   Valparaiso.  ■ 

Colombia,   Bogota,   Call,    Caracas,    Medelin. 

Venezuela,   Caracas,   Maracaibo. 

In  U.  S.  Possessions:  Phillippine  Islands,  230 
Barbosa,  Manila,  Iloilo,  8  Cebu. 

Porto   Rico,   San   Francisco  99,   San  Juan. 

Hawaii  Islands,  46  S.   Beretainia   St.,   Honolulu. 

Cuba,  San  Jose,  No.  3,  Havana,  Holquin,  San- 
tiago. 

Asia  and  Nearby  Islands:  China,  122  Szechuen 
Rd.,  Shanghai,  P.  O.  Box  No.  521,  Hongkong, 
34  Ice  House  St.,  Hongkong. 

India,  Heera  House,  Sandhurst  Rd.,  Bombay, 
10  British  Indian  St.,  Calcutta,  17  Sembidoss  St., 
Delhi,  George  Town,  Madras.  Lahore. 

Japan,  14  Sanchome  Minamidemmacho,  Tokyo, 
7  Katadoi  Machi  Fukuoka-Shi,  Hakata,  Keyo, 
Korea,  7  Katadoi-Machi,  Fukuoka.  12  Michino 
Machi  Unagidani  Minami,  Kiogashi,  Osaka,  7 
Hauzone-Cho-Nishill-Chome,    Otaru. 

Java,  Kebon-Kawoeng  66,  Bandoeng,  23  Kramat, 
Batavia,  Soerabaya. 

Siam,  Bangkok. 

Singapore,  62   Orchard  Rd. 

Australia,  143  Castlereagh  St.,  Sydney,  41  Rundle 
St.,  Adelaide,  143  Queen  St.,  Brisbane,  Hay  St., 
Perth,   186  Rourke  St.,  Melbourne. 

New  Zealand,  Custom  House  Quay,  Wellington, 
New    Zealand. 

Canada,  350  Yonge  St.,  Toronto,  407  W.  Eighth 
Ave.,  Calgary,  12  Mayor  St.,  Montreal,  87  Union 
St.,  St.  John,  N.  B.,  40  Aikens  Bldg.,  Winnipeg, 
553    Granville    St.,   Vancouver. 


THE   FOREIGN    OUTLOOK 

(Continued  from  page  405) 
From  a  sale  standpoint  England  naturally  is 
our  greatest  market,  and  while  conditions  were 
for  a  while  very  poor,  the  past  four  months  has 
seen  a  great  many  sales  made  in  London,  and 
an  unexpected  influx  of  British  buyers  in  the 
United  States.  There  is  as  great  a  demand  in 
England  as  ever  for  high  grade  American  pic- 
tures, and  this  despite  the  fact  that  German  pic- 
tures may  now  be  shown  there.  The  call  for 
one  and  two  reel  comedies  and  other  short  sub- 
jects is  so  great  that  the  American  producers 
are  finding  it  very  hard  to  meet  this  demand. 
In  Scandinavia  American  pictures  have  first  call, 
and  we  have  no  difficulty  in  disposing  of  our 
pictures  there.  They  must  be  of  best  quality, 
however,  as  the  Scandinavian  market  has  no 
place  for  the  mediocre  pictures.  As  in  Eng- 
gland,  short  reel  subjects  of  American  manu- 
facture are  in  great  demand.  In  France,  Bel- 
gium, Sv^itzerland  and  Holland  there  has  been 
a  very  noticeable  increase  in  buying,  and  I  feel 
that  the  demand  for  good  American  pictures 
will  be  much  greater  within  the  next  few 
months.  In  Central  Europe  sales  have  been 
slow  as  a  whole,  although  one  or  two  companies 
have  managed  to  dispose  of  considerable  pro- 
duct. Germany  and  Austria  Hungary  are  par- 
ticularly slow  only  on  account  of  the  prevailing 
rate  of  exchange,  but  indications  are  that  we 
will  soon  be  placing  American  product  there. 
Czecho  Slovakia  is  a  very  good  market  for 
American  pictures,  and  the  Balkans  are  begin- 
ning to  buy.  Italy  has  been  more  or  less  a 
closed  territory  for  the  past  few  years,  but 
they  are  now  buying  American  pictures  in  large 
numbers.  South  America  has  been  one  of  the 
best  markets  for  American  pictures,  and  the 
demand  there  is  increasing  steadily,  so  much  so 
that  American  producers  and  distributors  find 
it  bard  to  produce  enough  film  to  supply  them. 
In  Central  America,  Mexico  is  now  buying  stead- 
ily, and  Cuba  after  a  dormant  period  is  again 
in  the  market  and  a  number  of  sales  have  been 
reported  recently.  Japan  also  is  a  good  mar- 
ket for  American  pictures,  and  they  are  using 
the  entire  American  output.  India,  Burma  and 
Ceylon  are  more  interested  in  serial  and  action 
pictures,  but  there  is  a  fairly  good  market  there 
for  high  grade  American  pictures.  Most  sales, 
however,  are  made  through  London,  where 
credit  is  extended  through  various  banking  affilia- 
tions. The  Philippines  cannot  assimilate  all 
American  productions,  and  only  three  distributors 
are  represented  there,  among  which  are  the  Ar- 
row Film  Corporation,  who  have  placed  their 
entire  product  in  this  market.  China  is  also  a 
little  slow  on  features,  the  demand  there  being 
for  serials  and  action  pictures  rather  than  high- 
class  dramas. 

All  in  all,  however,  the  present  and  future  out- 
look for  the  American  pictures  in  the  foreign 
market  is  a  most  optimistic  one,  and  I  for  one 
feel    sure    that   we   need    have   no    fear   of   foreign 

competition. 

English    Gross    Estimated    £30,000,000 

London — Sir  Oswald  Stoll  estimates  the  total 
revenue  derived  from  the  film  industry  in  Great 
Britain  yearly  is    £30,000,000. 


THE   GOLF   TOURNAMENTS 

(Continued    from    page   397) 

On  Dec.  18  at  Hollywood  after  several  disap- 
pointing starts  about  50  film  folk  gathered  and 
after  playing  formed  the  Motion  Picture  Golf  As- 
sociation of  which  Nat  Deverich  was  elected  presi- 
dent  and  J.    C.   Jessen,   secretary  and   treasurer. 

The  board  of  directors  include  Deverich,  Jessen, 
Owen  Moore,  Neal  Burns  and  Larry  Semon.  A 
tournament  is  proposed  to  be  he'd  everv  six  months. 

Larry  Semon  offered  a  trophy  which  must  be 
won  three  consecutive  times  for  permanent  pos- 
session. 

Charles  Requa  won  tl-e  Cbar'es  Thristy  troohy 
with  a  score  of  80.  C  H.  Wellington  of  Jess 
Robbins  Prod,  won  the  Earl  Hammons  tror'hy  for 
low  net  with  a  score  of  72.  The  Abe  Warner 
runner  up  tronhy  for  low  net  was  won  by  Milton 
E.    Hoffman    with    a    73. 


409 


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You 

Know 

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has    the    same 
Standing       in 

IMPORT 

England,  France 
and     Germany 

TELEPHONES 

that   it  has   here 

BRYANT  6353-1587 

for  accuracy  and 

CABLE     ADDRESS 
KLEINWAY,  NEW  YORK 

rehabihty. 

LONDON 

If  you  want  to 

16  GREAT  CHAPEL  ST. 

"reach"  the    for- 

PARIS 

eign  market  use 

62  Rue  Chaussee   d'Antin 

AGENCIES  IN  ALL 
FILM    MARKETS 

The  FILM  DAILY 

410 


Important  Foreign  Lists 


BRITISH     PRODUCERS 

Alliance  Film  Co.,  74  Old  Compton  St.,  London, 
W.   1. 

Famous  Players-Film  Co.,  Ltd.,  166-170  Wardour 
Street,    London,    W.    1. 

George  Clarke  Productions,  Ltd.,  47  Berners  St., 
London,  W.  1. 

Graham  Wilcox  Productions,  Ltd.,  89  Wardour  St., 
London,  W.  1. 

Master  Films,  Ltd.,  Weir  House,  Teddington  Sur- 
rey. 

Progress  Film  Co.,  Shoreham  Sussex. 

Vanity   Films,   Ltd.,   41    Boury  St.,   London,   W.    1. 

Graham  Wilcox  Productions  Ltd.,  Famous  Lasky 
Studios,   Ishigton,   N. 

Geo.  Clarke  Productions,  Ltd.,  Beaconsfield  Bucks. 

LONDON     IMPORTERS 

Australian  Films,  Ltd.,  Carlton  House,  Regent  St., 
London,   S.   W.   1. 

Fraser.  A.,    193   Wardour   St.,   London,   W.    1. 

Imperial  Film  Co.,  2  Denman  St.,  London,  W.   1. 

International  Supplies  Co.,  2  Denman  St.,  London, 
W.   1. 

International  Supplies  Co.,  S  Denmark  St.,  London, 
W.  1. 

Nordisk  Film  Co.,  Ltd.,  24  Denmark  Street,  Lon- 
don, W.  1. 

Serra,  G.,  5  Denmark  St.,  London,  W.  1. 

Tippett  (J.  D.)  Productions,  Ltd.,  81  Shaftesbury 
Avenue,   London,  W.   I. 

Fraser,  A.,  193  Wardour  St.,  London,  W.  C.  2. 

LONDON    RENTERS 
Ideal  Films  Ltd.,   76-78  Wardour  St.,  W.   1. 
The  Rose  Film  Co.,  89-91  Wardour  St.,  W.  1. 
Allied  Artistes  Ltd.,  86-88  Wardour  St.,  W.  1. 
European   Motion   Picture    Co.,    167   Wardour   St., 

W    1. 
Fox  Film  Co.,  13  Berners  St.,  W.  1. 
Associated  First  National  Pictures,  37  Oxford  St., 

W. 
Imperial  Film  Co.,  2  Denman  St.,  W.  I. 
Pathe  Freres  Cinema  Ltd.,  84  and  103-9  Wardour 

St.,  W.  I. 
Granger's  Exclusives  Ltd.,  191  Wardour  St.,  W.  1. 
Vitagraph  Co.  Ltd.,  31-33  Charing  Cross  Road,  W. 

C   2. 
Astra  Films,  89-91   Wardour   St.,   W.   1. 
Astra  National  Productions,   101   Wardour  St.,  W. 

1. 
Stoll  Film  Co.,  ISS  Oxford  St.  W. 
Graham   Wilcox    Productions,    89-91    Wardour    St. 

W.  1. 
W.  &  F.  Film  Service,  62  Friht  St.,  W.  1. 
Famous   Lasky    Film   Service  Ltd.,    166-170   Ward- 
our St.,  W.   1. 
Shadow  Plays  Film  Service,  2  Gerrard  Place,  W.  1. 
Goldwyn  Ltd.,   12  Gt.  Newport  St.  W. 
Unity  Film  Co.,  7  Gerrard  St.  W. 
Regent  Film  Co.,   193  Wardour  St.  W. 
Butcher's  Film  Service  Ltd.,  Camera  House,  Far- 

rington  Ave.,  E.   C. 
Jury's  Imperial  Pictures,  19  Tower  St.,  E.  C. 
Gaumont  Co.   Ltd.,   6   Denman   St.,  W.    1. 
Moss  Empires  Ltd.,  24   Denmark   St.,  W. 
Walturdaw    Co.    Ltd.,   46    Gerrard    St.    W     1. 
Pearl  Film  Co.,  86-88  Wardour  St.   W.   1. 
Film  Booking  Offices  Ltd.,  22  Soho  Square,  W.  1. 
Wardour  Films  Ltd.,  173  Wardour  St.  W.  1. 
Feature   Filtn    Co.,   29a   Charing    Cross   Road,    W. 

C.  2. 
International   Cine   Corporation,    101    Wardour   St. 

W.  1. 
Artistic  Films  Ltd.,  93  Wardour  St.  W.  1. 
Phillips  Film   Co.   Ltd.,   Motograph  House,  Upper 

St.   Martni's   Lane,    W.    C.   2. 
General   Film   Renting  Co.,  93-9S   Wardour   St.   W. 

1. 
International  Variety  &  Theatrical  Agency  Ltd.,  2 

Leicester  St.,  W    C.  2. 
Walker's  Pictures  Ltd.,  112  Shaftesbury  Ave.  W.  1. 

Birmingham  Renters 
Diamond  Film  Syndicate,  79  Station  St. 
Famous  Films,   43  Temple  Row. 
G.  &  H.  Film  Service,  30,  Birchfield  Road,  Aston. 
Majestic  Film  Co.,  118  New  St. 


Hub  Film  Co.,  13  Suffolk  St. 

Sovereign  Exclusives,  97  John   Bright  St. 

Sun    Exclusives    Ltd.,    Sim    House,    11    HoUoway 
Head. 

Victory  Motion  Pictures  Ltd.,   7  HoUoway  Head. 

Monarch  Film  Co.,  137a  Suffolk  St. 

Stone's    Mutual    Films,    Kinema    House,    34    John 
Bright  St.,  Birmingham. 

Mitchell's  Exclusives  Ltd.,  252  Corporation  St. 
Leeds  Renters 

Greta  Film  Service,  62  Aire  St. 

Grosvenor  Exclusives,   10  Queen  Victoria  St. 

Knapton  &  Co.,   66   New   Briggate. 

Mercury   Film   Service,   18a   Queen's   Arcade. 

New   Century   Film   Service,   34   Wellington   St. 

C.   P.   Metcalfe,  20  Queen  Victoria  St. 

Sterling  Film  Co.,  Film  House,  Mill  Hill. 

Thompson,   C,  97  Albion  St. 

Willington  Film  Service,  Film  House,  Mill  Hill. 
Liverpool  Renters 

Barnett  Film  Agency,  146  Dale  St. 

Cinematography  Co.  Ltd.,  79  Dale  St. 

Clynes  Film  Agency,  24,  Mount  Pleasant. 

W.  E.  Denison,  135  Dale  St. 

Mutual  Film  Service,  26  Mount  Pleasant. 

Solaris  Film  Agency,  24  Mount  Pleasant. 

Weisker  Bros.,  Ltd.,  Kinema  House,  London  Road. 
Manchester  Renters 

Frederick  White  Company,  54-56  Victoria  St. 

Fuller's  Exclusives,  38  Deansgate. 

E.  G.  Milloy,  28  Deangate  Arcade. 

Clarion  Film  Agency,   12  Cannon  St. 

John  E.   Blakely  Ltd.,  58  Victoria  St. 

Dispatch   Film   Service,    37    Cannon    St. 

National   Film  Agency,   64   Victoria   St. 

Plante  Photoplays  Ltd.,  87-89   Corporation   St. 
Newcastle    Renters 

Neville  Bruce  Ltd.,  42  Westgate  Road. 

Henderson's  North  of  England  Film   Bureau,   Irv- 
ing House. 

High  Level  Exclusives,  33  Westgate  Road. 

Walker's   Exclusive   Film   Hire    Service,    31    West- 
gate  Road. 

Cardiff    Renters 

Carcopol  Film   Co.   Ltd.,   15   Pembroke  Terrace. 

Cymric  Film  Co.  Ltd.,  Quay  St. 

Douglas  Mutual  Film  Co.  Ltd.,  20  Castle  Arcade. 

Fleet  Photoplays  Ltd.,  3  St.  John's  Sq. 

Servall's   Exclusives,  40   Charles   St. 

Paragon  Films  Ltd.,  35  Charles  St. 

Tilney  Bros.,  1  St.  John's  Sq. 

Wilkinson   Film    Bureau,   29   Windsor   PI. 
Glasgow   Renters 

Acme  Films,  25  Gordon  St. 

Albion  Film  Ltd.,  79  Dunlop  St. 

Argosy  Film  Co.  Ltd.,  81  Dunlop  St. 

Bendon  Trading  Co.,  26-28  Wilson   St. 

Bruce  Films  Ltd.,  51-53  Renfrew  St. 

Cosmograph  Film  Co.  Ltd.,  213   Buchanan   St. 

Famous  Productions  (Films),  Ltd.,  68  Great  Hyde 
St. 

Glasgow  Film  Service  Lted.,  52  Howard  St. 

Green's  Film  Service,   182  Trongate. 

St.  Mungo  Exclusive  Film  Co.,  142a  Vincent  St. 

Square   Film    Co.,   Ltd.,   51    George   Sq. 

Waverley  Films  Ltd.,  132  West  Nile  St. 
Dublin  Renters 

Dublin  Cine  Supplies,  Grafton  Street,  Rathmines. 

E.xpress    Film    &    Cine    Agency,    7-9    Commercial 
Buildings,   Dame   St. 

General  Film  Supply,   17  Great   Brunswick   St. 

Minnis  &  Whelan,  1  and  2  College  Park  Chambers, 
Nassau  St. 

National  Films  Ltd.,  2  Burgh  Quay. 


Italian    Tariff    a    Handicap 

According  to  a  special  cable  to  the  N.  V. 
Herald  from  Rome,  in  March,  the  recent  high 
tariff  which  Italy  has  placed  on  films,  which  has 
been  increased  sevenfold,  is  seriously  crippling 
the  exportation  of  finished  Italian  films  to  America. 
The  Italians  buv  most  of  their  raw  films  from 
Germany.  In  1914  Italv  exported  3,000,000  feet 
of   film    to   America,  but   in    1921    only   800,000. 


411 


ENGLAND 
Large  Theater  Circuits  in  Great  Britain 

Bristol— Albany  Ward  Circuit.  Head  Office: 
2  Redland  Park,  Bristol.  Telegrams,  Alniertliea, 
Bristol.  London  Office,  199  Piccadilly,  London, 
W.  I.  Royal  Jubilee  Hall,  Arcadia,  Palladium, 
Belle  Vue  Cinema,  Weymouth;  Palace  The- 
atre, Yeovil ;  Palace,  New  Theatre,  Picture 
House,  Salisbury;  Palace,  Pantanas  Hall,  Tre- 
harris;  Theatre  Royal,  Picture  House,  Barnsta- 
ple ;  Palace,  Frome :  Palace,  Trowbridge ;  Pal- 
ace, Chippenham;  Palace,  Warminster;  Palace, 
Chepstow;  Palace  Theatre,  Bijou  Theatre, 
Bridgwater;  Palace,  Eiaston,  Palace,  Victoria 
Square,  Portland.  The  following  are  also  book- 
ed in  conjunction :  Palace,  Wells ;  Palace, 
Blanford ;  Palace,  Radstock ;  Empire,  Pease- 
down ;  Palidium,  Midsomer  Norton;  Palace 
Theatre,  Weston-super-Mare.  (With  the  excep- 
tion of  the  three  halls  in  .Jersey  and  Guernsey, 
the  Albany  Ward  Circuit  has  been  acquired  by 
Provincial  Cinematograph  Theatres,  Ltd.) 

London — Asso.  Provincial  Picture  Houses,  Ltd. 
Head  Office:  199  Picadilly,  W.  1.  Managing 
Director,  F.  E.  Adams,  Telegraphic  address, 
Procinthe,  Piccy,  London.  Picture  House,  Ab- 
erdeen; Picture  House,  Halifax;  Picture  House, 
Wednesbury ;  Picture  House,  Willenhall ; 
Queen's  Picture  House  and  Agricultural  Hall 
Cinema,  Wolverhampton  Picture  House,  Lehigh 
and  Surrey  County  Cinema ;  Sutton,  Picture 
House,   Walsall;    Flushing   Pk.,   Cinema,   London. 

Bacon's  (Sidney)  Pictures,  Ltd.,  Registered  Of- 
fice, 143  Charing  Cross  Road,  W.  C.  Govern- 
ing Director,  Sidney  Bacon.  Telegrams,  Nocab- 
dis,  Ox,  London.  City  Picture  House,  Carlisle; 
Electric  Palace,  Highgate;  Highgate  Empire; 
Olympia,  Newcastle-on-Tyne ;  Public  Hall,  Car- 
lisle;   Public    Hall,    Erith  ;    Princess,    Crayford. 

Biocolor  Picture  Theaters,  Ltd.  Reynolds  House, 
S  Great  Newport  St.,  W.  C.  2.  Joint  Managing 
Directors,  E.  E.  Lyons  and  H.  T.  Underwood. 
Telegrams.  Biomacolor,  Westrand,  London. 
Academy  Picture  House,  Brighton ;  New  Savoy 
Theatre,  Glasgow ;  Grand  Theatre,  Glasgow ; 
Pavilion  Theatre  and  Hippodrome,  Cardiff;  Col- 
iseum, Newport,  Mon. ;  Empire,  Holloway  Rd., 
London;  Peckham  Hippodrome,  Peckham;  The- 
atre Royal,  Swansea ;  Britannia  Theatre,  Hox- 
ton ;  Empire,  Bradford;  Victoria,  Broughton, 
Manchester;  Coliseum,  Burslem;  Hippodrome, 
Stoke;  Dalton  Picture  House,  Dalton ;  Em- 
pire, Hanley ;  Hippodrome  Colchester ;  The- 
atre Royal,  Hanley;  Pavillion,  Burmingham; 
Academy,  Hammersmith ;  Palace,  Bristol ; 
Savoy,    Plymouth ;    Savoy,    Grimsby. 

Collins-Thompson  Circuit,  Telegrams,  Cinema. 
Borough  Theatre,  North  Shields;  Borough  The- 
atre, Wallsend ;  Grand,  Byker ;  Globe  Theatre, 
Gosforth ;  Grainger  Picture  Theatre,  Newcastle; 
King's  Theatre,  Sunderland;  Howard  Hall, 
North  Shields ;  King  George  Hall,  Cramlington ; 
Shipcote  Hall,  Gateshead;  Miners'  Theatre,  Ac- 
erington ;  Palace,  Gateshead ;  Picture  House, 
and  Pavilion,  Whitley  Bay ;  Scala,  Gateshead. 
These  theatres  have  since  been  acquired  by  Sol. 
Levy,  of  Birmingham,  on  behalf  of  the  compa- 
nies in  which  he  is  interested. 

London  and  Midland  Circuit,  Ltd.,  Reynolds 
House,  5  Great  Newport  St.,  London.  Joint 
Managing  Directors,  E.  E.  Lyons  and  H.  T. 
Underwood.  Telegrams,  Biomacolor,  Westrad, 
London.  Empire,  Bradford;  Coliseum,  Burs- 
lem; Victoria  Theatre,  Manchester;  Savoy, 
Grimsby;  Academy,  Hammersmith;  Hippo- 
drome,   Stoke;     Savoy,    Plymouth. 

Provincial  Cinematograph  Theatres,  Ltd.,  199  Pic- 
cadilly, London,  W.  1.  Managing  Director,  F. 
E.  Adams,  Picture  House,  Belfast;  Picture 
House,  Birmingham;  Picture  House,  Bristol; 
New  Picture  House  and  Picture  House,  Edin- 
burgh ;  Picture  House,  Glasgow ;  Central  Pic- 
ture House,  Hull ;  Picture  House,  Leeds ;  Pic- 
ture House,  Leicester ;  Prince  of  Wales  Picture 
House,  Liverpool ;  Oxford  Picture  House  and 
Market  Street  Picture  House,  Manchester; 
Newcastle  Picture  House,  Newcastle-on-Tyne; 
Picture    House,    Nottingham;    Andrews     Picture 


House,  Plymouth;  Picture  House,  Portsmouth; 
Havelock  Picture  House,  Sunderland:  Arcade 
Cinema  and  Court  Cinema,  Darlington ;  Broad- 
way Kinema,  Peterborough ;  Arcade  Cintnia, 
Worcester ;  Majestic  Picture  House,  Ashton- 
Under-Lyne;  Regent,  Brighton;  Picture  House, 
Chorlton-cum-Hardy ;  Picture  House,  Dublin; 
Palace  Theatre,  Glossop ;  Theatre  Royal,  G'os- 
sop ;  Palace,  Kentish  Town  Road,  London; 
New  Gallery  Kinema,  Peterborough ;  Apollo, 
Stoke  Newington  Road,  London ;  Canadian 
Rink  Cinema,  Tottenham;  Red  Hall,  Walham 
Green,    London. 

Manchester — Broadhead's  Theatres,  Hippodrome, 
Hulme.  Proprietors,  William  Henry  Broadheaa 
and  Son.  Hippodrome,  Hulme,  Royal  Osborne. 
Kings'  Longsight,  Metropole,  Pavilhon. 
Queen's  Park  Hippodrome,  Junction,  Empress 
Electric,  Manchester ;  Royal  Hippodrome,  Sal- 
ford ;  Pavilion,  Liverpool;  Empire  Hippodrome 
and  Pavilion,  Ashton-under-Lyne ;  Crown  Thea- 
tre, Eccles,  Manchester;  Hippodrome,  Bury; 
Palace  and  Royal  Hippodrome,  Preston ;  Win- 
ter Gardens,  Morecambe,  Palais  de  Dance,  Ash- 
ton-under-Lyne. 

Glasgow — Scottish  Cinema  Theatres,  Ltd.,  105  St. 
Vincent  St.  King's  Charing  X,  Glasgow  ;  Gaiety 
and  Palace,  Clydebank ;  Princess,  Springburn, 
Glasgow ;  Portbrae  Picture  House,  'I'he  Pic- 
ture House,  Kirkcaldy;  King's,  Kilmarnock; 
King's,  Montrose;  Palace,  Arbroath;  Hay- 
market,  Edinburgh;  Central  Picture  House, 
Govan,  and  Shawlands  X  Picture  House, 
Glasgow ;  Empire,  Clydebank ;  Opera  House, 
Kirkcaldy;  Empire,  Cowdenbeath;  Pavilion, 
Gourock. 

Norwitch — F.  H.  Cooper  and  Co.'s  Cinemas,  Ltd., 
Station  Chambers.  Managing  Director,  F.  H 
Cooper :  Prince  of  Wales  Chambers.  Regent 
Theatre,  Chelmsford ;  Central  Cinema,  Ipswich ; 
Electric  Theatre,  Wisbech ;  Empire  Theatre, 
Norwich;   Prince  of   Wales   Palace,    Norwich. 

Green's  Film  Service,  182  Trongate.  Telegrams, 
Carnival,  Glasgow.  Cinema,  Tollcross,  Cinema, 
Rutherglen  Road,  Glasgow;  Cinema,  Alloa;  Pic- 
turedrome,  Whitevale,  Picturedrome,  Gorbals, 
Picturesdrome,  Govan,  Picturedrome,  Bridge- 
ton,  Glasgow ;  Picturedrome,  Ayr ;  Picture- 
drome, Irvine;  Picturedrome,  Leven ;  Pavilion, 
Johnstone ;  La  Scala,.  Aberdeen ;  Pavilion,  Bath- 
gate. 

King  (A.  B.)  Circuit.  Lome  Cinema,  Govan, 
Panopticon,  Glasgow ;  New  Cinema,  Prestwick ; 
Queen's  Cinema,  Langside,  Glasgow ;  De  Luxe, 
Stevenston ;  De  Luxe,  Glasgow ;  Gaiety,  Leith. 
Casino,  Elder  Picture  House,  Govan,  Glasgow ; 
Savoy,  Dundee;  La  Scala,  Glasgow;  La  Scala, 
Paisley ;  Empire,  Kilmarnock ;  La  Scala,  Dum- 
barton ;  Picture  House,  Failkirk ;  Electric  Pic- 
ture Hall,  Kilmarnock;  Alhambra,  Bellshill; 
Rosevale,  Partick  ;  Theatre  Royal,  Coatbridge ; 
Maine,   Dennistoun. 

Leeds — New  Century  Pictures,  Ltd.,  34  Welling- 
ton St.  Managing  Director,  Sydney  H.  Carter. 
St.  George's  Hall,  Bradford ;  Grand  Assembly 
Rooms,  Leeds ;  Picture  House,  Harrogate ;  Prin- 
cess Picture  House,  Barnsley ;  Carlton  Picture 
House,  Wakefield;  (Torona  Picture  House,  West 
Gorton,  Manchester;  Albert  Hall,  Sheffield; 
Empire  Palace,  Barnsley ;  Coliseum,  Leeds ; 
Mount  Pleasant  Hall,  Liverpool ;  Princess  Hall, 
Shipley ;    Empire,    Wakefield ;    Scala,    Harrogate. 

Birmingham — Levy  Circuit.  Sun  House,  Hollo- 
way  Head.  Managing  Directors,  Sol  Levy, 
Alfred  Levy.  Telegraphic  Address,  Sunsol, 
Birmingham.  Greater  Scala  Picture  House,  Bir- 
mingham; Scala,  Notting  Hill  Gate,  London, 
W. ;  Scala,  Maida  Vale,  W. ;  Scala,  Ealing,  W. ; 
Scala,  Kilburn,  N.  W. ;  Scala,  Leeds ;  Scala, 
Birkenhead;  Scala,  Liverpool;  Futurist,  Liver- 
pool; Scala,  Birmingham;  Palace,  Runcorn; 
Claughton  Picture  House,  Birkenhead;  Scala, 
Middlesbrough;     Scala,    Newcastle. 

Liverpool — Bedford  Cinemas,  Ltd.  Head  Office: 
19  Sweeting  St.  Picturedrome,  Garston ;  King's 
Picture  House,  Oakfleld  Road,  Liverpool ;  Bed- 
ford Hall,  Walton;  ISIarina  Picture  Theater, 
Seacombe ;  Lyceum  Picture  House,  P'gremont : 
Picture  House,  Birkenhead ;  Queen's  Picture 
Theater,    Birkenhead ;    Park   Picture   House,    Bir- 


412 


kenhead;  Empire,  Little  Sutton;  Regent  Pic- 
ture House,  Crosby ;  Hippodrome,  Wallasey ; 
Broadway,  Bootle ;  Strand  Cinema,  Bontle  ;  Pic- 
ture   Playhouse,    Smithdown    Road,    Liverpool. 

Liverpool — Dovener  Booking  Circuit.  Head  Of- 
fice :  North-Western  Booking  Agency,  60  Lime 
St.  Aintree  Picture  Palace,  Aintree ;  Belfast 
Picturedrome,  Belfast;  Everton  Electric  Pal 
ace,  Liverpool ;  Liverpool  Palais  de  Luxe,  Liv 
erpool ;  Liverpool  Picturedrome,  Liverpool ;  Lis 
card  Electric  Palace,  Wallasey ;  Macclesfield 
Picturedrome,  Macclesfield ;  Rock  Ferry  Elec 
trie  Palace,  Rock  Ferry ;  Scala  Electric  Palace 
Withington ;   St.  James  Picturedrome,  Liverpool 

Liverpool — Haigh  and  Son.  Head  Office;  10  Com 
mutation  Row.  Picturedrome,  Birkenhead;  Hope 
Hall  Cinema,  Liverpool ;  Gaiety  Cinema,  Liver 
poo! ;  Dingle  Picturedrome,  Liverpool ;  Scala 
Liverpool;  Cinema,  Wallasey;  Homer  Cinema 
Liverpool;  Savoy,  Liverpool;  Derby  Cinema 
Liverpool;  Futurist.  Liverpool;  Tivoli,  Liver 
pool ;  Lyric,  Birkenhead. 

Motherwell- — Ormiston,  Thos.  Address :  6  Bran 
don  St.  La  Scala,  Alloa ;  Picture  Theater,  Main 
St.,  Bellshill ;  Cinema  House,  18  Nicolson  St. 
Edinburgh ;  Falkirk  Pavilion,  High  St.,  Fal 
kirk  ;  Playhouse,  Galashiels ;  Gourock  Picture 
House,  Gourcick ;  Picture  House,  Kilbirnie 
Kirkintilloch  Picture  House,  Kirkintilloch;  Em 
pire  Theater,  Shotts ;  Troon  Picture  House, 
Troon  ;    Cinema^   Wishaw. 

London — Streatley  House  Group.  Head  Office 
187  Piccadilly,  W.  I.  Managing  Director,  D 
R.  Blair.  Empire,  Streatham  High  Road,  S 
W.  ;  Golden  Domes,  Streatham  High  Road,  S 
W. ;  Golden  Domes,  Denmark  Hill,  S.  E. ;  Mile 
End  Cinema,  Mile  End  Road;  Trafalgar  Cinema, 
Trafalgar  Road.  Greenwich;  Paisley  Picture 
Theater,  High  St.,  Paisley;  St.  Enoch  Picture 
Theater,  Argyle  St.,  Glasgow ;  Dundee  Cinema 
Palace,  Murraygate,  Dundee;  Her  Majesty's 
Theater,    Seagate,   Dundee. 

Middlesbrough — Thompson's  Circuit.  Head  Of- 
fice: Hippodrome.  Palladium,  Hartlepool; 
Town  Hall,  Hartlepool;  Empire  Theater,  Loftus, 
North  Yorks;  Hippodrome,  Brotton,  North 
Yorks ;  Empire  Theater,  South  Bank ;  Empire 
Theater,  Great  Ayton,  North  Yorks ;  Grand 
Theater,  Carlin  How;  Assembly  Rooms,  Salt- 
burn;  Globe  Picture  House,  Washington,  Co. 
Durham ;  Central  Hall,  Redcar ;  Empire,  Gis- 
boro,   Yorks. 

BELGIUM 

Film   Renters 
Elite  Fihns,  85  Rue  de  Brabant,  Bruxelles. 
Cine    Location    "Eclipse,"    44    Rue    des    Plantes. 
J.   Bodart  and  Co.,  95  Rue  des  Plantes,   Bruxelles. 
Victor   Evrard,   86   Rue   des   Plantes,    Bruxelles. 
Cinematographic     Harry,     97      Rue     des     Plantes, 

Bruxelles. 
"Universal    Film,"   40   Rue   des    Plantes,    Bruxelles. 
Entrepot   General  du  Cinema,   18  Rue  des  Plantes, 

Bruxelles. 
Maison    Charles    Hendrick,    67    Rue    des    Plantes, 

Bruxelles. 
Exclusif   Film   Co.,   61    Rue   des   Plantes,    Bruxelles. 
Pathe  Freres,   146   Boulevard  Adolphe  Max,   Brux 

elles. 
De   Lange,   69    Rue   Verte,    Bruxelles. 
A.    B.    and    C.    Company,    157    Rue    Verte,    Brux 

elles. 
G.    Gilbert    Sallenave,   28   Rue   de   la    Blanchisseries. 

Bruxelles. 
F.    Paulsen  and   Co.,   6   Rue  des   Roses,   Bruxelle» 
Oscar    Limpens,   84    Rue   Verte,    Bruxelles. 
F.     Bomhals     and     Co.,    22     Rue     du    Pont-Neuf. 

Bruxelles 
L.  Aubert,   40   Place  de  Bronckere,   Bruxelles. 
Agence     Generale     Cinematographique,     30     Boulf 

vard    Bandouin,    Bruxelles. 
Hackin,   9a   Rue   des    Chartreux,   Bruxelles. 
Dardenne  and  Co.,  6   Rue  Dupont,   Bruxelles. 
The    General    Cine    Film,    8    Rue    des    Herondelles. 

Bruxelles. 
Leon    Gaumont,     11     Quai    au    Bois    Construction 

Bruxelles. 
L.    Van    Goitsenhoven,     10    Rue    de    Chateauden. 

Bruxelles. 
Charles   Belot,   26   Rue  du   Paineau,    Bruxelles. 


Optima    Films,    3    Rue    du    Grand    Hospice,    Br»w- 

elles.  „ 

Uncle    Sam    Film,    1    Rue    St.    Christophe,    Brux 

^''^^"  Film   Manufacturers 

F.    Paulsen   and    Co.,    Bruxelles-Fihiis,    6    Rue    de» 

Plantes,   Bruxelles. 
Scaldis   Film,  94   Rue   de  la  Province,  Antwerp. 

FRANCE 

Producing    Firms 
Aigle-Film,  9  Place  de  la   Bourse,  Paris. 
Burdigala-Film,  237   Rue  Nayrac,   Bordeaux. 
Cinegraphie    d'Art    (Rene    le    Somptier),    5    Boule 

vard    des    Italiens,    Paris. 
Cosmograph,   7    Faubourg  Montmartre,   Paris. 
Eclair,   12   Rue  Gaillon,  Paris. 
Eclipse,  94  Rue  Saint-Lazare,  Paris. 
Ermolieff-Films,    106    Rue   de   Richelieu,    Paris. 
Abel  Gance,  8  Rue  Richelieu,  Paris. 
L.  Mercanton,  23  Rue  de  la  Michaudiere. 
Louis     Nalpas,     Chemin     Saint-Augustin,     Carras, 

Nice. 
Film  d'Art,    10   Rue  d'Aguesseau,   Paris. 
Films  Valetta   (De  Morlhon),    16   Faubourg   Saint 

Denis,   Paris. 
Films    D.    H.,    188    Boulevard    Haussmann,    Paris 
Films   Jules-Verne,    Z7    Rue    Saint-Lazare,    Paris. 
Film   Francais   (Monat),  42  Rue  le   Peletier,   Paris, 
Films   Lucifer,   5    Bd.   des  Italiens,   Paris. 
Films  Moliere,  6  Rue  le  Chatelier,  Paris. 
Rene     Leprince,     30     Rue     des     Vignerons,     Vin 

cennes. 
Films    Pierrot,     42    Avenue    de    Neuilly,     Neuilly 

sur-Seine. 
De    Marsan     ("Lys    Rogue"    Mark),    8    Rue    de 

Douai,   Paris. 
L.  Aubert,   124  Avenue  de  la   Republique,   Paris. 
Harry,   158  ter.  Rue  de  Temple,  Paris. 
Dal  Films,   13   Rue  Ambroise  Thomas,   Paris. 
Gallo-Film     (G.     Roudes),     3     Boulevard     Victor- 
Hugo,  Neuilly-sur-Seine. 
Luitz    Morat    &    Pierre    Regnier,    Couran    &    Co., 

9  Rue  Auguste  Bartholde,  Paris. 
Kappa-Productions,  37   Rue  Taitbout,  Paris. 
Messidor-Film,  6  Rue  Beautreillis,  Paris. 
Monte-Carlo-Film,    18    Cite   Trecise,    Paris. 
Palladium-Films      (Pierre      Caron),      2      Rue      de 

Monbel,   Paris. 
Paramount     (French),     63     Avenue    des    Champs- 

Elysees,  Paris. 
Parisiane  Film,   16  Rue  de  I'Elysee,   Paris. 
Pathe-Cinema,      30      Rue      des      Vignerons,      Yin- 

cennes. 
Phocea-Film,   83    Cours   Lierre-Puget,   Marseilles. 
Soleil,    Societe    Francaise,    14    Rue   Therese,    Paris. 
Societe    d'Editions     Cinematographiques,    46    Rue 

de   Provence,   Paris. 
Societe    des    Cine-Romans,    23    Rue    de    la    Buffa, 

Nice. 
Visio  Film,   111   Faubourg  Saint-Honore,  Parii. 
P.  Pigeard  &  Co.,  61   Rue  de  Charbrol. 
Erka  Films,  38  bis.  Avenue  de  la  Republique,  Paris. 
Gaumont,  28,  Rue  des  Alouettes,  Paris. 
Societe  des  Films  Mercanton,  23,  Rue  de  la  Mich- 

odiere,    Paris. 
Films    D.    H.,    188,    Boulevard    Haussmann,    Paris. 
Film  Francais  (Monnat),  42,  Rue  le  Peletier,  Paris. 
Jupiter,  19,  Rue  de  la  Chapelle,  Paris. 
De    Marsan     ("Lys    Rouge"    Mark),    8,    Rue    de 

Douai,  Paris. 

Producers   (Directors) 
M.  Andre  Antoine,  28  Place  Dauphine,  Paris. 
M.   de   Baroncelli,    14    Rue   Chauveau,    Neuilly-sur- 
Seine. 
Mme.    Suzanne    Devoyod,    6    Rue    de   la    Chatelier, 

Paris. 
M.   Louis   Delluc,  29  Rue  de  Ponthieu,   Paris. 
Mme.     G.      Dulac,      188      Boulevard     Haussmann, 

Paris. 
M.  Etievant,  13  Boulevard  Voltaire,  Paris. 
M.     Paul     Feval     Fils,     130     Ter,     Boulevard     de 

Clichy,  Paris. 
M.   Louis   Feuillade,   S3   Rue  de  la   Villette,   Paris. 
M.  Abel  Gance,   8  Rue  Richelieu,   Paris. 
M.  Rene  Hervil,  26  Sq.  Cliguan  Ct.,  Paris. 
M.   Henry  Krauss,   S.   C.  A.   G.   L.,  Rue  du  Cine- 

matographe,    Vincennes. 
M.     Rene     Le     Somptier,     20     Boulevard     Saint- 
Michel,   Paris. 


413 


M.   Leprieur,   42  Rue  Le  Peletier,  Paris. 

M.    Liabel,    130   bis,    Boulevard   de    Clichy,    Paris. 

M.    Lucien    Lehman,    6    Rue    Beautrellis,    Paris. 

M.   Maurice   Landay,   3   Rue   Cavallotti,   Paris. 

M.  Louis  Mercanton,  23  Rue  de  la  Michodiere, 
Paris. 

M,  de  Morlhon,  16  Rue  du  Faubourg- Saint-Denis, 
Paris. 

M.  G.  Monca,  184  Rue  du  Faubourg-Saint- 
Denis,  Paris. 

M.  Rene  Navarre,  10  Boulevard  Poissonniere, 
Paris. 

M.   Louis   Naples,   29   Bd.   Malslierbes,   Paris. 

M.  Pouctal,   39  Rue  de  la   Chapelle,  Paris. 

M.  Leon   Poirier,  53  Rue  de  la  Villette,  Paris. 

M.  Jean-Joseph  Renaud,  232  Boulevard  Pereire, 
Paris. 

M.  Roudes,  3  bis.  Boulevard  Victor-Hugo, 
Neuilly-sur- Seine. 

M.  Daniel  Riche,  4  Rue  Bernard- Palissy,  Paris. 

M.    E.-E.    Violet,    124    Avenue    de    la    Republique, 

Paris.  rr.     J     «  •     • 

Trade  Associations 
Syndicat     Francais     des     directeurs     de     Cinemato- 
graphes,     199     Rue    Saint-Martin,     Paris     (Leon 
Brezillon,   President). 

Syndicat  des  directeurs  de  Cinematographes  du 
Centre,  6  Quai  d'Orleans,  Tours  (Indre  & 
Loire). 

Syndicat  sur  la  Cote  d'Azur  (M.  Clidat,  secre- 
tary),   Tivoli    Cinema,    Pont   Vieux,    Nice. 

Syndicat  de  la  Presse  Cinematographique,  28  Boul- 
evard  Saint- Denis,    Paris. 

Association  Professionelle  de  la  presse  Cinema, 
30  Rue   Bergere,   Paris. 

Societe  des  Auteurs  de  Films  (M.  Monca,  secre- 
tary),  184  Faubourg  Saint-Denis. 

Chambre  Syndicale  Francaise  de  la  Cinemato- 
graphic, Francaise  et  des  industries  qui  s'y 
ratachent,   54  Rue  Etienne  Marcel,   Paris. 

Federation  Francaise  de  la  Cinematographie,  54 
Rue  Etienne  Marcel. 

Societe  Amicale  "La  Projection,"  199  Rue  Saint- 
Martin,   Paris. 

Federation  de  la  Cinematographie  de  Midi  de 
France,    1   bis.  Rue   Cannebiere,  Marseilles. 

Co-operative  des  auteurs  dramatiques,  2  Rue  des 
Italiens,    Paris. 

Amicalle  des  Artistes  de  Cinema,  54  Rue  Etienne- 
Marcel,  Paris. 

Societe  des  Auteurs,  Compositeurs  et  Editeurs  de 
Musique,  10  Rue  Chaptal,  Paris. 

Societe  des  Auteurs  et  Compositeurs  Dramatiques, 
22   Rue  Henner,   Paris. 

Societe  d'Editions  Phono  et  Cinema,  80  Rue  Tait- 
bout,  Paris. 

Liberte  Musicale,  39  Boulevard  de  Strasbourg, 
Paris. 

Mutuelle  du  Cinema,  199   Rue  Sam'.  Martin,  Paris. 
Film  Importers 

dc    Kempener    Cie,    Boul.    Barthelemy,    Brussells. 

La  Banque  Cinegraphique,  115  Rue  de  la  Loi, 
Brussells. 

Renters  and   Dealers  in   Supplies 

Adam,   11   Rue  Beaudouin,   Paris. 

Agence  Generale  Cinematographique,  16  Rue 
Grange    Bateliere. 

Agence  Moderne  Cinema,   105  Rue  Saint-Lazarc. 

L.  Aubert,   124  Avenue  de  la  Republique. 

H.  Bleriot,  87  Rue  du  Temple. 

Bourgoin,   6   Boulevard  Saint-Denis. 

Geo.   Bowles,  6  Rue  de  la  Paix. 

Bonnet,  4  Rue  de  la   Bastille. 

Guy  Croswell  Smith  (Geo.  Bowles),  23  Rue  de  la 
Michaudiere. 

C.  P.  C.  (Societe  des  Grandes  Productions  Cine- 
matographiques),   50  Rue  de  Bondy,  Paris. 

E.  G.  Clement,  18  Rue  Albouy. 

Continsouza,  9   Rue  des   Envierges. 

Debrie,   111    Rue  Saint-Maur. 

Decaix,  25  Rue  de  la     Folic  Mericourt. 

Delaunay,    109   Cours   Vincennes. 

J.    Demaria,    35    Rue    Clinchy. 

Delac  &  Vandal,  12  Rue  d'Aguesseau,  Paris. 

Demaria  Lapiere,  169  Quai  Valmy. 

Societe  Eclair,    12   Rue  Gaillon. 

Faliez,  Aufrevilles,   Mantes. 

Frank  &  Cie.,  8  Rue  Brunei. 

Foucher,  31   Boulevard  Bonne  Nouvelle. 

Fox-Film,   17   Rue   Pigalle,   Paris. 


Fox,  Wm.,   17  Rue  Pigalle,  Paris. 

Gaumont,  L.,  57  Rue  Saint-Roch. 

Galiment,   24   Rue  de  Trevise. 

Gentihomme,  86  Rue  de  la  Garenne. 

Gilbert,   59  Boulevard  Richard  Lenoir. 

Glucksmann,   80  Avenue  Gambette. 

Harry,    158   ter.   Rue   du   Temple. 

Heifer,  C,   16  Rue  Saint-Marc. 

Hermagis,  29  Rue  du  Louvre. 

Howell,    B.,   6   Rue  de  la   Paix. 

Howells    Co.,    David    B.,     19    Avenue    de    I'Opera. 
Paris. 

Korsten,  8  Rue  Le  Brun. 

Kodak   Eastman    Co.,   39   Avenue   Montaigne. 

Location  Nationale,  10  Rue  Berenger. 

Lordier,  28   Boulevard  Bonne  Nouvelle. 

Lumiere    Freres,    Lyons,    France. 

Mazo,  33  Boulevard  Saint-Martin. 

Meric,   17   Rue  Bleue. 

Mollier,  20  Rue  Felicien  David. 

Mundus  Film,   12  Rue  Chaussee  d'Antin. 

Monat  Film  (import),  42  Rue  le  Peletier. 

Pathe  Freres,  30  Boulevard  des  Italiens. 

Petit,  37   Rue  de  Trevise. 

Phocea  Location,  8  Rue  de  la  Michaudiere. 

Raoult   Films,   21    Rue   Bergere. 

Rapid  Film,  6  Rue  Francoeur,  Paris. 

Rapid  Film,  6  Rue  Ordener. 

Selznick     (Select    Pictures),    8    Avenue    de    Clichy. 

Soleil,   14   Rue  Therese. 

Sutto,   235   Rue   Saint-Martin. 

Societe  des  Fabrications  Cine.,   11   Rue  Pillet  Will 

Societe  du  Cine  Multiphone,  67  Rue  de  Richelieu. 

Societe  Tirage  L.  Maurice,  83   Rue  Taitbout. 

Societe  (Tarburox,  77  Avenue  de  Clichy. 

Societe  Eclipse,  94  Rue  Saint-Lazare. 

Societe    Francaise    de    Films    Internationaux,    125 
Rue  Montmartre. 

Tippett,   John    D.,    Productions,    Ltd.,    83    bis    Rue 
Lafayette. 

Union  Delta,  34  Rue  Charles  Beaudelaire. 

Univers   Cinema   Location,   6   Rue  de   I'Entrepot. 

Vitagraph  Co.,  15  Rue  Sainte-Cecile. 

Van  Gottsenhoven,   10  Rue  de  Chateaudun. 

Bourgoin,   6    Boulevard    Saint-Denis,    Paris. 

Comptoir   Francais,    9    Place   de   la    Bourse. 

Continental    Film    (Cine   d'Art),   2    R.    Blanche   et 
Place  Trinite. 

De  Thoran,  15  Boul.  des  Batignolles. 

Eclipse,   94   Rue   Saint-Lazare. 

Erka-Film    (Goldwyn),    38    bis    Avenue    de    la    Re- 
publique,   Paris. 

Etincelle-Film     (Film-Exchange),     38     Avenue     de 
Clichy. 

Etoile    (Societe    1),    49    Boulevard    Saint-Germain, 
Paris. 

Halley   (Mile),   67  Rue  de  Chabrol. 

Le   Bon  Film,   13  bis  Rue  des  Mathurins. 

Lefort,   43    Rue   des   Petits-Carneaux. 

Les    Grands     Films    Artistiques,    21     Faubourg    de 
Temple. 

Mercanton  (Societe  des  Films),  25  Rue  de  la  Mich- 
odiere. 

Mondial-Film,  5  Rue  Saulnier. 

Paramount,    63    Avenue    des    Champs-Elysees. 

Parisienne-Film,   21    Rue   Saunier. 

Pathe- Consortium,    67    Faubourg   Saint-Martin. 

Petit,   37    Rue  de  Trevise. 

Phocea,   8   Rue  de  la   Michodiere. 

Publi-Cine,    40    Rue   Vignon. 

Select-Distribution,   8   Avenue   de   Clichy,    Paris. 

Super-Film,   8  bis   Cite  Trevise. 

Triomphe-Film,  33  Rue  de  Surene. 

United  Artists,  21   Faubourg  du  Temple. 

Univers   (Rosenvaig),  6  Rue  de  I'Entrepot. 

Paramount,    63   Avenue   des    Champs    Elysees. 

Universal   Film   Mfg.,    4   Cite    Bergere,    Paris. 

United  Artists,  21   Faubourg  du  Temple,  Paris. 
List    of    Principal    Theaters    in    Paris 

American  Biograph,  19  Rue  Le  Peletier. 

American  Theater,  23   Boul.  de  CHchy. 

Artistic  Cinema,  61   Rue  de  Douai. 

Aubert   Palace,   26   Boulevard  des  Italiens. 

Barbes  Palace,  34   Boulevard   Barbes. 

Batignolles  Cinema,  59   Rue  de  la  Condamine. 

Cinema   Brunin,   77  Faubourg  du  Temple. 

Cinema   Folies   Dramatiques,   40   Rue  de    Bondy. 

Cinema  Hotel  de  Ville,  20  Rue  du  Temple. 

Cinema  de  Lyon,   19  Rue  de  Lyon. 

Cinema  des  Mille  Colonnes,  20  Rue  de  la  Gaite. 


414 


Cinema  Magic,  Avenue  de  la  Motte-Picquet. 
Cinema   Max   Linder,   24   Boul.   Poissonniere. 
Cinema    Palace,   42    Boul.    Bonne-Nouvelle. 
Cinema   Paradis,  42   Rue  de  Belleville. 
Cinema  Pigalle,  Place  Pigalle. 
Cinema  Pathe,  S   Boulevard  Montmartre. 
Cinema   Raspail,   91    Boulevard  Raspail. 
Cinema  Recamier,  3  Rue  Recamier. 
Cinema  Rochechouart,   66   Rue  Rochechouart. 
Cinema   Saint-Michel,   Place   Saint-Michel. 
Cinema   Stephenson,    Rue    Stephenson. 
Cinema  Theatre  de  Montmartre,   PI.   Dancour. 
Cinema  Theater  Montrouge,   70  Ave.   d'Orleans. 
Cinema  Tivoli,   14  Rue  de  la  Douane. 
Cinemax,  30   Boulevard  Bonne-Nouvelle. 
Cineo  Theater,  101  Avenue  Victor  Hugo. 
Cirque  d'Hiver  Cinema,  6  Rue  Crussol. 
Clichy  Cinema,  76  Avenue  de  Clichy. 
Cyrano  Cinema,  76  Rue  de  la  Roquette. 
Electric  Palace,  S   Boulevard  des  Italiens. 
Gambetta   Palace,   Place   Gambetta. 
Gaite  Palace  Cinema,  6  Rue  de  la  Gaite. 
Gaite  Parisienne,  34  Boulevard  Ornano. 
Gaumontcolor,  8  Faubourg  Montmartre. 
Gaumont  Palace,  Boulevard  de  Clichy. 
Gaumont  Theater,  8   Boul.   Poissonniere. 
Grand  Cinema  Lecourbe,   115   Rue  Lecourbe. 
Kinema   Gab-Ka,   27   Boulevard   des   Italiens 
Kursaal  du  Xlle,  17  Rue  de  Gravelle. 
Lutetia  Wagram,  31  Avenue  de  Wagram. 
Palais  des  Fetes,  8  Rue  aux  Ours. 
Majestic   Cinema,  29   Boulevard  du  Temple. 
Paris   Cinema,   17   Boulevard  de  Strasbourg. 
Palais  du  Travail,   13   Rue  de  Belleville. 
Parisiana   Cinema,  27   Boul.   Poissonniere. 
Marioana,   Boulevard  des  Italiens. 
Paris    Palace,   325    Rue   Saint-Martin. 
Pathe  Palace,  32  Boulevard  des  Italiens. 
Passy  Cinema,  22  Rue  de  Passy. 
Ternes  Cinema,  5  Avenue  des  Ternes. 
Ternes  Palace,  7  Rue  Demours. 

French  Studios 
Gaumont    (S3    Rue    de    la    Vilette,    Paris)    and    2 

Chemin   St.,  Augustin,   Carras-Nice,  Alpes  Mari- 

times. 
Eclipse,  32  Rue  de  la  Tourelle,  Boulogne-sur-Seine. 
Eclair,  2  Avenue  d'Enghien,  Epinay-sur- Seine. 
Ermolieff,  52  Rue  du  Sergent  Bobollot,  Montreuil- 

sur-Bois,    Seine. 
Lucifer,  92  Rue  de  I'Admiral  Mouchez,  Paris. 
Herve,  93  Rue  Villiers  de  I'lsle  Adam,  Paris. 
Studio  des  Lilas,  Rue  des  Villegranges,  Les  Lilas, 

Seine. 
Pathe,    43    Rue    du    Bois,    Vincennes,    Seine,    and 

Route  de  Turin,   Nice,  A.M. 
Cinema   Studio,   7   Rue  des   Reservois,   Joinville-le- 

Pont,  Seine. 
Eclair     Menchen,     10     Rue     Dumont,     Epinay-sur- 

Seine. 
Studio    d'Asnieres,    14    Rue    de    I'Ouest,    Asnieres, 

Seine. 
Film    d'Art,    14    Rue    Chauveau,    Neuilly-sur-Seine. 
Gallo    Film,    3    Boulevard    Victor    Hugo,    Neuilly- 
sur-Seine. 
S.   C.  A.  G.  L.  Pathe,   1   Rue  du  Cinematographe, 

Vincennes. 
Societe    des    Cine    Romans,    Rue    de   la    Buflfa,    23, 

Nice,  A.M. 
Cine   Studios,   Chemin   St.  Augustin,   Carras.   Nice, 

A.M. 
Monte  Carlo  Film,  Saint  Laurent,  near  Nice,  A.M. 
Paramount    (French),    63    Avenue      des      Champs 

Elysees,    Paris. 

Total  number  of  theaters  in  France,  3210,  com- 
prising Paris  and  suburbs,  also  Moselle,  Bas  Rhin 
and  Haut  Rhin,  3060;  Colonies,  150. 

HOLLAND 

Dutch   Producers 
Adam   Film   Co.,   Fiknfabrick,  Hollandia. 
B.    Mullens,   Filmfabrick,   Hague. 
World's    International   Film   Office,   F.   A.    Nogge- 
rath. 

INDIA 

Buyers 
E.   H.   Du   Casse,   Calcutta. 
J.   F.    Madan,    Calcutta. 
K.   D.   &  Bros.,   Bombay. 


African   Films,   Ltd.,   Calcutta. 
Kohinoor  Cinema   Co.,   Karachi. 
J.  Pearson  &  Sons,  Bombay. 
Shetna   &   Co.,   Bombay. 
Globe  Cinema  Co.,  Rangoon. 
Ivy  Film  Service,  Rangoon. 
A.  Raphael  &  Son,  Bassein. 

ITALY— Italian  Producers 

Rome 

Appia  Film,  24  Via  Appia  Nuova. 

Arcana   Film,   3   Via   Delle   Carrozze. 

Bernini  Film,  6  Via  Nazionale. 

Caesar  Fihn,  51  Via  Carlo  Fea. 

Capitolium  Film,   188  Via  Nazionale. 

Castelli  Testro  Film,  38  Via  Appia  Nuova. 

Celio  Film,  Gardino  Zoologioo. 

Chimera  Film,  Via  Alibeert  N.   1. 

Cinegrafico  Film,  42  Via  della  Madolalena. 

Cines  Film,  51   Via  Marcerata. 

Colosseum  Film,   12  Via  Grigoriana. 

D'Ambra  Film,  8  Via  SS.  Giovannie  Paolo. 

Do-Re-Mi  Fibn,  9  Via  Torino. 

Eha  Film,  29  Via  dei  Lucchesi. 

Etrusca  Film,  36  Via  Palermo. 

Fert  Film,  8  Via  Piave. 

Film  D'Arte,  10  Via  Allessandro  Torlonia. 

Filmgaf,  187  Via  Flaminia. 

Filmissima,   54  Via  Leccosa. 

Fiorensia  Film,  92  Corso  Umberto  1. 

Flegrea  Film,   18  Via  Chieti. 

Flora  Film,  25  Via  Otranto. 

Floreal  Film,  104  Via  Agostino  De-Pretis. 

Fontana  Eugenio  Film,  123  Corso  Umberto  1. 

Gemma  Bellincioni  Film,   19  Corso  d'ltalia. 

Gladiator  Film,  48  Via  Appia  Nuova. 

Guzzoni  Film,  7  Viale  delle  Provincie. 

Industrial  Film,  47  Via  Firenze. 

Libertas  Film,  38  Via  Izonzio. 

Medusa  Film,  2  Piazzo  Adriano. 

Meridional      Film,      12      Via      de      S.      Vincenzio 
Anastasio. 

Minerva   Film,  400  Corso  Umberto   1. 

Myriam  Film,   183  Via  del  Tritone. 

Nova  Film,  11  Via  Antonio  Scialoja. 

Novissima       Film,       Stabilimento       Via       Alfreolo 
Baccarini. 

Olimpus  Film,  333   Corso  Umberto   1. 

Palatino  Film,  8  SS.  Viovannie  Paolo. 

Perseo  Film,  59  Via  Flaminia. 

Phoebus  Film,  210  Via  del  Tritone. 

Polistor  Film,  39  Via  di  Ripettor. 

Quirimus  Fihn,  Via  Privata  di  Via  Nomentana. 

Rinasimento       Film,       Vicolo       Parioh,        Villino 
Franchetti. 

Romanin  Film,  51  Via  Milazzio. 

Santoni  Dante  e  Co.  Film,  4  Via  Niccolo  Porpora. 

Sette  Colli  Film,  285  Corso  Umberto  285. 

Tespi   Film,  Villa  Flora  Via  Forli. 

Tiber  Film,  Viccolo   3   Madoune  Villa  Sacchetti. 

Velia     Film,     Vicolo     dello     Scorpione     Porta     S. 
Giovanni. 

Victoria   Film,    11    Corso   d'ltalia. 

Zenit  Film,  14  Via  delle  Finanze. 
Florence 

Montalbano  Film,  6  Via  Vecchietti. 
Milan 

Leoni  Film,  Corso  Venezia,  11. 

Espedia  Film,  32  Via  Torino. 

Milano   Film,   Stabilimento   Milano   Bovisa. 

Armenia  Film,  43  Via  Boccaccio. 

Cina  Drama,   5   Via  di   S.   Dalmazio. 

Fortuna  Film,   14  Via  S.  Paolo. 

Lydiaune  Film,   19  Via  Leopardi. 

Lombarda    Film,    18    Piazzale    Magenta. 

Raggio   Film,    1    Via    Solferino. 

Rosa  Film,  28  Via  Monte  Napoleone. 

S.    T.    A. — Societa    Italiana    per    Produzioni    Cine- 
matographe, 19  Via  Leopardi. 

Silentium  Film,  8  Via  Silvio  Pellico. 

Leonardo  da  Vinci  Film,  19  Via  Spadori. 

Zanotta    Film,   22    Piazza    Duomo. 
Turin 

De  Giglio  Film,  4  Via  Principe  Tommaso. 

Albertini  Film,  18  Piazzo  Castello. 

Corona  Film,  14  Corso  Vercelli. 

Edison  Fihn,  2  Galleria  Natta. 

Etoile  Film,   19  Via  Salazzo. 


415 


Gladiator  Film,  8  Via  S.  Auselmo. 

C;ioria  Film,  39  Via  Quittengo. 

]tala   Film,    Ponte   Trombetta. 

]talo,  Egiziana  Film,  52  Via  Vanova. 

Italica  Film,  43  Via  Nizza. 

Jupiter   Film,   3   Via  Belfiore. 

Latina  Ars,  29  Via  Roma. 

I'asquali  Film,   75   Corso   Stupinigi. 

I'hoto    Drama   Producing   Co.,   Grughasco   Torino. 

Kodolfi  Film,   14  Corso  Vercclli. 

Ambrosio  Film,   152  Via  Rasella. 

Sinclair  Film,  Torino. 

Savoja  Film,  20  Via  Asti. 

Naples 
I.ombardo  Film,  Via  Cimarosa  Vomero. 
Del   Torre   Film,    14   Via   Partinope 
Alba  Film,  38  Via  S.  Felice  al  Vomero. 
Dora  Film,    16   Via   di   Capua. 
Oorenni   Film,  95   Riviera  da   Chiaga. 
Molinari  Film,  4  Via  G.  Vacca. 
Polifilm,   Via    Cimarosa   al   Vomero. 
Paris  Film,   Via   L.   Giordano  al   Vomero. 
J^ucarelli  Film.  Via  M.  Stabile  Palermo. 

SPAIN 

Producers 

S.  A.  Sanz,  Paseo  de  Gracia  105,  Barcelona. 

Gnomo  Films,  Calle  Xifre  61,  San  Martin,  Bar- 
celona. 

Regia  Art  Films,  S.  A.,  Asturias  7,  Gracia,  Bar- 
celona. 

Atlantida,   S.  A.,  Calle  de  Belen  3,  Madrid. 

Studio  Films,  Carretera  de  Sans   106,  Barcelona. 

Lotos    Films,    Rambla    Cataluma   40,    Barcelona. 

Trilla  S.  A.,  Calle  Industria  105-109,   Barcelona. 

Minerva  Films,   Gerona   111,   Barcelona. 

Jose  M.   Bosch,   Plaza   Buensuceso  3,   Barcelona. 

Importers 

Verdaguer  S.  A.,  Consejo  do  Ciento  290,  Bar- 
celona. (Agents  for  Fox,  Universal,  big  buyer 
of  German  films,  also  agents  for  Fert,  Italy.) 

Seleccine  S.  A.,  Bertendona  2,  Bilboa.  (Inde- 
pendent buyers  mainly  Famous  Players,  Lasky 
World,    etc.) 

Compania  Hispano,  Portuguesa  Cinematografica, 
S.  A.,  Rambla  Cataluna,  56.     Barcelona. 

Repertorio  M.  de  Miguel,  Consejo  de  Ciento  292, 
Barcelona.  (Super  Films  only,  bought  Intol- 
erance, Hearts  of  the  World,  Birth  of  a  Na- 
tion, Thais,  The  Whip,  etc.) 

Julio-Cesar  S.  A.,  Paseo  de  Gracia  32,  Barcelona. 
(Metro  Productions,  bought  Great  London  Mys- 
tery, also   Nazimova   "The  Red  Lantern.") 

J.  (jurgui,  Paseo  de  Gracia  56,  Barcelona. 
(Spanish  agent  for  U.  C.  I.) 

Eduardo  Gurt,  Rambla  Cataluna  62.  (Buys  big 
productions  for  Julio-Cesar.). 

F.  Ti'n,  Consejo  de  C^iento  261,  Barcelona. 
(Big  buyer  independent,  recently  appointed  agent 
for  Ertel  Cinema  Projectors.) 

Gaumont  Films,  Paseo  de  Gracia  66,  Barcelona. 
(Spanish  branch  of   Gaumonts.) 

Vilaseca  y  Ledesma  S.  A.,  Paseo  de  Gracia  43, 
Barcelona.     (Formerly  Pathe's  Agent  here.) 

Jose  M.  Bosch,  Plaza  Buensuceso  3,  Barcelona. 
(Independent  buyer,  title  printer,  film  printer 
and  Agent  for  Kalee  Indomnitable  of  Leeds.) 

Radium  Films,  Consejo  de  Ciento  280,  Barcelona. 
(Independent  buyers,  Svenska  Agents  here;  also 
handlers  American,  German  and  Italian  films.) 

Monopolio  Internacional,  Provenza  251,  Barcelona. 
(Big  importers  of  German  films,  brought  the 
Du  Barry  film  here.) 

Procine   S.  A.,   Consejo  de   Ciento  332,    Barcelona. 

Cinematagra  Ficaverdauer,  Consejo  de  Ciento  290, 
Barcelona. 

Hansa   Film   Monopol,   Diputacion  278,    Barcelona. 

M.   Zaragosa,  Provenza   159,   Barcelona. 

J.  Alfonso,  Barcelona. 

Exporters 

Monopols,  Rambla  de  Cataluna  56,  Barcelona. 
(Exporters  of  Studio  Film  productions,  also  im- 
porting German  films.) 

Capt.    Runno,    Eterna,    Balmes    56,    Barcelona. 

Jose  M.   Bosch,  Plaza  Buensuceso  3,   Barcelona, 

Angel   Rancati,  Aragon  266,   Barcelona. 

Jose    Pinot,    Valencia   228,    Barcelona. 


Theater  Circuits 

"Diana,"  controlling  Diana.  Royal,  Argentina  and 
Excelsior  Kinemas,  all  in   Barcelona. 

"Bohemia,"  controlling  Bohemia,  Condal,  Palace 
and  Eldorado  Kinemas,  all  in  Barcelona. 

"Ideal,"  controlling  Monumental,  Walkyria,  Ideal, 
Salon  Triunfo,  Salon  Condal  and  Spring  Kin- 
emas, all  in  Barcelona. 

"Triunfo,"  controlling  Triunfo  and  Marina,  both 
in   Barcelona. 

"Empresa,"  controlling  Trilla,  Mundial,  Smart 
and  Principal. 

"Luis  Buxares,"  controlling  Fregoli,  Gloria  and 
Trianon   Kinemas. 

"J.  Gurgui,"  controlling  Gayaree  and  Liceo  Kin- 
emas in  Gracia,  a  suburb  of  Barcelona. 

"Sagarra,"  controlling  Real  and  Principe  Alfonso 
in   Madrid. 

SWEDEN 

Renters 
Svenska    Biografteaterns   Filmsbyra. 
Aktiebolaget   Svensk   Filmindustri. 
Skandias   Filmbyra. 
Skandinavisk  Filmcentral. 
Aktiebolaget   Svenska   Filmskompaniet. 
Aktiebolaget  Fribergs  Filmbyra. 
Aktiebolaget  Films. 

Aktiebolaget   Stockholms   Filmcompany. 
Special  Films. 
Films  Aktiebolaget  Union. 
Films  Aktiebolaget  Minerva. 
Baltic  Film  Company. 
Svea  Filmbyra. 
Skandinavisk  Kino. 
Filmbyran  Tre  Kronor. 
Nordsvenska  Filmcentralen. 
Aktiebolaget  Stjernfilm. 
Aktiebolaget  Varldsfihn. 
Filmsaktiebolaget  Express. 

Producers 
Svensky  Filmindustri. 
Skandinavisk   Filmcentral. 
Aktiebolaget   Stockholms   Filmcompany. 

Importers 

0.  Bokman   (for  Trans- Atlantic). 
H.  Liljegren   (for  Vitagraph). 

T.    Cederholm    (for  Scandinavian   Film  Agency) 

1.  Dahlen   (for  Lion  Film). 
Aktiebolaget  Globe  Film. 
Aktiebolaget  Filmagenturen. 

Trade   Associations 

Biografagarnas  Forening  i  Stockholm  (the  As- 
sociation  of   Exhibitors   in   Stockholm). 

Sveriges  Biografagareforbund  (the  Exhibitors'  Ai- 
sociation). 

Svenska  Film  och  Biografmannasall  skapet  (the 
Society  of  the  Swedish  Film  and  Kinema  Men). 

SWITZERLAND 

Principal   Renting   and   Importing   Houses 

Geneva 
Monople  Pathe,  18  Rue  du  Marche. 
Trust-Films,  12  Bd.  du  Theatre. 
Agence    Generale    Cinematographique,    9    Rue    du 

Commerce. 
Cinematographes  Harry,  1   Place  Longemalle. 
Etablissements  Georges  Petit,  1  Rue  de  Lausanne. 
Artistic-Films,    11    Rue    Levrier. 
Star-Films,  Avenue  Pictet  de  Rochemont  27. 
World  Film  Olifice,  2  Rue  de  Neuchatel. 
Fox  Films,   Rue  du   Commerce   1. 

Zurich 
Nordisk   Films   Co.,   7    Bahnhofquai. 
Bayerische    Film-Gesellschaft,    31     Lowenstrasse. 
Albert    S.    Narr-Film,    Seefeldstrasse. 
Joseph    Lang    Films,    2    Waisenliaustrasse. 
Transatlanta,  Klausstrasse  45. 

St.  Gall 
Monopole   L.   Burstein. 

Lucerne 

Burckardt-Film,   Grabenhof. 

Morandini   &   Co. 

Etna  Films.  _ 

Producers 

Eos-Films,    Rue  de   Rhin    35,    Bales. 

Roman-Film,   Rue   du   Midi    15,    Lausanne. 

Eagle-Film-Enterprise,     Arbergstrasse,     Berne. 


416 


Sc.nario    Agents 

A.  Gehri,   IS    Rue  du   Midi,   Lausanne. 

The    Continental    Manuscript    Office,    Bales. 
Equipment 

Monopole  Pathe,   18  Rue  du   Commerce,  Geneva. 

Compagnie    Generale    du    Cinematographe,    12    Bd. 
du  Theatre,   Geneva. 

Etablissements     J.     Boimond,     1     Avenue     Gallatin, 
Geneva. 

E.    Gutekunst,    Gelterkinden. 

Lichtspiele  A.   G.,   7   Bahnhofquai,   Zurich. 

Optikon   A.   G.,    7    Bahnhofquai,   Zurich. 

Ernst    (Ernemann),    Neumuhlequai,    Zurich. 

Chapaliaz   (Kodak  raw  stock),  Gare  du  Flon,  Lau- 
sanne. 

Monopole    Pathe    (Pathe   raw    stock),    18    Rue    du 
Marche,  Geneva. 

Klett    (Afga),   Tordestrasser,   Zurich. 
Journals 

Revue    Suisse   du    Cinema,    Rue   du    Midi    IS,    Lau- 
sanne. 

Cinema   Suisse,   Maktgasse  27,   Berne. 

Zappelnde     Leinwand,     Bahnhofpostfach     288,     Zu- 
rich. .  .     . 

Associations 

Swiss    Kinematographic    Association,     Bahnhofqumi 
7,    Zurich. 

Romande    Kinematographic    Association,    12    Boul. 
du  Theater,   Geneva. 

Swiss   Commission  for  the  Reform  of  the  Kinema, 
Gemeindestrasse  26,  Zurich. 

Societe   Des   Amis   du   Cinema    (S.A.D.C.),    Rue   de 
Midi   15.    Lausanne. 

CENTRAL  AND  SOUTHEAST 
EUROPE 

GERMANY 

(Key:  Producers,  P.;  Distributors,  D. ;  Repre- 
sentatives.   R. ;    Importers,   I.,   and   Exporters,    E.) 

Altona:  Vulkan-FiUn  G.  m.  b  H.,  Reichen- 
8tr.    18. 

Bamberg:  Monopol-Film-Vertrieb,  D.,  Schiller- 
platz   11. 

Barmen:  Sanjo-Film-Haus  G.  m.  b.  H.,  Fischer- 
talerstr.   7. 

Berlin:  Althoff  &  Co.,  Friedrichstrasse  223, 
SW.  48;  Artfilm  G.  M.  B.  H.,  Zimmerstrasse  72-74, 
SW.  68;  Bruckmann  and  Co.,  Friedrichstrasse, 
SW.  48;  Internationale  Film-Commerz-Ges,  Fried- 
richstr.  235,  SW.  48;  Titanic-Film,  G.  M.  B.  H., 
Friedrichstr.  250,  SW.  48;  U.  F.  A.,  Kothener- 
strasse  1-4,  W.  9  ;Berg  Kappel  Filmvertrieb, 
Markgrafenstr.  21  ;  Europdische  Film  Allianz, 
Hardenbergstr.  29 ;  Goldwyn  Pictures,  Markgra- 
fenstr. 21;  Fox  Films,  no  office  yet;  Oskar  Ein- 
stein (Universal),  Friedrichstr.  224;  Anglo-Amer- 
ikaner  Film  Export  Co.,  Wenk  and  Co.,  Leipzig- 
erstr.  19;  Transit  Films,  Friedrichstr.  237;  Pig- 
eard-Loeser,  Friedrichstr.  204;  Wilhelm  Feindt, 
Friedrichstr.  246;  A.  B.  C.  Film  Co.,  G.  m.  b.  H.,  I. 
E.,  S.W.  68,  Kochstr.  6-7;  Fellner  &  Somlo,  G.  m. 
b.  H.,  224  Friedric^tr. ;  Aeols-Film  G  m.  b.  H., 
P.,  NW.  7,  Unter  den  Linden  56;  Aero-Film  G. 
m.  b.  H.,  P.D.,  W.  35,  Luetzowstr.  76;  A.  G. 
Film,SW.  48,  Friedrichstr.  32  ;Aha-Fihn,  G.  m. 
b.  H.,  P.  D.  Exchange,  Charlottenburg,  4,  Wie- 
landstr.  34;  Akme-Fihn  Co.  m.  b  H.,  P.  D.,  SW. 
48,  Friedrichstr.  238;  Aktuell-Film,  Vieregg  & 
Co.,  SO.  33,  Moosdorferstr.  3;  Albert  Loewen- 
berg,  P.  D.,  SW.  48,  Friedrichstr.  231;  Alfred 
R.  P.  Unger,  D.  foreign  films,  Tempelhof,  Burg- 
herrenstr.  3 ;  Allgemeine  Lichtbild-Industrie,  P. 
Exch.,  SW.  68,  Zimmerstr.  79-80;  Ally  Kay  Film 
Comp.  G.  m.  b.  H.,  SW.  48,  Friedrichstr.  24; 
Aithoflf  &  Co.,  P.,  D.,  Exch.  SW.  68,  Friedrichstr. 
44 ;  Ambosfilm  Rudolph  Dworski  &  Co.,  P.,  SW. 
48,  Friedrichstr.  237;  American  Film  Comp.,  W. 
15,  Duesseldorferstr.  9;  Amor-Film  G.  m.  b.  H., 
P.,  SW.  48,  Friedrichstr.  250;  Anglo-American 
Film-Export  Co.,  Wenk  &  Co.,  W.  8,  Leip- 
zigerstr.  19;  Anker-Fikn  K.-G.,  Leopold  Bauer 
&  Co.,  C.  54,  Alte  Schoenhauserstr.  41  ;  Anton 
Glombeck,  D.,  Tegel,  Schoenebergerstr.  6 ;  Arena- 
film-Ges.  m.  b.  H.,  P.,  W.  35,  Madeburgerstr. 
5  ;  Armmius-Fihn,  Licherfelde  W. ;  Zehlendorferst. 
3a;  Ars-Film  Co.,  SW.  68,  Zimmerstr  72-4; 
A.-S.    Nordkap-Film,    P.,    W.    10,    Bendlerstr.    37  \ 


Asslan-Fi'.m  Continentale,  G.  Willy  Biebach,  W.  8, 
Friedrichstr.  180;  AstoriaFilm-Vertrieb,  Werner 
Buchholz,  D.,  SW.  48,  Friedrichstr.  19;  Atlantic- 
Film  G.  m.  b.  H.,  P.,  SW.  48,  Friedrichstr.  221; 
Aurorafilm  G.  m.  b.  H.,  Zehlendorf,  Berlinerstr. 
10;  Autor-Film-Co.  G.  m.  b.  H.,  P.,  Tempelhof, 
Oberlandstr.  27-8;  Awos-Film  G.  m.  b.  H.,  SW. 
48,  Friedrichstr.  243;  A-Zet  Film-Vertrieb  G.  m.  b. 
H.,  D.,  SW.  68,  Friedrichstr.  46;  Baltic  Film 
Comp.  (main  office  in  Stockholm),  SW.  48,  Fried- 
richstr. 215;  Bayerische  Film  Ges.  Fett  &  Wiesel, 
SW  68,  Friedrichstr.  210;  B.  B.-Film,  Bolton- 
Baeckers,  G.  m.  b.  H.,  P.,  SW.  68,  Lindenstr. 
32-4;  Becker-Patent-Film,  W.  8,  Krausenstr.  69; 
Bergfilm,  W.  SO,  Marburgerstr.  7 ;  Berliner  Film- 
Manufaktur  G.  m.  b.  H.,  SW.  68,  Friedrichstr. 
207;  Bohnen-Film  G.  m.  b.  H.,  SW.  68,  Mark- 
grafenstr. 77;  Bonitaet-Film  G.  m.  b.  H., 
Charlottenburg,  Windscheidstr.  4;  Boston  Films 
Co.,  D.,  SW.  48,  Friedrichstr.  46;  B.-Z.-Film, 
P.,  SW.  48,  Wilhelmstr.  23;  Candolini  Films, 
D.,  SW.  48,  Friedrichstr.  19;  Carl  Hedinger, 
P.  D.  Exch.,  SW.  48,  Friedrichstr.  235  ;  Carl 
Ledermann  &  Co.,  G.  m.  b.  H.,  P.  D.,  SW.  48, 
Friedrichstr.  250;  Carl  Wilhelm-Film  Ges.  m.  b. 
H,.  Neutempelhof,  Dreibundstr.  43 ;  Cela-Film- 
Ges.  m.  b.  H.,  SW.  48,  Friedrichstr.  225  ;  Centaur- 
Film  G.  m.  b.  H.,  P.,  SW.  68,  Kochstr.  6-7; 
Central-Film-Vertrieb,  P.  D.  W.  8,  Friedrichstr. 
171;  Charles  Film  Co.,  G.  m.  b.  H.,  Schoeneberg, 
Martin-Lutherstr.  43;  Cinema-Film-Vertrieb  G. 
m.  b.  H.,  D.,  SW.  48,  Friedrichstr  235  ;  Citograph- 
Film  G.  m.  b.  H.,  P.  D.  Exch.,  W.  8,  Leipzigerstr. 
104;  Commerz-Film  E.  Wagner,  D.  I.  E.,  SW. 
48,  Friesrichstr.  23 ;  Continent-Film  G.  m.  b.  H., 
SW.  19,  Leipzigerstr.  73-4;  Continental-Kunst- 
film  G.  m.  b.  H.,  P.,  SW.  48,  Hedemannstr. 
9;  Cosmopolitan-Film,  Arthur  F  PoUak,  D.  I. 
E.,  SW.  48,  Friedrichstr.  246;Cserepy  Film  Co. 
G.  m.  b.  H.,  SW.  19,  Leipzigertsta.  77 ;  Dam- 
mann-Film  G.  m.  b.  H.,  SW  48,  Friedrichstr. 
23S;  Decarli-Film,  Komm.-Ges.,  W.  8,  Fried- 
richstr. 80;  Decla-Bioscop  A.-G.,  P.  D.  Exch., 
W.  10,  Viktoriastr  25;  Deka-Comp.,  D.,  SW. 
68,  Kochstr.  9;  Delog-Film  Kdt.-Ges.,  Jacobi 
&  Co.,  P.  D..  Exch.,  SW.  68,  Zimmerstr.  79-80; 
Demos-Film  G.  m.  b.  H.,  W.  62,  Wittenbergplatz 
3a;  Deutsche  Cines-Ges.  m.  b.  H.,  SW.  48, 
Friedrichstr.  1 1  ;  Deutsche  Filmfabrikation  und 
Verleih,  Robert  Glombeck  Kdt.-Ges.,  P.  D., 
SW  48,  Friedrichstr.  37;  Deutsche  Lichtbild 
Ges.  EV.,  (Deulig)  SW.  19,  Kransenstr. 
38-9,  P.  ;Deutsche  Mutoscop-und  Biograph-Ges. 
m.  b.  H.,  W.  8,  Friedrichstr.  187-8;  Deutsche 
Luftfilm-und  Bildges.  m.  b.  H.,  Oberschoene- 
weide.  Laufenerstr.  5  ;  Deutscher  Klassiker- 
Film  G.  m.  b.  H.,  Friedenau,  Lauterstr.  5-6; 
Deutscher  Knstfilm  "Klero"  G.  m.  b.  H.,  P., 
W.  35,  Potsdamerstr.  38;  Diana-Film  G.  m.  b. 
H.,  W.  8,  Leipzigerstr.  40;  Diskus-Film  G.  m. 
b.  H.,  P.  D.,  SW.  68,  Friedrichstr.  44;  Diva- 
Film  G.  m.  b.  H.,  SW.  19,  Seydelstr.  10-11; 
Doktram-Film,  P.  D.,  SW.  48,  Friedrichstr. 
S-6;  Ebert-Film  G.  m.  b.  H.,  W.  30,  Habs- 
burgerstr.  14;  Edda-Lindborg-Film  Notbar,  SW. 
48,  Friedrichstr.  20;  Egede  Nissen  Film  Comp. 
m.  b.  H.,  P.,  SW.  47,  Moeckernstr.  Ill;  Eich- 
bergfilm  (Central-Film-Vertrieb),  D.,  W.  8, 
Friedrichstr.  171;  Eichhorn-Film  G.  m.  b.  H., 
P.  D.,  W.  30,  Luitpoldstr.  35 ;  Eiko-Film  G.  m. 
b.  H.,  SW.  48,  Friedrichstr.  224;  Elektra-Film 
G.  m.  b.  H.,  Schoeneberg,  Martin-Lutherstr.  24 ; 
Elga-Film,  Halensee,  Kurfuertsendamm.  105; 
Elite-Film-Ges.  m.  b.  H.,  P.  D.,  SW.  48,  Fried- 
richstr. 244;  Elka  Film  Ges.  m.  b.  H.,  SW  48, 
Wilhelmstr.  6;  Ellen-Richter-Film,  W.  15,  Harden- 
bergstr. 29a- 1;  Emil  Justiz  &  Co.,  P.,  SW.  4, 
Enckeplatz  6;  Erba-Film,  Edwin  Baron  &  Co., 
W.  9,  Linkstr.  11;  Erka-Film,  Halensee,  Nestorstr. 
11;  Ernst  Gotthelf-Morel,  P.  D.,  SW.  68,  Mark- 
grafenstr. 59;  Esha-Film  G.  m.  b.  H.,  P.  D., 
SW.  68,  Friedrichstr  207 ;  Europa  Film  Co.  m. 
b.  H.,  SW.  4,  Wilhelmstr.  6;  Express  Films  Co. 
G.  m.  b.  H.,  P.  D.,  SW.  68.  Friedrichstr.  46; 
Faust-Film  G  m.  b.  H.,  P.  D.,  SW.  48,  Fried- 
richstr 243;  Favorite-Film  G.  m.  b.  H.,  SW 
68,  Charlottenstr.  82 ;  Felicitas-Film  G.  m.  b. 
H.,  P  D.,  SW.  48,  Friedrichstr.  13;  Femina- 
Film  G.  m.  b.  H.,  W.  8,  Leipsigerstn.  91  ;  Fern 
Andra    Film    Co.,    Georg    Bluen,    SW.    11,    Koenig- 


417 


SW.  48, 
NW.     6. 

Ges.  fuer 

SW. 


Fried- 

Schiff- 

Film- 

Mark- 


D.    Exch.,    W.    30, 


graetzerstr.  105;  "Film  fuer  Alle"  G.  m.  b.  H., 
P.,  SW.  48,  Friedrichstr.  238;  Filmhaus  Hermann 
Weiss,  P.  D.  Exch.,  SW.  68,  Friedrichstr.  207, 
Film-Vertrieb  Max  Boenisch, 
richstr.  233,  D. ;  Filu-Film, 
bauerdamm  19;  Firmament, 
fabrikation  m.  b.  H.,  P., 
grafenstr.    84;    Flagg-Film,    P. 

Martin-Lutherstr.  89;  Flora-Film  G.  m.  b.  H., 
SW.  68,  Charlottensr.  82;  Fricka-Film,  F.  C. 
Prinz,  P.  D.,  Charlottenburg,  4,  Leibnizstr.  47  ; 
Gala-Film,  Wollstein  &  Co.,  P.  D.,  SW.  48, 
Friedrichstr.  250;  Germania-Film  Ges.  Koethe 
&  Co.,  SW.  48,  Friedrichstr.  238;  Gloria-Film 
G.  m.  b.  H.,  W.  8,  Unter  den  Linden  25  ;  Goetze- 
Film  G.  m.  b  H.,  Charlottenburg,  Marchstr.  11; 
Greenbaum-Film  G.  m.  b.  H.,  SW.  68,  Fried- 
richstr. 209 ;  Filmvertrieb  Emil  Rosenfeld,  Wil- 
mersdorf,  Kaiser-Allee  47 ;  Grete  Ly-Film-Ges., 
Ress  &  Berger,  C.  2,  Bruederstr.  2 ;  Grundt- 
Waldenburg-Film  G.  m.  b.  H.,  P.  D.,  Charlotten- 
burg, Savignypl.  5  ;  Gussy  Holl-Veidt-Film,  W. 
62,  Lutherstr.  21;  Halma  Film  G.  m.  b.  H., 
Friedenau,  Rheinstr.  47 ;  Helios-Film,  Edwin 
Rosner,  SW.  48,  Friedrichstr.  246;  Henri 
Adolph  Mueller,  E.  I.  D.,  SW.  48,  Friedrichstr. 
236;Henry  Gamsa,  P.  Exch.,  SW.  48,  Fried- 
richstr. 250;  Hermes-Film  G.  m.  b.  H.,  SW. 
48,  Friedrichstr.  250;  Herold-Film,  P.  Exch., 
SW.  68,  Charlottenstr  93;  Hofoid-Film  G.  m. 
b.  H.,  P.  D.,  NW.  7,  Friedrichstr.  94;  Horos- 
Film  G.  m.  b.  H.,  SW.  48,  Friedrichstr.  13; 
Ibaco-Film,  I.  Badner  &  Co.,  P.  D.  Exch., 
SW.  48,  Friedrichstr.  5-6;  Ideal-Film  G.  m.  b. 
H.,  SW.  48,  Friedrichstr,  11;  Hag-Film  (Juttke 
&  Isenthal),  W  .8,  Leipzigerstr.  19;  Ilm-Film, 
Internationale  Lichtbild-Manufaktur,  P.  D.,  SW. 
48,  Enckepl.  7;  Imperator-Film  Co.,  G.  m.  b.  H., 
P.,  SW.  48,  Friedrichstr.  236;  Imperial-Film 
G.  m.  b.  H.,  P.  D.  E.,  SW.  48,  Friedrichstr. 
5-6 ;  Intern.  Film-und  Theater  Corp.,  G.  m.  b. 
H.,  Exch.  E.  I.,  W.  8,  Leipzigerstr.  19;  Inter- 
nationale Film-Vertriebs-Ges.  m.  b.  H.,  D.  I. 
E.,  W.  9,  Koethenerst.  1-4;  Internationale  Film 
Zentrale  Pallas,  Alfred  Mintus,  P.  I.  E.,  SW.  68; 
Charlottenstr.  89 ;  Internationaler  Film-Vertrieb 
Deitz  &  Co.,  SW.  48,  Friedrichstr.  20;  Isola-Film, 
SW.  48.  Friedrichstr.  226;  Janssen-Film,  P.  D. 
Exch.,  SW.  48,  Friedrichstr.  23  ;  Johannisthaler 
Filmanstalten  G.  m.  b.  H.,  P.  D.,  Johannisthal- 
Flugplatz,  Josef  Delmont-Film,  W.  15,  Duessel- 
dorferstr.  46;  John  Hagenbeck  Film-Ges.  m.  b. 
H.,  W.  8,  Friedrichstr  180;  Josef  Rideg,  Film- 
vertrieb G.  m.  b.  H.,  D.  Exch.,  SW.  48,  Fried- 
richstr. 11;  Karfiol-Film,  P.,  SW.  68.  Friedrichstr 
204;  Karlchen-Film,  G  m.  b.  H.,  SW.  68, 
Kochstr.  12;  Kassandra-Film  G.  m.  b.  H.,  SW. 
68,  Friedrichstr.  217;  Komet-Films,  Temeplhof, 
Burgherrenstr.  3;  Kosmos-Film  G.  m.  b.  H., 
D.,  SW.  48,  Friedrichstr.  12;  Kowo-Ges  fuer 
Filmfabrikation  m.  b.  H.,  P.,  SW.  68,  Kochstr. 
li;  L'Arronge-Film  G.  m.  b.  H.,  SW.  68, 
Friedrichstr.  207;  Larus-Film  G.  m.  b.  H.,  P., 
SW.  48,  Verl.  Hedemannstr.  5 ;  Leitner-Film 
G.  m.  b.  H.,  W.,  Kurfuertsendamm.  33 ;  Leo-Film, 
N.  24,  Friedrichstr.  36;  Lewiathan-Film,  Paul 
Augustyniak,  W.  8,  Leiipsigerstr.  40 ;  Lichtbild- 
Fabrikation  Schuenzel-Film,  P.,  W.  50,  Kurfuer- 
stendamm.  16;  Linger  Film-Ges,  D.,  SW.  68, 
Lindenstr.  32-4 ;  Lipow-Film  Co.  G.  m.  b.  H., 
SW.  68,  Schuetzenstr.  67  ;  Lloyd  Kinofilms,  G. 
m.  b  H..  SW.  48,  Friedrichstr.  224;  Lona  Ruth 
Film  G.  m.  b.  H.,  P.  D.  Exch..  W.  30,  Gledit- 
scher  43;  Lothar  Stark  G.  m.  b.  H.,  SW.  48, 
Friedrichstr.  12:  Lucifier  Film  Co.  G.  m.  b.  H., 
P.,  SW.  68.  Kochstr.  10;  Luna-Film  Ges.  m. 
b.  H.,  P..  SW.  48,  Friedrichstr.  224;  Lu  Synd- 
Wartan-Film  G.  m.  b.  H.,  SW.  68,  Friedrichstr. 
217;  Lux-Film-Ges.  m.  b.  H.,  P.,  SW.  48,  Fried- 
richstr. 5-6;  Maakfilm,  Otti  Clemens  Maak,  P. 
D.,  SW  68,  Friedrichstr.  204;  Mach-Film,  SW. 
48,  Friedrichstr.  250;  Majestic  Film  Co.  A.-G., 
W.  30,  Martin-Lutherstr.  3,  P.;  Marso-Film- 
Vertrieb  G.  m.  b.  H.,  SW.  48,  Friedrichstr.  2; 
Max  Cantor,  D.,  Halensee,  Kurfuerstendamm.  101  ; 
Maxim-Film-Ges  Ebner  &  Co.,  P.,  SW.  61, 
Bluecherst  32;  Max  Loeser,  D.,  SW  68.  Fried- 
richstr. 204  ;  May-Film  G.  m.  b.  H.,  W.  50, 
Tauentzienstr.  14;  Meinert-Film  G.  m.  b.  H., 
SW.      48,      Friedrichstr.      22;       Melitta-Film-Ges., 


Camin   &   Rothe,   S.    42;    Prinzessinenstr.    16;    Mes- 
ster-Film  G.  m    b.  H.,   P.,  Tempelhof,  Oberlandstr. 
27-8;     Metrofilm     G.     m.     b.     H.,     W.     35,     Pots- 
damerst.    112;    Misugraph    Film    Co.,    G.   m.   b.    H., 
Martin-Lutherstr.     28;     M.     Levin     G.     m.     b.     H., 
I      E.,     SW.     48,     Friedrichstr.     247;     Moest-Film 
Ges.      m.     b.      H.,      SW.     48,      Friedrichstr.     250; 
Monumental-Filmvverke      G.      m.      b.      H.,      Robert 
Reinert,     W      35,     Potsdamerstr.     Ill;    Mosch-Film 
Richard    Mosch    &    Co.,    P.,    SW.    48,    Friedrichstr. 
24;   National-Film  A.   G.   fuer  quenstlerische  Licht- 
spiele,    P.     D.     SW.    48,    Friedrichstr.    235;     Neos- 
Film    G.    m.    b.     H.,    Kantstr.     6;     Neumann-Film, 
Koenigin    Augustastr.    6 ;     Neutral-Film    G.    m.    b. 
H.,    SW.     19,     Seydelstr.     10-11;     Nivo-Film-Comp. 
G.     m.     b.     H.,     SW.     48,     Friedrichstr.     2;     Nord- 
laendische     Film-Union      G.      m.      b.      H.,     W.     9, 
Koethenerstr      1-4;     Koto-Film-Ges.    m.    b.    H.,    P. 
D.    Exch.,   SW     68,   Friedrichstr.   201;    Ocean-Film- 
Industrie,    P.    D.    Exch.    E.,    SW.    48,    Friedrichstr. 
34;    Olaf-Film,    G.    m.    b.    H.,    P.,    SW.    68,    Fried- 
richstr.   203 ;    Olympia-Film-Ges.,    Cohn,    Hermann 
&    Co.,     SW.    48,     Friedrichstr     20;     Omnia    Film 
G.    m.    b.    H.,    SW.    48,    Friedrichstr.    233;    Opera- 
Film   G.   m.   b.   H.,   P.,   SW.   68,   Schuetzenstr.   75; 
Orkan-Film   G.  m.  b.   H.,   W.   8,  Friedrichstr    162; 
Orplid-Film    G.    m.    b.    H.,    P.,    SW.    68,    Fried- 
richstr.    35  ;     Oskar     Einstein     G.     m.     b.     H.,     R. 
Universal,    New    York,    SW.    48,    Friedrichstr.   224; 
Otto      Glucksman      c\      t    '..      Mite.natioria  er      t  ilm- 
Commerz-Ges.     m      b.     H.,     D.,     SW.     48,     Fried- 
richstr.   235 ;    Pan-Film-Ges.,    Pasch    &    Co.,    SW. 
68,    Zimmerstr.    11;    Paul-Film-Vertrieb,    D.    I.    E., 
SW.    48,    Friedrichstr.    31;    Paul    Heidemann    Film, 
SW.    48,    Friedrichstr     10;     Petra-Film,    G.    m.    b. 
H.,    W.    8,    Leipsigerstr     101-2;    Plutus-Film    Stern 
&      Co.,      SW.      48.      Friedrichstr.      225;      Picolo- 
Grotesk  film- Ges.      Karow,      Florastr.      4;      Primus 
Film    Ges.    m.    b.    H.,    SW.    48,    Friedrichstr.    220; 
Problem-Film-Vertrieb    G.    m.    b.    H.,    I.    E.,    SW. 
68,    Friedrichstr.    46;    Progress-Film-Ges   m.    b.    H., 
P.   Exch.,   SW.   68,    Kochstr.    12;    Reinhold  Fluegel- 
Film,   N.   24,   Linienstr.    131;   Rensie-Film   G.  m.  b. 
H.,  SW.  68,  Hollamannstr.   17;   Rex-Film  G.  m.  b. 
H.,     SW.    48,     Friedrichstr.     10;     Rhea-Film,     SW. 
11,     Koeniggraetzestr.     66;     Richard     Oswald-Film 
G.    m.    b.    H.,    Friedrichstr.    14,    P.  ;    Ring-Film    G. 
m.    b     H.,    P.,    SW.    68,    Markgrafenstr.    77;    Rire- 
Film,      P.,      SW.      48,      Friedrichstr.      10;      Robert 
Glombeck,      Deutsche      Film-Industrie,      SW.      68, 
Friedrichstr.     37;     Robert     Klose,     P.,     Charlotten- 
burg,     Sybelstr.      S3:      Rolf-Film,      P.,      SW.      68, 
Schuetzenstr.     67;     Rossija-Film-Ges.     m.     b.     H., 
SW.    19,    Leipzigerstr.   73-4;    Rubikon-Film,    P.    D., 
SW    48,   Friedrichstr.   13;    Saturn-Film  A.-G.,   SW. 
68,      Friedrichstr.      207:       Segall-Film,      SW.      48, 
Friedrichstr.     5-6;     Sing-Film     G.     m.     b.     H.,     P. 
Exch.,    SW.    68,    Zimmerstr.    21;    Sirius-Film-Ges. 
m.    b.    H.,    D.,    SW.    48,    Friedrichstr.    19;    Solar- 
Film,    Ges.    m     b.    H.,    P.,     SW.    48.    Friedichstr. 
25;     Sozial-Film-Ges.     m.     b.     H.,     W.     8.     Mark- 
grafenstr.    28;      Sph:nx-Film-.\kt.-Ges..      SW.     68, 
Friedrichstr.   204;    Stambulki    &    Co.,   G.   m.   b.   H., 
SW.    48,   Friedrichstr.    243 ;    Stein    Film-Ges.   m.   b. 
H     &    Komm.    Ges.,    SW.    68.    Friedrichstr.    207; 
Stern-Film-Ges     m.    b.    H.,    SW.    48,    Friedrichstr. 
223;    Teddv-Fiim-Ges     m.    b.    H..    SW.    68.    Mark- 
grafenstr. 59;  "Terra"'-Film  G.  m.  b.  H.,  P.,  SW 
48,       Kochstr.       73 ;       Tesa-Film.       Trude       Saten, 
Wilmersdorf,      Helmstedterstr.      20;      Thalia-Film, 
Erich       Habicht,       P..       Cha-'ottenburg,       Kantstr. 
160:      Transocean      Film      Co..      G.      m       b.      H  . 
P.     E.      I.,      SW.      6<J.      7-V— -^-s--       7^   ••      Trp-t 
mannfilm,     Ludwig    Trautmann.     P.     Exch..     SW. 
48,    Friedrichstr.    21  ;    Treumann-Larsen-Film-Ges., 
P      D.,     SW.    48,     Friedrichstr.     12;     Trianon-Film 
Co..   G.   m.   b.    H.,    W   9,   Bellevuestr.    21-2;    Trick- 
film-Ges.    m.    b.    H..    P     D..    Steglitz.    Albrechtstr. 
131;     Turma-Film-Ges.,     P.,     SW.     68.     Zimmerstr. 
77;   Uebersee-Film-Ges.   m.   b.    H..    SW.   48,    Fried- 
richstr.    235  :     Ungo-Film-Ges.,     Unger     &     Gotts- 
chalk,      SW.     48,     Friedichstr.     247;      Uuiversum- 
Film    A.-G..    (UFA),    P.    D.    I.    E.    Exch..    W.    9. 
Koethenerstr.      1-4:     Ustad-Film.     Dr.     Droop     & 
Co..   Komm-Ges..   SW.   48.   Friedrichstr.   233:   Valy 
Arnheim-Film,     P.,     W.     30,     Nollendorfplatz,     9; 
Veritas-Fi'm-Ges.    m.    b.    H..    P.,    SW.    48,    Fried- 
richstr.    12;     Waldorf-Film,     W.     50,     Passauerstr. 
1  :     Welt-Film,     P     Exch..     .SW.     68,    Friedrichstr. 
200:    Welt-Kinematograph,    P.    D.    Exch.,   scientific 
films.    Charlottenburg.     1,    Eosanderstr.    9;    W.    E. 


418 


P.-Film  G.  m.  b.  H.,  SW.  48,  Friedrichstr.  226; 
Wieder-Film,  SW.  19,  Leipzigerstr.  11;  Werbe- 
film  G.  m.  b.  H.,  P.  D..  SW.  19,  Jerusalemerstr. 
13;  Wilhelm  Feindt,  D.,  SW.  48,  Friedrichstr. 
246;  William  KahiiFilm-Ges.  m.  b.  H.,  SW.  48, 
Friedrichstr.  238;  Willy  Hess,  P.,  SW.  48,  Fried- 
richstr. 238;  Woerner-Film,  P.  D.,  W.  50,  Kur- 
fuerstendamm.  16;  Wotan-Film,  P.  E.  Exch.,  W. 
9,  Potsdamerstr.  9 ;  Zelnik-Mara-Film-Ges.  m.  b. 
H.,  SW.  68,  Friedrichstr.  207;  Ziczac-Film-Ges. 
m.  b.  H.,  P.  D.  Exch.,  SW.  48,  Friedrichstr. 
250;    Zwicker,    Bruno,    D.,    W.,    Frobenstr.    6. 

Biebrich:   Erich  Delp,  D.  Exch.,   Kastelerstr.   14. 

Bremen:  "Cipa"  Compannia  industrial  de 
peliculas  centro-sudamericana,  E.  Tonfilm  G.  m. 
b.  H.,  Buergersteig.   17. 

Cassel:  Herkulesfilm  G.  m.  b.  H.,  P.,  Wil- 
helmstr.  3-4. 

Cologne  on  Rhi..e :  Cyklop-Film,  Rosenstr.  17; 
Franz  Steinmetz,  P.  Exch.,  Maybachstr.  155; 
Gebrueder  Knepper  &  Co.,  G.  m.  b.  H.,  P.,  Wil- 
helmstr.  6 ;  "Pantomini"-Filmges.  m.  b.  H.,  Vik- 
toriastr.    2. 

Danzig:  Danziger  Filmcentrale  Georg  Andres, 
P.  Exch.  D..  I.  E.,  Dominikswall.  9  Union-Cinema. 

Dortmund:  Anker-Film- Vertrieb,  G.  m.  b.  H., 
D.,   Strehlenerstr.   48. 

Dresden:  Artis-Film,  P.  Exch.,  Wienerstr.  16; 
Karl  Kulscar,  D.  Exch.,  Kleine  Parkhofstr.  1 ; 
Rona-Filmges.,  P.,  Kaitzerstr.  1  ;  Saxonia-Film- 
Ges.  m.   b.   H.,  Laubgast,   Hauptstr.   79. 

Eberswalde  near  Berlin:  Mangra-Film,  Eisen- 
bahnstr.   83. 

Flensburg.  J.  Petersen  Sen.,  Exch.,  Husumer- 
str.  4. 

Frankfort  on  Main:  Emge-Film,  Frankfurter 
Filmfabrikation  Meisl  &  Gruenbaum,  P.,  Ober- 
main-Anlage.  20;  Film  am  Main  G.  m.  b.  H., 
Kirchnerstr.  8;  FIuck-Film-Ges.  m.  b.  H.,  Obe- 
weg.  19 ;  Frankfurter  Kunstfilme  "Ideal"  G.  m. 
b.  H.,  Kaiserstr.  41  ;  "Metis-Film"  G.  m.  b.  H., 
P.  D.  Exch.,  Kronprinzenstr.  17:  Titan  Film 
Co.  G.  m.  b.  H.,  E.  I.  P.  Exch.,  Weis- 
sfrauenstr.  12. 

Freiburg  in  B. :  Berg-und  Sportfilm  G.  ni.  b.  H., 
Eggstr.    5;     Express-Film-Co.    G.    m.    b.    H.,    P. 
Exch.,   Schusterstr.   5;   Welt-Kinematograph  G.  m. 
b.   H.,   P.,   Zaehringerstr.    17. 
Hamburg 

Kohinoor-Film-Co.  m.  b.  H.,  P.,  Bleichen- 
bruecke.  10;  Mankiewicx,  Enke  &  Co.,  Cremon. 
11-12;  Satan-Film,  P.,  Ritterstr.  60;  Trans- 
atlantische  Film-Ges.  m.  b.  H.,  E.,  Dammtorstr. 
14;  Vera-Filmwerke  G.  m.  b.  H.,  11,  Trost- 
bruecke.  1 ;  Wolliner  &  von  Borstel,  D.,  Marien- 
thalerstr.  Ti;  Fritz  Zimmeck,  D.  23,  Friedenstr,  31. 

Hannover:  Dea-Film  G.  m.  b.  H..  P., 
Georgstr.  11;  Fery-Film  G.  m.  b.  H.,  Lange- 
laube.    12. 

Heidelberg:  Oberrheinische  Filmwerke  G.  m. 
b.  H.,  P.,  Schlierbacher  Landstr.   13-5. 

Karow  in  M.:  Pinolo  Grotesk-Film-Ges.,  Erich 
Schaefer   &    Co.,   Florastr.   4. 

Koenigsberg    in     P. :       FiIm-Verleih-&-Vertriebs- 
Bes.     m.     b.     H.,     D.     Exch. ;     Filmvertrieb     des 
Ostens,     Bluhm    &    Mueller,     D.,    Mozartstr.     39 ; 
Tanera-Film  G.  m.  b.  H.,  P.,  Hufenallee.  22. 
Leipzig 

Bennendorf  &  Rud,  Karlstr.  1  ;  Ismar-Film, 
Moeckern,  Eckardstr.  1  ;  Lava-Film.  P.,  Augustus- 
platz.  7;  Liddy  Hegewald's  Film-Verleih  & 
Vertrieb,  D.  Exch.,  Querstr.  26-8;  Mitteldeutsche 
Film-Centrale,  Marienstr.  16;  Orient-Film,  P. 
Wintergardtenstr.  19;  Saechsischer  Kunstfilm,  P 
Exch.,  Salomonstr.  25a;  Sieger-Film,  Wind 
muehlenstr.  7;  Tonfilm  G.  m.  b.  H.,  Weststr.  13. 

Ludwigshaf  en :  Chateau-Kunst-Film  Dr.  A 
Basler.  P.;  Pfalz-Film- Vertrieb,  H.  Heubel,  D. 
Wredestr.    11. 

Meiningen:      Rahn-Film-Ges.,    W^aldemarstr.    35 

Munich 
Albert  Sachs,  P.  D..  Triftstr.  13;  AlpinaFilm 
Ges.  m.  b.  H.,  P.,  Haeberlstr.  11;  Ambos-Film 
Ges.  m.  b.  H.,  P.  D.,  Theatinerstr.  8;  Bajazzo 
Film  G.  m.  b.  H.,  Kapuzinerstr.  18;  "Bavaria 
film,"  P.,  Ungererstr.  121;  Bayerische  Film-Ges 
Fett  &  Wiesel,  P.,  Paul-Heysestr.  9 ;  Bayerische 
Filmindustrie  A.  Engel  G.  m.  b.  H.,  P.  D.  Exch. 
Prielmayerstr.  16;  Baverischer  Film-Vertrieb,  D. 
Sonnenstr.  9;  Bulldog-Film  G.  m.  b.  H.,  P.  D 
Exch.,   Klarstr.    11;    Cabinetfilm,   Toni  Attenberger 


Kdt-Ges.,  Marienplatz.  28;  Cinoscop-Concern- 
Commandite,  Schelhngstr.  39;  Cleod,  Osterode- 
Film,  P.,  Glueckstr.  16;  Continentfilm  G.  m.  b. 
H  P  D  Bayerstr.  21-4;  Drehwa  Filmverleih 
& 'Vertrieb'  G.  m.  b  H.,  D.  Exch.,  Theatinerstr. 
3;  Eduard-Film,  Hirschgartenalle.  39;  Elsa- 
Schenk-Film,  Reitmorstr.  49;  Fata  Morgana 
Filmvertriebs-Ges.,  D.,  Schellingstr.  39;  i<el- 
icitas,"  Film-Fabrikation  &  Verleih  G.  m.  b.  H... 
P  Exch,  Barerstr.  62;  "Filma"  Bayensches 
Filmwerk  G  m.  b.  H.,  P.  D.  Exch.,  Kaufmgerstr. 
13;  Filmbeck,  Arnulfstr.  16-8;  Filmvertrieb 
"Kosmos,"  Anton  Regele  &  Co.,  Karlstr.  21, 
D. ;  Filmwerke  "Weiss-Blau-Film,"  P.,  Nymphen- 
burg  Kugmuellerstr.  9;  Geofra  Film  Co.,  Schreiber 
&  Co.,  Kdt.-Ges.,  P.  D.,  Arnulfstr.  16;  Hava- 
Film  Gess.  m  b.  H.,  Arcisstr.  5  ;  Indian-Film 
Comp.,  Arnulfstr.  16-8;  Indra-Film,  Rolf  Ralte 
Am  Kosltor.  3 ;  Inprofilm  G.  m.  b.  H.,  Industrie 
Propaganda-Film-Ges.,  P.  D.,  Montsalvastr.  13 
Internationale  Sing-Film-Ges.  (Insifilm),  Widen 
mayerstr.  46;  Kopp-Filmwerke,  Kopp  &  Co.,  P 
D.,  Dachauerstr.  13;  Kosmos-Film-Verleih  A 
Regele  &  Co.,  Exch.,  Karlstr.  21  ;  Leitner-Film 
Am  Kostor.  2;  Marga-Film-Co.,  Dreifuss  & 
Stengel,  Adalbertstr.  31;  Mars-Film  G.  m.  b.  H. 
Residenzstr.  12 ;  Muenchener  Lichtspielkunst  A. 
G,  P.  D.,  Karlsplatz.  5  6;  Muenchener  Mercedes 
Film-Fabrik,  P.,  Kaulbachstr.  63  ;  Neue  Kinemato 
grapische  G.  m.  b.  H.,  Martin-Greifstr.  11;  Nord 
Sued  Film  Co.,  Lichtenstein  &  Schlieper,  P.  D. 
Koeniginstr  91;  Oro-Ges.  fuer  Filmkunst  m.  b 
H  Bayerstr.  9 ;  Reinhold  Edrich,  D.  I. 
Prinzenstr.  13;  Rolf-Randolf-Film,  P.  D.  Exch. 
Weinstr.  4;  Royal-Film-Konzern,  P.  D.  Exch. 
Rosental.  9;  Sportfilm,  A.  Stranz,  P.  D.,  Tuerken 
str  89;  "Stuart  Webbs"  Film-Comp.,  Ernst  E 
Reicher,  P.,  Wittelsbacher  PI.  2  ;  Suedd.  Licht 
bild-Ges.  Dr.  Streit  &  Co.,  Leopoldstr.  3  ;  Trans 
atlantic-Films  Comp.  G.  m.  b.  H.,  P.,  Doellinger, 
4-8;  Union  Film  Co.  m.  b.  H.,  P.  Exch.,  Priel 
mayerstr.  18;  Wena  Film,  Schoene  &  von  Falc( 
(Welt-Natur-Film-Ges.)  P.,  Ohmstr.  8;  "Wi 
wefco,"   Wild-West-Film-Comp.,    Karlstr.   21. 

Nuremberg:  Freya-Film  Ges.  m.  b.  H. 
Luitpoldstr.  5 ;  Nova-Film  G.  m.  b.  H.,  P. 
Ludwigstr.    1. 

Oberhausen:  Arnold  Schanzer,  D.,  Woer- 
therstr.    15. 

Osnabrueck:  Westfalica  Monopolfilmvertrieb, 
S.    Schoenfel',   D.,   Georgstr.   7. 

Plauen:  Konopolfilm- Vertrieb  Rich.  Kuehn,  D., 
Neundorferstr.    120. 

Radebeul:  Saechs.  Film-Werke  G.  m.  b.  H., 
P.,  Gabelsbet^erstr.   11. 

Schliersee:      Schlierseer    Volkskunst-Film,    P. 

Stettin:  Stettiner  Reform-Film  G.  m.  b.  H., 
Johannisstr.    1. 

Werden  on  Ruhr:  Monopol-Filmvertrieb  Emil 
Rhode,  D.,  Neustr. 

Weisbaden:  Axa-Film-Co.  G.  m.  b.  H.,  P.  D. 
Exch.,  Friedrichstr.  39;  Radio-Film-Ges.  m.  b.  H., 
Nerostr.   29. 

CZECHO-SLOVAKIA 

Producers  and  Distributors 
A-B  Filmfabriken  A.-G.,  Prag-Weinberge,  Ko 
runni  tr.  102.  Tel.  7916.  Adriafilm  Prag,  Kra 
kauergasse  22.  Tel.  8590-VIII.  Almedrofilm 
Prag-il,  Vaclavske  nam.  68.  Tel  891S-VI.  Amer 
ican-Film-Company,  G.  m.  b.  H.,  Prag  II,  Ste 
panska  ul.  57,  Palais  Lucerna.  Telegramme,  Amer 
icanfilm.  Tel.  9597.  Atlantafilm,  Prag-Wein 
berge,  Bozetechova4.  Tel.  58-11.  Apollofilm 
Prag,  Zelezna  544.  Tel.  Nr.  8046-IV.  Biografia 
Prag  II.  Nekazanka  1.  Telegr.  Biografia.  Tel 
6390.  Continentalefilm  (fruher  Stuart  Webbs 
Filmgesellschaft),  Prag  II,  Wenzelplatz  11,  Neue 
Passage.  Tel.  8845-VIII.  Chicagofilm  Co.,  Prag 
II,  Vodickova  704.  (Palais  Lucerna.)  Tel.  Nr. 
8991 -VI.  Cito-Cinema,  Prag,  Wenzelsplatz  7.  Tel. 
3097.  Deglove  Bratri,  Prag  II,  Stepanska  57, 
Palais  Lucerna.  Diso-Film,  vorm.  Svobodafilm, 
Prag,  Wenzelsplatz  11,  Neue  Passage.  Telegramme, 
Disofilm.  Tel.  8642-11.  Etoile-Film,  Troppau, 
Staatsbahngurtel  34,  I.  St.  Tel.  344-VI  interurgan. 
Excelsiorfilm,  G.  m.  b.  H.,  Prag,  Perstyn  12.  Lab- 
oratorium,  Vinohrady,  Moravska  16.  Tel.  3499. 
Exclusive-Film,  Prag,  J.  Vitek  &  Co.  Hybernska 
42.      Export-Film    Comip.,    G.    m.    b.    H.,    Prag-L. 


419 


Nekazanka  1.  Tel.  63'50.  Famous  Fi'ms,  J.  V. 
iVIusil  &  Co.,  Prag  VII.  Letenske  nam.  10.  Tel. 
898-11.  Films-  &  Kinematographen,  Gen.  m.  b.  H., 
Tetschen.  Tel.  108.  i' ischer  Richard,  Generalver- 
treter  der  lea  Aktien-Gesellschaft,  Dresden,  Prag 
I.,  Tynska  19.  Gaumont  Leon,  Prag  I,  Jungnian- 
nova  17.  Tel.  8112-VI.  Telegramme,  Elgefilms. 
"Globus"  Film-\'ertrich,  Gesellschaft  m.  b.  H., 
Mahr.  Ostvau,  Bahnhofstr.  114.  Gloriafilm,  Prag- 
Weinberge,  Manesova  20.  Tel.  9806.  Helios-Film, 
Brunn,  Adlergasse  Nr.  7.  Tel.  1809.  Tel.-Adresse, 
Heliosfilm  Brunn.  Iris-Film,  Prag-Weinberge. 
Kinema,  Prag  II,  V'odickova  ul.,  Palais  d.  b.  Bank. 
Telegramme,  Kinema.  Tel.  3960.  La  Tricolore, 
Prag  II,  Vaclavske  nam.  18.  Telegr.,  Tricolorfilm, 
Prague.  Tel.  9182.  Lloydfilm,  Prag-I,  Perstyn  12, 
Tel.  3499.  Brunn,  Jostova  6.  Tel.  2817,  649.  Lib- 
ertyfilm,  Prag-Kgl.  Weinberge.  Palackystr.  24. 
Tel.  2002.  Lyra,  Operettenfilm  Ges.  m.  b.  H.,  Prag 
II,  Zitna  2.  Tel.  3808.  Meteorfilm,  Brunn,  Jo- 
sefska  23.  Tel.  Nr.  3054-VI.  Moldavia,  Prag  II, 
Hybernska  9.  Tel.  1191.  Monopolfilm,  Brunn, 
lakobsgasse  1.  Tel.  1917.  Moravia-Film,  Mahr.- 
bstrau,  Strabe  des  28,  Oktober  20.  Filiale,  Aus- 
sig  a.  d.  E.,  Teichgasse  11.  Nordisk-Film,  Prag 
11,  Wenzelsplatz  1,  Palais  Koruna.  Telegramme, 
Xorfilm.  Tel.  7516.  Polo-Film,  Prag,  Vaclavske 
nam.  15.  Tel.  3547.  Pojafilm.  Prag  11-700.  Pri- 
max,  Prag,  Graben  14.  Telegramme,  Primax.  Tel. 
2334.  Projektor,  Prag-Smichovv,  Konigstrabe  66. 
Tel.  6214.  Recordfilm,  Prag  I,  Perstyn  4.  Rex 
Film,  Prag  II,  Vodickova  7.  Ringler  Film,  Bra- 
tislava. Tel.  656.  Tel.-Adr.,  Ringler-Film.  Bra- 
tislava. Slavia-Film,  Prag,  Lvovska  3.  Telegr., 
Slaviafilm.  Tel.  5461.  Stuchlik  Rudolf,  Vertretung 
der  Ernemann-Werke,  Prag  II,  Karlovo  nam.  26. 
Sun-Film,  Brunn,  A"dlergasse  7.  Tel.  1809.  Tempo- 
film,  G.  m.  b.  H.,  Prag-Weinberge,  Sadova  95. 
United  Artists  Corp.,  Prag  II,  Nekazanka  2.  Tel- 
egramm-Adresse,  Unitedfilm  Prag.  Tel.  9419. 
Wetebfilm,  Prag  II,  Vodickova  20.  Wolfram  Flm- 
G.  Aussig,  Lindenstr.  5.  Telegramme,  Wolfram- 
film.  Tel.   257.   Filiale,   Prag  II,   Stepanska   55. 

AUSTRIA 

Graz:       Alpin-Film    &    Kinematographen    Werke 
G.   m.   b.   H.,   P.   D.,   Franziskanerplatz   10. 

Innsbruck:  Merkur,        Kinoindustrie,        Hans 

Regnemer,  Kaiser- Wilhelmstr.  10;  Waldmuellers 
Alpenlaendische  Film-Zentrale,  Maria  Theresienstr. 
39. 

Teschen:      L'Aigle,   Filmvertriebs   &   Leihges.   m. 
b.  H.,  Tiefe  Gasse  33. 

Vienna 
Alfa-Film,  Neubaugasse  25 ;  Alliance  Film- 
Verleih  &  Vertriebs-G.  m.  b.  H.,  VII.,  Neu- 
baugasse 38;  Apollo-Filmvertriebs-G.  m.  b.  H., 
VII.  Lindengasse  53  ;  Astoria-Film-Ges.  m.  b.  H., 
VII.  Neubaugasse  30;  A-Zet  Filmvertrieb,  Kdt- 
Ges.,  VII.,  Siebensterngasse  42-4;  F.  Bachoretz  & 
Co.,  D.  Exch.,  VII  Neubaugasse  2;  Burg-Film- 
Industrie,  P.  D.,  11.  Praterstr.  9;  Cartellieri- 
Film-Ges.,  Kleine  Neugasse  12;  Anna  Christensen, 
VI.,  Mariahilferstr.  53;  CinemaGluecksmann,  D., 
VII.  Schottenfeldgasse  26 ;  Cocls's  Film  Comp., 
G.  m.  b.  H.,  VI.,  Gumpendorferstr.  8;  Collegia, 
G.  m.  b.  H..  D.  Exch..  VII.,  Westbahnstr.  8; 
Cosmopolitan  Film  Co.,  VII.  Siebensterngasse  13 ; 
Das  Kino,  Ges.  fuer  Kinoindustrie  7  Film- 
vertriebm.  b.  H.,  VII.  Neubaug.  25 ;  Danubia, 
Intern.  KinoFilmges.  m.  b.  H.,  VII.,  Neubaugasse 
2;  Dreamland  Film  Co.  A.-G.,  P.  D.,  III. 
Rennweg  5 ;  E.  Drobrohruschka,  D.  Exch.,  III. 
Fasangasse  26;  Emge-Films,  II.  Taborstr.  8B ; 
Emoje-Films,  Taborstr.  8B ;  H.  Engel,  Monopol- 
film-Leihanstalt,  VII.  Neubaugasse  25;  Engel  & 
Walter,  D.  Exch.,  VII.  Neubaugasse  25 ;  "Eos" 
Filmfabrik  &  Kinem.-Ges.  m.  b.  H.,  II.  Praterstr. 
9;  "Erika"  Filmverleih  &  Vertriebsanstalt,  VII. 
Schottenfeldgasse  26 ;  Eywo-Film,  V.  Mar- 
garetenstr.  36;  Fiat-Film  G.  m.  b.  H.,  VII. 
Neubaugasse  2 ;  Filmag,  Kinofilm-  G.  m.  b  H., 
I.,  Fleischmarkt  14;  Filmabrik  Biehl,  P..'  IV. 
Favoritenstr.  26;  Film-Industrie  A.-G.  (Vorm. 
Danubia),  Exch.,  VII.  Neubaugasse  2;  Film- 
Verleih  &  Vertriebs-Ges.  m.  b.  H.,  "Fakir,"  IX. 
Capistrangasse  4 ;  Filmvertrieb  Jeno  Wirtschafter, 
VII.  Bandgasse  34,  I.  E. ;  "Fulva"  Filmverleih 
&  Vertriebsanstalt,  VII.  Neubaug.  68;  Gaumont- 
G.   m.   b.   H.,   in   Oesterreich-Ungarn,   VI.    Mariahil- 


ferstr. 57-9;  Gladiator-Film,  G.  m.  b.  H.,  D. 
Exch.,  (for  Poland)  V'll.  Neubaugasse  2:  J. 
Handl,  Filmvertriebsges.  m.  b.  H.,  VII.  Neu- 
baugasse 40;  Heinze  &  Co.,  Adolf,  G.  m.  b.  H., 
VII.  Halbgasse  30;  Helios-Film  G.  m.  b.  H., 
VII.  Neubaugasse  25  ;  Held-Kopp-Film  ;  Hellmuth- 
Film,  Fabrik,  Verleih  &  Vertriebsanstalt,  P.  D. 
Exch.,  VI.,  Mariahilferstr.  27;  Hispano-Films, 
VII.  Siebensterngasse  42-4  ;  "Howo"  Film  & 
Kinematographen-G.  m.  b.  H.,  VII.  Neubaugasse 
2;  Kurt  Hubert,  D.,  VII.  Neubaugasse  25;  Ifuk, 
Filmverleih  &  Kinematographenges.  m.  b.  H., 
VJ  Mariahilferstr.      47 ;      Internationale      Film- 

Ve,  riebs-  G.  m.  b.  H.,  I.  Rudolfplatz  13;  Interlog- 
Filmvertrieb,  I.  Stephansplatz  6;  Iris-Film  (Aurel 
Nowotny),  I.  Franz  Josefs  kai  5;  E.  Jordan,  G. 
m.  b.  H.,  VII  Neustiftgasse  115a;  "Kinema" 
Filmfabrik  &  Verleuh  A.-G.,  P.  D.,  VII.  ZoUer- 
gasse  8;  Kinograph  G.  m.  b.  H.,  D.  Exch.,  VII. 
Neubaugasse  25  ;  Kinoindustrie  G.  m.  b.  H.,  VII. 
Neubaugasse  66 ;  Kino-Vertretungs-Bureau,  R., 
VII.  Mariahilferstr.  66;  Kong:ress-Film,  I. 
Seitzergasse  6 ;  Kuenstlerfilm  Leihanstalt,  Dr. 
Ernst  Horowitz,  Exch.,  VII.  Zollergasse  8; 
Kunstfilm-Industrie  G.  m.  b.  H.,  VII.  Neubaugasse 
1;  Leoni-Film  S.  A.,  VII.  Westbahnstr.  8; 
Leyka-Film,  Oesterr.  Kino-Industrie  G.  m.  b.  H., 
VII.  Neubaugasse  64;  Listo-Filmfabrik,  P.,  VI. 
Gumpendorferstr.  132;  Luna-Union  G.  m.  b.  H., 
Ernst  Friese  &  Co.,  VII.  Neubaugasse  2;  Mardes- 
Film  G.  m.  b.  H.,  P  D.  Exch.,  IV.  Blechturm- 
gasse  10;  Merkur^  G.  m.  b.  H.,  D.  Exch.,  I. 
Fleischmarkt  17;  Micco-Filmfabrik,  Vertrieb  & 
Verleih,  P.  D.  Exch.,  VII  Mariahilferstr.  88a; 
Micheluzzi  &  Co.,  P.  D.  Exch.,  VII.  Mariahil- 
ferstr. 88a ;  Nic  Carter-Filmleihanstalt,  Exch., 
VII.  Siebensterngasse  42-4;  Olympic-Film-Ges. 
m.  b.  H.,  VII.  Neubaugasse  25;  Oppenheimer  & 
Reifer,  VII.  Neubaugasse  40;  Oswald-Filmver- 
leih  G.  m.  b.  H.,  Exch.,  VI.  Mariahilferstr.  66; 
Oesterr. -Ungar.  Kinoindustrie  G.  m.  b.  H.,  VII 
Neubaugasse  33 ;  Paschkes  &  Spielmann,  D.  Exch., 
XV.  Schweglerstr.  47-9;  Pathe  Freres  &  Co.,  G. 
m.  b.  H.,  I.  Dominikanerbastei  8;  Patria  G.  m. 
b.  H.,  Exch.,  VII.  Neubaugasse  68;  Payo-Film, 
P.,  I.  Singerstr.  8;  Pax-Film  G.  m.  b.  H.,  VII. 
Neubaugasse  1  ;  Polo-Filmvertriebsges.  m.  b.  H., 
V'll.  Neubaugasse  25;  Primax,  G.  m  b.  H..  VII. 
Neubaugasse    31;    "Raff"    G.    m.    b.    H.,    D.    Exch., 

VI.  Mariahilferstr.     89;     Regent-Film-Fabrik,     P.. 

VII.  Neubaugasse  68;  Romania-Film-Verleih  & 
Vertriebsges.  m.  b.  H.,  VII.  Neubaugasse  38; 
Ronnert  &  Co.,  VI.  Amerlingstr.  17:  Fritz 
Rucicka,  P.  D.,  VII.  Zieglergasse  26;  R.  S.- 
Film  G.  m.  b.  H.,  V.  Schweglerstr.  47-9; 
Sascha  Filmindustrie  A.-G.,  P.  D.,  VII.  Sie- 
bensterngasse 31;  Isidor  Schwarzenberg,  VII. 
Siebensterngasse  16a;  Seifert  &  Hofer  G.  m.  b. 
H.,  VII.  Stiftgasse  15;  Spezial-Film  G.  m.  b. 
H.,  P.,  VII.  Neubaugasse  4;  Staatliche  Film- 
hauptstelle,  VIII.  Auerspergstr.  1  ;  "Standard- 
film  Co.,"  P.  D.  Exch.,  1.,  Franz- Tosefs- Kai,  5; 
Star,  Filmfabrik  &  Vertriebs-  A.-G.,  VII.  Neu- 
baugasse 25  ;  Stuart-Webbs-Filmvertrieb  fuer 
Oestrr.-Ungarn  G.  m.  b.  H..  D.,  VII.  Neu- 
baugasse 25  ;  Sturm-Film- Comp.,  Westbahnstr. 
26;  Titan  Film  Co.,  G.  m.  b.  H.  ;  Union-Film-Ges. 
Ernst  Friese  &  Co.,  VII.  Neubaugasse  2; 
Veritas-Film,  VII.  Getriedemarkt  14;  Vienna- 
Film,  P.,  VII.  Siebensterngasse  29;  Martin 
Vogel.  (Titles)  VII.  Neubaugasse  40;  Weilers 
Austro-Film  Co.,  VIII.  Josefstaedterstr.  87; 
Welt-Film-Vertrieb,  VII.  Mondscheingasse  4; 
Wiener  Kunstfilm-Industrie  A.-G.,  P.  Exch., 
VII.  Neubaugasse  1  ;  Wiener  Lichtbilderei,  VII. 
Neubaugasse  38;  J.  Zeitlinger,  P.,  XX.  Jaegerstr. 
30;    Zenith-Filmfabrik,    VI.    Zollerngasse   8. 

TURKEY 

Constantinople:       R.    A     Foscolo    &    Cie.,    Zind- 
jinHHan8.      JUGOSLAVIA 
Zagreb 

"Balkan"  Zavod  zu  filmsku  industriju, 
Marowskaulica  10;  Bosna,  Filmleihanstalt  G.  m. 
b.  H.,  Frankopanska-ulica  8;  Jugoslavia,  Film- 
fabriksges.  m.  b.  H.,  Ilica  44;  R.  Mosinger ; 
Alfred  Meller  &  Leo,  Frankopanska-ulica ;  Omnia, 
Furtinger  &  Co.  ;  Urania,  Kijcovieva-ulica  7. 
(Continued  on  page  427) 


420 


Bureau  of  Foreign  and  Domestic  Commerce  Reports 


ARGENTINA 

By  Trade  Commissioner  George  S.  Brady, 
Buenos    Aires. 

The  demand  in  Argentina  for  motion-picture 
plays  is  probably  as  great  in  proportion  to  the 
population  as  in  any  country  of  the  world.  While 
at  the  present  moment  the  American  film  has  the 
greatest  share  of  the  market,  the  American  pro- 
ducer can  not  afford  to  feel  too  sure  of  the  field, 
and  should  follow  closely  the  requirements  of 
the  people  in  order  to  retain  his  hold.  Prices  of 
American  films  in  Argentina  are  so  much  higher 
than  for  the  European  that  distributors  often 
place  one  or  more  European  films  in  the  program 
in  order  to  balance  the  cost.  The  public  likes 
the  American  photo  play,  but  in  general  has  no 
choice  in  the  selection   of  program. 

At  present  there  are  128  operating  motion- 
picture  theaters  in  the  city  of  Buenos-Aires  alone, 
with  2,250,000  paid  admissions  per  month.  Usually 
three  films,  sometimes  four,  constitute  a  complete 
show,  and  two  shows  are  given  each  day.  Only 
one  theater  in  Buenos  Aires  operates  continuously 
as  in  the  United  States.  An  interval  of  several 
minutes  is  allowed  between  reels  and  from  5 
to  10  minutes  between  pictures,  the  public  de- 
manding these  intervals  in  order  to  look  around 
and  greet  acquaintances  in  the  theater.  Entrance 
may  be  bought  for  one  picture  or  for  the  entire 
show. 

Local    Production    of    Motion    Pictures 

There  are  not  less  than  IS  established  motion- 
picture  producers  in  Argentina.  Since  the  success- 
ful production  of  the  drama  "Nobleza  Gaucha" 
by  the  company  Martinezy  Gunche  in  1916,  there 
has  been  a  demand  for  local  film  production,  but, 
with  almost  no  exception,  such  plays  have  been 
poorly  acted  by  inexperienced  performers  and 
usually  poorly  set  and  managed.  Little  or  no 
money  has  been  spent  in  their  production ;  and 
financially  successful  ones  have  owed  this  fact 
to  their  "home  talent"  nature.  Recently  the 
Tylca  Film  produced  a  drama  which  was  re- 
written and  directed  by  an  American  film  director. 
Several  companies  are  making  efforts  to  train 
local  actors  and  so  gradually  to  become  producers 
of  salable  plays.  There  is  no  good  reason  to  feel 
that  local  talent  is  not  available ;  but  capital  has 
been  lacking  and  the  few  actors  have  been  picked 
so   far   from   a  limited   circle. 

Greater  success  has  attended  the  production  of 
current-event  films,  and  one  company  (M.  Gallo) 
produces    10,000   feet    of   these    daily. 

[A  list  of  principal  Argentine  importers  of 
motion-picture  films  may  be  obtained  from  the 
Bureau  of  Foreign  and  Domestic  Commerce,  or 
its  district  and  cooperative  offices,  by  referring 
to  file  No.   LA-IOOSO  A.] 

CANADA 

Two  surveys  of  the  industry  in  Canada  were 
made  in  1922.  One  by  George  W.  Shotts,  Consul 
at  Saulte  Ste.  Marie,  Ontario  ;  the  other  by  G. 
Bruce  Andrews,  Clerk  at  the  American  Consulate, 
Montreal.  Shotts'  report  concerns  the  Province 
of    Ontario ;    Mr.    Andrews'    Quebec. 

American  motion  pictures  are  popular  in  On- 
tario and  are  practically  the  only  ones  exhibited 
in  this  consular  district.  High  class  dramas  and 
comedies    seem    to    be    preferred. 

Practically  all  pictures  are  furnished  through 
Agents  in  Toronto,  Ontario,  and  shipped  per 
Dominion    Express. 

Prevailing  price  of  admission  for  the  evening 
performance  is  35  cents  for  adults,  in  exceptional 
cases  it  may  be  as  high  as  SO  cents. 

_No  films  are  imported  into  this  consular  dis- 
trict direct,  but  the  Canadian  import  duty  on  films 
of  all  kinds  is  3  cents  per  lineal  foot,  plus  sales 
tax  of  4%.  The  duty  on  advertising  matter  is  IS 
cents   per   pound,    plus   sales   tax    of   49f. 

It  may  be  possible  to  secure  news  events  of 
this  district  from  Edgar  Fulcher. 

The  people  of  this  district  or  generally  through- 
out Canada,  differ  little,  if  any,  in  their  prefer- 
ence and  ideas  of  picture  films  from  those  of  the 
U.    S.,    especially   along   the   more   Northern   states. 


A  few  English  pictures  and  several  of  Austrian 
or  German  origin  have  been  shown  in  Montreal, 
but  the  American  ones  are  the  most  popular  and 
practically  supply  the  needs  of  the  entire  market. 
There  are  none  furnished  locally.  The  pictures 
that  seem  to  attract  the  greater  number  of  people 
are  the  spectacular  productions  and  society  plays, 
although,  at  the  smaller  houses,  serial  pictures  and 
Western  stories  are  still  popular  and  there  are 
quite  a  number  of  these  places.  Several  of  the 
larger  theaters  have  been  showing  lately  feature 
films  with  the  titles  in  both  English  and  French 
and   it   appears   to   he   a  popular   innovation. 

The  Stars  that  are  favorites  in  the  L'nited  States 
are  also   popular   here   as   the   situation   is   similar. 

There  are  about  60  theaters  in  the  city  of 
Montreal  and  perhaps  10  small  ones  in  the  other 
places  within   this  consular  district. 

The  prices  of  admission  vary  greatly.  The 
maximum  charged  in  the  evening  is  50  cents  for 
general  admission  and  80  cents  for  a  box  seat. 
Some  of  the  large  theaters  charge  slightly  less  for  a 
seat   in   the  balcony,   the  small   ones  all   do. 

CHILE 

RoUo  S.  Smith,  secretary  to  the  commercial 
attache   at    Santiago,    Chile,    reported    in   April : 

The  moving  picture  business  in  Santiago  is 
well  established  and  the  theaters  well  patronized. 
There  are  23  motion  picture  theaters  located  in 
various  sections  of  the  city  in  which  two  and  some- 
times three  shows  a  day  are  given.  Prices  range 
according  to  the  character  and  location  of  the 
theater,  from  1.20  to  3  pesos  (at  present  rates 
of  exchange,  about  13  and  33  cents)  for  seats  in 
the   pit. 

A  new  theater  is  now  in  process  of  construction 
in  a  thickly  populated  residential  section  which 
will  cost  800,000  pesos  ($89,000),  and  will  seat 
2,500   people. 

Preference  is  given  to  American  pictures,  but 
in  decreasing  proportion  as  Europeans  perfect 
their  productions.  It  is  estimated  that  a  year 
ago  the  proportion  of  American  films  exhibited 
to  all  others  exhibited  in  Santiago  was  95  to  5 ; 
today  it  is  6S  to  35.  Without  doubt  this  is  due 
in  large  part  to  the  high  exchange  premium  on 
the  American  dollar;  but  aside  from  this  is  the 
undeniable  fact  that  German  and  French  pro- 
ducers are  not  only  improving  in  the  technique 
of  their  professions  but  their  subjects  are  given 
a  wider  scope  than  is  frequently  found  in  American 
films.  Importers  of  American  moving  pictures  in 
Santiago  feel  that  if  American  producers  wish  to 
hold  this  market  their  prices  will  have  to  be 
lowered    to    compete    with    European    offerings. 

CHINA 

Trade  Commissioner  Lynn  W.  Meekins,  formerly 
at    Peking,    reports  : 

The  Chinese  like  films  with  plenty  of  action," 
said  an  American  motion-picture  man  in  Shanghai. 
They  have  also  a  liighly  developed  sense  of 
humor.  Exciting  serial  dramas  and  boisterous 
comedies  appeal  to  them  most,  but  not  society 
or  problem  piays.  News  films,  espccally  those 
containing  animated  cartoons,  are  popular.  The 
regulation  program  consists  of  a  comedy,  a  news 
film,  and  a  five-reel  feature. 
Conditions    Retarding   the    Motion-Picture    Industry 

Motion  pictures  have  made  slow  progress  in 
China,  because  of  the  lack  in  large  numbers  of 
exhibitors  (there  are  less  than  100  picture  the- 
aters) and  in  facilities  for  quick  trans'portation  on 
which  profitable  distribution  depends.  In  Shan- 
ghai there  are  20  theaters;  Canton,  15;  Harbin, 
10;  Hongkong,  8;  Peking,  Tientsin,  and  Han- 
kow, 7  each ;  elsewhere,  they  are  few  and  far 
between.  About  20  are  attended  by  foreigners, 
and  possibly  20  more — 40  in  all — deserve  im- 
mediate consideration  as  exhibitors  of  first-class 
American  films. 

Theater  Capacities  and  Prices 

Seating   capacity    varies    from    100   to   2,000;    the 

average    for    theaters    to     which    foreigners    go    is 

about    600.      Admission    charges    range    from    Yuan 

$0.05     CU.     S.     $0,025,     at     normal     exchange)     to 


421 


$0.35  (U.  S.  $0,175)  for  the  natives,  and  from 
Yuan  to  $0.60  (U.  S.  $030)  to  $2  (U.  S.  $1) 
for  foreigners.  Many  upper-class  Chinese,  par- 
ticularly in  Peking  and  Shanghai,  pay  foreign 
rates  in  order  to  occupy  the  best  seats.  Two 
.shows  daily,  including  Sunday,  are  the  general 
rule;  they  are  held  in  the  evening,  with  occasional 
matinees.  Music  is  provided  by  any  available 
means,  from  a  phonograph  or  a  piano  to  a  small 
orchestra. 

In  addition  to  the  regular  exhibitions  in  the- 
aters, motion  pictures  are  shown  in  large  native 
amusement  enterprises  such  as  the  "Old  World" 
and  the  "New  World,"  Shanghai,  and  the  "New 
World,"  Peking,  where  the  low  general  admission 
charge  precludes  the  use  of  new  expensive  films. 
Industrial  Uses  of  the  Film 
A  very  important  use  of  the  motion  picture  in 
China  is  for  advertising  purposes.  This  may  prove 
its  most  profitable  field.  One  of  the  large  tobacco 
companies  is  now  taking  pictures  in  China  anl 
showing  them  free  to  purchasers  of  cigarettes. 
American  firms  have  furnished  commercial  and 
industrial  films  for  circulation  by  the  American 
commercial  attache  at  Peking,  or  for  private  ex- 
hibition by  their  agents  in  China  to  prospective 
purchasers  of  their  products.  The  Young  Men's 
Christian  Association  in  Shanghai  has  facilities  for 
distributing  educational,  commercial,  and  indus- 
trial films  to  its  branches  throughout  the  country 
and  also  to  kindred   organizations. 

Native  Production  Versus  Imported  Films 
The  first  motion-picture  drama  produced  in 
China  with  a  native  cast  was  screened  July  1,  1921, 
at  the  Olympic  Theater,  Shanghai,  by  the  Chinese 
Motion  Picture  Society.  For  this  10-reel  feature, 
called  "Abuse  of  Rich  Ornaments,"  the  admission 
charges  were  from  Yuan  1  (U.  S.  $0.50)  to  2 
(U.  S.  $1).  Based  upon  a  notorious  murder  case, 
the  picturization  adhered  very  closely  to  the  evi- 
dence, showing  everything  that  happened  from  the 
origin  of  the  motive  to  the  execution  of  the  mur- 
derers. Large  crowds  attended  the  performances, 
given  twice  daily  for  a  week. 

The  difficulty  involved  in  taking  motion  pictures 
in  China  is  the  high  cost  of  production  compared 
with  limited  exhibition  facilities.  According  to 
those  familiar  with  the  business  in  Shanghai,  films 
can  be  imported  at  from  Ij  cent  to  6  cents  United 
States  currency  per  foot,  and  it  costs  from  $5  to 
$10  per  foot  to  produce  them.  The  prices  charged 
for  American  films,  arranged  by  the  exchanges 
with  the  individual  theaters,  vary  according  to 
seating  capacity,  admission  fees,  and  drawing  pow- 
er of  the  feature  offered. 

It  has  been  found  unsatisfactory  to  insert  Chinese 
subtitles  in  American  films ;  too  much  space  is 
required  to  convey  the  idea.  Instead,  native  in- 
terpreters verbally  explain  the  pictures  to  Chinese 
audiences,  and  a  synopsis  of  the  story  is  printed 
in  Chinese  in  the  theater  program. 
Import  Conditions 
The  most  satisfactory  and  economical  method  of 
shipping  films  to  China  is  on  spools  wrapped  in 
stout  paper  and  packed  in  tin-lined  boxes.  It  is 
cheaper  to  buy  reel  cans  in  China,  where  they  cost 
only  Yuan  $0.40  (U.  S.  $0.20)  each.  Films  are 
usually  sent  through  the  Chinese  post  office  (a 
very  efficient  institution)  in  packages  containing 
two  reels. 

Although  the  Chinese  market  was  said  to  be 
flooded  with  all  kinds  of  films  from  various  Amer- 
ican producers  in  the  late  summer  of  1921,  several 
Shanghai  exchanges  reported  steadily  increasing 
business.  Exports  of  exposed  motion-picture  films 
from  the  United  States  to  China  covered  1,500  reels 
in  1919  and  2,700  reels  in  1920;  many  others  came 
through  Japan.  German  and  Italian  photoplays 
were  shown  in  Shanghai  during  1921,  but  did  not 
seem   to  enjoy   the  popularity   of  American  films. 

Fifteen  firms  in  Shanghai  import  films  and  six 
exchanges  circulate  them.  Hongkong  and  Tientsin 
are  other  exchange  centers.  Among  the  concerns 
taking  motion  pictures  in  China  are  the  Commercial 
Press,  a  large  Chinese  publishing  organization  with 
its  main  office  in  Shanghai  and  branches  in  many 
other  cities ;  and  Pathe-Orient,  a  well-known 
French  company.  As  yet  there  is  no  record  of  a 
studio  in  China  comparable  with  the  elaborate 
establishments    in    the   United    States. 


Estimate  of  the  Field  in  China 
In  estimating  the  motion-picture  field  in  China — 
the  opportunity  for  circulating  dramatic  films  at  a 
profit— the  survey  must  be  confined  to  cities  served 
by  rail  or  regular  steamship  service.  Along  the 
7,000  miles  of  railroad,  the  1,800  miles  of  seacoast 
from  Tientsin  to  Canton,  and  the  600-mile  section 
of  the  Yangtsze  River  from  the  sea  to  Hankow, 
there  are  perhaps  75  cities  that  have  a  population 
of  100,000  or  more  where  motion  pictures  might 
be  shown  if  theaters  were  established.  The  large 
majority  of  the  papulation  can  not  afiford  to  pay 
the  admission  that  must  be  charged  in  order  to 
make  the  exhibition  of  American  films  profitable. 
Motion-picture  men  in  China  place  the  proportion 
at  5  per  cent,  which  means  a  total  prospective 
audience  of  between  one  and  two  million  in  the 
75  accessible  cities. 

Motion  pictures  of  greatest  interest  to  the  Chi- 
nese are  naturally  those  in  which  Chinese  actors 
appear.  It  is  probable,  however,  that  the  develo^)- 
ment  of  motion-picture  producing  in  China  will  be 
even  slower  than  that  of  film  exhibiting ;  and  the 
latter  is  handicapped  by  two  significant  factors — 
the  Chinese  generally  have  weak  eyes  and  some- 
times have  difficulty  in  seeing  pictures  clearly,  and 
they  are  exceedingly  fond  of  bright  lights  and 
abundant  noise.  It  is  a  question  whether  the  dark 
motion-picture  theater  with  its  foreign  music  will 
ever  compete  seriously  with  the  native  playhouse, 
where  the  lights  are  never  lowered  and  where  a 
blatant    native   orchestra   produces   continual   din. 

GREECE 

All  the  motion  pictures  used  in  Greece,  with  the 
exception  of  some  news  reels  and  propaganda 
films,  are  imported  from  abroad.  While  the  ma- 
jority of  the  pictures  imported  come  from  France, 
England  and  America,  the  German  product  is  also 
in   evidence. 

There  is  no  censorship  in  Greece,  nor  are  the 
theater  owners  required  to  have  a  license,  as  it  is 
the  rule  in  most  of  the  other  European  coimtries. 
If  the  public  does  not  approve  of  a  film,  for  one 
reason   or    other,    the   police   steps    in   and   stops   it. 

The  government  subsidizes  the  production  of 
scenic   and  propaganda   films. 

In  Athens  there  are  a  number  of  foreign  con- 
cerns represented :  Pathe  through  Mr.  Mar- 
gulis,  Gaimiont  through  Mr.  Leon  Schneider, 
Mosco  &  Gaitis  as  well  as  a  Mr.  Masoni  represent 
Italian  productions.  Furthermore,  the  big  Ger- 
man and  Austrian  concerns  have  either  their  own 
branches   or   agents   there. 

Athens  boasts  of  9  theaters  with  a  seating  ca- 
pacity ranging  from  500  to  1200  people  and  a 
few  open  air  theaters  seating  1500  to  4000.  At 
the  latter  no  admission  is  charged.  Food  and 
drinks  are  served.  The  prices  in  the  closed  houses 
vary  from  1.80  to  2.50  drachmen,  of  which  the 
government   collects    a   tax   of   25%. 

The  rentals  range  from  40  to  160  lepta  a  meter 
per  week. 

In  all  of  Greece  there  are  about  40  motion  pic- 
ture houses  of  which  15  have  a  seating  capacity 
of   1000,  5  of  800,  20  from  300  to   500. 

Owing  to  lack  of  native  production  there  is  no 
trade  paper,  but  nevertheless,  according  to  a  re- 
port in  the  International  Filmschau,  interest  in 
the  film  industry  is  very  strong  and  additional 
theaters  are  planned  everywhere.  Big  financial 
interests  intend  organizing  a  domestic  producing 
company. 

INDIA 

Report  by  Consul  General  Alexander  W.  Wed- 
dell,    Calcutta: 

The  demand  in  India  for  American  motion  pic- 
tures has  shown  a  steady  increase  during  the 
past  few  years.  There  are  at  present  168  motion 
picture  houses,  or  cinema  shows,  in  India,  Burma, 
and  Ceylon.  In  Calcutta  there  are  16  theaters 
showing  American  films,  5  being  patronized  chiefly 
by  the  European  population,  and  11  by  the  natives. 

There  are  two  distinct  communities  to  be  con- 
sidered— the  Indian  and  the  European — each  with 
Its  separate  taste  and  demanding  a  different  type 
of  film.  The  natives  like  pictures  v^fith  dare-devil 
features,  serials  with  a  thrilling  story,  or  slap- 
stick   comedy ;    the    other    class    of    patrons    prefer 


422 


modern  society  dramas ;  spectacular  stories,  an- 
cient historical  subjects,  classics  from  fiction,  and 
adaptations    of    famous    stage    successes. 

The  average  price  paid  in  India  for  a  good 
American  film  is  approximately  5,000  rupees 
($1,200),  which  includes  the  original  cost  of  the 
film,  payment  for  royalties,  a  20  per  cent  import 
duty,  and  incidental  charges.  As  there  are  few 
"first  run"  cinemas  in  India,  it  is  almost  im- 
possible to  realize  the  purchase  cost  from  rentals 
>paid;  the  latter  averages  100  rupees  per  cinema, 
and  but  few  renting  houses  in  India  supply  films 
to   more    than    20   cinemas. 

It  generally  happens  that  the  importer  pays  $750 
for  exhibitor  rights  and  $250  for  the  film  itseilf ;  he 
complains  of  this  high  value  put  upon  exhibition 
rights,  suggesting  for  a  country  like  India  that  the 
price  paid  for  exhibition  rights  should  never  ex- 
ceed the  cost  of  print  of  the  film  itself.  He  also 
desires  the  period  of  these  rights  be  extended  from 
three  years,  as  now  generally  the  case,  to  at 
least  five,  otherwise  the  purchase  cost  can  hardly 
be  realized. 

Theater  managers  assert  that  American  films 
are  far  superior  to  others  in  lighting,  acting,  and 
scenic  eflfects,  all  of  which  are  more  extravagant 
than  films  of  foreign  manufacture ;  but  certain  un- 
desirable features  in  subject  matter  have  occasioned 
unfavorable   comment   in   India. 

One  exhibitor  states  that  there  are  far  too  many 
American  films  which  feature  the  baser  side  of 
human  nature.  He  comments  on  the  fact  that  of 
the  films  either  banned  or  trimmed  by  the  censor- 
ship boards  the  larger  proportion  are  American. 
Another  mistake  which  American  producers  make 
when  dealing  with  Indian  subjects  is  the  confusing 
of  Hindus  with  Mohammedans,  rajahs  with  nawabs 
and  so  on — the  effect  being  disastrous  to  the  story. 

JAVA 

Consul  Parker  W.  Buhrman,  Soerabaya,  re- 
ports: Reports  from  practically  all  parts  of 
the  world  emphasize  the  popularity  of  Amer- 
ican motion  pictures  and  American  actors  and 
actresses.  The  nationality  of  the  audiences 
and  the  nationality  of  the  theater  owner  seem 
to  make  little  difference.  In  Java,  where  there 
are  250  theaters  and  the  audiences  are  com- 
posed' of  three  distinct  classes  (Europeans, 
Chinese,  and  natives),  American  films  are  in 
the  majority,  and  it  is  said  that  no  other  films 
compare  with  them  in  popularity.  One  of  the 
largest  theaters  is  built  to  seat  2,000  Euro- 
peans and  2,500  natives.  The  theaters  are 
so  constructed  that  the  screen  divides  it  into 
two  parts — the  Europeans  and  foreign  orientals 
sitting  on  one  side  of  the  curtain  and  the 
natives  on  the  other.  The  picture  is  projected 
from    the    side    of    the    Europeans. 

Censorship  in  the  Netherlands  Indies  is  severe 
and  does  not  permit  any  criminal  or  political 
suggestion.  The  "Wild  West"  pictures,  which 
would  be  very  popular  with  the  natives,  are 
not  allowed,  nor  is  any  picture  perimitted  in 
which  the  question  of  nationality  is  handled 
in  an  objectional  way.  About  35  per  cent  of 
the  pictures  imported  into  the  Netherlands 
East  Indies  are  either  refused  or  cut  by  the 
censors.  In  response  to  representations  made 
by  the  film  exhibitors,  in  Java,  a  change  has 
been  proposed  in  the  censorship  regulations, 
which  will  allow  the  film  to  be  censored  before 
the  payment  of  duties.  Previous  to  this  time 
there  has  been  no  provision  for  the  refund  of 
duties  paid  on  films  which  were  not  allowed 
to    be    shown    by    the    importing    exhibitors. 

Language  presents  a  serious  difficulty.  Prob- 
ably a  Malay  text  would,  in  general,  be  most 
satisfactory  for  exhibition  to  natives.  Many 
films  that  are  now  being  shown  are  in  both 
Dutch  and  English  tex!t.  The  native,  not 
understanding  either  language,  is  at  a  disad- 
vantage. Accordingly,  news  events  of  the  world 
and  current  topics  are  in  very   slight  demand. 

JAPAN 
Report  by  Martin  G.  Scott,  clerk  to  Trade 
Commissioner,  Tokyo:  The  motion  picture  in- 
dustry in  Japan  has  had  a  remarkable  de- 
velopment in  the  past  few  years.  As  far  back 
as   1914  or   1915  foreign   films,  chiefly  American, 


were    growing  in    favor   in   Japan   and    they    have 
continued    to   increase    in    popularity. 

There  are  in  Japan  about  600  theaters  giving 
regular  performances  and  about  2,000  more 
giving  occasional  performances.  From  the 
standpoint  of  imported  films,  however,  only  the 
600  need  be  considered.  Of  these,  Tokyo  has 
about  50  houses,  Osaka  30,  Kobe  15  and  Kyoto 
10,  the  remainder  being  scattered  throughout 
the  country.  These  theaters  seat  between  500 
and  1,800.  The  term  "seating  capacity"  is  a 
misnomer,  as  in  many  houses  the  lower  price 
of  admission  entitles  one  to  standing  room  only. 
Most  houses  give  one  performance  a  day,  al- 
though some,  such  as  the  large  houses  in 
Akusaka  Park  (the  "Coney  Island"  of  Tokyo), 
give  continuous  performances  and  appear  to 
be    always    crowded. 

Of  the  600  theaters,  the  so-called  trust,  the 
Nippon  Katsudoshashin  Kabushiki  Kaisha,  owns 
or  controls  about  350.  The  trust  is  by  far 
the  largest  moving-picture  company  in  Japan. 
It  owns  or  controls  a  majority  of  the  theaters, 
in  many  cases  owning  the  buildings.  It  rents 
the  theaters,  supplies  films  and  machines, 
usually  on  a  percentage  basis,  and  sometimes 
exercises  a  supervision  over  the  show.  Its 
percentage  of  the  profits  varies  with  the 
theater.  The  trust  has  at  present  two  studios, 
one  in  Kyoto  and  one  near  Tokyo,  with  a  force 
of  100  actors  and  50  camera  men,  directors,  etc. 
In  addition  to  the  theaters,  films  are  in  de- 
mand for  Y.  M.  C.  A.  performances,  private 
entertainments,  etc.,  though  it  is  hard  to  esti- 
mate  the   total   volume   of   this   business. 

As  an  index  of  the  popularity  of  the  motion 
picture,  Tokyo's  50  film  theaters  play  annually 
to  over  10,000,000  people,  while  the  20  legiti- 
mate theaters,  with  much  larger  seating  capaci- 
tise,  play  to  somewhat  less  than  5,000,000. 
These  20  legitimate  theaters  give  almost  ex- 
clusively Japanese  plays.  Two,  however,  the 
Imperial  Theater  and  the  Yurakuza,  accasionally 
give  foreign  plays  and  at  times  show  motion 
pictures.  These  two  theaters  have  seats  ar- 
ranged in  foreign  style.  There  seems  to  be  no 
question  but  that  the  moving  picture  has  hurt 
the  regular  theater  business  in  Japan  to  a 
considerable  extent,  but  there  has  been  no 
such  desertion  by  actors  of  the  stage  for  the 
film  as  in  America,  probably  on  account  of  the 
intense  pride  which  the  Japanese  actor  takes 
in    his    profession. 

For  the  better-class  theaters  the  admission 
charge  runs  from  0.50  to  1.50  yen  (25  to  75 
cents),  though  for  some  performances  as  high 
as  3  yen  ($1.50)  will  be  charged.  The  smaller 
ones  charge  from  30  to  50  sen  (15  to  25  cents), 
though  some  prices  are  as  low  as  10  sen  (5 
cents).  The  average  price  for  all  will  probably 
he  in  the  neighborhood  of  50  sen  (25  cents). 
Children  ivnder  15  (where  admitted  at  all)  and 
soldiers    are    usually    admitted    at    half    rates. 

Programs  are  changed  weekly.  The  rental 
charge  varies  widely,  running  from  $100  to 
$600  per  month,  depending  on  the  theater  and 
the  class  of  film  shown.  For  special  films 
an  e-xtra  charge  is  usually  made.  The  pro- 
grams are  long;  those  for  the  better  class 
theaters  will  include  two  pictures  of  about  six 
reels  (sometimes  both  foreign,  sometimes  one, 
while  some  theaters  show  exclusively  Japanese 
films),  a  weekly  news  letter  a  comedy,  and  two 
or  three  episodes  of  a  serial  film  (usually  an 
exciting  melodrama).  The  trust  states  that  for 
a  first-class  foreign  film  they  often  secure  $200 
per  week,  and  for  individual  performances  from 
$25  to  $35.  The  larger  Japanese  companies 
usually  buy  their  films  outright  and  then  sup- 
ply them  to  their  different  theaters.  A  film 
on  the  trust  circuit  will  last  a  little  over  a 
year  and  then  it  is  stored.  There  is  little  or 
no  sale  for  films  after  they  have  made  the 
rounds.  Films  are  dutiable  at  8.25  yen  per 
kin  ($3.10  per  pound),  including  inner  packing. 
Complaints  are  made  of  pirating  of  films, 
and  apparently  with  some  foundation,  as  many 
individuals  make  a  business  of  obtaining  films 
in  various  ways  and  selling  them  outright.  As 
there  is  practically  no  redress  for  this  sort  of 
thing.  American  companies  should  take  every  pos- 
sible    precaution     to     safeguard     their    productions. 


423 


THE    NETHERLANDS 
A   survey  by   George  E.  Anderson,    Consul-General 

Rotterdam,  February  27,  1922:  All  in  all,  it 
may  fairly  be  said  that  the  moving  picture  busi- 
ness in  The  Netherlands  is  improving,  out  it  should 
be  understood  in  connection  with  this  statement 
that  an  immense  further  improvement  is  possible. 
It  is  doubtful  if  there  is  a  country  in  Europe  or, — 
education,  situation,  organization  and  all  con- 
sidered,— in  the  world,  where  the  moving  picture 
has  less  of  a  part  in  national  life  than  in  Holland. 
*  *  *  For  every  moving  picture  theater  in  Holland, 
there  are  perhaps  a  dozen  cafes  of  corresponding 
size,  some  of  them  running  into  thousands  in 
capacity,  which  are  crowded  nightly,  the  enter- 
tainments in  which  range  from  a  fair  grade  of 
vaudeville  entertainment  with  quite  good  music, 
down  to  a  worn  out  graphophone.  Only  a  few 
if  any  of  the  Dutch  theaters  have  made  any  profits 
during  the  year,  and  development  in  the  face  61 
losses  or  small  or  no  profits  is  not  easy.  The 
entire  business  in  Holland  at  the  present  time 
is  on  a  more  or  less  experimental  basis.  It  is 
well  organized,  both  from  the  film  producers  and 
the  theater  operators  standpoint.  The  operators 
have  an  organization  known  as  the  '"Federative 
Bond,"  which  includes  practically  every  theater 
operator  in  the  country.  It  is  a  closely  knit 
organization  and  practically  controls  the  trade  from 
a  theater  operating  standpoint.  The  renting  or 
releasing  agencies  also  have  a  similar  organiza- 
tion, and  the  two  organizations  have  organized 
an  arbitration  committee,  the  "Commissee  van 
Gescliillen,"  which  arbitrates  disputes  between 
members  of  the  two  organizations.  Both  renters 
and  operators  are  represented  on  this  board  and 
its  awards  are  enforced  by  the  boycotting  of  any 
recalcitrant   member   of   either   parent   organization. 

There  are  twenty-two  film  renting  concerns  in 
Holland.  Of  these  ten  are  branch  houses  of  Ger- 
man film  renting  or  producing  concerns  which 
are  attempting,  with  poor  success,  to  introduce 
German  films  into  Holland  on  the  basis  of  very 
low  prices.  Films  produced  in  Germany  on  the 
basis  of  the  low  value  of  the  mark  naturally  can 
be  rented  very  cheaply  in  Holland.  Some  are  of 
comparatively  high  grade  and  are  popular,  but 
the  ordinary  productions  are  so  inferior  that  few 
Dutch  theater  operators  use  many  of  them.  The 
other  renting  establishments  import  their  films 
mostly  from  the  United  States  and  Great  Britain 
with  a  few  from  Italy.  Those  from  the  United 
States  come  direct  and  through  Great  Britain. 
Up  to  two  years  ago  most  of  the  American  films 
came  by  way  of  Great  Britain,  but  at  present 
about  50%  of  them  come  direct.  Conditions  in 
the  trade  have  been  such  as  to  eliminate  the  for- 
mation of  fly-by-night  renting  concerns,  most  of 
which  have  been  attempting  to  handle  these  cheap 
German  films  or  films  bought  up  in  other  countries 
with  low  exchange  for  a  song,  and  thus  leading 
to  a  disproportionate  number  of  renting  agencies 
compared  with  the  number  of  theaters.  Most  of 
these  concerns  really  merit  no  attention  on  the 
part  of  the  producing  interests  and  are  indeed 
receiving    none. 

There  are  170  licensed  film  theaters  in  The 
Netherlands  together  with  something  over  fifty- 
five  other  theaters,  town  halls,  and  society  rooms 
where  films  are  occasionally  shown.  The  average 
seating  capacity  of  these  theaters  is  perhaps  360. 
The  price  of  admission  varies  from  IS  Dutch 
cents  to  2.50  guilders  or  the  equivalent  of  6  cents 
American  currency  to  $1.00  according  to  the 
theater,  the  attraction  and  the  seats  occupied.  A 
first-class  seat  for  an  average  production  will 
average  perhaps  sixty  American  cents  in  cost, 
while  the  average  for  all  Holland  will  be  some- 
thing like  20  cents  American  currency.  The  aver- 
age audience  will  not  exceed  50%  of  the  seat- 
ing capacity  of  the  theater.  On  Saturdays  and 
Sundays  most  of  them  are  packed  to  the  limit 
of  their  capacity.  On  other  days  attendance  is 
usually  very  light.  The  standard  tax  authorized 
by  -  the  national  government  is  20%,  but  the 
actual  tax  is  fixed  by  the  municipal  authorities 
in  each  town  with  the  result  that  the  tax  varies 
from  20%  to  as  high  as  40%.  As  a  rule,  the 
municipal  authorities  in  the  smaller  cities  and 
towns  in  Holland  are  not  favorable  to  the  moving 
picture   theater.      No   explanation    for   this  fact  can 


be  offered  but  the  fact  stands  for  itself.  The 
authorities  in  the  larger  cities  are  more  favorably 
inclined,- — for  the  incidental  revenue  they  derive 
from   them  if   for  no   other  reason. 

In  the  theaters  as  they  exist  and  with  the 
business  progressing  slowly  against  these  draw- 
backs, the  American  film  has  come  to  have  a 
rather  extraordinary  vogue.  The  entertainment 
most  in  favor  is  a  social  drama  of  good  character, 
not  too  sensational  but  with  gripping,  heart  touch 
qualities.  The  American  film  has  been  par- 
ticularly successful  in  this  line  with  the  result 
that  by  far  the  larger  portion  of  the  films  now 
shown  are  of  American  manufacture,  perhaps 
60%    of   the   whole. 

The  matter  of  price  of  a  film  is  of  more  than 
ordinary  importance  in  Holland,  and  for  this  rea- 
son there  has  been  more  use  of  films  from  Germany 
and  other  countries  with  low  value  currencies 
than  there  would  have  been  otherwise.  The  high 
exchange  value  of  the  American  dollar  has  inter- 
fered with  the  placing  of  American  films  in  this 
field  as  much  as  it  has  interfered  with  any  other 
line    of    American    business. 

Films  are  placed  in  Holland  by  leasing  by  the 
week  and  the  lease  hire  is  at  a  price  per  meter  of 
films.  The  price  varies  from  one  Dutch  cent, 
or  $.004  American  currency,  to  25  Dutch  cents, 
or  10  cents  American,  per  meter  per  week  and 
exceptional  films  bring  as  high  as  30  to  35  Dutch 
cents,  or  12  or  14  American  cents,  per  meter. 
The  price  depends  upon  the  city,  previous  ex- 
hibitions and  similar  factors.  A  high  grade  film 
will  bring  from  25  to  35  Dutch  cents  per  meter 
per  week  when  first  produced  in  these  large  cities. 
It  will  then  be  passed  along  to  smaller  cities 
like  Utrecht  where  the  charge  will  be  something 
like  ten  Dutch  cents,  then  to  Groningen  which 
may  pay  8  cents,  to  Haarlem,  which  may  pay  five 
cents,  and  a  little  city  like  Sneek  may  pay  only 
one  Dutch  cent  a  meter.  The  price  also  naturally 
depends  upon  whether  the  film  has  been  used  to 
any  considerable  extent  in  the  country  or  else- 
where and   upon   its  actual  mechanical  condition. 

The  production  of  films  in  Holland  so  far  has 
not  been  much  of  a  success.  Practically  the  whole 
of  the  work  done  in  the  way  of  the  picture  drama 
in  Holland  has  been  done  at  Haarlem  by  the 
"Hollandia"  Filmabriek,  operated  by  the  Anglo- 
Dutch  Film  Corp.  There  is  also  one  film  com- 
pany in  Amsterdam  known  as  the  American 
Film   Co. 

It  must  be  confessed  that  the  films  now  being 
presented  to  the  Dutch  public  are  far  from  being 
up-to-date.  In  the  cheaper  theaters  there  is  a 
demand  for  rather  lurid  sensational  plays  with 
blood  curdling  concomitants  but  these,  though  in 
demand  for  a  certain  clientele,  can  hardly  be  said 
to  be  characteristic  plays  of  the  day.  There  is 
comparatively  small  demand  for  news  of  the  day 
in  films.  In  the  past  few  months  there  has  been 
a  distinct  effort  on  the  part  of  some  of  the  theater 
operators  in  the  country  to  bring  their  entertain- 
ments up-to-date,  and  some  of  the  rental  agencies 
have  sent  representatives  into  Germany,  France 
and  England  to  buy  the  latest  films  available. 
Only  one  of  these  concerns,  however,  has  sent  a 
representative  to  the  United  States.  One  of  the 
theaters  in  The  Hague  sent  a  man  to  the  United 
States  last  year  to  learn  the  operation  of  two 
projection  machines  at  the  same  time  so  that 
films  are  screened  without  interruption  between 
the  parts.  Mechanically  and  in  nearly  all  other 
respects  the  industry  on  the  whole  in  Holland 
is  at  least  five  years  behind  the  times. 

SONORA,     MEXICO 

A  survey  of  the  industry  in  Sonora  was  made 
by  Vice  Consul  Harold  C.  Wood,  of  the  American 
Consulate  at  Guaymas,  Mexico.  It  shows  that 
70%  of  all  the  pictures  shown  in  the  State  of 
Sonora  are  American  made.     Says  Mr.  Wood: 

Among  the  Mexicans  of  all  classes  the  serial 
is  most  popular.  The  serial  pictures  are  not 
exhibited  one  episode  at  a  performance,  as  is  the 
custom  in  the  United  States,  but  owing  to  the 
fact  that  the  films  are  exhibited  in  a  motion  pic- 
ture circuit  from  Mazatlan,  Sinaloa,  to  Nogales, 
Sonora,  they  must  necessarily  be  shown  as  quickly 
as  possible,  and  therefore  six  or  seven  episodes 
are   shown   in   an   evening.      If   the   serial   is   a    long 


424 


one    its    exhibition    will    be    concluded    in    less    than 
a   week. 

Next  in  favor  are  the  comedies  of  the  slapstick 
variety.  These  comedies  are  much  liked  by  the 
lower  classes,  who  constitute  the  majority  of  the 
motion  picture  patrons.  However,  the  more  edu- 
cated and  refined  Mexicans  prefer  the  heavy  and 
romantic  dramas,   or  a  comedy  of  the  lighter  type. 

Source    of    Supply 

About  seventy  per  cent  of  the  pictures  shown 
here  are  of  American  make,  and  the  remaining 
thirty  per  cent  are  distributed  equally  among 
German,   French   and   Italian  pictures. 

As  a  rule,  a  town  of  5,000  cannot  support  more 
than  one  motion  picture  theater.  Guaymas,  with 
a  population  of  8,000,  has  had  several  new  mo- 
tion picture  theaters  started,  but  they  have  all 
failed  with  the  exception  of  the  Cine  Majestic, 
which  is  now  the  only  one  in  operation  and  which 
does  a  good  business.  Hermosillo,  the  State 
Capital,  with  a  population  of  12,000,  supports 
three  motion  picture  theaters.  The  Salon  Atenas, 
with  a  seating  capacity  of  1,100;  the  Teatro 
Noriega,  seating  1,600,  and  the  Cine  Sonora,  which 
can  seat  2,000  persons.  The  Cine  Majestic,  in 
Guaymas,  has  two  hundred  so-called  orchestra 
seats  and  400  seats  in  the  gallery.  The  seats — 
both  orchestra  and  gallery — are  most  uncom- 
fortable. The  Benito  Juarez  Theater  in  Emnalme, 
an  American  railroad  town,  seats  about  400  per- 
sons. 

In  Hermosillo  the  prices  of  admission,  in  Mexi- 
can  money,   are  as   follows  : 

Salon  Atenas,  $.30  first  class,  $.20  second 
class. 

Teatro  Noriega,  $1.00  first  class,  $.50  second 
class. 

Cine   Sonora,    $.20   first   class,   $.10,   second   class. 

In  Empalme  the  prices  are  $.50  first  class  and 
$.25  second  class. 

In  Guaymas,  the  Cine  Majestic  charges  $.50 
first  class.  These  prices  are  variable,  however, 
depending  on  the  film  shown  and  the  addition  of 
extra  attractions,  such  as  an  additional  orchestra, 
etc. 

All  the  pictures  shown  in  this  district  are  con- 
trolled by  Sr.  Guillermo  Ascona,  Apartado,  52, 
.\lat7a'an,  Sinaloa.  This  firm  distributes  pic- 
tures through  the  States  of  Sonora,  Sinaloa, 
Mayarit  and   Baja   California. 

At  the  Guaymas  customhouse  the  following 
duties  are  quoted :  Blank  films  pay  a  duty  of 
$1.50,  Mex.,  per  net  kilogram.  All  advertising 
matter  that  is  in  film  form  pays  $1.50,  Mex.  per 
net  kilogram.  Lithographed  or  printed  posters 
for  advertising  purposes  pay  a  duty  of  $.30  Mex., 
per  kilogram. 

NORWAY 

George  Nicholas  Ifft,  American  Consul  at 
Bergen,    Norway,    reports  : 

Bergen,  a  city  of  slightly  less  than  100.000 
population,  has  seven  moving  picture  theaters,  six 
of  which  are  open  seven  days  in  the  week  from 
5  to  11  P.  M.  and  one  only  on  Saturday  and 
Sunday  evenings  between  the  same  hours.  They 
have  a  combined  seating  capacity  of  about  4,000 
and  films  are  run  from  three  to  four  *:imes  daily. 
The  standard  price  of  admission  is  Kroner  1.25 
(at  normal  exchange,  35  cents),  which  price  is 
sometimes  raised  to  Kroner  1.50  and  Kroner  2.00 
(40  and  53  cents)  for  special  pictures.  The  mov- 
ing picture  houses  are  all  municipal  and  are  oper- 
ated directly  by  the  municipality,  through  a  muni- 
cipal bureau,  with  a  director  at  its  head. 

Statistics  of  the  operations  of  these  municipal 
theaters  for  the  calendar  year  1921  show  that  the 
total  attendance  for  the  year  was  1,815,960.  This 
is  slightly  more  than  twenty-three  per  cent  less 
than  the  attendance  in  1920.  The  total  receipts 
from  the  sale  of  tickets  was  Kroner  2,180,475  (at 
normal  exchange  $583.5671.  This  is  a  little  more 
than  th:rteen  per  cent  less  than  the  gross  income 
of    the    preceding   year. 

Fully  seventy-five  per  cent  of  the  films  shown  in 
Bergen  arc  of  American  origin.  A  year  ago.  Amer- 
ican nicti-res  made  up  ninety  per  cent  of  the  total 
but  Swedish,  Danish  and  German  films  are  grow- 
ing in  favor  and  a  few  good  Norwegian  films  are 
also  being  produced  and  are  enthusiastically  re- 
ceived. 


PORTUGAL 

Survey  made  by  the  American  Consul  General, 
W.   Stanley  Hollis,  at  Lisbon.     Says  Mr.   Mollis : 

American  made  motion  picture  films  are  becom- 
ing continually  more  popular  in  Portugal,  in  spite 
of  the  efiforts  of  local  manufacturers  to  provide 
Portuguese  films,  and  it  is  estimated  that  at  the 
present  time  nearly  three-quarters  of  the  films 
exhibited  in  Portugal  are  of  American  manufacture, 
with  the  legends,  or  reading  matter,  translated 
into    Portugese. 

Melodramatic  serials  and  good  comedies  are 
especially  popular,  although  this  is  believed  to  be 
due  to  the  fact  that  the  better  grades  of  more 
recently  made  pictures  are  too  expensive  for  ex- 
hibition in  this  country,  and  the  public  is  there- 
fore  unable   to   make   comparisons. 

The  only  film  distributor  of  importance  in 
Lisbon  is  the  Companhia  Cinematografica  de  Por- 
tugal, which  practically  enjoys  a  monopoly  of 
this  market.  This  Company  secures  its  films 
through  the  Companhia  Cinematografica  Hispano- 
Portuguesa  S.  A.  of  Madrid,  Spain.  The  firm 
in  Madrid  is  accustomed  to  secure  the  distribution 
rights  for  the  entire  peninsula,  and  in  turn  to 
sub-let  these  rights  in  Portugal  to  the  Companhia 
Cinematografica   de   Portugal. 

Lisbon  has  three  motion  picture  theaters  cap- 
able of  seating  about  800  persons  each,  besides 
thirteen  smaller  houses  with  an  approximate 
capacity  of  400  each.  It  is  estimated  that  there 
are  about  120  motion  picture  theaters  in  the  whole 
of  Portugal. 

An  ad  valorem  duty  of  15%,  plus  15%,  plus 
600%,  is  charged  on  motion  picture  films  im- 
ported into  Portugal,  making  the  custom  duty 
amount  actually   to    180%   ad  valorem. 

Printed  matter  in  large  quantities,  photographs 
of  various  colors  and  lithographic  posters  pay  a 
duty  of  $100  per  kilo,  which,  in  conformity  with 
Decree  No.  7,826,  is  payabble  in  gold,  or  its 
equivalent  in  paper  escudos,  at  present  being 
equal,  in  British  currency,  to  about  £0.4.6.  To 
the  above  amount  an  additional  tax  of  Escudos 
00$30.  gold,  is  charged  in  conformity  with  De- 
cree   No.    4133,   of  April   18,    1918. 

Photographs  of  one  color  pay  a  duty  of  Escudos 
00$04.  gold,  per  kilo,  with  an  additional  tax  of 
Esc.   00$01. 

Lisbon,  the  capital  of  Portugal,  has  a  popula- 
tion of  nearly  500,000,  and  is  of  first  importance 
as  a  market  for  films.  Oporto  is  the  second  city, 
with  200,000.  and  in  addition  to  these  there  are 
numerous  smaller  towns,  all  of  which  are  develop- 
ing an  increasing  interest  in  motion  pictures. 
No  film  or  motion  picture  journals  are  as  yet 
published    in    this    country. 

Some  films  showing  News  Events  of  the  World, 
have   been   very   well   received   by   the  public. 

The  Portugalia  Film,  an  organization  for  the 
manufacture  of  all  Portuguese  films,  will  prob- 
ably, in  the  near  future,  be  in  a  position  to  fur- 
nish films  of  News  Events  of  this  country,  if  a 
profitable    market    is    found    for    them    in    foreign 

countries.  ^.TTiiir  a -mt  a 

RUMANIA 

There  is  no  film  production  in  Rumania  but  all 
big  international  companies  have  either  a  branch 
or  are  represented  through  some  exchange  sit- 
uated in  Bucharest.  The  largest  theater  in  that 
city  is  the  "Pathe  Palace."  which  seats  1200  on 
two  separate  projection  floors.  The  first  reel  runs 
upstairs  while  the  second  is  being  shown  on  the 
other  floor.  The  admission  prices  range  from  15 
to  30  lei.  Film  rentals  run  about  20.000  lei  week- 
ly. The  city  also  contains  6  second  and  16  third 
class  houses. 

While  there  is  no  definite  censorship  in  Rumania, 
it  is  required  to  submit  a  list  of  titles  to  the  dis- 
trict police,  and  according  to  reports  in  feoreign 
trade  papers  a  settlement  is  usually  reached  with 
the  police  by   what  is  termed  "friendly  agreement." 

The  import  duty  on  films  is  10  lei  per  kilo  plus 
2'r  ad  valorem,  the  export  duty  22%  ad  valorem. 
The  amusement  fax  amovnts  to  25 ""r  on  the  gross 
income  and  is  very  accurately  checked  up,  in  that 
way  helping  the  exchangeman  who  rents  out  on 
percentage.  The  rights  for  Rrmania  ar^  oflfercd 
bv  German,  Austrian  and  Hungarian  firms  as 
low  as  10.000  to  15.000  lei,  while  for  real  first 
class  films  30,000  to  40,000  lei  may  be  obtained. 


425 


SWEDEN 

Originally  appearing  in  "The  Swedish  Export," 
a  periodical  published  by  the  General  Export  As- 
sociation of  Sweden.     The  data   follows  : 

Sweden  is  of  all  the  countries  in  the  world  the 
one  best  supplied  with  motion  picture  houses — 
"Biographs,"  according  to  the  local  designation, 
and  "going  to  Bio"  is  the  national  pastime  most 
intensely  pursued  at  present.  With  a  population 
around  six  millions  there  were  at  the  end  of 
1919  not  less  than  600  playhouses  of  that  kind 
in  full  swing,  in  addition  to  a  number  of  peram- 
bulating picture  shows.  Stockholm  itself,  with 
about  500,000  inhabitants,  has  something  like  75 
picture  houses.  Playgoers  to  picture  shows 
numbered  60,000,000  in  1919  for  the  whole  country, 
but  this  figure;  has  shrunk  considerably  since  that 
time. 

The  two  principal  importing  and  producing  con- 
cerns, Svenska  Biografteatern  and  Skandia,  joined 
forces  in  1919,  the  amalgamation  being  now  styled 
Aktiebolaget  Svensk  Filmindustri,  with  a  joint 
capital  of  35,000,000  kronor.  The  head  of  the 
company  is  Charles  Magnusson.  The  large 
studios  at  Rasunda,  near  Stockholm,  belong  to  A. 
B.  Svensk  Filmindustri,  who  have  a  studio  in 
Denmark   as   well. 

UNITED    KINGDOM 

The  following  report  on  film  conditions  in  the 
United  Kingdom  was  made  last  February  :  During 
the  past  few  weeks  there  have  been  many  reports 
in  the  newspapers  and  elsewhere  in  regard  to  the 
alleged  falling  off  in  the  attendance  of  Cinema 
Theaters  in  the  United  Kingdom,  which  is  attri- 
buted to  the  inferior  class  of  films  which  is  now 
being  shown  before  the  public.  As  regards  Lon- 
don it  is  certainly  true  that  even  at  the  best  Cinema 
Theaters,  a  very  inferior  class  of  film  is  being 
exhibited  in  comparison  to  a  year  ago.  In  an  open 
letter  to  British  film  exhibitors  entitled  "Why 
Cinemas  are  Empty"  published  in  the  "Daily 
Mail,"  Arthur  Weigall,  a  well  known  Egyptologist 
who  has  lately  associated  himself  with  theatrical 
and    Cinematograph    enterprises    writes    as    follows : 

"You  are  paying  the  price  now  of  your  block- 
booking  and  blind-booking  of  pictures  you  have 
neither  seen  nor  read  about,  whether  British  or 
American,  and  which  will  often  not  be  shown  until 
the  passage  of  months  or  years  has  made  them 
almost  out  of  date.*  *  *"  That  the  slump — if 
there  is  one — may  be  due,  as  Mr.  Weigall  says, 
to   block-booking  is  not  altogether   improbable. 

In  the  United  Kingdom  there  are  4,000  Cinema 
Theaters  as  opposed  to  the  20,000  in  the  United 
States.  As,  practically,  the  entire  American  film 
output  is  booked  for  exhibition  in  the  United  King- 
dom, it  is  inevitable  that  such  a  system  must  be 
adopted.  In  addition,  there  are  on  the  market 
a  large  number  of  British  Films  (produced  by 
British  companies,  photographed  in  England  and 
featuring  English  actors),  as  well  as  films  pro- 
duced on  the  Continent,  moreover,  British  ex- 
hibitors frequently  book  the  entire  output  for  the 
year  of  some  well  known  company,  such  as  "The 
Famous  Players'  'or  "The  Gaumont  Company" 
without  seeing  any  of  the  pictures,  but  relying 
merely  on  the  past  reputation  of  such  firms,  and 
the  drawing  power  of  their  names.  It  is  obvious 
that  in  the  annual  output  of  such  companies  which 
may  amount  to  fifty  or  sixty  pictures,  there  must 
be  some  failures.  Where,  in  the  United  States, 
such  failures  would  be  shelved  forever,  in  the 
United  Kingdom  they  are  shown  because  they  have 
already  been  booked,  and  it  is  natural  that  the 
public  after  seeing  a  number  of  such  failures, 
should  become  discouraged  and  stay  away  from 
the  Cinema  altogether.  Moreover  the  British  films 
which  have  been  shown  to  date  are  inferior  to  the 
good  American  productions.  And  the  patriotism 
which  prompts  the  exhibitors  to  show  British 
films,  is  not  responded  to  by  the  public  who  are 
willing  to  pay  provided  they  get  their  movie's 
worth   in   amusement. 

British  Films 
In  endeavoring  to  compete  against  the  United 
States,  British  Film  exhibitors  have  set  them- 
selves a  difficult  task.  They  have  neither  the 
experience,  nor  the  funds,  nor  the  climatic  con- 
ditions    which    are    at     the    disposal    of    American 


producers.  This  office  was  informed,  moreover, 
at  the  London  agency  of  a  well  known  American 
firm  of  Film  producers  that,  although  film  pro- 
ductions cost  approximately  the  same  in  England 
as  in  America,  the  returns  are  too  small  to  make 
such  large  outlays  practicable.  This  situation  is, 
moreover,  not  likely  to  change,  as  long  as  there 
are,  comparatively,  so  few  Cinemas  in  the  United 
Kingdom,  and  as  long  as  British  pictures  have 
such    a    small   market    in    the    United    States. 

Cinema  acting  in  the  United  Kingdom  is  hardly 
a  profession  in  itself,  as  it  is  in  the  United  States. 
The  number  of  film  productions  in  this  country 
is  too  small  to  afford  anything  like  regular  em- 
ployment to  anyone  adopting  it  as  a  profession. 
All  the  British  "Stars"  are,  or  have  been,  well 
known  actors  on  the  London  stage. 
Film    Censorship 

The  London  County  Council  has  recently  issued 
certain  new  regulations  in  regard  to  the  censor- 
ship of  films,  of  which  the  two  most  important 
provisions   are   as    follows : 

(1)  After  January  2nd,  no  films  are  to  be  ex- 
hibited in  any  theater  holding  a  Council  license 
unless  they  have  been  previously  passed  by  the 
British  Board  of  Film   Censors. 

(2)  After  July  1,  1922,  no  person  under  the 
age  of  16,  unless  accompanied  by  a  parent  or  bona 
fide  guardian,  shall  be  present  at  any  theater, 
where  films  passed  by  the  Board  for  "public"  or 
"adult,"  but  not  for  "Universal'  exhibition,  are 
shown. 

Films  are  divided  by  the  Board  of  Censors  into 
two  classes,  those  called  "A"  which  are  suitable 
for  adults  only,  and  those  called  "U,"  which  the 
Board    considers    suitable    for    universal    exhibition. 

It  is  evident  that  block-booking  is,  to  a  great 
extent,  responsible  for  a  number  of  very  inferior 
films  being  shown.  The  public,  certainly,  in  any 
case,  as  regards  London,  is  as  anxious  as  ever 
to  patronize  the  silent  drama  as  long  as  there  are 
good  plays  to  see.  The  fact  remains  that  many 
of  the  foremost  picture  houses  in  London  are 
suffering  from  considerable  loss  of  patronage. 
This  must  be  due  to  the  class  of  picture  shown. 
The  British  public  have  not  lost  their  taste  for 
film  plays;  "Way  Down  East"  was  produced  in 
London  on  September  5th  at  the  Empire  Theater, 
one  of  the  largest  and  the  best  known  music 
halls  in  London,  and  has  only  just  concluded  its 
run.  "The  Kid,"  drew  large  audiences  wherever 
it  was  shown,  and  during  its  exhibition  at  the  Royal 
Opera  House,  Covent  Garden,  there  was  scarcely 
an   empty  seat   in   the   theater. 

On  the  other  hand  at  a  small  Cinema  theater 
where  a  British  film  adaption  of  Ibsen's  "Pil- 
lars of  Society"  was  being  shown,  the  audience 
did   not   half   fill   the   theater. 

It  would  seem  that  a  play  like  "Pillars  of 
Society"  would  obviously  suffer  considerably  by 
being  adapted  for  the  Screen,  and  the  subject  un- 
suitable  generally   for    Cinema   audiences. 

Although  Cinema  Theaters  in  London  are  com- 
paratively few  and  far  between,  it  is  seldom  that 
regular  theaters  are  converted  for  the  exhibition 
of  screen  plays,  as  is  frequently  the  case  in  New- 
York.  On  the  other  hand  The  Empire  and  The 
Palace,  the  two  best  known  variety  houses  in 
London  have  both  to  resort  to  the  Cinema  in 
order  to  keep  their  doors  open.  The  Palace  at 
the  moment  is  occupied  by  a  revue,  the  lessees 
paying  a  rent  of  £700  a  week.  It  was  an- 
nounced in  a  newspaper  some  days  ago  that  this 
contract  was  likely  to  be  terminated  at  an  early 
date,  because  a  certain  film  producer  had  offered 
£850. 

The  London  Opera  House  opened  by  Oscar 
Hammerstein  in  1912,  failed  in  turn  as  an  opera 
house  and  a  music  hall,  and  is  now  doing  good 
business   as   a    Cinema. 

The  largest  and  most  luxuriously  appointed 
Cinema  Theaters  in  the  United  Kingdom  are  found 
in  the  Provincial  towns  of  England  such  as  Man- 
chester, Bradford,  Leeds  and  Liverpool,  though 
none  of  them  compares  in  size  and  comfort  with 
the    Capitol    in    New    York. 

Prices  of  Admission 

These  vary  considerably  according  to  the  tone 
of  the  theater  and  the  class  of  film  which  is 
being  shown.  Admission  to  the  regular  first  class 
Cinema     Theaters     in     London     range     from     l/3d 


426 


to  5/6d.  Seconrl  class  Cinemas  charge — 6d.  to 
^/ —  or  3/—.  At  the  Royal  Opera  House  and 
The  Empire  Theater  where  "The  Three  Mus- 
ketters"  and  "Way  Down  East"  were  shown  re- 
spectively. l-V—  were  charged  for  the  most  ex- 
pensive seats,  which  is  the  regular  West-End 
theater    price. 

European    Picture    Theaters 

.\  French  trade  organ  records  that  France  has 
about  2000  picture  theaters  for  its  population  of 
over  38  millions;  Norway,  with  about  3.600,000 
inhabitants,  has  170;  Denmark,  with  2,900,000  in- 
habitants, has  250;  Sweden,  with  5,800,000  in- 
habitants, has  over  200;  Holland,  with  roughly 
6,000.000  people,  has  but  180  movies,  while  Bel- 
gium possesses  800  for  a  population  of  about  8 
millions. 

Canadian    Film    Sales    Import   Tax    Ruling 
An   important  ruling  defining  the  basis  of  assess- 
ment   of    the    sales    tax    on    film    importations   made 
by    the    Commissioner    of    Customs    and    Excise    at 
Ottawa,   as  follows  : 

"Under  the  provision  of  the  amendment  to  the 
Special  War  Revenue  Act,  sales  tax  on  impor- 
tations must  be  computed  upon  the  duty-paid 
value,  which  is  defined  as  being  the  value  of  the 
article  as  it  would  be  determined  for  the  purpose 
of  calculating  an  ad  valorem  duty  upon  the  im- 
portation of  same  into  Canada  under  the  laws 
relating  to  the  Customs  and  the  Customs  Tariff, 
whether  such  article  be  in  fact  subject  to  ad 
valorem  or  other  duty  or  not,  and,  in  addition, 
to  the  amount  of  the  Customs  duties,  if  any,  payable 
thereon. 

"The  value  for  duty  on  films  sold  outright  to 
the  Canadian  importer  is  based  on  the  home  con- 
sumption value  at  time  of  shipment,  but,  in  no  case, 
less  than  the  invoice  value,  except  on  account  of 
reduction  in  the  fair  market  value  of  such  goods 
at  the  time  of  their  purchase  by  the  Canadian 
purchaser  and  their  exportation  into  Canada.  The 
value  for  duty  of  standard  films  shipped  on  con- 
signment into  Canada  without  sale  is  fixed  by  the 
department  at  not  less  than  an  appraisal  value 
of  8c  per  lineal  foot." 

French    Export    and    Import    Figures 

The  following  are  the  export  and  import  figures 
for   the   period    from    January    to   July    (inclusive)  : 

Export:  53,872,000  meters  of  film,  value  frs. 
213,300,000  (as  against  43,498,000  meters,  value 
frs.    172,250,000,   for  the  same  period  in   1921). 

Import :  Printed  film  (American,  German  and 
all  other  foreign  films),  January  to  July,  3,370,000 
meters,  value  frs.  6,168.000  (as  against  4,102,000 
meters,  value  frs.  9,096.000,  in  1921).  Raw  stock 
film,  January  to  July,  6,706,000  meters,  value  frs. 
4,328,000  (as  against  10,386,000  meters,  value  frs. 
9,504,000  in  1921). 

On  this  scale  the  year's  total  figures  would 
show,  approximately:  Export  92,352,000  meters, 
value  frs.  365,657,143.  Import  of  foreign  films, 
5,784,000  meters,  value  frs.  10,573,000.  Import 
of  raw  stock:  11,496,000  meters,  value  frs.  10,- 
573,715. 

The  exact  official  figures  will  not  be  available 
until  the  end  of  January,  1923,  when  it  will  prob- 
ably be  found  that  import,  both  of  foreign  films 
and  of  raw  stock,  has  considerably  decreased, 
while  export  of  films  has  undoubtedly  increased. 
Probably  the  figures  will  be  roughly  as  follows : 
Export,  about  96,000,000  meters,  value  frs.  423,- 
000,000.  Import  of  foreign  films  (amongst  them 
many  German  ones),  about  4.200,000  meters,  value 
approximately  frs.  8,500,000.  Import  of  raw 
stock,  about  9,000,000  meters,  value  approximately 
frs.    7,600,000. 

Teaching  Production  in  Munich 
The  N.  Y.  Globe  reported  in  March  : 
"In  Munich  a  film  university  has  been  founded 
that  gives  instruction  in  four  half-year  terms  in 
(1)  the  technical  phases,  (2)  acting,  scenery,  and 
management,  (3)  business  and  legal  branches,  and 
(4)  science  and  literature,  by  a  teaching  staflf,  in- 
cluding the  most  prominent  producers,  professors 
of  the  Munich  University  College,  actors,  photog- 
raphers and   other   technical   experts. 

"Capital  invested  in  the  film  industry  has  tre- 
mendously increased  in  the  last  two  years.  At 
the   end    of    1920    it   was   98,000,000   marks;    at    the 


end  of  1921,  291,000,000  marks,  and  at  the  close 
of  January  of  this  year,  319,000,000  marks,  or  an 
increase  of  more  than  300  per  cent  in  a  little  more 
than   a  year. 


IMPORTANT    FOREIGN    LISTS 

(Continued   from    Page   420) 
Austria   Theaters 

In  Vienna  there  are  181  theaters,  88  of  which 
contain  300  seats;  lb,  600  seats,  11,  1,000  seats, 
and  4  over  1,000  seats.  In  Lower  Australia  of  the 
184  theaters,  86  have  300  seats,  43  have  600  seats 
and  2  have  1,000  seats,  according  to  "Film 
Express."  In  upper  Austria  of  the  65  theaters. 
38  have  300  seats,  14  have  approximately  600 
seats    and   2    have    1,000    seats. 

Czecho-Slovakia    Theaters 

Bohemia  has  211  theaters.  34  have  300  seats, 
83    have   600   seats,   and   21    have    1,000   seats. 

Moravia  has  118  theaters,  28  of  which  contain 
300  seats,   26,   600  seats,   and  2,    1,000  seats. 

In  Silesia  there  are  37  theaters;  of  this  number 
10  have  300  seats,  11  have  600  seats  and  1  has 
1,000    seats. 

In  Slovakia  there  are  121  theaters,  70  of  which 
contain  300  seats,  Zl  of  which  contain  600  seats, 
3    contain    1,000    seats    and    1    has    over    1,000. 

Jugoslavia  has  231  theaters,  22  containing  300 
seats,  29,  600  seats;  5,  1,000  seats,  and  1, 
1,000    seats. 

Galicia  has  88  theaters.  There  are  5  which  con- 
tain 300  seats,  14  which  contain  600  seats,  and 
2   which   contain    1,000. 


HOOVER'S    REPORT 

Early  in  the  year  Secretary  of  Commerce 
Hoover  made  a  report  to  the  United  State  Senate 
covering  the  scope  of  the  film  industry  in  its 
relation  to  foreign  commerce.  Excerpts  of  his 
report   appear   below. 

"Our  imports  of  exposed  film  for  1921  will 
apparently  be  about  half  as  large  as  in  1914. 
During  the  war  imnorts  fell  from  20,057,000  ft. 
in  1914,  to  the  low  mark  of  2,267,975  ft.  in  1918. 
Recovery  since  1918  has  been  rapid,  imports 
increasing  in  1920  to  6,233,000  ft.,  and  for  1921 
will  probably  be  approximately  10,000.000  ft.  The 
total  value  of  this  exposed  film  is  likely  to  be 
about  the  same  as  in  1914,  the  price  of  film, 
like   prices   of  other   commodities,   having   changed. 

"During  the  war,  the  development  and  expansion 
of  the  American  motion  picture  industry  proceeded 
with  great  rapidity.  Imports  of  exposed  film  de- 
clined, and  the  effect  of  foreign  competition  in  the 
domestic  field  became  less  important.  Exports  of 
exposed  film  increased  from  32,192,000  ft.  in  1913 
to   over    150,000,000   ft.    in    1919. 

"In  1920  our  exports  of  exposed  film  were 
175,233,000  ft.,  which  is  more  than  five  times 
the  highest  pre-war  figure.  For  1921  the  total 
export  will  probably  be  somewhat  less  than 
in    1920. 

"There  are  no  official  figures  on  the  domestic 
production  of  motion  pictures  with  which  im- 
port figures  can  be  compared.  But  as  compared 
with  our  domestic  exports  of  exposed  film  imports 
are  of  relatively  small  importance.  Even  for 
the  current  year,  in  which  imports  have  in- 
creased and  exports  decreased,  the  import  will 
probably  be  only  10.000.000  ft.,  while  exports 
will  be  at  least  140.000.000  ft.  Since  many  of 
tlie  pictures  sent  to  this  country  by  foreign  pro- 
ducers are  not  saleable,  and  are  never  shown 
before  American  audiences,  the  figures  for  the 
imnort  of  exposed  film  are  slightly  of  less  sig- 
nificance than  they  first  appear.  Further,  m 
gauging  the  importance  of  imports,  the  ra/pid 
development  and  expansion  of  the  domestic  in- 
di'Strv  must  be  taken  into  account.  An  import 
of  1,000  000  ft.  of  film  into  the  United  States 
today  means  much  less  to  the  industry  than  the 
importation  of  a  similar  amount  means  in  1914. 
The  domestic  market  has  so  developed  that 
20.000  000  ft.  (the  import  of  1914),  would  be 
more  easily  absorbed  today  than  a  much  smaller 
amount  in  1914.  E.xcept  for  four  German  and 
one  Italian  film,  pictures  of  foreign  make,  im- 
ported since  the  .  war,  have  not  been  especially 
successful."' 


427 


Ten  Best  Box  Office  Titles,  1922 

In  an  effort  to  ascertain  a  selection  of  the  ten  best  box  office  titles  for  productions 
released  during  1922,  sales  managers  of  important  distributing  organizations  offered  the 
following: 


J.   S.  Woody,   Select  Pictures 
Passion. 

Connecticut    Yankee. 
Blood  and  Sand. 
East  is  West. 
The   Four   Horsemen. 
Way   Down   East. 
Manslaughter. 
The  Three  Musketeers. 
The   Sheik. 
One  Week  of  Love. 

James   R.   Grainger,   Goldwyn 

Over    the   Hill. 

Penrod. 

Why  Girls  Leave  Home. 

Blood  and   Sand. 

Molly   O. 

Fascination. 

Dinty. 

East  is  West. 

The  Sheik. 

The   Old   Nest. 

Lee   Marcus,    F.    B.   O. 

In  the  Name  of  the  Law. 

Foolish   Wives. 

Where   is   My   Wandering    Boy   Tonight. 

Passion. 

The    Stealers. 

The  Miracle  Man. 

School  Days. 

Male  and   Female. 

Don't   Tell    Everything. 

What's   Wrong  With   the   Women. 

Sam  E.  Morris,  Warner  Bros. 

Why   Girls  Leave   Home. 
The  Kid. 

The  Miracle  Man. 
School  Days. 
Over   the   Hill. 
Smilin'   Through. 
Rags  to   Riches. 
Sailor-Made  Man. 
Four  Horsemen. 
Orphans   of   the   Storm. 


E.   A.   Eschmann,   Pathe 


Over  the  Hill. 

Foolish    Wives. 

Find  the  Woman. 

Manslaughter. 

Rags    to    Riches. 

I    Am    the    Law. 

Passion. 

The   Devil. 

The   Great   Lover. 

What   Women   Want. 


E.    M.    Asher,    Mack   Sennett 

Why  Girls  Leave  Home. 

The  Sheik. 

Foolish   Wives. 

Peacock  Alley. 

East  is  West. 

Molly   O. 

Ten   Nights  in   a   Bar   Room. 

Monte   Crsto. 

Prisoner  of  Zenda. 

Smilin'  Through. 

While  Why  Girls  Leave  Home  and  Ten  Nights 
in  a  Bar  Room  did  not  find  their  way  into  some 
of  the  larger  theaters,  nevertheless,  the  theaters 
that  played  these  pictures  found  them  to  be  tre- 
mendous  box  oiifice  attractions. 


D.    M.    Sohmer,    Commonwealth 

What   No   Man    Knows. 

Rich  Men's  Wives. 

What's   Wrong  With   the  Women. 

Where    is    My    Wandering    Boy    Tonight. 

Life's    Greatest    Question. 

Why   Women   Sin. 

Human   Hearts. 

Fools   of   Fortune. 

How    Women    Love. 

Hungry   Hearts. 

Passion,  Over  the  Hill  and  Why  Girls  Leave 
Home  top  the  list  with  three  votes  each.  This 
though  Passion   was  really   a   1920  release. 


SERIAL    DIRECTORS 

Edward    Laemmle 

Winners   of    the   West 

W.    S.    Van    Dyke 

White    Eagle 

Harry  Pollard 

The    Leather    Pushers 
Edward    KuU 

With    Stanley    in    Africa 

Robert    Hill 

The     Advertures     of     Robinson 
Crusoe 

Fred  Jackman 

The    Timber    Queen 

Perry  VekrofF  and  Joy  Marchant 
Perils  of  the  Yukon 

George  B.   Seitz 
Speed 
Plunder 

John  V.    DeLacy 

The    Craig    Kennedy    Serial 


WORK  OF  CAMERAMEN 

(Continued   from    page    117) 

Miss   Lulu   Bett 
Our    Leading    Citizen 
Clarence 
Nice   People 
Manslaughter 

Frank   Williams 
The     Swamp 

L.   E.   Williams 
Father  Tom 
Man    She    Brought    Back 

Alvin    WyckoSF 

Saturday     Night 

Fools    Paradise 

Blood  and  Sand 

Man  Who  Saw  Tomorrow 

Manslaughter 

Frank  Zukor  ' 

Holdane  of  the  Secret  Service 


428 


During  1922 

^ol'able  David"  was  released  the 
eek  of  January  1st,  1922.  It  has 
ice  been  awarded  the  Photoplay 
Did  Medal — it  was  adapted  by 

Edmund  Goulding. 

January  1st.  1922,  "Peacock  Alley'' 
appeared — a  smashing  box  office 
success  Edmund  Goulding. 

Then  came  —  "Fascination"  —  pro- 
nounced Mae  Murray's  best  picture. 
Story  and  adaptation  by 

Edmund  Goulding. 

"Broadway  Rose"  followed. 
And    then    "Jazzmania" — Mae    Mur- 
ray's next  starring  vehicle.    The  story 
and    adaptation    by 

Edmund  Goulding. 

After  that  came  Mae  Murray  in 
"Mam'selle  Midnight."  Story  and 
adaptation  by         Edmund  Goulding. 


A  novel  of  the  sea  has  been  written  during 
the  year — it  is  entitled  "Fury,"  and  was 
published  December  1st,  by  Dodd,  Mead  & 
Co.,  New  York.     It  is  by 

Edmund  Goulding. 


A  picture  has  been  made  of  Fury — 
by  Richard  Barthelmess — adapted  by 

Edmund  Goulding. 

And  J.  D.  Williams  said  "  'Fury'  is  a 
greater  picture  and  bigger  box  oflfice 
picture  than  even  'Tol'able   David.' " 

A  photoplay  of  New  York  and  the 
Orient  entitled  "Dark  Secrets," 
starring  Dorothy  Dalton,  was  made 
by  Famous  Players-Lasky.  Story 
and  adaptation  by 

Edmund  Goulding. 


"The  Bright  Shawl"  was  adapted  for 
Richard  Barthelmess  by 

Edmund  Goulding. 


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